Folklore studies / Study of myth Books

Book SynopsisThese 130 articles explore mythologies in societies from India to Japan. Among the many topics are Buddhist and Hindu symbolic systems, myth in pre-Islamic Iran, Indonesian rites of passage, Chinese cosmology and demons, and Japanese conceptions of the afterlife and the vital spirit.

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Book SynopsisTrade Review"A grand compendium from America's master folklorist of labor. With a cornucopia of stories and insights, Green guides us into worlds of industrial workers that conventional forms of history have largely neglected. Here is a profoundly humane intelligence discovering the complex joys and pains of life on the job." -- Michael Kazin, author of Barons of Labor

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Book SynopsisConstrained by traditions restricting their movements and speech, the Maithil women of Nepal and India have long explored individual and collective life experiences by sharing stories with one another. This book examines how storytellers weave together their own life experiences - the hardships and the pleasures - with age-old themes.Trade Review"Davis provides a useful contextual analysis of Maithil folktales as told by the women who live along a border zone between India and Nepal. In her reader-friendly analysis she demonstrates that stories often have lives of their own, illuminating not only the nature of the cosmos, but also the relationship between the self and the worlds in which we live. The study provides valuable data on a region and narrative tradition understudied in the scholarly literature on South Asia." --Frank J. Korom, author of South Asian Folklore: A Handbook"Davis's engagement with the tales related to Maithil women provides a counterpoint to the usual engagement with their Mithila paintings, the better known of Maithil women's expressive arts. Here we also learn not only the tales, but Maithil women's interpretations of them, not only in oral comments but in newly created paintings that highlight what they think are the key components of these tales. A must read for scholars of South Asian oral traditions and a major addition to women's expressive traditions more generally."--Susan S. Wadley, author of Wife, Mother, Widow: Exploring Women's Lives in Northern India"This well-grounded, thoroughly researched study should appeal to a wide audience interested in oral narrative performance and interpretation, not only in South Asia, but more generally in disciplines ranging from folklore and cultural anthropology to narrative theory and gender studies. It shows convincingly how traditional folktales told by Maithil women of Nepal can mount socially effective critiques as resistance to patriarchal social principles that otherwise marginalize these women. It offers much for readers with interest in the dynamics of gender, in oral narrative performance and strategies of its interpretation in social context."--Margaret Mills, co-editor of South Asian Folklore: An Encyclopedia "The most vaulable aspect of Davis' book is what she hopes it will deliver: attention to women's narrative and expressive agency when life circumstances and societal constraints disallow the free play of that creativity. . . . Written most accessibly, Maithil Women's Tales would work well in undergraduate and graduate courses on Hinduism, gender, narrative, and Himalayan cultures."--Journal of American Folklore "Davis creates a momentous conversation between herself, her storytellers, and her audience. The part of the brain that enjoys a good story looks forward to getting lost in the next episode, while the social scientist can still pause between stories to wrestle with Davis over the deeper meanings of the plot and characterization... This book is an incredibly creative combination of intriguing story and extensive ethnographic research that serves both as personal entertainment and as an addition to the social science of folkloric studies. In a world where primary orality and secondary orality are ever colliding, stories--and stories about stories--have become the common language."--Journal of Folklore Research"Clearly a labor of love, and so welcome a feast of tales... Maithil Women's Tales commendably forges an honest balance between pointing to oppressive gendered circumstances and celebrating women's diverse strategies to attain some kind of agency, not only in the story worlds, but in their everyday lives."--Western Folklore"This well-grounded, thoroughly researched study should appeal to a wide audience interested in oral narrative performance and interpretation, not only in South Asia, but more generally in disciplines ranging from folklore and cultural anthropology to narrative theory and gender studies. It shows convincingly how traditional folktales told by Maithil women of Nepal can mount socially effective critiques as resistance to patriarchal social principles that otherwise marginalize these women. It offers much for readers with interest in the dynamics of gender, in oral narrative performance and strategies of its interpretation in social context."--Margaret Mills, co-editor of South Asian Folklore: An Encyclopedia

