Historiography Books

Book SynopsisConsuming History examines how history works in contemporary popular culture. Analysing a wide range of cultural entities from computer games to daytime television, it investigates the ways in which society consumes history and how a reading of this consumption can help us understand popular culture and issues of representation.In this second edition, Jerome de Groot probes how museums have responded to the heritage debate and how new technologies from online game-playing to internet genealogy have brought about a shift in access to history, discussing the often conflicted relationship between public' and academic history and raising important questions about the theory and practice of history as a discipline. Fully revised throughout with up-to-date examples from sources such as Wolf Hall, Game of Thrones and 12 Years a Slave, this edition also includes new sections on the historical novel, gaming, social media and genealogy. It conTrade Review"De Groot provides all students and practitioners of history with a fascinating overview of the diverse ways in which history is used by societies, and a nuanced understanding of both the rewards and challenges involved with representing the past to the public… The author’s intellectual engagement with these topics is untouched by other publications."Michael F. Dove, University of Western Ontario, Canada"This is the only book that seriously addresses the relationship between history and popular culture in Britain today, and does so in an engaging, thoughtful and accessible way… the range of coverage in Consuming History is excellent."Catherine Fletcher, University of Sheffield, UK"This empirically rich, well-documented book surveys an impressively wide range of topics that the author divides into six often overlapping categories. De Groot (Univ. of Manchester, UK) concentrates heavily on the British experience and, in this second edition of a book first published in 2009, offers new topics, updated examples, and revised analyses. Summing Up: Recommended. Upper-division undergraduates and above."D. L. LeMahieu, Lake Forest College, USA, CHOICE Reviews"De Groot provides all students and practitioners of history with a fascinating overview of the diverse ways in which history is used by societies, and a nuanced understanding of both the rewards and challenges involved with representing the past to the public… The author’s intellectual engagement with these topics is untouched by other publications."Michael F. Dove, University of Western Ontario, Canada"This is the only book that seriously addresses the relationship between history and popular culture in Britain today, and does so in an engaging, thoughtful and accessible way… the range of coverage in Consuming History is excellent."Catherine Fletcher, University of Sheffield, UK"This empirically rich, well-documented book surveys an impressively wide range of topics that the author divides into six often overlapping categories. De Groot (Univ. of Manchester, UK) concentrates heavily on the British experience and, in this second edition of a book first published in 2009, offers new topics, updated examples, and revised analyses. Summing Up: Recommended. Upper-division undergraduates and above."D. L. LeMahieu, Lake Forest College, USA, CHOICE ReviewsTable of ContentsList of figures. Acknowledgements. Preface to the Second Edition. Introduction. Part 1: The Popular Historian 1. The public historian, the historian in public. 2. Popular history in print. 3. The historian in popular culture. Part 2: Digital History 4. Genealogy and family history. 5. History online. Part 3: Performing and playing history. 6. Historical re-enactment. 7. Performing pastness, recycling culture and cultural re-enactment. 8. History games. Part 4: History on Television. 9. Contemporary historical documentary. 10. Reality, professional reality, celebrity and object history. 11. History on television around the world. Part 5: The ‘historical’ as cultural genre. 12. Historical television: Adaptation, original drama, comedy and time-travel. 13. Historical Film 14. Imagined histories: Novels, plays and comics. Part 6: Material Histories. 15. The everyday historical: local history, antiques, metal detecting. 16. Museums, tourism, gift shops and the historical experience. Conclusions. Index.

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Book SynopsisResearch Methods for History encourages those researching the past to think creatively about the wide range of methods currently in use, to understand how these methods are used and what historical insights they can provide.

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Book SynopsisThis textbook examines Marxism’s enormous impact on the way historians approach their subject. Tackling current historiographical questions in an accessible way, the author offers a clear introduction to Marxist views of history, key Marxist historians and thinkers, and the relevance of Marxist theory and history to students’ own work. This is a concise, thorough overview of an important area of historiography. The second edition incorporates significant new developments in research, including Marxist contributions to the emergence of global, maritime and transnational history; the discovery of Marx’s ecologism and the historical critique of fossil capitalism as a source of environmental disaster; a reassessment of gender oppression through social reproduction theory; and the contribution of Marxism to debates on race, Eurocentrism and whiteness. Table of Contents1. Introduction2. Marxist History’s Wide Panorama3. Marx and Engels’s Conception of History4. The Historical Writings of Marx and Engels5. The Second Generation and the Philosophy and Writing of History6. ‘Rescuing the Poor Stockinger’: History from Below7. Marxism, Structuralism, Humanism8. Marxism and Postmodernism9. Conclusion

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Book SynopsisThe Fiction of Narrative traces the arc and evolution of White's field-defining thought and will become standard reading for students and scholars of historiography, the theory of history, and literary studies.Trade ReviewThe book will interest scholars from an array of disciplines... Recommended. ChoiceTable of ContentsEditor's NotePrefaceEditor's IntroductionAcknowledgments1. Collingwood and Toynbee: Transitions in English Historical Thought2. Religion, Culture, and Western Civilization in Christopher Dawson's Idea of History3. The Abiding Relevance of Croce's Idea of History4. Romanticism, Historicism, and Realism: Toward a Period Concept for Early Nineteenth-Century Intellectual History5. The Tasks of Intellectual History6. The Culture of Criticism: Gombrich, Auerbach, Popper7. The Structure of Historical Narrative8. What Is a Historical System?9. The Politics of Contemporary Philosophy of History10. The Problem of Change in Literary History11. The Problem of Style in Realistic Representation: Marx and Flaubert12. The Discourse of History13. Vico and Structuralist/Poststructuralist Thought14. The Interpretation of Texts15. Historical Pluralism and Pantextualism16. The "Nineteenth Century" as Chronotope17. Ideology and Counterideology in Northrop Frye's Anatomy of Criticism18. Writing in the Middle Voice19. Northrop Frye's Place in Contemporary Cultural Studies20. Storytelling: Historical and Ideological21. The Suppression of Rhetoric in the Nineteenth Century22. Postmodernism and Textual Anxieties23. Guilty of History? The longue durée of Paul RicoeurNotesIndex

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Book SynopsisFully updated and carefully revised, this new 2nd edition of History by Numbers stands alone as the only textbook on quantitative methods suitable for students of history. Even the numerically challenged will find inspiration. Taking a problem-solving approach and using authentic historical data, it describes each method in turn, including its origin, purpose, usefulness and associated pitfalls. The problems are developed gradually and with narrative skill, allowing readers to experience the moment of discovery for each of the interpretative outcomes. Quantitative methods are essential for the modern historian, and this lively and accessible text will prove an invaluable guide for anyone entering the discipline.Trade ReviewThe chapters are structured clearly and accessibly; they also include useful exercises which are based on real research work ... A useful book, well-structured and with great pedagogical value. * Lectures (Bloomsbury translation) *History by Numbers is a perfect introduction to those unfamiliar with, or uncertain about, quantitative approaches to the study of the past. Written in an accessible and engaging style, even those who lack confidence with numbers, graphs and statistics will find themselves enlightened as the authors carefully guide them through a variety of quantitative historical methodologies, describe how they have been used, and what their advantages and shortcomings might be for historical researchers. * Hannah Barker, University of Manchester, UK *Scared of numbers no more! In a world in which we are constantly asked to make sense of data in the form of graphs and tables, how can we address history without much sense of magnitude, scale and trends over time? In History by Numbers Hudson and Ishizu guide the reader step by step into the world of quantities, and percentages, as well as the mysteries of sampling and causation. Without numerical literacy, it is impossible to tackle key issues such as migration, consumption, urbanisation and indeed cultural and political change. * Giorgio Riello, University of Warwick, UK *This is the text book for the next generation of quantitative historians. The brilliantly crafted new edition is written for those who are knowledgeable in history but still skip over the graphs and tables. Chapters convey the evolving need for quantitative study, then lead readers smoothly through all the key quantitative principles. Early chapters show how to read and assess quantitative history; concluding chapters provide effective guidelines on conducting quantitative research. The images and tables, updated and beautifully documented, illustrate concretely the principles. Hudson and Ishizu have overcome the mechanical approaches of their competitors: at every step, a lively historiographical discussion accompanies their clear statement of quantitative principles, emphasizing the balance of technique and critical historical review of the past. Students will be elevated as well as informed; senior scholars will read this book with profit as a review of principles and as a guide to teaching. * Patrick Manning, University of Pittsburg, USA and President, American Historical Association *Ever wondered about that Gini they talk about? If you have scratched your head over debates about income inequality, puzzled over long-run trends, or perhaps pondered on what son-preference in India did to men’s chances of marrying, then History by Numbers is for you. This book gently teaches how to think with statistics, using wide-ranging examples from recent historical literature. Statistical concepts are crystal clear. The authors also examine why historians want to quantify, and how research is changing in the digital age. Big Data means everyone needs to understand numbers. Hudson and Ishizu offer an at once practical and engaging introductory text. * Deborah Oxley, University of Oxford, UK *This is the best English handbook on quantitative methods for history students. * Maarten Van Dijck, Erasmus University Rotterdam, The Netherlands *This is a great introduction to quantitative history. It is clear and accessible and makes the topic appealing to students. * Michael Goodrum, Canterbury Christ Church University, UK *Table of ContentsForeword 1. The Prospects and Pitfalls of History by Numbers 2. The Origins and Nature of Quantitative Thinking 3. Arranging, Rearranging and Displaying Data 4. Summarising Data: Averages and Distributions 5. Time Series and Indices 6. Relationships Between Variables 7. Sampling and Significance Testing 8. Modelling History 9. Computing, the Internet and History Glossary Index

