Fiction in translation

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Book Synopsis‘Meet girls. Take drugs. Listen to music.’ In Rave, cult German novelist Rainald Goetz takes a headlong dive into nineties techno culture. From the cathartic release on the dance floor to the intense conversations in corners of nightclubs and the after-parties in the light of dawn, this exhilarating, fragmentary novel captures the feeling of debauchery from within. Dazzling and intimate, Rave is an unapologetic embrace of nightlife from an author unafraid to lose himself in the subject of his work.Trade Review‘Goetz’s writing is a kind of dancing. Each sentence, fragment, captures the essence of what it’s like to live inside the spaces of techno music. Thoughts come and go, and return louder, later in the text, with an urgent rhythm that makes the cumulative case for the transformative power of the dance floor. This is writing of and from the body, hot, sweaty, dazed, decadent, and ultimately life-affirming.’ — Julia Bell, author of The Dark Light ‘Rave matches [Bernhard] with its pitch-black humour and philosophical intensity. Questions of interiority, the external world, language and meaning are opened up within its circuit of pills and beats and clubs, like a genuinely meaningful drug trip.’ — Financial Times‘In Rave, Goetz makes an electrifying portrait of what happens when you dedicate your life to the night, to the bass and the rhythm, when you party nonstop and rave like there is no tomorrow. [...] What makes Rave so effective is that Goetz chronicles the tenor of rave culture’s endless cycle. The reader becomes part of the weekends of excessive indulgence, the “cracked” out week after, and the intrigues that linger. [...] I often felt a contact high reading Rave’ — Shane Anderson, Los Angeles Review of Books

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Book SynopsisCuban writer Ivan Cardenas Maturell meets a mysterious foreigner on a Havana beach who is always in the company of two Russian wolfhounds. Ivan quickly names him "the man who loved dogs". The man eventually confesses that he is actually Ramon Mercader, the man who killed Leon Trotsky in Mexico City in 1940, and that he is now living in a secret exile in Cuba after being released from jail in Mexico. Moving seamlessly between Ivan's life in Cuba, Mercader's early years in Spain and France, and Trotsky's long years of exile, The Man Who Loved Dogs is Leonardo Padura's most ambitious and brilliantly executed novel yet. It is the story of revolutions fought and betrayed, the ways in which men's political convictions are continually tested and manipulated, and a powerful critique of the role of fear in consolidating political power.Trade Review"A stunning novel, chronicling the evisceration of the Communist dream and one of the most "ruthless, calculated and useless" crimes in history." Financial Times When this novel was published in Spanish, it received literary acclaim across Europe and rightly so, for it is a monumental work." Independent "Padura has entered the Latin American Modernist canon by writing a Russian novel with a Tolstoyan passion for historical trifles and Dostoyevskyan pleasure in examining the moral life of its characters" NY Times

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Book Synopsis'Absolutely breathtaking' Christy Lefteri, Sunday Times bestselling author of The Beekeeper of Aleppo.We all have something to tell those we have lost . . .On a windy hill in Japan, in a garden overlooking the sea stands a disused phone box. For years, people have travelled to visit the phone box, to pick up the receiver and speak into the wind: to pass their messages to loved ones no longer with us.When Yui loses her mother and daughter in the tsunami, she is plunged into despair and wonders how she will ever carry on. One day she hears of the phone box, and decides to make her own pilgrimage there, to speak once more to the people she loved the most. But when you have lost everything, the right words can be the hardest thing to find . . .Then she meets Takeshi, a bereaved husband whose own daughter has stopped talking in the wake of their loss. What happens next will warm your heart, even when it feels as though it is breaking...The Phone Box at the Edge of the World is an unforgettable story of the depths of grief, the lightness of love and the human longing to keep the people who are no longer with us close to our hearts.'A moving and uplifting anatomisation of grief and the small miraculous moments that persuade people to start looking forward again' Sunday Times'Strangely beautiful, uplifting and memorable, it's a book to savour' Choice, Book of the Month'A poignant, atmospheric novel dealing with love, coming to terms with loss and the restoration of one's self' Daily Mail'A story about the dogged survival of hope when all else is lost . . . A striking haiku of the human heart' The Times'Beautiful. A message of hope for anyone who is lost, frightened or grieving' Clare Mackintosh, Sunday Times bestselling author of After the End'Incredibly moving. It will break your heart and soothe your soul' Stacey Halls, Sunday Times bestselling author of The Familiars'Mesmerising . . . beautiful . . . a joy to read' Joanna Glen, Costa shortlisted author of The Other Half of Augusta Hope'Spare and poetic, this beautiful book is both a small, quiet love story and a vast expansive meditation on grieving and loss' Heat'A perfect poignant read' Woman & HomeTrade ReviewA story about the dogged survival of hope when all else is lost . . . Messina shows us that even in the face of a terrible tragedy, such as an earthquake or a loss of a child, the small things - a cup of tea, a proffered hand - can offer a way ahead. Its meditative minimalism makes it a striking haiku of the human heart * The Times *Carefully told and with great care, this feels a particularly resonating story right now * Stylist *This beautiful novel tells a story of universal loss and the power of love. It will remain engraved in my heart and mind forever. During these difficult times we face, it addresses questions that we might all have - how to connect with those we have loved and lost and how to allow ourselves to live and to love again. Beautifully written, sensitive and evocative, it paints a picture of an inner and outer world that is infused with both tragedy and hope. It moved me to tears and made me want to speak my own secret thoughts in the phone box at the edge of the world. Absolutely breathtaking and stunning * Christy Lefteri *A message of hope for anyone who is lost, frightened or grieving. Beautiful. * Clare Mackintosh *Incredibly moving. It will break your heart and soothe your soul * Stacey Halls *Spare and poetic, this beautiful book is both a small, quiet love story and a vast, expansive meditation on grieving and loss * Heat *Before I got started, I already loved the phone box at the edge of the world. But then I loved everything else. Especially the beautiful prose, powerful but held back, like grief. And the characters - emerging blinking from their tragedies, hurt and hesitant - but ultimately hopeful. It was a joy to read. Mesmerising! * Joanna Glen, author of The Other Half of Augusta Hope *This is a beautiful book. And a timely one. It tells a story about the aftermath of a disaster, long after the disaster. It tells of memories of the first few weeks after horror struck, but more it tells about the years after. If we're not directly affected, we lose sight of the years after that others have to endure. Or survive * Bookbag *The Phone Box at the Edge of the World has such a subtle strength to it. The power to transfer such huge emotion from the page to my heart. It felt like a balm to my soul, one I did not know I needed. For me it is easily one of my books of the year * Waterstones bookseller *Immensely moving and emotionally powerful . . . possessed of a rare empathetic pull * Waterstones bookseller *This book is one to read now * Cosmopolitan *A perfect poignant read * Woman & Home *A balm to the soul in difficult times * Good Housekeeping *All I can say is that I thoroughly recommend this book to all, even if you have not lost someone dear. This book offers a sweet and poignant story, as well as some meaningful messages and a hopeful outlook on life * Escape to the Bookshelf *This an aching sweetness about this novel, with telling details that bring the departed so alive * Saga Magazine *A quiet, elegantly told story of how life goes on after loss. * Press Association *An elegant, elegiac story ... a poignant, atmospheric novel dealing with love, coming to terms with loss and the restoration of one's self. * Daily Mail *A stylish and carefully calibrated meditation upon the nature of loss, grief and the joyously restorative power of love. * The Yorkshire Times *This was a poignant read that brings love, light and hope to a heartbreaking situation * Rea's Book Review *Messina's beautifully-written debut novel of loss and the power of love, provides hope in the most of difficult of times. * Surrey Life *A touching tale of loss and recovery. * Wiltshire Living *Beautifully moving read ... heartbreaking and poignant. * Woman's Own *A quiet, elegantly told story of how life goes on after loss * Leinster Leader *BOOK OF THE MONTH: Strangely beautiful, uplifting and memorable, it's a book to savour. * Choice magazine *Strangely beautiful, uplifting and memorable, it's a book to savour * Scottish Herald *Moving, heart-breaking, redemptive * Irish Examiner *A whimsical, moving and uplifting anatomisation of grief and the small miraculous moments that persuade people to start looking forward again. * The Sunday Times *A tale of strength and hope born out of pain ... Messina has captured a grieving nation's soul. * The Lady *Beautiful in its candour ... staggering in its hold on you. More than a story of grief, it points to a fundamental hope in reforming after tragedy, and a celebration of lives well-lived. * Sunday Business Post *

