Gender studies: women and girls Books

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Book SynopsisMake yourself heard.Having your voice heard at work can be challenging, whether you're confronting a colleague about an inappropriate comment or trying to avoid being talked over by a male peer. But you can find ways to raise issues without raising your voice.Speak Up, Speak Out provides the research, advice, and practical tips you need to address issues large and small. From talking about sexual harassment to handling microaggressions to breaking through subconsciously gendered conversational patterns, you'll find the insight and sample language you need to be heard.This book will inspire you to: Address and redirect an inappropriate conversation Step in when you witness questionable behavior Break ingrained conversational habits like apologizing and complimenting Deal with interrupters and those who habitually speak over others The HBR Women at Work Series spotlights the real challenges and opportunities women experience throughout their careers. With interviews from the popular podcast of the same name and related articles, stories, and research, these books provide inspiration and advice for taking on issues at work such as inequity, advancement, and building community. Featuring detailed discussion guides, this series will help you spark important conversations about where we're at and how to move forward.

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Book SynopsisA page-turner featuring one of literature’s earliest female protagonists. Written in 1685, Transaction or the Description of the Entire Life of an Orphan by Way of Plaintful Threnodies, often referred to as Orphan Girl, is a valuable, long-lost, seventeenth-century poetic text that documents women’s writing in the early modern period. In this autobiographical account, Anna Stanislawska speaks confessionally and unsparingly about her life, from her infancy to her widowhood and withdrawal from the world. Stanislawska was an incomparable memoirist, revealing the depths of her private life in a manner not to be matched until modern times. One Body with Two Souls Entwined brings together this spirited poetic account with an in-depth introductory and literary commentary by Barry Keane. Together the book offers a remarkable piece of scholarly, translational, and dramaturgical work and puts it in context amid the backdrop of Polish history. Table of ContentsForeword Acknowledgments Introduction: One Body with Two Souls Entwined The Other Voice Historical Backdrop Stanislawska’s Early Life The Aesop Episode Olesnicki A Sacral Legacy Old Poland’s Feminist Zeitgeist An Other (and Yet the Same) Voice: A Note on the Translation Orphan Girl: The Olesnicki Episode Commentary Bibliography Index

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Book SynopsisAn introduction to a new early modern woman writer that makes her manuscripts available in print for the first time. This first print edition of two extant manuscripts by Dorothy Calthorpe (1648–1693) introduces a new seventeenth-century woman writer to the growing canon of early modern female authors. The edition provides transcriptions of the manuscripts and Calthorpe’s will, as well as a hefty apparatus that features a comprehensive introduction to Calthorpe, her family, and her work; a glossary of persons who figured in her writing and her life; and two genealogical charts. Calthorpe’s writings (including both prose and verse and ranging from Petrarchan love poems to roman à clef and devotional verse), and the thoughtfully constructed and illustrated volumes in which her texts appear, demonstrate the rich intellectual life of a previously unknown female writer and provide a compelling example of Restoration manuscript production. Trade Review“The discovery of two manuscripts written by Dorothy Calthorpe enriches the canon of early modern writing in many different genres: speculative fiction, family history (which in Calthorpe’s case intersects with romance writing), pastoral lyrics, commentary on the Fall, and religious poetry. Perfectly pitched to a wide audience, this edition provides learned glosses and sketches out Calthorpe’s entire milieu, from her will and self-designed funeral monument, to her extended family relationships, to later provenance information about her books and manuscripts. Julie Eckerle’s presentation of Calthorpe’s work allows today’s readers to appreciate this fascinating writer’s wide-ranging interests, unusual imagery, and unique voice.” -- Victoria E. Burke, University of OttawaTable of ContentsAcknowledgments Illustrations Abbreviations INTRODUCTIONThe Other Voice The Calthorpes of Ampton Historical Context Life and Works Content and Analysis of news from the midell regions Content and Analysis of Calthorpe’s Chapel The Manuscripts: Material Conditions Provenance and Afterlife Editorial Principles and Practices THE REDWOOD LIBRARY MANUSCRIPT: NEWS FROM THE MIDELL REGIONS “of truth who is times eldest daughter times wonted off spring” “Contempt of the world” “on the death of Mrs I R” THE BEINECKE LIBRARY MANUSCRIPT: CALTHORPE’S CHAPEL “Philismena to Philander” “Philander to Philismena” “In commendations of a country Life it being so innocent” “A Discription of the Garden of Edden” A Short History of the Life and death of Sir Ceasor Dappefer A Castell in the aire or the pallace of the man in the moon APPENDIX 1: Dorothy Calthorpe’s Pedigree APPENDIX 2: Bible and Calthorpe’s Chapel Manuscript Ownership among Calthorpe/Harvey Descendants APPENDIX 3: Dorothy Calthorpe’s Will APPENDIX 4: Glossary of Persons Bibliography Index

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Book SynopsisISIS’s genocidal attack on the Yezidi population in northern Iraq in 2014 brought the world’s attention to the small faith that numbers less than one million worldwide. That summer ISIS massacred Yezidi men and enslaved women and children. More than one hundred thousand Yezidis were besieged on Sinjar Mountain. The US began airstrikes to roll back ISIS, citing a duty to save the Yezidis, but the genocide is still ongoing. The headlines have moved on but thousands of Yezidi women and children remain in captivity, and many more are still displaced. Sinjar is now free from ISIS but the Yezidi homeland is at the centre of growing tensions amongst the city’s liberators, making returning home for the Yezidis almost impossible. The mass abduction of Yezidi women and children is here conveyed with extraordinary intensity in the first-hand reporting of a young journalist who has been based in Iraqi Kurdistan for the past four years, covering the war with ISIS and its impact on the people of the country. Otten tells the story of the ISIS attacks, the mass enslavements of Yezidi women and the fallout from the disaster. She challenges common perceptions of Yezidi female victimhood by focusing on stories of resistance passed down by generations. Yezidi women describe how, in the recent conflict, they followed the tradition of their ancestors who, a century ago during persecutions at the fall of the Ottoman empire, put ash on their faces to make themselves unattractive and try to avoid being raped. Today, over 3,000 Yezidi women and girls remain in the Caliphate where they are bought and sold, and passed between fighters as chattel. But many others have escaped or been released. Otten bases her book on interviews with these survivors, as well as those who smuggled them to safety, painstakingly piecing together their accounts of enslavement. Their deeply moving personal narratives bring alive a human tragedy.Trade ReviewPraise for the hardback: “This is an intelligent and perceptive book about one of the great tragedies of our age. It is also an inspiring story of resistance and survival that everybody should read.” —Patrick Cockburn “The best kind of humanist journalism: lucid, transparent, grimly realistic.… (N)o book has covered it better.” —Ryan Boyd, Los Angeles Review of Books “Contemporary testimony [grounded in a] wealth of historical context ... an urgently necessary chronicle of the Yazidi genocide.” —Times Literary Supplement “Woven through with heart-breaking, terrifying accounts of its survivors, and demanding an understanding of their community’s historical persecution, Otten’s searing chronicle of ISIS’ genocide of the Yezidis is compelling and devastatingly necessary.” —Sareta Ashraph, former Analyst, UN Commission of Inquiry on Syria “There are two constants in the modern history of genocides: they are recognized too late and their victims, particularly if they are women, are presented as passive sufferers. Cathy Otten’s important and morally urgent book tells the story of an ongoing crime and a history of strength and resistance. Told with great care but with neither sentiment nor sensationalism, With Ash on Their Faces, needs to be read by all those who care about justice—and by those too occupied with global power to care.” —Lyndsey Stonebridge, author of The Judicial Imagination “Otten tells the Yezidis’ remarkable story with a deft and detailed hand in this revealing account of suffering, endurance and survival. An essential read for anyone interested in the plight and resilience of one of Iraq’s most persecuted minorities.” —Anthony Loyd

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Book SynopsisEsther, Susan, and Daisy continue to face the rigors of young adulthood in this Eisner-nominated series. Fast friends Susan, Daisy, and Esther continue their second year at Sheffield University, and these are formative times, indeed. Education and looking ahead to the future isn’t all that college holds in-store for these ladies; grocery store protests, family reunions, and even an MMORPG wedding are all on this semester’s docket. John Allison (Bad Machinery, Scary Go Round) and illustrators Max Sarin and Liz Fleming, take us to Sophomore year’s second semester in Giant Days Volume 7, which collects Issues #25-28 of the Eisner Nominated series.

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Book Synopsis“My dear children, I write this for you in case your dear children or grandchildren come to you one of these days, knowing nothing of their family. For this reason I have set this down for you here in brief, so that you might know what kind of people you come from.” These words from the memoirs Glikl bas Leib wrote in Yiddish between 1691 and 1719 shed light on the life of a devout and worldly woman. Writing initially to seek solace in the long nights of her widowhood, Glikl continued to record the joys and tribulations of her family and community in an account unique for its impressive literary talents and strong invocation of self. Through intensely personal recollections, Glikl weaves stories and traditional tales that express her thoughts and beliefs. While influenced by popular Yiddish moral literature, Glikl’s frequent use of first person and the significance she assigns her own life experience set the work apart. Informed by fidelity to the original Yiddish text, this authoritative new translation is fully annotated to explicate Glikl’s life and times, offering readers a rich context for appreciating this classic work.

