Historical crime and mysteries

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Book SynopsisA Daphne du Maurier Award Winner Buried is the third book in Bone Secrets, the multimillion-copy bestselling series. Reporter Michael Brody is used to getting answers. The one that’s eluded him, though, for twenty long years is learning what happened to his brother Daniel the day his school bus disappeared. When the remains of the other children are discovered—and Daniel’s aren’t among them—a desperate Michael calls upon the sole survivor of the tragedy, Chris Jacobs, hoping he will finally break his silence. Constant fear of being found by his kidnapper has driven Chris into hiding. The only lead Michael has is Chris’s sister, Jamie. Strong and impenetrable, she’s capable of burrowing deep into Michael’s heart. As they race to find Chris, Michael and Jamie somehow find each other among the decades of wreckage. But locating Chris may not be so easy. Now grown, his scars go far deeper than skin. In Buried, the next thrilling Bone Secrets novel from bestselling author Kendra Elliot, a damaged hero digs deep into his terrifying past…and unearths a chance at love for the future.Trade Review“Buried by Kendra Elliot took me by surprise. ‘Engrossed’ is too mild a word for what I felt while reading this amazing romantic suspense novel.” —Morgan Doremus, RT Editor; RT Book Reviews Seal of Excellence Nominee “Romantic suspense fans, drop everything—cooking, cleaning, even the dog can wait—because you will have your nose buried in Buried for the next twenty-four hours. Elliot once again proves to be a genius in the genre with her third heart-pounding novel in the Bone Secrets collection. The author knows romance and suspense, reeling readers in instantaneously and wowing them with an extremely surprising finish. Plus, returning characters from her first two stellar stories make a guest appearance with gusto. Elliot’s best by a mile!” —RT Book Reviews Top Pick (4 1/2 stars)

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Book SynopsisMarch 1932. After the recently incarcerated Al Capone offers to negotiate the return of the kidnapped son of Charles Lindbergh, Nathan Heller of the Chicago P.D. is sent to Hopewell, New Jersey, as a police liaison. As a part of Lindbergh’s inner circle, Heller investigates crooks, cranks, socialites, and psychics in a frustrating, fruitless attempt to solve the case. Max Allan Collins makes the crime that captivated a nation the focal point of yet another fascinating and thoroughly spellbinding foray into his world of histori¬cal crime fiction. Four years later, in 1936, Heller—now a private detective, and considered an expert and insider on the Lindbergh case—is hired by the governor of New Jersey in an eleventh-hour quest to determine the guilt or innocence of Bruno Hauptmann, who sits on death row convicted of the murder and kidnapping of the Lindbergh child.

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Book SynopsisWhat kind of drama could happen in a small-town Iowa bus station? If you’re a guy like Mallory, it’s the kind that involves sidestepping trouble between a pretty, frightened blonde and a pretty frightening, two-fisted, one-eyed goon. With the help of a handy Pepsi bottle, Mallory saves the lady from the menacing lout, shares a heartfelt moment, and sees her safely off, wistfully wondering if they’ll ever meet again. End of story? Not a chance. Even though it’s Mallory’s best buddy, John, who’s visiting on leave from combat in Vietnam, it’s Mallory who has a nasty flashback—when that same sweet blonde drops back into his life after losing hers. But how did she go from a bus out of town to a car at the bottom of a cliff? Why is her “accident” a dead ringer for the one that killed a scandal-scarred senator? And is local lawman Sheriff Brennan helping to hush things up? The questions are good ones, and Mallory wants answers—bad. But if he crosses the wrong people, things could get ugly....

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Book SynopsisThe sixties are dead…and so is Ginnie Mullens. She was many things—free spirit, flower child, entrepreneur, gambler—but first and foremost she was mystery writer Mallory’s friend and confidant since childhood. So Mallory understands when Sheriff Brennan drags him out of bed in the dead of night and leads him to the last place he ever wanted to go: the scene of Ginnie’s last breath. A dead woman clutching the gun that killed her may lead to an official ruling of suicide, but Mallory’s not ruling out murder. Driven by a gaping hole in his heart and a fierce code of honor, he’s willing to risk everything to close the book on this one. Then he’ll throw the book with both hands at whoever wrote Ginnie’s obituary in spilled blood. Once upon a time, Ginnie hurt Mallory deeply, and he wasn’t the only one. But while he finally forgave her, the same can’t be said for the trail of bitter lovers that stretches back to high school. Pounding the pavement from Port City to Iowa City to Vegas—with detours down memory lane along the way— Mallory is forced to pull back the shroud on a life he only thought he knew… and never realized he couldn’t save.

