Films, cinema Books

Book SynopsisFrom popular and ''New Wave'' pre-revolutionary films of Fereydoon Goleh and Abbas Kiarostami to post-revolutionary films of Mohsen Makhmalbaf, the Iranian cinema has produced a range of films and directors that have garnered international fame and earned a global following. Golbarg Rekabtalaei takes a unique look at Iranian cosmopolitanism and how it transformed in the Iranian imagination through the cinematic lens. By examining the development of Iranian cinema from the early twentieth century to the revolution, Rekabtalaei locates discussions of modernity in Iranian cinema as rooted within local experiences, rather than being primarily concerned with Western ideals or industrialisation. Her research further illustrates how the ethnic, linguistic, and religious diversity of Iran''s citizenry shaped a heterogeneous culture and a cosmopolitan cinema that was part and parcel of Iran''s experience of modernity. In turn, this cosmopolitanism fed into an assertion of sovereignty and national identity in a modernising Iran in the decades leading up to the revolution.Trade Review'This book is a very important addition to social and cultural history of twentieth-century Iran that takes cinema as its prism of understanding Iranian modernity. Golbarg Rekabtalaei does a wonderful job of contextualising the experience of cinema not just through films but also across spaces of movie theatres, schools, and other urban public venues. She carefully analyses the State's cultural policies through the exchanges that take place within the sites of experience and encounter of the public with cinema and in response to it. The book, therefore, offers a fresh and original case study on emerging modern cosmopolitanism in the Iranian context.' Ali Mirsepassi, New York University'Golbarg Rekabtalaei's brilliant historical work uncovers the roots of Iranian cinema in the international studios and figures that produced it as a cosmopolitan construct. Boldly suggestive, Rekabtalaei's findings reveal, in this deep history, a cosmopolitan national imaginary whose sense of self, ethics, conflicts, dilemmas and humanism substantiate the overwhelming appeal of Iranian cinema to global audiences today.' Negar Mottahedeh, author of Displaced Allegories: Post-Revolutionary Iranian Cinema'Locating cinema history in the urban everyday of Tehran, in its multiethnic neighborhoods, and in its institutions, Iranian Cosmopolitanism offers an original framework for the films and publications that have defined Iranian cinema. The historically grounded Iranian cinema syllabus has been waiting for this book. Scholars interested in challenging received ideas about the geographies of cinema's relation to modernity will find a model and a vital resource in Rekabtalaei's meticulous research.' Kaveh Askari, Michigan State University'Rekabtalaei's Iranian Cosmopolitanism … stitches together the Iranian cinematic projects from the 1920s to the 1970s by attending to the irreducibly cosmopolitan quality of Iranian cinema … By sheer force of spectacular detail, Rekabtalaei is utterly convincing that there is no 'purely' Iranian cinema. Even when commandeered for nationalist propaganda, Iranian cinema is a story of cosmopolitanism across class-lines … [Her book] attest[s] to the rich, analytical potential of expansive notions of cinema.' William E. B. Sherman, Journal of Religion & FilmTable of ContentsIntroduction; 1. Cinematic imaginaries and cosmopolitanism in the early twentieth century; 2. Cinematic education, cinematic sovereignty: the creation of a cosmo-national cinema; 3. Industrial professionalisation: the emergence of a 'national' commercial cinema; 4. 'Film-Farsi': everyday constituencies of a cosmopolitan popular cinema; 5. Cinematic revolution: cosmopolitan alter-cinema of pre-revolutionary Iran; Conclusion.