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Book SynopsisA memoir by an American who almost single-handedly introduced Soviet rock to the free world, [...] Stingray, who wrote this memoir with her daughter, Madison, nicely captures her daring amid an atmosphere of liberation and fear, and she's a study in moxie and enthusiasm.—Kirkus ReviewsAs one of the first American musicians to break through the Soviet scene, and one of the few women to be seen as an equal amongst Leningrad’s pantheon of rock superstars, Stingray’s perspective on the development of late Soviet rock is probably the single most important source for those who want a birds-eye view of late Soviet youth culture, and Stingray’s stories are as entertaining as they are relevant and illuminating.—Alexander Herbert, author of What About Tomorrow?: An Oral History of Russian Punk from the Soviet Era to Pussy RiotWild and vivid — a rollicking memoir of romance and rock ‘n’ roll in an era of upheaval and transition. From Los Angeles to Leningrad and back again, Joanna’s story is borne along by her infectious, headlong enthusiasm. It’s quite a ride.—Patrick Radden Keefe, creator of the Wind of Change podcast and author of Say Nothing: A True Story of Murder and Memory in Northern IrelandThe history of Russian rock music could have been very different without Joanna Stingray. Joanna was friends with rock musicians, recorded songs with them, shot their videos and brought them clothes and instruments from the West. Her video footage, capturing young icons of Russian rock like Viktor Tsoi, Sergei Kuryokhin, Timur Novikov and Boris Grebenshchikov, is rare evidence of the golden era of the Soviet underground.—The Moscow TimesRed Wave is a warm and conversational autobiography about a lost world, peopled with courageous artists risking their freedom for the ideas of expression, art, and rock ‘n’ roll. [...] We root for her and her friends to overcome bureaucracy, oppression, isolation, deprivation, and the heavy footsteps of the KGB. [...] In a readable and personable way, Red Wave helps shine some light into this remarkable corner of rock history. —Tim Sommer, GuernicaJoanna Stingray's appearance in St. Petersburg in the early 1980s must have been God's response to our unconscious prayers. Her naive bravery, curiosity and generosity created a kind of a lifeline for us rockers: she brought in things we needed to play our music, and took out not only our recordings but the very message of our existence. Had it not been for her and her Red Wave, it would have taken Aquarium many more years to have official records on Melodiya and Kino to start touring Europe. This fearless maiden broke through the siege that looked hopelessly unbreakable. She threw a life-saver into our waters and she changed everything. No matter how many times we thank her — it's never enough.—Boris Grebenshchikov (Aquarium), 2018Trade ReviewBusiness and cultural pioneers don’t set out to light the world on fire but end up doing so through ingenuity and determination. While we often think of globalization as factories and container ships, the exchange of goods and ideas between nations starts with one person finding something people in another nation would value. Joanna Stingray was that one person who brought Soviet rock music to America and did so in remarkable fashion.—ForbesThanks to a resourceful Los Angeles singer and songwriter who heard—and liked—their brand of Russian rock, the bands are now playing to a faraway audience. [...] The album is the brainchild of Joanna Stingray a.k.a. Joanna Fields, 25, who has been exploring the Soviet Union’s unofficial and unheralded rock world since 1984.—NewsweekEight trips later she had ‘smuggled’ enough tapes of Kino and other groups out of the Soviet Union to produce an album, Red Wave–a kind of Greatest Hits of Socialist Rock. At first the Soviet press denigrated Stingray’s tales of the “brave little American miss helping the oppressed Soviet musicians” as a self-serving fantasy. Now, though, inspired by glasnost if not by greed, Soviet officialdom has cut a deal with her to produce 10 albums of “unofficial music” for consumption in the U.S.—People MagazineThe music on Red Wave – which ranges from the ska-tinged pop of Kino to the brooding, introspective songwriting of Grebenshchikov – was recorded mostly in cramped living rooms transformed into home studios with borrowed two-track and eight-track equipment. The lyrics, sung in Russian (a translated lyric sheet is provided), are not overtly political. But veiled reference to politics shine through, as does a keen awareness of progressive Western rock.—Rolling StoneTable of ContentsDedication Introduction Book One: 1984–1987 Interlude: Interview with Boris Grebenshchikov Book Two: 1988–1996 Epilogue: 1996–2020 Acknowledgments In Memoriam Further Listening

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Book Synopsis"A child of the '50's, Sas Carey was raised to marry and rear children. She did that, but with the care and morals shared by her parents, along with a lust for life, learned she could follow her own path, strewn with heartache, yet leading to transcendence. Her story is one of empowerment. In overcoming expectations, Sas becomes a healer of body and soul, learning that she need not devote herself to a single person to substantiate herself. Sas Carey has climbed mountains, swum across lakes and rivers, and slept on the ground of three continents. She has ridden planes, trains, cars, bikes, boats, horses, camels, and reindeer. A Quaker, Sas is an award-winning documentary film director, author, spiritual healer, registered nurse, mother, and grandmother. Relaxing in her gazebo in Vermont, she dreams of her next adventure.

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Book SynopsisBlack Girls Take World is the global travel bible for adventurous explorers and travel newbies looking to engage with the concept of solo travel.Packed full of inspiring essays, advice on budgeting, eating alone, reducing carbon footprints and dealing with passport privilege and discrimination, as well as Q&A's with travel leaders such as Jessica Nabongo (the first black woman to travel to every country in the world) Annette Richmond (founder of Fat Girls Traveling), and Rhiane Fatinikun (founder of Black Girls Hike), this book is for the conscientious and the curious.Black women understand innately what it means to feel restricted, watched, unwanted. And historically, black female explorers have been overlooked by the travel industry. But social media has spawned a generation of story-tellers and change-makers determined to rewrite their own travel narratives and forcing brands to pay attention - there's never been a better time to situate yourself within the solo travel space!To travel while black and female is therefore to upend, and overcome, legacies of mobility impairment. It is to dispel myths and rewrite history.Black Girls Take World will inspire you to travel alone, help you engage with the world, and aid understanding of your particular experiences abroad.'We travel for ourselves, first and foremost, but attached to our journeys is the potential to rebuke stereotypes, to break moulds, to trace roots, foster inclusivity and give back.'

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Book SynopsisThis powerful book exposes how gendered Orientalism is wielded to justify Western imperialism. Over the last ten years, Western governments and mainstream media have utilized concepts of white masculine supremacy and feminine helplessness, juxtaposed with Orientalist images depicting women of color as mysterious, sinister, and dangerous, to support war. Oscillating between Mrs Anthrax, female suicide bomber and tragic, helpless victim, representations of 'brown women' have spawned both rescue narratives and terrorist alerts. Examining media and pop culture from Sex and the City 2 to Vanity Fair and Time magazine, Robin Riley uses transnational feminist analysis to reveal how this kind of transnational sexism towards Muslim women in general and Afghan and Iraqi women in particular has led to a new form of gender imperialism.Trade ReviewRobin Riley is going to make a lot of us uncomfortable. That's the good news! Her careful investigation of the myriad ways in which US media have constructed diverse Iraqi and Afghan women reveals how we ourselves, especially readers and viewers in North America, can become complicit in transnational sexism. * Cynthia Enloe, author of Nimo's War, Emma's War: Making Feminist Sense of the Iraq War *Robin Riley dissects the transnational sexism that structures transnational Orientalism with its global militarism. In this process she unveils the Western mind and exposes the possibility of a de-racialized future for women in Afghanistan and Iraq. This is an important read for anyone who seeks to inhibit the use of misogyny for imperial purposes and wishes to keep the next US war from happening. * Zillah Eisenstein, Distinguished Scholar in Residence, Ithaca College *Riley frames her analysis of the ways Western media depict the "veil" around the valuable concept of transnational sexism, which diffuses into American politics and popular culture racist and sexist stereotypes about Muslim women. This unquestioned "knowledge" has helped to sustain support for brutal US imperialist wars in Afghanistan and Iraq. * Eric Hooglund, editor of Middle East Critique *Table of ContentsIntroduction 1. Rescuing Afghan women 2. 'Real housewives': married to the enemy 3. 'Where are the women?': Muslim women's visibility and invisibility 4. We are all soldiers now: deploying Western women 5. This is what liberation looks like

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Book SynopsisLonglisted for the Orwell Prize for Books 2016 Shortlisted for the Financial Times and McKinsey Business Book of the Year Award 2015 When Anne-Marie Slaughter's Atlantic article, "Why Women Still Can't Have it All" first appeared, it immediately went viral, sparking a firestorm of debate across countries and continents. Within four days, it had become the most-read article in the history of the magazine. In the following months, Slaughter became a leading voice in the discussion on work-life balance and on women's changing role in the workplace. Now, Slaughter is here with her eagerly anticipated take on the problems we still face, and how we can finally get past them. In her pragmatic, down-to-earth style, Slaughter bursts the bubble on all the "half-truths" we tell young women about "having it all", and explains what is really necessary to get true gender equality, both in the workplace and at home. Deeply researched, and filled with all the warm, wise and funny anecdotes that first made her the most trusted and admired voice on the issue, Anne-Marie Slaughter's book is sure to change minds, ignite debate and be the topic of conversation. Trade Review‘An incredibly thought-provoking read and a helpful guide to setting yourself up for success at work and at home.’ * Independent *‘A fearlessly honest and brilliant analysis of “having it all”... Slaughter understands the huge pressures women today are under.’ * Telegraph *'Ms Slaughter should be applauded for devising a "new vocabulary" to identify a broad, misclassified social phenomenon'. * The Economist *'[Slaughter] marshals an impressive array of evidence...she has read every study going - and despite the US focus, there is plenty here for a British reader to chew over'. * Guardian *'[A] deft handling of this important and complex topic...Slaughter's analysis is acute, and the book...contains useful information and advice'. * Observer *'Slaughter's refreshing self-awareness differentiates her...an...engrossing, timely call for change for both women and men'. * Independent on Sunday *'A rallying cry for all women - and men'. * Red *'An important addition to the feminist debate'. * Glamour *'Unfinished Business poses crucial questions about what success really looks like.' * Sunday Times Culture *'A compelling and lively read...a brilliant summary of the problem with work, told well and with a quiet, righteous anger'. * Financial Times *‘Anne-Marie Slaughter insists that we ask ourselves hard questions. After reading Unfinished Business, I’m confident that you will be left with Anne-Marie’s hope and optimism that we can change our points of view and policies so that both men and women can fully participate in their families and use their full talents on the job.’ -- Hillary Clinton‘Anne-Marie Slaughter’s gift for illuminating large issues through everyday human stories is what makes this book so necessary for anyone who wants to be both a leader at work and a fully engaged parent at home.’ -- Arianna Huffington‘Unfinished Business is an important read for women and men alike. Slaughter shows us that when people share equally the responsibility of caring for others, they are healthier, economies prosper and both women and men are freer to lead the lives they want.’ -- Melinda Gates, co-chair, Bill & Melinda Gates Foundation'With breathtaking honesty Anne-Marie Slaughter tackles the challenges of often conflicted working mothers and working fathers and shows how we can craft the lives we want for our families. Her book will spark a national conversation about what we need to do to live saner, more satisfying lives.' -- Katie Couric