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Book SynopsisJean-Paul Didierlaurent lives in the Vosges region of France. His short stories have twice won the International Hemingway Award. The Reader on the 6.27 is his first novel. A bestseller in France, it has been sold in over twenty-five territories.Trade ReviewA delightful tale about the kinship of reading . . . Already a bestseller in France, The Reader on the 6.27 looks set to woo British readers and become a book club favourite. * Independent on Sunday *Charming . . . It is a clever, funny, and humane work that champions the power of literature * Sunday Times *This contemporary fable was acquired by more than twenty countries. A beautiful testimony to the universality of the love of books * Livres Hebdo *The humanity of the characters . . . the re-enchantment of everyday life, the power of words and literature, tenderness and humor . . . The Reader on the 6.27 is a must. * L'Express *I read it in one sitting, I couldn't put it down! * Literary Loveliness - Hello Magazine Online *

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Book SynopsisTrapped in a stifling marriage, Anna Karenina is swept off her feet by dashing Count Vronsky. Rejected by society, the two lovers flee to Italy, where Anna finds herself isolated from all except the man she loves, and who loves her. But can they live by love alone? In this novel of astonishing scope and grandeur, Leo Tolstoy, the great master of Russian literature, charts the course of the human heart.A masterpiece of realism and illuminated by irresistible characters, Anna Karenina is among the best-loved of all novels, penetrating to the heart of the ruling class in Tsarist Russia. This beautiful Macmillan Collector's Library edition of Anna Karenina is translated by Aylmer & Louise Maude, and features an afterword by Ned Halley.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

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Book SynopsisTrade ReviewA stunning addition to the literature of eccentricity * The New York Times *A spellbinder from beginning to end, an edgy masterpiece * Chicago Sun-Times *Like Kafka, Abe's work reveals an astonishing ability to create dreamlike events * Chicago Tribune *

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Book Synopsis'Gripping and atmospheric' - Sunday Times A breath-taking missing persons thriller set under the menacing peaks of the Pyrenees Five years after their disappearance, the village of Monteperdido still mourns the loss of Ana and Lucia, two eleven-year-old friends who left school one afternoon and were never seen again. Now, Ana reappears unexpectedly inside a crashed car, wounded but alive. The case reopens and a race against time begins to discover who was behind the girls' kidnapping. Most importantly, where is Lucia and is she still alive?Inspector Sara Campos and her boss Santiago Bain, from Madrid's head office, are forced to work with the local police. Five years ago fatal mistakes were made in the investigation conducted after the girls first vanished, and this mustn't happen again. But Monteperdido has rules of its own.'Addictive, atmospheric and haunting, one of the best books you'll read this year' - Jo Spain, internationally bestselling author of The ConfessionTrade ReviewAddictive, atmospheric and haunting, one of the best books you'll read this year * Jo Spain, internationally bestselling author of The Confession *Gripping and atmospheric * Sunday Times *Creepy and atmospheric * Woman & Home *A heart-thumping thriller * Irish Mail *A tense page-turning novel... Gripping and scary this is a slice of Euro-noir that will please fans of The Killing * New Books Magazine *With its gripping premise and exotic wilderness setting, this is an intriguing and immersive mystery from one of Spain's leading screenwriters * Irish Independent *

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Book SynopsisMEET DETECTIVE GEREON RATH IN THE BOOKS THAT INSPIRED THE HIT TV SERIES BABYLON BERLIN ‘A first-rate historical thriller and Gereon Rath is one of the most intriguing detectives in fiction.’ - Paul Burke, NB Magazine Berlin, 1932: A drowned man is found in a freight elevator, miles from any standing water. How did he get there? A series of murders by drowning has shocked Berlin. Inspector Gereon Rath’s hunt for the killer has stalled, and his personal life is as turbulent as ever. His fiancée, Charly, has at last started her probationary year with Berlin CID, experiencing all the challenges of working in a male-dominated police force. When Rath’s work on the case of the drowned man sweeps him away to a remote village on the Polish border, his investigation clashes with local myths and the growing power of the Nazi party. As he puts the pieces of the puzzle together, Rath begins to wonder if he has a serial killer on his hands. Can he catch the killer before another victim is claimed? About the Gereon Rath Mysteries 1930s Berlin is a hotbed of vice and organised crime. When Inspector Gereon Rath leaves Cologne to join Berlin’s murder squad, he cannot begin to imagine the brutality and complexity of the world he is stepping into as communists and Nazis struggle for power.Trade Review‘A mystery full of twists and surprises and a classic detective you will root for all the way to the last page. Masterful.’‘The body count steadily mounts in Rath’s most complicated case to date.’‘The Fatherland Files is a first-rate historical thriller and Gereon Rath is one of the most intriguing detectives in fiction.’ * NB Magazine *‘Highly recommended.’ * Crime Time *