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Book SynopsisOffers up-to-date coverage of screen versions of King Lear, featuring films, TV productions, translations, free retellings and appropriations from around the world. This book will appeal to libraries and specialists working on King Lear in courses within Shakespeare studies, Shakespeare in performance and Shakespeare on screen.Trade Review'… this volume provides a perfect foundation from which to disperse and dislocate Lear's screen presence ever further.' Peter Kirwan, Cahiers Élisabéthains: A Journal of English Renaissance Studies'The empathy that pervades the latest addition to the excellent Shakespeare on Screen series is at times overwhelming … this volume provides a perfect foundation from which to disperse and dislocate Lear's screen presence ever further.' Peter Kirwan, The Shakespeare Newsletter'The collection contains more richly suggestive essays than I have space to mention; it will be indispensable to students of King Lear. The editors' calculated broad approach creates a collection that is more than the sum of its parts, and which is animated by a sense of conscience and compassion.' Sally Barnden, Shakespeare BulletinTable of Contents1. Introduction: dis-locating King Lear on screen Victoria Bladen, Sarah Hatchuel and Nathalie Vienne-Guerrin; Part I. Surviving Lear: Revisiting the Canon: 2. Lear's Fool on film: Peter Brook, Grigori Kozintsev, Akira Kurosawa Samuel Crowl; 3. Wicked humans and weeping Buddhas: (post)humanism and Hell in Kurosawa's Ran Melissa Croteau; Part II. Lear en abyme: Metatheater and the Screen: 4. Filming metatheater: the 'Dover cliff' scene on screen Sarah Hatchuel; 5. New ways of looking at Lear: changing relationships between theatre, screen and audience in live broadcasts of King Lear (2011–2016) Rachael Nicholas; 6. Re-shaping old course in a country new: producing nation, culture and King Lear in Slings and Arrows Lois Leveen; Part III. The Genres of Lear: 7. Negotiating authorship, genre and race in King of Texas (2002) Pierre Kapitaniak; 8. Romancing King Lear: Hobson's Choice, Life Goes On and beyond Diana E. Henderson; 9. 'Easy Lear': Harry and Tonto and the American road movie Douglas M. Lanier; Part IV. Lear on the Loose: Migrations and Appropriations of Lear: 10. Relocating Jewish culture in The Yiddish King Lear (1934) Jacek Fabiszak; 11. The Trump effect: exceptionalism, global capitalism and the war on women in early twenty-first century films of King Lear Courtney Lehmann; 12. Looking for Lear in The Eye of the Storm Victoria Bladen; 13. Between political drama and soap opera: appropriations of King Lear in US television series Boss and Empire Sylvaine Bataille and Anaïs Pauchet; 14. Afterword: Godard's King Lear Peter Holland; 15. King Lear on screen: select film-bibliography José Ramón Díaz Fernández.

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Book SynopsisThis book presents the first systematic appreciation of Ovid''s extensive influence on, and affinity with, modern visual culture. Some topics are directly related to Ovid; others exhibit features, characters, or themes analogous to those in his works. The book demonstrates the wide-ranging ramifications that Ovidian archetypes, especially from the Metamorphoses, have provoked in a modern artistic medium that did not exist in Ovid''s time. It ranges from the earliest days of film history (Georges Méliès''s discovery of screen metamorphosis) and theory (Gabriele D''Annunzio''s fascination with the metamorphosis of Daphne; Sergei Eisenstein''s concept of film sense) through silent films, classic sound films, commercial cinema, art-house and independent films to modernism and the C.G.I. era. Films by well-known directors, including Ingmar Bergman, Walerian Borowczyk, Jean Cocteau, Alfred Hitchcock, Stanley Kubrick, Fritz Lang, Max Ophüls, Alain Resnais, and various others, are analyzed in Trade Review'The book displays the author's impressive erudition in ancient Greek and Latin literature, and also his intimate familiarity with film theory and the necessary literature.' H. M. Roisman, Choice'… Ovid on Screen: A Montage of Attractions, emerges as [Martin Winkler's] most ambitious and wide-ranging contribution … This is an engaging and also enjoyable book from which I have learned much.' James J. Clauss, Bryn Mawr Classical Review'… detailed, meticulously-researched, highly readable and erudite …' Jo-Marie Claassen, AnabasesTable of ContentsList of illustrations; Acknowledgments; Fade-in: Prooemium; Adages; Part I. Theory and Practice: 1. Cinemetamorphosis; 2. Ovid's film sense and beyond; Part II. Key Moments in Ovidian Film History: 3. D'Annunzio's Ovid and the cinematic impulse; 4. The Labyrinth: narrative complexity, deadly mazes, and Ovid's modernity; Part III. Into New Bodies: 5. Effects and essences; 6. The Beast in Man: not Ovid's, but how Ovidian!; Part IV. Love, Seduction, Death: 7. Varieties of modernism: Orpheus and Eurydice; 8. Love and death; 9. Lessons in seduction; Part V. Eternal Returns: 10. Immortality: philosophy, cinema, Ovid; 11. Ovidian returns; Sphragis: end credits; Bibliography; Index.

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Book SynopsisThe Editor''s Toolkit: A Hands-On Guide to the Craft of Film and TV Editing is a tutorial-based introduction to the craft of editing. Today''s process of media editing is fast and competitive, making this guide a necessity for anyone looking to break into the business. Here, Chris Wadsworth provides 52 media-based examples for you to put together, with the benefit of seeing what he did with those same exercises, giving you essential feedback to improve your technique and learn the tricks of the trade. Accessible and to-the-point, the primer is a must-read for anyone looking to learn both the art and technique of editing.  This 4-color guide features: Examples from the world of film and TV that show how even the greatest directors employ the same techniques in their productions that are mentioned in this guide A look at CV's and the right attitudes that will give you the best chance at breaking into the editing world IntTable of ContentsIntroduction to Shots; Editing Shots Together; Editing Dialogue; The Long View; Scene Construction; Joining Scenes Together; Working in Different Genres; Sound; Editing Music; Stylized Scenes; Video Manipulation; Editorial Responsibility; Timescales; Projects; The Final Days; Last Bits of Advice; In Conclusion

