First World War Books

Book SynopsisHailed by George Bernard Shaw as ''useful [corrective] to the romantic conception of war'', R.C. Sherriff''s Journey''s End is an unflinching vision of life in the trenches towards the end of the First World War, published in Penguin Classics.Set in the First World War, Journey''s End concerns a group of British officers on the front line and opens in a dugout in the trenches in France. Raleigh, a new eighteen-year-old officer fresh out of English public school, joins the besieged company of his friend and cricketing hero Stanhope, and finds him dramatically changed. Laurence Olivier starred as Stanhope in the first performance of Journey''s End in 1928; the play was an instant stage success and remains a remarkable anti-war classic.R.C. Sherriff (1896-1975) joined the army shortly after the outbreak of the First World War, serving as a captain in the East Surrey regiment. After the war, an interest in amateur theatricals led him to try his hand

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Book SynopsisThe vast military campaigns in Africa during World War I were among the most ambitious of the Great War. Many histories, however, have regarded these campaigns as side-shows to the war on the Western Front. World War One in Africa looks afresh at the impact of the strategy of the German and Allied campaigns, and at the great rivalry between General Jan Christian Smuts, who took on the German forces in East Africa, and General Lettow-Vorbeck, celebrated as the only German general to occupy British territory and whose troops finished the war undefeated. Using primary material from British and South African archives, this book is a detailed study of the giants of the campaign, and the battles which would shape the outcome of the Great War as well as the future of the African continent and the British Empire.Table of ContentsIntroduction Chapter 1: Position on the eve of war Chapter 2: To war, 1914 Chapter 3: The outbreak of war: Southern Africa, 1914 Chapter 4: German South West Africa, Angola and Southern Africa - 1915 Chapter 5: War on the waters and in the air - 1915-1917 Chapter 6: East Africa 1915-1917 Chapter 7: Personal, personnel and materiel Chapter 8: Last days - 1918 Chapter 9: Behind the scenes - 1915-1918 Chapter 10: The war in London - 1915-1917 Chapter 11: All for what? Chapter 12: Conclusions Notes Bibliography Forces Index Person Index Place Index General Index

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Book SynopsisThe Amazon History Book of the Year 2013 is a magisterial chronicle of the calamity that befell Europe in 1914 as the continent shifted from the glamour of the Edwardian era to the tragedy of total war.In 1914, Europe plunged into the 20th century's first terrible act of self-immolation what was then called The Great War. On the eve of its centenary, Max Hastings seeks to explain both how the conflict came about and what befell millions of men and women during the first months of strife.He finds the evidence overwhelming, that Austria and Germany must accept principal blame for the outbreak. While what followed was a vast tragedy, he argues passionately against the poets' view', that the war was not worth winning. It was vital to the freedom of Europe, he says, that the Kaiser's Germany should be defeated.His narrative of the early battles will astonish those whose images of the war are simply of mud, wire, trenches and steel helmets. Hastings describes how the French Army marched intTrade ReviewBOOK OF THE YEAR – AS CHOSEN BY THE INDEPENDENT, FINANCIAL TIMES, OBSERVER, TIMES LITERARY SUPPLEMENT AND SPECTATOR. ‘Like one of Field Marshal Haig’s family whiskies, Max Hastings is a dram that steadily improves with age … His position as Britain’s leading military historian is now unassailable … In this enormously impressive new book, Hastings effortlessly masters the complex lead-up to and opening weeks of the First World War … [He] is as magisterial as we would expect … This is a magnificent and deeply moving book, and with Max Hastings as our guide we are in the hands of a master’ Nigel Jones, Telegraph ‘Hastings is the author of consistently good histories of WWII. But with ‘Catastrophe’ he has reached a new level of excellence’ The Times ‘Magnificent … Hastings writes with an enviable grasp of pace and balance, as well as an acute eye for human detail. Even for readers who care nothing for the difference between a battalion and a division, his book is at once moving, provocative and utterly engrossing’ Sunday Times ‘Masterly … Hastings is a brilliant guide to that strange, febrile twilight before Europe plunged into darkness. Writing in pungent prose suffused with irony and underpinned by a strong sense of moral outrage … this is history-writing at its best, scholarly and fluent … for anyone wanting to understand how that ghastly, much-misunderstood conflict came about, there could be no better place to start than this fine book’ The Times ‘One could scarcely ask for a better guide to these horrors than Max Hastings … he is a superb writer with a rare gift for evoking the rhythm, mood and raw physical terror of battle … If you are looking for a humane and compelling interpretive chronicle of the formative months of this horrific conflict, you will find none better’ Mail on Sunday ‘Very readable. Character, pace, sense of landscape, battlefield detail – all are superbly done … it's a splendid read’ Observer

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Book SynopsisThis is a personal account written by a man reflecting on his time as a young pilot with the Royal Flying Corps in France during the First World War, who eventually became an ace. It is a story of survival against the odds at a time when the conduct of air operations depended so much on individual skills, innovation, courage – and luck. Hugh White flew F.E.2D Scout aircraft with 20 Squadron as a reconnaissance patrol pilot aged just eighteen. By his nineteenth birthday he was a flight commander and the most experienced pilot on the squadron. He then became a flight commander on 29 Squadron flying the S.E.5a which was Britain’s best fighter aircraft at the time. During the two years of flying, he experienced and survived a series of escapades including a dramatic mid-air collision with the enemy. Told by Hugh in his own words, he gives a unique insight into war in the air. With the break-up of his squadron and being reduced to a substantive rank – simply because of his young age – Hugh’s writing ends in 1919. From this point, the story is continued by his younger son Chris. He describes Hugh’s life and RAF career from flying Bristol Fighters in India during the 1920s, undertaking engineer training at Henlow, to commanding 501 Squadron in the mid-1930s and becoming a full-time technical officer until his retirement as an air vice-marshal in 1955. This book includes a foreword by Air Marshal Sir Frederick Sowrey (Hugh’s nephew) which puts Hugh White’s early wartime service into context. It is a timely reminder, following the centenary of the end of the First World War, of the difficulties that young pilots faced at the time. A must-read for those interested in wartime exploits.

