Fiction in translation

Book SynopsisThis book presents three tales that encapsulate Sigizmund Krzhizhanovsky’s gift for creating philosophical, satirical, and lyrical phantasmagorias. It also includes excerpts from his notebooks—aphoristic glimpses of his worldview, moods, humor, and writing methods—and reminiscences of Krzhizhanovsky by his lifelong companion, Anna Bovshek.Trade ReviewIf H. G. Wells had been a poet, if Emily Dickinson were born a Slav, and if they had teamed up to write darkly hilarious, meandering novellas of fantastic realism, they might have equaled the bleak wit of Sigizmund Krzhizhanovsky. Joanne Turnbull’s deft, dazzlingly inventive translation and Caryl Emerson’s lucid and moving introduction reveal the human side of this brilliant, tragically frustrated talent. -- Muireann Maguire, author of Stalin's Ghosts: Gothic Themes in Early Soviet LiteratureKrzhizhanovsky is unmatched for the droll humor with which he fictionalizes philosophers, from Kant to the imaginary Katafalaki. “Logic for children,” he wrote in his notebook; yes, children of the universe, old as we are, and still bewildered. I am so grateful for his gentle pathos in the face of great odds. -- Ange Mlinko, author of Venice: PoemsSince his rediscovery in the waning days of the Soviet Union, Sigizmund Krzhizhanovsky has completely overturned the canon of Russian literature. Joanne Turnbull and Nikolai Formozov’s blistering translations of these three novellas, which provoke frequent guffaws of delight and horror, show us why. -- Benjamin Paloff, author of Lost in the Shadow of the Word: Space, Time, and Freedom in Interwar Eastern EuropeIt is now clear that Krzhizhanovsky is one of the greatest Russian writers of the last century. -- Robert Chandler, The Financial TimesKrzhizhanovsky is often compared to Borges, Swift, Poe, Gogol, Kafka, and Beckett, yet his fiction relies on its own special mixture of heresy and logic...phantasmagoric. -- Natasha Randall, BookforumKrzhizhanovsky takes the reader through realms of magic and science alike. It’s like little else you’ll encounter anywhere—politically resonant fables where people and places turn malleable at a moment’s notice. -- Tobias Carroll * Words Without Borders *[A] richly rewarding read with great depths to mine for the dedicated reader. -- Axie Barclay * Seattle Book Review *Just brilliant. -- Karen Langley * Kaggsy’s Bookish Ramblings *Would Krzhizhanovsky have dared write something so esoteric if he expected to be published? There is an exhilarating sense that the deeper his obscurity ran, the wilder his intellectual frolics became. -- Sam Sacks * Wall Street Journal *This collection of playful metaphysical tales and memoirs, by and about the Kyiv-born author Sigizmund Krzhizhanovsky, will delight admirers and enchant new readers. -- Muireann Maguire * Times Literary Supplement *This lively, thought-provoking new translation represents an important step in bringing [Krzhizhanovsky’s] work into being for Anglophones. -- A. J. DeBlasio * Choice Reviews *

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Book SynopsisPark Wan-suh’s Who Ate Up All the Shinga? is an extraordinary account of growing up during the Japanese occupation of Korea and the Korean War, a time of great oppression, deprivation, and social and political instability. With acerbic wit and brilliant insight, Park describes the characters and events that came to shape her young life.Trade ReviewLyrical in its descriptions of village life, this gripping book is written with a confessional chattiness that contrasts with the hardships it describes. * Financial Times *Who Ate Up All the Shinga? is essential reading. -- Joanna K. Elfving-Hwang * List: Books from Korea *Who Ate Up All the Shinga? is clearly a volume that should be added to the growing staple of works taughts in Korean literature, culture, and history courses. * Journal of Asian Studies *Though it feels rather like a memoir, the novel is an entertaining and sometimes heart-wrenching read as Park's brilliant use of language, as well as genuine depiction of its characters shine from the beginning to the end. * Korea Herald *Who Ate Up All the Shinga? is a pleasure not only to read but to behold. Let us hope that although the author is no longer with us physically, her spiritual presence will be maintained through other excellent translations of her works. -- Bruce Fulton * Korean Quarterly *A deeply moving, warm personal tale. * Korea.net *Table of ContentsIntroduction1. Days in the Wild2. Seoul, So Far Away3. Beyond the Gates4. Friendless Child5. The Triangle-Yard House6. Grandmother and Grandfather7. Mother and Brother8. Spring in My Hometown9. The Hurled Nameplate10. Groping in the Dark11. The Eve Before the Storm12. Epiphany

