Film: styles and genres Books
Insight Editions Harry Potter: Floral Fantasy Magnetic Bookmark
Book Synopsis
£8.76
Insight Editions 12 Days of Beetlejuice
Book SynopsisIT’S SHOW TIME! Celebrate Halloween, the holidays, or any special occasion with this official countdown enamel pin set inspired by the beloved horror comedy film Beetlejuice™. The set features 12 one-of-a-kind enamel pins, including fan favorites like the Handbook for the Recently Deceased™, Lydia, and of course Beetlejuice™! Experience one surprise a day and proudly wear or display these pins to show your love for the ghost with the most. DISCOVER 12 UNIQUE ENAMEL PINS: Open a pocket each day and discover 12 exciting pins featuring iconic characters and elements from the film. This deluxe advent calendar is a must-have for any Beetlejuice™ fan. HOLIDAY COUNTDOWN: Countdown to Halloween, Christmas, birthdays, or any special occasion by unwrapping one pin every day for the 12 days leading up to the big day. ADD TO YOUR COLLECTION: Add more fun Beetlejuice™-inspired pro
£28.80
Globe Pequot Press Becoming Nick and Nora
Book SynopsisAs Nick and Nora Charles in the six Thin Man movies from 1934 to 1947, the husband-and-wife team of William Powell and Myrna Loy showed that marriage didn't have to mean the end of the romantic comedy. From the comedic delight that was the initial The Thin Man through its five sequels as well as eight other films (including the Oscar-winning The Great Ziegfeld and Manhattan Melodrama), Powell and Loy were cemented in the public imagination as Hollywood's happiest married couple.In Becoming Nick and Nora, comedy writer and Hollywood historian Rob Kozlowski follows the winding path that Powell and Loy's screen personas took over their careers. Studios originally cultivated the two as villains in the silent era: Powell as a mustachioed, swashbuckling fiend and Loy as an exotic adversary. With the rise of talkies, the two managed to broaden their range beyond villainous stereotypes, but it took several false starts before they achieved their lasting legacy as Nick and Nora. Packe
£22.50
Octopus Publishing Group The Secret Life of the Movies
Book Synopsis
£9.91
Schiffer Publishing Ltd It Came From the Video Aisle
Book Synopsis
£25.59
Taylor & Francis Found Footage Horror Films
a huge range and FREE tracked UK delivery on ALL orders.
£38.99
Insight Editions Star Wars: The Concept Art of Ralph McQuarrie
Book SynopsisExplore the evocative Star Wars concept art of legendary artist Ralph McQuarrie in this miniature art book.Hold a galaxy of legendary designs in the palm of your hand with Star Wars: The Concept Art of Ralph McQuarrie Mini Book. Featuring over 100 stunning concept images from the original Star Wars trilogy as well as the many books and publications inspired by the Star Wars galaxy, this mini book is bound together at a readable pocket-book size and is the perfect collectible item for Star Wars fans of all ages.
£9.49
Edinburgh University Press The Figure of the Terrorist in Literature and
Book SynopsisContains thirteen original essays and an expansive introduction, including contributions by some of the foremost scholars in the field.
£23.74
DreamTitle Publishing A Hard Days Work
Book Synopsis
£37.76
McFarland & Co Inc Japanese and American Horror
Book Synopsis Horror fiction is an important part of the popular culture in many modern societies. This book compares and contrasts horror narratives from two distinct cultures--American and Japanese--with a focus on the characteristic mechanisms that make them successful, and on their culturally-specific aspects. Including a number of narratives belonging to film, literature, comics and video games, this book provides a comprehensive perspective of the genre. It sheds light on the differences and similarities in the depiction of fear and horror in America and Japan, while emphasizing narrative patterns in the context of their respective cultures.
