Gender studies: women and girls Books

Book SynopsisGet inside the head of one of the most influential women in the world, one who has penetrated almost every media space with her unique combination of savvy business sense, practical homemaking advice, and good humor. This collection of quotes has been gathered from Martha Stewart’s numerous public statements—interviews, op-eds, television appearances, books, and more. It’s a comprehensive picture of her business empire, her advice for life and the home, and her comeback after scandal and imprisonment. Martha Stewart has called herself a “late bloomer,” but after she published her first book, Entertaining, at the age of 49, she rapidly built on that first success, launching magazines, television shows, retail lines, and more books to establish a media empire. Her name is synonymous with tasteful decor, delicious from-scratch foods, and the covetable estates she keeps in upstate New York, the Hamptons, and Maine. Even after the insider trading scandal that threatened to derail her career in 2004, Stewart was able to rebuild her image of classic domesticity matched by a tireless work ethic. New ventures like “Martha & Snoop’s Potluck Dinner Party” have added a sense of playfulness to her personal brand and introduced her to new audiences. A winner of multiple Emmys and James Beard Awards, and the chairperson of her own media conglomerate, Stewart has proven she has staying power across generations. She’s a true icon, not just for fans who learned how to cook and keep house from her books and television shows, but for audiences who associate her name with taste, simplicity, and style.

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Book SynopsisThis edited collection examines conflicting assumptions, expectations, and perceptions of maternity in artistic, cultural, and institutional contexts. Over the past two decades, the maternal body has gained currency in popular culture and the contemporary art world, with many books and exhibitions foregrounding artists’ experiences and art historical explorations of maternity that previously were marginalized or dismissed. In too many instances, however, the maternal potential of female bodies—whether realized or not—still causes them to be stigmatized, censored, or otherwise treated as inappropriate: cultural expectations of maternity create one set of prejudices against women whose bodies or experiences do align with those same expectations, and another set of prejudices against those who do not. Support for mothers in the paid workforce remains woefully inadequate, yet in many cultural contexts, social norms continue to ask what is “wrong” with women who do not have children. In these essays and conversations, artists and writers discuss how maternal expectations shape creative work and designed environments, and highlight alternative ways of existing in relation to those expectations.

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Book SynopsisThis magnificent publication surveys the vital role of women in the development of Abstract Expressionism by looking at more than 50 paintings, collages and sculptures all accompanied by carefully selected quotes from the artists themselves. The dominant movement of the New York and San Francisco art scenes of the mid-20th century, Abstract Expressionism is celebrated as the first development in American art to gain international status. The movement is synonymous with the work of Jackson Pollock, Mark Rothko, and Willem de Kooning, but also belonging to this generation who changed the course of modern art were numerous female artists; only in recent years have their contributions received the recognition they deserve. The remarkable women in this exciting new book - among them Perle Fine, Helen Frankenthaler, Sonia Gechtoff, Lee Krasner, and Joan Mitchell - studied at the same art schools as the men, exhibited at the same galleries, and were part of the same social scene. But their work was not shown and reviewed as widely or considered as valuable as that of the men. This beautiful book presents the works of the Levett Collection, an unparalleled private collection of paintings, drawings and sculpture by women Abstract Expressionists. Richly illustrated essays by the scholars Ellen G. Landau and Joan M. Marter, leading authorities on the subject, consider, respectively, the vital role of women in the development of Abstract Expressionism and the work of women sculptors of the movement. Full of exuberant, explosive colour and densely layered expression, the main part of the book is devoted to more than 50 paintings, collages, and sculptures, all accompanied by pertinent quotes from the women about their artistic practice and concerns. An illustrated timeline and 35 artist biographies provide further insight, making this volume an essential addition to the study of Abstract Expressionist women, innovators in their own right, whose time in the art-historical spotlight has finally come. AUTHOR: Ellen G. Landau is Andrew W. Mellon Professor Emerita at Case Western Reserve University in Cleveland, Ohio. Joan M. Marter is Distinguished Professor Emerita at Rutgers, the State University of New Jersey. 170 illustrations