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Book SynopsisIt's the early part of the nineteenth century and the Arabian Peninsula and the waters surrounding it are ablaze. Piracy in the Gulf threatens global maritime trade routes while the Wahabbi strain of Islam is conquering followers town by town across the region. Britain, eager to reinforce its presence in the Middle East and protect the East India Company's ships, has a plan: send a man-of-war from England to quash the pirates while persuading Egypt to join an international alliance with Oman and Persia to fight the Wahabbis. At the center of it all lies a priceless Indian sword, a gift from the British monarch to the Egyptian Pasha. But Erhama bin Jaber, a historical figure and one of the most notorious pirates in the Gulf, has his own agenda and his own vendettas. When the Arabian corsair and his gang attack a ship carrying the sword, Britain's complex strategy goes terribly awry. As the pirates and British officials shuttle between ports throughout the region, plans and alliances are made and unmade as quickly as a rainstorm in the desert. In a grueling trudge across Arabia, an unlikely friendship is forged between Erhama's rebellious son and a British army major. This story of high-seas piracy and political intrigue, of unexpected kinship and personal betrayal, portrays the conflicting interests and human drama of these historic events in the Arabian Peninsula.Trade ReviewA fine talent in the world of novel writing... Al Qursan succeeds in taking us back to the past... and herein lies the value and importance of the novel. -- Ibrahim Darwish Al Qods Al Arabi Engaging and entertaining Al Dostoor This is a remarkable debut novel and one that captures the spirit of an age with delicate mastery and great skills QF Telegraph Abdul Aziz Al Mahmoud's Al Qursan reminded me of Yousef Zedan's Azazeel, which won the International Prize for Arabic Fiction in 2009... I believe that Al Qursan should be awarded the same prize Al Arab Qatari writer Abdul Aziz Al Mahmoud exquisitely relates an era of Gulf history in an outstanding and creative historical novel -- Yasser Al Zaater Al Arab (Al Qursan is a) formal and systematic analysis of the past by means of a narrative arc that is rich in characters and events as well as documents... all composed in a dramatic formula with rich vocabulary, an abundance of images and a wealth of meaning Al Nahaar What is remarkable about Al Qursan is that the author has brilliantly established a dramatic structure with great political awareness and an excellent historical mind without being spoiled by the intrusion of the narrator Aljazeera .net Abdul Aziz Al Mahmoud's Al Qursan takes us to worlds bustling with action and excitement; amongst peninsulas, deserts and harbours where you can inhale the scents of people, spices from the eastern India company and the wine of the officers of the British navy. Al Arab '...the author has brilliantly established a dramatic structure with great political awareness and an excellent historical mind without being spoiled by the intrusion of the narrator' Aljazeera.net Aljazeera.net '...the author has brilliantly established a dramatic structure with great political awareness and an excellent historical mind without being spoiled by the intrusion of the narrator' Aljazeera.net Aljazeera.net the author has brilliantly established a dramatic structure with great political awareness and an excellent historical mind without being spoiled by the intrusion of the narrator Aljazeera.net

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Book SynopsisEven as a young man, Hamid Farsi is acclaimed as a master of the art of calligraphy. But as time goes by, he sees that weaknesses in the Arabic language and its script limit its uses in the modern world. In a secret society, he works out schemes for radical reform, never guessing what risks he is running. His beautiful wife, Noura, is ignorant of the great plans on her husband's mind. She knows only his cold, avaricious side and so it is no wonder she feels flattered by the attentions of his amusing, lively young apprentice. And so begins a passionate love story of a Muslim woman and a Christian man.Trade Review'Warmly observed, richly detailed, and often bold and exciting, Schami's fine portrait of life in Damascus, Syria, in the middle of the 20th century is filled with a compelling set of characters. Noura is a Muslim girl who looks like Audrey Hepburn. Rami Arabi, her father, a noted sheikh, is frustrated that those who attend his mosque 'treat God like a waiter in a restaurant.' Salman is a Christian boy, hated by his drunkard father and devoted to his dog, and to Noura. Nasri Abbani is a wealthy man from an important family, but also a hopeless playboy, his business kept afloat only because of his clever clerk, Tawfiq. When Nasri sets foot in the studio of Hamid Farsi, the leading calligrapher in all of Syria, tragic and wondrous events are set in motion that will affect all in the most emphatic ways. Schami, born in Damascus, is one of Germany's most respected writers, bridging Arab and Western culture with his exquisite storytelling. A novel to be savored.' Publishers Weekly 20101025 The background to this bold and political novel is cosmopolitan: Jews, Armenians, Arabs and Iranians live cheek by jowl in Schami's Damascus. Finely rendered into English by Anthea Bell, The Calligrapher's Secret is a celebration of diversity. Rightly so; after all, as Serani, Farsi's old master points out: 'the Quran was revealed in Mecca and Medina, recorded in Baghdad, recited in Egypt, but written most beautifully of all in Istanbul. -- Andre Naffis-Sahely Times Literary Supplement 20111207 'Suspensful, spectacular, and searing are not adjectives one would use to describe The Calligrapher's Secret. Intriguing, intelligent, and multifaceted are far more accurate to convey what readers can expect from this well written story about love, art, family and Syrian culture.' New York Journal of Books 20111101

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Book SynopsisWhen Pauline Quenu is taken to the seaside to live with her relatives, her love of life contrasts with the pessimism which infects the family. This is the twelfth novel in Zola's Rougon-Macquart series, remarkable for it's depictions of intense emotions and physical and mental suffering.Trade ReviewThis excellent edition offers a finely judged and authoritative translation of one of Zola's more peculiar novels. * Richard Niland, Translation and Literature *

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Book SynopsisChina is ageing. Its shrinking households, overworked and overstretched, struggle to carry the burden of care for their elderly. Retired Beijing judge Uncle Xiao is one among millions of old-timers who face a hopeless choice: accept a lonely decline, or chase dubious 'miracle cures'. Then into his life steps Miss Zhong, a young rural nurse with her own share of problems. The two have little in common, but as time delivers tragedies they learn that family can take many forms. Will this unlikely pair weather life's storms together, and will Xiao find warmth in his sunset years?

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Book Synopsis“These are the voices of Crime and Punishment in all their original, dazzling variety: pensive, urgent, defiant, and triumphant. This new translation by Michael Katz revives the intensity Dostoevsky’s first readers experienced.” —Susan McReynolds, Northwestern University

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Book SynopsisIt's world history. But not as we know it.c.1000AD: Erik the Red's daughter heads south from Greenland1492: Columbus does not discover America1531: the Incas invade EuropeFreydis is the leader of a band of Viking warriors who get as far as Panama. Nobody knows what became of them. Five hundred years later, Christopher Columbus is sailing for the Americas, dreaming of gold and conquest. Even when captured, his faith in his mission is unshaken. Thirty years after that, Atahualpa, the last Inca emperor, arrives in a Europe ready for revolution. Fortunately, he has a recent guidebook to acquiring power - Machiavelli's The Prince. So, the stage is set for a Europe ruled by Incas and, when the Aztecs arrive on the scene, for a great war that will change history forever.'Binet's best book yet: the work of a major writer just hitting his stride. A delightful counterfactual novel' ***** - Daily TelegraphTrade ReviewGlorious, funny and profound * Daily Telegraph *A wild romp of a book that turns history on its head * Guardian *A bold and thrilling experiment in counter-factual history from a masterful storyteller * Financial Times *Characteristically ambitious, brilliant...Combining all the pleasure of a period romp with vital questions about our shared origin stories...a triumph * i *A propulsive 'counter-factual' romp...both dizzying and fun -- Claire Allfree * Metro, *Summer Reads of 2021* *

