Films, cinema Books

Book SynopsisBursting with beautiful illustrations to color, Harry Potter: Gryffindor House Pride: The Official Coloring Book is a must-have coloring book for members of this house and fans of the magical film series. Grab your colored pencils—it's time for coloring wizardry! Show your house pride with intricate, all-new artwork of characters, iconic objects, and magical places from the Harry Potter films, all themed to house Gryffindor. Featuring important house moments from the Sorting Ceremony, Quidditch matches, Yule Ball, feasts, and so much more, this coloring book is jam-packed with special designs and scenes every brave Gryffindor will love. GORGEOUSLY INTRICATE: 64 pages of intricate designs, perfect for hours of coloring relaxation and creativity BELOVED CHARACTERS: Includes all-new artwork of beloved Gryffindors, including Harry Potter, Hermione Granger, Albus Dumbledore, and more COLLECT ALL HOGWARTS HOUSES: Collect all four official Harry Potter Coloring Books: Gryffindor, Slytherin, Ravenclaw, and Hufflepuff OFFICIAL WIZARDING WORLD COLORING BOOK: Created in collaboration with the studio behind the Harry Potter films 20th ANNIVERSARY: Released to coincide with the 20th anniversary celebration of the first Harry Potter film.

Read more less

Book SynopsisLauryn Angel is a professor of English based in Texas, USA.

Read more less

Book SynopsisDaniele Dottorini is Associate Professor of Cinema at the University of Calabria, Italy

Read more less

Book SynopsisIn The Queer Coming of Age Film Genre, Brad J. Windhauser argues for the existence of this genre and, using a genre and queer theory lens, investigates how the initial, classic cluster of this genre's films represent the unique issues experienced by queer people including trans, non-binary, and intersex individuals - coming of age in society in the mid- to late 90s. As society evolved, the book posits, so too did the ways in which these films explored additional factors influencing the queer coming of age experience, such as race and economic status, in the genre's second stage. Windhauser explores how this genre depicts the way queer people often engage with the coming-of-age process earlier than their cis-het peers, due to their queer identity, but also how this process can extend beyond adolescence into emerging adulthood and adulthood itself. Ultimately, the book demonstrates how these films have become a tool to both further political goals of queer advocacy and acceptance and to offer guidance to queer people looking to gain a deeper understanding of their own lives and experiences. Scholars of film studies, genre studies, pop culture, and queer studies will find this book of particular interest.

Read more less

Book SynopsisTracy Everbach is Professor of Journalism in the Mayborn School of Journalism and an affiliated faculty member in Women and Gender Studies at the University of North Texas, USA.Gwendelyn S. Nisbett is Associate Professor of Public Relations in the Mayborn School of Journalism at the University of North Texas, USA.Newly Paul is Media and Politics Researcher and Associate Professor of Journalism in the Mayborn School of Journalism at the University of North Texas, USA.

Read more less

Book SynopsisCarolyn Condon Jacobs is Assistant Professor of Media Studies in the Department of Communication at Central Connecticut State University, USA.Anna Young is Assistant Professor of Communication at Central Connecticut State University, USA.Karen A. Ritzenhoff is Professor in the Department of Communication at Central Connecticut State University, USA.

Read more less

Book SynopsisFernando Gabriel Pagnoni Berns is Professor in the Faculty of Philosophy and Letters at the University of Buenos Aires, Argentina, where he teaches courses on international horror film.

Read more less

Book Synopsis

Read more less

Book SynopsisAn illuminating biography of Desi Arnaz, the visionary, trailblazing Cuban American who revolutionized television and brought laughter to millions as Lucille Ball’s beloved husband on I Love Lucy, leaving a remarkable legacy that continues to influence American culture today.Desi Arnaz is a name that resonates with fans of classic television, but few understand the depth of his contributions to the entertainment industry. In Desi Arnaz, Todd S. Purdum offers a captivating biography that dives into the groundbreaking Latino artist and businessman known to millions as Ricky Ricardo from I Love Lucy. Beyond his iconic role, Arnaz was a pioneering entrepreneur who fundamentally transformed the television landscape. His journey from Cuban aristocracy to world-class entertainer is remarkable. After losing everything during the 1933 Cuban revolution, Arnaz reinvented himself in pre-World War II Miami, tapping into the rising demand for Latin music. By twenty, he had formed his own band and sparked the conga dance craze in America. Behind the scenes, he revolutionized television production by filming I Love Lucy before a live studio audience with synchronized cameras, a model that remains a sitcom gold standard today. Despite being underestimated due to his accent and origins, Arnaz’s legacy is monumental. Purdum’s biography, enriched with unpublished materials and interviews, reveals the man behind the legend and highlights his enduring contributions to pop culture and television. This book is a must-read biography about innovation, resilience and the relentless drive of a man who changed TV forever.

