Films, cinema Books

Book SynopsisFilm Genre: Hollywood and Beyond provides a detailed account of genre history and contemporary trends in film genre, alongside the critical debates they have provoked. The book ranges widely across the field, dealing separately and in detail with not only classic genres - including the Western, the musical, the war film, the gangster film, and film noir - but also more recent trends such as body-horror, Holocaust film, and the action blockbuster. Throughout the book, genre is presented as a constantly evolving phenomenon. Writing in a sophisticated yet accessible style, Barry Langford shows how notions of genre help shape the ways that filmmakers, critics and audiences view films and how the often complex scholarly debates around genre reflect important differences in the ways cinema is understood in relation to its social and historical contexts. The book encourages students to interrogate and broaden received ideas about genre.Trade ReviewFilm Genre presents a thoroughgoing historical analysis, addressing the history of film production, the history of style, the history of individual genres and the history of genre criticism for each genre. Film International The author offers a hugely impressive yet concise account of genre theory, cycles and contemporary reportage - from Hollywood and beyond! Langford's book is a majextically informed achievement and a prodigiously detailed production. SCOPE: An Online Journal of Film Studies Film Genre presents a thoroughgoing historical analysis, addressing the history of film production, the history of style, the history of individual genres and the history of genre criticism for each genre. The author offers a hugely impressive yet concise account of genre theory, cycles and contemporary reportage - from Hollywood and beyond! Langford's book is a majextically informed achievement and a prodigiously detailed production.Table of Contents1. Who needs genres?; 2. Before Genre: Melodrama; Part One: Classical Paradigms; 3. The Western: Genre and History; 4. The Musical: Genre and Form; 5. The War/Combat Film: Genre and Nation; 6. The Gangster Film: Genre and Society; Part Two: Transitional Fantasies; 7. The Horror Film; 8. The Science-Fiction Film; Part Three: Post-Classical Genres; 9. Film Noir; 10. The Action Blockbuster; 11. Genre: Breaking the Frame; (i) Documentary; (ii) Holocaust Film; (iii) Pornography; 12. Conclusion: Transgenre?.

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Book SynopsisThe NAB Engineering Handbook is the definitive resource for broadcast engineers. It provides in-depth information about each aspect of the broadcast chain from audio and video contribution through an entire broadcast facility all the way to the antenna. New topics include Ultra High Definition Television, Internet Radio Interfacing and Streaming, ATSC 3.0, Digital Audio Compression Techniques, Digital Television Audio Loudness Management, and Video Format and Standards Conversion. Important updates have been made to incumbent topics such as AM, Shortwave, FM and Television Transmitting Systems, Studio Lighting, Cameras, and Principles of Acoustics.The big-picture, comprehensive nature of the NAB Engineering Handbook will appeal to all broadcast engineerseveryone from broadcast chief engineers, who need expanded knowledge of all the specialized areas they encounter in the field, to technologists in specialized fields like IT and RF who are interested Table of Contents1.1 The Electromagnetic Spectrum- John Norgard and Gregory L. Best1.2 Fundamentals of Broadcast Coverage- Doug Vernier1.3 Distance and Bearing Calculations- Dane E. Ericksen2.1 Broadcast-Related Organizations and Information- Loren White2.2 Broadcast-Related Regulatory Considerations: Environmental, Aeronautical, Safety, Online- David Oxenford2.3 Frequency Coordination for Broadcast Auxiliary Services- Dane E. Ericksen2.4 Frequency Allocation for Broadcasting and the Broadcast Auxiliary Services- William R. Meintel2.5 Analog and Digital Terrestrial Radio Standards- Stanley Salek and Lawrie Hallett2.6 HF Shortwave Radio: Allocation, Design Methods, and Regulation- James E. O'Neal2.7 Worldwide Standards for Analog and Digital Television- Aldo G. Cugnini2.8 Digital Audio Standards and Practices- Chip Morgan, Randall Hoffner, and Tim Carroll2.9 Digital Video Standards and Practices- Karl J. Kuhn2.10 Broadcasting Emergency Information- Gary E.Timm 3.1 Broadcast Engineering Management- Norman R. Swan3.2 Broadcast Engineering Documentation Management- David M. Baden3.3 Systems Integration and Project Management- Stephen Pumple3.4 Managing Workplace and Environmental Hazards- David Maxson3.5 Human Exposure to Radio Frequency Energy- Robert D. Weller3.6 Broadcast Facility Security, Safety, Disaster Planning, and Recovery- Richard Rudman, Thomas G. Osenkowsky, and Joseph Pollet4.1 Principles of Acoustics and Noise Control for Broadcast Applications- Ronald Eligator4.2 Planning a Radio Studio or Audio Production Facility- Stephen Poole4.3 Microphones for Broadcast Applications- Ty Ford and Greg Silsby4.4 In-studio Audio Recording for Radio and TV- Rich Rarey and Jeff Brugger4.5 Telephone Network Interfacing- Kirk Harnack and Joe Talbot4.6 Radio Remote Broadcasts- Lorna White4.7 Radio Station Automation, Networks, and Audio Storage- Eugene Novacek4.8 Digital Audio Compression Technologies- Schuyler Quackenbush and Fred Wylie5.1 Principles of Light, Vision, and Photometry- Jerry Whitaker5.2 Planning a Video Production and TV Studio Facility; Systems, Principles, Design, Architecture Ralph S. Blackman and David Guerrero 5.3 Lighting for Television- Bill Marshall and Cindy Hutter Cavell5.4 Television Playout and Content Delivery- Peter Wharton5.5 Television Camera Systems- Michael Bergeron, Steven Mahrer, Idin Roshan, and Martin Marietta5.6 Camera Supports- Martin Marietta5.7 Closed Caption Services- Chris Homer5.8 Workflow and Professional Media Networks- Brad Gilmer5.9 Digital Asset Management- Wendy Allen5.10 ATSC 1.0 Encoding, Transport, and PSIP Systems- Richard Chernock, Matthew S. Goldman, and Chris Lennon5.11 Video Compression- Peter Symes and Matthew S. Goldman5.12 Video Recording, Servers, and Storage- Karl Paulsen5.13 Format and Standards Conversion- Paola Hobson5.14 Digital Television Audio Loudness Management- Jim Starzynski5.15 Weather Radar Systems- Baron Services, Inc.5.16 Television Graphics- Kevin Entrekin, Chris Kelly, and Paul Lacomb5.17 ENG, SNG, and Remote Video Production- Tom Jennings and Stephen Alhart 5.18 Television Audio: Analog and Digital Systems- Tim Carroll and Jeffrey Riedmiller5.19 Intercom and IFB Systems- Vinnie Macri and Kari Eythorsson5.20 Ultra-High Definition Television- Matthew S. Goldman6.1 Audio Contribution and Distribution Methods- Skip Pizzi and John Kean6.2 Video Contribution and Distribution Methods Cindy Hutter Cavell6.3 Satellite Uplinks and Downlinks for Contribution and Distribution- Sidney M. Skjei6.4 STL Systems for Radio and TV- Ernest M. Hickin, James H. Rooney III, and Doug Irwin6.5 Transmitter Remote Control and Monitoring Systems- Paul Shulins6.6 Fiber Optic Transmission Systems- Jeff Juniet7.1 Planning Radio Transmitter Facilities- Paul Shulins and Thomas R. Ray III7.2 Transmission Audio Processing- Robert Orban7.3 Internet Radio Interfacing and Streaming- Greg Ogonowski7.4 AM Radio Broadcasting- Thomas G. Osenkowsky7.5 Medium Wave (AM) Transmitters- Jeff Welton and John Stanley7.6 AM and FM IBOC Systems and Equipment- Jeff Detweiler7.7 Worldwide Digital Radio Systems- Kenneth E. Colwell7.8 Medium Wave AM Broadcast Antenna Systems- Ronald D. Rackley7.9 Antenna Coupling and Phasing Systems- Tom King, Bobby Cox, and James Moser7.10 AM Diplexing, Combining, and Filter System Design- Ronald D. Rackley7.11 Synchronous AM Broadcasting- Stephen F. Smith7.12 AM Antenna System Maintenance- John F. Warner7.13 Antenna System Moment Method Modeling- W. Cris Alexander7.14 FM Radio Broadcasting- Geoff N. Mendenhall and Tim Anderson7.15 VHF (FM) Radio Transmitters- Jeff Welton7.16 Radio Data System- Scott A. Wright and Alan W. Jurison7.17 FM Broadcast Antennas- Thomas B. Silliman and Eric R. Wandel7.18 FM Combining and Filter System Design- Robert A. Surette and Shively Labs7.19 FM and AM Translators and Boosters- Ron Castro7.20 HF Shortwave Radio- J. Fred Riley and John O. Stanley7.21 Hybrid Radio and the Radio DNS Open Standards- Nick Piggott8.1 Planning a Television Transmitter Facilit-y David Sanderford and Matthew A. Sanderford8.2 Analog Television Transmitters- Fred Baumgartner8.3 Digital Television Transmitters- Fred Baumgartner8.4 Next-Generation DTV Systems- Walter Fischer8.5 Single-Frequency Networks for DTV Systems- Walter Fischer8.6 Single-Frequency Networks (SFNs) for Television – Digital On-Channel Repeaters, Distributed Transmitters, and Distributed Translators- S. Merrill Weiss8.7 Television Antenna Systems- Andre J. Skalina8.8 Television Filters, Combiners, and RF Components: Broadcast Television Co-Location Site Management- Daniel S. Fallon, Shane O'Donoghue, and Peggy Miles9.1 Tower Design, Erection, and Maintenance- John Wahba9.2 Lightning Protection for Tower Structures- Edward A. Lobnitz9.3 Tower Lighting and Monitoring- Richard G. Hickey9.4 Transmission lines for AM, FM, HF, and TV Stations and Associated Systems- Phillip Young, Nicholas Paulin, and Bill Harland10.1 Audio Signal Analysis- Stanley Salek., Thomas Kite, David Mathew, and John Kean10.2 AM Radio Performance Measurements- David Maxson10.3 AM Radio Antenna System and Field Strength Measurements- Jack Sellmeyer10.4 FM Antenna Performance Measurements- Martyn Gregory and Peter Long10.5 FM Radio Field Strength Measurements- Clarence M. Beverage and William P. Weeks10.6 Digital Television Proof of Performance Measurements- Mark H. Bricker and Steve Ramer10.7 TV Transmission Line and Antenna System Measurements- Todd R. Loney and Stephen N. Heazlewood10.8 VHF and UHF Television Antenna Test Range Measurements- John L. Schadler 10.90 VHF and UHF Television Field Strength Measurements- Daniel M. Barton11.1 Electrical Power Systems, Specification, Conditioning, Fault Protection- John N. West11.2 Facility Grounding Practice and Lightning Protection- Jeff Welton11.3 Media Archives- James Snyder