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Book SynopsisFrom the author of Fake History, Otto English, comes a shocking yet hilarious look at ten of the greatest liars from our past, examining these previously unquestioned idols and exposing what they were trying to hide.'A brilliant book.' James O'BrienWas Che Guevara really a revolutionary hero?Should Mother Teresa be honoured as a saint?Is Henry V actually England's greatest king?And why does JFK's legend continue to grow?Having exposed some of the greatest lies ever told in Fake History, journalist Otto English turns his attention to some of history's biggest (and most beloved) figures.Whether it's virtuous leaders in just wars, martyrs sacrificing all for a cause, or innovators changing the world for the better, down the centuries supposedly great men and women have risen to become household names, saints and heroes. But just how deserving are they of their reputations?Exploring everything from Captain Scott's reckless hunt for glory and Andy Warhol's flagrant thievery to Coco Chanel's murky Nazi past, Otto English dives into the hidden lives of some of history's most recognisable names. Scrutinising figures from the worlds of art, politics, business, religion and royalty, he brings to light the murkier truths they would rather have kept buried away, at the same time as celebrating the unsung heroes lost to time.Fake Heroes exposes the truth of the past and helps us understand why that matters today.Trade Review'A fascinating mixture of subjects and lots of offbeat information ... Eye-opening' -- Andrew Lownie'A brilliant book' -- James O'Brien'The most controversial book of the year' * Daily Express *'A fascinating and humorous look at some of the seminal characters of our recent histories ... An uproarious narrative' -- Iain MacGregor, Aspects of History

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Book SynopsisTrade Review"One of Times Higher Education's Best Books of 2018""One of the Financial Times' Summer Books of 2019: History"

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Book SynopsisReinhart Koselleck is regarded as one of the most important theorists of history and historiography of the late 20th century, and is an exponent and practitioner of "Begriffsgeschichte". The 18 essays in this volume illustrate the four theses of Koselleck's concept of history.Table of Contents1 On the Need for Theory in the Discipline of History 2 Social History and Conceptual History 20 3 Introduction to Hayden White's Tropics ofDiscourse 38 4 Transformations of Experience and Methodological Change: A Historical-Anthropological Essay 45 5 The Temporalization of Utopia 84 6 Time and History 100 7 Concepts of Historical Time and Social History 125 8 The Unknown Future and the Art of Prognosis 131 9 Remarks on the Revolutionary Calendar and Neue Zeit 148 10 The Eighteenth Century as the Beginning of Modernity 154 11 On the Anthropological and Semantic Structure of Bildung I70 12 Three biirgerliche Worlds? Preliminary Theoretical-Historical Remarks on the Comparative Semantics of Civil Society in Germany, England, and France 208 13 "Progress" and "Decline": An Appendix to the History of Two Concepts 218 14 Some Questions Regarding the Conceptual History of"Crisis" 236 15 The Limits of Emancipation: A Conceptual-Historical Sketch 248 16 Daumier and Death 265 17 War Memorials: Identity Formations of the Survivors 285 18 Afterword to Charlotte Beradt's The Third Reich of Dreams 327

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Book SynopsisIt is unlikely that a clearer, more stimulating account of the Russians' extraordinary period of imperial history will be written.' Philip Marsden, SpectatorGeoffrey Hosking's landmark book provides us with a new prism through which to view Russian history by posing the apparently simple question: what is Russia's national identity?Hosking answers this with brilliant originality: his thesis is that the needs of Russia's empire prevented the creation of a Russian nation. The Tsars, and before them the Grand Dukes of Moscow, were empire builders rather than nation builders and, as consequence, profoundly alienated ordinary Russians.Trade Review‘Hosking’s book is a tour de force of historical argument, vividly written [and] courageously argumentative.’ Michael Ignatieff, Observer ‘Brilliant…an elegantly written, humane and rigorous work of empirical history.’ Michael Burleigh, Independent on Sunday ‘“Russia: People and Empire” is the most interesting and authoritative account of Russian imperial history in English. It is a masterful synthesis, intelligent and lucid, passionately argumentative, but always fair, which should be read by everyone who wants to understand the origins of Russia’s predicament today.’ Orlando Figes, The Times

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Book SynopsisWhat difference do individuals make to history? Are we all swept up in the great forces like industrialisation or globalisation, or is the world we inhabit shaped just as much by real people - leaders for example - and the decisions that they make? For better or for worse, the personalities of the powerful can affect millions of people and the future of countries: it matters who is in the driving seat, and who is making plans. Equally important: how is history itself made by those who keep the records? In History's People Margaret Macmillan explores the lives of the great and lesser-known figures of the past: men, women, explorers, rulers, dreamers, politicians, observers, campaigners. She looks at the concept of leadership, from Bismarck to Franklin Delano Roosevelt, but also at the role of observers such as Babur, first Mughal emperor of India, and asks how explorers and visionaries such as Fanny Parkes and Elizabeth Simcoe managed to defy or ignore the constraints of their own societies. And, in doing so, she uncovers the important and complex relationship between biography and history, and between individuals and their times. Like all the best history, this book will change the way you see the past, as well as your own times - and perhaps introduce you to some people you didn't know.Trade ReviewIrreverent and highly enjoyable * Observer *Combines erudition and enthusiasm * Independent *As entertaining and illuminating a work of popular history as one could possibly wish for * Prospect *She yet again shows that she is not only a consummate storyteller; she is also a brilliant historian * New Statesman *A wise and necessary book * The Times *Her enthusiasm ... really shines through. * Financial Times *Exhilarating * Guardian *

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Book SynopsisHayden White is widely considered to be the most influential historical theorist of the twentieth century. The Ethics of Narrative brings together nearly all of White''s uncollected essays from the last two decades of his life, revealing a lesser-known side of White: that of the public intellectual. From modern patriotism and European identity to Hannah Arendt''s writings on totalitarianism, from the idea of the historical museum and the theme of melancholy in art history to trenchant readings of Leo Tolstoy and Primo Levi, the first volume of The Ethics of Narrative shows White at his most engaging, topical, and capacious.Expertly introduced by editor Robert Doran, who lucidly explains the major themes, sources, and frames of reference of White''s thought, this volume features five previously unpublished lectures, as well as more complete versions of several published essays, thereby giving the reader unique access to White''s late thought. In addition tTrade ReviewThe Ethics of Narrative is a significant posthumous collection of Hayden White's writings. Those of us who care about White will be grateful to Doran for so conscientiously undertaking this legacy groundwork. * American Literary History *Table of ContentsIntroduction: Hayden White, History, and the Ethics of Narrative 1. The Problem with Modern Patriotism 2. Symbols and Allegories of Temporality 3. The Discourse of Europe and the Search for a European Identity 4. Catastrophe, Communal Memory, and Mythic Discourse: The Uses of Myth in the Reconstruction of Society 5. Figura and Historical Subalternation 6. The Westernization of World History 7. On Transcommunality and Models of Community 8. Anomalies of the Historical Museum or, History as Utopian Space 9. Figural Realism in Witness Literature: On Primo Levi's Se questo è un uomo 10. The Elements of Totalitarianism: On Hannah Arendt 11. The Metaphysics of Western Historiography: Cosmos, Chaos, and Sequence in Historiological Representation 12. Historicality as a Trope of Political Discourse: Rhetoric, Ethics, Politics 13. Exile and Abjection 14. The Dark Side of Art History: On Melancholy 15. Against Historical Realism: A Reading of Leo Tolstoy's War and Peace