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Book SynopsisThe challenges of interracial fieldworkTrade Review"Mullen's book will stimulate plenty of discussion... Highly recommended."--Choice "In The Man Who Adores the Negro, Mullen has written, essentially, two books. The first is a critical history of folklorists' work with African American informants-an account of the success, and failure, of well-intentioned scholars operating in a charged racial environment. And the second is a manual on ethnographic practice-a reflection on the politics of representation and on the potential value and limitations of contemporary fieldwork methodology. Neither book can be separated from the other; they work collaboratively, in tandem. And both, in the end, are well worth the read."--Journal of Folklore Research "Marks an important contribution to the study of folklore scholarship on African Americans and the role this scholarship has played in the national discourse on constructions of race."--The Journal of Southern History

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Book SynopsisRemembering a life devoted to preserving working-class traditionsTrade ReviewAwarded the CLR James Award for Best Book from the Working Class Studies Association, 2012. "Burns provides a balanced, fair, and well-informed analysis based on labor scholarship. . . . It is well worth the read."--Labor"An intimate, first-person account of Green's life that illuminates ideological and strategic links between expressive culture and progressive action. Folklorists, labor historians, discographers, and students and scholars of American culture will treasure this book."--Robert McCarl, editor of Latinos in Idaho: Celebrando Cultura"Burns has done a great service by writing Archie Green: The Making of a Working-Class Hero, a fine study that does justice to its subject's fascinating intellectual development and considerable impact."--Labor Studies Journal"This sophisticated book ushers readers into Archie Green's compelling but always enigmatic presence, vividly and immediately summoning his personal, political, and intellectual pasts. Readers are welcomed into the community of purpose he spent a lifetime creating."--Robert Cantwell, author of If Beale Street Could Talk: Music, Community, Culture"Sean Burns's biography of this remarkable person gives the reader a clear sense of Green's varied life and career and of his many accomplishments. Archie Green made numerous contributions to folklore studies, labor and workplace oral history, and the history of recorded vernacular music. Scholars today would benefit from understanding those topics from this early proponent and practitioner of the "bottom-up" oral history perspective."--Oral History ReviewTable of ContentsAbbreviations Foreword - David Roediger Introduction: Worker, Scholar, Organizer Part I: Of Shreds and Patches - The Early Political Formation of Archie Green 1. Living Questions: Family, Revolution, and Emigration; 2. Red, Not-So-White, and Blue: Culture, Identity, and Power in 1920s Boyle Heights; 3. Strikes and Stones: Student Politics and Labor in the 1930s Part II: Triangle of Commitments - How 1930s San Francisco Maritime Politics Impacted Green 4. From Berkeley Stacks to Stake-side Trucks; 5. "Brothers Slugging Brothers"; 6. Green's Left Anti-Communist Critiques of Harry Bridges and Reconsiderations of Communist Party History; 7. Green's Pragmatic Path: Union Service and World War II Veterans Organizing Part III: 'A Decent Philosophy' - Green and the Culture and Politics of American Folk Revival 8. Folk Music and the American Communist Party of the 1930s and 1940s; 9. Green's Cultural Turn: Moments in the Making of a Laborlorist; 10. Vernacular Music: Green's Aesthetic Ideology as Cultural Pluralism Part IV: 'Always on Stolen Time' - Green's Influence on Folklore, Labor History, and Cultural Studies 11. Laborlore: Alternative Popular Front Imaginary; 12. Green's Place in New Labor History and American Cultural Studies; 13. Laborlore: Pedagogy of the Working Class Epilogue - Nick Spitzer's Last Interview with Archie Green Acknowledgments; Bibliography; Endnotes; Index; About the Author

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Book SynopsisThinking beyond the page, and providing a rich nexus of human thoughtTrade Review"This workadds a decisive and stunning new dimension to John Miles Foley's already distinguished contributions to the study of oral traditions--ancient, medieval, and modern. His demonstration that they share significant features with the composition and communication of cultural production deploying digital technology and the internet will provoke a major upheaval in the study of long-term media history."--Thomas Pettitt, coeditor of The Ballad As Narrative: Studies in the Ballad Tradition of England, Scotland, Germany, and Denmark"Oral Tradition and the Internet is a stunningly ambitious and highly provocative multi-platform project in which John Miles Foley invites the reader to join him on a fascinating and compelling exploration of the interconnected architectonics of the human mind and the Internet. Wide-ranging, challenging, and intellectually rich, it will have an enormous and revolutionary impact on the field of oral studies and on many interconnected fields of humanistic study. Because it is as accessible as it is erudite, it will appeal alike to the specialist and non-specialist reader."--Mark C. Amodio, author of Writing the Oral Tradition: Oral Poetics and Literate Culture in Medieval England"With its intellectual arc from antiquity to the future just beyond our horizon, the book is a fitting monument to an imaginative, generous, and immensely productive scholar."--MLR

