Fiction: literary and general non-genre

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Book SynopsisBy the author of Foreskin''s Lament, a novel of identity, tribalism, and mothers.Seventh Seltzer has done everything he can to break from the past, but in his overbearing, narcissistic mother''s last moments he is drawn back into the life he left behind. At her deathbed, she whispers in his ear the two words he always knew she would: Eat me.This is not unusual, as the Seltzers are Cannibal-Americans, a once proud and thriving ethnic group, but for Seventh, it raises some serious questions, both practical and emotional. Of practical concern, his dead mother is six-foot-two and weighs about four hundred and fifty pounds. Even divided up between Seventh and his eleven brothers, that''s a lot of red meat. Plus Second keeps kosher, Ninth is vegan, First hated her, and Sixth is dead. To make matters worse, even if he can wrangle his brothers together for a feast, the Can-Am people have assimilated, and the only living Cannibal who knows how to perform the ancient ritual is their Uncle Ishmael, whose erratic understanding of their traditions leads to conflict. Seventh struggles with his mother''s deathbed request. He never loved her, but the sense of guilt and responsibility he feels--to her and to his people and to his unique cultural heritage--is overwhelming. His mother always taught him he was a link in a chain, thousands of people long, stretching back hundreds of years. But, as his brother First says, he''s getting tired of chains. Irreverent and written with Auslander''s incomparable humor, Mother for Dinner is an exploration of legacy, assimilation, the things we owe our families, and the things we owe ourselves.

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Book Synopsis99 Ways to Tell a Story is a series of engrossing one-page comics that tell the same story ninety-nine different ways. Inspired by Raymond Queneau’s 1947 Exercises in Style, a mainstay of creative writing courses, Madden’s project demonstrates the expansive range of possibilities available to all storytellers. Readers are taken on an enlightening tour—sometimes amusing, always surprising—through the world of the story.Writers and artists in every media will find Madden’s collection especially useful, even revelatory. Here is a chance to see the full scope of opportunities available to the storyteller, each applied to a single scenario: varying points of view, visual and verbal parodies, formal reimaginings, and radical shuffling of the basic components of the story. Madden’s amazing series of approaches will inspire storytellers to think through and around obstacles that might otherwise prevent them from getting good ideas onto the page. 99 Ways to Tell a Story provides a model that will spark productive conversations among all types of creative people: novelists, screenwriters, graphic designers, and cartoonists.

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Book SynopsisRevisit one of the great adventure novels and classics of animal literature—now with a foreword by E.L. Doctorow One of the greatest American storytellers, Jack London enjoyed phenomenal popularity in his own time and remains widely read throughout the world. His work is characterized by thrilling action, an intuitive feeling for animal life, and a sense of justice that often manifests itself through violence. The Call of the Wild, perhaps the best novel ever written about animals, traces a dog’s sudden entry into the wild and his education in survival among the wolves. Library of America Paperback Classics feature authoritative texts drawn from the acclaimed Library of America series and introduced by today’s most distinguished scholars and writers. Each book features a detailed chronology of the author’s life and career, and essay on the choice of the text, and notes. The contents of this Paperback Classic are drawn from Jack London: Novels and Stories, volume number 6 in The Library of America series. It is joined in the series by a companion volume, number 7, Jack London: Novels and Social Writings.