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Book SynopsisIn crisp, unembellished prose, Choi Eunyoung paints intimate portraits of the lives of young women in South Korea, balancing the personal with the political. In the title story, a fraught friendship between an exchange student and her host sister follows them from adolescence to adulthood. In 'A Song from Afar', a young woman grapples with the death of her lover, travelling to Russia to search for information about the deceased. In 'Secret', the parents of a teacher killed in the Sewol ferry sinking hide the news of her death from her grandmother. In the tradition of Sally Rooney, Banana Yoshimoto, and Marilynne Robinson - writers from different cultures who all take an unvarnished look at human relationships and the female experience - Choi Eunyoung is a writer to watch.Trade ReviewInsightful and deeply felt * New York Times Book Review *Written with sober detail, filmic precision and absolute control . . . an incredibly impressive collection told with realism, seriousness and moral integrity * Observer *Gentle yet elucidating . . . Shoko's Smile is the most beautiful book I've come across this year * Sisain *Shoko's Smile is the outcome of Choi's quite triumphant attempt to invent her own way to talk about dark facets of our reality . . . And her way at first comes across as bright and lighthearted. Of course, misleadingly so . . . Choi invents the narratives of today's real people who have not surrendered or become oppressors themselves, and who have survived nonetheless * GQ *Eunyoung's engaging debut collection examines her protagonists' interior lives in moments of longing, connection, and familial rift . . . Eunyoung's lyrical prose and complex characters will captivate readers * Publishers Weekly *

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Book SynopsisIn a lyrical novel, tinged with an hallucinatory eroticism, celebrated Greek author Ersi Sotiropoulos depicts Cavafy in the midst of a journey of self-discovery.

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Book SynopsisA title in which, the author personalizes the political and social changes in his country over the past few decades. By moving back and forth in time and focusing on small events and everyday people, it breathes life into Chinese history by describing the effects of larger-than-life events on the average citizen.Trade Review"In his novels and short stories, Mr. Mo paints sprawling, intricate portraits of Chinese rural life, often using flights of fancy-animal narrators, elements of fairy tales-that evoke the lyrical techniques of South American magical realists." -New York Times "Through a mixture of fantasy and reality, historical and social perspectives, Mo Yan has created a world reminiscent in its complexity of those in the writings of William Faulkner and Gabriel Garcia Marquez, at the same time finding a departure point in old Chinese literature and in oral tradition."-Nobel Committee for Literature "If China has a Kafka, it may be Mo Yan. Like Kafka, Yan has the ability to examine his society through a variety of lenses, creating fanciful, Metamorphosis-like transformations or evoking the numbing bureaucracy and casual cruelty of modern governments."-Publishers Weekly"

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Book SynopsisThis book presents three tales that encapsulate Sigizmund Krzhizhanovsky’s gift for creating philosophical, satirical, and lyrical phantasmagorias. It also includes excerpts from his notebooks—aphoristic glimpses of his worldview, moods, humor, and writing methods—and reminiscences of Krzhizhanovsky by his lifelong companion, Anna Bovshek.Trade ReviewIf H. G. Wells had been a poet, if Emily Dickinson were born a Slav, and if they had teamed up to write darkly hilarious, meandering novellas of fantastic realism, they might have equaled the bleak wit of Sigizmund Krzhizhanovsky. Joanne Turnbull’s deft, dazzlingly inventive translation and Caryl Emerson’s lucid and moving introduction reveal the human side of this brilliant, tragically frustrated talent. -- Muireann Maguire, author of Stalin's Ghosts: Gothic Themes in Early Soviet LiteratureKrzhizhanovsky is unmatched for the droll humor with which he fictionalizes philosophers, from Kant to the imaginary Katafalaki. “Logic for children,” he wrote in his notebook; yes, children of the universe, old as we are, and still bewildered. I am so grateful for his gentle pathos in the face of great odds. -- Ange Mlinko, author of Venice: PoemsSince his rediscovery in the waning days of the Soviet Union, Sigizmund Krzhizhanovsky has completely overturned the canon of Russian literature. Joanne Turnbull and Nikolai Formozov’s blistering translations of these three novellas, which provoke frequent guffaws of delight and horror, show us why. -- Benjamin Paloff, author of Lost in the Shadow of the Word: Space, Time, and Freedom in Interwar Eastern EuropeIt is now clear that Krzhizhanovsky is one of the greatest Russian writers of the last century. -- Robert Chandler, The Financial TimesKrzhizhanovsky is often compared to Borges, Swift, Poe, Gogol, Kafka, and Beckett, yet his fiction relies on its own special mixture of heresy and logic...phantasmagoric. -- Natasha Randall, BookforumKrzhizhanovsky takes the reader through realms of magic and science alike. It’s like little else you’ll encounter anywhere—politically resonant fables where people and places turn malleable at a moment’s notice. -- Tobias Carroll * Words Without Borders *[A] richly rewarding read with great depths to mine for the dedicated reader. -- Axie Barclay * Seattle Book Review *Just brilliant. -- Karen Langley * Kaggsy’s Bookish Ramblings *Would Krzhizhanovsky have dared write something so esoteric if he expected to be published? There is an exhilarating sense that the deeper his obscurity ran, the wilder his intellectual frolics became. -- Sam Sacks * Wall Street Journal *This collection of playful metaphysical tales and memoirs, by and about the Kyiv-born author Sigizmund Krzhizhanovsky, will delight admirers and enchant new readers. -- Muireann Maguire * Times Literary Supplement *This lively, thought-provoking new translation represents an important step in bringing [Krzhizhanovsky’s] work into being for Anglophones. -- A. J. DeBlasio * Choice Reviews *

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Book SynopsisPark Wan-suh’s Who Ate Up All the Shinga? is an extraordinary account of growing up during the Japanese occupation of Korea and the Korean War, a time of great oppression, deprivation, and social and political instability. With acerbic wit and brilliant insight, Park describes the characters and events that came to shape her young life.Trade ReviewLyrical in its descriptions of village life, this gripping book is written with a confessional chattiness that contrasts with the hardships it describes. * Financial Times *Who Ate Up All the Shinga? is essential reading. -- Joanna K. Elfving-Hwang * List: Books from Korea *Who Ate Up All the Shinga? is clearly a volume that should be added to the growing staple of works taughts in Korean literature, culture, and history courses. * Journal of Asian Studies *Though it feels rather like a memoir, the novel is an entertaining and sometimes heart-wrenching read as Park's brilliant use of language, as well as genuine depiction of its characters shine from the beginning to the end. * Korea Herald *Who Ate Up All the Shinga? is a pleasure not only to read but to behold. Let us hope that although the author is no longer with us physically, her spiritual presence will be maintained through other excellent translations of her works. -- Bruce Fulton * Korean Quarterly *A deeply moving, warm personal tale. * Korea.net *Table of ContentsIntroduction1. Days in the Wild2. Seoul, So Far Away3. Beyond the Gates4. Friendless Child5. The Triangle-Yard House6. Grandmother and Grandfather7. Mother and Brother8. Spring in My Hometown9. The Hurled Nameplate10. Groping in the Dark11. The Eve Before the Storm12. Epiphany