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Book SynopsisSHORTLISTED FOR THE ORWELL PRIZE 2016SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE 2015Emma Sky was working for the British Council during the invasion of Iraq, when the ad went around calling for volunteers. Appalled at what she saw as a wrongful war, she signed up, expecting to be gone for months. Instead, her time in Iraq spanned a decade, and became a personal odyssey so unlikely that it could be a work of fiction. Quickly made civilian representative of the CPA in Kirkuk, and then political advisor to General Odierno, Sky became valued for her outspoken voice and the unique perspective she offered as an outsider. In her intimate, clear-eyed memoir of her time in Iraq, a young British woman among the men of the US military, Emma Sky provides a vivid portrait of this most controversial of interventions, exploring how and why the Iraq project failed.Trade ReviewA charming, insightful account of Sky's remarkable odyssey, of her experience among Americans and Iraqis -- Max Hastings * Sunday Times *The Unravelling reads almost like a novel: a detailed and darkly humorous account that tries to understand everyone involved, Iraqis and Americans, on their own terms... Sky's argumentative, chirpy and intelligent personality is thoroughly engaging -- Robin Yassin-Kassab * Guardian *A radiant and beautifully written account, at turns funny and sad -- Max Boot * Wall Street Journal *Important and disturbing... To counter Iran in Iraq and prevent the alienation that created ISIS would have required... perhaps, a thousand Emma Skys. But there was only one of those. -- Christopher Dickey * New York Times Book Review *Hers was a fascinating world of senior military and diplomatic figures, many of them of the highest quality... She knew all the leading Iraqi politicians, many of whom regarded her as a personal friend. She saw much of Iraq and had some hair-raising experiences. And she always kept her sense of opposition to what was being done to the country. Many people likened her to Gertrude Bell, the British political adviser who helped to create Iraq, and in some ways they were right. -- John Simpson * New Statesman *A detailed account of the challenges of occupation... Readers will realise exactly why Iraq produced strongmen like Saddam -- Colin Freeman * Daily Telegraph *The best book to date on the American war in Iraq... This authoritative first-person account is a must-read for anyone who wants a deeper understanding of the complexity of the Iraq war, and the road to the current crises with the Islamic State. * Publishers Weekly (Starred Review) *The Unravelling is entertaining because Sky is a wry and intelligent companion. It is sad for its account of how the Obama administration squandered what Sky views as the victory that the surge had snatched from the first catastrophic years of US occupation. It is enlightening for how it helps us unlearn much of what we think we know * Washington Post *Sky's book... is the essential text on how everything fell apart * NewYorker.com *A scholar and a strategist, Sky's political perception alone makes worthwhile reading, including a preface that is as succinct a synopsis of Iraq today as you will find * Military Times *Sky's narrative is a valuable addition to recent history... What she experienced is relevant, and her story and perspective contribute to the ongoing effort to understand and explain the tragic aftermath of the much-criticized Iraq War. * Booklist *[A] sober, thorough and ultimately heart-rending examination of what, to this day, keeps Iraq unstable, unhappy and a never-ending foreign policy disaster...a book with a rare perspective... What Sky produced, years later, is worth applauding. The Unravelling may be the most straightforward account yet-and the best that Britain will have for a while-of the failures in Iraq. * Financial Times *A deft, nuanced, and often funny account of her years as a civilian official in Iraq. * The New York Review of Books *

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Book SynopsisFrom slut-shaming to the allegedly shrill voices of female politicians, from vocal fry to online misogyny, the language women use (and the language used about them) is as controversial as it has ever been. Our language use and our gender have an enormous impact on the way we understand ourselves and the world around us, and the way we are treated by society. Using the latest academic research, Allyson Jule tackles some of the most pressing issues facing feminism today, including how language use and related ideas about gender play out in the home, workplace and online. It turns out that many popular ideas about gender and language are more complicated than they first appear. This book will change the way you think about language, and give you the tools to challenge the world around you. Trade ReviewFascinating and hugely informative, Allyson Jule will make you realise just how powerful language is in creating the gender norms that many of us are trying to battle against. This is a brilliant way to understand how language has shaped women's experience in a patriarchal world. Timely, rigorous, and so important, Jule's research gives substance and weight to the current feminist conversation. * Marisa Bate, contributing editor at The Pool and author of The Periodic Table of Feminism *A highly accessible beginner's guide for the era of #MeToo and LGBTQ+, but also of neoliberalism and Trump. It will be a welcome addition to the field of gender and language. * Mary Talbot, author of Language and Gender *I can't wait to read it! * Sofie Hagen, stand-up comedian and podcaster *Speaking Up is so much more than a book about the linguistic habits of men and women. It is a journey through feminist history, a retrospective of the successes and failures of the research that has shaped the study of language and gender, and a close look at the underlying social forces that influence our language patterns daily in personal relationships, the workplace, and beyond. A rich, insightful journey through the hidden dynamics behind language in action. * Ada Brunstein, writer and editor *This book should be included on reading lists for anyone interested in gender, language, and classroom or workspace dynamics. The first two chapters contain accessible language to introduce gender studies, feminism, and gender and language connectivity. The second section clearly deals with various gendered spheres familiar to all, encouraging readers to consider their own relationship with language. The glossary is a reader-friendly bonus, either offering support to those with a limited background in the field or serving as a refresher on the terminology to others. -- Tanja McCandie, Nanzan University, Japan * JALT Journal, 42.1 *In its own words Speaking Up was written to be an "accessible introduction to academic research in this dynamic field", and I think Jule absolutely achieves this. The book assumes no prior knowledge of language and gender studies and is unintimidating, accessible and gives a good introduction to language and gender, while applying our understanding to current world challenges. -- Jill Crawley, Lancaster University, UK * BAAL News, Issue 116, Winter 2020 *Speaking Up is more than an introduction to theoretical research about language and gender: it is a call to action and transformation of social realities through self-reflection about our own practices. -- Fernanda Lazaro, Federal University of Rio de Janeiro, Brazil * Language in Society 48 (2019) *I anticipate recommending this book to the many secondary-level students who ask me for advice on resources for their language-and-gender projects. It is clearly aimed at a general rather than a specialist audience, but it will also be valuable to those enrolled in various introductory third-level courses. Even experienced scholars will find useful the crystal-clear definitions and discussion of basic concepts, as well as the succinct and well-selected glossary items. -- Janet Holmes, Victoria University of Wellington, New Zealand * Journal of Multilingual and Multicultural Development, 2019 *Reading [this book], we feel that [the author] has studied everything that has ever been said on gendered linguistics; she references Foucault and the Kardashians with equal rigour. -- Florence Holmes * The Bookbag *Speaking Up has spoken, and we should listen. What is at stake is nothing less than our humanity. -- Susan J. Behrens, Marymount Manhattan College, USA * Women & Language, Volume 42, Issue 1 Spring 2019 *Table of ContentsPart I: Understanding Gender and Language Use Chapter 1. The Basics Chapter 2. Language as Gendered Part II: Understanding Gender and Language Use in the World Chapter 3. Gender and Language Use in the Media and Technology Chapter 4. Gender and Language Use in Education Chapter 5. Gender and Language Use in the Workplace Chapter 6. Gender and Language Use in Religion: Judaism, Christianity and Islam Chapter 7. Gender and Language Use in Relationships Chapter 8. An Anti-Conclusion Glossary References Index

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Book SynopsisIt is a myth that either of the World Wars liberated women.The Sex Disqualification (Removal) Act of 1919 was one of the most significant pieces of legislation in modern Britain. It marked at once political watershed and a social revolution; the point at which women of 21 and over were recognised in law as being as competent as men. But were they? What actually happened when this bill was passed? This is the story of what happened next.Ladies Can't Climb Ladders focuses on the lives of six women - six pioneers - forging paths in the fields of medicine, law, academia, architecture, engineering and the church. Robinson's startling study into the public and private lives of these women sheds light not on the desires and ambitions of her subjects but how family and society responded to the working woman and what their legacy looks like today. This book is written in their honour. It is a book about live subjects: equal opportunity, the gender pay gap, and whether women can expect, or indeed deserve, to have it at all.'An important and crackingly good read.' - TelegraphTrade ReviewArrestingly written…a stirring testament to unsung heroines * The Observer *A well researched and entertaining read…a wonderful celebration of female pioneers * The Sunday Times *Robinson writes with an often witty touch, which only serves to throw into furious relief the seriousness of the resistance women faced . . . An excellent companion to Robinson's Bluestockings. * The Financial Times *An entertaining guide, dipping into ladies’ journals of the time to add levity to what indeed is a serious message. -- Mia Levitin * Spectator *Jane Robinson’s book is a lesson in how unthinkingly we wear freedom. Well known as a writer and social historian excavating ordinary women’s lives, Robinson focuses this time on the emergence of lawyers, doctors, engineers, teachers, architects, scientists and churchwomen after the passing of the landmark law of 1919. Modern professional women will read it with a slow burn of anger and heightened respect for those whose actions, such a relatively brief time ago, made today possible . . . We ride on the shoulders of female giants — courageous, eccentric, clever pioneers. Robinson is a wryly amusing companion and this is an entertaining book, teeming with characters. * The Times *