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Book SynopsisTrade ReviewSuperb... A brilliant writer, Jaffe deftly... [gives] the reader a window into a much wider world of cinema. Yet another excellent film book from Wallflower Press... commands the reader's attention. ChoiceTable of ContentsIntroduction Deadpan: Stranger Than Paradise, Deadman and The Second Circle Stillness: Elephant and Mother and Son Long Shot: Distant and Climates Wait Time: The Death of Mr. Lazarescu, 4 Months, 3 Weeks and 2 Days and Safe Drift and Resistance: Liverpool and Ossos Death-Drive, Life-Drive: A Talking Picture, Taste of Cherry, Five Dedicated to Ozu and Still Life Rebellion's Limits: The Turin Horse, Werckmeister Harmonies and 12:08 East of Bucharest Notes Index

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Book SynopsisChina's entry into the World Trade Organization in 2001 ignited a race to capture new global media audiences. This book examines this compelling dynamic, where the distinctions between Hollywood's dream factory and the PRC's Chinese dream of global influence become increasingly blurred.Trade Review"Timely and informative." * H-Diplo *"Hollywood Made in China is a timely contribution to film studies, media studies, and communication studies... impressive, far-reaching." * China Review *"Hollywood Made in China is an elegant account of Hollywood’s evolving engagements in China’s commercial film environment... an accessible, intriguing study of an unlikely liaison." * Modern Chinese Literature and Culture *"Like High Concept, scholar and industry consultant Justin Wyatt’s landmark 1994 book about Hollywood’s pivot towards packaged promotion - and merchandising-ready properties, Aynne Kokas’s Hollywood Made in China will be the seminal guidebook to understanding media in the era of the world’s pivot to China." - Karen Fang, University of Houston * China Review International *"A concise and lucid analysis." * China Quarterly *"...an informative book with updated real-world cases and textual analysis on Sino-US film co-production. For those less familiar with the topic, this book serves as a great introduction and resource." * Global Media and Communication *“Kokas’ work provides an insightful analysis of Sino-US co-ventures, and exemplifies an important approach to global media industries in general. . . .this is a groundbreaking book with an analysis that helps us understand how the Chinese government’s policy-making and Hollywood’s economic ambitions in the Chinese market complicate Sino-US media collaborations and construct ‘multilayered systems that unite the American and Chinese economies’.” * Asian Journal of Communication *Table of ContentsList of Illustrations Preface Acknowledgments List of Abbreviations Introduction 1. Policy and Superheroes: China and Hollywood in Sino-US Relations 2. Hollywood's China: Mickey Mouse, Kung Fu Panda, and the Rise of Sino-US Brandscapes 3. Soft Power Plays: How Chinese Film Policy Influences Hollywood 4. Whispers in the Gallery: How Industry Forums Build Sino-US Media Collaboration 5. Compradors: How Above-the-Line Workers Brand Sino-US Film Production 6. Farm Labor, Film Labor: How Below-the-Line Workers Shape Sino-US Film Production Conclusion Appendix 1: Examples of Sino-US Film Collaboration by Type Appendix 2: Chinese Character Glossary Notes Filmography Bibliography Index

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Book SynopsisThis text explores the evocations of place, and particularly American place, that have become central to the representational and narrative strategies of alternative and mainstream film and video.Trade Review"This book is MacDonald's magnum opus: it represents a deep immersion in and advocacy for independent, experimental cinema." -Patricia R. Zimmerman, author of States of Emergency:Documentaries,Wars, Democracies; "The Garden in the Machine is clearly MacDonald's major work. It is very original and wide reaching especially in its analysis of the relationship of American avant-garde films to the poetry and painting of the native landscape. MacDonald's authority is evident everywhere:he probably knows more about most of the films he discusses than anyone alive." -P. Adams Sitney, author of Modernist Montage: The Obscurity of Vision in Cinema and LiteratureTable of ContentsIntroduction 1. The Garden in the Machine Larry Gottheim's Fog Line, Thomas Cole's The Oxbow, J.{ths}J. Murphy's Sky Blue Water Light Sign, Panoramas 2. Voyages of Life Thomas Cole's The Voyage of Life, Larry Gottheim's Horizons 3. Avant-Gardens Kenneth Anger's Eaux d'artifice, Marie Menken's Glimpse of the Garden, Carolee Schneemann's Fuses, Stan Brakhage's The Garden of Earthly Delights, Marjorie Keller's The Answering Furrow, Anne Charlotte Robertson's Melon Patches, Or Reasons to Go on Living, Rose Lowder's Ecological Cinema 4. Re-envisioning the American West Babette Mangolte's The Sky on Location, James Benning's North on Evers, Oliver Stone's Natural Born Killers, Ellen Spiro's Roam Sweet Home 5. From the Sublime to the Vernacular Jan DeBont's Twister and George Kuchar's Weather Diaries 6. The City as Motion Picture The New York City Symphony: Rudy Burckhardt's New York Films, Weegee's Weegee's New York, Francis Thompson's N.Y., N.Y., Marie Menken's Go! Go! Go! Hilary Harris's Organism, Spike Lee's Do the Right Thing Panorama, the San Francisco City Film: Frank Stauffacher's Sausalito and Notes on the Port of St. Francis, Bruce Baillie's Castro Street, Michael Rudnick's Panorama, Ernie Gehr's Eureka and Side/Walk/Shuttle Coda--Deconstruction/Reconstruction: Pat O'Neill's Water and Power and Eugene Martin's Invisible Cities 7. The Country in the City Central Park, Jonas Mekas's Walden, William Greaves's Symbiopsychotaxiplasm: Take One 8. Rural (and Urban) Hours Hollis Frampton's Zorns Lemma, Robert Huot's One Year and Rolls 1971, Nathaniel Dorsky's Hours for Jerome, Peter Hutton's Landscape (for Manon) and New York Portrait, Part I 9. Expulsion from the Garden Thomas Cole's The Garden of Eden and Expulsion from the Garden, Julie Dash's Daughters of the Dust, Carl Franklin's One False Move, J.{ths}J. Murphy's Print Generation and Horicon 10. Satan's National Park Bruce Conner's Crossroads, Werner Herzog's Lessons of Darkness, Claude Lanzmann's Shoah, James Benning's Deseret and Four Corners 11. Benedictions/New Frontiers Chick Strand's Kristallnacht, Stan Brakhage's Commingled Containers, Andrew Noren's Imaginary Light, Leighton Pierce's 50 Feet of String, David Gatten's What the Water Said, nos. 1-3 Appendix: Distribution Sources for Films and Videos Notes Index