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Book SynopsisThe fourth novel in the internationally bestselling Malin Fors series, a Swedish crime-writing phenomenon, perfect for fans of the television series The Killing and The Bridge.Trade ReviewPraise for Mons Kallentoft's MALIN FORS series * . . . *Kallentoft's books have been called beautiful, exquisite and original. I can see why. * Literary Review *He has a completely unique style, an exquisite narrative that you drink in with pleasure . . . I'm convinced: a crime novel doesn't get much more beautiful than this * Kristian Stadsbladet *Don't bother with Stieg Larsson, Kallentoft is better * Magnus Utvik, Sweden's leading critic *One of the best-realised female heroines I've read by a male writer * Guardian *The highest suspense * Camilla Lackberg, international bestselling author of The Stonecutter *The strengths of this complex and excellent novel include realistic dialogue, thorough characterisation and concern for social issues * New Zealand Listener *It is Kallentoft's characterisation and distinctive, often poetic style which make his crime-writing more memorable than most . . . It is compelling reading. The atmosphere of oppressive heat creates the sense of a hell on earth, where evil thrives. It is a powerful and disturbing vision. * Canberra Times *'Meditative. Dark. Really, really cold . . . This is a worthy successor to Larsson's Millennium trilogy . . . This first installment in Kallentoft's crime series is a splendid representative of the Swedish crime novel, in all its elegance and eeriness.' * Booklist Starred Review *

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Book SynopsisDriven to his deathbed by an incurable disease, the thirty-year-old impoverished gentleman Chulkaturin decides to write a diary looking back on his short life. After describing his youthful disillusionment and his family’s fall from grace and loss of status, the narrative focuses on his love for Liza, the daughter of a senior civil servant, his rivalry with the dashing Prince N. and his ensuing humiliation. These pages helped establish the archetype of the “superfluous man”, a recurring figure in nineteenth-century Russian literature. First published in 1850, ‘The Diary of a Superfluous Man’ was initially censored by the authorities, as some of its passages were deemed too critical of Russian society. This volume also includes two other masterly novellas, also touching on the theme of disappointed love: ‘Asya’ and ‘First Love’.Trade ReviewTurgenev to me is the greatest writer there ever was. -- Ernest Hemingway

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Book SynopsisSet in post-war Switzerland, Fleur Jaeggy's novel begins simply and innocently enough: `At fourteen I was a boarder in a school in the Appenzell'. But there is nothing truly simple or innocent here. With the offhanded knowingness of a remorseless young Eve, the narrator describes life as a captive of the school and her designs to win the affections of the seemingly perfect new girl, Frederique. As she broods over her schemes as well as on the nature of control and madness, the novel gathers a suspended, unsettling energy.Trade Review`A wonderful, brilliant, savage writer.' Susan Sontag ---------- `Fleur Jaeggy's pen is an engraver's needle depicting roots, twigs, and branches of the tree of madness - extraordinary.' Joseph Brodsky ---------- `She has the enviable first glance for people and things, she harbors a mixture of distracted levity and authoritative wisdom.' Ingeborg Bachmann ---------- `Small-scale, intense, and impeccably focused.' New Yorker ----------'Nothing rivals its intensity.' Los Angeles Times ---------- 'How a novel could be so chilly and so passionate at the same time is a puzzle, but that icy-hot quality is only one of the distinctions of Sweet Days of Discipline.' Newsday ----------- 'Startling and original-so disturbing and so haunting.' The New York Review of Books----'Thank the gods and tip the devil for Fleur Jaeggy!'Claire-Louise Bennett, author of Pond

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Book SynopsisIn The Dream, the sixteenth novel in the Rougon-Macquart series, Zola blends mysticism and fairy tale with naturalism as an orphan girl falls in love with a nobleman.

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Book Synopsis A poignant story of three young adults trying to make a future for themselves in war-torn Damascus Syria - a country at war. Amal, Hammoudi and Youssef are young and ambitious, the face of modern Syria. But when civil war tears through their homeland, they are left with a horrifying choice: risk death by staying in the country they love, or flee in search of a new life elsewhere? From one of Germany's most talented literary voices comes this intricately woven story of brutality, loss, and how hope can shine through when darkness feels overwhelming.Trade Review‘Grjasnowa’s measured undemonstrative writing style (the book is beautifully translated from German by Katy Derbyshire) is central to the novel’s success... A significant literary and moral success.’ * Big Issue *‘There are few authors writing in German as sensuously and vividly as Grjasnowa.’ * KulturSpiegel *‘Grjasnowa provides a close-as-skin understanding of what it's like to suffer bombardment, torture, and dislocation while remaining human and hopeful... Highly recommended.’ * Library Journal, Reading Around the World: 12 Top Spring Titles for the Library Market *‘An important and painful book.’ * Deutschlandradio Kultur *‘Olga Grjasnowa's sentences crack like a whip.’ * Süddeutsche Zeitung *‘It is wonderful that there are writers like Grjasnowa who can write brilliantly and decisively about the real world.’ * Brigitte *‘A dark, tragic story with the resilient light of humanity shining through it... It truly spoke to my soul.’ * Marjorie's World of Books, blog review *‘Olga Grjasnowa writes from the nerve center of her generation.’ * Die Zeit *‘Grajsnowa’s extraordinary novel offers an opportunity to reacquaint ourselves with one of the great tragedies of our time - to remember what that nation once was, why and how the conflict began and what it has led to…Grajsnowa’s measured undemonstrative writing style (the book is beautifully translated from German by Katy Derbyshire) is central to the novel’s success…The reader isn’t patronised or manipulated, and the emotional impact is all the greater. Characters come and go and live and die as the novel heads for its masterly, shattering denouement. A significant literary and moral success.’ * Big Issue *‘A truly gifted writer...[who] has a very bright future ahead of her.’ * Yahoo! Voices *