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Book SynopsisDavid Kennedy and Martti Koskenniemi, two leading critics of law’s role in global life, join together to explore the origins and destiny of efforts to build law into the fabric of global life. Erudite, open-minded, and at times personal, Of Law and the World is a poignant conversation about humanity’s struggle to live together.Trade ReviewOver the last four decades, David Kennedy and Martti Koskenniemi have occupied a unique space that was, simultaneously, at the top of the international law world and on its cutting edge. This book offers an enthralling tour of the intellectual and professional world they inhabited and sought to disrupt. A front-row seat to a fireside chat about how to plot critique. -- Vasuki Nesiah, New York UniversityIn their engrossing exchanges about the deepest problems in their field, David Kennedy and Martti Koskenniemi continue to exemplify international legal theory in the least pretentious and most productive sense. Though entitled to review their accomplishments, they realize they are just at the start of making sense of what international law is and what it does—and generously take the reader with them on a journey that matters to everyone. -- Samuel Moyn, Yale UniversityRich and revealing dialogues between two grand figures of North Atlantic international legal scholarship who have been friends and colleagues for almost four decades. Kennedy and Koskenniemi illuminate their separate trajectories, common projects, and intellectual and personal influences. Their lively conversations are also disarming as a chronicle of a critical generation in international law. -- Hilary Charlesworth, Melbourne Law SchoolAn exhilarating gaze across the world—uniquely insightful, challenging, and provocative. -- Philippe Sands, University College LondonThe conversation you’ve always hoped to overhear. Of Law and the World offers the followers and critics of Martti Koskenniemi and David Kennedy, two of the most influential international legal scholars of our time, the rare experience of being a fly on the wall of their virtual living room. -- Doreen Lustig, Tel Aviv UniversityThis is revelatory stuff, chock-full of insight, inspiration, humanity, and rage. -- Susan Marks, London School of Economics and Political Science

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Book SynopsisEdinburgh Studies in Later Latin Literature offers a forum for new scholarship on important and sometimes neglected works.

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Book SynopsisTrade ReviewHill is a magnificent historian and ... Time's Witness is a book to change the way you think about history. -- John Carey * Sunday Times *in this rich and absorbing study ... Hill has succeeded splendidly in her mission to rescue these often strange, eccentric but fascinating figures from "oblivion and the condescension of posterity". -- Paul Lay * The Times *Long meditated and meticulously researched, this book ... [is] presented in prose of unassertive grace and quiet wit ... what it offers is a rich feast, best consumed slowly and savoured, and Hill has assembled each course with magnificent erudition. -- Rupert Christiansen * Sunday Telegraph *immensely engaging... exceptional ... Antiquarianism was about making the past live again, and Hill makes the past of the antiquarians live again ... we can discern an innovative, sly and wry new form of non-fiction ... a beautifully written and very clever book which is psychologically astute -- Stuart Kelly * Scotland on Sunday *Not many writers could control this wide-ranging narrative with such clarity or assurance as here. Nor has Dr Hill succumbed to the temptation to tell in a long book what could be presented in a relatively short one. The result is outstanding: an engaging, incisive and thought-provoking exploration of the history of history in Romantic Britain. -- John Goodall * Country Life *She has accumulated a vast amount of detailed material and organized it impeccably into a witty and intelligent narrative which is both erudite and readable. If only all history was written this well. -- Clare Pettitt * Times Literary Supplement *impressive and stimulating ... At its heart, Time's Witness is a social and intellectual history that pays tribute to the role of antiquaries in recasting the way that British people understood and came to respect their distant national past. Hill seeks to rescue the antiquaries from "the condescension of posterity", and in that she succeeds admirably -- Tony Barber * Financial Times *Time's Witness retraces the antiquarians' journey into the past through the revolutions of the present ... Hill is an elegant stylist and vivid storyteller, and her account brims with anecdotes gathered from the little-known papers of her protagonists ... few could resist this sensitive, learned and amusing plunge into the historical imagination. -- Tom Stammers * Apollo *In this engaging survey ... by marrying scholarship and sensibility ... she achieves her stated aim of restoring history to the antiquaries and the antiquaries to history. -- Andrew Lycett * Spectator *"The history we have," Rosemary Hill writes in her preface to Time's Witness "is the history we want. It is the picture we choose to see in the clouds." Hill's book accordingly recreates, in magnificent detail, the cloud pictures conjured into being by the historians, writers, architects and artists and, above all, antiquaries who, between 1789 and 1851, reimagined the relationship between past and present in both Britain and France. -- Daisy Hay * BBC History Magazine *Time's Witness, which records with such verve the steady extension of subjects deemed fit for scholarly investigation two hundred years ago, is published at a moment when much of the curiosity and many of the pursuits it documents are endangered. -- Nicholas Penny * London Review of Books *Not everything that was false was fake, a theme that runs through Time's Witness, pushing us to think differently about the past, challenging our expectations of how that past should be recorded and interpreted and, above all, placing the Romantic sensibility and its embracing of subjectivity and imaginative reconstruction at the heart of historical enquiry. -- Adrian Tinniswood * History Today *in the best Romantic antiquarian tradition, the book is an engaging and densely detailed scholarly tome that reads a bit like a love letter, or at least an expression of infectious intellectual enthusiasm. Throughout Time's Witness, 'history' becomes visible as a succession of ideas and theories about the past that are continuously overlaid and revised in an ongoing process of exchange and accumulation. -- Sarah Watling * Literary Review *

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Book SynopsisPopularizing the Past tells the stories of five postwar historians who changed the way ordinary Americans thought about their nation's history. What's the matter with history? For decades, critics of the discipline have argued that the historical profession is dominated by scholars unable, or perhaps even unwilling, to write for the public. In Popularizing the Past, Nick Witham challenges this interpretation by telling the stories of five historiansRichard Hofstadter, Daniel Boorstin, John Hope Franklin, Howard Zinn, and Gerda Lernerwho, in the decades after World War II, published widely read books of national history. Witham compellingly argues that we should understand historians' efforts to engage with the reading public as a vital part of their postwar identity and mission. He shows how the lives and writings of these five authors were fundamentally shaped by their desire to write histories that captivated both scholars and the elusive general reader. He also reveals how tTrade Review"Astute, informative, and skillfully researched, Witham’s thought-provoking analysis will appeal to historians (and aspiring historians) who want a better grasp on the challenges and opportunities of history as a profession and the business of popular-history books." * Library Journal *"In his new book Popularizing the Past, historian Nick Witham sheds light on five particularly interesting historians’ writing and publishing strategies during the mid-to-late twentieth century . . . Witham’s readings of these five figures offer sensitive analysis and point to the key questions about politics and publishing." * Boston Review *"I am very taken with Nick Witham’s illuminating book and hope that all practicing and aspiring US historians read it. Drawing on careful research and writing in sparkling prose that rivals his subjects', Witham examines how five prominent postwar historians navigated the challenges and rewards of scripting national narratives for audiences beyond the academy. For anyone interested in crafting intellectually robust, readable, and relevant scholarship, Popularizing the Past is essential reading." -- Jennifer Ratner-Rosenhagen, author of American Nietzsche"A fascinating exploration of American historians searching for their publics and seeking to balance empirical depth and literary flair, scholarship and fame, objectivity and activism. Nick Witham's book is the most probing examination of these matters that I have read. Essential for understanding the importance and perils of writing popular history." -- Gary Gerstle, author of The Rise and Fall of the Neoliberal Order"Those dispirited by today's skirmishes over the American past should seek out Nick Witham’s wonderful book on postwar history writing. His portrait of prominent scholars who wrote for the public offers a fresh take on popularization, presentism, and politicization—even as it underscores the essential work of histories that educate and engross readers." -- Sarah E. Igo, author of The Known Citizen: A History of Privacy in Modern America"The argument of Witham’s book is that the audience for popular historical nonfiction that explains America to itself has always been a diverse one, made up of various types of readers. The imagined past, when an idealised American reader relaxed by the fireside with a sturdy tome written by a credentialed academic, is, largely speaking, a fiction…The best parts of Popularizing the Past are the archival discoveries of letters from readers, and between editors and writers, showing the nitty-gritty of how this sausage got made – and eaten." * History Today *"[An] engaging, instructive account of the efforts by five postwar American academic historians – and, importantly, their editors and publishers – to reach a broader, non-scholarly audience with their work . . . . If historians wish to produce work that resonates with ordinary readers while being taken seriously by fellow specialists, it can be done. And for guidance on how to do it they could do worse than look to those who, three-quarters of a century ago, set about ‘popularizing the past.'" -- Fredrik Logevall * Times Literary Supplement *Table of ContentsIntroduction What’s the Matter with History? The Problem of Popularity in Postwar American Historical Writing Part I Popular History and General Readers 1 Richard Hofstadter: Popular History and the Contradictions of Consensus 2 Daniel Boorstin: Popular History between Liberalism and Conservatism Part II: Popular History and Activist Readers 3 John Hope Franklin: The Racial Politics of Popular History 4 Howard Zinn: Popular History as Controversy 5 Gerda Lerner: The Struggle for a Popular Women’s History Conclusion The Legacies of Postwar Popular History Acknowledgments Archival Abbreviations  Notes Index