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Book SynopsisA mountaintop mansion. A motley collection of guests. A murder. This weekend has all the makings of a classic, cozy mystery story. And a story is all it’s supposed to be—acted out by noted authors and eager fans at the atmospheric Mohonk Mountain House resort in upstate New York. Along with a gaggle of his peers, Mallory’s been invited to join the fun by donning a costume and an alter-ego to pose as a “suspect.” But before you can say “nobody leaves this room!”, Mallory is once again thrust into the role of driven detective when the game’s designated “corpse” turns up decidedly dead. There’s no doubt that the victim, notorious mystery-novel critic Kirk Rath, incited the murderous wrath of nearly every writer he reviewed. But even the most scathing critical barbs never drove a writer to put down the pen in favor of the sword. And even Mallory is baffled by the curious circumstances surrounding the mystery within a mystery. Did he actually witness Rath being run through by a masked figure in the snowy darkness? Was Rath really spotted alive and sneering after the bloody fact? Is someone playing mind games? And is everyone in the house fair game? Murder will out, as they say. But can even the masterful Mallory outwit a roguish gallery of the finest plotters in print?

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Book SynopsisDon't miss B. A. Shapiro's new novel, Metropolis, available now! “Vibrant and suspenseful . . . Like The Art Forger, this new story takes us into the heart of what it means to be an artist.” —The Washington Post “B. A. Shapiro captivated us in 2012 with her ‘addictive’ novel The Art Forger. Now, she’s back with another thrilling tale from the art world.” —Entertainment Weekly When Alizée Benoit, an American painter working for the Works Progress Administration (WPA), vanishes in New York City in 1940, no one knows what happened to her. Not her Jewish family living in German-occupied France. Not her artistic patron and political compatriot, Eleanor Roosevelt. Not her close-knit group of friends, including Mark Rothko, Jackson Pollock, and Lee Krasner. And, some seventy years later, not her great-niece, Danielle Abrams, who while working at Christie’s auction house uncovers enigmatic paintings hidden behind works by those now-famous Abstract Expressionist artists. Do they hold answers to the questions surrounding her missing aunt?Trade Review“B. A. Shapiro makes the radical, varied, and sometimes enigmatic world of abstract expressionism altogether human and accessible in her smart new historical thriller. …It has more emotional ballast and is more skillfully written than what one customarily finds. The novel evokes the horror and sorrow of the Holocaust in just their tedious administrative tasks of retracing steps, of sifting through wreckage. Shapiro also does a wonderful job of restoring complexity to the historical moment and stripping away the clarity of retrospection.” —The Boston Globe “Shapiro’s plotting is deft, and the anonymous paintings and Alizée’s disappearance add mystery and intrigue to the tale. Like her well-received 2012 novel, “The Art Forger,” this new story takes us into the heart of what it means to be an artist. …vibrant and suspenseful. As tens of thousands of modern-day asylum-seekers from the Middle East and Africa surge into Europe, and pictures of their mistreatment are broadcast around the world, “The Muralist” is a grim reminder that history continues to repeat itself.” —The Washington Post “B.A. Shapiro captivated us in 2012 with her “addictive” novel The Art Forger. Now, she’s back with another thrilling tale from the art world, set right on the brink of World War II.” —Entertainment Weekly “The Muralist is, like What She Left Behind by Ellen Marie Wiseman or Orphan Train by Christina Baker Kline, a historical novel that brings the 20th century to life…” —USA Today “Shapiro follows the enthusiastically received The Art Forger (2012) with an even more polished and resonant tale. [Her] novel of epic moral failings is riveting, gracefully romantic, and sharply revelatory; it is also tragic in its timeliness as the world faces new refugee crises.” —Booklist (starred review)“Shapiro’s writing pulses with energy…. The Muralist brings the time period and setting to life. Readers will appreciate Shapiro’s seamless integration of fact into the story and will feel immersed in a time when the world tipped into chaos. Art, history, and mystery — an intriguing and satisfying blend.” —Washington Independent Review of Books“In The Muralist, novelist