Folklore studies / Study of myth Books

Book SynopsisInk Tales reinvigorates fairy tales and myths from around the world, breaking barriers and challenging stereotypes throughout. Illustrated by Inkquisitive (Amandeep Singh) in his vibrant signature Indian inks, each story is accessible and visually inspiring. Travel across oceans and discover the vengeful wrath of a River God in Kayo Chingonyi's West African tale. Soar too close to the sun with Inua Ellam's timely story of a young refugee girl. Fly to a mysterious castle inhabited by a cursed prince with Helen Mort's retelling of East of the Sun, West of the Moon. Uncover the truth of #Bluebeard with Joelle Taylor's modernised fairy tale. Look to the constellations with Will Harris' futuristic Greek tragedy, and never, ever answer to your name in Malika Booker's Trinidadian recreation of the Dwen. Bedtime Stories for the End of the World is produced in partnership with the ground-breaking poetry podcast of the same name. The six featured poets draw on their own experience, adding a new dimension to an existing tale. 'Bedtime Stories for the End of the World' is a spoken word and poetry podcast about the power of myth and the politics of storytelling. The podcast asks some of the UK's top poets to re-imagine their favourite myths, fairy tales and legends - the stories they want to keep and protect for the future. It also involves an annual live event, creating a tangible and accessible experience for existing and new audiences. Reimagined tales include Icarus, the legend of the Zambezi River God, East of the Sun West of the Moon, Bluebeard, Philoctetes and the Trinidadian folklore figure 'douen'.

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Book SynopsisBig Snake Little Snake is a cascade of true stories by DBC Pierre, recorded while on his way to make a short film with a parrot in Trinidad, which not only examines the nature of gambling, the love affair between gambler and game and the mindset of obsessive practitioners, but aims to shed light on the invisible odds and outrageous chances of everyday life on Earth. Snakes symbolise a road in a Trinidadian numbers game based on dreams and superstition. The inquiry was prompted by a little snake on Pierre's doorstep. 'If writers were athletes, DBC Pierre would be hanging out with the skydivers, the stunt-snowboarders and the white-water rafters' Independent 'One of the most original and seriously funny narrative voices' ObserverTrade ReviewPraise for DBC Pierre: 'If writers were athletes, DBC Pierre would be hanging out with the skydivers, the stunt-snowboarders and the white-water rafters.' * Independent *One of the most original and seriously funny narrative voices * Observer *Dangerous, smart, ridiculous and very funny * The New York Times *Pierre's writing is heady, reaching glorious heights of linguistic invention * Independent *

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Book SynopsisRobin Hood is one of the most enduring and well-known figures of English folklore. Yet who was he? In this intriguing book, Lesley Coote re-examines the early tales about Robin in light of the stories, both English and French, that surrounded them - stories with which they shared many elements of form and meaning. In the process, she returns to questions such as `Where did Robin come from?' and `What did these stories mean?' The Robin who reveals himself is as spiritual as he is he is secular and as much an `insider' as he is an outlaw. And in the context of current debates about national identity and Britain's relationship with the wider world, Robin emerges to be as European as he is English - or perhaps, as the author suggests, that is precisely the quality which made him fundamentally English all along.Trade Review"Coote's scholarly study of the storyworlds of the early Robin Hood tradition broadens our understanding of the interconnectivity of medieval outlaw tales, romance, the fabliau tradition, miracle of the Virgin stories, trickster tales, and pastourelles."--Alexander L. Kaufman, Reed D. Voran Distinguished Professor of Humanities, Ball State UniversityTable of ContentsIntroduction: Who Was Robin Hood? 1 Robin Hood and the Written Word 2 Robin Hood and the Printed Word 3 Robin Hood and `Maid' Marian 4 Robin Hood and the Virgin Mary 5 Robin Hood and Romance Narratives 6 Robin Hood and Other Tricksters 7 Robin Hood and the Comic Tale 8 Robin Hood and the Medieval `Past' Appendix: The Texts in Modern English Translation References Bibliography Acknowledgements Photo Acknowledgements Index

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Book SynopsisAccording to legend, the English landscape – so calm on the surface – is really the Devil’s work. Cloven Country tells of rocks hurled into place and valleys carved out by infernal labour. The Devil’s hideous strength laid down great roads in one night, and left scars everywhere as the hard stone melted like wax under those burning feet. With roots in medieval folklore, this is not the Satan of prayer, but a clumsy ogre, easily fooled by humankind. When a smart cobbler or cunning young wife outwitted him, they struck a blow for the underdog. Only the wicked squire and grasping merchant were beyond redemption, carried off by a black huntsman in the storm.

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Book SynopsisA fascinating and frightening collection of folk tale monsters, ghosts, and other scary things that dwell in the dark.Our world is a strange place. This hauntingly illustrated book peers into the dark spaces that lie somewhere between belief and imagination, and into the weird stories we tell to make sense of where and who we are. Here are tales of vengeful ghosts, bloodthirsty monsters, internet-conjured nightmares, lost souls, cryptid curiosities, demons, aliens, the undead, and the inexplicable, including: Enfield Poltergeist Jersey Devil Mothman Krampus El Silbón Betty and Barney Hill Abduction Headless Horseman Skunk Ape Onryō Loab Isla de las Muñecas Slender Man La Llorona Loch Ness Monster And many more... Acclaimed artist Ricardo Diseño brings a lifelong fascination w

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Book SynopsisDiscover how to connect with fairies, accept their guidance to your inner self and restore your unity with the natural world. Fairies are benign spirits who can speak to you, if you can reawaken your childhood self and recapture the sense of awe and wonder that we lose as adults. Only then can you approach the fairy realm and become the friend of fairy folk. This is a complete guide to finding and meeting fairies, explaining the most favourable days and times for meeting the fairies, the tests you will experience, the most likely places to search and the best way to win the goodwill of these elemental beings. Once our feelings are attuned, we can again learn the fairy lore of magic and herbal medicine and use these skills to restore the world. With a wealth of colour illustrations of Victorian fairy paintings, this book will show you the way back to fairyland.Trade ReviewI had always been aware that there were more dimensions to life than those I could see and hear... Fairies have enhanced my life... they bring a joy to our lives that mostly, almost inevitably, we lose in early childhood -- Claire Nahmad * Daily Mail *Do you believe in Fairies?... In this book she describes the best times and most likely places to meet them... we can once again benefit from their magic, learn from their herbal lore and use our skills to help restore the world. * Kindred Spirit *It teaches you what we have lost in our overpopulated world - how to see and hear the faeries once again... beautifully illustrated throughout, making it a real joy to read. * Encounters *