£20.89
Oldcastle Books Ltd Historical Noir
Book SynopsisIt's one of the most successful - and surprising - of phenomena in the entire crime fiction genre: detectives (and protodetectives) solving crimes in earlier eras. There is now an army of historical sleuths operating from the mean streets of Ancient Rome to the Cold War era of the 1950s. And this astonishingly varied offshoot of the...Trade ReviewMost comprehensive, accessible and readable guides to noir crime fiction -- Marcel Berlins * The Times *As one of the leading experts of crime fiction, Barry Forshaw's Historical Noir marks the most recent entry in his Noir series, tracing the history of the sub-genre of crime fiction set in the past * Dark Arts Journal *A very worthy addition to this great series * Crime Squad *The latest in the Pocket Essentials guides to crime writing, Historical Noir, is a useful and entertaining addition to the series -- Paul Burke * Nudge *A lively, wide-ranging and immensely informed history of the genre * Crime Readers Association *
£7.49
Cambridge University Press Fantasy of Modernity
Book SynopsisRomantic love overwhelms 1950s Bombay cinema. Love and romance is evident in the themes, lyrics and visual aesthetics of films of the period, as it is in the publicity and gossip surrounding films and film stars. Love in cinema becomes significant when social reality constrains its quotidian experience and expression. By bringing a spectacular imagination of love to centre stage, the 1950s cinema deflected anxieties of ''Indianness'' even as the new aesthetic and affect of romance offered an alternative engagement with the contradictions of modernity. Fantasy of Modernity: Romantic Love in Bombay Cinema of the 1950s explores the films, the songs, the stars and the extra-cinematic discourse of the period to read love and romance as its most productive trope that mobilized a dynamic and contested public sphere.Trade Review'This is a page-turner and a breath of fresh air. Written lucidly and clearly, well aware of contemporary debates in Indian and global film studies, which it both summarizes and takes forward, [this book] offers a new take on a much written area of film history, the popular Bombay cinema of the 1950s. While film studies have been preoccupied with the construction of the nation in cinema in this period, Wani suggests that this cinema was also simultaneously helping construct a modern sensibility premised on freedom, one built upon ideas of romance and erotic desire, not exactly congruent with the construction of a bourgeois and patriarchal nationhood. The insights she offers are so logical that one is struck at how we missed them so far.' Jyotsna Kapur, Southern Illinois University'This is an original, rich and beautifully written account of Bombay cinema's preoccupation with romantic love, which draws on a wide range of archives, including little-known Marathi sources, as well as the author's encyclopaedic knowledge of the cinema of that era. This ambitious project brings genuinely new insights to our understandings of how romantic love - as the sign of the modern - was imagined and given shape in 1950s Bombay films, their songs and star texts. A pleasure to read.' Rosie Thomas, University of Westminster'The originality of this delightfully written book lies in its focus on the relatively neglected 1950s as a pivotal moment in the evolution of Indian popular cinema, bridging the political event of Independence, and the technological innovation of colour cinematography. Identifying the theme of romantic love as the signature of modernity, the author cuts across conventional film genres to explore this conjunction in the three domains of 'urbanity'; of film songs; and through the phenomenon of stardom. It is rare to find a work that succeeds in stitching these separate discourses so elegantly together.' Patricia Uberoi, Institute of Economic GrowthTable of ContentsIntroduction; 1. City of love; 2. The song of love; 3. Love and stardom; Conclusion; Bibliography; Filmography; Index.
£64.59
Little, Brown Book Group The Geeks Guide to SF Cinema
Book Synopsis''Awesome. Everything you''ve ever wanted to know about big-screen sci-fi'' - James King, film critic''Don''t leave Planet Earth without it'' - Dan Jolin, film critic''A wonderfully accessible, fascinating, flat-out treasure chest of science fiction cinema, from an author whose love of the subject leaps off the page'' - Simon Brew, Editor, Den of GeekWhy do SF movies matter? What do they tell us about the interests of storytellers and the changing tastes of cinema-goers? How have SF movies evolved with filmmaking technology over the past 110 years?The Geek''s Guide To SF Cinema provides an entertaining and in-depth history of the science fiction genre''s pivotal and most influential movies. From the pioneering films of Georges Méliès to such blockbusters as Avatar and Inception in the 21st century, the book will explore how these key movies were made, how they reflected the mood of the time in which theTrade ReviewAwesome. Everything you've ever wanted to know about big-screen sci-fi -- James King, film criticA wonderfully accessible, fascinating, flat-out treasure chest of science fiction cinema, from an author whose love of the subject leaps off the page. -- Simon Brew, Editor, Den of GeekAn accessible and insightful journey through the sci-fi-cinema galaxy, as navigated by a true fan. Ryan Lambie's knowledge is only matched by his enthusiasm as he efficiently joins the dots between George Méliès and Christopher Nolan. Don't leave Planet Earth without it -- Dan Jolin, film criticA terrific tour of the history of sci-fi cinema, focusing on a whole bunch of movies you'll want to add to your viewing watchlist * Den of Geek *Whether you dive in and devour the whole thing in one sitting, or nibble at it chapter by chapter, this book will absorb and intrigue you . . . it's impossible to be indifferent to so much carefully researched geekery -- Helen McCarthy, co-author of The Anime Encyclopaedia and author of Osamu Tezuka: God of MangaA terrific tour of the history of sci-fi cinema, focusing on a whole bunch of movies you'll want to add to your viewing watchlist * Den of Geek *
£11.69
McFarland & Co Inc Welcome to Elm Street
Book Synopsis Wes Craven''s A Nightmare on Elm Street is one of the most inventive American films of the 1980s. Its sleeper success bred a series of film sequels and a syndicated television program while its villain, Freddy Krueger, became a Hollywood horror icon for the ages. In the four decades since its release, Craven''s creation and subsequent franchise has become firmly established as a pop culture institution and a celebrated symbol of American cinema. This book takes readers on an engrossing journey through the history, production and themes of the Nightmare on Elm Street film series and its spin-off TV show, Freddy''s Nightmares. It reveals new stories about the franchise''s history and dives into some of the themes and ideas that tend to be overlooked. The book has a foreword by production designer Mick Strawn and exclusive interviews with cast and crew, including legendary Freddy Krueger actor Robert Englund; directors Jack Sholder, Chuck Russell, MicTable of ContentsAcknowledgmentsForeword by Mick StrawnIntroduction1. Wes Craven and the Nightmare of America2. The Monster Goes Mainstream3. Welcome to Primetime, Freddy!4. The Birth, the Death, and the Resurrection5. The Main Event and the Remake6. The Legacy of A Nightmare on Elm StreetChapter NotesBibliographyIndex
£27.54
Rowman & Littlefield Inside the Star Wars Empire
Book SynopsisBill Kimberlin may refer to himself as one of those names on the endless list of credits at the close of blockbuster movies. In reality though, he's a true insider on some of the most celebrated and popular movies and franchises of the past century. Jurassic Park. Star Trek. Jumanji. Schindler's List. Saving Private Ryan. Even Forrest Gump. And perhaps most notably, Star Wars. Inside the Star Wars Empire is the very funny and insightful tell-all about the two decades Kimberlin spent as a department director at LucasFilm Industrial Light and Magic (ILM), the special effects studio founded by the legendary filmmaker George Lucas.