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Book SynopsisHer father died instantly, her mother in the hospital. She has learned to say this flatly and without emotion, the way she says her name (Marina), her doll's name (also Marina) and her age (seven). Her parents were killed in a car crash and now she lives in the orphanage with the other little girls. But Marina is not like the other little girls. In the curious, hyperreal, feverishly serious world of childhood, Marina and the girls play games of desire and warfare. The daily rituals of playtime, lunchtime and bedtime are charged with a horror; horror is licked by the dark flames of love. When Marina introduces the girls to Marina the Doll, she sets in motion a chain of events from which there can be no release. With shades of Daphne du Maurier, Shirley Jackson, Guillermo Del Toro and Mariana Enríquez, Such Small Hands is a beautifully controlled tour-de-force, a bedtime story to keep readers awake.

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Book SynopsisIt is four years since the virus came, killing every adult in its path. Not long after that the electricity failed. Food and water started running out. Fires raged across the country. Now Anna cares for her brother alone in a house hidden in the woods, keeping him safe from 'the Outside'. But, when the time comes, Anna knows they must leave their world and find another. By turns luminous and tender, gripping and horrifying, Anna is a haunting parable of love and loneliness; of the stories we tell to sustain us, and the lengths we will go to in order to stay alive.Trade ReviewAmmaniti sets a new standard in post-apocalyptic fiction . . . This story of children running wild in Sicily brilliantly manipulates the usual models even as it transcends their limits . . . In the midst of wonderfully detailed disorder, one girl named Anna struggles to survive, fighting off feral dogs and crazed children and enduring one of recent literature's most nightmarish visions of hell on earth as she tries to feed and protect her young brother, Astor -- John Burnside * * Guardian * *From The Lord of the Flies to The Road, we do love a dystopian tale of survival. And it's apt that in these uncertain modern times, here comes arguably the best one yet . . . Complex, moving and scary, this one will stay with you long after the last page * * Sunday Telegraph * *Ammaniti's Italian bestseller has been compared to . . . Lord Of The Flies and The Road . . . It's a powerfully disturbing and thought-provoking read * * Daily Mail * *One of Italy's foremost literary talents . . . Combines the wayward fantasy of J.G. Ballard with comic-strip adventure . . . Ammaniti has lost none of his gift for landscape description -- Ian Thomson * * Times Literary Supplement * *Brave and uncompromising writing . . . A brutal but moving post-apocalyptic tale set in a world where adults have all been wiped out . . . reminiscent of Lord of the Flies or Cormac McCarthy's The Road . . . written with such heart and compassion for the plight of the characters that you can't help but get sucked in and root for them. Compelling and moving writing -- Doug Johnstone * * Big Issue * *Unbeatable storytelling - an immediate and engaging study of humanity at its best and worst * * Financial Times * *A gripping tale of resilience, friendship and sibling love in a brutal and dangerous world. I loved it! -- MEGAN BRADBURY, author of EVERYONE IS WATCHINGAmmaniti won the Italian Strega Prize for I'm Not Scared, and Anna has the same taut narrative, with straight-from-the-bow suspense, but its mark is philosophical . . . concerned not only with the will to live but also with what makes us alive * * Irish Times * *Ammaniti has an enviable ability to keep readers thoroughly absorbed * * The Herald * *Anna has pretty much everything you could hope for from a post-apocalyptic picaresque adventure story * * London Review of Books * *

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Book Synopsis'Gives Jo Nesbo a run for his money' Sunday ExpressFrom the author of the bestselling Richard and Judy bookclub pick I'm Travelling AloneNo one is safe in the dark...When a young woman is found dead, the police are quick to respond.Trade ReviewTwo books into this stark but compelling series, Bjork’s trademark themes are the lethal intersection of technology with child abuse and misogyny. * The Sunday Times *Gives Jo Nesbo a run for his money * Sunday Express *‘A unique, twisting, unsettling thriller that really epitomises the phrase 'page-turner'.’ * Irish News *Kruger is strongly reminiscent of Lisbeth Salander . . . this is an engrossingly labyrinthine novel, with enough offbeat and downright bizarre detail to keep us intrigued and guessing right up to a tense finale. * Crime Scene Magazine *FANTASTIC sequel from Samuel Bjørk! . . . This is quality suspense at its very best and in my opinion a literary masterpiece. A delight to read! * Bokelskere.no *

