Films, cinema Books
V&R unipress GmbH Die Narratologie des Kinobesuchs der 1930er bis
Book Synopsis
£53.96
V&R unipress GmbH The Poetic Power of Theory
Book SynopsisDie poetische Kraft der Theorie bezieht sich für Alexander Kluge weniger auf reine Philosophie oder die abgesonderte Lust am Denken als vielmehr auf die altgriechische Praxis der Theoria. Wie der antike Theoretiker namens Theoros, der als Gesandter aus fremden Ländern heimkehrte, um von anderen Völkern und Kulturen zu erzählen, strebt Kluges Interesse an der poetischen Kraft der Theorie nach der Anreicherung der menschlichen Wesenskräfte, die subjektive Erfahrung von Differenz in einer Krisenzeit auszudrücken, in der die Werkzeuge des Erzählens verarmt sind. Diese Ausgabe des Jahrbuchs erkundet Kluges Theorie dieses narrativen Potenzials im stürmischen Zeitalter der Digitalität, das von Algorithmen regiert, mit Informationen überflutet und von sozialen Unruhen zerrüttet ist.
£45.57
V&R unipress GmbH Und ewig ruft die Heimat: Zeitgenössische
Book SynopsisDer Heimatfilm aus deutsch-deutscher Perspektive von den 1950er Jahren bis heute
£84.63
V&R unipress GmbH Of Trees and Clouds: Software-Mediated Visions in
Book SynopsisBreaking with the lure of timelines, final cuts and authorial control
£54.19
Nomos Verlagsgesellschaft Filmdistribution in Deutschland: Die Zukunft Des
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£25.50
V&R unipress GmbH Le Donne che si Pagano: Prostitution im
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£999.99
Edition Imorde Asthetik Des Oralen
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£999.99
Edition Imorde Atemraume: Pneumo-Asthetische Betrachtungen
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£28.00
Gingko Press 100 Iconic Gangster Movies
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£999.99
Dr Ludwig Reichert Gestalten Durch Verbergen: Ghassan Salhabs
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£999.99
Sternberg Press Shona Illingworth: Topologies of Air
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£23.75
MIT Press Film X Autochthonous Struggles Today
Book SynopsisFirst global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.Film X Autochthonous Struggles Today brings together for the first time filmmakers, activists, film curators, and scholars who share a common interest in filmmaking practices that emerge from and participate in the various situations of struggle that the Autochthonous/Indigenous/Native/Aboriginal/First Nations peoples and communities are involved in worldwide.Starting with the Edison Studio’s 1894 short films Buffalo Dance and Sioux Ghost Dance, representations of Autochthonous peoples have been part of cinema right from its inception. The vast majority of these representations, however, have not been produced by nor for Autochthonous peoples. In the wake of political and cultural self-determination movements of the 1960s and 1970s, and with the gradual democratization and accessibility of the tools of moving-image making, Autochthonous communities have displaced and renewed cinema’s forms and means of production, increasingly reclaiming their right for self-representation by way of film and video.Along with the vibrant forms of moving images arising from within the communities, close to their existential concerns, filmmaking has also become a potent tool in Autochthonous struggles. This book answers the need to take a global look at the diverse ways of filmmaking that fight for land rights and against environmental injustice (Brazil, Morocco, Taiwan, USA), that resist neocolonial domination, economic and political exploitation (Japan, Philippines), that offer a counterpoint during low intensity or drawn-out armed conflicts (Colombia, Mexico), that invent strategies of counter information and representation (Australia, Canada, Russia, Samoa), and that strive for visibility.ContributorsMyrla Baldonado, Mayaw Biho, Nadir Bouhmouch, Ricardo Matos Cabo, Carolina Canguçu, Amaranta Cesar, Karrabing Film Collective, Rupert Cox, Nicolas Défossé, Etienne De France, Sophie Gergaud, John Gianvito, David Harper, Aurélie Journée-Duez, Blackhouse Lowe, Caroline San Martin, Laura Langa Martínez, Isael Maxakali, Sueli Maxakali, Dan Taulapapa Mcmullin, Chie Mikami, Francisco Vázquez Mota, Omar Moujane, Marie Pierre-Bouthier, Perrine Poupin, Ariel Arango Prada, Beatriz Rodovalho, Roberto Romero, Jonathan Sims, Mercedes Vicente, Jamahke Welsh