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Book Synopsis'A modern scream of female outrage. A masterpiece' ELIZABETH GILBERT'Astoundingly original . . . belongs on the shelf with your Margaret Atwood' NEW YORK TIMESHaunting, intense and irresistible, The Illness Lesson is an extraordinary debut about women's minds and bodies, and the time-honoured tradition of doubting both.In 1871, at an elite new school designed to shape the minds of young women, the inscrutable and defiant Eliza Bell has been overwhelmed by an inexplicable illness.Before long, the other girls start to succumb to its peculiar symptoms - rashes, tics,night wanderings and fits.As the disease takes hold, teacher Caroline Hood tries desperately to hide her own symptoms, butthe powers-that-be turn to a sinister physician with dubious methods.Does Caroline have the courage to confront the all-male, all-knowing authorities of her worldand protect the young women in her care?'You want to know how horrifying things happened while decent people looked on and did nothing? Read this novel' MARY BETH KEANE'Subtle, clever, suspenseful . . . builds to a shocking climax' DIANE SETTERFIELD'A Sunday Times Book to Read in 2020: A classic ghost story for fans of Picnic at Hanging Rock, Deborah Levy, Jeffrey Eugenides' SUNDAY TIMES STYLETrade ReviewAstoundingly original, this impressive debut belongs on the shelf with your Margaret Atwood and Octavia Butler collections. * New York Times *The Illness Lesson is a brilliant, suspenseful, beautifully-executed psychological thriller. With power, subtlety, and keen intelligence, Clare Beams has somehow crafted a tale that feels like both classical ghost story and like a modern (and very timely) scream of female outrage. I stayed up all night to finish reading it, and I can still feel its impact thrumming through my mind and body. A masterpiece. * Elizabeth Gilbert, author of Eat, Pray, Love *‘Subtle, clever, suspenseful . . . builds to a shocking climax’ * Diane Setterfield *Alcott meets Shirley Jackson, with a splash of Margaret Atwood. It’s dark, quirky and even titillating . . . on the edge between realism and ghost story * The Washington Post *A top pick for the coming year . . . this haunting novel blends historical fiction with a timely comment on women’s bodies and minds, and those who think they can control them. Unmissable. * Stylist *

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Book Synopsis'A life-changing book' Viv GroskopMarisa Meltzer was put on her first diet aged five: it was the beginning of a fraught relationship with food.Jean Nidetch was a housewife from Queens who defiantly lost 70 pounds after she was mistaken for being pregnant. Taking everything she learned from this experience, in 1963 she founded Weight Watchers, a company that has shaped decades of diet culture.When Marisa reads Jean's obituary, she feels a moment of intense connection. Curious about the woman and her legacy, she signs up for a year of Weight Watchers; counting points, weighing in and listening to her fellow members struggle with their bodies.This is Big is a biography of an idiosyncratic entrepreneur whose impact is still felt strongly today. It is a history of dieting and body politics for anyone who has agonised over their weight or defiantly tried not to do so. And it is Marisa's funny and thoughtful journey towards a different way to live in the world.'This is the anti-diet book I've been waiting for' Daisy BuchananTrade ReviewA life-changing book * Viv Groskop *Frank, funny and feminist, she [Meltzer] describes her struggles with charm and honesty, questioning how a (mostly) happy person can be made so miserable by calories, portion sizes and scales -- Eithne Farry * Sunday Express *This is the anti-diet book I have been waiting for. I loved its honesty, charm and celebration of an unlikely but compelling feminist heroine. I think many women -- me included -- really struggle to find a voice in a culture where wellness and body positivity both noisily vie for our attention. For the first time I feel seen and heard -- Daisy BuchananSharp... frank and incisive -- Charlotte Lytton * The Telegraph *For anyone who has ever felt defeated by food, betrayed by their own body, embarrassed for not only lacking the willpower to change their habits but also embarrassed by the desire to change their own body, Marisa Meltzer sees you, has written this book for you because she is you. While simultaneously delving into the history of the woman who started Weight Watchers and bravely and honestly examining her own complicated relationship with food and weight, Marisa has written a book that perfectly captures our country's obsession with THIN and the struggle with obesity at this moment in history -- Busy Philipps, author of This Will Only Hurt A LittleThis is Big is a brave, bold, funny, honest, riveting book that made me have every kind of feeling in the world -- Jami Attenberg, author of All Grown UpFascinating... Meltzer's whistle-stop history of America's body image is both effortlessly informative and efficiently selective -- Eleanor Halls * Daily Telegraph *Meltzer has created a singular companionate text for those who know the agony of frustration surrounding weight as an issue, both personal and political. People — women, especially — who ping-pong around the weight spectrum will feel less alone when they read it... Nidetch may be long gone, but Meltzer carries on her legacy of putting a public face on the challenge of weight management. Acerbic, culturally astute and genuine, she makes exquisite company in the struggle, and that is no small thing. -- Lily Burana * New York Times *At once a biography and a memoir, this heartfelt, incisive book layers the story of Weight Watchers founder Jean Nidetch with the author’s own lifelong journey through various fad diets. What emerges is a surprising portrait of a remarkable but little-known life in business, as well as a thoughtful critique of America’s obsession with thinness. Meltzer, who has herself subscribed to Weight Watchers, brings a personal angle to this fascinating, far-reaching story of a phenomenon that has touched the lives of hundreds of thousands of women * Esquire *This book is an incredible hybrid: both a detailed study of an extraordinary American life, and a candid and revealing memoir. Meltzer is the biographer Jean Nidetch deserves, crafting a portrait of the woman and the world in which she lived. She’s also a bracing memoirist, a warm and honest voice unafraid to offer readers the stuff of her own life to help us better understand the culture we now share. It’s a remarkable feat -- Rumaan Alam, author of That Kind of MotherThis Is Big is an inventive memoir that examines Meltzer’s own experience with weight loss alongside Nidetch’s lucrative belief that community, not secretive shame, could transform people’s bodies and lives * Bitch Media *Marisa Meltzer is an ingenious writer. This is Big expertly weaves together two engaging tales: the charming, funny, and often heartbreaking account of Meltzer’s lifelong attempts at bodily transformation, attempts that will have many readers nodding along in recognition, especially when she decides to join an unforgettable group of Weight Watchers in Park Slope, Brooklyn; and the little-known story of a largely forgotten American icon whose lasting accomplishments deserve to be known: Jean Nidetch, the irrepressible, path-breaking entrepreneur who founded the now billion-dollar company Weight Watchers in her modest living room in 1963 -- Nancy Jo Sales, author of The Bling RingThis book was so good that I devoured it (with no guilt)! Meltzer shows us, through honesty, rawness and deep vulnerability, the complexities of living in a body that doesn't adhere to society's narrow beauty standards in an era that holds up body positivity as gospel -- Mara Altman, author of Gross AnatomyA witty and meaningful look at our obsession with weight and dieting; blending the story of the founder of Weight Watchers with her own saga, Marisa Meltzer crafts an amusing story with universal insights -- Sheila Weller, author of Girls Like UsA fascinating deep dive into the insatiable rise of the multibillion-dollar food and diet industries... What's particularly pleasing about this warm book is the weighing up of what "success" can look like for different types of people * Jewish Chronicle *

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Book Synopsis'The average woman will live 30 years after menopause. You can have lots of fun in that time. This is our third act, the time that many women learn to ROAR! I'm now marinating in all the things I love most and writing about them.' After retiring from a distinguished career in education and health, Jay Courtney found life rather beige. 'I realised that I didn't know how to do this part of my life' she says. 'There was no route map to follow, only a looming 'Exit' sign, so I went on a quest to find a colour that suited me.' Courtney's métier transpired to blend travel and inspirational writing, combined with a talent for finding others whose experiences resonate. In Juicy Crones she fêtes the lives of women embracing their 'third act' with gusto. Written by a Telegraph travel-writing competition winner and former Women's Hour guest, Juicy Crones is a joyous celebration of post-menopausal women life travellers. 'Crones were revered as wise women, warriors, speakers of uncomfortable truths, carrying with them the wisdom of life' says Courtney. 'As for the 'juicy' part, this is me thumbing my nose at language often used of older women as 'dried-up', wrinkled, barren. Many older women I have met have been the very opposite: beautiful, vibrant, outrageously funny, full of self-knowledge, free-spirited. There is no better group to be part of. What we lack in collagen we make up for in wisdom!' Courtney's debut is a unique title with an infectious enthusiasm for living life to the full, that blends adventure with feminism, women's health with well-being, and autobiography with self-help. This is a book for the UK's 12 million 'crones' and anyone who shares their life, for women adventurers and for fans of Raynor Winn's The Salt Path, Caitlin Moran's More than a Woman and Helen Lewis' Difficult Women. And the first subtitle? 'Free for the Strangest Adventure' is a quotation from Virginia Woolf in To the Lighthouse. 'For me it represents the state of mind that enables a Crone to be juicy!' says Courtney. 'This is when the magic happens.'Table of ContentsPreface Chapter 1 Atrophy, Entropy Chapter 2 Well-Groomed Women Chapter 3 Ariadne's Thread Chapter 4 Reaching Scratch Chapter 5 Starting from Scratch Chapter 6 Hearing Voices Chapter 7 Alex's Story: Poo(h) Sticks at Sixty Chapter 8 Debs's Story: Tea in Hungary Chapter 9 Andie's Story: Lower the Nose Chapter 10 Caroline's Story: Back in the Picture Chapter 11 Ginny's Story: Walking Beside You Chapter 12 Deborah's Story: Laughter Really Is the Best Medicine Chapter 13 Janette's Story: I Am Chapter 14 Jane's Story: Mrs K Eats Her Way around Italy Chapter 15 Jorj's Story: Honouring the Matriarchs Chapter 16 Lesley's Story: A Heart-Led Life Chapter 17 Supriya's Story: Bombay to Björk Chapter 18 Tamsin's Story: Boil. Zebra. Feast. Chapter 19 Peaches and Figs Epilogue How Was Your Crossing? 'Listen' by Melanie Ward Croneography Acknowledgements