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Book SynopsisA thrilling exploration of psychological disturbance and fear from the bestselling and prize-winning author of Measuring the World.*Now a major film starring Kevin Bacon and Amanda Seyfried*On retreat in the wintry Alps with his family, a writer is optimistic about completing the sequel to his breakthrough film. Nothing to disturb him except the wind whispering around their glassy house. The perfect place to focus. Intruding on that peace of mind, the demands of his four-year-old daughter splinter open long-simmering arguments with his wife. I love her, he writes in the notebook intended for his script. Why do we fight all the time?Guilt and expectation strain at his concentration, and strain, too, at the walls of the house. They warp under his watch; at night, looking through the window, he sees impossible reflections on the snow outside.Then the words start to appear in his notebook; the words he didn't write.Familiar and forbidding by turns, this is an electrifying experiment in form by one of Europe's boldest writers. The ordinary struggles of a marriage transform, in Kehlmann's hands, into a twisted fable that stays darkly in the mind.Trade ReviewA well-crafted tale about one man unravelling due to forces beyond his control . . . You Should Have Left - part-horror, part-psychodrama - serves up effective shocks and thrills that keep us rapt and on the edge of our seats . . . Kehlmann brings that abyss ever closer and takes his narrator, and his reader, over the edge. -- Malcolm Forbes * National *Wry, eerie and increasingly terrifying . . . Daniel Kehlmann is certainly in complete mastery of an entertaining Everyman's postmodernist Gothic guaranteed to unsettle -- Eileen Battersby * Irish Times *Kehlmann plays on our manipulated expectations to pull off a rather spectacular hat trick . . . You Should Have Left is a story full of craft and scintillating devices . . . A chilling, curious little book, finely translated, and a promise of innovative maturity for its author -- Mika Provata-Carlone * Bookanista *His fiction, conspicuously clever, tends to puncture all the dusty, lugubrious 'worthiness' of canonical literature . . .You Should Have Left [is] a taut and scary novella . . . [with] some high-grade science in it -- Hermione Hoby * Sunday Times *It's a masterclass in economical storytelling, meticulously attentive prose and imaginative agility. Kehlmann creates narrative complexity with the deftest of strokes. He's also laugh-out-loud funny. This is both a highly readable novella and a subtly derisive challenge to readers to question the value of their own enjoyment. -- Luke Davies * Literary Review *A sense of menacing claustrophobia, as the characters - and readers - teeter on the edge of an inexplicable abyss . . . Using some neat formal trickery and a cleverly suggestive atmosphere, this is a story about a marriage in trouble . . . At first glance there may not seem much to this little book, but it has a funny way with dimensions - its effects are amplified, and they linger. -- Daniel Hahn * Spectator *Unsettling, tightly written (in an excellent English translation by Ross Benjamin), psychological suspense and outright, physics-defying horror . . . Kehlmann is a skilled storyteller who takes what could be a run-of-the-mill horror tale and builds it into something more intelligent, metaphysical, concise and perfectly paced as it cranks up the chill . . . Frightening and thought-provoking -- Charlie Connelly * New European *This mind-bending novella about a writer losing his marbles contains images that startle and linger . . . The most arresting of the book's chilling moments might do for baby monitors what 'Jaws' did for swimming in the ocean . . . [Kehlmann] manages a few darkly comic flourishes . . . provocative . . . potent . . . pleasantly unsettling -- John Williams * New York Times *A beautifully crafted exercise in terror from one of Germany's most celebrated contemporary authors . . . Kehlmann creates a sense of existential dread that transcends the typical ghost story . . . A book to keep you up at night * Kirkus *A ghost story steeped with a sense of existential dread and it will have you rereading the chilling final pages to figure out exactly what might have happened. It is a book that should carry a health warning: read alone at your own risk. -- Georgia Godwin * Monocle *Kehlmann is one of the brightest, most pleasure-giving writers at work today, and he manages all this while exploring matters of deep philosophical and intellectual import. * Jonathan Franzen *Daniel Kehlmann is one of the great novelists for making giant themes seem light * Adam Thirlwell *

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Book SynopsisA fascinating study in sexual psychology and sexual politics, the novel focuses on Hélène Grandjean, a widow, and her shifting emotional states. This is the eighth novel in Zola's Rougon-Macquart series, and the first modern translation for more than fifty years.Trade ReviewA Love Story was such a joy to read... This is the type of book I would like to leisurely read while sitting in a Paris café, maybe that is how I will re-read A Love Story. * Michael Kitto, Knowledge Lost *There's so much to love and admire about this novel, which has rarely appeared in an English translation. * Harriet Devine, Shiny New Books *