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Book Synopsis''Absolutely delicious . . . Janelle Brown is a surgeon of the complex relationships between women. I gobbled this up''Emma Straub, New York Times bestselling author of All Adults Here ''You won''t be able to put this novel down and you won''t want to''Laura Dave, no. 1 New York Times bestselling author of The Last Thing He Told Me ''One of those books you''ll devour''Chris Bohjalian, New York Times bestselling author of The Flight Attendant ''Janelle Brown has done it again. She has created a deliciously twisty page-turner you won''t be able to put down''Angie Kim, Edgar Award-winning author of Miracle Creek''You be me, and I''ll be you'' I whispered.As children, Sam and Elli were two halves of a perfect whole: gorgeous identical twins whose parents sometimes couldn''t even tell them apart. And once Hollywood discovered them, they became BTrade ReviewIn Janelle Brown's latest twisty, propulsive mystery, estranged twin sisters must confront shocking pieces of their past when one of them goes missing. From the first sentence, these women will have you in their grips. You won't be able to put this novel down, and you won't want to * Laura Dave, New York Times bestselling author of The Last Thing He Told Me *Janelle Brown is a terrific storyteller and stylist, and I'll Be You is one of those books you'll devour. It has a hot mess of a narrator - actually two hot messes, twins - both of whom you will root for, even as you are screaming at them to get a grip. Also? The novel has more twists and turns than the canyon roads that snake up and around Los Angeles * Chris Bohjalian, New York Times bestselling author of The Flight Attendant *Janelle Brown has done it again, creating a deliciously twisty page-turner you won't be able to put down. But I'll Be You is much more than a riveting thriller; it's a powerful and moving portrait of the fiercely tenacious bonds of familial love. With her trademark beautiful writing, depth of emotion, and sharp insights, Brown explores the dangers that lurk behind the seductive worlds of Hollywood child stardom and self-help culture. I loved this novel * Angie Kim, Edgar Award–winning author of Miracle Creek *Absolutely delicious . . . Janelle Brown is a surgeon of the complex relationships between women. I gobbled this up * Emma Straub, New York Times bestselling author of All Adults Here *Bestseller Brown infuses this twist-packed mystery with an intense story of creating one's identity, rife with deep family trauma and a low-key, creepy depiction of the dark side of twin intimacy. . . . Brown has upped her game with this one * Publishers Weekly (starred review) *A delicious work of intrigue and suspense . . . You won't want to stop reading until you find out what's happened * Kirkus Reviews *Janelle Brown stands out for her surprise-filled plots, insights into contemporary life and willingness to plumb the depths of family dysfunction . . . [she] consistently keeps readers guessing about her characters . . . I'll Be You becomes less a story about estrangement, guilt and regret and more of an addictive thriller that will keep readers burning through pages to find out what happened. When the narration shifts to Elli's point of view at a critical juncture in the novel, a twist genuinely surprises, as do Brown's insights into the very different psychological makeup, perspective and needs of the missing twin . . . a sneakily hypnotic thriller that turns on how Elli's naïve beliefs have been twisted and whether it's possible for an estranged family to reclaim their lives and futures * Los Angeles Times *Addictive . . . after you've started, hard to stop until it's all gone. Generously sprinkled with witty word choice and tasty twists, I'll Be You is a page-turner . . . the kind to read on the beach and pass the time snacking away on it . . . The choice to go along with whatever wild turn is around the corner is made easier because each one is so interesting and exciting * ABC News *Her twistiest and tightest work yet . . . a cleverly crafted and psychologically nuanced yin and yang, complete with crackling observations about celebrity, California cults, wellness culture, the fertility industry, and the undertow of addiction . . . the book calls to mind a tentpole of the genre, Gillian Flynn's 2012 hit Gone Girl * Time *Pretty Things author Janelle Brown returns with I'll Be You, a taut new thriller * Bustle, The Most Anticipated Books Of April 2022 *

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Book SynopsisBill Kimberlin may refer to himself as one of those names on the endless list of credits at the close of blockbuster movies. In reality though, he's a true insider on some of the most celebrated and popular movies and franchises of the past century. Jurassic Park. Star Trek. Jumanji. Schindler's List. Saving Private Ryan. Even Forrest Gump. And perhaps most notably, Star Wars. Inside the Star Wars Empire is the very funny and insightful tell-all about the two decades Kimberlin spent as a department director at LucasFilm Industrial Light and Magic (ILM), the special effects studio founded by the legendary filmmaker George Lucas.