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Book SynopsisIn Chronos, a leading French historian ranges from Western antiquity to the Anthropocene, pinpointing the crucial turning points in our relationship to time. François Hartog considers the genealogy of Western temporalities, examining the order of times and the divisions of time into epochs.Trade ReviewWith characteristic elegance, wit, and erudition, Hartog, the master thinker of historical time, offers a panoramic view of the past to show how a temporal order (re)fashioned by Christianity endures to this day and shapes our crisis-ridden sense of the present. This is a longue-durée perspective on the Anthropocene that only someone with Hartog's learning and brilliance could have provided. An indispensable guide to the present. -- Dipesh Chakrabarty, author of Provincializing Europe: Postcolonial Thought and Historical DifferenceChronos is a magisterial book, breathtaking in scope and precision. I cannot think of another historian who could have written this book in this way. François Hartog uniquely possesses the intellectual expertise and range to lead the reader through a sweeping history of the concept of time in the “West,” beginning with the Greeks in antiquity and ending with our current periodization of the Anthropocene. It is an important work on one of the most pressing topics of our day. -- Ethan Kleinberg, author of Haunting History: For a Deconstructive Approach to the PastThis book, masterfully translated by S. R. Gilbert, will undoubtedly become a classic. A Christian “revolution in time” led from Greek Chronos, to Augustine’s self, to modern change, and to the Anthropocene. Beautifully written, this is a book for everyone who wants to know why our time is what it is. -- Nitzan Lebovic, Apter Chair of Holocaust Studies and Ethical Values, Lehigh UniversityIn this brilliant, original, and profound book, François Hartog takes further his critical analyses of the sources and legacies of modern Western assumptions about time. He brings to light their urgent relevance to us today as we face challenges such as climate change, the Anthropocene, and potential global geopolitical catastrophe. -- Sir Geoffrey Lloyd, University of CambridgeMagisterial yet accessible, Chronos can make the rare claim to encompass all of recorded time in a relatively slim [book]. * New York Sun *Hartog's book offers necessary elucidation of how Westerners’ relationships with time brought us to this current moment. * Journal of the Royal Anthropological Institute *For those seeking insight into past conceptions of time or questioning how we arrived at our current presentist temporality, Chronos serves as a clear and concise starting point. * H-Sci-Med-Tech, H-Net Reviews *Hartog is a superbly gifted writer who wears his learning lightly and without recourse to jargon, and translator S .R. Gilbert has served his author’s conversational style well in rendering it into eloquent English. . . . An enjoyable tour and a welcome synthesis of current thought on the human experience of temporality. * The Philosopher *Table of ContentsTo Readers of the English EditionPreface: The Undeducible PresentIntroduction: From the Greeks to the Christians1. The Christian Regime of Historicity: Chronos Between Kairos and Krisis2. The Christian Order of Time and Its Spread3. Negotiating with Chronos4. Dissonance and Fissures5. In the Thrall of Chronos6. Chronos Destituted, Chronos RestoredConclusion: The Anthropocene and HistoryNotesIndex

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Book Synopsis''Grayling brings satisfying order to daunting subjects'' Steven Pinker_________________________In very recent times humanity has learnt a vast amount about the universe, the past, and itself. But through our remarkable successes in acquiring knowledge we have learned how much we have yet to learn: the science we have, for example, addresses just 5 per cent of the universe; pre-history is still being revealed, with thousands of historical sites yet to be explored; and the new neurosciences of mind and brain are just beginning. What do we know, and how do we know it? What do we now know that we don''t know? And what have we learnt about the obstacles to knowing more? In a time of deepening battles over what knowledge and truth mean, these questions matter more than ever. Bestselling polymath and philosopher A. C. Grayling seeks to answer them in three crucial areas at the frontiers of knowledge: science, history and psychology. A remarkTrade ReviewGrayling brings satisfying order to daunting subjects -- Steven PinkerRemarkable, readable and authoritative. How he has mastered so much, so thoroughly, is nothing short of amazing -- Lawrence M. Krauss, author of A Universe from NothingThis book hums with the excitement of the great human project of discovery -- Adam Zeman, author of AphantasiaProf. Grayling interweaves the recent scientific and archaeological advances into a compelling narrative of how much progress humans have made in the understanding of their place in the natural, social and cognitive worlds. And how ignorant we still remain providing strong motivation to further this understanding by new empirical evidence -- Tejidner Virdee FRSAC Grayling tackles the questions science can't answer... a breathtaking book... Scholarly, lucid and accessible without being patronising or diluting, Grayling offers a masterly exegesis of current knowledge in three disciplines, as well as an analysis of what both opens and obstructs our access to such knowledge - in effect, four books in one -- Jane O'Grady * The Telegraph *An enthusiastic thinker who embraces humour, common sense and lucidity * Independent *

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Book SynopsisSilent Teachers considers for the first time the influence of Ottoman scholarly practices and reference tools on oriental learning in early modern Europe. Telling the story of oriental studies through the annotations, study notes, and correspondence of European scholars, it demonstrates the central but often overlooked role that Turkish-language manuscripts played in the achievements of early orientalists. Dispersing the myths and misunderstandings found in previous scholarship, this book offers a fresh history of Turkish studies in Europe and new insights into how Renaissance intellectuals studied Arabic and Persian through contemporaneous Turkish sources.This story hardly has any dull moments: the reader will encounter many larger-than-life figures, including an armchair expert who turned his alleged captivity under the Ottomans into bestselling books; a drunken dragoman who preferred enjoying the fruits of the vine to his duties at the Sublime Porte; and a curmudgTable of ContentsIntroduction / Chapter One: Earliest printed books on Turkey: Georgievits and Postel on the Turkish language / Chapter Two: The advent of scholarly books on Turkey: Leunclavius’ Ottoman Annals and History, Crusius' Greece under Turkish Rule with Scaliger's Annotations / Chapter Three: First printed grammars of Turkish: Megiser and Du Ryer / Chapter Four: Oriental studies in Leiden: The manuscript Turkish dictionaries of Deusing and Golius / Chapter Five: A fine library: Golius and his Turkish books / Conclusions

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Book SynopsisThis book provides an accessible introduction to a wide range of concerns that have preoccupied historians over time. Global in scope, it explores historical perspectives not only from historiography itself but from related areas such as literature, sociology, geography and anthropology which have entered into productive dialogues with history.Clearly written and accessible, this third edition is fully revised with an updated structure and new areas of historical enquiry and themes added, including the history of emotions, video history and global pandemics. In all of this, the authors have attempted to think beyond the boundaries of the West and consider varied approaches to history. They do so by engaging with theoretical perspectives and methodologies that have provided the foundation for good historical practice. The authors analyse how historians can improve their skills by learning about the discipline of historiography, that is, how historians go about the task Table of ContentsPart 1: Philosophies 1. From the ancients to the Christians 2. From the Middle Ages to the Early Modern 3. Enlightenment and Romanticism 4. The English Tradition 5. The North American Tradition 6. Histories of Revolutions; Revolutionary histories 7. Postmodernism and Postcolonialism Part 2: Varieties 8. Political History 9. Economic History 10. Social History 11. Cultural History 12. Feminism, Gender and Queer History 13. Public History 14. Visual History 15. Global history 16. Environmental history Part 3: Interdisciplinarities 17. Archaeology 18. Anthropology 19. Literature 20. Geography Part 4: Methods 21. Proof and the problem of objectivity 22. Ordering of time 23. Archives in a Digital World 24. Oral History

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Book SynopsisA classic essay on the distortions of history that occur when historians impose a rigid point of view on the study of the past.