£20.42
Michael Wiese Productions Directing Actors - 25th Anniversary Edition - Case Bound
£29.96
Otago University Press Filming the Colonial Past: The New Zealand Wars
Book Synopsis
£23.85
Edition Olms Western Portraits of Great Character Actors: The
Book SynopsisThe American West, as we know it, is defined by the movies, and the Western is the oldest film genre. When the movies were born, it was not that long after Promontory Point and the Civil War, so those memories were still there in the minds of the very first movie audiences as they watched The Great Train Robbery. And the myth-making is as important as the brutal truths of history. As the reporter tells Jimmy Stewart in Fords The Man Who Shot Liberty Valance, This is the West, sir. When the legend becomes fact, print the legend. Rendered in rare, evocative tones reminiscent of Edward Sheriff Curtiss immortal photographs, Western Portraits of Great Character Actors provides readers with a collection of stylised portraits that capture the allure and mystique of the Old West, complete with authentic costuming, weaponry and settings. From the epic feature film to the TV series and serial, this coffee table book will put the story of character actors and the significance of their memorable roles into an entertaining perspective. The subjects include such popular, recognizable actors as Karl Malden, David Carradine, Denver Pyle, R G Armstrong, L Q Jones, Horst Buchholz, Henry Silva, Ruta Lee, Morgan Woodward, Bo Hopkins, Clu Gulager and 72 others.
£33.96
Oxford University Press Dance Me a Song Astaire Balanchine Kelly and the American Film Musical
a huge range and FREE tracked UK delivery on ALL orders.
£33.24
Oxford University Press Rock n Film
Book SynopsisRock 'N' Film presents a cultural history of films about US and British rock music during the period when biracial popular music was fundamental to progressive social movements on both sides of the Atlantic.Trade ReviewCovering rock n roll filmmaking in its entirety, this accomplished volume is readily accessible and written (as James himself notes) without the jargon that often mars film studies Illustrated with a host of frame blowups, this informed, sharp, inviting, and absolutely authoritative book will be the source to beat on the subject of rock n roll movies for quite some time Summing Up: Essential. All readers. * G. A. Foster, CHOICE *Table of ContentsTable of Contents ; 1. Introduction: Rock 'n' Film ; 2. Absolute Beginnings: Blackboard Jungle ; 3. Jukebox Musicals ; 4. Dirty Stars: Jayne Mansfield and Kenneth Anger ; 5. Rock 'n' Roll Noir: Elvis Before the Army ; 6. Sunshine Elvis: The Devil in Disguise ; (inc Morphology of the Elvis Movie) ; 7. Back in the UK: The English Elvises ; 8. Beatles I: Richard Lester and A Hard Day's Night ; 9. Beatles II: Next Morning ; 10. Bringing It All Back Home: Toward the Folk Documentary ; 11. D. A. Pennebaker: Documentary from Folk to Folk Rock and Rock ; 12. Utopia and Its Discontents: Woodstock ; 13. The Rolling Stones I: The Greatest Rock 'n' Film Band in the World ; 14. Mick Jagger, Demon Brother ; 15. The Rolling Stones II: The U.S. Tours, From Concert Film to Film Concert: ; 16. Back To Black ... : Soul ; 17... And White: Country ; 18. Retrospection and Reflexivity: Rock 'n' Film Suicide ; Index
£42.74
Oxford University Press AvantDoc
Book SynopsisOver the past fifty years, a unique hybrid genre of nonfiction cinema called the avant-doc has emerged in the world of independent film. Combining the unconventional techniques of avant-garde auteurs like Stan Brakhage with the verisimilitude of traditional documentaries, the avant-doc expands the way cinema captures and chronicles events. Drawing on firsthand interviews with nineteen of the form''s chief practitioners and participants, Avant-Doc constructs an oral history that provides the first insider''s perspective on the phenomenon.Trade ReviewA compelling achievement, Avant-Doc diagrams a new fluid geography of cinema, where traditional categories such as experimental,"documentary," and "fiction" dissolve. The insightful, probing conversations assembled so deftly here vaporize fixed cinematic modes. These filmmakers describe cinema as a living organism, pulsating in networks of politics, arts, philosophies, teachers, literature, communities, technologies, and aesthetics. * Patricia R. Zimmermann, author of States of Emergency: Documentaries, Wars, Democracy *Scott MacDonald's groundbreaking and seminal new volume, Avant-Doc, illuminates correspondences between avant-garde cinema and documentary through a series of compelling interviews with major independent filmmakers and noted scholar Annette Michelson. This intimate and probing follow-up to MacDonald's Critical Cinema series creates a lively and deeply personal oral history. Avant-Doc broadens our understanding of connections between avant-garde and documentary film, while providing a rich treasure