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Book SynopsisThe engaging, passionate, always-honest, and often-hilarious memoir of actor Ron Perlman--his triumphant story of perseverance and determination navigating the slippery slopes of Hollywood, with a foreword by Guillermo del Toro Ron Perlman was a kid who had a myriad of self-image issues, yet he triumphed in an industry that trades on image and self-confidence. He landed a leading role in Quest for Fire. He won a Golden Globe for Beauty and the Beast. And he played the title role in two Hellboy movies, becoming along the way an icon among sci-fi and comic book fans worldwide. Although his name may be unknown to some, most people know Ron Perlman''s face, despite the fact that for nearly half his career he''s been disguised under feature-altering foam-rubber prosthetics. On his offbeat path to success, Ron has amassed nearly 200 stage, TV, voiceover, and major motion picture credits, including roles in Drive, Pacific Rim, and a six-year gig as the badass biker boss Clay Morrow in Sons of Anarchy. In Easy Street (the Hard Way), Ron shares his life story, starting with his up-by-your-bootstraps background in New York''s Washington Heights. His father, a Swing Era drummer, gave up his dream in order to feed his sons while his mother worked as a municipal clerk. Ron''s hard-earned road to Easy Street included bouts of abject poverty, heartbreaking familial episodes, and a long, often uncomfortable struggle for self-acceptance. He sheds light on his life as a working actor and also offers behind-the-scenes insight into the working styles of internationally famous directors, including Jean-Jacques Annaud, Jean-Pierre Jeunet, and Guillermo del Toro (Hellboy and Academy Award-winning Pan''s Labyrinth). He provides his own peek into Hollywood, up close and personal, where he has encountered the likes of Marlon Brando, Sean Connery, Frank Sinatra, Sammy Davis, Jr., and others. Plus, he turns his eye on the trajectory of American culture--the good and the bad--as observed by a man who started out in a mom-and-pop world where the arts were disseminated by individuals rather than corporations.Easy Street (the Hard Way) will inspire anyone who has ever dared to dream and offers a roadmap to the next generation of dreamers.

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Book SynopsisExamines postmodern film aesthetics and challenges to the aesthetic paradigms dominating film analysisTrade ReviewIn this wonderfully succint book, one of the leading voices in feminist philosophical postmodernism addresses all of the salient issues in this arena. This is a thought-provoking volume for all readers interested in a critical framework with which to access the rich legacy of Hollywood film practices and images. -- Felicity Colman, Manchester Metropolitan UniversityTable of ContentsAcknowledgements Introduction 1. Classical/Post-classical/Postmodern 2. Nihilistic Postmodernisms 3. Affirmative Postmodernisms Conclusion Bibliography Index

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Book SynopsisAn inside look at parole board decision making and its consequences.Trade ReviewKeenly aware of the collaboration between postcolonial cinemas and political movements, Atwood explores the Iranian film industry of the 1980s and 90s. Reform Cinema in Iran vividly reveals how Iranian films of that era and new digital technologies that captured them, participated in the definition of democracy, human rights, and civil society in Iran, thereby supplanting the revolutionary rhetoric of resistance and imperialism that had swept the nation a decade earlier. -- Negar Mottahedeh, Duke University From mysticism to music videos Blake Atwood's Reform Cinema in Iran gives us a comprehensive and alternative lens to understand recent Iranian film. It is an important book for students and lovers of Iranian cinema. -- Roxanne Varzi, University of California, Irvine In Reform Cinema in Iran, Atwood masterfully captures the complex and paradoxical relations between filmmaking and the desire for reconfigurations of the revolution's objectives. Particularly significant is his analysis of how film as a medium and new technologies of representation were instrumental in setting the terms of the reform movement. An important contribution to the study of Iranian cinema and contemporary Iran's cultural production. -- Nasrin Rahimieh, University of California, Irvine Reform Cinema is not only an essential book for institutions that teach Iranian cinema, but also a very valuable source for those studying the reform movement's place in Iranian history. Film InternationalTable of ContentsA Note on Transliteration Acknowledgments Introduction: Revolutionary Cinema and the Logic of Reform 1. When Love Entered Cinema: Mysticism and the Emerging Poetics of Reform 2. Screening Reform: Campaign Movies, Documentaries, and Urban Tehran 3. Video Democracies: Or, The Death of the Filmmaker 4. Who Killed the Tough Guy? Continuity and Rupture in the Filmfarsi Tradition 5. Film Archives and Online Videos: The Search for Reform in Post-Khatami Iran Conclusion: Iran's Cinema Museum and Political Unrest Notes Bibliography Filmography Index

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Book SynopsisFeasting Our Eyes takes a second look at modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo.Trade ReviewIn Feasting Our Eyes: Food Films and Cultural Identity in the United States, Laura Lindenfeld and Fabio Parasecoli offer a comprehensive study of food films. They frame their discussion around multiple themes that connect food films to identity formation in the United States including race, ethnicity, gender, and sexuality. It is an essential read for all interested in the intersections of food, media, and identity. -- Peter Naccarato, co-author of Edible Ideologies: Representing Food and Meaning Feasting Our Eyes offers a thorough and thoughtful examination of food films at the nexus of consumption and citizenship. Lindenfeld & Parasecoli authoritatively argue that food films, although apparently progressive, in fact reinforce the very cultural and social dynamics they wish to critique. Decisive and taut, the book is a must-read. -- Kathleen LeBesco, author of Revolting Bodies? The Struggle to Redefine Fat Identity Feasting Our Eyes is a marvel. From the indie classic Babette's Feast to Disney's blockbuster Ratatouille, Lindenfeld and Parasecoli map the origins and evolution of American food films, revealing their ability to reflect and shape our corporeal, emotional, and gustatory desires. -- Amy Bentley, author of Inventing Baby Food: Taste, Health and the Industrialization of the American Diet Feasting Our Eyes offers an engaging new perspective on "food films," and how they are often as interesting for what they omit as what they include when it comes to representations of cultural identity. Highly recommended reading. -- Signe Rousseau, author of Food and Social Media: You Are What You Tweet Going beyond the obvious "good to eat, good to watch" analysis, Lindenfeld and Parasecoli offer both close-up and wide angle views on food and film, consolidating their considerable expertise to explore the aspirations and contradictions in American cinema. From Big Night to Ratatoille to Food, Inc, the authors unpack visual narratives to show how the desire for belonging in multicultural nations is often at odds with the commodification of authenticity and identity. This is one of the very few books to capture the complications of pleasure and oppression, particularly by noting the absence of labor and the need for reconciliatory, successful happy endings, where food soothes the challenges and disruptions to gender, race, and class hierarchies through consumption. -- Alice Julier, author of Eating Together: Food, Friendship, and InequalityTable of ContentsIllustrations Acknowledgments Introduction 1. Food Films and Consumption: Selling Big Night 2. Autonomy in the Kitchen? Food Films and Postfeminism 3. Magical Food, Luscious Bodies 4. Culinary Comfort: The Satiating Construction of Masculinity 5. When Weirdos Stir the Pot: Cooking Identity in Animated Movies 6. Consuming the Other: Food Films as Culinary Tourism Conclusion Notes Bibliography Index