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Book SynopsisA NEW YORKER BEST BOOK OF 2022'Well-researched and readable' - Financial Times'An absorbing, pacy read' - New Statesman'The story of lycra-clad feminism' Stylist'Canny and informative' - The New YorkerThe untold history of women's exercise culture, from jogging and Jazzercise to Jane Fonda.Author of The Cut's viral article shared thousands of times unearthing the little-known origins of barre workouts, Danielle Friedman explores the history of women's exercise, and how physical strength has been converted into other forms of power.Only in the 60s, thanks to a few forward-thinking fitness pioneers, did women begin to move en masse. In doing so, they were pursuing not only physical strength, but personal autonomy.Exploring barre, jogging, aerobics, weight training and yoga, Danielle Friedman tells the story of how, with the rise of late-20th century feminism, women discovered the joy of physical competence - and how, going forward, we can work to transform fitness from a privilege into a right.Trade ReviewA well-researched and readable account of how female pioneers broke the taboos that stopped most women exercising until at least the 1960s. Friedman, a journalist, emphasises that fitness has remained accessible primarily to white women with time and resources. Now some pioneers are trying to break those exclusionary barriers too. * Financial Times, best summer books of 2022 *An absorbing, pacy read - and her enthusiasm for exercise is contagious. * New Statesman *Fact-packed but bouncy ... Most enjoyable is when Friedman shines light on less hallowed figures, like Judi Sheppard Missett, the relentlessly upbeat founder of Jazzercise, whose classes "changed the rhythm of women's days"; and Bonnie Prudden, "the lady in the leotite" and a descendant of Davy Crockett...[Friedman's] book is very much "pro" exercise, but for the right reasons: not slimming down but mood management, community, spirituality in the corporal. * The New York Times *Astute and entertaining ... With an emphasis on barrier breakers, business dynamos, and exceptional athletes, Friedman explores how physical training can be a means of personal liberation ... This zippy history is bursting with energy. * Publishers Weekly *

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Book SynopsisCourageous women change history and remould our culture. For centuries, rebel ladies have been punching up, fighting for freedoms and equality, challenging the world order. Today, the next generation continue the fight, boldly marching, banners flying, into a brighter future. And yet, women’s contributions are routinely marginalised, squeezed aside by the usual cast of pale, male and stale characters. Determined to redress the balance, veteran journalist and author Yasmin Alibhai-Brown sets lesser-known names alongside the most famous, celebrating fifty daring, courageous, indomitable women. There’s Anne Lister, the lesbian landowner; Sophia Singh, the forgotten suffragette; detective superintendent Shabnam Chaudhri, the first Asian/Muslim to hold that role in the Met; and Harriet Wistrich, the superlative human rights lawyer. There’s Reni Eddo-Lodge, Caroline Criado Perez, Shazia Mirza; the list goes on. Featuring interviews with the women themselves, this refreshing compendium of fearless ladies is a fortifying tonic, reviving the stories of women lost to history and cheering on those who will lead the way to a more equal tomorrow.Trade Review"This fantastic book is a true celebration of revolutionary women of all ages, backgrounds and concerns. Told with passion, heartfelt sincerity and thought-provoking insight, Ladies Who Punch gives us a welcome reminder that, though we've come a long way in the fight for equality, our work is not yet done." - Iain Dale "A brilliant collection of women of our time and in the past." - Mishal Husain "Yasmin Alibhai-Brown's pen portraits burn with admiration and engross you with their fine detail, sharp insights and humane wit. All her subjects make you want to stand up and cheer, as the author does herself." - Zoe Williams

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Book SynopsisLambda Literary Award Finalist - LGBTQ Anthology2019 Over the Rainbow Recommended Book ListDedicated to trans women everywhere, this inspirational collection of letters written by successful trans women shares the lessons they learnt on their journeys to womanhood, celebrating their achievements and empowering the next generation to become who they truly are.Written by politicians, scientists, models, athletes, authors, actors, and activists from around the world, these letters capture the diversity of the trans experience and offer advice from make-up and dating through to fighting dysphoria and transphobia.By turns honest and heartfelt, funny and furious or beautiful and brave, these letters send a clear message of hope to their sisters: each of these women have gone through the struggles of transition and emerged the other side as accomplished, confident women; and if we made it sister, so can you!Trade ReviewA must-read collection of letters from truly inspirational women. Packed with essential advice, stories of overcoming adversity, and uplifting messages of hope for anyone starting transition. This wonderful book shows that our community really is like a family, and most importantly: we've all got your back, sis. -- Sarah O'Connell, host of The Sarah O'Connell Show on YoutubeOverflowing with hard-won wisdom and compassionate insight, Charlie Craggs' To My Trans Sisters is a love letter to our community from the women who understand, better than anyone, what our world is like. An invaluable resource for any trans person - and those that love us. -- Jennifer Finney Boylan, author of She's Not There and Long Black VeilThis inspiring collection of letters is essential reading for anyone thinking about transitioning and feels alone, or who wants to understand the diverse experiences trans women have. The messages of hope, humour and triumph over adversity make this book a powerful tool, regardless of where the reader is on the gender spectrum. -- Sarah Savage, co-founder of the Trans Pride Brighton charity and author of Are You a Boy or Are You a Girl?This invigorating anthology, written by trans women for trans women, is a welcome departure from the established genre of texts about trans individuals that seek to explain their lives and experiences for a presumed audience of primarily cisgendered individuals. Editor Craggs, a trans activist and founder of Nail Transphobia, assembles over 70 letters written by trans women, sharing the advice they wish they had been given earlier in life. Rather than documenting the psychological or physiological steps of self-discovery and transition, these letters discuss transness as embedded in fully individual lives. 'Don't get lost in the transition!' writes Kate Stone, founder of Novalia, a groundbreaking printing company. Fashion designer Gogo Graham's advice is more sobering: alluding to the threat of violence many trans people face, she writes, 'Find shoes in which you feel able to run.' Contributors are predominantly from the United States and Britain, though a scattering of letters, such as entries by Audrey Mbugua, a transgender activists based in Kenya, and Miss SaHHara, a singer-songwriter from Thailand, provide global context. The impressive professional and activist credentials of the letter writers, who include the creator of the transgender pride flag and the first transgender officer to serve openly in the U.K. military, might leave the reader wishing for a few unexceptional voices. Yet these women's success stories help counteract media narratives of tragedy without glossing over the pervasive discrimination and violence trans women, particularly trans women of color, face daily. While this book is written for a trans audience, cis readers will find value in reading a work not written primarily for them. (Nov.) -- Publishers WeeklyA touching and inspiring anthology of letters edited by Craggs (founder of Nail Transphobia),this offering collects missives of advice for transgender women. Brief biographies precede each letter, allowing readers to get a sense of the background of the writer. Letters come in different formats: traditional letters, letters to the writer's self, poetry, single sentences, and more. Craggs gathers an astonishingly diverse cadre of contributors, who offer both practical and emotional advice. A full range of emotions are represented in the raw, allowing for celebration, anger, and beyond. The work is appropriate for reading straight through or for picking up at different points, delivering the experience of transgender women, nonbinary individuals, and more. Cisgender readers will get a sincere look into the lives of many trans individuals and glean excellent guidance for embarking on any personal journey, while trans readers will find a range of strengthening reflections. VERDICT A triumph in topics of gender and women's studies, this anthology is unlike anything available today and is a must-have for those seeking to understand the trans community on a myriad of levels. -- Library Journal, Starred ReviewTable of ContentsN/A

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Book SynopsisThe Short Story of Women Artists tells the full history - from the breakthroughs that women have made in pushing for parity with male artists, to the important contributions made to otherwise male-dominated artistic movements, and the forgotten and obscured artists who are now being rediscovered and reassessed. Accessible, concise and richly illustrated, the book reveals the connections between different periods, artists and styles, giving readers a thorough understanding and broad enjoyment of the full achievements that female artists have made.

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Book SynopsisIn 1979, Liz Pryor, a good girl from a privileged Chicago family, discovered that she was pregnant. At only 17 years old, her parents were determined to keep this shameful event secret from everyone, even her siblings. One snowy January day, after driving across three states, her mother dropped her off at what Liz believed was a Catholic home for unwed mothers, but was in fact a locked state facility for delinquent pregnant girls. Over the next six months, alone and isolated from everyone she knew, Liz developed a surprising bond of friendship with the other girls, which led her to question everything she once held true. Told with tenderness, humour and candour, Look at You Now is a deeply moving coming-of-age story that pays tribute to the triumph of the human spirit in times of adversity, and the transcendent power of friendship in the toughest of times.Trade ReviewA funny, tender and brave coming-of-age tale. * People *A poignant, often funny reminder that we learn who we are when we're at our most challenged. * Good Housekeeping *A subtle, graceful story about how sometimes the worst things in our lives work best to shape our characters into something shining and true, something that will serve us for the rest of our lives... I will never forget this book. I really, really loved it. * Elizabeth Berg, author of THE DREAM LOVER *[Pryor's] honesty about a youthful error and desire to let that honesty define the rest of her life are both uplifting and inspiring. An unsentimental yet moving coming-of-age memoir. * Kirkus *Poignant ... Engrossing ... Readers will swiftly be drawn into the author's compassionate retelling of her teen pregnancy. This coming-of-age memoir is authentic and unforgettable. * Publisher’s Weekly *I devoured this in one sitting. Look At You Now is a compelling memoir about giving birth to a baby Liz is told she cannot keep. It is also a tender and finely executed meditation on daughterhood and forgiveness. * Julia Forster, author of WHAT A WAY TO GO *Pryor's refusal to bury the truth of her experiences is the greatest strength of her book. Her honesty about a youthful error and desire to let that honesty define the rest of her life are both uplifting and inspiring. An unsentimental yet moving coming-of-age memoir. * Kirkus Reviews *Pryor has vivid memories of her time in the facility, and her straightforward, unvarnished narrative, written as if by her seventeen-year-old self, rings true. Her story is well worth sharing. * Booklist *[This] memoir is heart-breaking. Narrowly focused on the five months Pryor spent in the government facility, it's a window into the mind of a child who feels utterly abandoned by her parents and, even more tragically, as though she deserves to have been. * Chicago Tribune *Liz Pryor's story is shocking, moving, riveting, and, ultimately, inspiring. She writes like a natural, can balance humor and sorrow perfectly, and in Look at You Now, has written a pitch-perfect memoir. * Darin Strauss, author of HALF A LIFE *