£20.00
Brill U Mentis Einfuhlung: Theorie Und Kulturgeschichte Einer
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£103.55
Kokusho Kanko Kai Akira Kurosawa - Screenwriter
£999.99
Penguin Random House Grupo Editorial Untitled DH0643
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£11.07
Museum of Modern Art in Warsaw Hope Is of a Different Color – From the Global
Book SynopsisThe history of film students from the Global South who studied in Poland during the Cold War. As Poland’s second-largest city, Łódź was a hub for international students who studied in Poland from the mid-1960s to 1989. The Łódź Film School, a member of CILECT since 1955, was a favored destination, with students from Africa, Latin America, and the Middle East accounting for one-third of its international student body. Despite the school’s international reputation, the experience of its filmmakers from the Global South is little known beyond Poland. Hope Is of a Different Color addresses the history of student exchanges between the Global South and the Polish People’s Republic during the Cold War. It sheds light on the experiences and careers of a generation of young filmmakers at Łódź, many of whom went on to achieve success as artists in their home countries, and provides insight into emerging areas of research and race relations in Central and Eastern Europe. The essays reflect on these issues from multiple perspectives, considering sociology, political science, art, and film history. The book also features previously unpublished photographs and film stills from private archives along with visual and written material collected at the Łódź Film School. Table of ContentsIntroduction: From International Solidarity to a New Color Curtain—Magda Lipska, Monika Talarczyk I.Students from the Global South at the Lódz Film School, 1948–89:BiographiesExtant List, Enrolled StudentsSelected Film Stills II. Effective Solidarity with the Postcolonial World: Cold-War Educational Assistance from the Socialist Countries—Constantin KatsakiorisStudents of Color and State Socialism: Can Double Exoticism Be Endured in Public Space?— Matthieu GillabertThe Jew, the Arab, the Pole: March 1968 in Poland and the History of an Alliance Between the Second and Third Worlds—Monika BobakoUnwanted Legacy, as Told by Its Witnesses: Arab Students in People’s Poland—Beata Kowalska, Inga HajdarowiczCold War Internationalism: The Myth of Race-Blind Eastern Europe—Bolaji Balogun Representing Africans in The Polish Review: A Projection of the PRL as Racism-Free—Bartosz NowickiIII. The Training of Third-World Filmmakers in Eastern Bloc Schools before 1991—Gabrielle ChomentowskiWE WANT THE SUN! Short Films by Lódz Students from the Global South, Compared with Models from Polish Art Cinema—Monika TalarczykThe Familiar, the Strange: Works by Students from the Global South in the Context of the Polish School of Documentary Film— Katarzyna Maka-MalatynskaPodróz to Poland: In Search of a Potential Moroccan Cinema—Marie Pierre-Bouthier Voices and Faces from the Third World—Olivier HadouchiSao Gamba’s Creative Legacy in Kenya—Rachael Diang’a IV. “The Documentary Film in Eastern Africa: Sao Gamba’s Secret Legacy” (2009)—Jakub Barua“The Cinema and I (A Black Filmmaker)” (July 1986)—John Alex Maina KaranjaLesson 41: Going to Poland to Become a Moroccan Filmmaker—Léa MorinFilmography: Student ShortsIndex
£30.09
ESO NO ESTABA EN MI LIBRO DE CINE DE TERROR
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£33.19
Almed CafBar Cinema cafs bares y clubes de pelcula
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£34.51
Ma Non Troppo La Guerra de DOS Mundos: Superhéroes Y Ciencia
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£18.61
The King
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£31.10
Ma Non Troppo Puro Terror: Momentos Estelares del Género
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£20.83
Anillos y mazmorras
Book SynopsisEl é xito de dos nuevas superproducciones televisivas basadas en sagas literarias -- La casa del...