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Book SynopsisThe fourth novel in the internationally bestselling Malin Fors series, a Swedish crime-writing phenomenon, perfect for fans of the television series The Killing and The Bridge.Trade ReviewPraise for Mons Kallentoft's MALIN FORS series * . . . *Kallentoft's books have been called beautiful, exquisite and original. I can see why. * Literary Review *He has a completely unique style, an exquisite narrative that you drink in with pleasure . . . I'm convinced: a crime novel doesn't get much more beautiful than this * Kristian Stadsbladet *Don't bother with Stieg Larsson, Kallentoft is better * Magnus Utvik, Sweden's leading critic *One of the best-realised female heroines I've read by a male writer * Guardian *The highest suspense * Camilla Lackberg, international bestselling author of The Stonecutter *The strengths of this complex and excellent novel include realistic dialogue, thorough characterisation and concern for social issues * New Zealand Listener *It is Kallentoft's characterisation and distinctive, often poetic style which make his crime-writing more memorable than most . . . It is compelling reading. The atmosphere of oppressive heat creates the sense of a hell on earth, where evil thrives. It is a powerful and disturbing vision. * Canberra Times *'Meditative. Dark. Really, really cold . . . This is a worthy successor to Larsson's Millennium trilogy . . . This first installment in Kallentoft's crime series is a splendid representative of the Swedish crime novel, in all its elegance and eeriness.' * Booklist Starred Review *

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Book SynopsisDriven to his deathbed by an incurable disease, the thirty-year-old impoverished gentleman Chulkaturin decides to write a diary looking back on his short life. After describing his youthful disillusionment and his family’s fall from grace and loss of status, the narrative focuses on his love for Liza, the daughter of a senior civil servant, his rivalry with the dashing Prince N. and his ensuing humiliation. These pages helped establish the archetype of the “superfluous man”, a recurring figure in nineteenth-century Russian literature. First published in 1850, ‘The Diary of a Superfluous Man’ was initially censored by the authorities, as some of its passages were deemed too critical of Russian society. This volume also includes two other masterly novellas, also touching on the theme of disappointed love: ‘Asya’ and ‘First Love’.Trade ReviewTurgenev to me is the greatest writer there ever was. -- Ernest Hemingway

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Book SynopsisSet in post-war Switzerland, Fleur Jaeggy's novel begins simply and innocently enough: `At fourteen I was a boarder in a school in the Appenzell'. But there is nothing truly simple or innocent here. With the offhanded knowingness of a remorseless young Eve, the narrator describes life as a captive of the school and her designs to win the affections of the seemingly perfect new girl, Frederique. As she broods over her schemes as well as on the nature of control and madness, the novel gathers a suspended, unsettling energy.Trade Review`A wonderful, brilliant, savage writer.' Susan Sontag ---------- `Fleur Jaeggy's pen is an engraver's needle depicting roots, twigs, and branches of the tree of madness - extraordinary.' Joseph Brodsky ---------- `She has the enviable first glance for people and things, she harbors a mixture of distracted levity and authoritative wisdom.' Ingeborg Bachmann ---------- `Small-scale, intense, and impeccably focused.' New Yorker ----------'Nothing rivals its intensity.' Los Angeles Times ---------- 'How a novel could be so chilly and so passionate at the same time is a puzzle, but that icy-hot quality is only one of the distinctions of Sweet Days of Discipline.' Newsday ----------- 'Startling and original-so disturbing and so haunting.' The New York Review of Books----'Thank the gods and tip the devil for Fleur Jaeggy!'Claire-Louise Bennett, author of Pond

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Book SynopsisIn The Dream, the sixteenth novel in the Rougon-Macquart series, Zola blends mysticism and fairy tale with naturalism as an orphan girl falls in love with a nobleman.

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Book Synopsis A poignant story of three young adults trying to make a future for themselves in war-torn Damascus Syria - a country at war. Amal, Hammoudi and Youssef are young and ambitious, the face of modern Syria. But when civil war tears through their homeland, they are left with a horrifying choice: risk death by staying in the country they love, or flee in search of a new life elsewhere? From one of Germany's most talented literary voices comes this intricately woven story of brutality, loss, and how hope can shine through when darkness feels overwhelming.Trade Review‘Grjasnowa’s measured undemonstrative writing style (the book is beautifully translated from German by Katy Derbyshire) is central to the novel’s success... A significant literary and moral success.’ * Big Issue *‘There are few authors writing in German as sensuously and vividly as Grjasnowa.’ * KulturSpiegel *‘Grjasnowa provides a close-as-skin understanding of what it's like to suffer bombardment, torture, and dislocation while remaining human and hopeful... Highly recommended.’ * Library Journal, Reading Around the World: 12 Top Spring Titles for the Library Market *‘An important and painful book.’ * Deutschlandradio Kultur *‘Olga Grjasnowa's sentences crack like a whip.’ * Süddeutsche Zeitung *‘It is wonderful that there are writers like Grjasnowa who can write brilliantly and decisively about the real world.’ * Brigitte *‘A dark, tragic story with the resilient light of humanity shining through it... It truly spoke to my soul.’ * Marjorie's World of Books, blog review *‘Olga Grjasnowa writes from the nerve center of her generation.’ * Die Zeit *‘Grajsnowa’s extraordinary novel offers an opportunity to reacquaint ourselves with one of the great tragedies of our time - to remember what that nation once was, why and how the conflict began and what it has led to…Grajsnowa’s measured undemonstrative writing style (the book is beautifully translated from German by Katy Derbyshire) is central to the novel’s success…The reader isn’t patronised or manipulated, and the emotional impact is all the greater. Characters come and go and live and die as the novel heads for its masterly, shattering denouement. A significant literary and moral success.’ * Big Issue *‘A truly gifted writer...[who] has a very bright future ahead of her.’ * Yahoo! Voices *

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Book SynopsisHer father died instantly, her mother in the hospital. She has learned to say this flatly and without emotion, the way she says her name (Marina), her doll's name (also Marina) and her age (seven). Her parents were killed in a car crash and now she lives in the orphanage with the other little girls. But Marina is not like the other little girls. In the curious, hyperreal, feverishly serious world of childhood, Marina and the girls play games of desire and warfare. The daily rituals of playtime, lunchtime and bedtime are charged with a horror; horror is licked by the dark flames of love. When Marina introduces the girls to Marina the Doll, she sets in motion a chain of events from which there can be no release. With shades of Daphne du Maurier, Shirley Jackson, Guillermo Del Toro and Mariana Enríquez, Such Small Hands is a beautifully controlled tour-de-force, a bedtime story to keep readers awake.