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Book SynopsisNearly thirty years in the making, The Library of America's eleven-volume edition of the complete fiction of Henry James now culminates with this authoritative volume collecting his final three finished works. Considered by James to be his most finely constructed novel, The Ambassadors (1903) recounts the attempts of a conscientious American to convince the son of a friend to return home from Paris-and in doing so plays the charm of the Old World against the provincialism of the New. In The Golden Bowl (1904), an American woman marries an Italian prince while her father unknowingly marries the prince's former mistress; James underscores both the fragility and strength of human ties and further develops what he once called the "complex fate, being an American." Originally written for the stage but never produced, James reworked The Outcry (1911) into a highly successful comic novel of social manners that also deals with the ethics of art collecting. Included as an appendix is "The Married Son," the chapter James contributed to The Whole Family (1908), a multi-author novel conceived by William Dean Howells and portraying a dysfunctional family whose struggles mirror the frustrated collaborative efforts of the book's twelve contributors.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Book SynopsisHARLEM RENAISSANCE: Four Novels of the 1930s traces the flowering of the Renaissance in diverse genres and forms. It opens with Langston Hughes's Not Without Laughter (1931), an elegantly realized coming-of-age tale that follows a young man from his rural origins to the big city. Suffused with childhood memories, it is the poet's only novel. George S. Schuyler's Black No More (1931), a satire founded on the science fiction premise of a wonder drug permitting blacks to change their race, skewers public figures white and black alike in a raucous, carnivalesque send-up of American racial attitudes. Considered the first detective story by an African American writer, Rudolph Fisher's The Conjure-Man Dies (1932) is a mystery that comically mixes and reverses stereotypes, placing a Harvard-educated African "conjureman" at the center of a phantasmagoric charade of deaths and disappearances. Black Thunder (1936), Arna Bontemps's stirring fictional recreation of Gabriel Prosser's 1800 slave revolt, which, though unsuccessful, shook Jefferson's Virginia to its core, marks a turn from aestheticism toward political militancy in its exploration of African American history.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Book SynopsisA veteran of some of the bloodiest battles of the Civil War, Ambrose Bierce went on to become one of the darkest and most death haunted of American writers, the blackest of black humorists. This volume gathers the most celebrated and significant of Bierce''s writings. In the Midst of Life (Tales of Soldiers and Civilians), his collection of short fiction about the Civil War, which includes the masterpieces "An Occurrence at Owl Creek Bridge" and "Chickamauga," is suffused with a fiercely ironic sense of the horror and randomness of war. Can Such Things Be? brings together "The Death of Halpin Frayser," "The Damned Thing," "The Moonlit Road," and other tales of terror that make Bierce the genre''s most significant American practitioner between Poe and Lovecraft. The Devil''s Dictionary, the brilliant lexicon of subversively cynical definitions on which Bierce worked for decades, displays to the full his corrosive wit. In Bits of Autobiography, the series of memoirs that includes the memorable "What I Saw of Shiloh," he recreates his experiences in the war and its aftermath. The volume is rounded out with a selection of his best uncollected stories. Acclaimed Bierce scholar S. T. Joshi provides detailed notes and a newly researched chronology of Bierce''s life and mysterious disappearance.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Book SynopsisFirst published anonymously in 1912, The Autobiography of an Ex- Colored Man has electrified readers ever since with its stark portrayal of the color line in America and its daring modernist style. Now The Library of America presents an annotated centennial edition, introduced by National Book Award Winner Charles R. Johnson (Middle Passage).

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Book SynopsisThe first of Cooper''s Leatherstocking Tales, The Pioneers introduces the character of Natty Bumppo, one of literature''s most unforgettable heroes, an outsider on the advancing edge of a civilization he can neither abide nor escape. Bumppo makes his first appearance here as an aged hunter living on the fringe of settlement near Templeton (Cooperstown), New York, at the end of the eighteenth century. An introduction by historian Alan Taylor (William Cooper''s Town) explores the real historical backdrop against which Cooper''s imagination flourished.

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Book SynopsisSet against a glamorous Italian backdrop, here is William Dean Howell''s classic comedy of errors, a pitch-perfect story of romantic confusions that surprises and delights. 'A midlife crisis has rarely been sketched in fiction with better humor,' writes John Updike in his engaging introduction, first published in 1990.