B.A. Shapiro deftly layers American art history, the facts of World War II and the fictitious stories of Alizee and Dani. …The Muralist is a compelling mystery. …The Muralist elevates Shapiro to an even higher plane and is sure to be a crowning touch in an already celebrated career.” —BookPage “In this noirish intrigue and fine-art detective story, Shapiro ably intersects the early years of the abstract expressionist movement, the Roosevelts, institutionalized anti-Semitism that denied American visas to Jewish refugees, the relentless run-up to World War II, and the generational losses of the Shoah. Mystery and historical fiction lovers…will find this a riveting read.” —Library Journal (starred review) “Engaging … Shapiro convincingly portrays the work of the artist as an agent of expression and hope in a world of despair.” — The New York Jewish Week“[Shapiro] knows how to craft a page-turner. The Muralist is certainly an engrossing tale. Perhaps it will also send a few readers to the Museum of Modern Art for a fresh look at the craft of Rothko, Pollock, and their contemporaries. That would be a wonderful, and very un-abstract, mingling of art and real life.” —New York Journal of Books “B. A. Shapiro makes the radical, varied, and sometimes enigmatic world of abstract expressionism altogether human and accessible in her smart new historical thriller. …It has more emotional ballast and is more skillfully written than what one customarily finds. The novel evokes the horror and sorrow of the Holocaust in just their tedious administrative tasks of retracing steps, of sifting through wreckage. Shapiro also does a wonderful job of restoring complexity to the historical moment and stripping away the clarity of retrospection.” —The Boston Globe “Shapiro’s plotting is deft, and the anonymous paintings and Alizée’s disappearance add mystery and intrigue to the tale. Like her well-received 2012 novel, “The Art Forger,” this new story takes us into the heart of what it means to be an artist. …vibrant and suspenseful. As tens of thousands of modern-day asylum-seekers from the Middle East and Africa surge into Europe, and pictures of their mistreatment are broadcast around the world, “The Muralist” is a grim reminder that history continues to repeat itself.” —The Washington Post “B.A. Shapiro captivated us in 2012 with her “addictive” novel The Art Forger. Now, she’s back with another thrilling tale from the art world, set right on the brink of World War II.” —Entertainment Weekly “The Muralist is, like What She Left Behind by Ellen Marie Wiseman or Orphan Train by Christina Baker Kline, a historical novel that brings the 20th century to life…” —USA Today “Shapiro follows the enthusiastically received The Art Forger (2012) with an even more polished and resonant tale. [Her] novel of epic moral failings is riveting, gracefully romantic, and sharply revelatory; it is also tragic in its timeliness as the world faces new refugee crises.” —Booklist (starred review)“Shapiro’s writing pulses with energy…. The Muralist brings the time period and setting to life. Readers will appreciate Shapiro’s seamless integration of fact into the story and will feel immersed in a time when the world tipped into chaos. Art, history, and mystery — an intriguing and satisfying blend.” —Washington Independent Review of Books“In The Muralist, novelist B.A. Shapiro deftly layers American art history, the facts of World War II and the fictitious stories of Alizee and Dani. …The Muralist is a compelling mystery. …The Muralist elevates Shapiro to an even higher plane and is sure to be a crowning touch in an already celebrated career.” —BookPage “In this noirish intrigue and fine-art detective story, Shapiro ably intersects the early years of the abstract expressionist movement, the Roosevelts, institutionalized anti-Semitism that denied American visas to Jewish refugees, the relentless run-up to World War II, and the generational losses of the Shoah. Mystery and historical fiction lovers…will find this a riveting read.” —Library Journal (starred review) “Engaging … Shapiro convincingly portrays the work of the artist as an agent of expression and hope in a world of despair.” — The New York Jewish Week“[Shapiro] knows how to craft a page-turner. The Muralist is certainly an engrossing tale. Perhaps it will also send a few readers to the Museum of Modern Art for a fresh look at the craft of Rothko, Pollock, and their contemporaries. That would be a wonderful, and very un-abstract, mingling of art and real life.” —New York Journal of Books

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