trove of research material that current and future scholars will find invaluable. * J.J. Murphy, author of The Black Hole of the Camera: The Films of Andy Warhol *Table of ContentsTable of Contents: ; Introduction ; Annette Michelson ; Robert Gardner ; Ed Pincus (and Jane Pincus, Lucia Small) ; Alfred Guzzetti ; Ross McElwee ; Nina Davenport ; Leonard Retel Helmrich ; Jonathan Caouette ; Pawel Wojtasik ; Michael Glawogger ; Susana de Sousa Dias ; Alexander Olch (on The Windmill Movie) ; Amie Siegel (on DDR/DDR) ; Arthur and Jennifer Smith (on Ice Bears of the Beaufort) ; Betzy Bromberg (on Voluptuous Sleep) ; Jen Proctor (on A Movie by Jen Proctor) ; Jane Gillooly (on Suitcase of Love and Shame) ; Godfrey Reggio (on Visitors) ; Todd Haynes ; Sensory Ethnography ; Ilisa Barbash and Lucien Castaing-Taylor (on In and Out of Africa and Sweetgrass) ; Lucien Castaing-Taylor (on his installation work and on Harvard's Sensory Ethnography Lab) ; Lucien Castaing-Taylor and Verena Paravel (on Leviathan) ; Stephanie Spray and Pacho Velez (on Manakamana) ; Filmographies ; Bibliographies
£45.59
Oxford University Press, USA Frontier Club Popular Westerns and Cultural Power 18801924
Book SynopsisThe Frontier Club is Christine Bold''s name for the network of eastern aristocrats who created the western as we now most commonly know it. At the turn of the twentieth century, they yoked this most popular formula to their own elite causes-from big-game hunting to conservation, immigration restriction to Jim Crow segregation-and aligned themselves with cattle kings and quality publishers. This book tells the story of that cultural sleight-of-hand. It delves into institutional archives and personal papers to excavate the hidden social, political, and financial interests in the making of the modern western. It re-reads frontier club fiction in relation to the federal policies and cultural spaces (from exclusive gentlemen''s clubs to national parks to zoos) with which it was intimately connected; the centerpiece is Owen Wister''s bestselling novel The Virginian. It casts new light on nine key clubmen, both the famous and the forgotten-in addition to Wister, the network included Theodore Roosevelt, George Bird Grinnell, Silas Weir Mitchell, Henry Cabot Lodge, Madison Grant, Caspar Whitney, Winthrop Chanler, and Frederic Remington-while recovering the women on whom these men depended and without whom this version of the popular West would not exist. Bold also considers some of the costs of the frontier club formula, in terms of its impact on Indigenous peoples and its marginalization of other popular voices, including western writings by African Americans, white women, and non-elite white men. The book ends by briefly charting the frontier club''s enduring impression on western movies.Trade ReviewBased on archival research as well as the rich body of secondary material pertinent to the topic, The Frontier Club adds several new layers of insight into those who produced the 'western' and those who, from the beginning, noted its serious limitations. This, too, is a story too important to ignore. * Journal of American Studies *Table of ContentsList of Illustrations ; Preface ; Acknowledgements ; The Frontier Club Western: An Introduction ; Frontier Clubmen ; Vigilante Clubmen ; The Virginian ; Chapter 1: Boone and Crockett Writers ; The Boone and Crockett Club, 1893 ; Boone and Crockett Clubmen ; Theodore Roosevelt ; George Bird Grinnell ; Owen Wister ; Winthrop Chanler ; Madison Grant ; Henry Cabot Lodge ; Caspar Whitney ; Frederic Remington ; The Books of the Boone and Crockett Club ; Shaping the Voice ; Clearing the Enclave ; Writing the Frontier Club Western ; Lobbying the Federal Government ; Conclusion ; Chapter 2: Cowboys and Publishers ; A Very Proper Philadelphian ; Frontier Club Neurasthenia ; A Man's Gotta Do ... ; Aristocrats Out West ; Frontier Club Investments ; The Cheyenne Club ; Cowboys and Vigilantes ; Showdown on Publishers' Row ; Frontier Club Investments ; The Frontier Club Western and the Literary Marketplace ; Conclusion: The Frontier Club vs Alkali Ike ; Chapter 3: Women in the Frontier Club ; Frontier Club Women and Families ; The Wister Women ; Molly Wister ; Women's Space in the Frontier Club Western ; Conclusion ; Chapter 4: Jim Crow and the Western ; Wister: "white for a hundred years" ; Roosevelt's Rough Riders ; Remington: With the Eye of the Mind ; Black Rough Riders Redux ; Conclusion ; Chapter 5: Immigrants and "Indians" ; Vanishing Acts ; Immigration Restriction ; Owen Wister ; Madison Grant ; Another Hank ; American Indian Assimilation ; George Bird Grinnell ; Jack the Young Frontier Clubman ; Conclusion ; Chapter 6: Outside the Frontier Club ; Princess Chinquilla ; Cheek by Jowl ; Rewriting 1902 ; Conclusion: Frontier Club Fingerprints
£39.42
OUP USA The Oxford Handbook of Screendance Studies
a huge range and FREE tracked UK delivery on ALL orders.