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Book SynopsisThe definitive Philip Roth edition continues with three novels written in his late sixties and early seventies. The Dying Animal (2001) marks the final return of David Kepesh from The Breast (1972) and The Professor of Desire (1977). Now an eminent cultural critic in his sixties, Kepesh expertly seduces a beautiful twenty-four-year-old daughter of Cuban exiles only to find himself torn by sexual jealousy and the anguish of loss. As The Plot Against America (2004) begins, aviation hero Charles A. Lindbergh has defeated Franklin Roosevelt in the 1940 presidential election, and fear invades every Jewish household in America. Lindbergh has publicly blamed the Jews for pushing America toward a pointless war with Nazi Germany, and now in office, he negotiates a cordial “understanding” with Adolf Hitler. What follows for Jews during the Lindbergh presidency—most particularly in the Newark household of the boy Philip Roth—is the subject of an extraordinary work of historical imagination. With Exit Ghost (2007) Roth rings down the curtain on perhaps his greatest literary creation. Nathan Zuckerman returns to a radically changed New York, the city he left eleven years before, where a rash decision draws him into a vivid drama rife with implications for his future, and his past.Philip Roth is the only living American novelist to have his work published in a comprehensive, definitive edition by The Library of America. He has received the Pulitzer Prize, the National Book Award and the National Book Critics Circle Award twice, the PEN/Faulkner Award three times, the National Medal of Arts, and the Gold Medal in Fiction, the highest award of the American Academy of Arts and Letters.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Book SynopsisThe Library of America presents the first of two volumes in its definitive Updike collection. Here are 102 classic stories that chart Updike’s emergence as America’s foremost practitioner of the short story, “our second Hawthorne,” as Philip Roth described him. Based on new archival research, each story is presented in its final definitive form and in order of composition, established here for the first time.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Book SynopsisA showcase of the extraordinary career America’s first Black novelist and pivotal figure in African American literature “It is difficult to imagine any one of his contemporaries who contributed as much or as richly to so many genres.” —Henry Louis Gates Jr. Born a slave and kept functionally illiterate until he escaped at age nineteen, William Wells Brown (1814–1884) refashioned himself first as an agent of the Underground Railroad, then as an antislavery activist and self-taught orator, and finally as the author of a series of landmark works that made him, like Frederick Douglass, a foundational figure of African American literature. His controversial novel Clotel; or, the President’s Daughter (1853), a fictionalized account of the lives and struggles of Thomas Jefferson’s black daughters and granddaughters, is the first novel written by an African American. This Library of America volume brings it together with Brown’s other groundbreaking works: Narrative of William W. Brown: A Fugitive Slave, Written by Himself (1847), his first published book and an immediate bestseller, which describes his childhood, life in slavery, and eventual escape; later memoirs charting his life during the Civil War and Reconstruction; the first play (The Escape; or, A Leap for Freedom, 1858), travelogue (The American Fugitive in Europe, 1855), and history (The Black Man, His Antecedents, His Genius, and His Achievements, 1862) written by an African American; and eighteen speeches and public letters from the 1840s, 50s, and 60s, many collected here for the first time. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Book SynopsisAt last, the brilliant successor to Hammett and Chandler in a definitive collector’s edition: Revered by such contemporary masters as Sue Grafton, George Pelecanos, and James Ellroy, Ross Macdonald (the pseudonym of Kenneth Millar) brought to the crime novel new levels of social realism and psychological depth, while honing a unique gift for intricately involving mystery narratives. For his centennial year, The Library of America inaugurates its Macdonald edition with four novels from the 1950s, all featuring his incomparable protagonist, private investigator Lew Archer. Here are The Way Some People Die, a twisted journey through Los Angeles high and low, The Barbarous Coast, an exploration of crime and corruption in the movie business, The Doomsters, a breakthrough novel of madness and self-destruction, and The Galton Case, the mythically charged and deeply personal book that Macdonald considered a turning point in his career. As a special feature, this volume also includes five pieces in which Macdonald reveals the autobiographical background of his books and describes his distinctive approach to crime writing.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Book SynopsisThe definitive edition of Kurt Vonnegut’s fiction concludes with three brilliantly satirical novels of the 1980s and ’90s collected in one volume for the first time. Here are the final three novels of the visionary master who defined a generation. Bluebeard (1987) is the colorful history of a phenomenally gifted realist painter who, in the 1950s, betrayed his artistic vision for commercial success. now, at seventy-one, he writes his memoirs and plots his revenge on the worldly forces that conspired to corrupt his talent. In Hocus Pocus (1990), a freewheeling prison memoir by a Vietnam vet and disgraced academic, Vonnegut brings his indelible voice to a range of still-burning issues—free speech, racism, environmental calamity, deindustrialization, and globalization. Timequake (1997), the author’s last completed novel, is part science fiction yarn (starring perennial protagonist Kilgore trout), part diary of the mid-1990s (starring the author himself). the result is a perfect fusion of Vonnegut’s two signature genres, the satirical fantasy and the personal essay, and a literary magician’s fond farewell to his readers and his craft. Rounded