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Book SynopsisThis anthology, the first of its kind in any language, displays the range and significance of women's contributions to surrealism.Trade Review"This is a very fine volume; it is inclusive, superbly researched, and the introductions are clearly written... It should become a standard text of surrealism." Stephen Eric Bronner, Professor of Political Science and Comparative Literature, Rutgers UniversityTable of Contents List of Illustrations Acknowledgments Introduction: All My Names Know Your Leap: Surrealist Women and Their Challenge Notes on Individuals Frequently Cited in This Anthology 1. The First Women Surrealists, 1924-1929 Introduction: The Women of La Révolution surréaliste Renée Gauthier Dream: I Am in a Field... Simone Kahn Surrealist Text: This Took Place in the Springtime... The Exquisite Corpses Denise Levy Surrealist Text: I Went into a Green Song... Surrealist Text: Ivory Blue and Shady Satin... Nancy Cunard Surrealist Manifestation at the Diaghilev Ballet The Beginnings of the Surrealist Revolution Surrealism, Ethnography, and Revolution Nadja The Blue Wind Fanny Beznos I Go, the Wind Pushing Me Along Purity! Purity! Purity! Suzanne Muzard On Love: Reply to an Inquiry My Passage in Surrealism Valentine Penrose When It Comes to Love: Response to an Inquiry Suzanne Muzard, Elsie Houston, and Jeannette Ducrocq Tanguy Surrealist Games 2. In the Service of Revolution, 1930-1939 Introduction: Women and Surrealism in the Thirties Claude Cabun Captive Balloon The Invisible Adventure Poetry Keeps Its Secret Surrealism and Working-Class Emancipation From life I still expect that overwhelming experience Beware Domestic Objects! Nancy Cunard How Come, White Man? The Scottsboro Case A Trip to Harlem Simone Yoyotte Pale Blue Line in a Forced Episode Half-Season Greta Knutson Foreign Land Lise Deharme The Empty Cage The Little Girl of the Black Forest Denise Bellon, Gala Dalí, Nusch Eluard, Yolande Oliviero Experimental Research: On the Irrational Knowledge of the Object: The Crystal Ball of the Seers Maruja Mallo Surrealism as Manifest in My Work Meret Oppenheim Where Is the Wagon Going? If You Say the Right Word, I Can Sing... Anyone That Sees Her White Fingers... Jacqueline Lamba A Revolutionary Approach to Life and the World Gisèle Prassinos Arrogant Hair The Ghost of Chateaubriand Toyen A Community of Ethical Views Alice Rahon Four Poems from On the Bare Ground Despair Hourglass Lying Down Valentine Penrose There Is the Fire The Datura the Serpent To a Woman to a Path Sheila Legge I Have Done My Best For You Eileen Agar Am I a Surrealist? Mary Low Women and the Spanish Revolution Marcelle Ferry You Came down from the Mountains... When He Went Away... The One Seated on the Stones of Cheops... Frenzy, Sweet Little Child, You Sleep... Leonora Carrington The Sand Camel Grace Pailthorpe What We Put in Prison The Scientific Aspect of Surrealism Surrealist Art On the Importance of Fantasy Life Hélène Vanel Poetry and Dance Ithell Colquhoun What Do I Need to Paint a Picture? Jeanne Megnen The Noise Will Start Tomorrow 3. Neither Your War Nor Your Peace: The Surrealist International, 1940-1945 Introduction: Women in the Surrealist Diaspora: First Principles and New Beginnings Suzanne Césaire André Breton, Poet Discontent of a Civilization 1943: Surrealism and Us The Domain of the Marvelous Mary Low Perchance to Dream Women and Love through Private Property Frida Kahlo I Paint My Own Reality From Her Journal Lucie Thésée Beautiful as... The Buckets in My Head... Where Will the Earth Fall? Leonora Carrington Down Below Régine Raufast Photography and Image Laurence Iché Scissors Strokes by the Clock... I Prefer Your Uneasiness Like a Dark Lantern... Unpublished Correspondence The Philosophers' Stone Gertrude Pape The Lake Eardrops from Babylon Susy Hare Complaint for a Sorcerer Sonia Sekula Womb Meret Oppenheim Round the World with the Rumpus God.... Ithell Colquhoun "Everything Found on Land Is Found in the Sea" Water-Stone of the Wise Emmy Bridgwater On the Line Back to the First Bar The Journey The Birds Edith Rimmington The Growth at the Break The Sea-Gull Alice Rahon Pointed Out Like the Stars... Little Epidermis Sublimated Mercury The Appellants Ferns in a Hollow of Absence... The Sleeping Woman Eva Sulzer Butterfly Dreams Amerindian Art Jacqueline Johnson The Paintings of Alice Rahon Paalen The Earth Ida Kar I Chose Photography Ikbal El Alailly Introduction to Vertu de l'Allemagne [The Virtue of Germany] 4. Surrealism versus the Cold War, 1946-1959 Introduction: Regroupment and Occultation: Women in the Surrealist Underground in the 1950s Thérèse Renaud I Lay My Head Françoise Sullivan Dance and Automatism Iréne Hamoir Pearl Aria The Procession Emmy Bridgwater, Ithell Colquhoun, Iréne Hamoir, and Edith Rimmington Surrealist Inquiry: What Do You Hate Most? Lise Deharme I Didn't Know Gertrude Stein Maria Martins I Am the Tropical Night's High Noon Art, Liberation, and Peace Helen Phillips The Image: Recognition of a Moment Vera Hérold The Big L Gisèle Prassinos Peppermint Tower in Praise of Greedy Little Girls Ithell Colquhoun The Mantic Stain: Surrealism and Automatism Dorothea Tanning Legend Nora Mitrani Scandal with a Secret Face "Blacker Than Black. . ." About Cats and Magnolias Poetry, Freedom of Being On Slaves, Suffragettes, and the Whip Concupiscence and Scandal: Definitions from the Succinct Lexicon of Eroticism Valentine Penrose I Dream Beautiful or Ugly It Doesn't Matter Jacqueline Johnson Taking a Sight 1951 Alice Rahon Painter and Magician Jacqueline Senard Reason and Safety Factors Cat=Clover Polar Elisa Breton One in the Other Elisa Breton, Anne Segbers, and Toyen Surrealist Inquiry: Would You Open the Door? Joyce Mansour Into the Red Velvet Lovely Monster Practical Advice for Waiting To Come, Possession, Prick Tease: Definitions from the Succinct Lexicon of Eroticism Meret Oppenheim Automatism at a Crossroads I Have to Write Down the Black Words Judit Reigl Points of Departure for a New Revolt Isabel Meyrelles Night Words Anneliese Hager Of the Poison of Dreams The Blue Spell Automatic Dream Drahomira Vandas Light Throws Shadows An Egg Hatches Out a Flame Rain Man Olga Orozco Twilight (Between Dog and Wolf) Blanca Varela Dance Card Marianne van Hirtum In Those Rooms... Abandon, Meeting, Orgasm, Seduce, Vice: Definitions from the Succinct Lexicon of Eroticism Leonora Carrington Comments on The Temptation of St. Anthony On Magic Art: A Conversation, 1996 Kay Sage Painter and Writer An Observation The Window Chinoiserie Fragrance Mimi Parent Depraved Person, License, Masturbation, Voyeur: Definitions from the Succinct Lexicon of Eroticism Sonia Sekula Notes from a Journal: The Occurrence of Meeting a Face Contra a Face Remedios Varo A Recipe: How to Produce Erotic Dreams 5. The Making of "May '68" and Its Sequels Introduction: Women in the Surrealist Resurgence of the 1960s and 1970s Nora Mitrani In Defense of Surrealism Nelly Kaplan Memoirs of a Lady Sheet Diviner At the Women Warriors' Table Enough or Still More All Creation Is Androgynous: An Interview Nicole Espagnol Female Socket Heartstopping The Conclusion Is Not Drawn The Wind Turns Annie Le Brun Introduction to Drop Everything! Giovanna Where Are We in Relation to Surrealism? Baking Chocolate and Dialectics What Do I Know... Therapy Monique Charbonel It's a Wonder Unica Zürn Lying in Ambush Elisabeth Lenk Surrealism: A Liberating and Catalyzing Element in Germany Today Automatic Text for Anne Ethuin Penelope Rosemont Passage Candle Rising Asleep Joyce Mansour A Mango Night in the Shape of a Bison Ten to One to No Wild Glee from Elsewhere Absolute Divergence: The International Surrealist Exhibition, 1965-1966 Mimi Parent Are You a Surrealist? Marianne van Hirtum The Future of Surrealism: Response to an Inquiry While We Spend Our Lives Ironing... And I Shall Be the Mouth of Copper... The Naked Truth Vampiro Nox Surrealism: Rising Sign Anne Ethuin Legend Isabel Meyrelles I Will Tell You During the Walk... Tyger, Tyger Luiza Neto Jorge Another Genealogy "Monument to Birds" (Max Ernst) Fable The Force of Gravity Sphericity: Ferocity Alejandra Pizarnik Caroline von Günderode In a Copy of Les Chants de Maldoror Leila Ferraz Secrets of Surrealist Magic Art My Love, I Speak to You of a Love Rikki Ducornet My Special Madness Necromancy Dark Star, Black Star Machete Clean Nancy Joyce Peters To the Death of Mirrors General Strike Nelly Kaplan's Néa: Woman and Eroticism in Film Alice Farley Notes toward a Surrealist Dance Jayne Cortez Consultation Feathers In the Line of Duty Make Ifa Say It Haifa Zangana Can We Disturb These Living Coffins? A Symbol of Sin and Evil Thoughts: Introduction to Ibn Hazm Al-Andalusi Hilary Booth Their Games and Ours: A Note on Time-Travelers' Potlatch Hilary Booth, Nancy Joyce Peters, Penelope Rosemont, Debra Taub Surrealist Games: Time-Travelers' Potlatch Valentine Penrose From These Husks Are Worlds Made Leonora Carrington What Is a Woman? The Cabbage Is a Rose Meret Oppenheim Nobody Will Give You Freedom, You Have to Take It 6. Surrealism: A Challenge to the Twenty-First Century Introduction: Women and Surrealism Today and Tomorrow Silvia Grénier Salomé Signs Carmen Bruna Poetry: An Incitement to Revolt "Lady from Shanghai" Moi-Même (Myself) Eva Svankmajerová Emancipation Cycle Tactile Lids Stunned by Freedom I Don't Know Exactly Alena Nádvorn'ková Emila Medková's Photographs and the Anthropomorphization of Detail Determination of Time Art History (Sandro Botticelli) Ivana Ciglinová The Old Crow's Story Mary Low The Companion Q.E.D. Where the Wolf Sings Encounter Hilary Booth Long Hot Summer: Great Black Music Today Preface to I Am Rain Our Skin Is Paper Poem for Central America Marie-Dominique Massoni Two Seconds How Old Is the Old Mole? Haifa Zangana What Choice? Jayne Cortez When I Look at Wifredo Lam's Paintings Bumblebee, You Saw Big Mama Sacred Trees Penelope Rosemont Life and Times of the Golden Goose The Bad Days Will End Revolution by Chance Rikki Ducornet The Volatilized Ceiling of Baron Munodi Manifesto in Voices Alice Farley Permutations of Desire Costumes: Vehicles of Transformation Gesture Irene Plazewska Newton's Descent Debra Taub A Dance in the Forest Exquisite Alchemy Secret Melodies Gina Litherland Imagination and Wilderness Ivanir de Oliveira Collage: Image of Revelation Nicole E. Reiss Divagations A Delirious Voyage inside a Circle Elaine Parra To Radicalize with Beauty and Love Sarah Metcalf A Game of Slight Disturbances Katerina Pinosová The Piece of Bone Lenka Valacbová The Sterile Dish Kajsa Bergh Desire Petra Mandal First-Hand Knowledge Nancy Joyce Peters Women and Surrealism Bibliography Index

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Book SynopsisTrade Review"T’ai Smith’s careful opening up of the theoretical space between ‘craft’ and ‘medium’ will be an important intervention into discussions of medium specificity in the arts of the twentieth century. Attuned to the historical specificity of the practice, gender roles, and new possibilities for mediation in the Weimar period, she gives a compelling account of how the practical and theoretical concerns of weaving were negotiated discursively as well." —Frederic J. Schwartz, University College London "This is the first scholarly analysis of the theoretical writing by the women weavers of the Bauhaus and as such fills a huge gap in the literature about the work of women artists at the school and the role and evolution of a feminized craft within the institution’s history. This book functions as not only a history of the weaving workshop, but also a nuanced history of the Bauhaus through the lens of creative practice." —Elissa Auther, University of Colorado, Colorado Springs"Smith’s account yields important insights for the history of modernism as well as the art world’s current fascination with textiles and fiber art. A welcome resource for any scholar of modernism and a crucial lens on contemporary textile art."—Art Papers"This book of theoretical essays uncovers a rarely spotlighted yet deeply significant creative process within the Bauhaus movement."—Metropolis"An edifying and overdue investigation of the weavers’ far-reaching contributions."—American Craft"A fascinating book that should interest professionals and amateurs alike."—CHOICE"Compelling research."—Crafts Magazine"An important schoalarly work for anyone interested in the history of fiber art, weaving, and the discourse about art vs. medium-specific craft."—Shuttle Spindle & Dyepot"Bauhaus Weaving Theory proves to be foundational in rethinking weaving; it is a remarkable work of scholarship, pellucid and engaging."—Journal of Modern CraftTable of ContentsContentsAcknowledgmentsIntroduction: Textiles, Text, and a Medium-Specific Craft1. Pictures Made of Wool: Weaving Labor in the Workshop2. Toward a Modernist Theory of Weaving: The Use of Textiles in Architectural Space3. The Haptics of Optics: Weaving and Photography 4. Weaving as Invention: Patenting Theories of AuthorshipConclusion: On Weaving, On WritingNotesIndex

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Book SynopsisNew edition of bestselling novel from Egypt's foremost feminist and award-winning author, based on her own experienceTrade Review'At a time when nobody else was talking, [El Saadawi] spoke the unspeakable.' Margaret Atwood; 'The leading spokeswoman on the status of women in the Arab world' The Guardian; 'El Saadawi writes with directness and passion' New York Times; 'A poignant and brave writer' Marie Claire; 'El Saadawi has come to embody the trials of Arab feminism' San Francisco Chronicle

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Book SynopsisTwo Women in One tells the powerful story of a modern Middle Eastern woman's quest for emancipation and dignity.Trade Review`These two women live, to some degree, in every thinking woman.' New York Times Book Review; `At a time when nobody else was talking, [El Saadawi] spoke the unspeakable.' Margaret Atwood, BBC Imagine; `The leading spokeswoman on the status of women in the Arab world' The Guardian; `El Saadawi writes with directness and passion' New York Times; `A poignant and brave writer' Marie Claire; `El Saadawi has come to embody the trials of Arab feminism' San Francisco Chronicle

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Book SynopsisLike an apparition, conjured out of the darkness, a young man with light blond hair pushed his face into the car. I immediately spotted the knife. It was a long, thin weapon, almost like a letter opener, with a tapering blade. It felt cold and spiny as he pressed it to my neck. When he spoke his voice, which was quiet and controlled, sounded as though it emanated from a distant planet. But every word thudded into my skull. “Move over or I’ll kill you,” he whispered. And so began Alison’s nightmare journey with the two callous killers who were to rape her, stab her so many times doctors could not count the wounds, slit her throat and leave her for dead in a filthy clearing miles from the city of Port Elizabeth which was her home. But Alison defied death. And more than that, she denied her attackers the satisfaction of destroying her life. I Have Life is the triumphant story of a woman who refused to become a victim. The courage which allowed her to move beyond severe physical and emotional trauma and to turn a devastating experience into something life-affirming and strong, is an inspiration to people everywhere.