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Book SynopsisPresenting the desperate conflict of the First World War through the eyes of an ordinary German soldier, Ernst Jünger''s Storm of Steel is translated by Michael Hofmann in Penguin Modern Classics.''As though walking through a deep dream, I saw steel helmets approaching through the craters. They seemed to sprout from the fire-harrowed soil like some iron harvest.''A memoir of astonishing power, savagery and ashen lyricism, Storm of Steel depicts Ernst Jünger''s experience of combat on the front line - leading raiding parties, defending trenches against murderous British incursions, and simply enduring as shells tore his comrades apart. One of the greatest books to emerge from the catastrophe of the First World War, it illuminates like no other book not only the horrors but also the fascination of a war that made men keep fighting for four long years.Ernst Jünger (1895-1998) the son of a wealthy chemist, ran away from home to join the Foreign LegiTrade ReviewUndoubtedly the most powerful memoir of any war I have ever read ... Storm of Steel combines the most astonishing literary gifts with absorption with war in every detail. It has German loyalties and a German sensibility, but not a trace of propaganda. It is particular, yet universal ... What Jünger saw and recorded was, to use his own word, 'primordial'. It takes great art to convey that appalling simplicity -- Charles Moore * Telegraph *Storm of Steel is what so many books claim to be but are not: a classic account of war * Evening Standard *Hofmann's interpretation is superb * The Times *Unique in the literature of this or any other war is its brilliantly vivid conjuration of the immediacy and intensity of battle * Telegraph *

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Book SynopsisThe first book to recount the remarkable story of the hunt for HMS Laurentic’s gold

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Book SynopsisA collection of Rudyard Kipling''s articles describing Sikh soldiers'' experiences of the First World War. Published to coincide with the 150th anniversary of Rudyard Kipling''s birth.

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Book SynopsisThink you know about British history and the causes of the First World War? Think again. This fascinating and gripping study of events at the turn of the Twentieth Century is a remarkable insight into how political and social factors that we widely accept to be the causes of The Great War, were really just a construct put together by a very small, but powerful, political elite...'Thought-provoking . . . Docherty and Macgregor do not mince their words . . . their arguments are powerful' -- Britain at War'Simply astonishing' -- ***** Reader review'Very illuminating' -- ***** Reader review'You simply MUST read this book' -- ***** Reader review'This is a page-turner' -- ***** Reader review***********************************************************************************Hidden History uniquely exposes those responsible for the First World War. It reveals how accounts of the war's origins have been deliberately falsified to conceal the guilt of the secret cabal of very rich and powerful men in London responsible for the most heinous crime perpetrated on humanity. For ten years, they plotted the destruction of Germany as the first stage of their plan to take control of the world. The assassination of Archduke Franz Ferdinand was no chance happening. It lit a fuse that had been carefully set through a chain of command stretching from Sarajevo through Belgrade and St Petersburg to that cabal in London.Our understanding of these events has been firmly trapped in a web of falsehood and duplicity carefully constructed by the victors at Versailles in 1919 and maintained by compliant historians ever since. The official version is fatally flawed, warped by the volume of evidence they destroyed or concealed from public view.Hidden History poses a tantalising challenge. The authors ask only that you examine the evidence they lay before you . . .Trade ReviewThought-provoking . . . Docherty and Macgregor do not mince their words . . . their arguments are powerful * Britain at War *

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Book Synopsis'Orpheus, the pagan saint of poets, went through hell and came back singing. In twentieth-century mythology, the singer wears a steel helmet and makes his descent "down some profound dull tunnel" in the stinking mud of the Western Front. For most readers of English poetry, the face under that helmet is that of Wilfred Owen.' Professor Jon Stallworthy, from his Introduction.When Wilfred Owen was killed in the days before the Armistice in 1918, he left behind a shattering, truthful and indelible record of a soldier's experience of the First World War. His greatest war poetry has been collected, edited and introduced here by Professor Jon Stallworthy. This special edition is published to commemorate the end of the hellish war that Owen, though the hard-won truth and terrible beauty of his poetry, has taught us never to forget.Trade ReviewOthers have shown the disenchantment of war, have unlegended the roselight and romance of it, but none with such compassion for the disenchanted or such sternly just and justly stern judgment on the idyllisers. * Guardian, 1920 *For me, he is the greatest of all the war poets.... it is Owen's intense respect for the soldier that makes his poetry so powerful. Those who did not return have their meticulously maintained stone memorials on the fields of Flanders. But their memorial in our minds is largely built by Wilfred Owen -- Jeremy Paxman * Spectator *The greatest of all the War Poets… This edition…is a must for every poetry lover -- Emma Lee-Potter * Independent *