Read more less

Book SynopsisAndré Bazin (1918-58) was renowned for almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as for being the spiritual father of the French New Wave. In 1951, Bazin co-founded and became editor-in-chief of Cahiers du Cinéma, the most influential critical periodical in the history of cinema. Five of the film critics whom he mentored at that magazine later became the most acclaimed directors of the postwar French cinema: François Truffaut, Jean-Luc Godard, Éric Rohmer, Jacques Rivette, and Claude Chabrol. Bazin is also considered to be the principal instigator of the highly influential auteur theory—the idea that, since film is an art form, the director of a movie must be perceived as the chief creator or "author" of its unique cinematic style.In his relatively brief lifetime, Bazin wrote some 2,600 articles and reviews, only about 200 of which are accessible in anthologies or edited collections—and most of these are theoretical pieces.The Practical Critic: André Bazin on Film, 1945-1958 offers critical reviews of notable individual films: Scarface, Citizen Kane, The Seven Samurai, The Great Dictator, It's a Wonderful Life, On the Waterfront, Rebel Without A Cause, Aparajito, Miracle in Milan, Touch of Evil, East of Eden, Ivan the Terrible, The Best Years of Our Lives, La Strada, High Noon, and The Bridge on the River Kwai. The Practical Critic also features a contextual introduction to Bazin's life and work, a Bazin bibliography, a selection of film stills, and a comprehensive index. This book represents a major contribution to film studies and a testament to the continuing influence of one of the world's pre-eminent cultural critics.

Read more less

Book SynopsisFilm Noir Style: The Killer 1940s looks at the fashions of the femmes fatales who were so good at being bad, and the suits and trench coats of definitive noir actors such as Humphrey Bogart and Alan Ladd. Film and fashion historian Kimberly Truhler explores twenty definitive film noir titles from 1941 to 1950 and traces the evolution of popular fashion in the decade of the '40s, the impact of World War II on home-front fashion, and the influence of the film noir genre on popular fashion then and now. Meet not only the fabulous women of noir, including Betty Grable, Veronica Lake, Gene Tierney, Lauren Bacall, Barbara Stanwyck, Ava Gardner, and many others, but also the costume designers that created and recreated these famous stars as killers—and worse—through the clothes they wore.

Read more less

Book SynopsisLike many other cultural commodities, films and TV shows tend to work in such a way as to obscure the conditions under which they are produced, a process that has been reinforced by dominant trends in the practice of Film and Television Studies. This collection places the workplace experiences of industry workers at centre stage. It looks at film and television production in a variety of social, economic, political, and cultural contexts. The book provides detailed analyses of specific systems of production and their role in shaping the experience of work, whilst also engaging with the key theoretical and methodological questions involved in film and television production. Drawing together the work of historians, film scholars, and anthropologists, it looks at film and television production not only in Hollywood and Western Europe but also in less familiar settings such as the Soviet Union, India, Nigeria, and the Democratic Republic of Congo. Chronologically wide-ranging, interdisciplinary and international in scope, it is a unique introduction, critical for all students of the film industries and film production.Trade ReviewWe live in a world where work is often about relations between people and place, and about creating an identity. More than that, hidden behind the scenes of the structures within which workers operate are real-life stories that offer unique insights into what the way we work says about our society. That is why I am fascinated by this important book...This book offers a valuable contribution to our reflections on social justice issues and change in work for readers in media and film studies, cinema history, and work and labour studies. One of the many strengths of the text is that it offers revealing and often surprising snapshots of the kinds of politics, restrictions, constraints and pressures under which various workers have had to operate, and that they must delicately navigate...Overall, the collection encourages the reader to reflect on the kind of world in which professionals in creative industries have worked, and invigorates questions about the kind of world in which we might want to work and live. -- Sheree K. Gregory, Swinburne Institute for Social Research * Media International Australia *There is an absence of work in the literature [on film and television] as a whole that would give voice to the crafts and technical trades whose arcane job titles (focus puller, matte painter or dolly grip) cinema goers glimpse fleetingly as the credits roll. The importance of this text is that it makes a contribution towards filling this gap . . . This is a welcome contribution to the literature on work in film and television production, indeed on work in the creative industries more broadly, offering a grounded and empirically informed insight into production cultures that have been ignored, or arguably worse, hyped as glamorous. -- Keith Randle, University of Hertfordshire, UK * Work, Employment & Society *Table of ContentsINTRODUCTION Andrew Dawson and Sean Holmes, "Working in Film and Television" PART ONE: SYSTEMS OF PRODUCTION 1. Andrew Dawson, "Labouring in Hollywood's Motion Picture Industry and the Promise of 'Flexible Specialisation'" 2. Dorota Ostrowska, "Alternative Models of Film Production: Film Units in Poland after World War II." 3. Olof Hedling, "New Creative Cities in Scandinavia?" PART TWO: MANOEUVRABLE SPACES 4. Sean Holmes, "No Room for Manoeuvre: Star Images and the Regulations of Actors' Labour in Silent-Era Hollywood." 5. Richard Paterson, "Freelance Life in UK Television" 6. Ikechukwu Obiaya, "Behind the Scenes: The Hidden Face of Nollywood." PART THREE: PATRONAGE AND CLIENTISM 7. Katrien Pype, "Fathers, Patrons and Clients: Social and Economic Aspects in the Production of Television Drama in Post-Mobutu Kinshasa." 8. Alison Smith, "Les Chefs-Operatrices: Women Behind the Camera in France." PART FOUR: CREATIVE AGENCY 9. Linda Marchant, "Cornel Lucas: Stills Photography and Production Culture in 1950s British Film." 10. Clare Wilkinson-Weber, "Making Faces: Competition and Change in the Production of Bollywood Film Star Looks." CONCLUSION BIBLIOGRAPHY INDEX