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Book SynopsisThe exhilarating true story of Trudy Ederle, the first woman to swim the English Channel, and inspire a “wave of confidence and emancipation” for women in sports (Parade).By age twenty, at the height of the Jazz Age, Trudy Ederle was the most accomplished swimmer in the world.Trade Review“Great storytelling. . .Stout’s moving book recovers the exhilarating story of a young girl who found her true self out in the water and paved the way for women in sports today." — Publishers Weekly (starred review) “Glenn Stout brings the women’s sports pioneer back to life with an engaging, deeply researched account.” — Sports Illustrated "A great summer read." — New Yorker “Stout adeptly traces the history of swimming and Ederle’s significance in it. Whether recounting the origins of modern strokes or the geological formation of the English Channel, the author is comprehensive in his research. His blow-by-blow accounts of Ederle’s two attempts to cross from Cape Gris-Nez, France to Dover, England, demonstrate his engaging style… saturated with thrills and melodrama. A compelling account of a woman who, though long forgotten, changed the way the world viewed swimming.” — Kirkus Reviews "Young Woman and the Sea is the story of Gertrude Ederle’s epic swim across the English Channel interwoven with a sweeping and glimmering history of swimming. These were the good old days when open water swimmers were sex symbols, pioneers of the sport, and leaders of social change. For anyone who loves the water, or has a big dream—this is the book to read!" — Lynne Cox, author of Swimming to Antarctica and Grayson "Too often, looking at America through its sports, and vice versa, results in a distorted view of both of them. In Glenn Stout's account of Trudy Ederle and the English Channel, we have a clear and honest mirror. Young Woman and the Sea is a first-rate piece of social history, and a tale told, well, swimmingly." — Charles P. Pierce, author of Idiot America and Moving the Chains

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Book SynopsisMoving from the thousand-year-old Prague Castle to the bomb shelters of London, from the desolate prison ghetto of Terezin to the war councils of Churchill, Stalin, Roosevelt and Hitler, the author reflects on her discovery of her family's Jewish heritage decades after the war, and her Czech homeland's tangled history.Trade Review"A gripping account of World War II... In taut prose, Albright weaves a powerful narrative that wraps her family's story into the larger political drama unfolding in Europe." -- The Philadelphia Inquirer "Albright has supplemented a deeply researched history of World War II-era Czechoslovakia with a moving family narrative." -- The Daily "Prague Winter is not only a family story-a proud and moving one-but a brilliant and multilayered account of how Czechoslovakia was formed along the most idealistic lines in the aftermath of World War I. An altogether fascinating and inspiring read." -- Michael Korda, The Daily Beast "Showing us villainy, heroism, and agonizing moral dilemmas, Albright's vivid storytelling and measured analysis bring this tragic era to life." -- Publishers Weekly (starred review) "A genuinely admirable book. Albright skillfully returns us to some of the darkest years of modern times. Spring eventually came to Prague, but in much of the world it is still winter. The love of democracy fills every one of these instructive and stirring pages." -- Leon Wieseltier "I was totally blown away by this book. It is a breathtaking combination of the historical and the personal. Albright confronts the brutal realities of the Holocaust and the conflicted moral choices it led to. An unforgettable tale of fascism and communism, courage and realism, families and heartache and love. -- Walter Isaacson "A remarkable story of adventure and passion, tragedy and courage set against the backdrop of occupied Czechoslovakia and World War II. Albright provides fresh insights into the events that shaped her career and challenges us to think deeply about the moral dilemmas that arise in our own lives." -- Vaclav Havel "A riveting tale of her family's experience in Europe during World War II [and] a well-wrought political history of the region, told with great authority... More than a memoir, this is a book of facts and action." -- The Los Angeles Times "A compelling personal exploration of [Albright's] family's Jewish roots as well as an excellent history of Czechoslovakia from 1937 to 1948... Highly informative and insightful... I can't recommend Prague Winter highly enough." -- The Washington Post Book World "In the crowded field of memoirs written by former secretaries of state, Madeleine Albright's books stand out... Albright is a charming and entertaining storyteller." -- The New York Review of Books "Albright's book is a sprightly historical narrative of this long decade... Her account of the destruction of inter-war Czechoslovakia, both as a geographical entity and as an idea of democracy, first by the Nazis and then by the Communists, is balanced and vivid." -- The Economist "A blend of history and memoir that reveals in rich, poignant and often heartbreaking detail a story that had been hidden from her by her own parents... The beating heart of the book is Albright's searing account of her intimate family saga." -- The Jewish Journal "An extraordinary book... Albright artfully presents a wrenching tale of horror and darkness, but also one in which decent and brave people again and again had their say." -- Istvan Deak, The New Republic

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Book SynopsisTrade Review“Shannon Bream reminds us: when women of God speak, we’re wise to listen, take note, and learn. I’ve found it true in my own life, and Shannon’s book is a worthy reminder, revealing rich life lessons found in the lives of biblical women.” — Max Lucado, pastor and New York Times bestselling author “Women of the Bible have made significant contributions, and God used them to change the course for everyone. Shannon introduces us to the brave, noble, and sometimes vulnerable or broken women in the Bible. This book is a helpful tool to demonstrate—no matter what you are going through—that other women experienced the same and still came out on top.” — Ainsley Earhardt, New York Times bestselling author of The Light Within Me “In The Women of the Bible Speak, Shannon Bream offers valuable examples of how to live a faithful life. Through these warm and engaging stories, Shannon reveals how central women were to God’s story in the Bible. They were courageous queens, strong mothers, and wise prophets. They defended Israel and were the first Christian evangelists. There are lessons for all of us in this book” — Michael W. Smith, Grammy award winning singer-songwriter “Shannon takes us directly into the lives of women in the Bible and, more specifically, into their hearts through their very own words, emotions, and interactions. She reminds us that throughout history, God has valued women as part of His plan of salvation, even purposing one to bear the Savior of the world. With so much focus today on women trying to obtain worth and value, this book provides a clearer picture of the value God has always placed on each of us. We will never have to fight for what we already have.” — Missy Robertson, New York Times bestselling coauthor of The Women of Duck Commander “Creative and colorful, captivating and compelling – here are the biblical accounts of sixteen women whose stories remain ever relevant to today’s cultural moment. Let Shannon enlighten and encourage you with these ancient lives that can bring us the courage and commitment we all need in these tumultuous times.” — Lee Strobel, best-selling author of The Case for Christ and The Case for Miracles “Shannon Bream is a strong, inspiring woman with a powerful impact...a world-changer! In ‘Women of the Bible’ she writes about Biblical women who were each world-changers in their own way - women whose powerful stories teach us truths we need today. Thanks Shannon for shining God’s light...through your book and your life!” — Rebecca St. James, Grammy Award winning singer-songwriter "Shannon Bream's book, The Women of the Bible Speak, flies in the face of 'cancel culture' with real stories from real women in biblical times who tackled some of the same problems we face today as a society. I recommend The Women of the Bible Speak for anyone to learn more about these pivotal players in history." — Kevin Sorbo, producer, director “Shannon Bream’s newest book The Women of the Bible Speak is a fascinating study of sixteen strong women who were instrumental in the history of Israel and the early church. Shannon doesn’t treat these characters as plaster saints but as flawed, but faithful, individuals God used mightily. Thanks, Shannon, for this fresh reminder of God’s willingness to offer a new beginning for anyone who asks!” — Dr. Robert Jeffress, Pastor, First Baptist Church, Dallas, Fox News Contributor “In the pressures of contemporary life, we often fail to make time to learn from those who have gone before us. In The Women of the Bible Speak, Shannon Bream allows the reader to walk closely with sixteen women and learn from their struggles and successes. I highly recommend it to both female and male readers.” — Gary Chapman, Ph.D., author of The 5 Love Languages "The Women of the Bible Speak, by Shannon Bream, is a crash course for every woman seeking a closer relationship with the Lord. Through their stories and examples the reader is inspired with a renewed sense of the light the Lord shines through each of us in the midst of life's challenges." — Nona Jones, Nona Jones Ministris