£142.50
Palgrave MacMillan UK Screening the Face
Book SynopsisCoates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .Trade Review'Sharing Barthes' and Bergman's premise that the human face remains central to cinematic art, Coates' new book draws on film theory, philosophy, art history, and cultural studies to produce fresh, startling insights on the films that truly matter. The range of examples is as impressive as the erudition.' - Lloyd Michaels, Allegheny College, USATable of ContentsAcknowledgements Introduction Faces and 'Faciality' The Fate of Contemplation: Closeness and Distance Masks and Metaphor: Doubles and Animals Invisibility, Medusa, and the Mask Dissonance and Synthesis: Persona, the Face, the Mask and the Thing Works Cited Index
£44.99
Palgrave MacMillan UK The British Film Industry in the 1970s Capital Culture and Creativity
Book SynopsisIs there more to 1970s British cinema than sex, horror and James Bond? This lively account argues that this is definitely the case and explores the cultural landscape of this much maligned decade to uncover hidden gems and to explode many of the well-established myths about 1970s British film and cinema.Trade Review'A substantial analysis of British film-making in the 1970s that will make a thoughtful contribution to the field of British cinema studies.' - Andrew Spicer, University of the West of England, UK 'British Film in the 1970s is a great companion text to any module teaching British cinema of the period, but it also is a useful text to encourage those working on other times and places to ask questions about the framing of other periods and national cinemas.' - Dr E. Anna Claydon, Viewfinder Online 'Barber's carefully researched volume will surely become the 'go to' book with regard to the industrial context of British film-making in this newly fashionable decade.' - Stephen Glynn, Journal of British Cinema and Television (Jan 2014)Table of ContentsList of abbreviations Acknowledgements Table of Figures Dedication Introduction Film and Cultural History Understanding the 1970s Film and Government Funding Innovation Movers and Shakers Institutions and Organisations The Films Sunday Bloody Sunday: Authorship, Collaboration and Improvisation The Go-Between: The Past, the Present and the 1970s Confessions of a Window Cleaner: Sex, Class and Popular Taste Stardust: Stardom, Performance and Masculinity Scum: Institutional Control and Patriarchy The Tempest: A Brave New World of Creative Endeavour? Conclusion
£44.99
Random House USA Inc All About Me
Book SynopsisNEW YORK TIMES BESTSELLER • At 95, the legendary Mel Brooks continues to set the standard for comedy across television, film, and the stage. Now he shares his story for the first time in “a wonderful addition to a seminal career” (San Francisco Chronicle), “infused with nostalgia and his signature hilarity” (Parade).ONE OF THE BEST BOOKS OF THE YEAR: New York Post • “Laugh-out-loud hilarious and always fascinating, from the great Mel Brooks. What else do you expect from the man who knew Jesus and dated Joan of Arc?”—Billy CrystalFor anyone who loves American comedy, the long wait is over. Here are the never-before-told, behind-the-scenes anecdotes and remembrances from a master storyteller, filmmaker, and creator of all things funny.All About Me! charts Mel Brooks’s meteoric rise from a Depression-era kid in Brooklyn to the recipient of the
£25.49
DK Star Wars Complete Vehicles New Edition
Book Synopsis
£34.00
Ohio State University Press Novelization
£37.07
Ohio State University Press Asexual Erotics
£39.29
Wayne State University Press Starring Tom Cruise Contemporary Approaches to Film and Media
Book SynopsisExamines how Tom Cruise's star image moves across genres and forms as a type of commercial product that offers viewers certain pleasures and expectations. Cruise reads as an action hero and romantic lead yet finds himself in homoerotic and homosocial relationships that unsettle and undermine these heterosexual scripts.
£82.80
Fountainbridge Press Seeking Perfection The Unofficial Guide to Tremors
£18.57
Ledatape Organisation ReEnter the Dragon Genre Theory Brucesploitation and the Sleazy Joys of Lowbrow Cinema
£20.00
Ten-K Alphadox Publishing Kent McCray The Man Behind the Most Beloved Television Shows
£24.60
Lulu.com Scenes Issue 4 The Classic and Cult Movie Publication
a huge range and FREE tracked UK delivery on ALL orders.