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Book SynopsisWINNER OF THE LOS ANGELES TIMES PRIZE FOR HISTORY FINANCIAL TIMES AND NEW STATESMAN BOOKS OF THE YEAR 2014On the centenary of the outbreak of the First World War, Deluge is a powerful explanation of why the war''s legacy continues to shape our world - from Adam Tooze, the Wolfson Prize-winning author of The Wages of DestructionIn the depths of the Great War, with millions of dead and no imaginable end to the conflict, societies around the world began to buckle. As the cataclysmic battles continued, a new global order was being born.Adam Tooze''s panoramic new book tells a radical, new story of the struggle for global mastery from the battles of the Western Front in 1916 to the Great Depression of the 1930s. The war shook the foundations of political and economic order across Eurasia. Empires that had lasted since the Middle Ages collapsed into ruins. New nations sprang up. Strikes, street-fighting and revolution convulsed much of the world. And beneath the surface turmoil, the war set in motion a deeper and more lasting shift, a transformation that continues to shape the present day: 1916 was the year when world affairs began to revolve around the United States. America was both a uniquely powerful global force: a force that was forward-looking, the focus of hope, money and ideas, and at the same time elusive, unpredictable and in fundamental respects unwilling to confront these unwished for responsibilities. Tooze shows how the fate of effectively the whole of civilization - the British Empire, the future of peace in Europe, the survival of the Weimar Republic, both the Russian and Chinese revolutions and stability in the Pacific - now came to revolve around this new power''s fraught relationship with a shockingly changed world. The Deluge is both a brilliantly illuminating exploration of the past and an essential history for the present.Trade ReviewBold and ambitious . . . probably the best of the current books about the First World War * Observer *A remarkable new synthesis which draws on [Tooze's] two particular areas of expertise, Eurasia and especially Germany, and the global financial system revolving around London ... the great strength of his book is that he invites us to look at familiar events in unfamiliar ways ... Tooze's account brims with contemporary resonances ... He is too good a historian, however, to turn this into a simple argument for Keynesian deficit financing ... the general public and policymakers alike will - must! - turn to Adam Tooze for instruction -- Brendan Simms * Tablet *It is particularly refreshing to read Adam Tooze's book ... it confirms his stature as an analyst of hugely complex political and economic issues ... Tooze's book covers a huge geographical sweep ... he shows himself a formidably impressive chronicler of a critical period of modern history, unafraid of bold judgements -- Max Hastings * Sunday Times *Adam Tooze's masterly book should be required reading for anyone who wants to truly understand the significance of the war ... Extensively researched and written with exemplary clarity, this work is as monumentally ambitious as its subject ... his powers of description and analysis range across all inhabited continents ... this is a valuable look at the ways in which the years after the war came to define the rest of the 20th century * BBC History Magazine *Interesting, engaging and very readable ... Underpinning this account is an impressive facility with numbers and an ability to analyse them that is increasingly rare among historians nowadays ... he has also delivered, for the first time, ...a clear and compelling rationale as to why it is actually worth going back and looking at the era of the First World War at this particular moment in time ... The Deluge reminds us, then, why we write history and why we should read it * Literary Review *Tooze made his name with The Wages of Destruction . . . His study of the post-1918 era is equally impressive, explaining why the US and its allies, having defeated Germany, were unable to stabilize the world economy and build a collective security system in Europe -- Tony Barber * Financial Times BOOKS OF THE YEAR *

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Book SynopsisThe perfect stocking filler for anyone who imagines themselves flying a spitfire . . . Drop your visiting cards, put aside your beer-lever, stop being a half-pint hero and discover the gloriously funny slang which was part of everyday life in two world wars. Passion-killers: Airwomen''s service knickers, whether twilights (the lighter, summer-weight variety) or black-outs (the navy-blue winter-weights). A wise directive has purposely made them as unromantic in colour and in design as a wise directive could imagine. Thanks to the work of Eric Partridge in 1945, the hilarious slang of the Royal Air Force during the first two World Wars has been preserved for generations to come. While some phrases like ''chocks away!'' have lasted to this day, others deserve to be rediscovered . . . Beer-lever: From pub-bars, meaning the ''Joystick'' of an aircraft. Canteen cowboy: A ladies'' Trade ReviewDrop your visiting cards, put aside your beer-lever, stop being a half-pint hero and discover the gloriously funny slang which was part of everyday life in the RAF during two world wars in this classic book. * from the publisher's description *

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Book SynopsisThe complete and definitive edition of poems from the greatest poet of WW1, Wilfred Owen2018 marks a hundred years since the end of the First World War. Owen's death in battle, a few days before the Armistice, was a disastrous loss to English letters and left a legacy of the finest poetry that vividly captured the unimaginable horrors of the Great War. This volume, edited by Oxford Professor Jon Stallworthy, gathers together the poems for which Owen is best known, and which represent his most important contribution to poetry in the twentieth century. The greatest of all the war poets.... it is Owen''s intense respect for the soldier that makes his poetry so powerful. Those who did not return have their meticulously maintained stone memorials on the fields of Flanders. But their memorial in our minds is largely built by Wilfred Owen' Jeremy Paxman, SpectatorTrade ReviewOthers have shown the disenchantment of war, have unlegended the roselight and romance of it, but none with such compassion for the disenchanted or such sternly just and justly stern judgment on the idyllisers. * Guardian, 1920 *For me, he is the greatest of all the war poets.... it is Owen's intense respect for the soldier that makes his poetry so powerful. Those who did not return have their meticulously maintained stone memorials on the fields of Flanders. But their memorial in our minds is largely built by Wilfred Owen -- Jeremy Paxman * Spectator *The greatest of all the War Poets… This edition…is a must for every poetry lover -- Emma Lee-Potter * Independent *