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Book SynopsisA richly illustrated analysis from one of Europe’s greatest living philosophers. In Pinocchio, Giorgio Agamben turns his keen philosopher’s eye to the famous nineteenth-century novel by Carlo Collodi. To Agamben, Pinocchio’s adventures are a kind of initiation into life itself. Like us, the mischievous puppet is caught between two worlds. He is faced with the alternatives of submitting to authority or of carrying on, stubbornly indulging his way of being. From Agamben’s virtuoso interpretation of this classic story, we learn that we can harbor the mystery of existence only if we are not aware of it, only if we manage to cohabit with an area of non-knowledge, immemorial and very near. Richly illustrated with images from three early editions of Collodi’s novel, this new volume will delight enthusiasts of both literature and philosophy. Table of Contents1.Prologue2.Adventure3.Epilogue4.Bibliography5.Note on Illustrations

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Book SynopsisA HAUNTING COLLECTION OF STORIES THAT WEAVES HAWAIIAN MYTHOLOGY WITH A RICH SENSE OF PLACE This wrenching and sensational debut story collection follows a cast of mixed native Hawaiian and Japanese women through a contemporary landscape thick with inherited wisdom and the ghosts of colonisation. This is a Hawai'i where unruly sexuality and generational memory overflow the postcard image of paradise and the boundaries of the real, where the superstitions born of the islands take on the weight of truth. A childhood encounter with a wild pua'a (pig) on the haunted Pali highway portends one young woman's fraught relationship with her pregnant body. An elderly widow begins seeing her deceased lover in a giant flower. A kanaka writer, mid-manuscript, feels her raw pages quaking and knocking in the briefcase. Every Drop Is a Man's Nightmare is both a fierce love letter to Hawaiian identity and mythology, and a searing dispatch from an occupied territory threatening to erupt with violent secrets.Trade ReviewIn Every Drop is a Man's Nightmare, the enormously talented Megan Kakimoto gives us her Hawai'i, as bright as blood, as dark as blood. It's a book about beauty and brutality, love and threat, home and estrangement, as original and fearless a book as I've read in years. It does not pull its punches; it's altogether a knockout. Eleven knockouts, one KO for every story -- Elizabeth McCracken, author of THE SOUVENIR MUSEUMKakimoto's bold and haunting stories are brilliant on the mysterious and potent languages of the body, and on the enduring power of the stories that shape us. Every Drop Is a Man's Nightmare is a stunning debut -- Laura van den Berg, author of I HOLD A WOLF BY THE EARS and THE THIRD HOTELMegan Kakimoto is an extraordinary writer - compassionate, insightful, fiercely funny and super-smart - and Every Drop Is a Man's Nightmare thrums with intelligence, wisdom and wild originality. A tremendous debut by a writer who, lucky for us, has only just begun -- Molly Antopol, author of THE UNAMERICANSLyrical collisions of superstition, folktales, and modern Hawaiian culture saving itself in the face of cliches. Desire and confusion are rarely far apart in these powerful coming-of-age stories that prove it is possible to be many things, all the time, all at once -- Amy Hempel, author of SING TO ITMegan Kakimoto is one of those rare writers who has mastered both story and sentence. The women in this story are audacious, resilient, and unforgettable-they have my whole heart -- Kimberly King Parsons, author of BLACK LIGHT

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Book SynopsisPerhaps it's a long journey, or you want to get them off their screens? Perhaps it's a group of restless children and you wish you could catch, hold and reward their attention? You can, and, as you magic from thin air a gripping story, that face-to-face engagement does as good as it feels.

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Book SynopsisWomen with fish tails are among the oldest and still most popular of mythological creatures, possessing a powerful allure and compelling ambiguity. They dwell right in the uncanniest valley of the sea: so similar to humans, yet profoundly other. Mermaids: Art, Symbolism and Mythology presents a comprehensive, interdisciplinary and beautifully illustrated study of mermaids and their influence on Western culture. The roots of mermaid mythology and its metamorphosis through the centuries are discussed with examples from visual art, literature, music and architecture—from 600 BCE right up to the present day. Our story starts in Mesopotamia, source of the earliest preserved illustrations of half-human, half-fish creatures. The myths and legends of the Mesopotamians were incorporated and adopted by ancient Greek, Etruscan and Roman cultures. Then, during the early medieval period, ancient mythological creatures such as mermaids were confused, transformed and reinterpreted by Christian tradition to begin a new strand in mermaid lore. Along the way, all manner of stunning—and sometimes bizarre or unsettling—depictions of mermaids emerged. Written in an accessible and entertaining style, this book challenges conventional views of mermaid mythology, discusses mermaids in the light of evolutionary theory and aims to inspire future studies of these most curious of imaginary creatures.Trade ReviewThe authors have written a wonderfully in-depth (pun intended) book about virtually every aspect of merpeople. There is as much information as most people could ever wish for about the subject. -- Trevor Pyne, Magonia ReviewTable of ContentsPreface Memorial note 1 Introduction: Why mermaids? 2 Mermaids conceived: hybrid goddesses and beasts in antiquity 3 Christian adaptations in the Romanesque to Baroque eras 4 Mermaid passions: obsessive fixation in nineteenth- and early twentieth-century art 5 Mermaids everywhere: postwar commercialization and trivialization 6 Mermaids rationalized: evolutionary theory confronts the fantastic References Acknowledgements Index

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Book SynopsisStories surrounding the legendary King Arthur have been told since time immemorial, and every generation has a new take on the tale. The Fragile Land approaches the legend from a radical angle, setting it firmly in the post-Roman world of late fifth-century Europe, when the language of Britannia was still Brythonic and the Saxons had not yet superimposed their own place names. The Fragile Land chronicles the crucial years of Arthur’s life, from the age of fifteen into his early thirties, as he comes to the fore as elected Overlord, empowered to confront the Barbarian threat and to keep the factious leaders of the island’s kingdoms in some sort of political alliance. Enhanced by a beautifully illustrated map by the artist Kate Milsom, Simon Mundy’s cunningly woven tale of an island in unrest draws subtle parallels with contemporary cultural disputes and casts the legend in a whole new light.