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Book SynopsisIt is four years since the virus came, killing every adult in its path. Not long after that the electricity failed. Food and water started running out. Fires raged across the country. Now Anna cares for her brother alone in a house hidden in the woods, keeping him safe from 'the Outside'. But, when the time comes, Anna knows they must leave their world and find another. By turns luminous and tender, gripping and horrifying, Anna is a haunting parable of love and loneliness; of the stories we tell to sustain us, and the lengths we will go to in order to stay alive.Trade ReviewAmmaniti sets a new standard in post-apocalyptic fiction . . . This story of children running wild in Sicily brilliantly manipulates the usual models even as it transcends their limits . . . In the midst of wonderfully detailed disorder, one girl named Anna struggles to survive, fighting off feral dogs and crazed children and enduring one of recent literature's most nightmarish visions of hell on earth as she tries to feed and protect her young brother, Astor -- John Burnside * * Guardian * *From The Lord of the Flies to The Road, we do love a dystopian tale of survival. And it's apt that in these uncertain modern times, here comes arguably the best one yet . . . Complex, moving and scary, this one will stay with you long after the last page * * Sunday Telegraph * *Ammaniti's Italian bestseller has been compared to . . . Lord Of The Flies and The Road . . . It's a powerfully disturbing and thought-provoking read * * Daily Mail * *One of Italy's foremost literary talents . . . Combines the wayward fantasy of J.G. Ballard with comic-strip adventure . . . Ammaniti has lost none of his gift for landscape description -- Ian Thomson * * Times Literary Supplement * *Brave and uncompromising writing . . . A brutal but moving post-apocalyptic tale set in a world where adults have all been wiped out . . . reminiscent of Lord of the Flies or Cormac McCarthy's The Road . . . written with such heart and compassion for the plight of the characters that you can't help but get sucked in and root for them. Compelling and moving writing -- Doug Johnstone * * Big Issue * *Unbeatable storytelling - an immediate and engaging study of humanity at its best and worst * * Financial Times * *A gripping tale of resilience, friendship and sibling love in a brutal and dangerous world. I loved it! -- MEGAN BRADBURY, author of EVERYONE IS WATCHINGAmmaniti won the Italian Strega Prize for I'm Not Scared, and Anna has the same taut narrative, with straight-from-the-bow suspense, but its mark is philosophical . . . concerned not only with the will to live but also with what makes us alive * * Irish Times * *Ammaniti has an enviable ability to keep readers thoroughly absorbed * * The Herald * *Anna has pretty much everything you could hope for from a post-apocalyptic picaresque adventure story * * London Review of Books * *

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Book Synopsis'Gives Jo Nesbo a run for his money' Sunday ExpressFrom the author of the bestselling Richard and Judy bookclub pick I'm Travelling AloneNo one is safe in the dark...When a young woman is found dead, the police are quick to respond.Trade ReviewTwo books into this stark but compelling series, Bjork’s trademark themes are the lethal intersection of technology with child abuse and misogyny. * The Sunday Times *Gives Jo Nesbo a run for his money * Sunday Express *‘A unique, twisting, unsettling thriller that really epitomises the phrase 'page-turner'.’ * Irish News *Kruger is strongly reminiscent of Lisbeth Salander . . . this is an engrossingly labyrinthine novel, with enough offbeat and downright bizarre detail to keep us intrigued and guessing right up to a tense finale. * Crime Scene Magazine *FANTASTIC sequel from Samuel Bjørk! . . . This is quality suspense at its very best and in my opinion a literary masterpiece. A delight to read! * Bokelskere.no *

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Book SynopsisA thrilling exploration of psychological disturbance and fear from the bestselling and prize-winning author of Measuring the World.*Now a major film starring Kevin Bacon and Amanda Seyfried*On retreat in the wintry Alps with his family, a writer is optimistic about completing the sequel to his breakthrough film. Nothing to disturb him except the wind whispering around their glassy house. The perfect place to focus. Intruding on that peace of mind, the demands of his four-year-old daughter splinter open long-simmering arguments with his wife. I love her, he writes in the notebook intended for his script. Why do we fight all the time?Guilt and expectation strain at his concentration, and strain, too, at the walls of the house. They warp under his watch; at night, looking through the window, he sees impossible reflections on the snow outside.Then the words start to appear in his notebook; the words he didn't write.Familiar and forbidding by turns, this is an electrifying experiment in form by one of Europe's boldest writers. The ordinary struggles of a marriage transform, in Kehlmann's hands, into a twisted fable that stays darkly in the mind.Trade ReviewA well-crafted tale about one man unravelling due to forces beyond his control . . . You Should Have Left - part-horror, part-psychodrama - serves up effective shocks and thrills that keep us rapt and on the edge of our seats . . . Kehlmann brings that abyss ever closer and takes his narrator, and his reader, over the edge. -- Malcolm Forbes * National *Wry, eerie and increasingly terrifying . . . Daniel Kehlmann is certainly in complete mastery of an entertaining Everyman's postmodernist Gothic guaranteed to unsettle -- Eileen Battersby * Irish Times *Kehlmann plays on our manipulated expectations to pull off a rather spectacular hat trick . . . You Should Have Left is a story full of craft and scintillating devices . . . A chilling, curious little book, finely translated, and a promise of innovative maturity for its author -- Mika Provata-Carlone * Bookanista *His fiction, conspicuously clever, tends to puncture all the dusty, lugubrious 'worthiness' of canonical literature . . .You Should Have Left [is] a taut and scary novella . . . [with] some high-grade science in it -- Hermione Hoby * Sunday Times *It's a masterclass in economical storytelling, meticulously attentive prose and imaginative agility. Kehlmann creates narrative complexity with the deftest of strokes. He's also laugh-out-loud funny. This is both a highly readable novella and a subtly derisive challenge to readers to question the value of their own enjoyment. -- Luke Davies * Literary Review *A sense of menacing claustrophobia, as the characters - and readers - teeter on the edge of an inexplicable abyss . . . Using some neat formal trickery and a cleverly suggestive atmosphere, this is a story about a marriage in trouble . . . At first glance there may not seem much to this little book, but it has a funny way with dimensions - its effects are amplified, and they linger. -- Daniel Hahn * Spectator *Unsettling, tightly written (in an excellent English translation by Ross Benjamin), psychological suspense and outright, physics-defying horror . . . Kehlmann is a skilled storyteller who takes what could be a run-of-the-mill horror tale and builds it into something more intelligent, metaphysical, concise and perfectly paced as it cranks up the chill . . . Frightening and thought-provoking -- Charlie Connelly * New European *This mind-bending novella about a writer losing his marbles contains images that startle and linger . . . The most arresting of the book's chilling moments might do for baby monitors what 'Jaws' did for swimming in the ocean . . . [Kehlmann] manages a few darkly comic flourishes . . . provocative . . . potent . . . pleasantly unsettling -- John Williams * New York Times *A beautifully crafted exercise in terror from one of Germany's most celebrated contemporary authors . . . Kehlmann creates a sense of existential dread that transcends the typical ghost story . . . A book to keep you up at night * Kirkus *A ghost story steeped with a sense of existential dread and it will have you rereading the chilling final pages to figure out exactly what might have happened. It is a book that should carry a health warning: read alone at your own risk. -- Georgia Godwin * Monocle *Kehlmann is one of the brightest, most pleasure-giving writers at work today, and he manages all this while exploring matters of deep philosophical and intellectual import. * Jonathan Franzen *Daniel Kehlmann is one of the great novelists for making giant themes seem light * Adam Thirlwell *

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Book SynopsisA fascinating study in sexual psychology and sexual politics, the novel focuses on Hélène Grandjean, a widow, and her shifting emotional states. This is the eighth novel in Zola's Rougon-Macquart series, and the first modern translation for more than fifty years.Trade ReviewA Love Story was such a joy to read... This is the type of book I would like to leisurely read while sitting in a Paris café, maybe that is how I will re-read A Love Story. * Michael Kitto, Knowledge Lost *There's so much to love and admire about this novel, which has rarely appeared in an English translation. * Harriet Devine, Shiny New Books *