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Book SynopsisThe gripping psychological thriller debut of No 1 bestselling Swedish crime sensation Camilla Läckberg.Heart-stopping and heart-warming, The Ice Princess is a masterclass in Scandinavian crime writing' Val McDermid*One of TIME's best mystery and thriller books of all time*A small town can hide many secretsReturning to her hometown after the funeral of her parents, writer Erica Falck finds a community on the brink of tragedy. The death of her childhood friend, Alex, is just the beginning. Her wrists slashed, her body frozen in an ice-cold bath, it seems like she's taken her own life.Meanwhile, local detective Patrik Hedström is following his own suspicions about the case. It's only when they start working together that the truth begins to emerge about a small town with a deeply disturbing pastTrade ReviewPraise for The Ice Princess: ‘Heart-stopping and heart-warming, ‘The Ice Princess’ is a masterclass in Scandinavian crime writing’ Val McDermid ‘Camilla Läckberg is a more than welcome addition to the growing ranks of Scandinavian crime writers translated into English. With its sharp emotional nuances and psychological insight, ‘The Ice Princess’ builds in suspense as the author turns her clear eye on the buried secrets and contemporary relationships of a small, isolated community. I predict that Fjallbacka and its crimes and people will soon be as poplular here as they are in her native Sweden’ Peter Robinson ‘Another top-class Scandinavian crime writer reaches the British market’ The Times ‘A welcome new voice in crime fiction’ Woman & Home ‘Has a brooding quality redolent of its barren Swedish landscapes… intriguing and not a little disturbing’ Irish Times ‘Chilly, deceptive and lucid, just like the icy environment it describes’ Literary Review Praise for Camilla Lackberg: ‘Domesticity and brutality are Lackberg staples… Tightly plotted… Unflinching.’ Sunday Times ‘Pacy … with flashing insight into the dark places of the psyche’ Sunday Times ‘A top-class Scandinavian crime writer’ The Times ‘The rock star of Nordic Noir’ Independent ‘Lackberg is an expert at mixing scenes of domestic cosiness with blood-curdling horror’ Guardian ‘Both chilling and thrilling’ Sun

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Book SynopsisIn The Last Wolf, a philosophy professor is mistakenly hired to write the true tale of the last wolf of Extremadura, a barren stretch of Spain. His miserable experience is narrated in a single, rolling sentence to a patently bored bartender in a dreary Berlin bar. In Herman, a master trapper is asked to clear a forest's last 'noxious beasts.' Herman begins with great zeal, although in time he switches sides, deciding to track entirely new game... In Herman II, the same events are related from the perspective of strange visitors to the region, a group of hyper-sexualised aristocrats who interrupt their orgies to pitch in with the manhunt of poor Herman... These intense, perfect novellas, full of Krasznhorkai's signature sense of foreboding and dark irony, are perfect examples of his craft.Trade ReviewThe Last Wolf reveals what a light-footed and lucid writer Krasznahorkai is, how he entertains as well as disturbs. The book is an excellent short introduction to his fiction, much as Metamorphosis is to Kafka ... Krasznahorkai's method is to examine reality "to the point of madness" and he does so with majestic style and black comedy. -- Luke Brown * Financial Times *Unforgettably visceral and beautiful * Observer *Together, The Last Wolf and Herman raise a set of spiritual questions that affirms their author as one of the most important - and eccentric - writers working today. * Spectator *Melancholy, fantastical and entirely original ... seductive and comical, too -- Adam Thirlwell * Guardian *Exquisite ... claustrophobic, exhilarating and tinged with fatal comedy * New Statesman *Wonderful ... perfectly judged -- David Mills * Sunday Times *A visionary writer of extraordinary intensity and vocal range who captures the texture of present day existence in scenes that are terrifying, strange, appallingly comic and often shatteringly beautiful ... magnificent works of deep imagination -- Man Booker International Prize citationThe Last Wolf is a great introduction to the world of László Krasznahorkai. Enter here and keep going. -- Sjón[Krasznahorkai has] a magnificently strange and hypnotic way of thinking. * TLS *

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Book SynopsisPerfect for fans of Alexander McCall Smith and Andrea Camilleri - the second Auntie Poldi adventure in which Poldi tastes a murder weapon, finds a body in a vineyard, and once again makes herself unpopular in the pursuit of justice . . .Trade ReviewCross Alexander McCall Smith with Janet Evanovich, add a sensuously imagined Sicilian setting and an exuberant narrator, and you get the feel of Mario Giordano's Auntie Poldi detective books * The Times *Cross Alexander McCall Smith with Janet Evanovich, add a sensuously imagined Sicilian setting and an exuberant narrator, and you get the feel of Mario Giordano's Auntie Poldi detective books * The Times *Thirst and murder are Auntie Poldi's pet hates, so when the two are combined there's no stopping the Sicilian Miss Marple from ferreting out the truth . . . a delicious read * Choice *Thirst and murder are Auntie Poldi's pet hates, so when the two are combined there's no stopping the Sicilian Miss Marple from ferreting out the truth . . . a delicious read * Choice *