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Book SynopsisTrade ReviewThis book provides a perfect introduction to the vampire subgenre that does not completely abandon historiography whilst vouching for a more organic thematic arrangement. Essential reading for vampire cinephiles and horror aficionados alike. -- Xavier Aldana Reyes The Gothic Imagination The Vampire Film is certain to provide a novel, penetrating look through the layers of meaning surrounding the bloodsucking undead. Rue Morgue The Vampire Film is well written and engaging. Jeffrey Weinstock has provided both scholars and general readers with yet another useful tool with which to hunt the vampire. -- Jim Holte Journal of the Fantastic in the Arts This timely book on the vampire film highlights the continued attraction of the genre. -- Juliette Wood FolkloreTable of ContentsIntroduction: Vampire Cinema 1. Vampire Sex 2. Vampire Technology 3. Vampire Otherness Coda: Vampirising Genre Filmography Bibliography Index

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Book SynopsisHow mainstream business news failed its readers and what it means for the future of the profession.Trade ReviewThe Watchdog That Didn't Bark, given its in-depth analysis across the landscape, steeped in history, and Starkman's keen understanding of the business of journalism, can stand as a potentially enduring case study of what went wrong and why. -- Alec Klein, director of the Medill Justice Project and award-winning investigative reporter formerly with the Washington Post Starkman is literally a reporter's reporter. As such, he gets to the bottom of the story of how the U.S. business press could miss the most important economic implosion of the past eighty years until it was too late, and he does so with prose that is intelligent, engaging, and erudite. I recommend The Watchdog without reservation. -- Eric Alterman, Brooklyn College, and media columnist, The Nation Here is the missing piece in the financial-crisis mystery: how did our vaunted business-journalism sector manage to miss the problem with mortgage-backed investments? The answer, as Dean Starkman shows us in this amazing autopsy, is that the business outweighs the journalism and that it is getting worse, not better, as we go forward. -- Thomas Frank, author of Pity the Billionaire: The Hard-Times Swindle and the Unlikely Comeback of the Right Journalism was complicit in the predation and corruption that brought down world financial markets and wrecked the lives of millions. Obsessed with shallow scoops, giddy from the laughing gas of access, financial journalists abjectly failed to connect dots, and left abusive, reckless, and criminal corporations free to drag the global economy into the abyss. Dean Starkman is the author we have been waiting for to tell this story. He not only puts forward a keen, subtle, and fair account of the journalistic default, he names names. -- Todd Gitlin, author of Media Unlimited: How the Torrent of Images and Sounds Overwhelms Our Lives With American journalism at sea, here comes a navigator who really knows its mission, the riptides it is facing, and the ports it must reach. Starkman tells it all with the heart, clarity, and dry wit that redeem business journalism even while showing how it lost its anchor and compass. -- Jim Sleeper, former editor and columnist at Newsday and the New York Daily News Journalists did not miss the subprime lending that spun into the devastating financial collapse of 2008. Excellent reporting was available, from the Financial Times to the Los Angeles Times to a small alternative publication, Southern Exposure. Yet Dean Starkman shows that even reporters who were on top of things buried the lead: the story was not new financial instruments, risky investments, or high-pressured Wall Street. The story was corruption. There were old-fashioned, greedy villains. Old-fashioned moralizing was called for. It would have had the advantage of being both true and fascinating. So how did so many fine journalists miss the big story? Read Starkman's powerful and disturbing analysis of how business journalism came to write for an audience of investors, not citizens. You may not share his every judgment, but this account has the advantage of being both true and fascinating. -- Michael Schudson, Columbia Journalism School, author of The Power of News As fair and balanced as a solar-plexus punch can be. Kirkus Reviews Starkman provides keen analysis of how the media failed in its mission at a crucial time for the U.S. economy. Booklist Compelling... Starkman offers an excellent and clear theoretical explanation for some of the problems with watchdog journalism generally. International Journal of Communication Detailed and fully satisfying... Criminal Law and Criminal Justice Books The Watchdog That Didn't Bark adds greatly to our understanding of business journalism and the country's most recent financial meltdown. Starkman writes that it is intended for lay readers, but journalism students and historians will find much value here as well. H-NetTable of ContentsAcknowledgments Introduction: Access and Accountability 1. Ida Tarbell, Muckraking, and the Rise of Accountability Reporting 2. Access and Messenger Boys: The Roots of Business News and the Birth of the Wall Street Journal 3. Kilgore's Revolution at the Wall Street Journal: Rise of the Great Story 4. Muckraking Goes Mainstream: Democratizing Financial and Technical Knowledge 5. CNBCization: Insiders, Access, and the Return of the Messenger Boy 6. Subprime Rises in the 1990s: Journalism and Regulation Fight Back 7. Muckraking the Banks, 2000-2003: A Last Gasp for Journalism and Regulation 8. Three Journalism Outsiders Unearth the Looming Mortgage Crisis 9. The Watchdog That Didn't Bark: The Disappearance of Accountability Reporting and the Mortgage Frenzy, 2004-2006 10. Digitism, Corporatism, and the Future of Journalism: As the Hamster Wheel Turns Notes Bibliography Index

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Book SynopsisA food history that illuminates a community’s struggle for survival.Trade ReviewChow Chop Suey is an eye-opener, a book that will give everyone a deep appreciation of the exquisite skill required to produce authentic Chinese food and the sweep of history that brought Chinese cooking to America. Anne Mendelson's prodigious research has given us a highly respectful, insightful, refreshing, wonderfully written, and utterly compelling account of the role and plight of Chinese restaurant workers in this country. I learned something new on every page. -- Marion Nestle, professor of nutrition, food studies, and public health at New York University and author of Soda Politics Well-written and impeccably researched, Chow Chop Suey is a beautiful ode both to the history of Chinese Americans and the intriguing ways in which China's rich food culture continues to take root here and flourish. Anne Mendelson's section on Chinese American cookbook writers is nothing less than a classic, for she brings sense and order to a long overlooked field with her customary clear perspective and dry wit. Mendelson is one of my favorite food writers and I'd expect nothing less, but this time she's outdone herself. -- Carolyn Phillips, author of All Under Heaven: Recipes from the 35 Cuisines of China and The Dim Sum Field Guide There are other accounts of the American enthusiasm for Chinese food and the simultaneous persecution of Chinese immigrants. What makes Anne Mendelson's Chow Chop Suey unique is how it integrates cooking styles with American and Chinese cultural contrasts. Mendelson never loses sight of the food and how Chinese restaurants and American "experts" of various sorts shaped a cuisine that was both exotic and irresistible. No one has discussed in such a fascinating and authoritative way the American misunderstanding of basic Chinese culinary principles, the importance of a few key cookbooks and restaurants, and the gradual awakening of American palates to something resembling actual Chinese food in the postwar decades. Fun to read, judicious, and above all authoritative. -- Paul Freedman, author of Out of the East: Spices and the Medieval Imagination Chow Chop Suey is a well-written and insightful guide to the Chinese food scene in America. In a field full of myths, Anne Mendelson's book is accurate and detailed. A delightful read! -- Eugene N. Anderson, author of, Food and Environment in Early and Medieval China Anne Mendelson brings together political and culinary history, showing that it was by inventing quasi-Chinese dishes that titillated American palates that Cantonese immigrants found a way to survive anti-Asia persecution. Gripping, authoritative, and timely. -- Rachel Laudan, author of Cuisine and Empire: Cooking in World History A deeply researched look at the history of Chinese food in the U.S. I'll be dipping into it for years. Wall Street Journal A timely and nuanced reminder that Chinese-American identity has long been conflated with Chinese food. -- Peter Ho Davies Times Literary Supplement Anne Mendelson writes like the engaged scholar she is, with dry wit and easy, uncompromising erudition... [Chow Chop Suey] is full of wonder. New York Times A solid choice for readers interested in Chinese immigration and U.S.-China history, as well as those curious about American foodways and culinary culture. Library JournalTable of ContentsAcknowledgments A Note on Romanization and Terminology Introduction Prologue: A Stroke of the Pen Part I 1. Origins: The Toisan-California Pipeline 2. The Culinary "Language" Barrier 3. "Celestials" on Gold Mountain 4. The Road to Chinatown Part II 5. The Birth of Chinese American Cuisine 6. Change, Interchange, and the First Successful "Translators" 7. White America Rediscovers Chinese Cuisine 8. An Advancement of Learning 9. The First Age of Race-Blind Immigration Postscript: What Might Have Been Notes Glossary Bibliography Index

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Book SynopsisSince 2016, podcasting legend Jeff Cannata has delighted The Filmcast listeners with show-stopping movie reviews in poetic form. Now, lovers of the silver screen can enjoy reels of these laugh-out-loud limericks in Best Summed Up: a must-have quiz compendium for cinephiles.From applauding filmmaking mastery in box office sell-outs to damning dismissals of action big hitters that have missed the mark, Cannata critiques every genre of contemporary film and unpicks all must-see releases from 2018 to 2024 with his signature wit and wisdom.The challenge is simple: readers must identify the film described by each verse in five, delightfully moreish levels of brain-teasing poems. So grab some popcorn and see if you can achieve award-winning status of your own by completing the ultimate test for movie buffs.I guess my thoughts on ______ are best summed up in the form of a limerick...