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Book SynopsisFor almost a century and a half, Bulfinch's Mythology has been the text by which the great tales of the gods and goddesses, Greek and Roman antiquity; Scandinavian, Celtic, and Oriental fables and myths; and the age of chivalry have been known. The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the

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Book SynopsisExamines the significance that sixteenth- and seventeenth-century writers gave to the legend of Pope Joan, a ninth-century woman who allegedly cross-dressed her way to the papacy and whose identity as a woman was discovered, only when she gave birth during a procession.

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Book SynopsisOur foremost theorist of myth, fairytale, and folktale explores the magical realm of the imagination where carpets fly and genies grant prophetic wishes. Stranger Magic examines the profound impact of the Arabian Nights on the West, the progressive exoticization of magic, and the growing acceptance of myth and magic in contemporary experience.Trade ReviewMy favorite work of non-fiction this year was Marina Warner’s Stranger Magic: Charmed States and the Arabian Nights. In her exploration of this immense, protean and much-translated Arabic collection of folk and fairy tales (fifteen of them banded in here at intervals) she has found a subject which seems an ideal fit for her own particular cast of mind. This book is like one of the densely patterned carpets it describes, rich in overlapping narrative strands and in associative weave of thought. A gorgeous last chapter, ‘The Couch: A Case History,’ glides from the coded site of passion, the flying sofa, to the magic carpet via prayer mat, festive balcony hanging, nomadic house, Smyrna rug on Freud’s analytical couch—recalling the structural importance of eavesdropping in the Arabian Nights—then a description of Gabbeh, an Iranian film about tribal carpet-weaving, and back to Freud and his thoughts on levitation and sexual delight (with a side swoop over Goethe’s Faust calling for a magic cloak). -- Helen Simpson * Times Literary Supplement *Marina Warner is a veteran magus, and an adept mythographer of the vast global traditions of magic, metaphor and myth… Pursuing the enigmas of imaginative desire throughout her career, Warner persuasively redefines The Arabian Nights as an overgrown garden of the delights and hazards of desire… Warner quests for contemporary meaning in the major traditions of literary magic and carries with her, back to The Arabian Nights, our sore need for another way of knowledge… Warner’s Stranger Magic harbors many richnesses, of which I find the most beguiling what she names, in her subtitle, ‘charmed states.’… Warner takes an honored place in the sequence of those who have studied what Isaiah Berlin and others have called the Counter-Enlightenment, the speculations that renewed Neoplatonic and Gnostic heterodox versions of ancient wisdom. Her choice of The Arabian Nights, as a vital strand in the Counter-Enlightenment, is refreshing, since she shows some of the ways in which storytelling is essential to this kind of knowledge. As a contemporary scholar of myth and magic, she aids immensely in the struggle for literary values that has to be ongoing, whatever the distractions of our moment. -- Harold Bloom * New York Times Book Review *Stranger Magic is an unabashedly joyful work of scholarship, a study of the history of the human imagination as it shapes and reinvents reality through stories. Here, Warner comes close to inventing a genre of literary criticism: she takes fifteen tales from the Nights and uses them as her own frame tales to embark on a series of erudite adventures. She performs a kind of intellectual free association based on rigorous research and enhanced by handsome illustrations, a number from her own collection. In homage to the Nights, this is a scholarly entertainment…Warner demonstrates that there is nothing idle about imagining. -- Patricia Storace * New York Review of Books *[A] wide-ranging, erudite, wondrously polymathic exploration of the tales of magic, bound to the ‘huge narrative wheel’ with which Scheherazade enchanted the Sultan Shahryar through one thousand and one nights of storytelling. Warner, too, is a beguiling storyteller: her fascination with true knowledge embedded in realms of wonder. She releases the jinn of cultural modernism and scientific progress from the bottle in which it has been long confined by Western tradition. -- Iain Finlayson * The Times *Ebullient… With Stranger Magic, Warner has written a nimble but daring work of criticism that draws on her work as a novelist and scholar, combining aspects of literary history, formal analysis, personal essay, and cultural forensics into topics as disparate as the ‘Smyrna rug’ that draped Freud’s couch to the flying turtles that Danish artist Melchior Lorck sketched in the 1550s. It’s a remarkable feat of synthetic knowledge, with particularly rich forays into those whom the Arabian Nights provided both fantastic inspiration and parodic ‘cover’: from Voltaire, Goethe, who taught himself Persian to compose West-Eastern Divan, and William Beckford to such unexpected veins of influence as Sir Walter Scott. There are historical personages both familiar (Richard Burton, Edward W. Lane) and less so (John Wilkins, Robert Patlock) brought into an encyclopedic sweep of French, German, and British sources. Even given the thoroughness of her investigation into just how deep an impression Orientalist fantasies left on eighteenth- and nineteenth-century literature, especially after the Napoleonic invasion of Egypt, she offers an inspired reading of why it was cinema—particularly the phantasmagoric chic-of-Araby ‘Easterns’ of the early silver screen—that offered a germane new life to Aladdin and Ali Baba… Warner has created a sparkling work of criticism, full of graciousness, learning, and fascination. -- Eric Banks * National Book Critics Circle blog *I was entranced by