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Book SynopsisWinner of the 2017 Wainwright Golden Beer Book Prize for nature writingThe natural history of the Western Front during the First World War'If it weren't for the birds, what a hell it would be.'During the Great War, soldiers lived inside the ground, closer to nature than many humans had lived for centuries. Animals provided comfort and interest to fill the blank hours in the trenches - bird-watching, for instance, was probably the single most popular hobby among officers. Soldiers went fishing in flooded shell holes, shot hares in no-man's land for the pot, and planted gardens in their trenches and billets. Nature was also sometimes a curse - rats, spiders and lice abounded, and disease could be biblical.But above all, nature healed, and, despite the bullets and blood, it inspired men to endure. Where Poppies Blow is the unique story of how nature gave the British soldiers of the Great War a reason to fight, and the will to go on.Trade Review'What makes Where Poppies Blow so freshly moving is the picture it paints of the reverence, love and kindness the natural world can engender, even in the most hellish conditions; as Philip Gosse of the Royal Army Medical Corps called it, "medicine for the mind and solace for the soul"' -- Melissa Harrison * Financial Times *'In Where Poppies Blow, the nature writer, historian and farmer presents us with a beautiful and meticulous account of soldiers' relationship with nature . . . This book, which recounts the lives of our frontline soldiers from the ground up, is a truly wondrous and original work with an appeal far beyond military history' -- Charlotte Heathcote * Daily Express Christmas Books *'Wonderful, beautifully written and often deeply moving' -- Lawrence James * The Times *'Makes an important contribution to the literature by studying the British soldiers' relationship with Nature . . . Moving, strangely life-affirming' -- Clive Aslet * Country Life *'Manages what might have seemed impossible: to find a new perspective on the Great War' -- Mark Smith * Glasgow Herald *'From traumatized, trench-bound British soldiers caught up in the carnage of the First World War, birdwatching and botany offered solace. So reveals John Lewis-Stempel in this riveting study drawing on verse, letters and field notes by men who served, from zoologist Dene Fry to poet Edward Thomas . . . A remarkable picture of a human bloodbath that took place amid phenomenally rich biodiversity' * Nature *'Deeply moving . . . I finished this book marvelling at nature's healing power' -- Jonathan Tulloch * The Tablet *'But natural history did not go into suspense while war was waged. Where Poppies Blow notes that many of the Edwardian boys who ended up on the Western Front still collected birds' eggs and butterflies' -- Simon Heffer * Daily Telegraph *'Memorable' * Spectator *'One of the best nature writers to have come along in many years, John Lewis-Stempel turns his attention here to the relationship between soldiers and nature on the Western Front during the First World War' -- John Preston * Daily Mail Christmas Books *'Nature writer and military historian John Lewis-Stempel has created a eulogy to the flora and fauna that helped men soldier on during the First World War . . . Where Poppies Blow is full of fascinating (sometimes heart-wrenching) information about the role of nature and animals in this brutal war' -- Rachel Stiles * BBC Countryfile *'This charming book reminds us that flora and fauna weren't suspended by the First World War' - 5 stars * The Daily Telegraph *Unmissable...John Lewis Stempel is both a working farmer and a prizewinnig author. In early July, i heard him speak on first world war soldiers and their love of flowers and animals. I went straight off and read his excellent book, Where Poppies Blow, and I defy you not to be moved by its chapters on flowers and dogs. -- Robin Lane Fox * FINANCIAL TIMES *Shows how important birdwatching was to officers in particular, and how this in turn fed back into post-war ornithology. It's an enthralling, and often moving, read, that sets the study and enjoyment of wildlife in a much wider context. * BIRD WATCHING *Ultimately, the depth and power of Where Poppies Blow is impossible to convey. It eludes review, but it begs to be read. -- John Andrews * CAUGHT BY THE RIVER *

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Book SynopsisAt a time when most handguns were limited to six rounds, the ten-shot Mauser caught the attention of the world for its unprecedented firepower and formidable high-velocity 7.63×25mm cartridge. This saw its ultimate expression in the first-ever select-fire handgun the Schnellfeuer' machine pistol, fed by a detachable magazine and offering both full-automatic and single-shot modes. The C 96 was the first semi-automatic pistol to see combat, arming both sides in the Second Anglo-Boer War, and seeing service with the German, Russian, Chinese and other militaries. Widely purchased commercially, it was carried by none other than Winston Churchill in the Sudan and South Africa, became prized by the Irish Republican Army and Soviet revolutionaries, and even armed Han Solo in the Star Wars' movies.Featuring full-colour artwork and an array of revealing photographs, this is the engrossing story of the C 96 Broomhandle Mauser, the ground-breaking semi-automatic pistol that arm

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Book SynopsisAt the height of the war in 1917, Laurence Binyon spent a month touring Red Cross hospitals and field canteens on the Western Front, talking to the men and women who were serving as volunteer nurses, doctors, ambulance drivers, canteen workers and medical orderlies. This is his account of that extraordinary journey and their remarkable heroism.

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Book SynopsisEach autumn, a small red flower begins to appear. It flourishes ata time when others do not. But what does it mean? And why do peoplewear it?Stunningly illustrated, Tomos Roberts' moving poem will help anyonehoping to better understand the meaning of the poppy.Ù0.50 fromeach copy sold goes to support the Royal British Legion.

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Book SynopsisUnrivalled for its range and intensity, the poetry of the First World War continues to have a powerful effect on readers. This title reflects the diverse experience of those who lived through the war - bringing together the words of poets, soldiers and civilians affected by the conflict.Table of ContentsThe Penguin Book of First World War PoetryIntroductionAcknowledgementsA Note on the TextPreludeI. Your Country Needs You'Let the foul Scene proceed''Who's for the khaki suit'In Training2. Somewhere In FranceIn TrenchesBehind the LinesComrades of War3. ActionRendezvous with DeathBattleAftermath4. BlightyGoing BackThe Other WarLucky Blighters5. PeaceEveryone SangThe Dead and the Living'Have you forgotten yet?'CodaNotesA Glossary of the Western FrontBiographiesFurther ReadingPoem AcknowledgementsIndex of Titles and First Lines

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Book SynopsisHighly illustrated history of the Italian Front during the Great War with over 130 rare archive photographs of the campaign and the battlefields.