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Book SynopsisDetailed research into documentary sources offers an exciting new identification of the "real" Robin Hood. For over a century and a half scholars have debated whether or not the legend of Robin Hood was based on an actual outlaw and, if so, when and where he lived. One view is that he was not a legend as such but a myth: an idea, rather than a person who could possibly be identified in historical records and placed in a real historical and geographical context. Other writers have gone even further, arguing that he is a literary concoction, with no traceable original, and that seeking to pin him down to a particular time and location is futile and unnecessary. This survey begins by tracing the development of the legend, and contemporary views about it, between the thirteenth and early twenty-first centuries, taking account both of new interpretative literature on the subject and fresh discoveries from the author's own research in the early records of the English royal administration and common law. It then gives a detailed account of the places that came to be associated with the legend, and of evidence illustrating the importance of the outlaw's name in the development of English surnames. The concluding chapters deal with the administration of criminal law in medieval England, and the evidence that points to the possible origins of the legend in the activities of a notorious Yorkshire criminal, tracked down and beheaded in the county in 1225.Trade Review[Essential] reading for anyone interested in the matter of greenwood. * THE RICARDIAN *[R]einjects a much-needed dose of reality into the academic study of the Robin Hood legend. . . Crook's monograph should be standard reading for any scholar who is interested in the origins of the historical Robin Hood. * THE MEDIEVAL REVIEW *[An] excellent reference and bibliography for the primary material that makes up the Robin Hood canon, Cook has presented an approach that takes joy in the process of investigation [...]. -- COMITATUSDavid Crook's new study is probably the fullest account of the development of the legend of Robin Hood, and of its sundry interpreters, ever attempted. [...] Crook, then, has achieved considerable success in his quest for the historical Robin Hood -- SPECULUMThis is more than just a detailed survey; it is an overview of the entire culture of Robin and who he might have been...This book is a delight. * INTERNATIONAL TIMES *[Crook] provides a significant contribution to the ongoing scholarship and scholarly debates regarding the "real" Robin Hood(s) and persons associated with him that are found within historical records. Crook places that archival material in dialogue with the extant literature and other late-medieval historical sources, especially those on crime and criminality in Yorkshire. In doing so, he reveals two strong contenders for the "original" Robin Hood and Sheriff of Nottingham. * CHOICE *The bibliography is impressive. Crook plumbs the depths of archival sources to uncover various place and personal names, criminal accounts, and outlaw activities that provide context for the evolution of Robin's story. A useful resource for those new to the field and for those well versed in the critical historical materials. * JOURNAL OF BRITISH STUDIES *This elegantly written and informative monograph is an essential read for anyone interested in the legend of Robin Hood. The author, a distinguished archivist [...] demonstrates both an unrivalled knowledge of the sources for Hood's historicity and a thorough understanding of the existing corpus of scholarship. Attractively produced and well-indexed, the volume also contains several useful maps and illustrations. -- Adrian Jobson * NORTHERN HISTORY *Table of ContentsList of Illustrations Preface and Acknowledgements List of Abbreviations Introduction The Medieval Tales of Robin Hood Chroniclers, Revellers, Playwrights and Antiquarians, c1420-1765 Editors, The Folklorist and The Archivist, 1765-1889 Folklorists, Literary Scholars and Historians: Robin Hood in the Twentieth Century The Robin Hood Places The Robin Hood Names Robin Hood and Criminality Law and Disorder in Yorkshire, 1215-1225 The Sheriff, The Fugitive and The Civil Servant Conclusion Bibliography Index

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Book SynopsisPracticed today by more than 500 million adherents, Buddhism emerged from India between the sixth and fourth centuries BCE. Based around the original teachings of the Buddha, key texts emerged to promote a true understanding of Buddhist ethics and spiritual practices. The Buddhist traditions created a vast body of mythological literature, much of it focused on the life of the Buddha. For example, the 550 Jataka Tales tell of Buddha’s early life and renunciation, as well as his previous human and animal incarnations. The stories also tell of Gautama Buddha’s family, such as his mother Mara, and her dream of a white elephant preceding his birth; as well as his cousin, Devadatta, a disciple monk who rebelled against Buddha and tried to kill him. Buddhist literature includes numerous parables – such as the Turtle Who Couldn’t Stop Talking – as well as recounting scenes from the Indian epic the Ramayana. History and myth intermingle in texts such as Ashokavadana, where the Mauryan emperor Ashoka is portrayed as a model of Buddhist kingship. Illustrated with 120 photographs and artworks, Buddhist Myths is an accessible, engaging and highly informative exploration of the fascinating mythology underlying one of the world’s oldest and most influential religions.Table of ContentsContents include: Introduction The birth and spread of Buddhism from its origins in northern India in the sixth century BCE. 1. Concepts and Cosmology Spatial cosmology: Formless Realm; Form Realm; Desire Realm; Sahasra cosmology. The Four Great Elements; the Seven Ranges; Great Outer Ocean; the Great Lakes; the Great Trees; Kamavacara (plane of sense desire); Manussaloka (the human realm); the Animal realm; the Lower realm Temporal cosmology: Vivatakalpa; Vivartasthayikalpa; Samvartakalpa; Samvartasthayikalpa. 2. Life of the Buddha The life of the Buddha is described in a number of sacred texts, including the Buddhacarita, Lalitavistara Sūtra, Mahāvastu, and the Nidānakathā. Other texts include: the Mūlasarvāstivāda Vinaya, the Abhiniṣkramana Sūtra and the Theravada. Typical motifs: The Buddha’s mother, Māyā, dreaming of a white elephant; lotuses springing up under the feet of the bodhisattva as he walked immediately after birth; seeing the four signs; the bodhisattva leaving his wife and child, often on the night of the birth; the bodhisattva's horse, Kaṇṭhaka, who carried him away, but later died of grief; the offering of milk rice by Sujātā; the attack by Māra’s armies. 3. The Jataka Tales A part of the Pali Canon, the 550 Jataka Tales are a huge body of work outlining the previous births of Gautama Buddha in both human and animal form. Often, Jātaka stories include an extensive cast of characters who interact and get into various kinds of trouble – whereupon the Buddha character intervenes to bring about a resolution. Includes the story of Rama (Ramayana) in the Dasaratha Jataka. 4. Teachings of the Buddha The Pali Canon: The Tripitaka and the Sutras. Sutras are aphorisms and stories designed to demonstrate some part of Buddhist doctrine. Sutta Pitaka: discourses and sermons of Buddha. Mahayana sutras: such as the Lotus sutra and the Avatamsaka Sutra contain popular stories and parables that have been widely influential in Mahayana Buddhism. Ten Principal Disciples (Mahayana tradition) Kangyur: holy Tibetan scripts 5: Divine and Extraordinary Beings Buddhism includes a wide array of divine beings that are venerated in various ritual and popular contexts. Key figures: Bodhisattvas; Yidam, or Ishta-devata (personal meditation deity); Devas; Asuras; Maras; Yakshas; Kinnaras; Nagas. Goddesses include: Prthivi – Mother Earth; Sri Lakshmi – goddess of good fortune; Hariti – goddess of motherly love. Mahayana goddesses: Prajnaparamita – mother of perfect wisdom; Marici – lady of sunrise; Cunda – saving grace; Tara – universal saviour; Tantric female Buddhas 6: Notable Figures Indian kings feature in many Buddhist stories and myths. The earliest texts speak of various kings paying respects to the Buddha. The Buddhist myths which developed around the famed Mauryan emperor Ashoka are also important sources of Buddhist mythology. These stories serve as morality tales and as models for Buddhist kingship, which were emulated and used by later Buddhist monarchies throughout the Buddhist world. Glossary Index