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Book SynopsisOn the path to self-destruction after the death of his girlfriend, things take a turn for the worse, when child pornography is found on Varg Veum’s computer and he must battle to prove his innocence … the chilling new instalment in the award-winning Varg Veum series, by one of the fathers of Nordic Noir. ‘Mature and captivating’ Rosemary Goring, Herald Scotland ‘Moving, uncompromising’ Publishers Weekly _________________ Reeling from the death of his great love, Karin, Varg Veum’s life has descended into a self-destructive spiral of alcohol, lust, grief and blackouts. When traces of child pornography are found on his computer, he’s accused of being part of a paedophile ring and thrown into a prison cell. There, he struggles to sift through his past to work out who is responsible for planting the material … and who is seeking the ultimate revenge. When a chance to escape presents itself, Varg finds himself on the run in his hometown of Bergen. With the clock ticking and the police on his tail, Varg takes on his hardest – and most personal – case yet. Dark, emotive and compulsive, Wolves in the Dark is the absorbing, shocking next instalment in the addictive Varg Veum series, by one of the fathers of Nordic Noir. _________________ Praise for Gunnar Staalesen 'There is a world-weary existential sadness that hangs over his central detective. The prose is stripped back and simple … deep emotion bubbling under the surface – the real turmoil of the characters’ lives just under the surface for the reader to intuit, rather than have it spelled out for them’ Doug Johnstone, The Big Issue ‘Gunnar Staalesen is one of my very favourite Scandinavian authors. Operating out of Bergen in Norway, his private eye, Varg Veum, is a complex but engaging anti-hero. Varg means “wolf ” in Norwegian, and this is a series with very sharp teeth’ Ian Rankin ‘Staalesen continually reminds us he is one of the finest of Nordic novelists’ Financial Times ‘Chilling and perilous results — all told in a pleasingly dry style’ Sunday Times ‘Staalesen does a masterful job of exposing the worst of Norwegian society in this highly disturbing entry’ Publishers Weekly 'The Varg Veum series is more concerned with character and motivation than spectacle, and it’s in the quieter scenes that the real drama lies’ Herald Scotland 'Every inch the equal of his Nordic confreres Henning Mankell and Jo Nesbo' Independent ‘Not many books hook you in the first chapter – this one did, and never let go!’ Mari Hannah ‘With an expositional style that is all but invisible, Staalesen masterfully compels us from the first pages … If you’re a fan of Varg Veum, this is not to be missed, and if you’re new to the series, this is one of the best ones. You’re encouraged to jump right in, even if the Norwegian names can be a bit confusing to follow’ Crime Fiction Lover ‘With short, smart, darkly punchy chapters Wolves at the Door is a provocative and gripping read’ LoveReading ‘Haunting, dark and totally noir, a great read’ New Books Magazine ‘An upmarket Philip Marlowe’ Maxim Jakubowski, The Bookseller ‘Razor-edged Scandinavian crime fiction at its finest’ Quentin BatesTrade Review* 'Gunnar Staalesen is one of my very favourite Scandinavian authors. Operating out of Bergen in Norway, his private eye, Varg Veum, is a complex but engaging anti-hero. Varg means 'wolf' in Norwegian, and this is a series with very sharp teeth' Ian Rankin * 'A Norwegian Chandler' Jo Nesbo * 'Gunnar Staalesen was writing suspenseful and socially conscious Nordic Noir long before any of today's Swedish crime writers had managed to put together a single book page ... one of Norway's most skillful storytellers' Johan Theorin * 'With its exploration of family dynamics and the complex web of human behaviour, Staalesen's novel echoes the great California author Ross MacDonald's Lew Archer mysteries ... mature and captivating' Herald Scotland * 'Norwegian master Staalesen is an author who eschews police procedural narratives for noirish private eye pieces ... with some abrasive social commentary' Financial Times

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Book SynopsisThe newest instalment in the phenomenal Night Watch series.The streets of Moscow aren't safe. Vampires are attacking innocent people, and the names of the victims are spelling out a message: ANTON GORODETSKY. Higher Light Magician Anton is one of the Others, possessed of magical powers and able to enter the Twilight, a shadowy world parallel to our own. Each Other must swear allegiance to one side: either the Light, or the Dark. But who is after Anton and what do they want? Anton's investigation leads him to a Prophet, an Other with the gift of seeing the future. Her horrifying vision heralds the end of all life at the hands of an ancient threat unless Anton can reunite a mysterious organisation known only as the Sixth Watch, before it's too late.Trade ReviewLukyanenko’s vision of a bustling supernatural world that’s just out of sight is just as wryly bewitching as it ever was. * SciFi Now *A satisfying end to the series, and one that ties up a lot of loose threads. * i *Supernatural fiction doesn’t get any better than this. * CultureFly, '6 Must Read Books for Autumn' *

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Book SynopsisThe narrator is a scientist hideously deformed in a laboratory accident - a man who has lost his face and, with it, connection to other people. Even his wife is now repulsed by him. His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such mask is more than a disguise: it is an alternate self - a self that is capable of anything. A remorseless meditation on nature, identity, and the social contract, THE FACE OF ANOTHER is an intellectual horror story of the highest order.