£30.21
Rialp Lo que el viento no se llevó
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£23.17
Ediciones Ctedra Peter Greenaway
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£24.20
Ediciones Ctedra, S.A. Luchino Visconti
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£999.99
£41.38
Ediciones Akal Jaume Balaguer en nombre de la oscuridad
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£999.99
Galaxia Gutenberg Cuerpo a cuerpo radiografas del cine
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£38.00
£23.49
Universidad del Pais Basco Servicio Editorial La historia a través del cine. Las dos guerras mundiales
£12.80
Iberoamericana Alber Ponte corto en las venas
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£22.78
Plot Ediciones Billy Joe
£21.40
Plot Bunuel Por Bunuel
Book SynopsisBuñuel detestaba las entrevistas, sentía horror por ese aparato electrónico llamado magnetofón y por la forma ?fálica? (decía) de los micrófonos. Sin embargo, un día, a finales de 1974, en una de esas comidas que se habían hecho ya rituales, entre el cabrito y el vino le propusimos el proyecto de este libro. Para sorpresa nuestra, don Luis aceptó inmediatamente: ?Si el libro de entrevistas sale bien, ya no estaré obligado a dar ninguna otra: simplemente remitiré el libro a todos los que me pidan una?.Entre 1975 y 1977, Tomás Pérez Turrent y José de la Colina llevaron a cabo estas entrevistas. En ellas Buñuel realiza un recorrido exhaustivo por toda su filmografía por la lucidez y genialidad que le caracterizan. Nos encontramos, sin duda, ante el testamento cinematográfico del universal cineasta aragonés, y seguramente, el libro más completo sobre su obra.
£30.28
Tendencias Pageboy
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£18.66
T&b Editores de Hitchcock a Tarantino
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£29.47
T&B Editores El star system del cine español de posguerra
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£17.33
Ocho y Medio DIARIO DE RODAJE AL SUR DE GRANADA
£16.19
T&b Editores Diccionario de Peliculas . La Comedia
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£40.16
Ma Non Troppo Dime Qué Te Pasa Y Te Diré Qué Peli Ver
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£22.41
Guerra Edizioni Guru Quaderni di cinema italiano: Le Notti di Cabiria
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£11.51
Guerra Edizioni Guru Quaderni di cinema italiano: La Strada
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£9.95
Hong Kong University Press Ruan LingYu The Goddess of Shanghai
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£19.00
Urim Publications Kosher Movies: A Film Critic Discovers Life
Book SynopsisFilm critic Herbert Cohen views films as potential life lessons, and defines a “kosher movie” as one that has something valuable to say about the human condition. In this survey spanning many genres, Cohen presents films as tools for self-discovery and for navigating challenges of life. What do romantic comedies really say about love? What can Cast Away teach us about the value of time? What parenting lessons can we learn from Dead Poets Society? Exploring 120 stand-out movies from the past 30 years, Cohen shares inspiring personal anecdotes about self-growth, relationships, parenting, aging, dealing with adversity, and more.Trade Review"It's like Chicken Soup for the Soul meets Roger Ebert." Vincent Coppola, former Newsweek editor"This book is well done, and each entry is fairly short making for a quick read. The book can be used in many ways by different groups of people. While Herbert Cohen is an Orthodox rabbi, readers will find his entries quite universal and palatable." Debbie Feder, Association of Jewish Libraries" Kosher Movies succeeds in promoting some ideals that in many quarters have been considered passé, namely the effective synergy of the devotion to Torah and the careful application of general, in this case, popular culture . . . . Kosher Movies reminds us that there are spiritual and inspirational nuggets of gold to be discovered and harnessed from the world around us as depicted in popular culture that truly complement a Torah lifestyle." Daniel Renna, Jewish Action
£22.95
The University of Hong Kong. University Museum and Art Gallery Art Totems Bridging East & West – Eddie Lui`s
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£46.23
MCCM Creations Tharlo – Short Story and Film Script by Pema
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£22.50
Hong Kong University Press Judaism Christianity and Islam Collaboration and
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£61.47
Hong Kong University Press Tsui Harks Peking Opera Blues
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£26.33
NUS Press Latent Images: Film in Singapore
Book SynopsisFirst published in 2000 and now comprehensively updated, "Latent Images: Film in Singapore" is a pioneering reference work on Singapore cinema. Using new illustrations, the authors catalogue the country's film landscape from the early days of local film production through the end of 2007, and present new discoveries on the city's film history that throw fresh light on its earliest feature productions. The book's discussion of Singapore film production between 2000 and 2007 covers more than 50 new feature films, and also looks at Singapore cinema in its regional and wider contexts. The book also provides discussions of short film production and its impact on the development of filmmaking in the country, on censorship and film classification, and interviews with industry professionals and filmmakers. Expanded appendices provide quick reference to bio-filmographies of important Singapore filmmakers, statistics from the Singapore International Film Festival, and a full list of films produced in Singapore between 1927 and 2007. Clearly written and organized for quick and easy reference, the volume is an essential reference work for anyone interested in Asian cinema and popular culture in Southeast Asia.
£39.30