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Book SynopsisStorytelling is a traditional art form which has survived through the centuries and is still being enjoyed today. These tales of Celtic Heroes, Magicians and Vikings were originally told around 200 AD, and have been passed down orally, often verbatim, through generations of storytellers. The oldest Gaelic storybook, dating 260 AD, is preserved in the Housemann Museum in Switzerland and contains many of the stories which are recounted today. The whole idea of the preservation of the Scottish culture is at the root of this fascinating tradition, with established storytellers taking on apprentices until the Disarming Act of 1746 made it difficult and dangerous to do so. Storytelling became family centred. This collection of stories convey the imagination, hopes, fears, and passions of an ancient people. The personalities and culture of people long gone are brought to life by the storyteller's words.Trade ReviewI have heard George telling his stories and it is an unforgettable experience. This is a unique book and a must buy, it is superb. Buy it today! DALRIADA: THE JOURNAL OF CELTIC HERITAGE AND CULTURAL TRADITIONS

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Book SynopsisA powerful exploration of trees in both the real and the imagined Anglo-Saxon landscape. Trees played a particularly important part in the rural economy of Anglo-Saxon England, both for wood and timber and as a wood-pasture resource, with hunting gaining a growing cultural role. But they are also powerful icons in many pre-Christian religions, with a degree of tree symbolism found in Christian scripture too. This wide-ranging book explores both the "real", historical and archaeological evidence of trees and woodland, and as they are depicted in Anglo-Saxon literature and legend. Place-name and charter references cast light upon the distribution of particular tree species (mapped here in detail for the first time) and also reflect upon regional character in a period that was fundamental for the evolution of the present landscape. Della Hooke is Honorary Fellow of the Institute for Advanced Research in Arts and Social Sciences at the University of Birmingham.Trade ReviewClearly written, well-illustrated, and impressively broad-ranging in its methodology. The footnotes and bibliography make it an invaluable resource for further study. * PARERGON *Della Hooke's book is the first large-scale treatment of its subject, and could hardly be surpassed in its patient and thorough accumulation of data. Lovers of trees and students of early England have equal reason to be grateful to her. -- Ronald Hutton * TIME AND MIND *An enjoyable read and [...] a useful addition to our understanding of pre-Medieval landscapes. * SCOTTISH FORESTY *To look at any tree after reading [the] book is to have a clearer grasp of what someone might have made of it (literally and metaphorically) a thousand years ago. * SALON *An enormously detailed and authoritative study [which] has much to offer Anglo-Saxon scholarship. [...] An excellent volume. * LANDSCAPE HISTORY *[A] well-written and thoughtfully constructed book. * MEDIEVAL ARCHAEOLOGY *[A] deeply researched and engagingly written book. * THE MEDIEVAL REVIEW *

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Book SynopsisDonegal has a rich heritage of myths and legends which is uniquely captured in this collection of traditional tales from the county. Discover the trails where Balor of the Evil Eye once roamed, the footprint left by St Colmcille when he leapt to avoid a demon and the places where ordinary people once encountered devils, ghosts, and fairies. In a vivid journey through Donegal’s varied landscape, from its spectacular rugged coast line to the majestic mountains of Errigal and Muckish, and on to the rich farmland of the east, local storyteller Joe Brennan takes the reader to places where legend and landscape are inseparably linked.

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Book SynopsisCounty Antrim, home to the Giant’s Causeway, has a rich heritage of myths and legends which is uniquely captured in this collection of traditional tales from across the county. Featured here are stories of well-known figures from Irish folklore, including Conal Cearnach, with his association to Dunseverick Castle, and Deirdre of the Sorrows, whose mournful plight is linked to the rock at Ballycastle, known as Carraig Usnach. Here you will also find tales of lesser-known Antrim characters such as the heroic outlaw Naoise O’Haughan and local lad Cosh-a-Day, along with fantastical accounts of mythical creatures, including the mermaid of Portmuck, the banshee of Shane’s Castle, and the ghostly goings-on in Belfast. These stories bring to life the county’s varied landscape, from its lofty mountains to its fertile lowlands and dramatic coastline.

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Book SynopsisCounty Kildare abounds in folk tales, myths and legends and a selection of the best, drawn from historical sources and newly recorded local reminiscence, have been brought to life here by professional storyteller Steve Lally. Included in this collection are the exploits of the Wizard Earl of Kildare who lived at Maynooth Castle, the legend of the lonely ‘Pooka Horse’ said to dwell amongst the ruins of Rathcoffey Castle, the story of St Bridgid, the patron saint of County Kildare, and the tale of the time the Devil decided to make a house call. Full of wit and wisdom, these tales tell of the strange and macabre; memories of magic and otherworlds; and proud recollections of county heroes such as Dan Donnelly, Ireland’s first Heavy Weight Boxing Champion. The captivating stories, brought to life with unique illustrations from the author, will be enjoyed by readers time and again.