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Book SynopsisA classic detective story that explores the last years of Hemingway's life, evoking both Cuba and this giant of American letters with enormous skill and wit. When the bones of a man murdered forty years earlier surface on the Havana estate of Ernest Hemingway, writer and ex-cop Mario Conde is called in to investigate. As he unearths the truth of the night of 3 October 1958, he is forced to come to terms with a very different side to his former literary hero.Padura Fuentes switches between Conde's world and that of Hemingway's Cuba four decades earlier; in the heat and rum haze, the two seem slowly to merge. In an extraordinary journey into the past and into the personality of one of the twentieth century´s most enigmatic and powerful writers, a masterful and totally convincing portrait emerges, as well as a riveting mystery that will keep you in suspense until the very final pages.Trade Reviewintelligent, moving and delightful...It makes you think and feel. What more can you ask for?...a lovely little novel. * * The Scotsman * *Fact and fiction are seamlessly merged... * * Buzz * *. . . the gently melancholic tone, beautifully rendered here by John King, subverts any literal reading. * * The Guardian * *a well-paced and beautifully characterised detective story. * * The Observer * *a superb piece of crime literature...a thrilling and engaging mystery. * * City Life * *beautifully recreates a complicated and interesting man. * * Event Magazine * *

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Book SynopsisHere are some of Sciascia's greatest stories - brief and haunting, the realist tradition at its best. In one tale a couple of men talk, cynically yet earnestly, about the etymology of the word 'mafia' - who they are, and why their interest is so piqued by the word, becomes apparent with frightening clarity. In another story a group of peasants are taken on board ship and promised that they will be put ashore illegally at Trenton, New Jersey; after a long time at sea, their landfall is far from what they expected. And Mussolini himself takes an interest in the case of Aleister Crowley, whose presence in Sicily has become an embarrassment.Trade ReviewFew writers managed to capture the taciturn Sicilian character better than Sciascia, who always understood the power of implication in his work. [A] superb collection * The Times *Brief, haunting and unforgettable * Sunday Tribune *A well-written and instructive collection * Time Out *There are 13 stories in The Wine-Dark Sea... I guarantee you will wish there were more * Big Issue in the North *

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Book SynopsisDmitry Rudin, a high-minded gentleman of reduced means, arrives at the estate of Darya Mikhailovna, where his intelligence, eloquence and conviction immediately make a powerful impression. As he stys on longer than intended, Rudin exerts a strong influence on the younger generation, and Darya's daughter, Natalya, falls in love with him. But circumstances soon will show whether Rudin has the courage to act on his beliefs, and whether he can live ip to the image he has created for himself.Trade ReviewThese two translations of Ivan Turgenev's earliest long fiction [Faust and Rudin] are a welcome sign of renewed interest in Russia's least-appreciated great nineteenth century novelist. * TLS *Rudin enters the familiar Turgenevan landscape of rustic tranquillity and well-bred, private contumely like a thunderbolt. * TLS *Turgenev’s little-known first novel Rudin, written in 1856, centres on an excessively self-indulgent man and his doomed relationship with the daughter of his aristocratic hostess. It’s an impressive debut, with complex psychology and subtle characterisation. * The Telegraph *Turgenev to me is the greatest writer there ever was. -- Ernest Hemingway

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Book SynopsisOn a crowded bus at midday, the narrator observes one man accusing another of jostling him deliberately. When a seat is vacated, the first man takes it. Later, in another part of town, the man is spotted again, while being advised by a friend to have another button sewn onto his overcoat. Exercises in Style retells this apparently unremarkable tale ninety-nine times, employing a variety of styles, ranging from sonnet to cockney to mathematical formula. Too funny to be merely a pedantic thesis, this virtuoso set of themes and variations is a linguistic rustremover, a guide to literary forms and a demonstration of imagery and inventiveness.Trade ReviewWitty, playful, ingenious, it manages to transcend its own sophistication by a sort of verbal slapstick which Miss Wright translated into pure Groucho Marxism. * The Guardian * Midway between Lewis Carroll and Jacques Derrida, in a deliriously witty dimension of its own, lies Queneau's Exercises in Style... Barbara Wright's dazzling translation matches this oddball classic step by step, pun by pun. * The Independent * A pointless anecdote told in 99 different ways, or a work of genius in a brilliant translation by Barbara Wright. In fact it's both. Endlessly fascinating and very funny. -- Philip Pullman I've loved Exercises in Style for years. This translation is impeccable, extraordinary. -- Philip Pullman

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Considered one of the most influential authors of twentieth century Russian Literature, Ivan Bunin's "Dark Avenues" is the culmination of a life's work which unrelentingly questioned of the political doxa whilst taking his poetic mastery of language to dark new heights. Written between 1938 and 1944 and set in the context of a disintegrating Russian culture, this collection of short fiction centres around dark, erotic liaisons told with a rich, elegaic poetics which probes the artistic limits of depicting desire.A prolific writer and fierce political activist, Bunin became the first Russian to win the Nobel prize for Literature in 1933 and was highly influential on his contemporary Russian emigres, Checkov and Nabokov. The "Dark Avenues" is the zenith of his work and one of the most important Russian texts to come out of the twentieth century.

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Book SynopsisYoung immigrant Karl Rossmann has a series of adventures in a vision of an ultra-modern America that is both fantasy and social satire. Full of incident, and blackly humorous, Kafka's first novel is newly translated by Ritchie Robertson in an edition that includes a full introduction and notes.