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Book SynopsisA charming and personal travel guide that invites readers to explore the beauty and cultural riches of Italy through the universal language of cinema, this book shows readers where to find the exact locations of the most famous movies set in Italy. Guided by celebrated Italian pop opera singer Romina Arena, readers will discover the real Italy as only natives know it through this irresistible combination of film history, travel guide, and the zest and seductiveness of la dolce vita. The beautiful and historic sites immortalized in great films, including Roman Holiday, Eat Pray Love, Letters to Juliet, Life is Beautiful, The Twilight Saga: New Moon, Under the Tuscan Sun and more, are the reader''s keys to experiencing the best in Italian travel, art, dining, and living as each detailed location includes information on nearby attractions, museums, restaurants, shops, and must-experience slices of Italian life. Special sections highlight romantic Italian sites that are perfect for scheduling weddings and other special events, and the book includes recipes for dishes from famous films and authentic Italian regional specialties.

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Book SynopsisPhantom Lady chronicles the untold story of Hollywood’s most powerful female writer-producer of the 1940s. In 1933, Joan Harrison was a twenty-six-year-old former salesgirl with a dream of escaping her stodgy London suburb and the dreadful prospect of settling down with one of the local boys. A few short years later, she was Alfred Hitchcock's confidante and the Oscar-nominated screenwriter of his first American film, Rebecca. Harrison had quickly grown from being the worst secretary Alfred Hitchcock ever had to one of his closest collaborators, critically shaping his brand as the “master of suspense.” Forging an image as “the female Hitchcock,” Harrison went on to produce numerous Hollywood features before becoming a television pioneer as the producer of Alfred Hitchcock Presents. A respected powerhouse, she acquired a singular reputation for running amazingly smooth productions—and defying anyone who posed an obstacle. Author Christina Lane shows how this stylish, stunning woman, with an adventurous romantic life, became an unconventional but impressive auteur, one whom history has overlooked.Table of ContentsPrologue Chapter 1: At Home Chapter 2: Wartime Chapter 3: Beyond the Village Chapter 4: Birth of a Master Chapter 5: True Crime Pays Chapter 6: Bigger Steps .. Chapter 7: A Team of Three Chapter 8: Going Hollywood Chapter 9: Oscar Calls Chapter 10: Building Suspense Chapter 11 Hitting Hurdles Chapter 12 Phantom Lady . Chapter 13: New Associations Chapter 14: Bedeviling Endings . Chapter 15: Crimes and Misdemeanors Chapter 16: Let it Ride Chapter 17: Full Circle, by Degrees Chapter 18: A New Proposal .. Epilogue .. Acknowledgements Bibliography .. Filmography . Notes Index

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Book SynopsisFinalist for the Robert Kroetsch City of Edmonton Book Prize at the 2021 Alberta Literary Awards!Finalist for the High Plains Book Awards in the Nonfiction CategoryFinalist for Trade Non-Fiction Book of the Year at the 2021 Alberta Book Publishing Awards!Laced with humour and revelation, Anne Wheeler''s creative non-fiction stories tell of her serendipitous journey in the seventies, when she broke with tradition and found her own way to becoming a filmmaker and raconteur.Join this celebrated screenwriter and director as she travels south of Mombasa after calling off her wedding; attempts to gain acceptance in a male-dominated film collective; travels to India to visit friends who are devoted to a radical Master, and ultimately discovers her sense of purpose and passion close to home, sharing stories that would otherwise be lost about ordinary people living extraordinary lives.Taken by the Muse: On the Path to Becoming a Filmmaker is a must-read for anyone open to exploring the possibilities of who they are and what they might do with their lives-and for those who love a good story told with integrity and warmth.