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Book Synopsis*FULLY UPDATED WITH A NEW FOREWORD*THE SUNDAY TIMES TOP TEN BESTSELLERWINNER OF THE BRITISH ARMY MILITARY BOOK OF THE YEAR 2016''Truly essential'' Simon Sebag MontefioreThe final destruction of the Ottoman Empire - one of the great epics of the First World War, from bestselling historian Eugene RoganFor some four centuries the Ottoman Empire had been one of the most powerful states in Europe as well as ruler of the Middle East. By 1914 it had been drastically weakened and circled by numerous predators waiting to finish it off. Following the Ottoman decision to join the First World War on the side of the Central Powers the British, French and Russians hatched a plan to finish the Ottomans off: an ambitious and unprecedented invasion of Gallipoli...Eugene Rogan''s remarkable book recreates one of the most important but poorly understood fronts of the First World War. Despite fighting back with

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Book Synopsis'A groundbreaking and important book that will surely reframe our understanding of the Great War' David Lammy 'A genuinely groundbreaking piece of research' BBC History 'Meticulously researched and beautifully written' Military History Monthly In a sweeping narrative, David Olusoga describes how Europe's Great War became the World's War – a multi-racial, multi-national struggle, fought in Africa and Asia as well as in Europe, which pulled in men and resources from across the globe. Throughout, he exposes the complex, shocking paraphernalia of the era's racial obsessions, which dictated which men would serve, how they would serve, and to what degree they would suffer. As vivid and moving as it is revelatory and authoritative, The World's War explores the experiences and sacrifices of four million non-European, non-white people whose stories have remained too long in the shadows.Trade ReviewA groundbreaking and important book that will surely reframe our understanding of the Great War -- David LammyIn a remarkable and eye-opening book Olusoga has restored the conflict's global perspectives... The magnificent, eloquently written The World's War is a genuinely groundbreaking piece of research' * BBC History Magazine *Meticulously researched and beautifully written * Military History Monthly *The wartime experience of African, Chinese and Indian participants, for too long neglected, is detailed here * Good Book Guide *

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Book Synopsis''A breathtaking, magisterial panorama, telling the epic story of post-war anarchy, dying empires and rising nation states. It makes us rethink our understanding of Europe''s twentieth century'' David Motadel, The Times Literary SupplementFor the Western allies 11 November 1918 has always been a solemn date - the end of fighting which had destroyed a generation, and also a vindication of a terrible sacrifice with the total collapse of their principal enemies: the German Empire, Austria-Hungary and the Ottoman Empire. But for much of the rest of Europe this was a day with no meaning, as a continuing, nightmarish series of conflicts engulfed country after country. In this highly original, gripping book Robert Gerwarth asks us to think again about the true legacy of the First World War. ''Lucid, incisive and packed with fascinating details'' Financial Times, Books of the Year ''Important and timely ... obliges us to reconsider a pTrade ReviewThis narrative of continent-wide chaos makes it easier to understand why order came to seem a supremely desirable objective in 1930s Europe, trumping freedom ... it helps us understand why few wars reach tidy conclusions: once a society has suspended its instinctive, social and legal prejudice against killing, it often proves hard to restore. -- Max Hastings * The Sunday Times *Pulls together a complex narrative about the uneasy peace of the late Twenties and shine a piercing light into darkened corners of history ... an unnerving reminder of how stubbornly some geopolitical fault-lines endure -- Sinclair McKay * The Telegraph *A mixture of fast-paced narrative and fluent analysis ... Gerwarth demonstrates with an impressive concentration of detail that in central, eastern and south-eastern Europe the carnage of the first world war by no means came to an end, as it did for the British and French, in late 1918. -- Tony Barber * Financial Times *Combining a big-picture overview with close-up detail - we hear the voices of soldiers, politicians, civilians - Gerwarth has written a vivid if disturbing account -- Matthew Price * National *Searing and vivid ... a timely reminder that the roots of century-long violence can be traced back to the cataclysmic end of the Great War -- Richard Overy * Literary Review *A thorough explanation for the rise of the nationalist and fascist groups who set the stage for World War II. * Kirkus Reviews *Gerwarth's fascinating and finely crafted book is a rich combination of military, political, cultural and social history. He makes good use of literary sources and witness testimony to bring the events he narrates to life ... an impressive work of highly accessible scholarship -- Geoffrey Roberts * Irish Times *This is an important and compelling book with a fascinating and chilling narrative ... Gerwarth reveals how the forgotten postwar violence comprised a key step on Europe's descent into darkness. -- Alexander Watson * BBC History Magazine *While Gerwarth's warfare theories are cogent and convincing, he never loses sight of the human dimension. He skillfully avoids the danger of getting bogged down in a mass of detail, livening up his narrative by using contemporary quotes from politicians, soldiers and writers. One mark of a good history book is that it allows the reader to see familiar events from a new perspective. In this respect, The Vanquished is an exceptional history book. -- Andrew Lynch * Sunday Post Business Magazine *[Gerwarth] shines a light on what is, from a western European point of view, a somewhat obscure and relatively short period of time ... from the layman's vantage point, it is so well written that it reads like a novel. Tragically, for the people killed, wounded and forced to flee from their homes, it is not. This book is well worth the read. -- Frank MacGabhann * Irish Independent *This fine and timely study makes a compelling case for the argument that the bloody aftermath of the war did more to destroy European civilisation than the declarations of war in 1914 ... at a time when Vladimir Putin seems intent on regaining Tsarist Russia's frontiers, and the map of the Middle East drawn by the victorious powers becomes ever more blurred, we might well ask whether the First World War has ended yet. -- A.W. Purdue * Times Higher Education Supplement *A clear and excellent account of the abrupt break-up of the Habsburg, Hohenzollern, Ottoman and Romanov empires and the difficult birth of their successor states during 1917-23 * History of War Reviews *This is difficult, often horrifying reading, but Gerwarth provides an essential contribution to our understanding of the interwar years. -- Jay Freeman * Booklist *