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Book SynopsisOverwhelming evidence indicates that new social workers going into child welfare or other trauma-related care discover emotional challenges. In a textbook that bridges the gap between theoretical and pragmatic approaches, Jason M. Newell provides a solution by conceptualizing self-care as the key to professional resilience.Trade ReviewNewell emphasizes the importance of professional self-care as it relates to providing ethical and quality services to others who are vulnerable and needing help. Clearly, if as helping professionals we do not take the first breath of oxygen, how is it possible to help others breathe? -- Carolyn Szafran, Washburn University Jason M. Newell's important book is a wake call to the field of social work and its accrediting body; that self-care is the key to professional resilience. Awake and read this book! -- Charles R. Figley, Tulane UniversityTable of ContentsPrefaceAcknowledgments1. An Introduction to Resilient Practice Through Holistic Self-CareSection 1: Theory, Conceptualization, and Measurement2. Understanding the Connection Between Stress and Trauma 3. Chronic Empathy and Trauma in Human Service Work: Implications for Social Service Professionals4. Understanding and Preventing the Effects of Professional Burnout and Indirect Trauma: An Individual and Organizational Challenge5. Assessment and Measurement of Occupational Stress and TraumaSection 2: A Holistic Framework for the Application of Self-Care Practices6. The Essential Practice of Professional Self-Care: The Key to Professional Resilience7. Preserving Professional Resilience: The Ongoing Practice of Holistic Self-Care8. The Ethical Obligation of Professional Self-Care, with James L. Jackson Jr.9. Trauma-Informed Education, Training, and Professional Development10. The Use of Mindfulness Practice as a Function of Self-CareEpilogue: Finding Balance in Social Work Practice: Self-Care as Practice WisdomWorksheetsPersonal Reflection Exercise: Resilience and Self-AppreciationPersonal Reflection Exercise: Engaging Group Discussion on TraumaSample Assignment: Deep Breathing ExerciseSample Assessment of Organizational Strengths and ChallengesSelf-Care Process: Setting Organizational GoalsSelf-Care Process: Setting Personal GoalsProfessional Development Assignment: Construct a Plan of Personal and Professional Self-CareSuggestions for Developing a Comprehensive Plan of Self-CareSample Goals and Objectives for a Plan of Self-CareBlank Template for a Comprehensive Plan of Self-CareSample Self-Care Plan: Personal TableSample Assignment: Journaling MindfullyBibliography of Recommended ReadingsBibliography of Suggested Internet ResourcesGlossaryReferencesIndex

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Book SynopsisKamera.co.uk, the self-styled 'intelligent film website' goes offline with the first issue of its new bi-monthly incarnation. Each issue leads with a themed section and also includes an extensive article on a major film-maker, regular columns on film festivals, documentary and short films, and a comprehensive reviews section featuring all the latest books, videos and DVDs...making kamera the essential companion to world cinema today.Table of Contents1. Lead themed article: What's so good about 70s American cinema? Loads of contributors argue the case for the last golden age of film-making. Current review coverage of 'It Don't Worry Me' (Faber) and on-going popularity of 'Easy Rider's, Raging Bulls' should ensure interest. 2. Film-maker profile/interview: Atom Egoyan (The Sweet Hereafter, etc, whose new film, Ararat, is released this summer) 3. Short film: Short film-maker Mathieu Ravier's regular column starts here. 4. Verite: Film-maker Searle Kochberg on the world of documentary film. 5. Festival Roundup: There's a film festival somewhere in the world every week, and kamera is at most of them. 6. Film Book Reviews - the most comprehensive film book review selection available anywhere. 7. DVD/Video reviews - the best world cinema recently issued for home entertainment 8. Film Music reviews - the lowdown on current soundtracks from Paul Tonks, author of the Pocket Essential guide to Film Music.

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Book SynopsisNEW YORK TIMES BESTSELLERFrom Academy Award winner and bestselling author Diane Keaton comes a candid, hilarious, and deeply affecting look at beauty, aging, and the importance of staying true to yourself—no matter what anyone else thinks.   Diane Keaton has spent a lifetime coloring outside the lines of the conventional notion of beauty. In Let’s Just Say It Wasn’t Pretty, she shares the wisdom she’s accumulated through the years as a mother, daughter, actress, artist, and international style icon. This is a book only Diane Keaton could write—a smart and funny chronicle of the ups and downs of living and working in a world obsessed with beauty.   In her one-of-a-kind voice, Keaton offers up a message of empowerment for anyone who’s ever dreamed of kicking back against the “should”s and “supposed to”s that undermine our pursuit of beauty in all its forms. From a mor

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Book SynopsisFor so many around the world, it was in the cinema that they saw their first glimpse of martial arts. Through the films of Lau Kar Leung, among others, they came to appreciate the power and skill of many kung fu techniques. However devotees and practitioners of kung fu and Hung Kuen were aware of the much longer tradition of these arts and in particular, the contribution of both the Lam family and the Lau family.In 2009 the Hong Kong Government endeavoured to identify and recognize forms of intangible cultural heritage. It was this awareness of a vibrant part of Hong Kong history and culture which led to the creation of the Hong Kong Martial Arts Living Archive, and from this the exhibition, Lingnan Hung Kuen Across the Century: Kung Fu Narratives in Hong Kong Cinema and Community. In the exhibition and this companion book, the histories of the Lam and Lau families are traced, and their role in preserving and creating new stances and forms and bringing Hung Kuen to a wider audience through the medium of film. Using the latest technologies including 3D imagery, the work of past masters has been here brought back to life.Table of Contents 1. Legacy of Lam Family Hung Kuen 2. Lau Kar Leung's Hung Kuen Cinema: A Martial Arts Perspective 3. The Paradoxes of Tradition: Lau Kar Leung at Shaw Brothers 4. The Golden Age of Hand-Painted Movie Posters from Ghana, West Africa mid 1980s–1999 5. The Museological Re-enactment of Lingnan Hung Kuen

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Book SynopsisManohla Dargis explores the careers of director Curtis Hanson and writer James Ellroy, based on interviews with both men, to dig deep into the film's obsession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.