£12.40
Creative Media Partners, LLC Cowboy Songs and Other Frontier Ballads
£13.95
Creative Media Partners, LLC Cowboy Songs and Other Frontier Ballads
£23.70
Palgrave MacMillan UK British Crime Film Subverting the Social Order Crime Files
Book SynopsisPresenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day "Mockney" productions, it contextualizes the films and identifies important and neglected works.Trade Review'In this excellent book on the British crime movie, a follow-up to his valuable studies of English-language and Scandinavian crime fiction, Forshaw interrogates the usual suspects, discovers many neglected pictures, and places them all in a larger social context. It's a work to read for pleasure and instruction, and then to keep on the reference shelf.' - Philip French, The Observer 'Crime fiction in films and literature is my meat. So Barry Forshaw's terrific book not only rekindled memories of films seen but provided clues to others yet to be revelled in. This rave has nothing to do with getting an honourable mention.' - Mike Hodges, Director, Get Carter 'An incredible work; so thorough, so informed and at the same time so very readable and entertaining.' - Peter James, Chair, Crime Writers' Association 'This book provides a much-needed shot in the arm for writing on British crime film. The colourful case-studies draw out the political complexities of this stalwart genre, opening up the films in insightful and often revisionary readings. Calling upon his compendious knowledge of the subject and injecting wit into his precise prose, Forshaw reinvigorates the field.' - Steven Peacock, Reader in Film and Television Aesthetics, Programme Coordinator MA Film and Television Aesthetics, University of Hertfordshire, UK 'Barry Forshaw has penetrated the locked-room mystery of the British crime film and brought it to book ... the verdict is "outstanding".' - Kim Newman, Author, Nightmare Movies 'Destined to become an essential volume on any self-respecting cinephile's bookshelf. Forshaw is bang-on about the British crime films you already know, but (even more importantly) makes you eager to track down and watch the lesser-known gems you haven't seen.' - Anne Billson, The GuardianTable of ContentsA Social History of the Crime Film The Age of Austerity: Post-war Crime Movies Class and Crime: Social Divisions Between Left and Right: Politics and Individuals Heritage Britain Shame of a Nation: Juvenile Delinquents and Exploitation The New Violence: The Loss of Innocence Scourging the Unacceptable: Censorship Battles Metropolitan Murder: London The Regions Breaking Taboos: Sex and the Crime Film Corporate Crime: Curtains for the Maverick Mockney Menace: The New Wave The Age of Acquisition: New Crime 21st Century Hybrids The Directors: Makers of Key Crime Films APPENDIX 1: The Directors: Makers of Key Crime Films APPENDIX 2: TV Crime APPENDIX 3: Crime and Espionage APPENDIX 4: Films, TV and Books Index
£44.99
Palgrave Macmillan Maternal Horror Film Melodrama and Motherhood
Book SynopsisMaternal Horror Film: Melodrama and Motherhood examines the function of the mother figure in horror film. Using psychoanalytic film theory as well as comparisons with the melodrama film, Arnold investigates the polarized images of monstrous and sacrificing mother.Trade Review"Arnold draws upon a wide scope of theoretical writing in psychoanalysis and film studies to explore the parallels between the mother's position in horror and melodrama, while also investigating the differences between Western and Japanese psychological analyses of the mother-child bond through a series of close readings of 'transnational' films. The book will make a vital contribution to both women's and film studies." - Lucy Fischer, University of Pittsburgh, USATable of ContentsIntroduction 1. The Good Mother 2. The Bad Mother 3. A Comparative Analysis of Motherhood in Recent Japanese and US Horror Films 4. Pregnancy in the Horror Film Conclusion
£104.49
Palgrave MacMillan UK Live To Your Local Cinema The Remarkable Rise of Livecasting Palgrave Pivot
Book SynopsisThe digital broadcasting of performances to cinemas, or 'livecasting', burst onto the world scene in 2006. This book explores the reasons for its rise, examines the aesthetics of filming theatre and opera performances, and explores who the audiences are and what they want.Trade Review'A welcome addition to what the author correctly argues is a small body of existing work. This one has the distinct advantage of offering the reader both an excellent empirical perspective and a keen sense of the critical issues underpinning development.' - Stuart Hanson, De Montfort University, UK 'Barker's analysis deftly explores the difference between a staged presentation and the manner in which this is translated into a live video feed, as well as the cultural influences that such "livecasting" has on audiences. The book is short but insightful, part of the new Palgrave Pivot series of brief books that tackle key topics with brevity and style, published in hardcover at a reasonable price and also available as a digital download. Live to Your Local Cinema demonstrates how live video broadcasting has democratized culture for the masses, making hitherto elite, often unaffordable spectacles available to all.' - W. W. Dixon, University of Nebraska Lincoln, Choice (August 2013) 'Live to Your Local Cinema provides an excellent overview of the history of live broadcast and is also a valuable resource for cinema exhibitors wishing to develop their relationship and engagement with this quite different audience for the growing number and range of Alternative Content on offer. Since reading Live to Your Local Cinema we've put in place a number of changes that I know that those who chose, for whatever reason, to experience their 'high culture' on screen in the cinema will appreciate. It seems that the livecast is here to stay and as the first book to make Alternative Content its main focus, we look forward to Martin's questions in the final chapter being answered and the debate around 'liveness' continuing.' - Jaki McDougall, CEO, Glasgow Film: GFT and Glasgow Film FestivalTable of ContentsThe Success-Story With No Name The Aesthetics of Livecasting A Portrait of Livecasts' Audiences The Many Meanings of 'Liveness' Livecasts' Audiences Talk about 'Liveness' The Cultural Status of Livecasts The Next Research Tasks? Bibliography