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Book Synopsis''What passing-bells for these who die as cattle?''The First World War produced an extraordinary flowering of poetic talent, from poets whose words commemorate the conflict as enduringly as monuments in stone. Their poems have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. In addition, Tim Kendall''s introduction charts the history of the war poets'' reception and challenges prevailing myths about their progress from idealism to bitterness. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade Review[It] will provide the best critical introduction to [the war poets'] body of work as its authority and accuracy supplants previous anthologies. * Agenda *extraordinary in scope ... an anthology to keep and treasure. Strongly Recommended for any secondary school or college library. * Martin Axford, The School Librarian *Of all the (many) books I've read over the years about the war poets and the poetry of war, I think this one comes the closest to capturing the breadth and depth of that extraordinary burst of creative engendered by The War to End All Wars. * Moira Briggs, Vulpes Libris *Kendall's judicious selections, and his concise and useful introductions to each of the chosen poets, suggest that his anthology will become a standard work. * Sean O'Brien, Times Literary Supplement *Oxford World's Classics' beautifully produced Poetry of the First World War is one of the most important and far-reaching anthologies to have been published in this, World War One's centenary year. * Kirsty Hewitt, Book Hugger *a thought provoking and moving collection * Sallie Eden, Roseland Online *Table of ContentsThomas Hardy (1840-1928) ; A. E. Housman (1859-1936) ; May Sinclair (1863-1946) ; W. B. Yeats (1865-1939) ; Laurence Binyon (1869-1943) ; Charlotte Mew (1869-1928) ; Robert Service (1874-1958) ; Edward Thomas (1878-1917) ; Wilfrid Wilson Gibson (1878-1962) ; Mary Borden (1886-1968) ; Siegfried Sassoon (1886-1967) ; Rupert Brooke (1887-1915) ; Julian Grenfell (1888-1915) ; T. P. Cameron Wilson (1888-1918) ; Patrick Shaw Stewart (1888-1917) ; Ivor Gurney (1890-1937) ; Isaac Rosenberg (1890-1918) ; Arthur Graeme West (1891-1917) ; Wilfred Owen (1893-1918) ; Margaret Postgate Cole (1893-1980) ; May Wedderburn Cannan (1893-1973) ; Charles Sorley (1895-1915) ; Robert Graves (1895-1985) ; David Jones (1895-1974) ; Edmund Blunden (1896-1974) ; Edgell Rickword (1898-1982) ; Music Hall and Trench Songs

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Book SynopsisStretch and challenge your students with SHP''s longest-lived and best-selling series for GCSE History.This is an SHP Official Text which means it has been created by the Schools History Project for use with the GCSE specifications. This is part of SHP''s comprehensive and authoritative range of books for GCSE level specifications. Click here to find out more about the Schools History Project and their award winning publications.Britain and the Great War This title is a comprehensive and authoritative depth study for use with all GCSE level specifications. It thoroughly covers the content requirements of the OCR, Edexcel, AQA and CIE specifications using an enquiry-based approach. It is also a popular international text being widely used in Australia.It is written by experts who understand both how to design good teaching material but also understand the exact assessment requirements of each specification. The Student''s Book combines:- Clear explanation of specification content- Classroom-trialled activities that really motivate students- Extensive and intriguing source material and case studies It will enliven any history course.

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Book SynopsisA fascinating and detailed chronological study of the war, including the decisive encounters, profiles of important political and military figures, as well as the experiences of those who lived through it.

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Book SynopsisIf I should die, think only this of me:That there''s some corner of a foreign fieldThat is for ever England.From The Soldier to Anthem for Doomed Youth Rupert Brooke and Wilfred Owen are two of the best-loved poets from the heroic lost generation of the First World War. Brooke''s work was well-known before the war, with the now iconic lines:''Stands the Church clock at ten to three?And is there honey still for tea?'' from The Old Vicarage, Grantchester. And Wilfred Owen, awarded the Military Cross, had been writing poetry since he was ten years old.This superb collection is the perfect introduction to two of our greatest poets.

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Book SynopsisHerman Hesse remained clear-sighted and consistent in his political views and his passionate espousal of pacifism and the bloody absurdity of war from the start of the First World War to the end of his life. He wrote the earliest essay in this book in September 1914, before he cemented his fame with the novels Steppenwolf and Siddhartha, and continued writing a stream of letters, essays and pamphlets throughout the war. In his native Germany his views earned him the labels 'traitor' and 'viper', but after World War II he was moved to reiterate his beliefs in another series of essays and letters.If the War Goes On . . . resonates as strongly today as it did when originally published and begs the question: have our politicians learnt nothing in the last seventy years?Trade ReviewJust as telling now as it must have been when it first appeared * * Guardian * *A writer of genius * * The Times * *A spectacular and deeply insightful read * * Brain Pickings * *

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Book SynopsisThe 306: Day is the second part of Oliver Emanuel and Gareth Williams' powerful new First World War trilogy, charting the heart-breaking journey of the 306 men executed for cowardice and desertion during the conflict and the devastating consequences for those they left behind. This part explores how the war affected women, families, and communities on the home front. Inspired by real events and first-hand accounts, The 306: Day follows the lives of three ordinary women fighting to be heard above the clamor of World War 1.Trade ReviewAbsolutely exceptional in its sheer dramatic force * The Scotsman on The 306: Dawn *

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Book SynopsisRobert Graves, aged nineteen, left school within a week of the outbreak of World War I, and immediately volunteered with the Royal Welch Fusiliers. His experiences as a junior officer form the heart of this compelling autobiography. Beginning with an ironic overview of his Edwardian childhood, he proceeds to a tongue-in-cheek account of a young poet's life at public school (not helpful to be half-German, but handy to take up boxing), progressing to caricatures of military stereotypes he encounters in training, and the devastating farce of the War itself, the blundering and mismanagement, and the appalling human consequences. Graves's handling of the horrors of war is always deadpan, honest and unadorned. It is wholly in line with his sense of the absurd that his commanding officer should write to inform his parents that he had died of wounds during the battle of the Somme. He soon found that patriotism was meaningless to the men in the trenches; loyalty to comrades alive and dead drove him back to active service though still suffering from shell-shock. Goodbye to All That takes Graves through his convalescence in England, his efforts to protect the poet Siegfried Sassoon, a friend and fellow officer, from the consequences of his public denunciation of the war; marriage to artist and feminist Nancy Nicholson, postwar undergraduate years at Oxford and a decade as a struggling writer with four young children, beset with money problems and neurasthenia. It is written in a spirit of defiance as he prepared to put 'all that' behind him and begin a new life in Majorca with the American poet Laura Riding.Trade ReviewFrom the moment of its first appearance, an established classic. * Observer *