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Book SynopsisDietland will be adapted into AMC's 10-episode straight-to-series starring multiple-Emmy winner Julianna Margulies and Joy Nash. Plum Kettle does her best not to be noticed, because when you're fat, to be noticed is to be judged. Or mocked. Or worse. But when a mysterious woman starts following her, Plum finds herself involved with an underground community of women who live life on their own terms. At the same time, a dangerous guerrilla group called "Jennifer" begins to terrorize a world that mistreats women. As Plum grapples with her personal struggles, she becomes entangled in a sinister plot, the consequences of which are explosive.Trade ReviewDevastatingly funny * The Pool *Spiky, funny... Wonderfully unapologetic, off-beat and a lot of fun * Elle *As funny as it is fierce * Glamour *An amazing, different and transformative novel * Daily Mail *A call to arms. Devious, subversive, delightful * Alice Sebold, author of The Lovely Bones *What looks like feel-good fluff becomes an angry, surreal feminist Fight Club * Independent Magazine *Ferocious and hilarious * Margaret Atwood *As funny as it is thought-provoking... a joy to read * Heat Magazine *What opens as a beach read evolved into a tart, electrifying revenge tale * Mail on Sunday *Disturbing, surprising, and refreshingly angry * New York Magazine *Finally, the feminist murder mystery/makeover story we've been waiting for * O, The Oprah Magazine *This modern makeover story is super-smart, forward-thinking and honest. * Essentials *Witty and wise * People *Captures the misery of failing to fit in, to fit into the right clothes, to fit in with the right people and their expectations * The Economist *It's vanishingly rare to see a novel that looks like the much-maligned 'chick lit' - and sometimes reads like it - so gleefully censorious of rape culture * Guardian *

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Book SynopsisWinner of the 2022 James Beard Book Award A Guardian Best History and Politics Book of 2022 Selected as one of the 25 Best Cookbooks of 2022 in Delicious Magazine Nominated for the 2022 Spirited Awards This is the forgotten history of women making, serving and drinking alcohol. Drink has always been at the centre of social rituals and cultures worldwide—and women have been at the heart of its production and consumption. So when did drinking become gendered? How have patriarchies tried to erase and exclude women from industries they've always led, and how have women fought back? And why are things from bars to whiskey considered ‘masculine’, when, without women, they might not exist? With whip-smart insight and boundless curiosity, Girly Drinks unveils distillers, brewers, drinkers and bartenders with a vital role in the creation and consumption of alcohol, from Cleopatra, Catherine the Great and the real Veuve Clicquot to Chinese poets, medieval nuns and Prohibition bootleggers. Mallory O’Meara’s fun and fascinating history dismantles the long-standing myth that drink is a male tradition. Now, readers everywhere can discover each woman celebrated in this book—and proudly have what she’s having.Trade Review'The history book that has made me laugh most this year. O’Meara takes readers on a wild ride from ancient Sumerian beer goddess Ninkasi, via 12th-century Chinese poet and boozehound Li Qingzhao, to the “Bahama Queen”, gunslinging prohibition bootlegger Cleo Lythgoe. Written in a conversational style, this book feels like having cocktails with some of the most fascinating – and dangerous – women in history. Cheers!' -- Alex von Tunzelmann, The Guardian, 'The Best History and Politics Books of 2022'‘This feminist history of alcohol . . . argues . . . that making and consuming alcohol has always been women’s business.’ -- The Sunday Times‘[An] intoxicating read.’ -- Delicious Magazine, 'The 25 Best Cookbooks of 2022''Girly Drinks is anything but--a raw shot of boozy history that stings as well as it soothes!' -- Patton Oswalt‘A fascinating history.’ -- Buzzfeed'[A] thorough, and thoroughly entertaining, history... Elegantly woven into each cheeky chapter is rigorous historical context... O'Meara glides easily from the 17th-century pulquerias of Mexico to the feminine 'fern bars' of the 1970s, making sure to not to forget the queen of girly drinks: the Cosmopolitan. Provoking both thought and laughter, this serves as bracing refreshment from a master textual mixologist.' -- Publishers Weekly, starred review'At last, the feminist history of booze we've been waiting for!' -- Amy Stewart, author of The Drunken Botanist'Feminist and very funny... O'Meara deftly blends in equal measures of social history, gossip, and solid research, and adds enjoyable footnotes... women have discovered, invented, advanced, championed, and celebrated alcohol.' -- Booklist'This is a book that should be on any beverage alcohol enthusiast's shelf.' -- American Whiskey Magazine'[In Girly Drinks] Mallory O'Meara... returns to the realm of historically overlooked women who did extremely cool sh*t with a feminist history of drinking through the ages.' -- Lit Hub'An insightful, entertaining feminist history of women and alcohol through the ages.' -- USA Today'With this lively book Mallory O'Meara has provided a real service, giving us not only a long-overdue new perspective on a great many familiar issues, but also raising all kinds of other issues that are unfamiliar and shouldn't be.' -- David Wondrich, author of Imbibe'Cheers to Mallory O'Meara and her serious yet seriously entertaining treatise on the history of gendered drinks. Girly Drinks will introduce you to queens and nuns, bootleggers and bartenders, telling their stories and proving the point that all drinks are girly drinks.' -- Jeanette Hurt, author of Wisconsin Cocktails and Drink Like a Woman

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Book SynopsisA devastating critique of global inequities and prejudices exposed by Covid-19, and a vivid first-hand account of Africa’s pandemic. In this new collection, Nanjala Nyabola takes stock of a world in crisis. Her incisive yet moving prose unpacks the injustices shaping Covid’s starkly different outcomes between countries and communities, and reveals rich societies’ shockingly inaccurate view of how her home continent has fared. From the hidden truth of fast action, mutual aid and transnational cooperation in poorer countries to the widespread falsehoods of Western commentary, Nyabola exposes a global society scarred by colonial legacies, lazy narratives and ingrained biases. These essays are an inventory of the staggering political and social failures of our time, and the myths exposed in Covid’s wake. Watching coronavirus spread in Kenya and around the world, Nyabola reflects on a long history of onlookers denying the Global South’s agency and successes in times of emergency. Armed with her insider-outsider perspective, she reveals harsh truths about our broken system, and calls powerfully for a sincerely shared post-pandemic world—one where voices like hers can help to write a real global history.Trade Review‘An important body of work that highlights unforgivable injustices and the courageous systems and voices trying to counter them.’ -- African Arguments‘Nyabola paints a powerful picture of Nairobi, Kenya, in lockdown.’ -- The Round Table‘For the field of science and technology studies or the history of medicine, [Nyabola’s] thoughtful and thought-provoking essays offer various departure points for further research, especially in terms of learning from experiences of navigating the crisis in places beyond Euro-America.’ -- H-Net'A rapier-like voice in the wilderness of our uncertainties; eloquent and thorough. Beautifully delivered.' -- Yvonne Owuor, author of 'Dust' and 'The Dragonfly Sea''A disturbing indictment of the racialised injustices and profiteering inequity laid bare by Covid-19, and a stirring paean to the vital necessity of solidarity and sharing.' -- Priyamvada Gopal, author of 'Insurgent Empire''More than telling our story properly, Nyabola tells our story powerfully, beautifully, singularly. Her gift for connecting the dots across time and space, between people and places, is peerless. We are all richer for her voice in the world.' -- Panashe Chigumadzi, author of 'These Bones Will Rise Again''A thoughtful and powerful African perspective on Covid, reflecting on the unequal world in which we all live.' -- Hakim Adi, author of 'Pan-Africanism: A History''Nyabola is one of the most gifted, courageous, purpose-driven storytellers of our time. Rejecting the broken status quo and imagining a future of greater peace, she urges us to embrace the power of art to expose injustices and find solutions. A gift of a book.' -- Kumi Naidoo, human rights and environmental campaigner'Nanjala Nyabola is that rare voice who can bring insights from the Global South to bear upon the ironies and aspirations of our shared humanity, in a time of global pandemic.' -- Seyla Benhabib, political philosopher and author of 'Politics in Dark Times'

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Book SynopsisAfter the 1993 Oslo Accords, a handful of Palestinians were allowed to return to their hometowns in Israel. Fida Jiryis and her family were among them. This beautifully written memoir tells the story of their journey, which is also the story of Palestine, from the Nakba to the present—a seventy-five-year tale of conflict, exodus, occupation, return and search for belonging, seen through the eyes of one writer and her family. Jiryis reveals how her father, Sabri, a PLO leader and advisor to Yasser Arafat, chose exile in 1970 because of his work. Her own childhood in Beirut was shaped by regional tensions, the Lebanese Civil War and the 1982 Israeli invasion, which led to her mother’s death. Thirteen years later, the family made an unexpected return to Fassouta, their village of origin in the Galilee. But Fida, twenty-two years old and full of love for her country, had no idea what she was getting into. Stranger in My Own Land chronicles a desperate, at times surreal, search for a homeland between the Galilee, the West Bank and the diaspora, asking difficult questions about what the right of return would mean for the millions of Palestinians waiting to come ‘home’.Trade Review'This wrenching and inspiring tale of violence and courageous resistance, told through the eyes of a remarkable Palestinian family, vividly portrays a living example of what Adam Smith memorably called "the savage injustice of the Europeans".' -- Noam Chomsky‘Jiryis’s account of the travails of the Palestinian cause celebrates the power of resilience and endurance.’ -- TLS‘[A] tour de force … beautifully written … this book eloquently conveys the urgency of transforming the toxic status quo into conditions that allow everyone to thrive as equals.’ -- The Palestine Chronicle‘Jiryis paints a vivid portrait of life for Palestinians in Israel in the 1950s and 1960s.’ -- Middle East Eye‘[A] gripping account of one family’s decades-long personal and political struggle to return to their true homeland.’ -- New Internationalist‘Both commendable and the sort of book one hopes others will emulate … Jiryis lovingly, meticulously and affectingly relates the story of her own family and their specific experiences, yet these experiences can so easily be translated to virtually all Palestinians.’ -- The Markaz Review‘Wonderfully authored by Fida Jiryis ... [this] is a dignified account of a remarkable Palestinian family, bravely dealing with the tragedies and tribulations before them.’ -- The Black Jacobin blog'Fida Jiryis's story, which at times reads like a thriller, has a unique trajectory which she negotiates with intelligence and eloquence, simultaneously illuminating profound and painful subjects about home and belonging.' -- Raja Shehadeh, author of 'Going Home: A Walk Through Fifty Years of Occupation''This is a beautiful and searing book. The inhuman interrogations, the torment of the vulnerable, the "slow eviction" of an entire people should be understood by all in whose name the impunity of Israel and Zionism is given, year after year. I salute you, Fida Jiryis.' -- John Pilger, award-winning journalist, scholar, and documentary filmmaker'An impressive account of an important period in Palestine's recent history. Part history, part personal narrative, the author skilfully entwines the details of her life with that of her eminent father, and shows the power of Palestinians writing about their own lived experience. Highly recommended.' -- Ghada Karmi, author of 'Return: A Palestinian Memoir''A tale of resilience and incredible courage, this powerful memoir fuses Jiryis's personal recollections with the narrative of her homeland and its people. This is a frank and moving story of humanity and steadfastness, giving real content to the sacred Palestinian right of return.' -- Ilan Pappé, Professor of History, University of Exeter, and author of 'Ten Myths About Israel''Since 1948, many Palestinians were born and raised in neighboring Arab states; others have lived and studied in the West; some managed to remain in their ancestral villages in Israel; still others have resided in West Bank cities that, since Oslo, are administered by the Palestinian Authority. Fida Jiryis is one of the very few Palestinians who have had all of these experiences and, as such, she is able to narrate her people's diverse modern history from a uniquely personal perspective. Passionate and provocative, Jiryis's is a story of tragic loss, hope and disappointment, homecoming and alienation.' -- Jonathan Gribetz, Associate Professor of Near Eastern Studies, Princeton University, and author of 'Reading Herzl in Beirut: The PLO's Research on Judaism and Israel''More than just an intimate memoir chronicling the tragedy of Palestinian history, Stranger in My Own Land is a finely detailed rendering of how love of family commingles beautifully and essentially with love of country.' -- Moustafa Bayoumi, author, scholar, and Guardian columnist'Fida Jiryis describes the spiritual damage to herself and her loved ones with ferocious honesty and precision. An essential story and a remarkable achievement.' -- Philip Weiss, founder and co-editor of Mondoweiss'Palestinian steadfastness stands out in this compelling book, in which Fida Jiryis artfully interweaves her family's history with that of her colonised homeland and people. Devoid of demonisation and sloganeering, it is a necessary, sobering testimony to Israel's systemic cruelty.' -- Amira Hass, journalist, Haaretz