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Book SynopsisDust is a witty and highly original investigation into the development of modern history writing. This book considers how history writing belongs to the currents of thought shaping the modern world, and suggests that, like dust, the 'matter of history' can never go away or be erased.Table of ContentsAcknowledgementsPreface1. In the Archon's house2. 'Something she called a fever'3. The magistrates4. The space of memory: In an archive5. Middlemarch: Without benefit of archive6. What a rag rug means7. On how the end is different from an ending8. The story of Dust

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Book SynopsisA study of the work of the popular historian and journalist, Sir Arthur Bryant (1899-1985). This work provides an understanding of the man and the writer. It shows us that Bryant prefigured and sustained a form of romantic nationalism that remained nascent within the British population deep into the twentieth century.Trade ReviewStapleton's careful study of Bryant's career, thought, books and journalism is not a biography: we learn next to nothing about Bryant's personal life; but for thoughtful readers its focus is more valuable as a result, as we are able to study the travails of romantic Tory nationalism through one of its foremost exponents. * The Social Affairs Unit *This is a thoroughly researched, clearly written study of the attitudes and influence of Sir Arthur Bryant...Julia Stapleton does not offer a full biography of Bryant, but thoughtfully explores Bryant's efforts to "revive the role of 'national historian'.... Stapleton succeeds admirably, showing how Bryant projected romantic conservative views on the past, often to great popular approval, but not always as a partisan of the Tory Party. * H-Net: Humanities and Social Science Reviews Online *In her brilliant, richly textured, ably supported, and continually judicious study of Bryant's career and intellectual development, Julia Stapleton reveals him as a complex figure who sought to represent and sustain an inherent patriotism. . . . Stapleton's important study offers much to those interested in intellectual history and historiography. It is a considerable achievement and one of the most interesting books I have read for some time. -- Jeremy Black * Times Higher Education *Sir Arthur Bryant is nowadays a largely forgotten figure. Julia Stapleton's new study, based on his papers at King's College London, and other archival materials, undertakes to situate Bryant in the wider context of the melancholy fate of 'Englishness' in British national history in the course of his life.… Stapleton's account of his life is both balanced and considerate, particularly her persuasive rebuttal of charges that he was a keen Nazi sympathizer in the 1930s, his views at the time being less pro-Hitler than reflective of a historian's convictions about how best to engage a German people who had been unjustly humiliated by an undercurrent of loss perhaps inescapable in a tale cast against a background imagery of decline and fall. -- George Feaver * Times Literary Supplement *Stapleton does an excellent job in presenting a highly complex individual. Bryant emerges as a very English Tory, who did not really fit into the Conservative Party any more after 1945..... * H-Net: Humanities and Social Science Reviews Online, (H-Soz-U-Kult) *Arthur Bryant was not the kind of person most people approve of today—an English Tory patriot, writer of romantic 'middlebrow' histories, an appeaser who thought the intellectuals were too hard on Hitler. But the history of the twentieth century cannot be written properly without taking account of people like him, and the thousands of readers who believed what he wrote. Julia Stapleton tells his story with care and grace and insight. She illuminates the range of moral and political dilemmas that Bryant had to face and which were not then as simple as they may now appear with hindsight. A troubling and often moving book. -- Peter Mandler, Gonville and Caius College, Cambridge UniversityStapleton does an excellent job in presenting a highly complex individual. Bryant emerges as a very English Tory, who did not really fit into the Conservative Party any more after 1945. * H-Net: Humanities and Social Science Reviews Online, (H-Soz-U-Kult) *Table of ContentsChapter 1 Introduction Chapter 2 Early Life and the First World War Chapter 3 Oxford and the Making of a Middlebrow Figure Chapter 4 Patriotism, Pagentry, and Tory History Chapter 5 National Character, the Countryside, and the English Country House Chapter 6 The Life of Samuel Pepys and Liberal-Conservatism in the 1930s Chapter 7 The Offensive Against the Left in Interwar Britain Chapter 8 The Crown, Dictatorships, and Appeasement Chapter 9 Nazi Fellow-Traveling, 1939-1940 Chapter 10 History and Patriotism during the Second World War Chapter 11 Captive Audiences, New Alliances, and the Retreat from Conservatism in 1945 Chapter 12 Postwar Niche, the Armed Forces, and Political Disillusion Chapter 13 The History of England in the New Elizabethan Age Chapter 14 Friends, Critics, and the End of the Tory-Whig Road Chapter 15 Final Years: Political Commentator Chapter 16 Final Years: National Historian Chapter 17 Conclusion

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Book SynopsisExplores how Greek and Roman historians frame innovations against generic tradition. Combining close readings and broader thematic analyses, the book presents a holistic vision of the development of the genre of historiography in Greece and Rome and the historian's dynamic position within this practice.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisLi Zehou is widely regarded as one of Chinaâs most influential contemporary thinkers. He has produced influential theories of the development of Chinese thought and the place of aesthetics in Chinese ethics and value theory. This book is the first English-language translation of Li Zehouâs work on classical Chinese thought. It includes chapters on the classical Chinese thinkers, including Confucius, Mozi, Laozi, Sunzi, Xunzi and Zhuangzi, and also on later eras and thinkers such as Dong Zhongshu in the Han Dynasty and the Song-Ming Neo-Confucians.The essays in this book not only discuss these historical figures and their ideas, but also consider their historical significance, and how key themes from these early schools reappeared in and shaped later periods and thinkers. Taken together, they highlight the breadth of Li Zehouâs scholarship and his syncretic approachâhis explanations of prominent thinkers and key periods in Chinese intellectual history blend ideas from bTrade Review"We now have a new, very well-crafted and well-translated general history of classical Chinese thought, which is truly exciting!" – Notre Dame Philosophical Reviews"Li Zehou is arguably China’s most important contemporary philosopher. In a generation in which we have experienced a precipitous rise of Chinese influence on the world order, we are from a contemporary philosophical vantage point offered this sustained reflection on the evolution of this antique Chinese philosophical tradition that brings its most prominent figures and themes into the present philosophical discourse. Li Zehou reinterprets and re-conceptualizes major ideas and concepts within the broad compass of this tradition, and replete with his own philosophical speculations, makes them available as a resource for a changing world cultural order." – Roger T. Ames, Peking University, China"Presented here in English for the first time, Li Zehou’s A History of Classical Chinese Thought stands as a major work in twentieth-century Chinese philosophy, one that remains highly relevant to contemporary East-West dialogue. Lambert’s studious translation captures both the delicacy and breadth of the author’s mind, affording readers a new appreciation of what it means to ‘do’ Chinese philosophy." – Jim Behuniak, Colby College, USA"Li Zehou is the most outstanding but controversial philosopher in contemporary China. He was the youngest protagonist of the ‘aesthetic debate’ in the new born socialist China in 1950s. He came back after the Cultural Revolution with his idiosyncratic elucidation on Marxism and Kantian philosophy to become the flag bearer leading the ‘aesthetic fever’ and the ‘cultural fever’ throughout the ‘New Enlightenment’ period of 1980s. A History of Classical Chinese Thought, a major work in 1980s, exhibits Li’s unique interpretation on Chinese traditional thoughts, in particular, Confucian philosophy, which ushered the Confucian turn in China today, eventually makes Chinese philosophy resonate with Western philosophy." – Tsuyoshi Ishii, University of Tokyo, JapanTable of ContentsForeword: Translator’s Introduction Chapter 1. Re-evaluating ConfuciusChapter 2. A Preliminary Exploration of the Mohists Chapter 3. Sunzi, Laozi and Han Fei Chapter 4. Key Features of the Xunzi, Yizhuan and the Doctrine of the Mean Chapter 5. Qin and Han Dynasty Thought Chapter 6. Zhuangzi and Chan Buddhism Chapter 7. Some Thoughts on Neo-Confucianism Chapter 8. Engagement in Practical Affairs and Statecraft Chapter 9. Some Thoughts on Chinese Wisdom Afterword