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Book SynopsisRepublished to coincide with the new ITV film, My Boy Jack? starring Daniel Radcliffe, this is the full account of the tragic life of John 'Jack" Kipling. On 27th September 1915 John Kipling, the only son of Britain's best loved poet, disappeared during the Battle of Loos. The body lay undiscovered for 77 years. Then, in a most unusual move, the Commonwealth War Graves Commission (CWGC)re-marked the grave of an unknown Lieutenant of the Irish Guards, as that of John Kipling. There is considerable evidence that John's grave has been wrongly identified and for the first time in this book, the authors name the soldier they believe is buried in 'John's grave'. This is the first biography of John's short life, analysing the devastating effect it had on his famous father's work.

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Book SynopsisThis book tells the story of the Frontline Walk, a sponsored walk across the former battlefields of the Western Front supporting the work of ABF The Soldier's Charity. The service charity was estalised in 1944, working with army veterans of every conflict and to support future generations and their dependants. This book uncovers the stories behind those who participated in the walks since 2014, why they took part and what it meant to them and how they discovered more about their forebears who very often served in the First World War on the terrain being discovered during these events. It also tells the stories behind some of those who have been affected by conflict and the work that the charity has done to help rebuild their lives. Illustrated throughout and with accompanying maps, this book can be used to uncover the routes taken and explore the stories behind those and the actions of the time with proceeds going towards the ongoing work of the charity.

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Book SynopsisThe postcards in It’ll All Be Over By Christmas paint a picture of the First World War as experienced by those at home, at the front, in training, in hospital and in convalescence. These personal messages were sent from fathers to their wives and children, sons to family, friends and loved ones – sharing their thoughts, hopes and worries as well as the lighter side of life. There are cards from those at sea, in prisoner-of-war camps and those of the Central Powers. Featuring over 150 illustrations, including some rare examples, the book also demonstrates how the postcard was ulitised to enlist volunteers and boost morale through humour, sentimentality and propaganda. Postcards encouraged support of the war effort through fundraising, sending ‘comforts’ to those on the front line and promoting practical roles for women. This fascinating book offers a profound insight into the experiences of war through postcards, as well the part that they played in promoting it.

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Book SynopsisInvented during World War I to break the grim deadlock of the Western Front trenches, tanks have gone on to revolutionise warfare. From the lightning Blitzkrieg assaults of World War II to the great battles in the Middle Eastern desert and the largest ever tank battles on the Eastern Front, tanks have become one of the key components of the 'combined arms' philosophy of warfare. This pocket guide gives the reader all of the essential information on 40 of history's premiere tanks, including the Tiger, Sherman, Panther and M1A1 Abrams. Each tank is presented with a detailed drawing to aid recognition.

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Book SynopsisOrganised chronologically by type, German Aircraft of World War I offers a highly-illustrated guide to the main types of aircraft used by the German Air Force during World War I. The book offers a comprehensive survey of German aircraft, from the Albatros B.1 and Fokker E.II of the early years, to the more sophisticated Fokker D.VII and Junkers CL.1 of the final months of the war. All the major and many minor types are featured, including monoplanes, biplanes, single-seater fighters, two-seater fighters, bombers, ground attack aircraft, night bombers, giant bombers and floatplanes. This includes both well-known and lesser- known models, such as the LVG and Pfalz single-seater fighters, the Gotha and Zeppelin Staaken large bombers, AEG ground attack aircraft, and the Albatross, Halberstadt and Brandenburg two-seater biplanes. Each featured profile includes authentic markings and colour schemes, while every separate model is accompanied by exhaustive specifications. Packed with 110 full-colour artworks with detailed specifications, German Aircraft of World War I is a key reference guide for military modellers and World War I enthusiasts.Table of ContentsContents: Introduction Single Seat Fighters D types Albatros D.I Albatros D.II Albatros D.III Albatros D.V & Va Fokker D.I, D.II, D.IV Fokker D.III Fokker D.V Fokker D.VI Fokker D.VII Halberstadt D.II, D.III, D.V Junkers D.I Roland D.II & D.IIa Roland D-VIa & D-Vib Pfalz D.III & IIIa Pfalz D.VIII Pfalz D.XII Siemens-Schuckert D.I Siemens-Schuckert D.III Siemens-Schuckert D.IV Dr & F types Fokker Dr.I E types (Eindecker – armed monoplanes) Fokker E-I Fokker E-II Fokker E-III Fokker E-IV Fokker E-V/D-VIII Pfalz E-types (E-I & E-II) Two-seater Reconnaissance and General Purpose A & B types Albatros B-types Aviatik B-types Fokker A-series Fokker B-series Taube C types (armed two seat biplanes) AEG C-types Albatros C-III Albatros later C-types Aviatik C-types DFW C-types Halberstadt C-types LFG Roland C.II and C.III 'Walfisch' LVG C.II and C.IV LVG C.V and C.VI Rumpler C.I Rumpler C.III and C.IV Ground Attack and Escort Fighters CL types (close support & two seat fighters) Halberstadt CL.II and CL.IV Hannover CL-II Hannover CL-III and CL-IIIa Junkers CL.I J types (ground attack) Albatros J.I and II Junkers J.I Bombers and Seaplanes G & K types (Grossflugzeuge – large bombers, originally Kampfflugzeuge – battleplane) AEG G.I - IV Friedrichshafen G.III & IV Gotha G.I (the Gotha UWD is a seaplane version) Gotha G.II-V Rumpler G series R types (Riesenflugzeuge – giant bombers) Siemens-Schuckert R-series Zeppelin-Staaken R-series W types and other seaplanes (Wasser – floatplane) Gotha WD series Hansa-Brandenburg W.12 (1917) (fighter) Hansa-Brandenburg W.19 (reconnaissance) Hansa-Brandenburg W.29 (1918) (fighter) (includes AEG J.I) Airships Zeppelin and Schutte-Lanz dirigibles