£26.00
Palgrave MacMillan UK British Gothic Cinema Palgrave Gothic
Book SynopsisBarry Forshaw celebrates with enthusiasm the British horror film and its fascination for macabre cinema. A definitive study of the genre, British Gothic Cinema discusses the flowering of the field, with every key film discussed from its beginnings in the 1940s through to the 21st century.Trade Review'As always, Barry Forshaw brings his knowledge, intelligence and, above all else, passion to a volume that expertly offers fresh insights into an often neglected sub-genre of British cinema.' - Stephen Jones, award-winning horror writer and editor 'Once again, Forshaw gets under the skin of a topic, revealing new layers of underappreciated and well-known works. The writing is accessible and informed, dripping with detail, drawing on often surprising, striking and illuminating literary comparisons. At last, through Forshaw's critical insight, British Gothic cinema is brilliantly re-animated.' - Dr Steven Peacock, Reader in Film and Television Aesthetics, University of Hertfordshire, UK 'An invaluable overview of the Gothic tendency in British cinema, full of fresh perceptions and quirky insights that draw on Barry Forshaw's considerable cultural range.' - Ramsey Campbell, writer (The Grin of the Dark), film critic and editor 'This unapologetic assessment of homegrown screen Gothic celebrates with not only suitably pugnacious writing but the necessary affection for the dark and vivid made flesh. As perceptive and entertaining as it is exhaustive, Barry Forshaw's study marries erudition with a genre fan's obvious relish, and leaves no coffin lid unturned, no bosom unheaved.' - Stephen Volk, screenwriter (Ghostwatch, The Awakening, Gothic) 'A red-blooded history of British horror film, hats off to Barry Forshaw, who in British Gothic Cinema describes what we are in fact best at which is circuses of horrors, houses that dripped blood, and beasts in cellars.' - The Times 'A celebration of the UK's horror film industry out in time for Halloween. Forshaw traces the genre from the Forties through such films as Dr Jekyll And Mr Hyde, Witchfinder General, 28 Days Later and Kill List. Vampires, werewolves and spectres abound. And of course there's the rise of the Hammer Studios from the coffin of obscurity.' - Daily Express 'British Gothic Cinema is well-informed and breezy, mapping the territory from the literary origins of the Gothic inventions most beloved of cinema, Dracula and Frankenstein, to the present day resurgence.' Splice 7.1 (2014)Table of ContentsIntroduction 1. Gothic Fiction: English Terror and Carnality 2. Through American Eyes: Stoker and Shelley in US Cinema 3. Undermining British Cinema: Gothic Horror in the 1930 and 1940s, Censorship 4. Bloody Revolution: The Worldwide Impact of Hammer's Cottage Industry 5. Beyond the Aristocracy 6. The Sexual Impulse 7. The Rivals: On Hammer's Coat-tails 8. Nights of the Demon: The English Supernatural Story and Film 9. One-shots and Short Runs: The Black Sheep of Gothic Cinema 10. Fresh Blood, Exhaustion: The 1970s to the Turn of the Century 11. The Legacy: Gothic Influence on Television 12. The Modern Age: Horror Redux Appendix: Interviews
£39.99
Palgrave Macmillan Fantasies of Time and Death Dunsany Eddison Tolkien
Book Synopsis1. Introduction.- 2. Lord Dunsany: The Conquering Hours.- 3. E. R. Eddison: Bearing Witness to the Eternal.- 4. J. R. R. Tolkien: More than Memory.Trade Review“This is an important study of two critically undersubscribed authors and an impressive look at a third who benefits from reconsideration in relation to them. It is not the last word on any of its subject texts, but it serves as a robust contribution to a weighty, potentially inexhaustible debate.” (JosephYoung, Gramarye, Issue 19, 2021)“Fantasies of Time and Death makes us hungry to return to the primary worlds it discusses.” (Sarah R.A. Waters, Mythlore, Vol. 39 (2), 2021)“One of the greatest strengths of this study overall is Vaninskaya’s extensive familiarity with the work of each author … . The volume is particularly well suited as a reference for readers who are already well-versed in the works of one or more of these three authors. … Overall, it is a thorough and thoughtful work which will be of value for studies of all three authors.” (Holly Ordway, Journal of Inklings Studies, Vol. 10 (1), October, 2020)“Vaninskaya’s attentive, detailed, and well-supported claims, which remain strong through the entirety of the text, will likely be a welcome addition to the shelves of academics interested in the subjects of time and death or these authors, as well as libraries looking to expand their selection of volumes on the same.” (R. J. Murphy, Journal of the Fantastic in the Arts, Vol. 31 (3), 2020)Table of Contents1. Introduction.- 2. Lord Dunsany: The Conquering Hours.- 3. E. R. Eddison: Bearing Witness to the Eternal.- 4. J. R. R. Tolkien: More than Memory.