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Book SynopsisThe Routledge History of Medieval Magic brings together the work of scholars from across Europe and North America to provide extensive insights into recent developments in the study of medieval magic between c.1100 and c.1500. This book covers a wide range of topics, including the magical texts which circulated in medieval Europe, the attitudes of intellectuals and churchmen to magic, the ways in which magic intersected with other aspects of medieval culture, and the early witch trials of the fifteenth century. In doing so, it offers the reader a detailed look at the impact that magic had within medieval society, such as its relationship to gender roles, natural philosophy, and courtly culture. This is furthered by the book's interdisciplinary approach, containing chapters dedicated to archaeology, literature, music, and visual culture, as well as texts and manuscripts. The Routledge History of Medieval Trade Review"The breadth of this volume – geographical, linguistic, chronological and disciplinary – is a huge feat, and The Routledge History of Medieval Magic is an important addition to existing scholarship. The sections entitled ‘Future directions’ are perhaps the book’s most important component, providing a way forward for future research in a field that offers so much, standing as it does, in the words of Kieckhefer, at a ‘kind of crossroads where different pathways in medieval culture converge’." Joanne Edge Ceræ: An Australasian Journal of Medieval and Early Modern StudiesTable of ContentsIntroductionSophie Page and Catherine RiderPart I: Conceptualizing magic1 Rethinking how to define magicRichard Kieckhefer2 For magic: Against methodClaire Fanger3 A discourse historical approach towards medievallearned magicBernd-Christian Otto4 The concept of magicDavid. L. d’Avray5 ResponsesRichard Kieckhefer, David. L. d’Avray, Bernd-Christian Ott o, and Claire FangerPart I I: Languages and dissemination6 Arabic magic: The impetus for translating texts and theirreceptionCharles Burnett7 The Latin encounter with Hebrew magic: Problemsand approachesKatelyn Mesler8 Magic in Romance languagesSebastia Giralt9 Central and Eastern EuropeBenedek Lang10 Magic in Celtic landsMark Williams11 ScandinaviaStephen A. MitchellPart I I I: Key genres and figures12 From Hermetic magic to the magic of marvelsAntonella Sannino13 The notion of properties: Tensions betweenScientia and Ars in medieval natural philosophyand magicIsabelle Draelants14 Solomonic magicJulien Veronese15 NecromancyFrank Klaassen16 John of MorignyClaire Fanger and Nicholas Watson17 Cecco d’Ascoli and Antonio da Montolmo: The buildingof a “nigromantical” cosmology and the birth of theauthor-magicianNicolas Weill-Parot18 Beringarius Ganellus and the Summa sacre magice: Magicas the promotion of God’s KingshipDamaris Aschera Gehr19 Jerome Torrella and “Astrological Images”Nicolas Weill-Parot20 Peter of ZealandJean-Marc MandosioPart IV: Themes (magic and…)21 Magic and natural philosophySt even P. Marrone22 Medicine and magicPeter Murray Jones and Lea T. Olsan23 IllusionRobert Goulding24 Magic at courtJean-Patrice Boudet25 Magic and genderCatherine Rider26 Magic in literature: Romance transformationsCorinne Saunders27 MusicJohn Haines28 Magic and archaeology: Ritual residues and“odd” depositsRoberta Gilchrist29 The visual culture of magic in the Middle AgesAlejandro Garcia Aviles30 Medieval magical figures: Between image and textSophie PagePart V: Anti-magical discourse in the later Middle Ages31 Scholasticism and high medieval opposition to magicDavid J. Collins32 Pastoral literature and preaching Kathleen Kamerick33 Superstition and sorceryMichael D. Bailey34 WitchcraftMart ine Ostorero35 Epilogue: Cosmology and magic – The angel of Mars

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Book SynopsisAgainst the grain of much contemporary scholarship within medieval studies, this work emphasizes the radical alterity and historical rupture that the Middle Ages represents in European history.Through an engagement with three contentious debates in medieval studies â historiography, race and individuated subjectivity â Vanita Sethâs work employs postcolonial and postmodern theorizing to explore questions of ontology, epistemology, facial privileging, and emotion and identity in the European Middle Ages and early modern period. While the subject matter of this book is historical, the stakes are contemporary and political. Sethâs contention is that it is the very alterity that the medieval represents that enables contemporary scholars and activists to recognize as historical that which is so often posited as ânatural.â Writing a history of absence while also engaging radically different ways of being in the world, this book argues, helps to disrupt the self-evident naturalizati

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Book SynopsisIn this book, ElÃas Josà Palti analyzes the writings of key thinkers who have theorised the present situation of Marxism: Perry Anderson, Fredric Jameson, Ernesto Laclau, Slavoj ÅiÅek, Judith Butler, Alain Badiou and Jacques Derrida. His aim is to interrogate what appears to be the final crisis of Marxist political tradition from a historical-intellectual point of view, placing it within a broader framework, which is the present crisis of politics, at large. Yet, it also reveals why we cannot, even then, avoid confronting it, stubbornly trying to think of what seems to be unthinkable today, namely, the idea of an emancipatory horizon.Unlike traditional works of political philosophy, The Crisis of Marxism: A Historical-Intellectual Problem does not intend to provide political or philosophical answers to todayâs dislocation of politics. Instead, it aspires to clarify the nature of the questions that such a situation raises and demonstrates why the current crisis of Marxi

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Book SynopsisFirst published in 1960, this work describes the lives and labours of six great scholars - Simon Ockley, Sir William Jones, E. W. Lane, E. H. Palmer, E.G. Browne and R. A Nicholson. These men were devoted to building a bridge between the peoples and cultures of Europe and Asia. To these biographical essays, Arberry has added a short autobiography and an eloquent plea for the further encouragement of Oriental studies.This book will be of interest to those studying Middle-Eastern studies and the history of Orientalist study.Table of ContentsForeword; 1. The Pioneer: Simon Ockley 2. The Founder: William Jones 3. The Lexicographer: Edward William Lane 4. The Linguist: Edward Henry Palmer 5. The Persian: Edward Granville Browne 6. The Dervish: Reynold Alleyne Nicholson 7. The Disciple: A. J. Arberry; Index

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Book SynopsisHistorical Imagination examines the threshold between what historians consider to be proper, imagination-free history and the malpractice of excessive imagination, asking where the boundary between the two sits and the limits of permitted imagination for the historian.We use imagination to refer to a mental skill that encompasses two different tasks: the reconstruction of previously experienced parts of the world and the creation of new objects and experiences with no direct connection to the actual world. In history, imagination means using the mind''s eye to picture both the actual and inactual at the same time. All historical works employ at least some creative imagination, but an excess is considered too much. Under what circumstances are historians permitted to cross this boundary into creative imagination and how far can they go? Supporting theory with relatable examples, Staley shows how historical works are a complex combination of mimetic and cTrade Review"An excellent and lucid introduction to one of the key issues in historical practice, examined through engaging examples. It will be read with profit by students of history [and philosophy at all levels."David Kauffman, University of Edinburgh, UKTable of ContentsIntroduction: Imagination in History 1. Imagination in the Archives 2. Insertions 3. The modal mood in historical writing 4. The historian’s fancy 5. What if? Conclusion Glossary Bibliography

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Book SynopsisIn the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others.Trade ReviewThis remarkable book charts the development, as well as the public and critical acceptance, of the art film documentary at the mid-point of the 20th century. In a series of elegantly written and deeply perceptive essays by some of the most respected authorities in the field, such classic films as The Mystery of Picasso (1956), Henry Moore (1951), and the experimental feature film Pictura (1951) are brought back to public attention in a volume that is an essential text for both cinema historians and art lovers as well. A dazzling volume in every respect – bravo! -- Wheeler Winston Dixon, James Ryan Professor of Film Studies, University of Nebraska-Lincoln, USAIt is not well-known today that in the aftermath of World War II, emerging trends in media and international alliances, ideas about mass communication and the democratization of culture, and representation of national identity converged to produce a "golden age" of films about art and artists in Europe and the U.S. Art in Cinema is an invaluable resource on the mid-century heyday of the art documentary. -- Susan Felleman, Professor, Art History & Film and Media Studies, University of South Carolina, USATable of ContentsPreface and Acknowledgements Introduction: The Mid-Century Celluloid Museum, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Dimitrios Latsis (Toronto Metropolitan University, Canada) 1. The Institutional Breeding Grounds of the Postwar Film on Art, Birgit Cleppe (Ghent University, Belgium) 2. American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War, Dimitrios Latsis (Toronto Metropolitan University, Canada) 3. Art History with a Camera: Rubens (1948) and Paul Haesaerts’s Concept of Cinéma Critique, Steven Jacobs (Ghent University & Antwerp University, Belgium) & Joséphine-Charlotte Vandekerckhove (Ghent University, Belgium & Verona University, Italy) 4. Carlo Ludovico Ragghianti’s Critolfims and Beyond: From Cinema to Information Technology, Emanuele Pellegrini (IMT School for Advanced Studies, Italy) 5. André Bazin’s Art Documentary in Saintonge, Angela Dalle Vacche (Georgia Institute of Technology, USA) 6. Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke’s The Photographer, Natasha Ritsma (Loyola University Museum of Art, USA) 7. Henry Moore and A Sculptor’s Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read, John Wyver (University of Westminster, UK) 8. Creative Process, Material Inscription and Dudley Shaw Ashton’s Figures in a Landscape (1953), Lucy Reynolds (University of Westminster, UK) 9. Neoplasticism and Cinema: Ilya Bolotowsky’s Experimental Films on Art, Henning Engelke (Goethe University Frankfurt, Germany) Mid-Twentieth-Century Art Documentaries: A Selected Bibliography About the Authors Index

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Book SynopsisAn entirely original textbook format to introduce students to medieval European history: this is the second volume covering the central and later medieval centuries -- .