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Book SynopsisCounty Armagh, the Orchard County, abounds in folk tales, myths and legends and a selection of the best, drawn from historical sources and newly recorded local reminiscences, have been brought to life here by local storyteller Frances Quinn. Armagh is the place where, legend has it, the warrior king Conor Mac Nessa once ruled and where Deirdre of the Sorrows met her lover Naoise. It is where St Mochua’s Well was said by some to curse as well as cure and where evidence of St Patrick’s disagreement with a bull can still be seen. And it is where Mrs Lester was rudely awakened in her grave. It is also said to be the home of a plethora of strange and magical creatures and stories abound of encounters with fairies, ghosts, dragons, witches and even a giant pig. From age-old legends and fantastical myths to amusing anecdotes and cautionary tales, this collection is a heady mix of bloodthirsty, funny, passionate and moving stories. It will take you into a remarkable world where you can let your imagination run wild.

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Book SynopsisIt was the last of the ebbing days, the brink of the new season. It was the murky hours, the clove between sunset and sunrise. It was a tall tree with deep roots and it had been bleeding for a long while.As summer falls into autumn, Hollie Starling is hit by the heart-stopping news that her father has died by suicide. Thrust into a state of 'grief on hard mode', Hollie feels underserved by current attitudes toward grief and so seeks another way through the dark.Following her first year without her father, Hollie embraces her lifelong interest in folklore and turns to the healing power of nature, the changing seasons and the rituals of ancient communities. The Bleeding Tree is an unflinching year-zero guidebook to grief that shows us that by looking back to past traditions of bereavement we can all find our own way forward.'Starling's account of family life is riveting and narrated with grace and honesty, counterpointing the personal with the mythic.' - Irish Times

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Book SynopsisTrees mirror in many ways the life cycle of human beings: they are born from seed, they breathe and drink, they grow to maturity, reproduce and eventually die from age or disease. Their branches, roots and the veins of their leaves resemble human blood vessels, and certain species even ooze a reddish, blood-like sap when damaged.From ancient times, people appreciated the spiritual value of trees, singling out individual trees for special veneration. In Ireland the roots of tree worship reach deep into pagan Celtic religion and spirituality. Christine Zucchelli looks at these trees, from Fairy Thorns to Rag Trees, from Mass Bushes to Monument Trees. This fascinating exploration of their stories and legends reveals their spiritual, social and historical functions from pagan times to the present.Trade Review'Beautiful arboreal studies, inspiring pleasure in trees' -- Michael Viney * The Irish Times *'Inestimable contribution to the knowledge and understanding of trees in Ireland' * Irish Examiner *

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Book SynopsisFor many, birds represent freedom and spirituality since they are created to be free. Although this may be true for people as well, we are of course not able to be as truly free as our winged friends. Looking out of his office window and seeing the birds flying, emphasising his confinement indoors and the unnecessary complexities of life in general, the author regrets his lost freedom. Life tends to be over-complicated and many would advocate following a simpler life. Birds, on the other hand, live the life they are destined for and this book shows how a common love of birds bridges cultures and distance. The Birds are our Friends is a wonderful and enlightening collection of essential information, curiosities, myths and folklore of birds and people. The author has discovered the role that birds play in people’s imagination, and their significance for various cultures. People’s accounts of birds give an insight to themselves – what they strive for, what they are afraid of and what they find important. Some birds predict the weather and construct unbelievably sophisticated nests or engage in elegant mating rituals. The author provides new insights on these facts and myths which confound some widely-held assumptions of their activities. Yessengali has a deeply personal connection and relationship with some birds. His fondest memories from childhood or young adulthood are associated with cuckoos, storks, and other birds that remind him of love and friendship. He hopes that these stories will interest readers, remind them of their spirituality and also evoke fine memories. In any event, it is a book that illuminates the world of birds from a slightly different viewpoint.

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Book SynopsisThis is a mixture of folk-tale, magic, myth, love story and hymn of praise to the natural world of Scotland's high and low lands, their landscapes and creatures, and the poet-guardians who timelessly maintain their care for them. It is the legend-story of the mysterious Wanderer, who comes from the North to Striveling (Stirling) and its great Castle Rock, and the tales he tells to the five men and a woman who befriend him there. Who is this Wanderer, who seems ageless, who has profound affinities with animals and birds, who can take on the shape of swans and what is his mission to the South? Who are these friends, whose friendship becomes more, as they begin to realize that they are part of the strange, timeless and mythic destiny of a country older than civilization? What is the meaning of the unearthly love of the Wanderer and the mysterious Bella?

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Book SynopsisWhether fashionable or unfashionable, which of us don't use proverbs all the time? They are an indispensable vehicle of popular wisdom and a lively contributor to educated speech. Proverbs are forever evolving. This gathering of Italian proverbs is intended to bring a smile of recognition to it's readers.

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Book SynopsisA charming and beautifully illustrated book, first published in 1893, covering all aspects of the weather including: Times and Seasons, Months, Days of the week, Winter birds and times of their arrival, Sun, Moon and Stars, Wind, Clouds, Mists, Haze, Dew, Fog, Sky, Air, Sound, Sea, Tide, Heat, Rain, Rainbow, Frost, Hail, Snow, Ice, Thunder and Lightning. Measuring instruments include: Barometer, Thermometer, Hygrometer, Telescope, Spectroscope. Animals include: Quadrupeds, Birds, Fish, Molluscs, Reptiles, Insects, Plants etc. This new edition has been completely redesigned and is fully illustrated with reproductions of woodcuts, photographs and drawings throughout.

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Book SynopsisThe Knotsman does not exist, you will not find him in history books or collections of 'bygone' skills. But Math Jones has created him, and his fellows, in a time very like the English Civil War. There he is, going from house to house, village to village, battlefield to gallows, unravelling knots and problems, physical, emotional and psychological; a new kind of cunning man, not always welcome, not always quite as clever as his fingers and picks would have him believe.

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Book SynopsisThe English may say, 'Where there's a will there's a way,' and the Japanese, 'A concentrated mind pierces even a rock', but the meaning is clearly the same; 'Too many boatmen sail the boat up the hill' may be the same as the English, 'Too many cooks spoil the broth', but the Japanese version has a delightful absurdity about it which is illustrated in Kathryn Lamb's witty cartoon. These and many more proverbs and sayings feature in Where There's a Will There's a Way, which joins the family of six other bilingual illustrated proverb books, devised in 1985 by Primrose Arnander and the late Ashkhain Skipwith: three in Arabic, and one each in Italian, French and Chinese. Each title in the series gives the proverb in its original (and where the scripts are different, provides the original script and its transliteration), the literal translation and the English equivalent. They are not intended as weighty works of scholarship, but rather as a source of entertainment. They make the perfect gift, as well as being useful to language students, whatever their native tongue. The cartoonist Kathryn Lamb has brought her skills to all seven titles.