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Book SynopsisWhen Aisha Sarwari moved to America as a young woman, she set out to create her own identity and story. Born in Uganda, she had never lived in South Asia, yet struggled to reconcile the cultural expectation to be a ‘good Muslim girl’ with her desire for equality and acceptance. After she met Yasser, a Pakistani law student, they returned to their ancestral country and married. Little did they know that a brain tumour would become a near-lethal third wheel in their relationship. The cancer gnawed at Yasser’s personality, provoking aggressive outbursts. Was the illness still the explanation for his violence, or had it become an excuse? Aisha began to see their marriage within a bigger picture—of an oppressive society, and of the tug between feminist principles and personal happiness. Between Africa, America and Pakistan, Heart Tantrums and Brain Tumours is a unique story of identity and belonging, misogyny and motherhood, patriarchy and partnership. Its searing honesty and political passion reveal one woman’s battle to redefine the rules—by fighting for, and sometimes with, the man she loves.Trade Review‘A searing account of one woman’s journey in Pakistan through career, marriage, abuse and her husband’s life-shattering cancer.’ -- The Guardian, '50 Brilliant Holiday Reads 2023'‘The book tackles deeply ingrained societal norms and familial expectations that have, for far too long, silenced women’s voices in the South Asian community.’ -- The News on Sunday‘In complicating everything we know and feel about the ‘Pakistani woman stereotype’… Sarwari breaks down the monolith of women’s identity in Pakistan.’ -- Dawn‘A ferocious, piercing, and powerful narration of a Pakistani woman’s struggle with misogyny, abuse, identity, and patriarchy … a captivating memoir … a magnificently well-told story … a necessary work of art calling out the frailty of human psychology.’ -- Glamsham'A powerful, intelligent, raw and disturbing book.' -- Mohsin Hamid, author of 'The Reluctant Fundamentalist' and 'Exit West''Genuinely moving. Exceptional.' -- Moni Mohsin, author of 'The Diary of a Social Butterfly' and 'Tender Hooks''A beautifully written, moving story. The power of words hasn't been better evoked!' -- Shashi Tharoor, Indian MP and author of 'Inglorious Empire: What the British Did to India''A brilliant book. Tragic, painful and yet so inspiring.' -- Nadeem Farooq Paracha, journalist, historian and author of 'Soul Rivals' and 'Points of Entry'

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Book SynopsisFeminist political economy is essential to understanding the power relations and hierarchies that shape and sustain contemporary capitalism. Motivated by the rejection of gender-blind approaches in economics feminist political economy provides compelling insights into the relations between the economic, the social and the political in the reproduction of inequality. Sara Cantillon, Odile Mackett and Sara Stevano have written a much-needed introduction to key topics in feminist political economy, including the global division of labour, social reproduction, child and elder care, the household and intra-household inequalities, labour market inequalities, welfare regimes, the feminization of poverty and economic indicators. The authors take a global perspective throughout and engage in debates that are relevant for the Global North and/or the Global South. The book offers readers a deeper and more nuanced understanding of the role of power relations and inequality in the economy and is suitable for a variety of courses in political economy, feminism, gender studies, economics, social policy and development studies.Trade ReviewInnovative and boundary-crossing, this book brings to light how gender inequality is shaped by and shapes global hierarchies of power, in intersection with race and class. It is unique in paying attention to both the Global South and Global North and the importance of considering how particular forms of gender inequality are located in the global economy. It is an excellent and stimulating text for use in advanced undergraduate and postgraduate courses in the social sciences. It is also essential reading for anyone in international organizations working on gender equality. -- Diane Elson, Emeritus Professor of Sociology, University of EssexAt last we have it: a book on feminist political economy that is going to become a basic and invaluable resource. It is at once an introduction to the approach and to major topics, and a sophisticated discussion of historical and contemporary issues, with a global perspective that foregrounds the role of power in economic life. This book is not just for economists or social scientists: it is important for anyone who wants to understand our world and why people’s lives play out so differently. -- Jayati Ghosh, Professor of Economics, University of Massachusetts AmherstThis excellent field guide to feminist political economy identifies multidimensional aspects of collective identity and conflict across a global terrain. Its eloquent and intersectional commitment to social justice makes it an invaluable resource for policymakers and activists, as well as for researchers and students seeking to understand the complex dynamics of exploitation. -- Nancy Folbre, Professor Emerita of Economics, Political Economy Research Institute, AmherstFeminist political economy operates at the intersections of feminist economics, political economy, gender and development. In this groundbreaking and quite brilliant new book, these intersections coalesce organically into a volume that is essential reading for students and scholars alike across these interdisciplinary domains. -- Haroon Akram-Lodhi, Professor of Economics and International Development Studies, Trent UniversityTable of ContentsForeword by Naila Kabeer 1. A global perspective on feminist political economy 2. Global division of labour 3. Social reproduction 4. Care 5. Households 6. Intra-household inequalities 7. Labour market inequalities 8. Welfare regimes 9. Feminisation of poverty 10. Economic crises 11. GDP and its alternatives

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Book SynopsisTwo people are firefighters and do the same job. When one is asked what they do for a living, their response is met with: 'That's amazing, you are so brave!', while the other is asked: 'Isn't that dangerous? Aren't you scared? What about your kids?' Can you guess the difference between the two?These comments are the reality for Dr Sabrina Cohen-Hatton and many other women at work and in life. Gender biases stop women from succeeding - but why are certain qualities associated with success viewed less favourably for women?After leaving home at 15, going through extreme personal adversity and a period of homelessness, Sabrina gained first-hand experience of the hurdles women face to become successful. In The Gender Bias, she explores the everyday prejudices women experience through the prism of success. From leadership, to risk-taking, perception and failure, Sabrina exposes the invisible barriers that are holding women back.Through an analysis of studies and data, Sabrina unpicks why women are judged differently, examines why that matters and offers practical solutions on how we can tackle our biases and overcome sustained systems.Trade Review'The Gender Bias is a heartfelt, compelling and powerful record of the obstacles faced by the female majority, [and] a call to action which is sorely needed' * Nazir Afzal *

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Book SynopsisIn the Spring of 2017, activist, journalist and hip-hop artist Marcel Cartier was given exclusive access to the structures set up in the predominately Kurdish areas in northern Syria. Over the course of more than a month, Cartier travelled across the terrain known as Rojava, experiencing the radical grassroots revolution that is sweeping the region. He spoke with commanders of the People’s Protection Units (YPG), visited women’s organisations, saw the cooperatives and communes in action that have transformed the concept of democracy, and found his understanding of revolution challenged and reinvigorated. Unique in its access, emotion and humanity, Serkeftin: A Narrative of the Rojava Revolution, is a beautiful account of a contradictory and complex process that is fundamentally changing society in the midst of the 21st century’s most brutal civil war. Meaning `victory’, the Kurdish word `serkeftin’ captures the spirit of optimism in the catastrophe that has engulfed this beautiful country since 2011 and has simultaneously brought the possibility of freedom ever closer.

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Book SynopsisLicentious Worlds is a history of sexual attitudes and behaviour through 500 years of empire-building around the world. In a graphic and sometimes unsettling account, Julie Peakman examines colonization and the imperial experience from women’s points of view, showing how they were involved in the building of empires, but also how they were almost invariably exploited. Women acted as negotiators, brothel keepers, traders and peace keepers, but were also forced into marriages and raped. The book describes women in Turkish harems, Mughal zenanas and Japanese geisha houses, as well as in royal palaces, private households and on board ships. Their stories are drawn from many sources – from captains’ logs, missionary reports and cannibals’ memoirs to travellers’ letters, traders’ accounts and reports on prostitutes. From debauched clerics and hog-buggering Pilgrims to sexually-confused cannibals and sodomising samurai, Licentious Worlds takes history where it has not been before.