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Book SynopsisDiscover the juicy, funny story of the three dysfunctional rulers of Germany, Russia and Great Britain at the turn of the last century, combined with a study of the larger forces around them.Three cousins. Three Emperors. And the road to ruin.As cousins, George V, Kaiser Wilhelm II and the last Tsar Nicholas II should have been friends - but they happened also to rule Europe''s three most powerful states. This potent combination together with their own destructive personalities - petty, insecure, bullying, absurdly obsessive (stamp collecting, uniforms) - led not only to their own dramatic fallouts and falls from grace, but also to the outbreak of the First World War.Miranda Carter''s riveting account of how three men who should have known better helped bring down an entire world is a gripping story of abdication, betrayal and murder.''Fascinating. A wonderfully fresh and beautifully choreographed work of history'' Mail on Sunday''Miranda Carter''s story is full of vivid quotations . . . a romp though the palaces of Europe in their last decades before Armageddon'' Sunday Times''Fascinating. Carter is a gifted storyteller and has written a very readable account'' Independent''That these three absurd men could ever have held the fate of Europe in their hands is a fact as hilarious as it is terrifying. I haven''t enjoyed a historical biography this much since Lytton Strachey''s Victoria'' Zadie SmithTrade ReviewFascinating. A wonderfully fresh and beautifully choreographed work of history -- Craig Brown * Mail on Sunday *Carter draws masterful portraits of her subjects and tells the complicated story of Europe's failing international relations well...a highly readable and well-documented account * Spectator *Absorbing. Carter has a good eye for a quote and an ability to bring various personalities to life. A convincing and considerable achievement -- Sarah Bradford * Literary Review *Carter's account of how an already dysfunctional family turned toxic is fresh and enjoyable...timely and welcome * Guardian *Miranda Carter's story is full of vivid quotations...a romp though the palaces of Europe in their last decades before Armageddon * Sunday Times *Well-paced, a thoroughly polished, professional piece of work. A macabre family saga -- A. N. Wilson * Evening Standard *An entertaining study of power and personality portrays the strutting absurdity and grotesque glamour of the last emperors on the eve of catastrophe -- Simon Sebag Montefiore * Financial Times *Fascinating. Carter is a gifted storyteller and has written a very readable account * Independent *Carter's intelligent, entertainging and informative book folds dynastic and political narratives into a panoramic account of Europe's road to war * London Review of Books *That these three absurd men could ever have held the fate of Europe in their hands is a fact as hilarious as it is terrifying. I haven't enjoyed a historical biography this much since Lytton Strachey's Victoria -- Zadie SmithMiranda Carter writes with lusty humour, has a fresh clarifying intelligence, and a sharp eye for telling details. This is traditional narrative history with a 21st-century zing. A real corker of a book * History Today *A highly original way of looking at the years that led up to 1914 -- Antonia Fraser * Sunday Telegraph Books of the Year *Carter deftly interpolates history with psychobiography to provide a damning indictment of monarchy in all its forms -- Will Self * New Statesmen Books of the Year *A depiction of bloated power and outsize personalities in which Carter picks apart the strutting absurdity of the last emperors on the eve of catastrophe * Financial Times Books of the Year *Takes what should have been a daunting subject and through sheer wit and narrative élan turns it into engaging drama. Carter has a notable gift for characterisation -- Jonathan Coe * Guardian Books of the Year *

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Book SynopsisThis is the first time that Buddecke's autobiography has been published in the English language.

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Book SynopsisYpres today is an international ''Town of Peace'', but in 1914 the town, and the Salient, the 35-mile bulge in the Western Front, of which it is part, saw a 1500-day military campaign of mud and blood at the heart of the First World War that turned it into the devil''s nursery. Distinguished biographer and historian of modern Europe Alan Palmer tells the story of the war in Flanders as a conflict that has left a deep social and political mark on the history of Europe. Denying Germany possession of the historic town of Ypres and access to the Channel coast was crucial to Britain''s victory in 1918. But though Flanders battlefields are the closest on the continent to English shores, this was always much more than a narrowly British conflict. Passchendaele, the Menin Road, Hill 60 and the Messines Ridge remain names etched in folk memory. Militarily and tactically the four-year long campaign was innovative and a grim testing ground with constantly changing ideasTrade ReviewA fine piece of narrative history, a combination of suspense and scholarship Antonia Fraser Palmer's style is as good as his judgement is daring Sunday Times Palmer has an admirable eye for telling detail Sunday Telegraph

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Book SynopsisThis absorbing illustrated study reveals the evolving tactics and techniques used by all sides in the underground war during 191418. Covering the Western Front but also the Gallipoli and Italian theatres, this study explores three aspects of World War I below ground: military mining, attack tunnels and dugouts. In 191417, the underground war was a product of static trench warfare, essential to survive it and part of both sides' attempts to overcome it. In 191718 it was rendered largely obsolete by the development of the all-arms battle as mobility was restored to the battlefield.In the stagnant, troglodyte existence of trench warfare, military mining was a hidden world of heroism and terror in which hours of suspenseful listening were spent monitoring the steady picking of unseen opponents, edging quietly towards the enemy, and judging when to fire a charge. Break-ins to enemy mine galleries resulted in hand-to-hand fighting in the darkness. The ingenuity, cla

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