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Book SynopsisMANHATTAN ON FILM 2

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Book SynopsisThe action adventure 300: Rise of an Empire is the highly anticipated follow-up to the 2007 international blockbuster 300.Based on Frank Miller''s latest graphic novel Xerxes, 300: Rise of an Empire is produced by Gianni Nunnari, Mark Canton, Zack Snyder, Deborah Snyder and Bernie Goldmann, and directed by Noam Murro from a screenplay by Zack Snyder & Kurt Johnstad. Told in the breathtaking visual style of 300 this new chapter of the epic saga takes the action to a fresh battlefield--on the sea--as Greek general Themistokles (Sullivan Stapleton) attempts to unite all of Greece by leading the charge that will change the course of the war. 300: Rise of an Empire pits Themistokles against the massive invading Persian forces led by mortal-turned-god Xerxes (Rodrigo Santoro), and Artemisia (Eva Green), vengeful commander of the Persian navy.300: Rise of an Empire also stars Lena Headey, Hans Matheson, and David Wenham, and will be released

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Book SynopsisThe Tales of Hoffmann (1951) is a unique and important film, both in the history of British cinema and in the history of interdisciplinary art-making. It is the first full-throttle presentation of an opera on screen: a Technicolor exploration of romance, fantasy, and failure, more danced than sung.Trade ReviewLike the best in the BFI Film Classics series, William Germano's study is at once brisk and lush. The book's virtues include how vividly it establishes a context for understanding its subject, a context that includes the opera on which the film is based; the stories on which the opera is based; other films by Powell and Pressburger (most crucially The Red Shoes); other films, from the silent Waxworks to George Romero's zombie cycle; live opera (and here Germano's knowledge is especially deep and illuminating); and painting. The book ranges widely but it also plunges deeply into an engrossing, moment-by-moment descriptive analysis of Powell and Pressburger's film. Here the interdisciplinary approach the author takes infuses his close consideration of such cinematic techniques as camera movements, off-screen space, and editing. Through his intent focus on one film, Germano has produced a rich, tightly circumscribed meditation on much broader subjects, from the nature of cinema to the nature of opera to what happens when the two are interfused in Powell and Pressburger's unique cinematic reworking—and transposition into spatial terms—of the essentially vocal material that is their source. Coupled with the Criterion DVD, Germano's book provides a rare opportunity for a concentrated, sensuous, and intellectual excursion into one of the stranger and more hallucinatory territories ever mapped out on film. -- Case Western Reserve University * Professor Rob Spandoni *Table of ContentsAcknowledgments .- 1. The Archers Take Aim .- 2. Three Tales of and about Hoffmann .- 3. Film and Opera after Hoffman .- Technical Details .- Notes .- Credits .- Bibliography.

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Book SynopsisPaolo Sorrentino has emerged as one of the most compelling figures in twenty-first-century European film. This book is a critical examination of Sorrentino’s work, focusing on his emergence as a preeminent transnational auteur.Trade Review...Kilbourn’s monograph will form a solid foundation for what will likely be an outpouring of English-language writing on the director as he continues to produce works for a global audience. -- Allison Cooper, Bowdoin College * Journal of Italian Cinema and Media Studies *I highly recommend this book. It is a treasure trove of material and insight: assiduously researched, built upon minute observation, and grounded in important issues around Sorrentino and contemporary transnational cinema and media. It will be a touchstone for Sorrentino studies, setting a very high bar for its successors -- Frank Burke, Queen’s University * Italian Studies *With each new film, the need for a book capable of bridging the local and global and of accounting for the problematic aspects of Sorrentino’s aesthetic has become ever more pressing. That need has now been met. Film by film, Kilbourn maps and explains Sorrentino’s evolving aesthetic with great dexterity, clarity, and intellectual rigor, making a strong case for Sorrentino’s status as one of the most important cinematic artists of our age. This book is invaluable for newcomers and specialists alike and will undoubtedly become an essential touchstone for all future studies of the director. -- Alex Marlow-Mann, University of KentThis elegantly written book is the first extensive study in English of Italy’s leading contemporary director. It places Sorrentino more firmly on the Anglophone film-critical map, and offers an insightful reading of each of his films. Kilbourn is also incisive on the politics of the auteur that have elevated Sorrentino internationally and on his films’ sometimes problematic gender politics. As such, this book is a welcome and thorough examination of Sorrentino as an intermedial and transnational auteur, and will be required reading for all those interested in contemporary Italian cinema. -- Catherine O'Rawe, author of Stars and Masculinities in Contemporary Italian CinemaThe Cinema of Paolo Sorrentino will be a touchstone for future work on the director. Nothing of the sort exists that engages with Sorrentino’s entire oeuvre. Kilbourn writes in a lively, clear, and engaging tone, translating concepts from a wide array of fields in a very accessible fashion. The astute and highly original analyses of Sorrentino's films will make important contributions to film genre studies, discourses around auteurism, and the stakes of transnational cinema. -- Dana Renga, author of Mafia Movies: A ReaderRichly researched and ultimately rewarding book. * Studies in European Cinema *Newcomers to Sorrentino who seek a guided entry into his works as well as experts who want to prod deeper will find a valuable and enriching experience with this text. * University of Toronto Quarterly *Table of ContentsAcknowledgmentsIntroduction: Commitment to Style1. One Man Up (L’uomo in piú): The Consequences of Coincidence2. The Consequences of Love (Le conseguenze dell’amore): This Must Be the (Non-) Place3. The Family Friend (L’amico di famiglia): “Ridiculous Men and Beautiful Women”4. “What Will They Remember About You?” Il Divo and the Possibility of a Twenty-First-Century Political Film5. This Must Be the Place: From the Ridiculous to the Unspeakable (A Holocaust Road Movie)6. The Great Beauty (La grande bellezza): Reflective Nostalgia and the Ironic Elegiac7. Youth (La giovinezza): Between Horror and Desire (Life’s Last Day)8. Ceci n’est pas un pape: Postsecular Melodrama in The Young PopeCoda: Toward a Post-Political Film: Loro and the Mediatic ElegiacConclusion: Style as CommitmentNotesBibliographyIndex

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Book SynopsisTom Ryall teaches Film Studies at Sheffield Hallam University and is author of Alfred Hitchcock and the British Cinema (Continuum, 2000).

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Book SynopsisDrawing upon the expertise of film scholars from around the world, Puzzle Films investigates a number of films that sport complex storytelling--from Memento, Old Boy, and Run Lola Run, to the Infernal Affairs trilogy and In the Mood for Love. Unites American independent' cinema, the European and International Art film, and certain modes of avant-garde filmmaking on the basis of their shared storytelling complexity Draws upon the expertise of film scholars from North America, Britain, China, Poland, Holland, Italy, Greece, New Zealand, and Australia Trade Review"Barratt makes excellent use of graphics to help illustrate the strategies employed by Shyamalan to prevent the first-time viewer anticipating the aforementioned twist . . . ultimately though, Buckland's collection does provide a thought-provoking study of what has become an important genre in contemporary cinema." (Scope Book Reviews, 1 February 2011) "A timely and insightful guide to some of the more complex and labyrinthine currents in recent cinema, drawing on an admirable range of examples from around the globe. Geoff King, Professor of Film and TV Studies, Brunel UniversityTable of ContentsList of Contributors vii Introduction: Puzzle Plots 1Warren Buckland 1 The Mind-Game Film 13Thomas Elsaesser 2 Making Sense of Lost Highway 42Warren Buckland 3 “Twist Blindness”: The Role of Primacy, Priming, Schemas, and Reconstructive Memory in a First-Time Viewing of The Sixth Sense 62Daniel Barratt 4 Narrative Comprehension Made Difficult: Film Form and Mnemonic Devices in Memento 87Stefano Ghislotti 5 “Frustrated Time” Narration: The Screenplays of Charlie Kaufman 107Chris Dzialo 6 Backbeat and Overlap: Time, Place, and Character Subjectivity in Run Lola Run 129Michael Wedel 7 Infernal Affairs and the Ethics of Complex Narrative 151Allan Cameron and Sean Cubitt 8 Happy Together? Generic Hybridity in 2046 and In the Mood for Love 167Gary Bettinson 9 Revitalizing the Thriller Genre: Lou Ye’s Suzhou River and Purple Butterfly 187Yunda Eddie Feng 10 The Pragmatic Poetics of Hong Sangsoo’s The Day a Pig Fell into a Well 203Marshall Deutelbaum 11 Looking for Access in Narrative Complexity. The New and the Old in Oldboy 217Eleftheria Thanouli Index 233

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Book SynopsisComprehensive and insightful, , is the ultimate companion to the master director's latest work. Inspired by William Lindsay Gresham's cult 1947 novel, Nightmare Alley stars Bradley Cooper as Stanton "Stan" Carlisle, a talented but troubled drifter who takes up with a travelling carnival. Ingratiating himself with its troupe of misfits, Stan swindles his way to fortune and fame, but when he meets psychiatrist Lilith Ritter (Cate Blanchett), his greed and duplicity will put him on the path to self-destruction. Also starring Toni Collette, Willem Dafoe, Richard Jenkins, and Rooney Mara, Nightmare Alley is del Toro's most ambitious film to date, an engrossing yet disturbing journey into the psyche of a tragic swindler whose own nature seals his fate. This deluxe volume delves into the creation of all aspects of the film through extensive interviews with del Toro and his cast and crew, including writer Kim Morgan, with whom he collaborated closely on the script. This incisive commentary is illustrated with a broad range of striking visuals from the production-including concept art and unit photography-that illuminate the film's two distinct worlds: the ramshackle life of the travelling carnival and the sophisticated art deco trappings of 1940s Buffalo, New York.