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Book SynopsisThis book examines the historiography of the African American freedom struggle from the 1890s to the present. It considers how, and why, the study of African American history developed from being a marginalized subject in American universities and colleges at the start of the twentieth century to become one of the most extensively researched fields in American history today.There is analysis of the changing scholarly interpretations of African American leaders from Booker T. Washington through to Barack Obama. The impact and significance of the leading civil rights organizations are assessed, as well as the white segregationists who opposed them and the civil rights policies of presidential administrations from Woodrow Wilson to Donald Trump.The civil rights struggle is also discussed in the context of wider, political, social and economic changes in the United States and developments in popular culture.Table of ContentsIntroduction1 Segregation and accommodation, 1895-19152 The Great Migration and the ‘New Negro’, 1915-19303 The Great Depression and the Second World War, 1930-19454 The post-war civil rights movement, 1945-19655 Malcolm X and black power, 1960-19806 The new conservatism, 1980-20087 ‘An insubstantial pageant faded’: Obama and Trump, 2008-2020ConclusionIndex

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Book SynopsisPostmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the ‘post boys’ responsible for this?Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny.This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.Table of ContentsIntroduction: post-concepts in historical perspective – Herman PaulPart I: The emergence of a prefix (1930s–60s)1 ‘Our post-Christian age’: historicist-inspired diagnoses of modernity, 1935–70 – Herman Paul2 The post-secular in post-war American religious history – K. Healan Gaston3 Defining the old, creating the new: post-ideology and the politics of periodisation – Adriaan van Veldhuizen4 The death and rebirth of ‘postcapitalist society’ – Howard BrickPart II: Post rising to prominence (1970s–90s)5 Post-Keynesian: a rare example of a post-concept in economics – Roger E. Backhouse6 Lost in the post: (post-)structuralism between France and the United States – Edward Baring7 The ‘post’ in literary postmodernism: a history – Hans Bertens8 From political reference to self-narration: ‘postcolonial’ as periodiser – Andrew Sartori9 The tradition of post-tradition – Stephen TurnerPart III: Contemporary post-constructions (2000s–present)10 Busting the ‘post’? Postfeminist genealogies in millennial culture – Stéphanie Genz11 Posthumanism and the ‘posterising impulse’ – Yolande Jansen, Jasmijn Leeuwenkamp and Leire UrricelquiEpilogue: lessons for future posts – Adriaan van VeldhuizenIndex

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Book SynopsisThe Carolingian period (c. 750-900) has traditionally been described as one of ‘reform’ or ‘renaissance’, where cultural and intellectual changes were imposed from above in a programme of correctio. This view leans heavily on prescriptive texts issued by kings and their entourages, foregrounding royal initiative and the cultural products of a small intellectual elite. However, attention to understudied texts and manuscripts of the period reveals a vibrant striving for moral improvement and positive change at all levels of society. This expressed itself in a variety of ways for different individuals and communities, whose personal relationships could be just as influential as top-down prescription. The often anonymous creators and copyists in a huge range of centres emerge as active participants in shaping and re-shaping the ideals of their world.Table of ContentsIntroduction: rethinking the Carolingian reforms – Carine van Rhijn1 Gender and horizontal networks in Carolingian monasticisms (up to c. 840) – Ingrid Rembold2 Analysing Attigny: contextualising Chrodegang of Metz’s influence on the life of canons – Stephen Ling3 A Carolingian ‘reform of education’? The reception of Alcuin’s pedagogy – Cinzia Grifoni and Giorgia Vocino 4 Correcting the liturgy and sacred language – Els Rose and Arthur Westwell5 Error assessment: how to distinguish between true and false? – Irene van Renswoude6 Reformatio and correctio in Carolingian theology and orthodoxy: reformation or aggiornamento? – Kristina MitalaitéIndex

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Book SynopsisThis edited volume encompasses a range of themes and approaches relevant to the field of South African history today, as viewed from the perspective of practicing historians at the cutting edge of research in the discipline. The collection features the historians offering critical reflection on the theoretical and methodological aspects of their work. This involves them both looking back at the inherited historiographical tradition in the respective areas of their research, while also pointing forwards to possible future directions for scholarly engagement.Table of Contents1.Towards a school of their own: the varieties of South African historiographyThula Simpson 2. Beasts of the southern world: multi-species history and the AnthropoceneSandra Swart3. Black academics matter: history and anti-blackness at South African universitiesJaneke Thumbran4. Black mothering, ‘maids’ and mixed-methods in women’s history: Zanele Muholi’s contemporary art and Sindiwe Magona’s short storiesMandisa Mbali5. Vernacular traditions as counter-hegemonic archives in Eastern Cape historiographyNomalanga Mkhize6. The revolution in South African historiographyThula Simpson7. From grand narratives to complicated subjects: biography in the post-apartheid eraLindie Koorts8. Whiteness must fall: whiteness, whites and insurgent history writingNeil Roos9. Bringing white workers back in: new histories of race and class in South AfricaDanelle van Zyl-Hermann10. The transnational nation: South African history beyond and across bordersRob Skinner

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Book SynopsisGlobal biographies provides an advanced and comprehensive analytical framework for historians to use biography as a method to write global history. Moving beyond the state-of-the-art, the volume defines and operationalises three uniquely tailored approaches to global biographies: ‘time and periodisation’, ‘exceptional normal’ and ‘space and scales’. From Icelandic communists and Jewish medical students, via Zambian Third Worldism and Albanian nationalism, to the Black/White Atlantic and Australian internationalists, the volume tests the prospects and pitfalls of the approaches it launches.Table of ContentsIntroduction – Laura Almagor, Haakon A. Ikonomou and Gunvor Simonsen PART I: Time and periodisation 1 Wilsonian moments: Thanassis Aghnides between empire and nation state – Haakon A. Ikonomou 2 Making sense of 1956: experiencing and negotiating the socialist project in Iceland – Rósa Magnúsdóttir3 Colonial masculinity: monarchy, military, colonialism, fascism and decolonisation – Diana M. Natermann 4 Jewish medical students in Vienna between two world wars – Natalia Aleksiun PART II: Exceptional normal5 ‘Just an African radical’? A Zambian at the edge of the third world – Ismay Milford 6 Exceptionally normal (post)Ottomans: how failure shaped the futures of Balkan heroes – Isa Blumi7 The exceptional normal: Hugh Lenox Scott (1853–1934) and the United States’ imperial expansion – Stefan Eklöf Amirell8 A fateful beginning: Mehmed Cavid Bey, politics and finance in the global Middle East, 1908–14 – Ozan OzavciPART III: Space and scales 9 Scholar, refugee worker, Jew: Koppel S. Pinson (1904–61) – Laura Almagor10 Transnational agitator and union activist: James W. Ford and the communist push into the Black Atlantic – Holger Weiss 11 A woman with a typewriter: the international career of Dorothea Weger – Benjamin Auberer12 A white Atlantic life: the money, books and family of Adrian Bentzon – Gunvor SimonsenIndex

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Book SynopsisThis in-depth discussion of New Testament scholarship and the challenges of history as a whole proposes Bayes's Theorem, which deals with probabilities under conditions of uncertainty, as a solution to the problem of establishing reliable historical criteria. The author demonstrates that valid historical methods-not only in the study of Christian origins but in any historical study-can be described by, and reduced to, the logic of Bayes's Theorem. Conversely, he argues that any method that cannot be reduced to this theorem is invalid and should be abandoned. Writing with thoroughness and clarity, the author explains Bayes's Theorem in terms that are easily understandable to professional historians and laypeople alike, employing nothing more than well-known primary school math. He then explores precisely how the theorem can be applied to history and addresses numerous challenges to and criticisms of its use in testing or justifying the conclusions that historians make about the important persons and events of the past. The traditional and established methods of historians are analyzed using the theorem, as well as all the major "historicity criteria" employed in the latest quest to establish the historicity of Jesus. The author demonstrates not only the deficiencies of these approaches but also ways to rehabilitate them using Bayes's Theorem. Anyone with an interest in historical methods, how historical knowledge can be justified, new applications of Bayes's Theorem, or the study of the historical Jesus will find this book to be essential reading.