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Book SynopsisForeword by Ashley Judd“Rosenfeld’s tour-de-force takes the power of female alliances to a higher level, giving us a road map for a new vision of women’s equality through the relationships and bonds we form among one another. The gift of this book is that it gives us hope.”—Valerie Jarrett, New York Times bestselling author of Finding My Voice, and former senior advisor to President Barack ObamaThe Bonobo Sisterhood is a revolutionary call to action for women and their allies to protect one another from patriarchal violence. Internationally recognized legal expert Diane L. Rosenfeld introduces us to a groundbreaking new model of female solidarity; one that promises to thwart sexual coercion.Urgent, timely, and original, The Bonobo Sisterhood harnesses the power of the #MeToo movement into a road map for sex equality in humans. Our closest evolutionary cousins, the bonobos have a unique social order in which the females protect one another from male aggression. The takeaway? Evolutionarily, bonobos have eliminated sexual coercion and enjoy a more peaceful, cooperative, and playful existence. We have much to learn from them.Rosenfeld explores the implications of the bonobo model for human societies and systems of governance. How did law develop to elude women’s rights so consistently? What difference does it make that we live in a patriarchal democracy? And what do bonobos have to offer as living proof that patriarchy is not inevitable? Most important, how can women break down barriers among themselves to unleash their power as a unified force? Rosenfeld has answers.The Bonobo Sisterhood takes us through real-life stories from the courtroom to the classroom and beyond, charting a new vision of a collective self-defense among women and their allies. It offers an action plan accessible to everyone immediately. This is an open invitation to anyone who wants to challenge the status quo. It starts with the power inherent in each of us knowing that we have selves worth defending, and awakening that power for ourselves and for our sisters. We now have a new model for real change, Rosenfeld reminds us. It’s time to use it.The Bonobo Sisterhood forges a path to create and discover a new meaning of equality, liberty, and justice for all.Trade Review “Rosenfeld’s tour-de-force takes the power of female alliances to a higher level, giving us a road map for a new vision of women’s equality through the relationships and bonds we form among one another. The gift of this book is that it gives us hope.” — Valerie Jarrett, New York Times bestselling author of Finding My Voice, and former senior advisor to President Barack Obama “On the Harvard campus, Diane is known by many names: Harvard Law Lecturer, angel, bonobo. In the darkest hours after a rape, survivors learn from a whisper network about an angel of the law. That angel is Diane. I know because I was one of the Harvard rape survivors who found hope and help from Diane. This book describes that network, affectionately called by Diane, The Bonobo Sisterhood. It is a sisterhood to whom I owe my justice, success, and healing today.” — Amanda Nguyen, founder of Rise and 2022 TIME Woman of the Year “With The Bonobo Sisterhood, everyone—including the men she invites in as allies—can get a taste of Rosenfeld’s signature fusion of passionate advocacy for survivors along with an activist-scholar’s command of legal theory and practice. This book should be widely read by anyone who is rightly tired of the status quo and wants both revolutionary insight and practical suggestions for change.” — Jackson Katz, PhD, author of The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help “The Bonobo Sisterhood shows us that the way to disrupt patriarchy is by demonstrating that safety, security, and strength can exist among women—an idea that is both simple and radical all at once. When we strengthen our bonds with one another, rather than relying on the unstable promise of protection under patriarchy, a whole new direction is possible, and, indeed, better for all.” — Fatima Goss Graves, president and CEO of the National Women’s Law Center and cofounder of the TIME’S UP Legal Defense Fund “Rosenfeld’s gripping indictment of the inadequacy of society’s responses to sexual violence makes her call for a social and legal awakening urgent and persuasive. The Bonobo Sisterhood suggests how the world really can become less patriarchal.” — Richard Wrangham, author of The Goodness Paradox: The Strange Relationship Between Virtue and Violence in Human Evolution, and Ruth B. Moore Professor of Biological Anthropology at Harvard University “An innovative analysis of the legal and social structures that enable gender-based violence and how to overcome them. Rosenfeld builds a persuasive case.” — Publishers Weekly “How to fight patriarchy . . . well-informed, insightful, and, sadly, timely.” — Kirkus Reviews

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Book SynopsisIn this updated and expanded edition of her celebrated book Executive Presence: The Missing Link Between Merit and Success, one of the world’s most influential business thinkers reveals the qualities essential to leadership in our fast-changing, post-pandemic world. Some are timeless (confidence, decisiveness), some are brand new (the ability to command Zoom), and all are game-changers.Nearly a decade ago, economist Sylvia Ann Hewlett cracked the code of executive presence (EP). Drawing on complex data and in-depth interviews with senior executives from sectors as different as finance and fashion, she demonstrated that EP is a potent mix of gravitas, communication, and appearance.Executive Presence became a classic. Translated into seven languages, it’s helped tens of thousands of ambitious, accomplished professionals to fast-track their careers. Chuck Robbins (CEO of Cisco), and Thasunda Brown Duckett (CEO, TIAA), are among the leaders who recommend this book for any up-and-comer seeking to rise through the ranks and do something extraordinary with their lives.But EP has evolved. Black Lives Matter, the #MeToo movement, and a global pandemic have changed the leadership equation. But how? To answer that question, in 2022, Hewlett embarked on a second round of quantitative and qualitative research, targeting seasoned leaders and thirty-something-year-old executives at the cutting edge of the new economy (fin-tech, gaming, media). Her findings are timely as new executives find their feet in a post-pandemic world.Hewlett demonstrates that in 2023 leaders worldwide seek to promote high-performing men and women who exude confidence but also project authenticity and inclusivity. They’re also intent on advancing those who excel at leading remote teams and demonstrate a command of social media. It’s no coincidence that Eddie Glaude, Amanda Gorman, and Gustavo Dudamel are stars of this new edition of Executive Presence and the usual suspects.Hewlett’s most potent message, ten years ago and now, is that EP is eminently learnable. You don’t need to have the voice of James Earl Jones, the communication skills of Steve Jobs, or the athleticism of Michelle Obama to ace EP. You merely have to arm yourself with the tools and tactics contained in these pages.  Trade Review“Sylvia Ann Hewlett has put together the complete play book for high potential employees eager to develop the executive presence skills that will propel them to the top. In this book Hewlett explains what EP is, and how to get it. It’s real, pragmatic and brilliant!” — 'Tiger' Tyagarajan, President and CEO, Genpact “Groundbreaking. This book provides a simple guide that will help you crack the code to career success.” — Katherine W. Phillips, Paul Calello Professor of Leadership and Ethics, Columbia Business School “In this significant book, Sylvia Ann Hewlett challenges the conventional wisdom that executive presence is an innate quality that can barely be defined, much less developed. Anyone seeking to close the gap between their merit and their success could benefit from her practical, engaging, and humane advice.” — Kenji Yoshino, Chief Justice Earl Warren Professor of Constitutional Law, NYU School of Law “A solid guide for those looking to take their career to the next level” — Publishers Weekly “Sylvia Ann Hewlett’s book is essential reading for anyone striving to minimize the gap between how others perceive you and how you want to be seen. Executive Presence will transforms careers and unleash a current of previously untapped potential on the world.” — A.J. Jacobs, New York Times bestselling author of The Know-It-All “This is a powerful and urgent book for young professionals climbing the ladder. Credentials alone will not get you the next big opportunity, you also need Executive Presence - the ability to signal confidence and credibility. ” — Aberdeen Press & Journal [Scotland] “Tangible, practical advice that readers can easily use to lift their game.” — Anré Williams, President, Global Merchant Services, American Express

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Book SynopsisExploding the assumption that black women's only important musical contributions have been in folk, jazz, and popTrade Review"A reliable, well-written, and scholarly reference text." --Wisconsin Public Radio"This excellent and beautifully produced publication will immediately interest those working in music history and women's studies. It is an exemplary study of significant composers born between 1904 and 1956. . . . Essential." --Choice

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Book SynopsisA historical, spiritual, and literary portrait of a remarkable nineteenth-century African Muslim woman. This book provides a glimpse into the West African Muslim community at a pivotal point in its history.Trade Review"... this woman's intellectual contribution to a revolution, and her position at the heart of the military and organisational effort, deserves to be better known." -- Graham FurnissTable of ContentsPreliminary Table of Contents: PrefaceAcknowledgements1. Nana Asma'u and the Scholarly Islamic Tradition2. Qadiriyya Sufism: The Qur'an and the Sunna3. The Caliphate Community4. The Poetic Tradition5. Sokoto as Medina: Imitating the Life of the Prophet and Re-enacting History6. Caliphate Women's Participation in the CommunityAppendix: Poems by Nana Asma'uGlossaryNotesWorks CitedIndex

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Book SynopsisA groundbreaking introduction to the photographic work of an iconic modern artistTrade Review“This fascinating book was released to coincide with an exhibition of O'Keeffe's photography...and shines a fresh light on one of the 20th century's most innovative and iconic artists.”—Jonathan Harwood, Black & White Photography2022 PROSE Award Finalist, Art Exhibitions category“Lisa Volpe’s careful scholarship offers a new perspective on the work of Georgia O’Keeffe. As viewers, we are invited to see the intimacy of her surroundings through the act of taking pictures.”—Catherine Opie“A necessary, and beautiful, contribution to the mountain of scholarship on Georgia O’Keeffe. For the first time, we can talk about O’Keeffe as a photographer and within the long line of modern artists who used photography as a critical tool in constructing their paintings.”—Bruce Robertson, University of California, Santa Barbara“O’Keeffe had no desire to be an art photographer, this welcome study reveals, but she deeply exploited the camera’s potential to focus and frame motifs in memorable compositions. In ways unknown until now, she used her Leica and Polaroid as power tools to exercise her eye and practice her formal aesthetics.”—Wanda M. Corn, author of Georgia O’Keeffe, Living Modern“In this deeply researched and engaging book, Lisa Volpe and Ariel Plotek not only show how O’Keeffe used the same pictorial strategies in creating her photographs as she did in her paintings, but they also shed light on her life in New Mexico in her later years. In the end, this book is about artistic rejuvenation—it reveals how great artists, like O’Keeffe, repeatedly rethink their work and practice, expanding and reinvigorating it as new challenges and new opportunities present themselves.”—Sarah Greenough, National Gallery of Art