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Book SynopsisDisgrace is the first truly global history of sexual violence. The book explores how sexual violence varies widely across time and place, from nineteenth-century peasant women in Ireland who were abducted as a way of forcing marriage, to date-raped high-school students in twentieth-century America, and from girls and women violated by Russian soldiers in 1945 to Dalit women raped by men of higher castes today. It delves into the factors that facilitate violence – including institutions, ideologies and practices – but also gives voice to survivors and activists, drawing inspiration from their struggles. Ultimately, Joanna Bourke intends to forge a transnational feminism that will promote a more harmonious, equal and rape- and violence-free world.Trade Review'Bold in its global vision and eminently readable, Disgrace is a work of scholarship that is full of empathy and conviction. Joanna Bourke builds upon decades of her research and brings a historian's omniscient eye to a topic which may be called "timely", but in fact has long been a part of human history. Across geographies, cultures, and eras, the reality of sexual violence has always served as a sobering reminder of humanity's flaws and cruelties. Here is an eye-opening book to help us understand that reality more fully - and to help us envision a future free of rape.' - Winnie M Li, author of Dark Chapter and Complicit, activist and rape survivor

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Book SynopsisWomen and Pilgrimage presents scholarly essays that address the lacunae in the literature on this topic. The content includes well-trodden domains of pilgrimage scholarship like sacred sites and holy places. In addition, the book addresses some of the less-well-known dimensions of pilgrimage, such as the performances that take place along pilgrims' paths; the ephemeral nature of identifying as a pilgrim, and the economic, social and cultural dimensions of migratory travel. Most importantly, the book's feminist lens encourages readers to consider questions of authenticity, essentialism, and even what is means to be a "woman pilgrim". The volume's six sections are entitled: Questions of Authenticity; Performances and Celebratory Reclamations; Walking Out: Women Forging Their Own Paths; Women Saints: Their Influence and Their Power; Sacred Sites: Their Lineages and Their Uses; and Different Migratory Paths. Each section will enrich readers' knowledge of the experiences of pilgrim women. Readers' understanding will be further enhanced by the book's: · interdisciplinary nature: The contributors hail from a wide range of disciplines, including Anthropology, Political Science, French, Spanish, Fine Art, and Religious Studies; · uniqueness: The text brings together previously scattered resources into one volume; · feminist perspective: Much of the subject matter utilizes feminist theories and methodologies and argues that further research will be welcome. The book will be of interest to scholars of pilgrimage studies in general as well as those interested in women, travel, tourism, and the variety of religious experiences.Table of ContentsPART I: QUESTIONS OF AUTHENTICITY 1: First-class or Coach? Women as Tourists and Pilgrims, 1888-1928. Maryjane Dunn. 2: Romeras, Rameras, and Royals: Female Pilgrims on the Camino de Santiago in Medieval and Early Modern Spain. Sharenda Holland Barlar. PART II: PERFORMANCES AND CELEBRATORY RECLAMATIONS 3: Sacred Queenship: Elizabethan Progress Entertainments and the Memory of Pilgrimage. Susan Dunn-Hensley. 4: Feminizing the Camino: How Festivals are Being Reimagined for Inclusivity. Alison T. Smith. PART III: WALKING OUT: WOMEN FORGING THEIR OWN PATHS 5: Pilgrimage and Piety: Alternative Paths to the Convent. Sarah E. Owens. PART IV: WOMEN SAINTS: THEIR INFLUENCE AND THEIR POWER 6: ‘All you need is Faith’: Sainte Foy, Furta Sacra, and Saint Mary Magdalene. Lisa F. Signori. 7: (Re)Thinking out Gobnait: Memory and Presence in Folklore and Landscape. Vivienne Keely. PART V: SACRED SITES, THEIR LINEAGES AND THEIR USES 8: Women Pilgrimage Artists and Their Lineages. Emma Rochester. 9: The Entwinement and Imprint of the Legendary Diviner-Healer Mantsopa and the St. Augustine Priory: The Complexities of Mantsopa Pilgrimages. Shirley du Plooy. PART VI: DIFFERENT MIGRATORY PATHS 10: ‘What One Does of Necessity’: Twentieth Century Irish Women as Seasonal Migrants and Working Pilgrims. E. Moore Quinn.

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Book Synopsis'A joyous and celebratory tribute to all those who battled to be heard, who fought for their achievements to be recognised and honoured, who simply kept going' Kate MosseThe tried and tested 'On This Day in History' format has elevated the stories of many people and their impact on the wider world. However, of those considered noteworthy by the Establishment, just a fraction are women. But this is not the whole story - not by half.Our past is full of influential women, many of whom have been unfairly confined to the margins of history. Politicians, troublemakers, explorers, artists, writers, scientists and even the odd murderer; these women have shaped society around the globe.From Beyoncé to Doria Shafik, Queen Elizabeth I to Lillian Bilocca, On This Day She sets out to redress this imbalance and give voice to both those already deemed female icons, alongside others whom the history books have failed to include: the good, the bad and everything in between - this is a record of human existence at its most authentic.

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Book SynopsisThis book examines the intersectionality of gendered, religious identity among Muslim women in Catalonia, and illustrates how this identity is brokered through language use in a multilingual and diasporic context. Drawing on a mixed methods study of 1st and 2nd generation immigrant women, this book also examines how acculturation is a transgenerational process reflected in linguistic behavior. Through the use of questionnaire and interview data, the author constructs a story about informants’ experiences navigating life vis-à-vis language use; specifically through the use of Spanish, Catalan and native/heritage languages. This book offers a unique lens through which we can further our understanding of the role of language in the acculturation process in Catalonia. It adds to the ongoing discussion about language and migration in Catalonia and provides a valuable contribution to debates about immigrant women’s language learning and use.Trade ReviewThis book is a great and engaging work on Muslim immigrant women living in Catalonia. One of the most interesting aspects is the sources used in this research, since it is based on real data from fieldwork. It will be an important milestone for an under-researched area of sociolinguistic studies on women's linguistic attitudes. * Ángeles Vicente, University of Zaragoza, Spain *With tenacity, rigor, and originality, Dr Farah Ali explores the intersectionally complex lives of Muslim immigrant women in Catalonia – lives that are too often ignored or misrepresented. Empirically rich, the volume illuminates how several generations of these women creatively use their multilingual repertoires to carve out spaces for belonging and to fight their own marginalization. * Inmaculada Ma García-Sánchez, UCLA, USA *Table of ContentsAcknowledgments Chapter 1. Introduction Chapter 2. Language Use and Language Policy in Catalonia Chapter 3. Acculturation and Negotiating Identity Chapter 4. Research Design Chapter 5. Spaniard on Purpose: Narratives of First Generation Informants Chapter 6. In Two Worlds: Narratives of Second Generation Informants Chapter 7. Catalan, Spanish and Heritage Languages: Reported Language Use and Attitudes Chapter 8. Implications for Sociolinguistic Research Chapter 9. Implications for Language and Immigrant-Targeted Policies Appendix A: Questionnaire Appendix B: Interview Questions References Index

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Book SynopsisThis book explores the social, educational and linguistic acculturation of a group of Saudi wives and mothers sojourning in New Zealand while their husbands undertook full time study. The book explores their background, the challenges they faced and the changes they made during their sojourn, and their preparation for returning home post-sojourn.

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Book SynopsisTracing the history of female crime and execution from 1726 to 1955, Women and the Noose presents the cases of over fifty women who met their end on the hangman’s gallows. From the criminal act to the execution day itself, the women’s stories illustrate the range of crimes punishable by execution such as petty theft and murder, as well as reactions to the death sentence, including ‘pleading the belly’ as a defence. Richard Clark also discusses the developments in execution methods, from burning at the stake to the short-and long-drop; and the move from the very public hangings to the more dignified private events. Clark’s frank treatment of the executions combined with sympathetic revelations about the women’s private lives makes Women and the Noose a chilling and surprisingly moving read.

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Book SynopsisBright, attractive and well-connected, in any other family the Churchill sisters – Diana, Sarah, Marigold and Mary – would have shone. But they were not in any other family, they were Churchills and neither they nor anyone else could ever forget it. From their father – ‘the greatest Englishman’ – to their brother, golden boy Randolph, to their eccentric and exciting cousins, the Mitford Girls, they were surrounded by a clan of larger-than-life characters which often saw them overlooked. Marigold died when she was very young but her three sisters lived lives full of passion, drama and tragedy …Diana, intense and diffident; Sarah, glamorous and stubborn; Mary, dependable yet determined – each so different but each imbued with a sense of responsibility toward each other and their country. Far from being cosseted debutantes, these women were eyewitnesses at some of the most important events in world history, including at the Second World War Conferences of Tehran, Yalta and Potsdam. Yet The Churchill Girls is not a story set on the battlefields or in Parliament; it is an intimate saga that sheds light on the complex dynamics of family set against the backdrop of the tumultuous twentieth century.Accomplished biographer Rachel Trethewey draws on unpublished family letters from the Churchill archives to bring Winston and Clementine’s daughters out of the shadows and tell their remarkable stories for the first time.

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Book SynopsisIn 1697, a 34-year-old woman mounted her horse and set off on a 3,000-mile journey which over two summers would take her to every county in England. Her name was Celia Fiennes. It was a time when women didn’t do such things. It could be gruelling, unhealthy and dangerous. As she discovered, most roads were unsigned, marshy tracks, lodgings could be filthy and vermin-ridden, and highwaymen lay in wait for the unwary.Luckily for us, Celia Fiennes kept a detailed diary about the places she saw and the people she met. She reports on the brutal justice system and political shenanigans of the time, and is fascinated by industry and commerce – workshops, shipping and especially coal-pits and tin mines. What she tells us is significant as the Industrial Revolution would soon change England forever.Yet this remarkable woman and her story have, until now, been largely neglected.In England From a Side-Saddle, historian and journalist Derek J. Taylor seeks to put that right. As we follow the route Celia Fiennes took, we see through her eyes an England of 320 years ago, and learn of the courage, determination and curiosity of one woman who was centuries ahead of her time.

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