Read more less

Book SynopsisHe was known as The Golden Torso, the underwear model who famously dated Keira Knightley. But Jamie Dornan has always dreamed of being an actor - and as star of the hotly-anticipated Fifty Shades of Grey movie he has finally sealed his position in Hollywood. From his role as S&M hero Christian Grey in the adaptation of EL James' hit novel to playing a serial killer in BBC series The Fall and Abe Goffe in New Worlds, Jamie is carving a name for himself playing characters with a serious passionate side. But the path to success has been far from easy for the Northern Irish actor. His personal life has had as many twists and turns, highs and devastating lows as the shows that are making him famous. Son of a doctor, Jamie and his two sisters had what looked like a charmed childhood growing up in a sprawling family home in an affluent area of Belfast, attending a top boarding school with dreams of treading the boards like his legendary great aunt Greer Garson. But looks can be deceiving and behind the sports trophies and amateur acting triumphs, there was a series of personal tragedies, the burden of which Jamie still carries with him today. He later struggled to cope with life in the limelight as an internationally famous model in his twenties dating an actress and winning hordes of female fans the world over posing alongside Kate Moss and Eva Mendes. Now married and father to a baby daughter, the Bafta-nominated star has a new set of challenges on his hands. In this, his first biography, Louise Ford, reveals Jamie's successes and struggles both on and off screen and explores what the future holds for the model turned actor who once doubted he could ever have it all.

Read more less

Book SynopsisCHRIS PRATT is now one of the world's most sought-after actors. As the breakout star of Marvel's Guardians of the Galaxy and The Lego Movie (two of 2014's biggest box-office hits), as well as landing the lead role in the 2015 Jurassic Park franchise re-boot, Jurassic World, his meteoric rise to fame is proof that anything is possible in Hollywood. Chris's journey to the movie-star A-list may just make him the ultimate 'zero to hero', but it certainly wasn't an overnight success story. A chance encounter transformed Chris's life from living in a van and waiting tables to make enough money to survive, to the bright lights of Los Angeles and his first tentative steps into the acting world. After years as a supporting player in both comedy and dramatic roles, on television (Everwood, Parks and Recreation) and in movies (The Five-Year Engagement, Delivery Man), Chris finally started to attract superstar buzz after appearing in three Best Picture Oscar-nominated films between 2011 and 2013. Along the way he's shown that nice guys don't always finish last, juggling a successful movie career and life as a devoted family man, and somehow finding time to develop killer abs along the way.

Read more less

Book SynopsisFeminist filmmakers are hitting the headlines. The last decade has witnessed: the first Best Director Academy Award won by a woman; female filmmakers reviving, or starting, careers via analogue and digital television; women filmmakers emerging from Saudi Arabia, Palestine, Pakistan, South Korea, Paraguay, Peru, Burkina Faso, Kenya and The Cree Nation; a bold emergent trans cinema; feminist porn screened at public festivals; Sweden's A-Markt for films that pass the Bechdel Test; and Pussy Riot's online videos sending shockwaves around the world. A new generation of feminist filmmakers, curators and critics is not only influencing contemporary debates on gender and sexuality, but starting to change cinema itself, calling for a film world that is intersectional, sustainable, family-friendly and far-reaching. Political Animals argues that, forty years since Laura Mulvey's seminal essay 'Visual Pleasure and Narrative Cinema' identified the urgent need for a feminist counter-cinema, this promise seems to be on the point of fulfilment. Forty years of a transnational, trans-generational cinema has given rise to conversations between the work of now well-established filmmakers such as Abigail Child, Sally Potter and Agnes Varda, twenty-first century auteurs including Kelly Reichardt and Lucretia Martel, and emerging directors such as Sandrine Bonnaire, Shonali Bose, Zeina Daccache, and Hana Makhmalbaf. A new and diverse generation of British independent filmmakers such as Franny Armstrong, Andrea Arnold, Amma Asante, Clio Barnard, Tina Gharavi, Sally El Hoseini, Carol Morley, Samantha Morton, Penny Woolcock, and Campbell X join a worldwide dialogue between filmmakers and viewers hungry for a new and informed point of view. Lovely, vigorous and brave, the new feminist cinema is a political animal that refuses to be domesticated by the persistence of everyday sexism, striking out boldly to claim the public sphere as its own.