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Book SynopsisTrade Review"A refreshing perspective on the realities and challenges one faces when living with an eating disorder.... Recommended." * CHOICE *"Impressive and exhaustive.... Those who treat, study, or are afflicted with an eating disorder in the family will find excellent resources here." * Truthdig *“This is psychological anthropology at its best.” * Anthropology News *“Lester offers one of the most compassionate, realistic, nuanced examinations of the complexity of ED care and patients I have read. Her book presents a much-needed discourse exemplifying how the American treatment landscape fails patients and perpetuates illness.” * Affilia: Journal of Women and Social Work *Table of ContentsPrologue Preface SECTION ONE • PROVOCATIONS 1 • Introduction Roller-Skating 2 • Rethinking Eating Disorders Little Debbie 3 • Eating Disorders as Technologies of Presence For the Ladies SECTION TWO • FRAMEWORKS 4 • Identifying the Problem: When Is an Eating Disorder (Not) an Eating Disorder? Spinning 5 • A Hell That Saves You: Cedar Grove’s Staff and Programs Lettuce Sandwich 6 • Fixing Time: Chronicity, Recovery, and Trajectories of Care at Cedar Grove Liquidated 7 • Loosening the Ties That Bind: Unmooring Mortifications 8 • Me, Myself, and Ed: Recalibrating Calculated Risks 9 • “Fat” Is Not a Feeling: Developing New Ways of Presencing Looking for the Exit SECTION FOUR• RECURSIONS 10 • Running on Empty: Relationships of Care in a Culture of Deprivation Breaking 11 • Capitalizing on Care: Precarity, Vulnerability, and Failed Subjects Spark 12 • Conclusions: Where Do We Go from Here? Afterword Acknowledgments Notes Works Cited Index

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Book SynopsisMakes an excellent case for Parrott as an unjustly forgotten historical figure.TheNew YorkerRemind[s] us of the brazenly talented women sidelined by convention.New York Times The riveting biography of Ursula Parrottbest-selling author, Hollywood screenwriter, and voice for the modern woman. Credited with popularizing the label ex-wife in 1929, Ursula Parrott wrote provocatively about divorcées, career women, single mothers, work-life balance, and a host of new challenges facing modern women. Her best sellers, Hollywood film deals, marriages and divorces, and run-ins with the law made her a household name. Part biography, part cultural history, Becoming the Ex-Wife establishes Parrott's rightful place in twentieth-century American culture, uncovering her neglected work and keen insights into American women's lives during a period of immense social change. Although she was frequently dismissed as a woman's writer, reading Parrott's writing today makes it clear that she was a trenchant philosopher of modernityher work was prescient, anticipating issues not widely raised until decades after her decline into obscurity. With elegant wit and a deft command of the archive, Marsha Gordon tells a timely story about the life of a woman on the front lines of a culture war that is still raging today.Trade Review"As Marsha Gordon argues in her engaging new biography, Becoming the Ex-Wife, the novel 'offers a strong case for the protections of marriage and the dangers of being an unattached woman.' . . . In her biography, Gordon makes an excellent case for Parrott as an unjustly forgotten historical figure: a sociological flash point, a beneficiary of feminism and victim of patriarchy who got her enemies mixed up." * The New Yorker *“Why did a once-transfixed reading public turn away, and why is Parrott so often now eliminated from a pantheon of popular urban “working girl” writers that includes Helen Gurley Brown, Candace Bushnell, Nora Ephron, Dorothy Parker and, perhaps most comparably, Jacqueline Susann? . . . A reissue of Ursula Parrott’s racy novel “Ex-Wife,” and a new biography of its author, remind us of the brazenly talented women sidelined by convention. . . . [Gordon] surfaces plenty of colorful period detail: passport photos of everyone looking mussed and truculent in that Jazz Age way; correspondence from exasperated agents, editors and lovers; even an adorable 'mapback' version marked with key locations in 'Ex-Wife.'” * The New York Times *“[V]igorous, entertaining, and well-researched . . . [Gordon’s] biography salvages and reconstructs Parrott’s many remains, rescuing an important American voice and cultural figure from near oblivion. . . . The result is a clear, full, yet unlabored portrait of Parrott, written in agile, accessible prose. Gordon’s tone is warm but unsentimental (as was Parrott herself), occasionally displaying a subtle and welcome bit of cheek or zing befitting her subject." * Los Angeles Review of Books *“[R]igorous . . . an enlightening companion to the novel" * The Baffler *"Marsha Gordon’s Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott is a thoroughly researched, sympathetic, but not uncritical portrait of a woman who achieved exceptional commercial success as a writer and who was, for a while, 'the most famous divorcée in the United States.'" -- Joyce Carol Oates * The New York Review of Books *"Gordon’s biography . . . is good on Parrott’s significance for an understanding of American life – and women’s lives, in particular – in the interwar period, with its glancing insights into alcoholism and abortion. Keenly supported by examples from the writings, Gordon also shows how her subject’s life was often too strange for any kind of fiction." * Times Literary Supplement *"Parrott led a scandalous, glamorous, sometimes lonely life in the public eye, and Gordon, professor and director of the film studies program at North Carolina State University, has done the world a great service by bringing her back into the spotlight." * Washington City Paper *"In Becoming the Ex-Wife, Marsha Gordon sheds welcome light on this remarkable and troubled writer, who knew too well how hard it was to be a modern woman who wanted sexual freedom and a career of her own choosing. In this well-researched and fascinating biography, Parrott emerges as a star who should be remembered alongside Jazz Age icons like Dorothy Parker and the Fitzgeralds.” * Newcity Lit *"[O]ffers an in-depth look at Parrott’s complicated and sometimes scandalous life." * Walter Magazine *"Parrott is forgotten and Faulkner is famous. This is so much more than a matter of quality, which is why we need biography. . . . Marsha Gordon makes a compelling case for Parrott’s artistry and continuing relevance. . . . Ms. Gordon does something else that is quite shrewd: She has a concluding chapter, after Parrott has died, which concentrates on her subject’s literary legacy. The story of Parrott’s life is over, but her writing lives on, even if we don’t yet know it." * The New York Sun *"Marsha Gordon’s new biography of the best-selling author Ursula Parrott, Becoming the Ex-Wife, rescues this important author’s life from obscurity, . . . Both Gordon’s biography, and the 2023 publication of a McNally Edition of Parrott’s 1929 novel Ex-Wife have garnered a lot of well-deserved attention. . . . In Becoming the Ex-Wife, it is clear Gordon mined all the archives and saved what she could of this fascinating and accomplished woman’s life from obscurity.” * Biblio *"There are certain books which catch you completely by surprise. Marsha Gordon’s Becoming the Ex-Wife is one of those books. . . . Gordon does an excellent job of telling Parrott’s story because she balances her admiration with the right amount of critical eye. . . . If you can accept that a human can be both good and bad in various measures while finding their life story interesting, then you will enjoy this book immensely.” * History Nerds United *"Gordon’s biography . . . is good on Parrott’s significance for an understanding of American life – and women’s lives, in particular – in the interwar period, with its glancing insights into alcoholism and abortion. Keenly supported by examples from the writings, Gordon also shows how her subject’s life was often too strange for any kind of fiction." * Times Literary Supplement *Table of ContentsList of Illustrations A Note on Name Usage Introduction: "Maxims in the Copybook of Modernism" 1 • The Limited Life of a Dorchester Girl 2 • At Radcliffe: "A Pushy Lace-Curtain Irish Girl from Dorchester" 3 • First Husband, Lindesay Parrott: "Strange Moments of Tenderness and Pretty Constant Dislike" 4 • Modern Parenting 5 • Greenwich Village: The Path to Becoming a "Self-Sufficient, Independent, Successful Manager of Her Own Life" 6 • Hugh O’Connor: High Felicity on the "Road of No Rules" 7 • New Freedoms in the "Era of the One-Night Stand": The Ex-Wife Is Born 8 • Ursula Goes to Hollywood 9 • Second Husband, Charles Greenwood: "The Stupidest Thing I Ever Did in My Life" 10 • "Extravagant Hell" 11 • The Business of Being a Writer 12 • Third Husband, John Wildberg: The Faint Resemblance of Stability 13 • "The Monotony and Weariness of Living" 14 • Fourth Husband, Alfred Coster Schermerhorn: "Two Catastrophes Should Be Enough" 15 • Saving Private Bryan: The United States vs. Ursula Parrott 16 • Her "Breaks Went Bad" 17 • "Black Coffee, Scotch, and Excitement" Afterword: Remembering a "Leftover Lady" Acknowledgments Chronology Notes Published Writings of Ursula Parrott Bibliography Index

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Book SynopsisTrade Review"[An] admirable study of Stael as a political thinker."--Robert Darnton, New York Review of Books "This austere and serious study provides a fine, straightforward, anti-sensational discussion of political writings in which Stael appears as far more than the usually depicted adjunct of famous men."--Janet Todd, Times Literary Supplement "This meticulously researched book provides an excellent examination of de Stael's thoughts and leanings... This volume will attract academic readers interested in political theory and French revolutionary history."--Erica Swenson Danowitz, Library Journal "[Fontana] outlines the progression of Stael's ideas with considerable scholarship."--Lucy Moore, Literary Review "[An] excellent survey."--Angelica Goodden, Standpoint "I wish I could meet brilliant Madame de Stael, the woman bold enough to stand up to Napoleon Bonaparte and brave enough to keep going back to revolutionary Paris, but Biancamaria Fontana's intriguing new book, Germaine de Stael: A Political Portrait ... will have to do."--Elizabeth Cobbs, Times Higher Education "[Germaine de Stael] makes for compelling reading in our current moment. And under any circumstances, Biancamaria Fontana's lively and learned new book is a long-overdue testimony to the enduring political significance of Germaine de Stael as a founding figure of the French liberal tradition."--Carla Hesse, Times Higher Education "[A] distinguishing facet of this title is its exquisite writing; the organization, clarity, and energy of Fantana's research are thoroughly commendable, as is the brief concluding chapter, which connects Stael to the 21st century."--Choice "An absorbing, elegant study."--Frederick Brown, Hudson ReviewTable of ContentsAcknowledgments vii INTRODUCTION: A Passion for Politics 1 CHAPTER 1 Interpreting the Opinion of the Majority of the Nation (1789-91) 11 CHAPTER 2 The View from the Executive (1792) 37 CHAPTER 3 Politics as Propaganda: Defending the Queen (1793) 61 CHAPTER 4 Addressing William Pitt (1794) 84 CHAPTER 5 The Advent of Modern Liberty (1795) 109 CHAPTER 6 Condemned to Celebrity: The Influence of Passions (1796) 132 CHAPTER 7 The Republic in Theory and Practice (1797-99) 158 CHAPTER 8 Raising the Stakes: The Measure of Ambition (1800) 181 CHAPTER 9 Back to the Future: The Bourgeois Liberal Republic 207 CONCLUSION: Germaine de Stael and Modern Politics 233 Notes 237 Bibliography 267 Index 285

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Book SynopsisModern Women is a celebration of influential and inspiring women who have changed the world through their lives, work and actions. From suffragettes to scientists, activists to artists, politicians to pilots and writers to riot grrrls, the women included have all paved the way for gender equality in their own indomitable way. Find out about extraordinary women including writer and teacher Maya Angelou, computer scientist Ada Lovelace, abolitionist Harriet Tubman, film star Katharine Hepburn and pioneering musician Björk. Their lives also enable bigger stories to be told: the suffrage movement with Sophia Duleep Singh; the civil rights struggle and Audre Lorde; advances in science made by Rosalind Franklin; the push for artistic freedom in the work of Frida Kahlo and Louise Bourgeois; and the importance of equality in all sections of society advocated by Chimamanda Ngozi Adichie.  