out with a selection of short nonfiction pieces intimately related to these three works, this volume presents the final word from the artist who the San Francisco Chronicle, reviewing Timequake, called an “old warrior who will not accept the dehumanizing of politics, the blunting of conscience, and the glibness of the late-twentieth-century Western world.”LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Book SynopsisWriting with equal insight about New York City, Hollywood, and the small-town Pennsylvania world where he grew up, John O’Hara cultivated an unsentimental and often unsparing realism, aiming, he said, “to record the way people talked and thought and felt . . . with complete honesty.” Praised by contemporaries including Ernest Hemingway and Dorothy Parker, he wrote about sex, drinking, and social class with a frankness ahead of its time. The fiction he published in The New Yorker (more than any other writer to this day) came to epitomize the kind of short story featured in that magazine, and his impeccable ear and skillful dialogue have influenced later writers such as Raymond Carver. Bringing together sixty stories written over four decades—the largest, most comprehensive collection of O’Hara’s stories ever published—former New York Times Book Review editor Charles McGrath presents a fresh and arresting new perspective on one of American literature’s master storytellers.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Book SynopsisComplete in one volume for the first time, the joyous, jazz-saturated fiction of one of our foremost African American writers, including the four-novel Scooter sequenceOne of the leading cultural critics of his generation, Albert Murray was also the author of an extraordinary quartet of semi-autobiographical novels, vivid impressionistic portraits of black life in the Deep South in the 1920s and ''30s and in prewar New York City. Train Whistle Guitar (1974) introduces Murray''s recurring narrator and protagonist, Scooter, a "Southern jackrabbit raised in a briarpatch" too nimble ever to receive a scratch. Scooter''s education in books, music, and the blue-steel bent-note blues-ballad realities of American life continues in The Spyglass Tree (1991), Murray''s "Portrait of the Artist as a Tuskegee Undergraduate." The Seven League Boots (1996) follows Scooter as he becomes a bass player in a touring band not unlike Duke Ellington''s, and The Magic Keys (2005), in which Scooter at last finds his true vocation as a writer in Greenwich Village, is an elegaic reverie on an artist''s life. Editors Henry Louis Gates Jr. and Paul Devlin round out the volume with a selection of Murray''s remarkable poems, including 11 unpublished pieces from his notebooks, and two rare examples of his work as a short story writer.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Book SynopsisA definitive edition of the haunted and haunting stories of the legendary West Virginia writer, with rare unfinished stories and fragments and revealing lettersBreece D'J Pancake published only a handful of stories before he took his own life in 1979, just shy of his twenty-seventh birthday. Those stories and a small number of others found among his papers after his death comprise the remarkable posthumous collection The Stories of Breece D'J Pancake (1983), recognized at the time as an American Dubliners (Jayne Anne Phillips) and a collection by a young writer of such extraordinary gifts that one is tempted to compare his debut to Hemingway's (Joyce Carol Oates). Kurt Vonnegut called him merely the best writer, the most sincere writer I've ever read. Today his diverse admirers include Margaret Atwood, Andre Dubus III, Tom Waits, and Lorde.The Collected Breece D'J Pancake brings together the original landmark book, several story drafts and fragments, and a selection of Pancake's letters to offer an unprecedented picture of his life and art. Among the unfinished stories are fragments from Pancake's two planned novels. The letters document his relationship with writers such as Peter Taylor, John Casey, James Alan McPherson, and Mary Lee Settle, and offer a picture of his collaborative relationship with his mother, who sent him newspaper clippings and helped him research his stories. Pancake's stories are the only stories written in just this way, Jayne Anne Phillips writes in her introduction, from inside the minds of protagonists coming of age in the mountains of an Appalachian world closed to others. At once beautiful and relentlessly bleak, the stories concern miners, truckers, farmers, waitresses, and others facing constricted economic and life prospects. In one way or another, his characters are stuck, hoping for a change in fortune they can neither relinquish nor quite bring themselves to believe in, the land and the past making equally strong claims on their darkening present.

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Book SynopsisDrug kingpin Julius "Jules" Carter finds his reign threatened by his love for Tish, who, after falling for his lies, discovers his true nature and vows to take him down.

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Book SynopsisTired of competing against YaYa for Indie''s affection, Leah kidnaps the couple''s baby girl, turning Yaya and Indie''s world upside down as they strive to stop this crazy woman from destroying everything they have worked for.

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Book SynopsisDiamonds are forever . . . or are they? The Cartel runs Miami, and loyalty to their organization runs deep, but when someone breaks the rules, things may be beyond repair. A snitch in the crew has dismantled the notorious Cartel, and now disloyalty threatens to tear the family apart. Young Carter is in the fight for his life, as he faces drug kingpin charges due to the treachery of his best friend, Ace.Kidnapping, murder, deception, and seduction fill this highly anticipated sequel. Will Zyir find out that Breeze is still alive? Will Mecca be exposed as his brother''s killer? Is Miamor dead or alive? Ashley and JaQuavis are back with The Cartel 2. Their twisted tale of deceit will have you on the edge of your seat, trying to figure out what happens next.

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