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Book SynopsisWhat combination of factors facilitates a breakthrough, and how does the recipe change over time?Trade ReviewAppetite for Innovation offers a backstage view of one of the world's most interesting restaurants, its remarkable laboratory, and the foundation that was created after Ferran Adria made the unusual decision to close his hugely successful restaurant. M. Pilar Opazo was afforded unusually close access, and her insider account is rich and intriguing. The processual view of innovation is useful, as it highlights the many elements that are needed to be galvanized in support of an expansive vision. -- Walter W. Powell, Stanford University Opazo gives us the inside story of elBulli, a restaurant whose climb to global influence mirrors the culture of today's innovation economy, and its charismatic chef Ferran Adria, whose passion for creating a new cuisine is driven as much by science as by art. This book will fascinate all kinds of innovators and entrepreneurs-and those who want to understand how a creative organization works. -- Sharon Zukin, author of Naked City: The Death and Life of Authentic Urban Places Itself an exemplar of creativity and innovation, Appetite for Innovation opens elBulli to reveal the systematic structures and practices that brought world renown to a small restaurant in the mountains of Spain. A beautifully written, analytically sharp ethnography, Opazo's book is a must-read for organizations of all kinds, scholars, chefs, entrepreneurs, culture specialists, and foodies everywhere. -- Diane Vaughan, Columbia University The tendency when discussing the success of elBulli has been simply to proclaim the genius of chef Ferran Adria, but Opazo shows that genius is not enough. To have an impact beyond a narrow coterie requires a disciplined and organized inventory of accomplishments and the ability to win over adherents. She thus reveals the infrastructure of success and the paradoxical relationship between willingness to destroy previous accomplishments and practices to push forward an unstable creativity. -- Paul Freedman, Yale University Innovation? Creativity? Opazo poses the perennially vexatious question of their relationship. The answers that this illuminating study suggests bear both on the sociology of organizations and the organization of creativity. In an ethnographic investigation of Ferran Adria's celebrated restaurant, Opazo brings to bear the sociologist's attention to social structure, the historian's understanding of archives, and the journalist's feel for the striking detail. Appetite for Innovation is as great a pleasure to read as it is profitable to contemplate. -- Priscilla Parkhurst Ferguson, Columbia University Working at the creative intersection of organizational sociology, and sociology of knowledge and culture, Opazo provides a sharp framing of the routinization of innovation and charisma at elBulli, the highest ranked restaurant in the over-heated world of haute cuisine. In the process she pushes the ethnography of the commercial kitchen towards the study of scientific laboratories and art worlds, investigating their epistemic practices, organizational innovations and creative rhetorics. Appetite for Innovation is a terrific book to study and teach organizational innovation and field transformation. -- Krishnendu Ray, New York University, president of the Association for the Study of Food and Society, and author of The Ethnic Restaurateur Opazo has written a fascinating organizational and business analysis of the restaurant and, in the process, produced an insightful account of how a culture of innovation can be achieved and sustained. Forbes.com Opazo examines elBulli with a sharp sociological eye, creating a detailed case study in what she calls the 'production of innovation.' -- Theodore Kinni Strategy + Business Opazo's investigation will engage anyone interested in the intersection of business, creativity and organizational behaviour. -- Sarah Murdoch The Toronto StarTable of ContentsAcknowledgments Introduction 1. Context and Vision 2. From Chaos to Order: ElBulli's System of Continuous Innovation 3. Diffusion and Institutionalization of Innovation 4. The Bittersweet Taste of Relentless Innovation 5. Cooking Up a New Organization Conclusion Notes References Appendix Index

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Book SynopsisTraces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and videoTrade Review[A] wild ride of a book... Elwes has made an admirable assault on the field and I am sure this book will influence generations of students. Art Monthly Fascinating. Cinema TechnologyTable of ContentsAcknowledgements Introduction 1. Architecture 2. Painting 3. Sculpture 4. Performance 5. Film History 6. Film as Film 7. Structural Film: Detractions and Revisions 8. The Dialectics of Spectatorship 9. Expanded Cinema 10. Sound 11. Video Installation 12. Closing Thoughts Bibliography Index

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Book SynopsisExplores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archivesTrade ReviewThe inexperienced film programmer's guidebook as well as the burgeoning film scholar's foundational text on the subject. Cineaste An ambitious primer... Film Programming: Curating for Cinemas, Festivals, Archives is a valuable asset. -- Marisa C. Hayes Historical Journal of Film, Radio, and TelevisionTable of ContentsAcknowledgementsIntroduction1. Reflection2. Cinephilia as a Curatorial Element3. The Network of Intermediaries4. Curating Film Theatres5. Curating Film Festivals6. Curating Film Archives7. Case Studies8. Conclusion: Final WordsBibliographyIndex

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Book SynopsisA fresh interpretation of Nietzsche's engagement with the work of Paul the Apostle, reorienting the relationship between the two thinkers while embedding modern philosophy within early Christian theology.Trade ReviewWritten in a precise and economical style, crystallizing its points with aphoristic clarity, Nietzsche Versus Paul reconstructs a series of "Christian" moments found throughout the Nietzschean corpus and so reveals a surprisingly consistent, sophisticated, and cunning structure. This contribution goes far beyond the circles of Nietzsche scholarship, where it will certainly be received as a fresh and powerful intervention. Indeed, it is an original conceptualization of atheism, nihilism, secularization, and modernity as well, and will be warmly received by scholars of philosophy and religion, especially, those interested in their intersection. -- Judith Butler, University of California, Berkeley Nietzsche versus Paul is a wonderful, philosophically engaging book, meticulous -- even relentless -- in its argumentation, arresting in its interpretive scope, and dedicated to the surprisingly neglected presence of Christianity in Nietzsche. -- Gil Anidjar, Columbia University A brilliant reconstructive projective which fills a genuine lacuna in recent scholarship in history, philosophy, and theology alike. Nietzsche versus Paul is coherent, well formulated, and of extraordinary importance for all of the larger philosophical and historical discussions which have emerged, surprisingly, to become some of the most pressing 'theory' topics of our time. -- Ward Blanton, University of KentTable of ContentsAcknowledgments List of Abbreviations Introduction 1. From Dionysian Tragedy to Christianity 2. From Judaism to Christianity 3. Jesus-Christ and the Two Worlds of Early Christianity 4. Paul: The First Christian 5. Science and Art After the Death of God 6. Beyond Modern Temporality Notes Bibliography Index

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Book SynopsisTable of ContentsAcknowledgements Introduction: Russ Meyer and Me 1. The Pussycats Gear Up 2. The Pussycats Find Their Audience 3. Seeing America First 4. Pussycats and Satyrs 5. A Velvet Glove Cast in Iron Notes Bibliography Index

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Book SynopsisTrade ReviewRonojoy Sen has produced a fascinating, rich, and thoroughly engaging history of sport in India. He manages to paint at once with powerful, evocative, and very convincing broad strokes and with the finely gauged brush of an ethno-historian concerned as much with the intricacies and nuances of embodied experience as with quirky personalities and the odd politics of everyday life. All of this adds up to a book that fully captures the imagination to generate deep and often unexpected insight on the serious business of play in modern India. -- Joseph S. Alter, Yale-NUS College, author of The Wrestler's Body: Identity and Ideology in North India His ambitious book examines Indian sports in a largely chronological manner and does not duck the more awkward questions, such as the perceived athletic limitations of Indians. The narrative has an attractive sweep to it, starting with the place of sports and martial competition in Hindu epics such as the "Mahabharata" and the "Ramayana." Wall Street Journal Rich in detail and nuanced in terms of analysis... [Ronojoy Sen] is to be praised for adding to the understanding of sport in India by looking at how it intersects with culture and politics, and for using sport to provide insights about Indian history and society. Choice Sen is to be applauded for writing such an ambitious book, enriching our understanding of the history of sport in India. Journal of Sport HistoryTable of ContentsAcknowledgments Introduction 1. Down the Ages: Sport in Ancient and Medieval India 2. Empire of Sport: The Early British Impact on Recreation 3. White Man's Burden: Teachers, Missionaries, and Administrators 4. Players and Patrons: Indian Princes and Sports 5. The Empire Strikes Back: The 1911 IFA Shield and Football in Calcutta 6. Politics on the Maidan: Sport, Communalism, and Nationalism 7. The Early Olympics: India's Hockey Triumphs 8. Lords of the Ring: Tales of Wrestlers and Boxers 9. Freedom Games: The First Two Decades of Independence 10. Domestic Sports: State, Club, Office, and Regiment (1947-1970) 11. 1971 and After: The Religion Called Cricket 12. Life Beyond Cricket Notes Index