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Book SynopsisThe gripping psychological thriller debut of No 1 bestselling Swedish crime sensation Camilla Läckberg.Heart-stopping and heart-warming, The Ice Princess is a masterclass in Scandinavian crime writing' Val McDermid*One of TIME's best mystery and thriller books of all time*A small town can hide many secretsReturning to her hometown after the funeral of her parents, writer Erica Falck finds a community on the brink of tragedy. The death of her childhood friend, Alex, is just the beginning. Her wrists slashed, her body frozen in an ice-cold bath, it seems like she's taken her own life.Meanwhile, local detective Patrik Hedström is following his own suspicions about the case. It's only when they start working together that the truth begins to emerge about a small town with a deeply disturbing pastTrade ReviewPraise for The Ice Princess: ‘Heart-stopping and heart-warming, ‘The Ice Princess’ is a masterclass in Scandinavian crime writing’ Val McDermid ‘Camilla Läckberg is a more than welcome addition to the growing ranks of Scandinavian crime writers translated into English. With its sharp emotional nuances and psychological insight, ‘The Ice Princess’ builds in suspense as the author turns her clear eye on the buried secrets and contemporary relationships of a small, isolated community. I predict that Fjallbacka and its crimes and people will soon be as poplular here as they are in her native Sweden’ Peter Robinson ‘Another top-class Scandinavian crime writer reaches the British market’ The Times ‘A welcome new voice in crime fiction’ Woman & Home ‘Has a brooding quality redolent of its barren Swedish landscapes… intriguing and not a little disturbing’ Irish Times ‘Chilly, deceptive and lucid, just like the icy environment it describes’ Literary Review Praise for Camilla Lackberg: ‘Domesticity and brutality are Lackberg staples… Tightly plotted… Unflinching.’ Sunday Times ‘Pacy … with flashing insight into the dark places of the psyche’ Sunday Times ‘A top-class Scandinavian crime writer’ The Times ‘The rock star of Nordic Noir’ Independent ‘Lackberg is an expert at mixing scenes of domestic cosiness with blood-curdling horror’ Guardian ‘Both chilling and thrilling’ Sun

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Book SynopsisIn The Last Wolf, a philosophy professor is mistakenly hired to write the true tale of the last wolf of Extremadura, a barren stretch of Spain. His miserable experience is narrated in a single, rolling sentence to a patently bored bartender in a dreary Berlin bar. In Herman, a master trapper is asked to clear a forest's last 'noxious beasts.' Herman begins with great zeal, although in time he switches sides, deciding to track entirely new game... In Herman II, the same events are related from the perspective of strange visitors to the region, a group of hyper-sexualised aristocrats who interrupt their orgies to pitch in with the manhunt of poor Herman... These intense, perfect novellas, full of Krasznhorkai's signature sense of foreboding and dark irony, are perfect examples of his craft.Trade ReviewThe Last Wolf reveals what a light-footed and lucid writer Krasznahorkai is, how he entertains as well as disturbs. The book is an excellent short introduction to his fiction, much as Metamorphosis is to Kafka ... Krasznahorkai's method is to examine reality "to the point of madness" and he does so with majestic style and black comedy. -- Luke Brown * Financial Times *Unforgettably visceral and beautiful * Observer *Together, The Last Wolf and Herman raise a set of spiritual questions that affirms their author as one of the most important - and eccentric - writers working today. * Spectator *Melancholy, fantastical and entirely original ... seductive and comical, too -- Adam Thirlwell * Guardian *Exquisite ... claustrophobic, exhilarating and tinged with fatal comedy * New Statesman *Wonderful ... perfectly judged -- David Mills * Sunday Times *A visionary writer of extraordinary intensity and vocal range who captures the texture of present day existence in scenes that are terrifying, strange, appallingly comic and often shatteringly beautiful ... magnificent works of deep imagination -- Man Booker International Prize citationThe Last Wolf is a great introduction to the world of László Krasznahorkai. Enter here and keep going. -- Sjón[Krasznahorkai has] a magnificently strange and hypnotic way of thinking. * TLS *

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Book SynopsisPerfect for fans of Alexander McCall Smith and Andrea Camilleri - the second Auntie Poldi adventure in which Poldi tastes a murder weapon, finds a body in a vineyard, and once again makes herself unpopular in the pursuit of justice . . .Trade ReviewCross Alexander McCall Smith with Janet Evanovich, add a sensuously imagined Sicilian setting and an exuberant narrator, and you get the feel of Mario Giordano's Auntie Poldi detective books * The Times *Cross Alexander McCall Smith with Janet Evanovich, add a sensuously imagined Sicilian setting and an exuberant narrator, and you get the feel of Mario Giordano's Auntie Poldi detective books * The Times *Thirst and murder are Auntie Poldi's pet hates, so when the two are combined there's no stopping the Sicilian Miss Marple from ferreting out the truth . . . a delicious read * Choice *Thirst and murder are Auntie Poldi's pet hates, so when the two are combined there's no stopping the Sicilian Miss Marple from ferreting out the truth . . . a delicious read * Choice *

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Book SynopsisOn the path to self-destruction after the death of his girlfriend, things take a turn for the worse, when child pornography is found on Varg Veum’s computer and he must battle to prove his innocence … the chilling new instalment in the award-winning Varg Veum series, by one of the fathers of Nordic Noir. ‘Mature and captivating’ Rosemary Goring, Herald Scotland ‘Moving, uncompromising’ Publishers Weekly _________________ Reeling from the death of his great love, Karin, Varg Veum’s life has descended into a self-destructive spiral of alcohol, lust, grief and blackouts. When traces of child pornography are found on his computer, he’s accused of being part of a paedophile ring and thrown into a prison cell. There, he struggles to sift through his past to work out who is responsible for planting the material … and who is seeking the ultimate revenge. When a chance to escape presents itself, Varg finds himself on the run in his hometown of Bergen. With the clock ticking and the police on his tail, Varg takes on his hardest – and most personal – case yet. Dark, emotive and compulsive, Wolves in the Dark is the absorbing, shocking next instalment in the addictive Varg Veum series, by one of the fathers of Nordic Noir. _________________ Praise for Gunnar Staalesen 'There is a world-weary existential sadness that hangs over his central detective. The prose is stripped back and simple … deep emotion bubbling under the surface – the real turmoil of the characters’ lives just under the surface for the reader to intuit, rather than have it spelled out for them’ Doug Johnstone, The Big Issue ‘Gunnar Staalesen is one of my very favourite Scandinavian authors. Operating out of Bergen in Norway, his private eye, Varg Veum, is a complex but engaging anti-hero. Varg means “wolf ” in Norwegian, and this is a series with very sharp teeth’ Ian Rankin ‘Staalesen continually reminds us he is one of the finest of Nordic novelists’ Financial Times ‘Chilling and perilous results — all told in a pleasingly dry style’ Sunday Times ‘Staalesen does a masterful job of exposing the worst of Norwegian society in this highly disturbing entry’ Publishers Weekly 'The Varg Veum series is more concerned with character and motivation than spectacle, and it’s in the quieter scenes that the real drama lies’ Herald Scotland 'Every inch the equal of his Nordic confreres Henning Mankell and Jo Nesbo' Independent ‘Not many books hook you in the first chapter – this one did, and never let go!’ Mari Hannah ‘With an expositional style that is all but invisible, Staalesen masterfully compels us from the first pages … If you’re a fan of Varg Veum, this is not to be missed, and if you’re new to the series, this is one of the best ones. You’re encouraged to jump right in, even if the Norwegian names can be a bit confusing to follow’ Crime Fiction Lover ‘With short, smart, darkly punchy chapters Wolves at the Door is a provocative and gripping read’ LoveReading ‘Haunting, dark and totally noir, a great read’ New Books Magazine ‘An upmarket Philip Marlowe’ Maxim Jakubowski, The Bookseller ‘Razor-edged Scandinavian crime fiction at its finest’ Quentin BatesTrade Review* 'Gunnar Staalesen is one of my very favourite Scandinavian authors. Operating out of Bergen in Norway, his private eye, Varg Veum, is a complex but engaging anti-hero. Varg means 'wolf' in Norwegian, and this is a series with very sharp teeth' Ian Rankin * 'A Norwegian Chandler' Jo Nesbo * 'Gunnar Staalesen was writing suspenseful and socially conscious Nordic Noir long before any of today's Swedish crime writers had managed to put together a single book page ... one of Norway's most skillful storytellers' Johan Theorin * 'With its exploration of family dynamics and the complex web of human behaviour, Staalesen's novel echoes the great California author Ross MacDonald's Lew Archer mysteries ... mature and captivating' Herald Scotland * 'Norwegian master Staalesen is an author who eschews police procedural narratives for noirish private eye pieces ... with some abrasive social commentary' Financial Times