Marina Warner’s encyclopedic and pathbreaking study, Stranger Magic: Charmed States and the Arabian Nights. -- Pankaj Mishra * The Guardian *Wonderful… Warner is herself something of a Shahrazad, though she weaves her account under less threatening auspices… Many of the stories in the Nights take place in a legendary Baghdad or draw on older Persian sources, but a few—such as the story of Hayqar the Wise—date back to ancient Egyptian tales from the seventh century BC. Warner is alert to these earlier echoes but she is more interested in the far-reaching cultural and literary impact of the Nights on artists, composers and writers… From Voltaire and Goethe to Hans Christian Andersen and William Beckford down to Jorge Luis Borges and Italo Calvino—on all of whom Warner offers illuminating discussions—the influence of the Nights has been pervasive; but composers (such as Mozart), artists and designers, illustrators and film-makers have also fallen under their spell. -- Eric Ormsby * Literary Review *In Stranger Magic Warner surveys just how pervasively The Arabian Nights has influenced art and literature since the eighteenth century. On the surface, her book covers what more dogmatic critics would call the West’s cultural appropriation of the East… Stranger Magic is packed with information and insight… Warner writes with clarity, and sometimes with exquisite beauty… Warner possesses an exceptionally synoptic mind, almost Sherlockian in its sensitivity to connections and repeated motifs… Stranger Magic is, in fact, simply the latest in an exhilarating series of studies that reexamine the West’s fantastic imagination. From the Beast to the Blonde, No Go the Bogeyman, and Phantasmagoria explore the cultural meanings of folktales and Mother Goose stories, children’s literature, and fairy tales, the fearful monsters, beasts, and ogres of nightmare, and all the ways humankind has attempted to represent the spiritual. Ranged together, these substantial works, now joined by Stranger Magic, look solid and magisterial on the bookshelf, calling to mind the encyclopedic scholarship we associate with an earlier age. Nonetheless, while Marina Warner is as learned as any Victorian polymath, she also employs contemporary feminist theory and the insights of cultural studies to make us look once more, or look more deeply, at the history of cinema, art, theater, and literature. Each of her books is an Aladdin’s cave of wonders. -- Michael Dirda * Barnes & Noble Review *Insightful… It’s fascinating and highly informed. -- Doug Johnstone * Big Issue *[Warner] astonishes with the granularity of her accounts of the impact of these stories on their original European readers… What kind of stories is Shahrazad telling us now? Immediately obvious is the relevance of Arabian Nights to crucial questions of perception of the East by the West during this season of Arab thaw and Iranian freeze… Warner does a good job, especially in her ‘Conclusion: “All the story of the night told over…”’ to tease out these new interpretative figures in the textual carpet. -- Brad Gooch * Daily Beast *Warner’s massive work remains a powerful testimony to the enduring appeal of the 1,001 Nights. Complex, frequently subtle…her book will reward readers with sophisticated insights into the cultural exchange between West and East—a bit like The Arabian Nights itself. -- Paul McMichael Nurse * Globe and Mail *If we might forget how central [The Arabian Nights] tales are to our culture, Marina Warner’s wondrous Stranger Magic is a scholarly excursion around some of the stories, her mind as rich and fascinating as the stories themselves, taking us on a magic carpet from Borges and Goethe, to Edward Said and the movies. -- Hanif Kureishi * The Guardian *Marina Warner’s Stranger Magic is as absorbing, wise and playful as the Arabian Nights tales themselves. A book about the triumph of imagination over experience. -- Jeanette Winterson * The Guardian *Stranger Magic is an enormous work, 436 densely erudite and eclectic pages plus another hundred of glossaries and notes. In its relentless connecting up of diverse stories, from the Inferno to Philip Pullman’s His Dark Materials, it’s reminiscent of Christopher Booker’s brick-sized Seven Basic Plots. Warner’s chapters, allocated into five parts, are beautifully illustrated and interspersed with 15 tales concisely retold… Stranger Magic is a scholarly work that often reads like a fireside conversation. It’s encyclopedic, a book to be savored in slices. -- Robin Yassin-Kassab * The Guardian *Warner’s gentle authority proves to be the perfect guide not only through many of the tales themselves but also through their attendant history, and theories about them. What she’s really exploring is the West’s fascination with the Orient, and how it has accommodated that alternative culture into its own: why was The Arabian Nights, a text that wasn’t sacred and wasn’t even valued, the one that the West alighted on so eagerly? The fabulism, the shape-shifting, the play between the figurative and the literal, that is found in the tales, speaks to something in the West’s psyche, a need for fantasy. Warner cleverly relates this to 20th-century psychiatry (Freud and his dreams), and new technologies such as cinema and aeroplanes (the allure of that magic carpet). Her immersion in her subject makes for an enthusiasm that proves to be infectious. -- Lesley McDowell * The Independent *Wondrous and lucid… When it comes to the tales themselves and their fantastical content, Warner is an excellent guide and a stylish storyteller in her own right: her renderings of 15 of the stories punctuate the book… The remarkable feat she has pulled off in Stranger Magic [is] nothing less than a history of magic, storytelling and centuries of cultural exchange between east and west. All in the guise of a book about one book, albeit an inexhaustible one. There are more dutiful histories of those subjects, just as there are scholarly studies of Arabian Nights that adequately describe its form, politics or translations but never truly fly. The product of Warner’s meticulous research is a weighty volume that feels airborne on every page. -- Brian Dillon * Irish Times *More even than an inquisitive, authoritative study of one of the greatest imaginative enterprises of human history, this is a further chapter in Warner’s unfolding of the power—the magical power as it may be—of the magical imagination… Some of the most original and compelling arguments in Stranger Magic concern the uses of Arabian flights of fantasy as vehicles for scientific and technological speculation… Jung said that the job of the mythographer might be not so much to spell out the meaning of myth as to ‘dream the myth onward.’ This is in a sense what Warner has undertaken to do, for her account of The Arabian Nights and their transmigrations is itself knitted into the fabric of the history she presents. Each section of her account is prefaced by a retelling of one of the stories, usually a neglected or less well known one, and in the writing and the reading, the separate threads of her argument—her accounts of the history of magic, or the responses of particular writers to the stories, or the nature of magical things, or the politics of enchantment—pass under and over each other. Warner’s scholarly imagination has never been less than compendious, but it has never before been so intricately wrought, or drawn together with such ingenuity the hitherto distinct currents of her writing, as mythographer, fabulist, critic, speculator and polemicist. -- Steven Connor * London Review of Books *This remarkable study is an arabesque, and an intricate Persian rug of themes, eras, tales, and authors—of the Middle East and West, playing on ‘states of consciousness’ as well as state-cultures. With a basic knowledge of Arabic from childhood as well as a Catholic upbringing, Warner is almost divinely positioned to unravel the infinite strands of the wily Scheherazade, as she weaves her way through the Arabian Nights, exploring their boundless capacity to ‘keep generating more tales, in various media, themselves different but alike: the stories themselves are shape-shifters.’ From Disney’s Aladdin to the works of Freud, Goethe, Hans Christian Andersen, and others, Warner explores the impact of the Arabian Nights on the West and the power of enchantment and fantasy. Like all myth, these of flying carpets, sofas, and beds of genies and heroic connivers grant lasting insights into human aspirations, transcendence, and love. Carefully documented, Warner’s ever shifting work takes its place alongside that of Edward Said, though she is refreshingly less polemical and less theoretical. No one need cover this enchanting ground again. * Publishers Weekly (starred review) *Noted mythographer and novelist Marina Warner here turns her piercing gaze to one of the most influential set of fables ever assembled, The Thousand and One Nights. Analyzing the inner meanings of Scheherazade’s tall tales, she finds in these familiar narratives fresh import and life-changing potential. * Barnes & Noble Review *Marina Warner’s Stranger Magic has a double mission: On the one hand, the author traces, with a swelling, orchestral richness, why the [Arabian] Nights held such potent sway over figures like Coleridge, becoming a runaway best seller in Europe and retaining a lock grip over the Western imagination for generations. But she also shows why its themes and preoccupations remain relevant today… Stranger Magic explores, with immense learning and panache, how it might be possible to develop an intellectual, reasoned relationship to magic, conjuring an alternative to the binary choice between Enlightenment thought and esoterica… Warner sprinkles the historical detective work of Stranger Magic with her own versions of key scenes from the Nights, and her verve as a storyteller is among the book’s delights… Stranger Magic is a large volume, and it can sometimes be difficult not to get disoriented, or suffer what Warner nicely dubs ‘eyeskip’ in the twists and involutions of the arabesque patterns being traced. However, one of the merits of the book is that it teaches us why getting lost now and again can be salutary. In our absurdly busy, bottom-line–fetishizing lives, digression has become a bad word. But it’s precisely the wide-roaming, whirling vicissitudes of Shahrazad’s tales that dazzle the sultan and keep her alive. Stranger Magic reveals that the fate of the human spirit hangs not by a single thread, but by an extravagant skein of fancy. -- George Prochnik * Bookforum *This learned, lively, and well-written book concerns the wide-ranging influence of The Arabian Nights—a polyvocal anthology of world myths, fables and fairy tales—on Western culture… Warner’s densely detailed, loose, baggy monster of a book covers an impressive array of subjects from Voltaire and Goethe to Borges and Nabokov. -- Jeffrey Meyers * Booklist *Warner’s analysis of Arabian Nights aims at redefining the relationship between East and West, reason and imagination, science and magic. -- S. Gomaa * Choice *Warner has long been recognized as one of the foremost scholars of the fairy tale and myth. Here, she brings her characteristic erudition and insight to one of the great works of world literature, The Arabian Nights, using the best-known as well as some of the lesser-known stories to demonstrate how the Nights contributed to the rise of magical thinking across European and world culture… She ably demonstrates how the tales loom large in European culture and have provided the basis for much creativity and imagination since their discovery by the West in the 18th century… General readers and scholars in folklore, history, and Arabic literature alike will appreciate Warner’s ability to make connections between the Nights and the way the stories have resonated over time and space. -- David S. Azzolina * Library Journal *An elegant study of The Arabian Nights and the far-reaching influence of Scheherazade’s endlessly unfolding takes on Western culture and on our visions of enchantment and fantasy. * Publishers Weekly *