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Book Synopsis'A wonderful book... Delightfully varied... As with all the best science writing, this book doesn't just give answers, it also asks interesting questions.' Daily Mail'Captivating and intelligent! Who knew death could be this much fun?' Richard OsmanAsteroids, killer sharks, nuclear bombs, viruses, deadly robots, climate change, the apocalypse - why is Hollywood so obsessed with death and the end of the world? And how seriously should we take the dystopian visions of our favourite films? With wit, intelligence and irreverence, Rick Edwards and Dr Michael Brooks explore the science of death and mass destruction through some of our best-loved Hollywood blockbusters. From Armageddon and Dr Strangelove to The Terminator and Contagion, they investigate everything from astrophysics to AI, with hilarious and captivating consequences. Packed with illustrations, fascinating facts and numerous spoilers, Hollywood Wants to Kill You is the perfect way into the science of our inevitable demise.Trade ReviewA wonderful book... Delightfully varied... As with all the best science writing, this book doesn't just give answers, it also asks interesting questions. * Daily Mail *A witty and informative look at how Hollywood kills us off. As a film buff and scientist I love this book. * Maggie Aderin-Pocock, space scientist and presenter of The Sky at Night *Great fun and makes you feel a hundred times cleverer. * Charlie Higson, actor, comedian, and bestselling author *Explores everything from the ins and outs of black holes (Interstellar) to artificial intelligence (Ex Machina)... Edwards and Brooks don't take themselves too seriously and their cartoon heads pop up throughout deconstructing the films wittily while explaining the underlying science simply. * Sunday Times on Science(ish) *Deeply funny, academically accomplished, and unfalteringly engaging. Entertaining as it may be, it's difficult to escape the fact that Edwards and Brooks have just made the world of popular science much harder work for the rest of us. * Ben Miller - comedian and author of It’s Not Rocket Science on Science(ish) *Chirpy [and] bantering. * Strong Words *Table of Contents1: Hollywood Wants to Kill You. WITH A VIRUS! 2: Hollywood Wants to Kill You. WITH ASTEROIDS! 3: Hollywood Wants to Kill You. WITH PREDATORS! 4: Hollywood Wants to Kill You. WITH ROBOTS! 5: Hollywood Wants to Kill You. WITH INFERTILITY! 6: Hollywood Wants to Kill You. WITH CLIMATE CHANGE! 7: Hollywood Wants to Kill You. WITH INSOMNIA! 8: Hollywood Wants to Kill You. WITH PLANTS! 9: Hollywood Wants to Kill You. WITH OLD AGE! 10: Hollywood Wants to Kill You. WITH NUCLEAR ARMAGEDDON! 11: Hollywood Wants to Kill You. WITH DEATH!

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Book Synopsis* 2018 marks the 60th anniversary of the start of the Carry On series. * The first book to examine each of the 31 films in detail. * Also covers the Carry On TV series and the Christmas Specials. When Carry on Sergeant became a big hit in British cinemas in 1958, not even the most optimistic of its cast or crew believed that it would become the first of a 31-film franchise. The series went on to become one of the most successful and well-loved in British - and indeed world - cinema. Beginning as relatively gentle comedies, the humour broadened during the late 60s, taking on an end of the pier quality that at its best was as hilarious as it was risque. Lifelong fan Stephen Lambe discusses each of the films in depth, celebrating the team's greatest moments, while examining in equal detail some of the lesser known or less successful editions of the series, as well as some of the unsung performers that made the series such a success. He also examines some of the series spin offs - including the Carry on Christmas TV. With plenty to excite both casual and diehard fans, The Carry Ons - on screen is the perfect reference guide to this remarkable series of films.

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Book SynopsisEveryone has their favourite Monty Python sketches, often quoted almost verbatim, whether it is 'the Parrot Sketch', 'the Cheese Shop' or 'Blackmail' - amongst many. Likewise the Python films, the mere mention of which might solicit quotes like ‘Tis but a flesh wound’ or ‘He’s not the Messiah, he’s a very naughty boy’. But what lies beyond these well-remembered favourites? How many remember the 'Fresh Fruit Self Defence' sketch, or 'the Fish-Slapping dance'? Or even such almost-forgotten curios as 'Blancmanges Playing Tennis', 'The Olympic Hide And Seek Final' and 'The Batley Townswomen’s Guild Re-enacting Pearl Harbour'. This book will shine a light on all of these often-hilarious - but occasionally misfiring - curios. As well as the films and all 45 TV episodes, the record albums are also analyses for their content and how they differed from the TV show, as well as the books which came out as spin-off merchandise - but were never less than brilliantly entertaining for all that. How did Python come to be, what tensions were there between its stars, and what was the atmosphere like when the crew reunited to make the films long after they had left their TV show days behind them? All this will get an answer and much, much more... Now, do you want to read for five minutes, or the full half-hour?