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Book SynopsisThe newest instalment in the phenomenal Night Watch series.The streets of Moscow aren't safe. Vampires are attacking innocent people, and the names of the victims are spelling out a message: ANTON GORODETSKY. Higher Light Magician Anton is one of the Others, possessed of magical powers and able to enter the Twilight, a shadowy world parallel to our own. Each Other must swear allegiance to one side: either the Light, or the Dark. But who is after Anton and what do they want? Anton's investigation leads him to a Prophet, an Other with the gift of seeing the future. Her horrifying vision heralds the end of all life at the hands of an ancient threat unless Anton can reunite a mysterious organisation known only as the Sixth Watch, before it's too late.Trade ReviewLukyanenko’s vision of a bustling supernatural world that’s just out of sight is just as wryly bewitching as it ever was. * SciFi Now *A satisfying end to the series, and one that ties up a lot of loose threads. * i *Supernatural fiction doesn’t get any better than this. * CultureFly, '6 Must Read Books for Autumn' *

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Book SynopsisThe narrator is a scientist hideously deformed in a laboratory accident - a man who has lost his face and, with it, connection to other people. Even his wife is now repulsed by him. His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such mask is more than a disguise: it is an alternate self - a self that is capable of anything. A remorseless meditation on nature, identity, and the social contract, THE FACE OF ANOTHER is an intellectual horror story of the highest order.

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Book SynopsisA classic detective story that explores the last years of Hemingway's life, evoking both Cuba and this giant of American letters with enormous skill and wit. When the bones of a man murdered forty years earlier surface on the Havana estate of Ernest Hemingway, writer and ex-cop Mario Conde is called in to investigate. As he unearths the truth of the night of 3 October 1958, he is forced to come to terms with a very different side to his former literary hero.Padura Fuentes switches between Conde's world and that of Hemingway's Cuba four decades earlier; in the heat and rum haze, the two seem slowly to merge. In an extraordinary journey into the past and into the personality of one of the twentieth century´s most enigmatic and powerful writers, a masterful and totally convincing portrait emerges, as well as a riveting mystery that will keep you in suspense until the very final pages.Trade Reviewintelligent, moving and delightful...It makes you think and feel. What more can you ask for?...a lovely little novel. * * The Scotsman * *Fact and fiction are seamlessly merged... * * Buzz * *. . . the gently melancholic tone, beautifully rendered here by John King, subverts any literal reading. * * The Guardian * *a well-paced and beautifully characterised detective story. * * The Observer * *a superb piece of crime literature...a thrilling and engaging mystery. * * City Life * *beautifully recreates a complicated and interesting man. * * Event Magazine * *

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Book SynopsisHere are some of Sciascia's greatest stories - brief and haunting, the realist tradition at its best. In one tale a couple of men talk, cynically yet earnestly, about the etymology of the word 'mafia' - who they are, and why their interest is so piqued by the word, becomes apparent with frightening clarity. In another story a group of peasants are taken on board ship and promised that they will be put ashore illegally at Trenton, New Jersey; after a long time at sea, their landfall is far from what they expected. And Mussolini himself takes an interest in the case of Aleister Crowley, whose presence in Sicily has become an embarrassment.Trade ReviewFew writers managed to capture the taciturn Sicilian character better than Sciascia, who always understood the power of implication in his work. [A] superb collection * The Times *Brief, haunting and unforgettable * Sunday Tribune *A well-written and instructive collection * Time Out *There are 13 stories in The Wine-Dark Sea... I guarantee you will wish there were more * Big Issue in the North *

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Book SynopsisDmitry Rudin, a high-minded gentleman of reduced means, arrives at the estate of Darya Mikhailovna, where his intelligence, eloquence and conviction immediately make a powerful impression. As he stys on longer than intended, Rudin exerts a strong influence on the younger generation, and Darya's daughter, Natalya, falls in love with him. But circumstances soon will show whether Rudin has the courage to act on his beliefs, and whether he can live ip to the image he has created for himself.Trade ReviewThese two translations of Ivan Turgenev's earliest long fiction [Faust and Rudin] are a welcome sign of renewed interest in Russia's least-appreciated great nineteenth century novelist. * TLS *Rudin enters the familiar Turgenevan landscape of rustic tranquillity and well-bred, private contumely like a thunderbolt. * TLS *Turgenev’s little-known first novel Rudin, written in 1856, centres on an excessively self-indulgent man and his doomed relationship with the daughter of his aristocratic hostess. It’s an impressive debut, with complex psychology and subtle characterisation. * The Telegraph *Turgenev to me is the greatest writer there ever was. -- Ernest Hemingway

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Book SynopsisOn a crowded bus at midday, the narrator observes one man accusing another of jostling him deliberately. When a seat is vacated, the first man takes it. Later, in another part of town, the man is spotted again, while being advised by a friend to have another button sewn onto his overcoat. Exercises in Style retells this apparently unremarkable tale ninety-nine times, employing a variety of styles, ranging from sonnet to cockney to mathematical formula. Too funny to be merely a pedantic thesis, this virtuoso set of themes and variations is a linguistic rustremover, a guide to literary forms and a demonstration of imagery and inventiveness.Trade ReviewWitty, playful, ingenious, it manages to transcend its own sophistication by a sort of verbal slapstick which Miss Wright translated into pure Groucho Marxism. * The Guardian * Midway between Lewis Carroll and Jacques Derrida, in a deliriously witty dimension of its own, lies Queneau's Exercises in Style... Barbara Wright's dazzling translation matches this oddball classic step by step, pun by pun. * The Independent * A pointless anecdote told in 99 different ways, or a work of genius in a brilliant translation by Barbara Wright. In fact it's both. Endlessly fascinating and very funny. -- Philip Pullman I've loved Exercises in Style for years. This translation is impeccable, extraordinary. -- Philip Pullman

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