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Book SynopsisBring ancient methods of healing and magic into the modern world with this impressive book on Ozark folk magic. Providing lore, herbs, magical alignments, verbal charms, and more, folk healer Brandon Weston sheds light on the region's secretive culture and shows you how to heal both yourself and others.

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Book SynopsisA compendium of folkloric, literary, and critical texts that demonstrate the degree to which ancient Russian fairy-tale fantasies acquired political and historical meanings during the catastrophic twentieth century.Table of ContentsPart I: Folkloric Fairy Tales; Introduction: Helena Goscilo; The Frog Princess; The Three Kingdoms; Baba Yaga; Vasilisa the Beautiful; Maria Morevaa; Tale of Prince Ivan, the Firebird, and the Gray Wolf; The Feather of Finist the Bright Falcon; The Magic Mirror; The Magic Ring; Danila the Luckless; Ilya Muromets and the Dragon; The Maiden Tsar; Part II: Fairy Tales of Socialist Realism; Introduction: Marina Balina; Tele of the Military Secret, Malchish Kibalchish and His Solemn Word; The Golden Key or The Adventures of Buratino (excerpts); The Flower of Seven Colors; The Old Genle Hottabych (excerpts); The Malachite Caskat; Part III: Fairy Tales of Socialist Realism: Critique of Soviet Culture; Introduction: Mark Lipovetsky; Fairy Tales for Grown-Ups; The Dragon (excerpts); Tales of the Troika (excerpts); Before the Cock Crows (excerpts); That Same Munchausen (act I)

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Book Synopsis

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Book Synopsis

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