£113.99
Palgrave Macmillan Plant Horror Approaches to the Monstrous Vegetal in Fiction and Film
Book Synopsis1. Introduction: Six Theses on Plant Horror; or, Why Are Plants Horrifying?.Dawn Keetley.-2. The Pre-cosmic Squiggle: Tendril Excesses in Early Modern Art and Science Fiction Cinema.Agnes Scherer.-3. Seeds of Horror: Dominance and Sacrifice in Sir Gawain and the Green Knight, The Wicker Man, and Children of the Corn.Angela Tenga.-4. The Mandrake's Lethal Cry: Homuncular Plants in J.K. Rowling's Harry Potter and the Chamber of Secrets.Keridiana W. Chez.-5. Green Hells: Monstrous Vegetations in Twentieth-Century Representations of Amazonia.Camilo Jaramillo.-6. What We Think about When We Think about Triffids: The Monstrous Vegetal in Post-War British Science Fiction.Graham J. Matthews.-7. The Revenge of the Lawn: The Awful Agency of Uncontained Plant Life in Ward Moore's Greener Than You Think and Thomas Disch's The Genocides.Jill E. Anderson.-8. Vegetable Discourses in 1950s US Science Fiction Film.Adam Knee.-9. Sartre and the Roots of Plant HorrorRandy Laist.-10. WTable of Contents1. Introduction: Six Theses on Plant Horror; or, Why Are Plants Horrifying?.Dawn Keetley.-2. The Pre-cosmic Squiggle: Tendril Excesses in Early Modern Art and Science Fiction Cinema.Agnes Scherer.-3. Seeds of Horror: Dominance and Sacrifice in Sir Gawain and the Green Knight, The Wicker Man, and Children of the Corn.Angela Tenga.-4. The Mandrake’s Lethal Cry: Homuncular Plants in J.K. Rowling’s Harry Potter and the Chamber of Secrets.Keridiana W. Chez.-5. Green Hells: Monstrous Vegetations in Twentieth-Century Representations of Amazonia.Camilo Jaramillo.-6. What We Think about When We Think about Triffids: The Monstrous Vegetal in Post-War British Science Fiction.Graham J. Matthews.-7. The Revenge of the Lawn: The Awful Agency of Uncontained Plant Life in Ward Moore’s Greener Than You Think and Thomas Disch’s The Genocides.Jill E. Anderson.-8. Vegetable Discourses in 1950s US Science Fiction Film.Adam Knee.-9. Sartre and the Roots of Plant HorrorRandy Laist.-10. What Do Plants Want?.Gary Farnell.-11. Monstrous Relationalities: The Horrors of Queer Eroticism and “Thingness” in Alan Moore and Stephen Bissette’s Swamp Thing.Robin Alex McDonald and Dan Vena.-12. “Just a Piece of Wood”: Jan Švankmajer’s Otesánek and the EcoGothic.Elizabeth Parker.-13. An Inscrutable Malice: The Silencing of Humanity in The Ruins and The Happening.Jericho Williams.-14. The Sense of the Monster Plant.Matthew Hall
£113.99
Flatiron Books The Big Goodbye
Book SynopsisHere for the first time is the incredible true story of the making of Chinatownthe Holy Grail of 1970s cinema.IN Sam Wasson's The Big Goodbye, the story of Chinatown becomes the defining story of the most colorful characters in the most colorful period of Hollywood history. Here is Jack Nicholson at the height of his powers, as compelling a movie star as there has ever been, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage death of his wife, returning to Los Angeles, the scene of the crime, where the seeds of his own self-destruction are quickly planted. Here is the fevered dealmaking of The Kid Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the unvarnished account of its
£16.14
Lulu.com Seasonal Screams
£15.99
Bloomsbury USA 3pl Queer Horror Film and Television
Book SynopsisHere, Darren Elliot-Smith examines how alternative sexualities have recently emerged from the shadows in horror films and television programmes, with directors and producers employing an overtly queer horror aesthetic that unequivocally references homosexuality. Elliot-Smith case studies consider many forms of the queer horror genre: independent exploitation films ( A Far Cry from Home ), slashers ( Hellbent ) and even the representation of contemporary gay zombies in LA Zombie . Elliott-Smith deviates from analyzing the monster as a symbol of heterosexual fear and focuses instead on queer anxieties within gay male subcultures. Furthermore, he examines key works to reveal gay men's concerns about their assimilation into Western culture, their continuing association with the feminine, and the perpetuation of gay shame.
£35.38
Rowman & Littlefield Hollywood and the Holocaust
Book SynopsisThe Holocaust has been the focus of countless films in the United States, Great Britain, and Europe, and its treatment over the years has been the subject of considerable controversy. When finally permitted to portray the atrocities, filmmakers struggled with issues of fidelity to historical fact, depictions of graphic violence, and how to approach the complexities of the human condition on all sides of this horrific event. In Hollywood and the Holocaust, Henry Gonshak explores portrayals of the Holocaust from the World War II era to the present. In chapters devoted to films ranging from The Great Dictator to Inglourious Basterds, this volume looks at how these films have shaped perceptions of the Shoah. The author also questions if Hollywood, given its commercialism, is capable of conveying the Holocaust in ways that do justice to its historical trauma. Through a careful consideration of over twenty-five films across genresincluding Life Is Beautiful, Cabaret, The Reader, The Boys fTrade ReviewGonshak is responsible in debating his predecessor critics and eloquent in meditating on the ethical responsibilities of those who produce Hollywood films. Even though Gonshak is flexible in his aesthetics—comedy can work, historical accuracy is not necessarily required—most Hollywood films (which here include X-Men, 2000) do not have anything substantial to say about the Holocaust. Hollywood veers too often toward kitsch, and in his conclusion the author expresses the wish that Hollywood could learn from the more substantial Holocaust documentaries and fiction films produced in Europe. Insdorf discussed both Hollywood and European films, which ultimately makes for a more satisfying project. Yet Gonshak’s selection allows each film more depth, and he takes full advantage of this opportunity by staging one scrupulously crafted discussion after another. Summing Up: Highly recommended. Lower-division undergraduates through faculty. * CHOICE *Hollywood and the Holocaust offers an important look at Hollywood's ongoing representations of the Holocaust aimed at a general readership not usually addressed by volumes on this subject. * Dillon Tribune *By what standards should we judge films about the Holocaust? That’s the provocative question that hangs over Hollywood and the Holocaust by Henry Gonshak, an English professor at Montana Tech. In examining older films, Gonshak rightly puts them in the context of their times. . . . In joining the growing shelf of books on the subject of the Holocaust and movies, Gonshak offers some insights as to how far we’ve come. * The Jewish Advocate *
£41.00
DK Star Wars How Not to Get Eaten by Ewoks and Other
Book Synopsis
£13.49
Lulu Press Sex våld
£14.66