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Book SynopsisFrom the revered classics of Akira Kurosawa to the modern marvels of Takeshi Kitano, the films that have emerged from Japan represent a national cinema that has gained worldwide admiration and appreciation. Directory of World Cinema: Japan provides an insight into the cinema of Japan through reviews of significant titles and case studies of leading directors, alongside explorations of the cultural and industrial origins of key genres. As the inaugural volume of an ambitious series from Intellect documenting world cinema, the directory aims to play a part in moving intelligent, scholarly criticism beyond the academy by building a forum for the study of film that relies on a disciplined theoretical base. It takes the form of an A–Z collection of reviews, longer essays and research resources, accompanied by fifty full-colour film stills highlighting significant films and players. The cinematic lineage of samurai warriors, yakuza enforcers and atomic monsters take their place alongside the politically charged works of the Japanese New Wave, making this a truly comprehensive volume.Trade Review'Editor John Berra announces in the acknowledgments that ‘this volume was never intended to be a conventional film guide’. Rather than the A-Z run through of titles, or a year-by-year account of the highlights, Berra’s Directory offers instead a series of chapters mainly grouped around genres. There is also, though, a section on three key directors (Takeshi Kitano; Satoshi Kon and Akira Kurosawa), a nod to the film of the year (Achilles and the Tortoise) and a chapter on ‘The Art Theatre Guild’.[...] There are also, however, many formal observations and little details of character from the writers that make the book worthwhile, no matter its limitations, none more so than Bob Davis’s astute comments on Oshima’s Boy, with its useful analysis of colour in the film. ' Edinburgh Review 'Editor John Berra announces in the acknowledgments that ‘this volume was never intended to be a conventional film guide’. Rather than the A-Z run through of titles, or a year-by-year account of the highlights, Berra’s Directory offers instead a series of chapters mainly grouped around genres. There is also, though, a section on three key directors (Takeshi Kitano; Satoshi Kon and Akira Kurosawa), a nod to the film of the year (Achilles and the Tortoise) and a chapter on ‘The Art Theatre Guild’.[...] There are also, however, many formal observations and little details of character from the writers that make the book worthwhile, no matter its limitations, none more so than Bob Davis’s astute comments on Oshima’s Boy, with its useful analysis of colour in the film. ' – Tony McKibbin, Edinburgh Review 'The writing throughout is of a consistently high standard, incorporating a range of analytical approaches (be it social-political, aesthetic, or genre-based) according to the writers’ preferences. By focussing mainly on the cultural import of films within specific genres, the directory presents a very catholic selection. Admirably un-snobbish in its treatment of all the covered films, the articles are always marked by the sense that those writing are genuine fans.' -- Tony McKibbin * Edinburgh Review * * Subtitled Online *Table of ContentsIntroduction by the Editor Film of the Year Achilles and the Tortoise Festival Focus Nippon Connection Industry Spotlight The Arts Theatre Guild Cultural Crossover Art & Film Directors Takeshi Kitano Satoshi Kon Akira Kurosawa Alternative Japan Anime / Animation Chambara / Samurai Cinema Contemporary Blockbusters Jidaigeki & Gendaigeki / Period & Contemporary Drama J-Horror / Japanese Horror Kaiju Eiga / Monster Movies Nuberu Bagu / The Japanese New Wave Pinku Eiga / Pink Films Yakuza / Gangster

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Book SynopsisGround-breaking in its departure from its predecessors, When Harry Met Sally (1989) established classic romantic comedy themes and tropes still being employed today. Placing the film in its historical, social and generic contexts, Tamar Jeffers-McDonald explores how writer Nora Ephron and director Rob Reiner used structure, filmic devices, music and classic romcom concepts in innovative new ways. In her fresh and timely appraisal of this definitive, much-loved classic, Jeffers McDonald reflects on the film's enduring legacy and influence on popular culture to give readers a wider perspective on the continuing evolution and importance of the romcom genre.Table of ContentsIntroduction and Acknowledgments.- 'When Harry Met Sally...'.- Notes.- Credits.

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Book SynopsisDuring a remarkable lifetime, Andrew Sinclair has bridged the worlds of university and literature, art and cinema. A child of the Second World War, he has known many of the leading figures of the past seventy years - ranging from William Golding to Ted Hughes, Harold Pinter to Francis Bacon, Robert Lowell to Graham Greene, as well as publishing such classic screenplays as 'The Blue Angel', 'The Third Man' and 'Stagecoach'. He also directed a number of films including Dylan Thomas's 'Under Milk Wood' starring Richard Burton, Elizabeth Taylor and Peter O'Toole. This unique `anti-memoires' of episodes and encounters captures new insights into many of the leading creative talents and stars of their times. In his own adventures, Andrew became involved in the revolt against the Suez invasion and overground nuclear tests, the Cuban revolution led by Fidel Castro and Che Guevara, the 1968 global student uprisings and finally in the worldwide digital revolution in education and the arts. Now in his ninth decade, this author of some 40 books, including the much-lauded The Breaking of Bumbo and Gog, Andrew Sinclair in the tradition of John Aubrey's Brief Lives looks back on a rich life and fond memories of the people he has studied and known.Table of ContentsIntroduction Birthing and Mother My Childhood, If Worth It The Wall and the Dame Summer and Bamber Public Duties Suez, Jack Gallagher and Denis Brogan Pamplona Tony Richardson What Career? John F. Kennedy Three Cultures Annihilation Blues Louis-Ferdinand Celine Albert Camus Haiti, Ho The Beats and a Continent Young Man River Francis Bacon Screenplays God and Golding In the Beginning, Dylan They Profit Count Me Out Havana Libre Endgame or Not Somehow 'Under Milk Wood' Acts and Illusions The Wonder of Children and Movies Silence or Speaking Out Sonia The Fabulous Portanovas Forgiven if not quite Forgotten Terror and Resistance Past and Play Life Lines Afterdeath and 'If ' 'Being and Seeing' The Dying Word Nothing is So

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Book SynopsisA work of the first still photographer to be E voted into the Motion Picture Academy of Arts and Sciences, who also took the last cinematic images of Steve McQueen and Bruce Lee.