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Book SynopsisWhat historical tragedy could possibly make a young Wallingford girl daub a wall with her own tears?What really happened to the family who encountered a UFO in Stanford-in-the-Vale?What made a Highworth Squire’s ghost choose to be banished to a barrel of cider?And what does the Uffington White Horse get up to once every hundred years?The Vale of the White Horse and the beautiful countryside of South Oxfordshire is a landscape steeped in thousands of years of legends, history and mystery. Here are witches, monsters and ghosts; old legends and modern-day tales of strange encounters with the unknown. From the mildly curious to the frighteningly inexplicable, The Veiled Vale is a treasure trove of fabulous folklore and modern mysteries. Illustrations by Peter Hay.

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Book SynopsisFionn Cycle: A loose collection of tales originating in Scotland, Ireland and the Isle of Man which surround hunter-warrior leader Fionn, his band of men and his poet son, Ossian. Old Grey Magician: A mystical, morally ambivalent figure who appears throughout Celtic mythology; in Ireland he is the Dark Druid, and often he appears as a seabird. The shapeshifting sorcerer is a thorn in Fionn’s side, solving impossible problems but always asking too much in return. George W Macpherson has been telling the traditional tales of Fionn and the Fianna for years, artfully drawing in audiences with his storytelling talent. Gathered from sources all over the country and occasionally beyond, and collected here for the first time, the Old Grey Magician’s exploits offer a fascinating insight into the traditions of Scotland and the development of oral storytelling. Introduced and situated in physical and literary history by Donald Smith, this collection reminds us of the importance of retaining the stories that shaped us.Trade ReviewPRAISE FOR HIGHLAND MYTHS AND LEGENDS: The mythical and the legendary – this is the stuff of stories and storytellers, an age-old tradition. Celtic heroes, fairies, Druids, Silkies, sea horses, giants, magicians, Vikings… all feature in this collection of Scottish tales, the like of which were told round camp fires centuries ago. - Scots Magazine, July 2002 Table of ContentsIntroduction: A Search for a Story Sgiath’s Sea Battle Donnran (The Brown Searcher) The Feeling of Fear The Daughter of the King of Spain The Tribe of Fife The Cup of Healing: Cupan Beatha The Rescue of Fionn’s Son The Death of Diarmid Fionn and Grainnhe Lochlannaich Spirits of Former Days Afterword: Ossian Reclaimed

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Book Synopsis“Once upon a time…there was the Weald. Much of the Weald was smoke and flame – a place of blast furnaces and molten iron – and the mine pits; still, deep, dark cooling pools, from which would come the hiss of steam when white hot iron was plunged in.And scattered throughout the Wealden forest there were those charcoal burners’ enclosures – the hut and the kiln, the piles of cut limbs and branches, and the solitary, wrinkled charcoal burner.And when the charcoal burner died, as often as not his body rotted away in solitude and there was no-one to miss him, as the forest retook the enclosure – and the hut and the kiln subsided back into the ground. Sometimes bits of body were collected – no-one knew by whom. Someone dark. Someone with a book. Bits of body were fixed together – bits of this, that and the other. Higgledy piggledy wiggledy. A brain animated by a spark of fire from a bloomer – an ancient blast furnace; a clay chimney – or fluxed into awareness and motion by an organism usually associated with rot and decay – the body jerked into some sort of life...”Here begins the story of Link, a cryptid, a knitted-together Piltdown Man, whose pilgrimage takes him up the South Downs, staggering along the A27 and the M27, through Southampton, through Amesbury, past Porton Down, to Glastonbury, Dartmoor, the west of Cornwall and Brittany.Mike O’Leary has been a professional storyteller for 25 years and his post-fairy tale vividly knits together the knuckers, hags, wisht hounds and dragons of folklore with more contemporary concerns of roadkill, hitch-hiking, migration and abuse. The result is a very adult story that investigates the whole idea of story in our lives and in our search for meaning.

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Book SynopsisRebecca Hurst's debut pamphlet is woven through with fairy tales, folklore and landscape. She uses the natural world, family mythology and the theory of fairy tales to unpack, embroider, and explode traditional tales and tropes, exploring themes of voice, concealment, and transformation. Prickling with magic and spells, the poems in The Fox's Wedding lead us down a twisty path to find – what? A prince made of needles? A cursed box? A golden key? Take care and keep your wits about you; if you're lucky you might just find your way home.*** Describe the box. It is square, carved from elm with a brass hinge and lock. I see you hold it in your hands. I hold it against my body, so. It is a burden. It is the size of a tea-caddy. It is an object of beauty. You could call it beautiful. The grain, the glow. The box is very old. The box would prefer we not discuss its age.- from 'Her Unbreakable Box'

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Book SynopsisA book about Scotland drawn from hundreds, if not thousands, of stories. From the oral traditions of the Scots, Gaelic and Norse speakers of the pat, it presents a new picture of who the Scottish are and where they come from. The stories are hilarious, tragic, heroic or frightening.

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Book SynopsisAncient yew trees - living links between the past and present - embody a magical discipline that offers a way to reach beyond the mundane world. An occult group has rediscovered this knowledge, and uses it to experience a reality where legends live, magic is currency and willpower is a weapon. They find themselves drawn into a hunt for the last magical artifacts left in Britain - but the land is an entity with its own deadly agenda, and is harnessing these individuals for its own ends.