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Book Synopsis How was heritage understood and implemented in European socialist states after World War II? By exploring national and regional specificities within the broader context of internationalization, this volume enriches the conceptual, methodological and empirical scope of heritage studies through a series of fascinating case studies. Its transnational approach highlights the socialist world’s diverse interpretations of heritage and the ways in which they have shaped the trajectories of present-day preservation practices.Trade Review “The introduction nicely summarizes the general issues that distinguish this work from other post-socialist heritage studies in the region. Importantly, this volume takes socialist approaches to heritage seriously rather than seeing socialism as a past best forgotten…Recommended” • Choice “The chapters collected together in this volume offer valuable insights into the diverse and complex field of cultural heritage studies in Eastern and Central Europe… Due to the sheer variety of themes, methodologies and approaches, the book constitutes an important contribution not only for heritage studies scholars, but also for Cold War historians, and specialists in Eastern European, Soviet as well as transnational and global cultural history.” • Heritage & Society “Looking into the nuances of the socialist heritage definition is one of the major values of this volume. The papers convincingly demonstrate that heritage experts addressed issues similar to their colleagues outside the Iron Curtain and were parts of a global discourse contributing to the theoretical and practical processes that took the field where it is today…Specialists in heritage studies dedicated to decolonizing the academic discourse will find the contributions inspiring. The volume, however, also offers a new insight into the cultural and political history of the region through analyzing the heritage domain.” • Austrian History Yearbook “This coherent, well-conceived book presents a wide range of issues through a selection of interesting cases. Its focus on the Central and Eastern Europe region is an important addition to the wider discussion concerning the geopolitics of knowledge.” • Magdalena Banaszkiewicz, Jagiellonian UniversityTable of Contents List of Illustrations Acknowledgements Introduction: Heritage Under Socialism: Trajectories of Preserving the Tangible Past in Postwar Eastern and Central Europe Corinne Geering and Paul Vickers Part I: Transfers and Exchanges in Heritage Policies and Practices Chapter 1. The Past Belongs to the Future: Heritage in Soviet Policymaking on Cultural Development Corinne Geering Chapter 2. International Experts – National Martyrdom – Socialist Heritage: The Contribution of the Polish People’s Republic to the Early UNESCO World Heritage Program Julia Röttjer Chapter 3. International Tourism and the Making of the National Heritage Canon in Late Soviet Ukraine, 1964–1991 Iryna Sklokina Chapter 4. International Contacts and Cooperation in Heritage Preservation in Soviet Estonia, 1960–1990 Karin Hallas-Murula and Kaarel Truu Part II: Canonizing and Contesting the Past: Heritage, Place and Belonging under Socialism Chapter 5. Socialist Royalty? The Ambiguities of the Reconstruction of the Royal Residence in Budapest in the 1950s Eszter Gantner Chapter 6. Justifying Demolition, Questioning Value: Urban Typologies and the Concept of the “Historic Town” in 1960s Romania Liliana Iuga Chapter 7. Making Sense of Socialism through Heritage Preservation: Stories from Northwest Bohemia Čeněk Pýcha Chapter 8. Socialism and the Rise of Industrial Heritage: The Preservation of Industrial Monuments in the German Democratic Republic Nele-Hendrikje Lehmann Conclusion: Transnational Heritage Networks in Socialist Eastern and Central Europe Corinne Geering

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Book SynopsisWhen the first Africans arrived in Virginia in 1619, there were no 'white' people there; nor, according to colonial records, would there be for another sixty years. Historical debate about the origin of racial slavery has focused on the status of the Negro in seventeenth-century Virginia and Maryland. However, as Theodore W. Allen argues in this magisterial work, what needs to be studied is the transformation of English, Scottish, Irish and other European colonists from their various statuses as servants, tenants, planters or merchants into a single new all-inclusive status: that of whites. This is the key to the paradox of American history, of a democracy resting on race assumptions.Volume One of this two-volume work attempts to escape the 'white blind spot' which has distorted consecutive studies of the issue. It does so by looking in the mirror of Irish history for a definition of racial oppression and for an explanation of that phenomenon in terms of social control, free from the absurdities of classification by skin color. Compelling analogies are presented between the history of Anglo-Irish and British rule in Ireland and American White Supremacist oppression of Indians and African-Americans. But the relativity of race is shown in the sea change it entailed, whereby emigrating Irish haters of racial oppression were transformed into White Americans who defended it. The reasons for the differing outcomes of Catholic Emancipation and Negro Emancipation are considered and occasion is made to demonstrate Allen's distinction between racial and national oppression.Trade ReviewA meticulous study. -- AkalaSeminal -- Emma Dabiri

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Book SynopsisAn Irish Independent book of the year. Did the Versailles Peace Treaty cause World War II? The Versailles Peace Treaty — the pact that ended World War I between the German empire and the Allies — has long been regarded as one of the key causes of World War II. Its requirements for massive reparation payments, it is argued, crippled Germany’s economy, de-stabilised the country’s political life, and paved the way for Hitler. Here, Jürgen Tampke disputes this commonplace view, suggesting that Germany got away with its responsibility for World War I, that the treaty was nowhere near as punitive as people think, and that the German hyper-inflation of the 1920s was a deliberate policy to minimise the cost of paying reparations. This is a controversial and important work of revisionist history, which challenges one of the greatest misconceptions of our times.Trade Review‘In this highly readable account Jürgen Tampke tackles the much-debated and perennially fascinating question of whether the Treaty of Versailles caused the Second World War. He comes down firmly on the No side and produces a wealth of evidence and careful analysis to back his arguments. Anyone who is interested in what remains one of modern history’s most important debates will want to read this.’ -- Margaret MacMillan‘An intriguing and persuasive account by an experienced historian of the much-maligned Treaty of Versailles. This new book provides a fresh and often provocative account of a tangled story. It should help put to rest the persisting myth about the 1919 peace with Germany.’ -- Emeritus Professor David Walker‘Gamely confronts the now-prevailing orthodoxy … deserves to be read.’ -- Roger Moorhouse * The Times *‘This is a fascinating and provocative re-assessment of one of the great conventional wisdoms of recent history, made all the more compelling by the Australian-based author's forceful and often witty delivery.’ -- Eamon Delaney * Irish Independent *‘This is an excellent book, which argues it case well. It should be widely read in the lead up to the centenary of the Armistice and peace settlement.’ * NZ International Review *

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Book Synopsis Winner of the 2021/2022 People's Book Prize Best Achievement Award Homes can be both comforting and troubling places. This timely book proposes a new understanding of Florence Nightingale’s experiences of domestic life and how ideas of home influenced her writings and pioneering work. From her childhood homes in Derbyshire and Hampshire, she visited the poor sick in their cottages. As a young woman, feeling imprisoned at home, she broke free to become a woman of action, bringing home comforts to the soldiers in the Crimean War and advising the British population on the home front how to create healthier, contagion-free homes. Later, she created Nightingale Homes for nursing trainees and acted as mother-in-chief to her extended family of nurses. These efforts, inspired by her Christian faith and training in human care from religious houses, led to major changes in professional nursing and public health, as Nightingale strove for homely, compassionate care in Britain and around the world. Shedid most of this work from her bed after contracting the debilitating illness, brucellosis, in the Crimea, turning her various private homes into offices and ‘households of faith’. In the year of the bicentenary of her birth, she remains as relevant as ever, achieving an astonishing cultural afterlife.Trade Review“Florence Nightingale at Home makes a strong case for renewed attention to Nightingale’s career as a nursing pioneer and as an imperial sanitary reformer. … The book … demonstrates the importance of the notion of domesticity for rethinking and rescaling analyses of social bodies, nations, empires … ecologies.” (Richard Bonfiglio, Victorian Studies, Vol. 65 (1), 2022)“The depth of research is admirable: this book draws on materials within the Nightingale family archive and is also the first major study to be able to use all sixteen volumes of Lynn McDonald’s Collected Works of Florence Nightingale … . This book is a valuable read for scholars of Nightingale and those working more broadly on the history of medicine and Victorian domesticity, as well as the public with an interest in this famous historical figure.” (Charlotte Wilson, BAVS Newsletter, Vol. 23 (2), 2023)“This latest book on Nightingale makes an insightful contribution to the existing literature on the world’s most well-known nurse, being the first to explore her domestic experiences and how the theme of home influenced her writings and work.” (David Stewart, nottinghamnursinghistory.wordpress.com, July 7, 2021)“Part of the pleasure in reading this thoughtful and well-executed collaborative work is the way in which the received narrative boundaries have been dissolved. … For any student of Nightingale, or of gender and health in the nineteenth century, the authors offer a wonderfully detailed discussion of the past 40 years of scholarship assembled along the lines of home and domesticity.” (Sioban Nelson, Social History of Medicine, March 12, 2021)Table of Contents1. Home Sweet Home?2. Childhood Homes3. Leaving Home 4. Health at Home5. Homely Institutions6. Home Front7. Working from Home8. Spiritual Home9. Afterlife

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