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Book SynopsisThis book draws on the lived experience of sounds capacity to move and shake us in direct, subtle and profound ways through speech, location sound, and music in documentary film. The associative, connotative and sheer emotive power of sound has the capacity to move and shake us in a myriad of direct, subtle and often profound ways. The implications of this for its role as speech, location sound, and music in documentary film are far-reaching. The writers in this book draw on the lived experience of sounds resounding capacity as primary motivation for exploring these implications, united by the overarching theme of how listening is connected with acts of making sense both on its own terms and in conjunction with viewing. The resulting thirteen essays of Soundings: Documentary Film and the Listening Experience cover films made from WWII to the present day in locations across Europe and the Americas, and in styles ranging from political propaganda, industrial promotion and educative exposition, to more aesthetically-driven films taking their bearings from avant-garde art. The authors draw on their experience in scholarly research, practice-as-research, and in the aesthetic and technical practice of documentary filmmaking. This mix of perspectives aims to widen and deepen the outlook of the recent and growing academic interest in the topic of documentary film sound.Table of ContentsIntroduction; Stories from a stay at the Arena Hotel; Weave Me a Rainbow; ˈThe march, the march of colour and patternˈ: Music and cinematography at the service of the creative promotion of the 1960s Scottish woollen industry; Sonicules: Designing drugs with sound: approaches to 69 sound design for flm, audiovisual performance and interactive sonifcation; Auralising Action Space: channelling a sense of play in 85 documentary sound design; ˈThe flm looks like how Ornette soundsˈ: Shirley Clarkeˈs music documentary Ornette: Made in America Rosa Nogués; Progress Music; Creative use of voice in non-fction narrative flm: an examination of the work of Peter Mettler; Documentary flm as a backdrop for active thinking; Centrepiece: The unwanted sound of everything we think we want; The ˈAppassionataˈ Sonata in A Diary for Timothy; A ˈSymphony of Britain at Warˈ or the ˈRhythm of Workaday Britainˈ?: When the Pie Was Opened (1941) and the musicalisation of warfare; Building a sonic image of a nation: Finnish documentary and propaganda flms in the early decades of sound flm; Raúl Ruizˈs Now Weˈre Gonna Call You Brother and the 255 problem of the peopleˈs sonic representation; Afterword.

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Book Synopsis"Nordic Explorations: Film Before 1930" includes twenty previously unpublished essays written for the 1999 retrospective of Nordic cinema at la Giornate del Cinema Muto in Italy. It brings together leading research on early cinema in Denmark, Finland, Norway and Sweden, and includes essays on some of the major figures in Nordic cinema including Dreyer, Christensen, Sjostrom and Stiller. Much current research in Nordic film before 1930 is also represented in this anthology with studies of the Norwegian travel genre, Nordic animated film, the relation of Nordic cinema to German and Russian film, the development of educational cinema and industrial film, as well as studies of individual films, filmmakers and national styles, and the relation of the medium to other forms of popular entertainment.The essays make a timely contribution to the more general study of cinema, afford authoritative and stimulating insight into research in the field and challenge many assumptions regarding Nordic cinema before 1930.Table of ContentsIntroduction1. Denmark A Small Danish Player in a Big Market: A/S Filmfabriken Danmark's Output in Russia, 1913-1917, by Jan Nielsen; Nordisk Films Kompagni and the First World War, by Thomas C. Christensen; Red Satan: Carl Theodor Dreyer and the Bolshevik Threat, by Casper Tybjerg; Benjamin Christensen in Germany: The Critical Reception of His Films in the 1910s and 1920s, by Ib Monty; Palladium and the Silent Films with 'Long and Short', by Marguerite Engberg; A la recherche des films perdus: A Substantial Find of Early Danish Cinema, by Bo Berglund2. FinlandBorn Under the Sign of the Scarlet Flower: Pantheism in Finnish Silent Cinema, by Antti Alanen; Silents for a Silent People, by Peter von Bagh3. NorwaySisters of Cinema: Three Norwegian Actors and their German Film Company, 1917-1920, by Gunnar Iversen; Travel Films in Norway: The Persistence of the 'View' Aesthetic, by Bjorn Sorenssen; Caricatures, Cartoons and Advertisements: The Pioneers of Nordic Animated Film, by Gunnar Strom4. Sweden Exchange and Exhibition Practices: Notes on the Swedish Market in the Transitional Era, by Jan Olsson; Educational Cinema and Censorship in Sweden, 1911-1921, by Asa Jernudd; Seeing the World with Different Eyes, or Seeing Differently: Cinematographic Vision and Turn-of-the-Century Popular Entertainment, by John Fullerton; Towards Classical Narration? Georg af Klercker in Context, by Astrid Soderbergh Widding; 'A Dangerous Pledge': Victor Sjostrom's Unknown Masterpiece, Masterman, by Tom Gunning; Spearhead in a Blind Alley: Viking Eggeling's Diagonal Symphony, by Gosta Werner; Snow-White: The Aesthetic and Narrative Use of Snow in Swedish Silent Film, by Marina Dahlquist; Victor Goes West: Notes on the Critical Reception of Sjostrom's Hollywood Films, 1923-1930, by Bo Florin; Industrial Greta: Some Thoughts on an Industrial Film, by Mats Bjorkin