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Book SynopsisIn the groundbreaking tradition of In the Dream House and The Collected Schizophrenias, a gorgeously illustrated lyrical memoir that draws upon the Japanese myth of the Hyakki Yagyō — the Night Parade of One Hundred Demons — to shift the cultural narrative around mental illness, grief, and remembrance. Are these the only two stories? The one where you defeat your monster, and the other where you succumb to it? Jami Nakamura Lin spent much of her life feeling monstrous for reasons outside of her control. As a Japanese Taiwanese American woman with undiagnosed bipolar disorder, her adolescence was marked by periods of extreme rage and self-medicating, an ever-evolving array of psychiatric treatments, and her relationships with those she loved — especially her father — suffered as a result. Frustrated with the tidy arc of the typical mental illness memoir, the kind whose trajectory leads toward being ‘better’, Lin sought comfort in the Japanese folklore she’d loved as a child, tales of supernatural creatures known to terrify in the night. Through the lens of the yōkai and other East Asian mythology, she set out to interrogate the Western notion of conflict and resolution, grief, loss, mental illness, and the myriad ways fear of difference shapes who we are as a people. Divided into four acts in the traditional Japanese narrative structure and featuring stunning watercolour illustrations, Jami Nakamura Lin has crafted an innovative, genre-bending, and deeply emotional memoir that mirrors the sensation of being caught between worlds. Braiding her experience of mental illness, the death of her father, and other haunted topics with the folkloric tradition, The Night Parade shines a light into dark corners in search of a new way, driven by the question: How do we learn to live with the things that haunt us?Trade Review‘At once a medical memoir ... and a reflection on mythology — the personal, the collective, the inherited — The Night Parade moves with courage ... Jami Nakamura Lin’s speculative memoir is a feat of storytelling; one that I found deeply moving.’ -- Katie Goh‘The Night Parade is a stunning excavation of personal and collective histories, filled with the endless alchemy of storytelling. Jami Nakamura Lin writes with meditative precision and expansive empathy, challenging and reaffirming what communal stories can make possible. Exploring the many worlds that flourish beyond certain knowledge, this boundary-blurring memoir finds power in the undefinable. It reveals to us that the fracturing of a story can be beautifully fruitful. Teeming with language that is transformative and fully embodied, and gorgeously illustrated by Cori Nakamura Lin, The Night Parade is a generous and abundant feast for our living and our dead, our salvaged lineages, and our continuing stories.’ -- K-Ming Chang, award-winning author of Bestiary‘Jami Nakamura Lin has reinvented the genre of memoir, weaving an intricate braid of fable, memory, art, cultural legacy, and legend into a gorgeous tapestry of the stories that made her. The haunting illustrations by her sister, Cori Nakamura Lin, are a potent reminder that no one is self-authored. We all collaborate to become ourselves. Serpentine, polyphonic, and stunningly textured, The Night Parade positively pulses with life.’ -- Alex Marzano-Lesnevich, award-winning author of The Fact of A Body‘A gorgeous invocation of the magic-haunted spaces between lived experience and folkloric traditions, between the living and the dead, between memory and story. I loved The Night Parade.’ -- Kelly Link, bestselling author of Get in Trouble‘Beautifully written and imaginative, The Night Parade takes speculative nonfiction to new heights. Jami Nakamura Lin is both poet and storyteller, mystic and philosopher, teaching us to see the world differently, to suspend our disbelief, using mythology to interrogate our notions of family, grief, fear, love, and belonging. There is no other book like this — it’s truly a stunning and visionary work of art.’ -- Jaquira Díaz, author of Ordinary Girls: a memoir‘Genre-defying and deeply poetic, The Night Parade invites the pandemonium within the personal and mythic to a round table where ancestors and folkloric creatures transform grief, memory, and mental illness into the tangible. Ancient tales and horrific spectres braid throughout Jami Nakamura Lin’s life, but will worm your way under your skin, prompting the question: what do we cut out from our lives and histories and what do we let grow with us? Impossible to put down, gut-wrenching, and magical. I cannot think of a writer who has written so personally while acknowledging ancestral and cultural grief with such grace and honesty. A crucial and groundbreaking entry for the literature of the Asian Diaspora and explorations of mental illness.’ -- Sequoia Nagamatsu, author of How High We Go in the Dark‘The Night Parade is stunning — it is haunting and magical and terrifying at once. Deeply intimate, but with a sense of scope that transcends history and genre, I loved stepping into this dream of a memoir, of a shared experience.’ -- Catherine Cho, author of Inferno‘With abundant honesty and tenderness, Jami Nakamura Lin wraps her story in the expansive frameworks of folklore and the mystical, bringing in centuries of storytelling about love and loss, death, illness, and mystery. A moving and notable memoir.’ -- Aimee Bender, New York Times bestselling author of The Particular Sadness of Lemon Cake‘In this gorgeous and unique debut memoir, Lin draws on the Japanese myth of the Hyakki Yagyo (the “Night Parade of One Hundred Demons”, in which demons and spirits march through the streets at night) to document her struggles with bipolar disorder and her father’s fatal illness … Throughout, Lin draws on characters from the Hyakki Yagyo (like the hideous, flesh-eating Oni Baba, or the vengeful ghost whale known as Bakekujira) to contextualise and come to terms with her feelings, sometimes using them to personify her “ugly” emotions, other times using them to interrogate cultural narratives about monstrousness. Interspersed throughout are full-colour illustrations of each creature by her sister, Cori … The result is a memorable and moving exorcism of the monsters within.’ -- Publishers Weekly, starred review‘Lin uses mythology from her Taiwanese and Japanese heritage to make sense of mental illness, cancer, and pregnancy loss … Throughout this inventive narrative, Lin takes calculated literary risks, ranging from the use of epistolary forms to experiments with point of view. These risks pay off mightily, coming together in a vulnerable, insightful, and refreshingly original meditation on survival, illness, and grief. A stunning memoir about the stories that make us who we are.’ -- Kirkus Reviews, starred review‘In this debut speculative memoir, Lin isn’t afraid of her demons. Diagnosed with bipolar disorder as a teenager, Lin struggled to manage her illness while caring for her cancer-stricken father. Unhappy with the rose-coloured narratives about recovering from mental illness, she takes a different approach here, leaning into the darkness. Inspired by Japanese, Taiwanese, and Okinawan ghost stories, Lin blends memoir and horror — plus stunning illustrations — to consider what it means to co-exist with anguish.’ * The Millions *‘Highly innovative ... Using Japanese, Chinese, and Taiwanese folklore to enrich her story, the author (who is a Japanese Taiwanese Okinawan American) delves into her own powerful feelings of rage, despair, loss, and hurt, ultimately emerging from each experience stronger and with more insight into not only herself but also her complex family history. With compelling prose, this title weaves folktales about frightening and monstrous figures into the narratives of Lin’s own developing bipolar disorder, her lineage, and her father’s illness. Her gorgeous writing draws readers into her gripping story, which is organized into a four-part narrative structure drawn from Japanese literary tradition. The book is richly illustrated by the author’s sister, Cori Nakamura Lin. VERDICT An engrossing memoir by an extraordinary debut author.’ -- Rebecca Maugridge * Library Journal, starred review *‘Part personal narrative, part mythical taxonomy, The Night Parade intertwines Nakamura Lin’s lifelong experience of bipolar disorder with figures from Japanese and Taiwanese myth, resulting in a moody, unusual, and compassionate portrait of a struggle too often reduced to cliché.’ * The Boston Globe *‘In an extraordinary exploration of life in all its stages, debut memoirist Jami Nakamura Lin turns to the monsters of Japanese and Taiwanese folklore to better understand her own mental illness, the death of her father and the birth of her child. Featuring illustrations of these fantastical beasts by the author’s sister Cori Nakamura Lin, this book is an “abundant feast for our living and our dead”, according to … author K-Ming Chang.’ * San Francisco Chronicle *‘In this highly innovative memoir, Lin shares her experiences as a person with bipolar disorder as she comes of age, marries, experiences a miscarriage, loses her father to cancer, and becomes a mother … With compelling prose, this title weaves folktales about frightening and monstrous figures into the narratives of Lin’s own developing bipolar disorder, her lineage, and her father's illness. Her gorgeous writing draws readers into her gripping story, which is organised into a four-part narrative structure drawn from Japanese literary tradition. The book is richly illustrated by the author’s sister, Cori Nakamura Lin. An engrossing memoir by an extraordinary debut author.’ -- Library Journal, starred review‘“In the presence of a story … time collapses. This is why I am always telling it.” So begins Lin’s memoir-cum-bestiary, a narrative of discovering her bipolar disorder, the struggle to start a family, and her beloved father’s death and its aftermath. Along the way, she tells stories of the yōkai, the liminal, ambiguous, supernatural creatures of Japanese folk and fairy tale, in the legends of which Lin finds parallels to her family’s experience of colonisation, trauma, immigration, and community. Illustrated in dreamy gouache and watercolour by Cori Nakamura Lin, the author’s sister, The Night Parade explores the many ways we — humans as individuals, humans in community — use stories to make sense of our lives. When calamity strikes, as in every life it must, the tales of the yōkai tell us why and how we can keep it from happening again. “To prevent disaster,” Lin writes, “worship the thing that eats you.” Heartfelt and thoughtful, this painfully lovely memoir will appeal to readers of Carmen Maria Machado’s In the Dream House and Sabrina Imbler’s How Far the Light Reaches.’ * Booklist *‘Lin’s braiding of personal experience and cultural touchstones make this memoir very special.’ * Los Angeles Times *‘This genre-bending and emotionally resonant memoir offers a masterfully braided narrative of Lin’s experience with mental illness, the death of her father, the grieving process, and Japanese, Taiwanese, and Okinawan legends to interrogate the very notion of recovery. The result is a deeply textured portrait of the experiences that haunt us and the ways in which we can begin to feel whole again.’ * Chicago Review of Books *‘Beautiful and bizarre … explode[s] conventional narratives of mental illness and grief … weaves together fable and memory, research, and family history with elegance and honesty to create a singular record of family, diaspora, art, and belonging.’ -- Kathleen Rooney * Chicago Magazine *‘Based on a traditional Japanese narrative structure, this riveting speculative memoir by Jami Nakamura Lin is accompanied by the luminous illustrations of her sister, Cori. Grappling with themes of family, neurodivergence, illness, and identity, Nakamura Lin presents a nuanced, raw, and poetic redefinition of memoir.’ * Ms. magazine *‘Inventive … Jami Nakamura Lin weaves together threads of memoir and Japanese and Taiwanese mythology to create a gorgeous mosaic of family, grief, illness, inheritance, and love.’ * Shondaland *‘Both heart-wrenching and heart-filling … It’s breathtaking to read the way [Jami Nakamura Lin] skillfully utilises the Hyakki Yagyo — a procession of supernatural oni and yokai in Japanese folklore and mythology — to recontextualise and reconsider narratives of grief, mental illness, and memory-making. This is a book to keep at your bedside.’ * Conde Nast Traveler *