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Book SynopsisThis long-overdue volume explores Donna Haraway's influence on feminist theory and philosophy, paying particular attention to her more recent work on companion species, rather than her “Manifesto for Cyborgs.”Trade Review...an invaluable tool for student's wishing to further explore Haraway's work. Critical TheoryTable of ContentsAcknowledgments 1. Adventures with Haraway 2. Natures 3. Knowledges 4. Politics 5. Ethics 6. Stories Sowing Worlds: A Seed Bag for Terraforming with Earth Others Appendix: Some Bibliometric Notes Bibliography Index

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Book SynopsisThe first comprehensive biography of Erich Fromm, capturing the personal, social, clinical, philosophic, and political aspects of an influential figure.Trade ReviewIn mid-century America, a peak era for public intellectuals, Erich Fromm's psychological and sociological writings were required reading among the intelligentsia. What's more, his ideas were widely discussed by others, ranging from the millions who devoured The Art of Loving to U.S. Senators and even President John Kennedy. In this compelling biography, historian Lawrence Friedman, author of the definitive biography of psychoanalyst Erik Erikson, details the cornucopia of ideas that issued from Fromm's fertile mind as well as the fascinating and little known details of his lengthy, controversial and exceedingly full life. -- Howard Gardner, Hobbs Professor of Cognition and Education, Harvard Graduate School of Education Through this thorough portrait, Love's Prophet emerges as an exemplar of enjoying an examined life to its fullest potential. Publishers Weekly The brilliantly comprehensive study of psychoanalyst Erich Fromm's (1900-1980) many 'lives' as a clinician, philosopher, social critic and political activist... Academic biography at its best. Kirkus Reviews (starred review) Accessible to general readers - a sympathetic, stimulating biography of one of the most influential psychologists of the 20th century. Library Journal (starred review) A thoroughly absorbing history of the cultural and political context within which Fromm's life was lived. -- Vivian Gornick Boston Review Friedman is a consummate intellectual biographer. -- Michael M. Canaris America Meticulous, detailed... A model of intellectual biography. -- Alan Ryan New York Review of Books A valuable contribution to Fromm scholarship and to American political and social history. -- Daniel Burston PsycCritiques A deep, insightful, and very human portrait of one of the great public intellectuals of the 20th century. Choice Friedman's biography tracks Fromm through the various phases of his life in detail, providing a thickness of description that hasn't been available before. -- Paul Reitter Times Literary Supplement The most thoroughly, well-researched, and balanced biography so far of Erich Fromm... A clear and richly detailed overview of Fromm's life and work. American Historical Review An intellectual biography of the first order. Journal of American History An outstanding intellectual and biographical study... Lawrence Friedman effectively helps us understand the lives and transformations of Erich Fromm as analyzed in this lucid book. SocietyTable of ContentsForeword, by Gerald N. Grob Acknowledgments Prologue: Writing Lives Part 1: Germany 1. The Unsteady Apprentice 2. Frankfurt Scholar Part 2: The Americas 3. The Americanization of a European Intellectual 4. Escape from Freedom 5. Clinician and Ethicist 6. To Love and to Mentor 7. Politics and Prose Part 3: Global Citizenship 8. Prophecies for a Troubled World 9. A Third Way 10. "Life Is Extravagance": Almost 11. Hope and Stasis 12. Love and Death A Bibliographical Note Notes Index

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Book SynopsisTrade ReviewKara's exploration is perhaps the most ambitious and reasoned treatment of this form of slavery in the modern era. By combining academic rigor and discipline alongside the narratives and voices of slaves, Kara offers a definitive analysis of the complexity of bonded labor as well as a reinvigoration of the movement to end this form of slavery globally. A must-read for all who want to better understand the trajectory of the global economy and its effect on labor. -- Randy Newcomb, president/CEO, Humanity United Kara's eye-opening view of bonded labor jolts the reader into acute awareness of one of the most insidious forms of modern-day slavery, inciting us to act to end this crime against humanity. -- Anne Archer, founder, Artists for Human Rights This book is a tool for a slave-free future. Incisive, relevant, and composite, it offers the latest data on bonded labor in South Asia, argues brilliantly that choice is irrelevant to bondage, and has new 'how-to' guides for activism. -- Ruchira Gupta, president/founder, Apne Aap Women Worldwide A beautifully lucid, compelling mixture of history, investigative journalism, personal testimony, and trenchant socioeconomic criticism. -- Jacqueline Bhabha, Harvard University An eloquent description of human misery and courage. The unique contribution of Kara's book is his in-depth economic analysis of industries where high profits are made on the expense of millions of poor and vulnerable people. -- Beate Andrees, International Labour Office Bonded Labor blends an historical account of the origins of slavery with meticulous research and first-hand testimonies from victims. The book enables the reader to fully grasp the extent of the problem and should move us all to act. -- Nina Smith, executive director, GoodWeave U.S.A. Beyond sobering, disturbing, yet so well and humanly written. The solutions proposed are the clearest in relegating this modern-day slavery, finally, to history. -- Erica Stone, president, American Himalayan Foundation Passionate...yet data-driven and absent of sensationalism, Kara's spotlight on debt bondage, "at once the most ancient and most contemporary face of human servitude," warrants profound attention. Publishers Weekly This book is a valuable resource for policy makers, human-rights activists, legal experts and academics, as well as for businesses with supply chains in developing countries. It deserves attention, and should inspire the eradication of the insidious crime of enslavement. -- Kathleen Hwang Asia Literary Review Researchers, academics, teachers, students, activists, community workers...would all benfit from reading Bonded Labor. -- Angie Redecopp Journal of Human TraffickingTable of ContentsList of Tables and Figures Preface Acknowledgments 1. Bonded Labor: An Overview 2. Agriculture: Kamaiya and Hari 3. Bricks and Bidis 4. Shrimp and Tea 5. Construction and Stonebreaking 6. Carpets and Other Sectors 7. Bonded Labor and the Law 8. Tackling Bonded Labor Appendix A: Global Slavery Metrics Appendix B: Select Bonded Labor Economics Appendix C: Select Bonded Labor Supply Chains Appendix D: Bonded Labor as Defined by India's Bonded Labour System (Abolition) Act Appendix E: Bonded Labor Law and Cases: Pakistan Appendix F: Select Economic and Human Development Statistics Notes Works Cited Index

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Book SynopsisPaul Schrader was in meltdown in 1972. Drinking heavily, living in his car, he was hospitalised with a gastric ulcer. There he read about Arthur Bremer''s attempt to assassinate Alabama Governor George Wallace: the story was the germ of his screenplay for Taxi Driver (1976). Executives at Columbia hated the script, but when Martin Scorsese and Robert De Niro, who were flying high after the triumphs of Mean Streets (1973) and The Godfather Part II (1974), signed up, Taxi Driver became too good a package to refuse.Scorsese transformed the script into what is now considered one of the two or three definitive films of the 1970s. De Niro is mesmerising as Travis Bickle pent-up, bigoted, steadily slipping into psychosis, the personification of American masculinity post-Vietnam. Cybill Shepherd and Jodie Foster give fine support and Scorsese brought in Bernard Herrmann, the greatest of film composers, to write what turned out to be his last score. Crucially, Scorsese rooted Taxi Driver in it

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