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Book SynopsisFilm music fans have eagerly awaited this fully updated and greatly expanded edition of Tony Thomas''s popular history of Hollywood film music (from the thirties through the nineties) as viewed through portraits of many of its foremost practitioners.

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Book SynopsisThis is the first book to fully integrate the technical aspects of screen directing with practical methods for directing actors, deeply and carefully exploring how these two primary aspects of the director''s craft work together. Viewed from a perspective that seeks a balance successful work with actors and technically high-level production values, the complete directing process is discussed in detail from the start of script development through the delivery of a finished project covering every aspect of preparation and decision-making with solid background information, practical suggestions, and clear illustrations. Topics include: Project development; Screenplay analysis; Choosing and working with a production team; Auditioning and casting; Script preparation; Using the language of acting; Working with a set; Understanding screen acting styles; Conducting a rehearsal; Blocking camera and actor moves; Using improvisation; Working with storyboards; The Hollywood continuity style; Choosing camera shots and lighting; Multi-camera directing; Preparing for each day''s shoot; Editing and working with editors and much more.

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Book SynopsisThis is a well-written, A-to-Z guide to producing movies, whether they are large-budget studio-backed productions or low-budget and mid-budget independents. Logically organised to follow a film''s usual timeline from conception to birth, this completely revised and updated edition of Lazarus''s ''The Film Producer'' includes thorough discussions of: DEVELOPMENT -- Acquisition of materials, choosing and working with writers, working with agents, working with studios, financing outside the studio system; PRE-PRODUCTION -- Roles and duties of the film crew and the producer''s team, budgeting, casting, shootings schedules; PRODUCTION -- Managing the movie and its budget, choosing and working with a director, production politics; POST-PRODUCTION Post-production process, post-production budget and schedule, editor''s cut, director''s cut, resolving creative disagreements; MARKETING -- Understanding the many facets of domestic and foreign distribution, developing and implementing marketing strategies, doing market research, previews, advertising, using the Internet and many, many other essential topics.

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Book SynopsisThis is a unique collection of pieces about the many filmmakers and writers from around the globe -- Europe, the Americas, Asia, the Middle East -- who populate Judy Stone''s world. In these articles, we clearly hear their voices as they talk art, politics, and culture. We get to see past the cinema screens and past the pages of books and hear lively conversations about personal freedoms, political change, nationalism, religion, women in society, gays in society, the influence of history, ideas about creating a better tomorrow, and much more. In this book, Stone talks with and writes about over 120 creative people who range from the pioneer Inuit filmmaker Zacharias Kunuk to the great Polish poet/essayist Czeslaw Milosz; from the innovative Iranian director Abbas Kiarostami to the writer/provocateur Jean Genet; from the tantalising Turkish storyteller Orhan Pamuk to the "underground" Chinese film-maker Jia Zhangke. From Israeli Amos Gitai to Palestinian Elia Suleiman, filmmakers whose films are devilish irritants to their own "tribes." From popular actors Jeremy Irons and Sinead Cusack to actor/filmmaker Liev Schreiber.

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Book SynopsisTwo successful movie and TV producers provide the reader with the tools needed to create, develop, and sell ideas to Hollywood. Producers Jonathan Koch ("Beyond the Glory") and Robert Kosberg (Deep Blue Sea) are known as the "Kings of Pitch." They currently have more than a dozen projects in development at major studios, including projects with Josh Lucas, Tobey Maguire, and Katherine Heigl.

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Book SynopsisMany of the animals you have seen in movies have been supplied by Gary Oliver. The animals come from Cinemazoo, Gary''s home for exotic pets of all kinds, from 10" millipedes to snapping turtles and alligators. On set, Gary is their wrangler: he makes them do what they are supposed to do. But, he is also their protector. Virtually all of his animals have been rescued, and he has taken on a mission to help others, especially young people, learn about responsible ownership and species preservation. Gary has gone through many doors in pursuit of his dream. It''s been a long journey to get here, and it''s not over yet. This book follows his adventures (and misadventures) on the road to Cinemazoo.

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