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Book SynopsisWales is a land with a vast wealth of ghost stories, including fantastical animals, flickering death omens and unseen things that go bump in the night. Whether these tales are based on true events, or are the creations of active imaginations, is known only to those who have experienced them – but what is certain is that their power to delight and scare us remains undimmed to this day. In The Folklore of Wales: Ghosts, renowned folklorists Delyth Badder and Mark Norman present an intriguing and comprehensive selection of ghostly accounts, illuminating key themes running through them, and giving insights into the history and culture of Wales’s varied regions and communities. With original Welsh texts, many translated into English for the first time, the authors present a wide panorama of stories and first-hand accounts that will be new to even the most seasoned folklore reader. Ranging from the distant past right up to the present day, this collection shines a spotlight on the unique qualities of folkloric ghost beliefs in Wales.Table of ContentsPreface Chapter One: Introduction Chapter Two: Unfinished Business Chapter Three: Ghosts in the Landscape Chapter Four: Spectral Beasts Chapter Five: Holy Ghosts Chapter Six: Poltergeists Chapter Seven: Ladi Wen Chapter Eight: Water Spirits Chapter Nine: Fantastical Ghouls Chapter Ten: Death Omens Glossary Bibliography Diolchiadau/Acknowledgements

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Book SynopsisAccording to early Sanskrit texts the ancients had several types of airships called vimanas. Like aircraft of today, vimanas were used to fly through the air from city to city; to conduct aerial surveys of uncharted lands and as delivery vehicles for awesome weapons. David Hatcher Childress, popular Lost Cities author and star of the History Channel''s long-running show Ancient Aliens, takes us on an astounding investigation into tales of ancient flying machines. In his new book, packed with photos and diagrams, he consults ancient texts and modern stories and presents astonishing evidence that aircraft, similar to the ones we use today, were used thousands of years ago in India, Sumeria, China and other countries. This means that these ancient civilisations had advanced metal technology, electricity and the engineering knowledge of flight many thousands of years before our own era of flight technology. Childress discusses ancient UFO sightings, the fascinating lore of ancient flight and the technology allegedly used in the flying machines of the ancients.

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