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Book SynopsisSheryl Sandberg is Chief Operating Officer at Facebook. Prior to Facebook, Sandberg was Vice President of Global Online Sales and Operations at Google. She previously served as Chief of Staff for the United States Treasury Department under President Bill Clinton.Trade ReviewA landmark manifesto * New York Times *Lively, entertaining, urgent, and yes, even courageous … Lean In is both a radical read and incredibly accessible … While it’s obvious that women have much to gain from reading Sandberg’s book, so do men – perhaps even more so * Guardian *A brave book to write … direct, funny and critical * The Economist *The business manual of the year * The Times *Any woman should welcome Lean In as a guide to cracking the glass ceiling * Independent *

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Book SynopsisA radically subversive critique brings to the fore the masculine ideology implicit in psychoanalytic theory and in Western discourse in general: woman is defined as a disadvantaged man, a male construct with no status of her own.Trade ReviewThe publication of these two translations is an event to be celebrated by feminists of all persuasions. * Women's Review of Books *Table of ContentsTHE BLIND SPOT OF AN OLD DREAM OF SYMMETRYWoman, Science's Unknown How Can They Immediately Be So Sure?; The Anatomical Model; A Science That Still Cannot Make Up Its Mind; A Question of Method; What Is Involved in (Re) production, and How It Aids and Abets the Phallic Order; A Difference Not Taken into Account; The Labor "to Become a Woman"The Little Girl Is (Only) a Little Boy An Inferior Little Man; The Cards Turned Over; The Dream Interpreters Themselves; Penis Masturbation: A Necessarily Phallic Auto-eroticism; The Change of "Object" or the Crisis of a Devaluation; The Law of the Self-sameIs Her End in Her Beginning? An Unsuspected Love; The Desire to Have a Child by the Mother; The Father's Seduction: Law but Not Sex; The "Reasons" Why a Girl Hates Her Mother and a Boy Goes on Loving His; An Economy of Primal Desire That Cannot Be Represented; One More ChildAnother "Cause"—Castration As Might Be Expected; The Gaze, Always at Stake; Anatomy Is "Destiny"; What the Father's Discourse Covers Up; The Negative in Phallocentric Dialectic; Is Working Out the Death Drives Limited to Men Only?"Penis-Envy" Waiting in Vain; An Indirect Sublimation; "Envy" or "Desire" for the Penis?; Repression, or Inexorable Censorship?; Mimesis ImposedA Painful Way to Become a Woman And the Father, Neutral and Benevolent, Washes His Hands of the Matter; A (Female) A-Sex?; Is the Oedipus Complex Universal or Not?; Free Association on OnanismA Very Black Sexuality? Symptoms Almost Like Those of Melancholia; A Setback She Cannot Mourn; That Open Wound That Draws Everything to Itself; That Necessary Remainder: HysteriaThe Penis = the Father's Child The Primacy of Anal Erotism; Those Party to a Certain Lease; Woman Island Also Mother; Forbidden Games; The Hymen of Oedipus, Father and SonThe Deferred Action of Castration Capitalism without Complexes; The Metaphorical Veil of the Eternal Feminine; The Other Side of History; The Submission of a Slave?; A Super-ego That Rather Despises the Female SexAn Indispensable Wave of Passivity A Redistribution of Partial Instincts, Especially Sadistic-anal Instincts; "There Is Only One Libido"; Idealization, What Is One's Own; The (Re)productive Organ; Confirmation of FrigidityFemale Hom(m)osexuality The "Constitutional Factor" Is Decisive; Homosexual Choice Clearly Expounded; A Cure Fails for Lack of Transference(s); Female SamenessAn Impracticable Sexual Relationship An Ideal Love; Were It Not for Her Mother?; Or Her Mother-in-law?; Squaring the Family Circle; Generation Gap, or Being Historically out of Phase?; Woman's Enigmatic Bisexuality"Woman Is a Woman as a Result of a Certain Lack of Characteristics" An Ex-orbitant Narcissism; The Vanity of a Commodity; The Shame That Demands Vicious Conformity; Women Have Never Invented Anything but Weaving; A Very Envious Nature; Society Holds No Interest for Women; A Fault in Sublimation; "La Femme de Trente Ans"SPECULUM Any Theory of the "Subject" Has Always Been Appropriated by the "Masculine" Kore: Young Virgin, Pupil of the Eye On the Index of Plato's Works: Woman How to Conceive (of) a Girl Une Mère de Glace "... and if, taking the eye of a man recently dead... " La Mystérique Paradox A Priori The Eternal Irony of the Community Volume-FluidityPLATO'S HysteriaThe Stage Setup Turned Upside-down and Back-to-front; Special Status for the Side Opposite; A Fire in the Image of a Sun; The Forgotten Path; Paraphragm/Diaphragm; The Magic Show; A Waste of Time?; A Specular CaveThe Dialogues One Speaks, the Others Are Silent; Like Ourselves, They Submit to a Like Principle of Identity; Provided They Have a Head, Turned in the Right Direction; What Is = What They See, and Vice Versa; The A-letheia, a Necessary Denegation among Men; Even Her Voice Is Taken Away from Echo; A Double Topographic Error, Its ConsequencesThe Avoidance of (Masculine) Hysteria A Hypnotic Method; That Buries and Forbids "Madness"; A Remainder of Aphasia; The Misprison of Difference; The Unreflected Dazzle of SeductionThe "Way Out" of the Cave The "Passage"; A Difficult Delivery; Then Whence and How Does He Get Out?; A World Peopled by GhostsThe Time Needed to Focus and Adjust the Vision Impossible to Turn Back (or Over); Were It Not, Right Now, for a Sophistry Played with Doubles; A Frozen Nature; The Auto... Taken in by the A-letheia; Bastard or Legitimate Offspring?The Father's Vision: Engendering with No History of Problems A Hymen of Glass/Ice; The Unbegotten Begetter; Exorcism of the Dark Night; Astrology as Thaumaturgy: A Semblance (of a) Sun; A Question of PropertyA Form That Is Always the Same The Passage Confusing Big and Little, and Vice Versa; The Standard Itself/Himself; Better to Revolve upon Oneself-But This Is Possible Only for God-the-Father; The Mother, Happily, Does Not Remember; A Source-mirror of All That Is; The Analysis of That Projection Will Never Take (or Have Taken) PlaceCompletion of the Paideia The Failings of an Organ That Is Still Too Sensible; A Seminar in Good Working Order; An Immaculate Conception; The Deferred Action of an Ideal Jouissance; The End of ChildhoodLife in Philosophy Always the Same (He); An Autistic Completeness; Love Turned Away from Inferior Species and Genera/Gender; The Privilege of the Immortals; The Science of Desire; A Kore Dilated to the Whole Field of the Gaze and Mirroring HerselfDivine Knowledge The Back Reserved for God; The Divine Mystery; This Power Cannot Be Imitated by Mortals; How, Then, Can They Evaluate Their Potency?; Except over Someone Like Themselves?; The Father Knows the Front Side and Back Side of Everything, at Least in Theory; The Meaning of Death for a PhilosopherAn Unarticulated/Inarticulate Go-Between: The Split between Sensible and Intelligible A Failure of Relations between the Father and Mother; A One-way Passage; Compulsory Participation in the Attributes of the Type; A Misprized Incest and an Unrealizable IncestReturn to the Name of the Father The Impossible Regression toward the Mother; A Competition the Philosopher Will Decline to Enter; Two Modes of Repetition: Property and Proximity; Better to Work the Earth on the Father's Account Than to Return to It: Metaphor/Metonymy; The Threat of Castration"Woman's" Jouissance A Dead Cave Which Puts Representation Back into Play; That Marvelously Solitary Pleasure of God; A Diagonal Helps to Temper the Excessiveness of the One; The Infinite of an Ideal Which Covers the Slit (of a) Void; Losing Sight of "the Other"; The Vengeance of Children Freed from Their Chains

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Book SynopsisTrade Review"Whatever your personal path and personal goals in life, Women and the Art of War provides effective strategies, tactics, and practical examples you need to increase your probability of achieving success. While very highly recommended for community, college, and university library collections."-- Midwest Book Review