Read more less

Book SynopsisChoice Outstanding Academic Title 2018 The Wizard of Oz brought many now-iconic tropes into popular culture: the yellow brick road, ruby slippers and Oz. But this book begins with Dorothy and her legacy as an archetypal touchstone in cinema for the child journeying far from home. In There's No Place Like Home, distinguished film scholar Stephanie Hemelryk Donald offers a fresh interpretation of the migrant child as a recurring figure in world cinema. Displaced or placeless children, and the idea of childhood itself, are vehicles to examine migration and cosmopolitanism in films such as Le Ballon Rouge, Little Moth and Le Havre. Surveying fictional and documentary film from the post-war years until today, the author shows how the child is a guide to themes of place, self and being in world cinema.Trade ReviewA deeply felt, compassionate, necessary book. Summing Up: Highly recommended. * W.W. Dixon, University of Nebraska–Lincoln, CHOICE *Table of ContentsChapter One: The Dorothy Complex Chapter Two: The Red Balloon and Squirt’s Journey: story-telling with child migrants Chapter Three: Once My Mother, Welcome and Le Havre: breath and the child cosmopolitan Chapter Four: Little Moth and The Road: precarity, immobility and inertia Chapter Five: Landscape in the Mist Chapter Six: The Leaving of Liverpool: Empire and religion, poetry and the archive Chapter Seven: Diamonds of the Night Afterword: Where have all the children gone? Endnotes

Read more less

Book SynopsisOver the 50 incredible years of Star Trek TV shows and movies, the franchise has produced many stand-out villains. Collected here are features on some of the very best - or worst - villains and classic interviews with the actors who portrayed them. Includes the Borg (Alice Krige as the Borg Queen), Khan (Ricardo Montalban, Benedict Cumberbatch), Q (John de Lancie), Shinzon (Tom Hardy) and many, many more.Trade Review“Titan launches its best magazine-sourced overview yet from the big franchises, Star Trek Villains” - The Borg

Read more less

Book SynopsisWhen we bury our secrets, they always come back to haunt us...Their rise was meteoric. Only a few years before, they had been three friends from Glasgow, just trying to survive tough lives of danger and dysfunction. But on one Hollywood evening in 1993, they were on the world’s biggest stage, accepting their Oscar in front of the watching world. That night was the beginning of their careers. But it was also the end of their friendship. Over the next twenty years, Mirren McLean would become one of the most powerful writers in the movie industry. Zander Leith would break box-office records as cinema’s most in-demand action hero. And Davie Johnson would rake in millions as producer of some of the biggest shows on TV. For two decades they didn’t speak, driven apart by a horrific secret. Until now… Their past is coming back to bite them, and they have to decide whether to run, hide, or fight. Because when you rise to the top, there’s always someone who wants to see you fall.An exciting new glam thriller for the fans of Taylor Jenkins Reid, Liane Moriarty and Jo Spain Previously published in the UK as TAKING HOLLYWOOD by Shari King.‘Brilliant, a white-knuckle ride of a novel. Gripping and wildly glamorous’ Tilly Bagshawe ‘It's a real slice of Hollywood and a brilliant read’ Gerard Butler ‘A glam, edgy thriller, just the way I like them’ Martina Cole ‘Sex, scandal and secrets galore’ Jackie Collins 'A high-stakes thriller with a dark, moving story at its core. Page-turning entertainment at its very best' - TJ Emerson ‘It's a thriller that’s gritty, sexy and a sensational page turner. You won't be able to put it down. I loved it!’ Lorraine Kelly 'I loved this Hollywood tale with deep Scottish roots. It’s dark, sinful, glittering and thrilling. An absolute adventure from the very first page' Carmen Reid 'The mean streets of Glasgow meet the glitz of Hollywood. A riveting read!' - Evie Hunter

Read more less