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Book SynopsisAssesses the activism, writing, and legacy of Claudia Jones (1915–1964), a pioneering Afro-Caribbean radical intellectual active in the U.S. and U.K.Trade Review“Carole Boyce Davies has rendered a unique service in restoring to proper recognition the life and achievements of the Trinidad-born political activist and feminist Claudia Jones. From the turbulent struggles of Harlem, U.S.A. in the 1930s and 1940s to London in the 1950s and 1960s, Claudia Jones became a symbol of resistance and the standard by which others would measure their own integrity of commitment. Left of Karl Marx is the biography of an era of the most intense ideological combat—where reputations were assassinated and careers erased by a single rumor of incorrect political affiliation. Here is the story of a singular triumph whose legacy has nourished the lives of another generation.”—George Lamming, author of In the Castle of My Skin and The Pleasures of Exile“Carole Boyce Davies has vividly brought to life the work and struggles of Claudia Jones in the U.S.A. and Great Britain in her new book, Left of Karl Marx. Boyce Davies possesses that unique combination of being both a scholarly researcher and a writer capable of clear and persuasive language. The reader is presented with a remarkably readable and informative study of a woman who was equally adept in her writing and public speaking on feminism, and as a social pioneer, a political analyst, and an avowed adversary of racism. This book removes Claudia Jones from the shadow of the great bust of Marx to the front row of the black activists and thinkers of the twentieth century, and that is where she belongs.”—Donald Hinds, author of Journey to an Illusion: The West Indian in Britain“This book fills a lacuna in the historical understanding of black left radicalism and socialist-oriented feminism in the United States and the Caribbean. In this era of twenty-first-century corporate globalization, it reunites us with a transnational radical and anti-capitalist past through the examination of the extraordinary life, work, and political philosophy of Claudia Jones. This work reminds us that the U.S. and British radical traditions had diverse memberships, which included black, communist, and feminist women of whom Trinidad-born Claudia Jones was a remarkable example. Carole Boyce Davies has given us a well-researched, detailed analysis of this communist, feminist, intellectual, activist, and artistic woman of Caribbean origin. This is a long-awaited treasure for which many will be eternally grateful.”—Rhoda E. Reddock, author of Interrogating Caribbean Masculinities

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Book SynopsisFeatures writings on contemporary art and culture by the author, a painter and feminist art theorist. Mixing theory and practice, the personal and the political, this book tackles questions about the place of feminism in art and political discourse, and the aesthetics and values of contemporary painting.Trade Review“Mira Schor reminds us that some of the best, and most eye-opening, writing on art has always been made by artists themselves. The essays in A Decade of Negative Thinking demolish countless widely held assumptions about contemporary art, and do so with a compelling blend of skepticism and passion.”—Raphael Rubinstein, author of Polychrome Profusion: Selected Art Criticism, 1990–2002“This collection of essays by one of the most engaging writers of contemporary art critically excavates and redefines the enduring questions in aesthetics and politics with extraordinary verve and urgency.”—Gunalan Nadarajan, Vice Provost for Research, Maryland Institute College of Art"An excellent new book. . . .” -- Holland Cotter * New York Times *“Witty and lucid, showing that she’s a believer in art’s power, despite all the naysaying.” -- David O’Neill * Bookforum *“Schor is both an artist and a writer, maybe the perfect person to consider in this search for uncorrupt, valuable criticism. In her excellent book A Decade of Negative Thinking, she describes anonymous online commenting as the worst possible type of criticism, because it almost always falls into what she calls the ‘sucks/bullshit’ mode. (Ah, yup.) If you're looking for the opposite of that, pick up the book.” -- Jen Graves * The Stranger *“Schor stakes out her own distinctive critical territory at the intersections of imagination and practice, concept and craft, anger and hope, humor and gravity. . . . It’s refreshing to accompany Schor as she look sat and opines on the state of culture. As she concludes in the book’s final essay, two qualities an artist can use to escape the trap of recipe art are ‘necessity , and having something to say with an investment in the formal means you use to say it.’ Schor has both.” -- Kathleen Rooney * Bitch *“The essays collected in A Decade of Negative Thinking present lucid, highly engaged and engaging reflections on the politics, rhetoric and political economy of artistic practice.” -- Matt Davies * Visual Studies *Table of ContentsPreface Introduction Part 1:She Said, She Said: Feminist Debates, 1971–2009 The ism that dare not speak its name Anonymity as a Political Tactic: Art Blogs, Feminism, Writing, and Politics Generation 2.5 Email to a Young Woman Artist The Womanhouse Films Miss Elizabeth Bennett Goes to Feminist Boot Camp Part 2:Painting Some Notes on Women and Abstraction and a Curious Case History: Alice Neel as a Great Abstract Painter Like a Veneer Modest Painting Blurring Richter Off the Grid: Weather Conditions in Lower Manhattan, September 11, 2001 to October 2, 2001 Part 3:Trite Tropes Trite Tropes, Clichés, or the Persistence of Styles Recipe Art Work and Play New Tales of Scheherazade Appendix: Work document: Grey Notes Bibliography Index

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Book SynopsisLight in the Dark is the culmination of Gloria E. Anzaldua's mature thought and the most comprehensive presentation of her philosophy. Focusing on aesthetics, ontology, epistemology, and ethics, it contains several developments in her many important theoretical contributions.Trade Review"Published more than a decade after Anzaldúa’s death, the collection of essays is a welcomed resource for scholars and students of Anzaldúa, Chicana/o and Latina/o studies, and American studies. Overall, Anzaldúa’s chapters and Keating’s editorial work are of the highest caliber and great additions to the body of Anzaldúa’s work." -- Monica Montelongo Flores * Southwestern American Literature *"[T]he publication of a new book of [Anzaldua's] writing provides a glorious new opportunity to revel in her brilliant mind.... In our contemporary world of intense binary thinking and wall building, Gloria Anzaldúa’s insights provide an inspiring way forward." -- Susan Noyes Platt * Raven Chronicles *"The publication of Gloría Anzaldúa's Light in the Dark/ Luz en lo oscuro: Rewriting Identity, Spirituality, Reality eleven years after her death in 2004 is a highly anticipated—and enormously important—event in feminist scholarship, one that takes both philosophy and activism in new directions. The manuscript ... makes significant philosophical contributions to feminism, epistemology, aesthetics, ontology, critical philosophy of race, and social and political thought at the same time that it calls into question how we conceive of and organize these areas of study to begin with." -- Natalie Cisneros * Hypatia Reviews online *"Moving from the intricate Tex-Mex-rootedness of Borderlands to the more spiritual, historical-mythical, liminal negotiation zone of Light in the Darkness, Anzaldúa continues her examination of in-between spaces. Her concept of nepantla enables multiple thematic and stylistic lines to intersect, defining possible spaces of cultural transformation." -- Romana Radlwimmer * Women's Review of Books *"Throughout Light, Anzaldúa courageously offers up her lived experiences to argue for the importance of spirituality, theories in the flesh, and the female body.... Scholars invested in intellectual praxis will find a powerful guide to social justice inquiry within this publication." -- Robert Gutierrez-Perez * Women's Studies in Communication *"Perhaps the book’s greatest strength is Keating’s vast editorial knowledge.... Under Keating’s care, Light in the Dark continues Anzaldúa’s metaphysical philosophies, reiterating, expanding, and inspiring consciousness building and setting innovative directions for future Chicana/o studies.... The text offers a new way of decolonizing the mind, transforming the world, and reaching out into the universe." -- Iracema M. Quintero * Aztlán *"Light in the Dark is not only a previously missing piece of Anzaldúa’s oeuvre, important to the growing field of scholarship on Anzaldúa, but also a text that speaks broadly across disciplines and will surely influence scholarship in women’s studies, philosophy, politics, Chicana/o and Latina/o studies, border studies, native studies, sexuality studies and beyond." -- Michelle R. Martin-Baron * International Feminist Journal of Politics *"This text would serve as an excellent book in a literature course, and could be used as the capstone of Anzaldúa’s other writings. Keating has done an excellent job of editing this piece—she has made it easy to forget that the work was published after Anzaldúa’s death." -- Fawn-Amber Montoya * The Americas *Table of ContentsEditor's Introduction. Re-envisioning Coyolxauhqui, Decolonizing Reality: Anzaldúa's Twenty-First-Century Imperative ix Preface. Gestures of the Body—Escribiendo para idear 1 1. Let us be the healing of the wound: The Coyolxauhqui imperative—la sombra y el sueño 9 2. Flights of the Imagination: Rereading/Rewriting Realities 23 3. Border Arte: Nepantla, el lugar de la frontera 47 4. Geographies of Selves—Reimagining Identity: Nos/Otras (Us/Other), las Nepantleras, and the New Tribalism 65 5. Putting Coyolxauhqui Together: A Creative Process 95 6. now let us shift . . . conocimiento . . . inner work, public acts 117 Agradecimientos | Acknowledgements 161 Appendix 1. Lloronas Dissertation Material (Proposal, Table of Contents, and Chapter Outline) 165 Appendix 2. Anzaldúa's Health 171 Appendix 3. Unfinished Sections and Additional Notes from Chapter 2 176 Appendix 4. Alternative Opening, Chapter 4 180 Appendix 5. Historical Notes on the Chapters' Development 190 Appendix 6. Invitation and Call for Papers, Testimonios Volume 200 Notes 205 Glossary 241 References 247 Index 257

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Book SynopsisKyla Schuller unearths the forgotten, multiethnic sciences of impressibility—the capacity to be affected—to expose the powerful workings of sentimental biopower in the nineteenth-century United States, uncovering a vast apparatus of sensory regulation that aimed to shape the evolution of the national population.Trade Review"[Schuller's] terminology here may act as a springboard for additional theorizations of race. . . . An ambitious, conscientious history." -- Joshua Falek * Cultural Studies *"The importance of this book to nineteenth-century studies cannot be understated: it fundamentally rewrites the history of sentimentalism, an affective and cultural formation that dominated norms of comportment and embodiment across the period. . . . " -- Kyla Tompkins * American Quarterly *"The Biopolitics of Feeling takes a refreshingly head-on approach to the historical entanglement of race and sex in the United States. . . Stunningly convincing . . . Readers will find an abundant resource of theoretically informed readings of postbellum and Progressive Era science and literature throughout the study, but they will be also unable to ignore Schuller’s urgent warning about feminism’s embeddedness in the machinations of biopower." -- Britt Rusert * Catalyst *"Impressibility and sentimentalism combine in this book to form a rubric assessing a broad and fascinating archive. . . . Schuller offers a broad view of how nineteenth-century Americans were given repeated exposure to the logic of impressibility and affective fitness, to the point where both became unconscious components of civic life." -- Sheila Liming * Legacy *"An impressive synthesis of historical and theoretical work. . . . A well-documented critique of society and valuable contribution to scholarship on biopolitics that addresses persistent issues that can spark intellectual discussions. The book would be useful for scholars across disciplines such as Philosophy, Health Studies, Critical Race Studies, Ethnic Studies and Women, Gender and Sexuality Studies." -- Rosemary Onyango * Journal of International Women's Studies *Table of ContentsAcknowledgments ix Introduction. Sentimental Biopower 1 1. Taxonomies of Feeling: Sensation and Sentiment in Evolutionary Race Science 35 2. Body as Text, Race as Palimpsest: Frances E. W. Harper and Black Feminist Biopolitics 68 3. Vaginal Impressions: Gyno-neurology and the Racial Origins of Sexual Difference 100 4. Incremental Life: Biophilanthropy and the Child Migrants of the Lower East Side 134 5. From Impressibility to Interactionism: W. E. B. Du Bois, Black Eugenics, and the Struggle against Genetic Determinisms 172 Epilogue. The Afterlives of Impressibility 205 Notes 215 Bibliography 247 Index 271

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Book SynopsisIn a time when women are faced with many outside demands--career, family, community--this book will give them the tools and inspiration needed to remain grounded. A must read! --Barbara McFarland, psychologist and author of My Mother Was Right Based on the intimate stories of women who have struggled with issues of self-esteem, this invaluable book offers step-by-step guidance for women who want to transform themselves and create lives that are powerful, energized, and motivated. A Woman''s Self-Esteem is also a guide for helping women learn the impact they can make on their own lives and how their positive actions will result in a stronger sense of competence and self-worth. A pioneer in the field of self-esteem, psychotherapist Nathaniel Branden explains that the foundation of a healthy self-esteem rests on six key practices or virtues--living consciously, self-acceptance, self-responsibility, self-assertiveness, purposeful living, and personal integrity--and reTable of ContentsPart One: The Basic Steps. 1. The Importance of Self Esteem. 2. Living Consciously. 3. Self-Acceptance. 4. Embracing our Strengths. 5. Self-Responsibility. 6. Self-Assertiveness. 7. Living Purposefully. 8. Integrity. Part Two: Special Issues. 9. Romantic Love. 10. Fear of Selfishness. 11. Jealousy. 12. Expressing Anger. 13. Defensiveness. 14. Success Anxiety. Part Three: Empowering Strategies. 15. Trying Something Different. 16. Knowing our Boundaries. 17. Building a Career. 18. Experimenting in Intimacy. 19. Choosing Happiness. Appendix: Was Ayn Rand a Feminist?

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Book SynopsisLaying a robust biblical foundation and addressing a host of practical issues related to women's ministry in the local church, this book features contributions from a number of prominent Bible teachers, including Gloria Furman, Nancy Guthrie, Kathleen Nielson, and Susan Hunt.

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Book Synopsis'A passionate, practical roadmap for addressing inequality and finally making our workplaces work for women' – Arianna Huffington Foreword by Gillian Anderson and Jennifer Nadel  For years, we’ve been telling women that in order to succeed at work, they need to change themselves first – lean in, negotiate like a man, don’t be too polite or you’ll never succeed (like a man). But after sixteen years working with major Fortune 500 companies as a leading gender-equality expert, Michelle P. King has realised one simple truth: the tired advice of fixing women doesn’t fix anything. The reality is that workplaces are gendered; they were designed by men for men. Based on King’s research and exclusive interviews with major companies and thought leaders, The Fix reveals the hidden sexism and invisible barriers holding women back at work every day. Women are passed over for pTrade Review‘While the focus is on women in this book, King is not blind to others facing barriers too — men themselves who deviate from the Don Draper model, for example, and others who are perceived as not fitting in. Fixing the workplace to help women will lead to fixing the workplace for all because, King concludes, “it is the only way companies will survive the inevitable changes to come”’ * Financial Times *“Hammers home the point that employers are responsible for creating safe workplaces for women and for protecting them from not just harassment but also other forms of discrimination and threats to advancement.” * Harvard Business Review *"A welcome addition to the growing chorus of voices calling out the system rather than individual women for workplace gender inequity…thoughtful, thorough, often enraging look at a broken system delivers a resounding and memorable message: ‘Women are not the problem.’” * Publishers Weekly *“So much about the world of work—from workplace culture to our definition of success—was created by men, and it's not working for women or indeed for men. And it’s no surprise that women pay a disproportionately high price for their participation. That’s why The Fix, is so important. It’s a passionate, practical roadmap for addressing inequality and finally making our workplaces work for women.” -- Arianna Huffington, founder of Thrive Global“Michelle King has written a book that is more than necessary today. With its clarity and common sense, its passion and practicality, it is a vital piece calling for a workplace that actually works for women. Michelle provides actions to take that do not succumb to the notion of 'fixing' women. Calling for accountability in what too often is a toxic environment is only as important as offering ways to bring about real change in that environment. Michelle writes with elegance and precision, inviting us all in to be better informed and better understood.” -- Meredith Walker, founder of Amy Poehler's Smart Girls“The structures in the workplace that prevent women from succeeding are the same structures that make it nearly impossible for men to become the emotionally aware, sensitive, and compassionate people—and colleagues—that we are capable of being. The Fix offers men the chance to unlearn some of the behaviors that harm us, and those around us, and invites us to shed the notion of who we are ‘supposed’ to be so we can do the meaningful work of learning who we truly are. Work that, when done right, allows us to become true allies in the fight to make the workplace, and the world, a more equitable place. King’s book is a compelling read for all men and organizations who want to do better and are unsure of where to start.” -- Justin Baldoni, actor and founder of Wayfarer Entertainment“The Fix is a powerful and essential read which challenges the dominant mindset regarding women's capabilities and the high cost of false narratives which prevent them from succeeding at a level commensurate with their aptitude and skills. Insightful and thoroughly engaging, Michelle King provides practical solutions for bringing about tangible and lasting change, as well as an impassioned argument for equity that moves beyond the current discourse on women in the workplace.” -- Dr. Nina Ansary, author, scholar, and UN Women Global Champion for Innovation“We grow up with our mothers nursing, feeding, nurturing, guiding, reading, teaching, mentoring, and protecting us. Yet, for some reason we seem to forget that we wouldn’t be the men we are today without the women in our lives. What are we afraid of? Are we worried that we can’t handle the competition, we can’t seriously think we are better, can we? One can only hope that books like this will be read by men and women alike and that we can stop living in fear that only one gender can win.” -- Nigel Barker, fashion photographer and TV personality“Michelle King is a global ambassador on advancing women and girls in society. In this book, she explores the challenges women face today that impact their ability to succeed and lays out solutions organizations can apply to ensure a workplace where everyone thrives. Michelle understands that creating an inclusive and equitable workplace for everyone takes all of us. We are fortunate she is sharing her expertise and learnings, and is bringing us along this journey to implement real change.” -- Dr. Cindy Pace, Global Chief Diversity & Inclusion Officer at MetLife“Daring, thoughtful, and challenging! For all who want a diverse, inclusive, and equitable workplace, read this book today.” -- Michael Kaufman, author of The Time Has Come“Michelle King’s work is an insightful look into the ways we, as a society, have unwittingly bought in to the idea that women in the workplace are what’s broken. The idea that in order to be successful, women need to do more or be more is simply not true, and reveals how our idea of gender stereotypes seeps into work culture and how we define what success looks like. This book is a practical walk through the ways we’ve failed women in the workplace and enforced harmful behavior from men, inviting us to the conclusion that women never needed fixing—we need to fix the workplace itself. The Fix starts an important conversation about how we’ll win, together.” -- Anna Blue & Melissa Kilby, co-executive directors of Girl Up“The Fix is in! Michelle King offers a lively, practical guide to achieving equality in the workplace—and shows how that benefits both men and women. Her insightful book explains why so many well-intentioned diversity programs fail, and lays out proven steps that will help all of us succeed.” -- Joanne Lipman, CNBC contributor and bestselling author of That's What She Said“The Fix is critical to not only moving the conversation around equality at work forward but also providing practical solutions that can be applied in any workplace. Michelle King has taken years of data, interviews, and personal experiences and broken down the workplace to its foundation, a foundation previously built for one type of professional. In this powerful book, King crafts the future of work and offers a roadmap for crafting a new type of workplace where there is equal opportunity for all to succeed.” -- Kristy Wallace, CEO of Ellevate Network“Michelle King candidly shares her own personal experiences and decades of research to reveal the invisible barriers women face at work. Drawing on her exposure to companies that are structured to enable only men to succeed, she suggests that our denial towards gender inequality is hurting women, and challenges the idea that women can improve their way to success. Bravely, Michelle offers the essential message that women are extraordinary as they are, and don’t need fixing—workplaces do.” -- Tamara Mellon, OBE, cofounder of Jimmy Choo and founder of Tamara Mellon

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