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Book SynopsisWalking the streets of our cities are the Others. These men and women have access to the Twilight, a shadowy parallel world of magical power that exists alongside our own. Each has sworn allegiance to one side: the Light, or the Darkness.At Moscow airport, Higher Light Magician Anton Gorodetsky overhears a child screaming about a plane that is about to crash. He discovers that the child is a prophet: an Other with the gift of foretelling the future. When the catastrophe is averted, Gorodetsky senses a disruption in the natural order, one that is confirmed by the arrival of a dark and terrifying predator. Gorodetsky travels to London, to Taiwan and across Russia in search of clues, unearthing as he goes a series of increasingly cataclysmic prophecies. He soon realises that what is at stake is the existence of the Twilight itself and that only he will be able to save it.Trade ReviewThis is slick, clever, assured urban fantasy, told with style, and shot through with wry humour. * Crime Review *If you’ve been following Russkie Lukyanenko’s excellent parallel universe series you’ll have rushed out and bought this book already… the Watch books are deeper and meatier than most of their kind. * 4 star review, Weekend Sport *

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Book SynopsisTrade Review...brilliant... * Barry Forshaw, European Literature Network *

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Book SynopsisTells the story of Lucius, a curious and silly young man, who is turned into a donkey when he meddles with witchcraft. Doomed to wander from region to region and mistreated by a series of deplorable owners, Lucius at last is restored to human form with the help of the goddess Isis.Trade Review"Sarah Ruden’s superb translation of Alpuleis’s The Golden Ass illuminates this wonderful story with a brilliant modern wit."—Philip Pullman, The Observer"[B]rilliantly executed . . . Sarah Ruden’s new translation of Apuleius’ neo-platonist romp about a guy who magically turns into a donkey. . .conveys how truly bizarre the style of the original is."—Emily Wilson, Times Literary Supplement"This new translation of Apuleius’s novel stands alone for its accuracy and cleverly farcical rendering."—Bookseller’s Buyer’s Guide"This new translation of Apuleius’s novel stands alone for its accuracy and cleverly farcical rendering."—Bookseller’s Buyer’s Guide"A wonderful translation—highly inappropriate and great fun. In Sarah Ruden's hands, the verbal gymnastics are ridiculously enjoyable rather than merely ridiculous."—Amy Eisner, Maryland Institute College of Art

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Book Synopsis'One of the great novels of the 20th century' ObserverIn April 1942, Hitler and Mussolini plan the huge offensive on the Eastern Front that will culminate in the greatest battle in human history.Hundreds of miles away, Pyotr Vavilov receives his call-up papers and spends a final night with his wife and children in the hut that is his home. As war approaches, the Shaposhnikov family gathers for a meal: despite her age, Alexandra will soon become a refugee; Tolya will enlist in the reserves; Vera, a nurse, will fall in love with a wounded pilot; and Viktor Shtrum will receive a letter from his doomed mother which will haunt him forever.The war will consume the lives of a huge cast of characters - lives which express Grossman's grand themes of the nation and the individual, nature's beauty and war's cruelty, love and separation.For months, Soviet forces are driven back inexorably by the German advance eastward and eventually Stalingrad is all that remains between the invaders and victory. The city stands on a cliff top by the Volga River. The battle for Stalingrad - a maelstrom of violence and firepower - will reduce it to ruins. But it will also be the cradle of a new sense of hope.Stalingrad is a magnificent novel not only of war but of all human life: its subjects are mothers and daughters, husbands and brothers, generals, nurses, political officers, steelworkers, tractor girls. It is tender, epic, and a testament to the power of the human spirit.'You will not only discover that you love his characters and want to stay with them - that you need them in your life as much as you need your own family and loved ones - but that at the end... you will want to read it again' Daily Telegraph THE PREQUEL TO LIFE AND FATE NOW AVAILABLE IN ENGLISH FOR THE FIRST TIME, STALINGRAD IS A SUNDAY TIMES BESTSELLER AND NOW A MAJOR RADIO 4 DRAMAWINNER OF MODERN LANGUAGE ASSOCIATION "LOIS ROTH AWARD" FOR TRANSLATIONS FROM ANY LANGUAGETrade ReviewOne needs time and patience to read Stalingrad, but it is worth it. Moving majestically from Berlin to Moscow to the boundless Kazakh steppe… A multitude of lives and fates are played out against a vast panoramic history * Evening Standard, *Book of the Week* *If you have read Grossman before, you will already very likely know that you urgently want to read Stalingrad. If you haven’t, I can only tell you that when you do read this novel, you will not only discover that you love his characters and want to stay with them – that you need them in your life as much as you need your own family and loved ones – but that at the end, despite having finished an 892-page novel, you want to read it again * Daily Telegraph *This is a big event… [Stalingrad] gives voice to a dizzying array of experiences… [you] feel as though you are there, wandering through those devastated streets among the starving, dead, and mad * Daily Mail *A dazzling prequel… His descriptions of battle in an industrial age are some of the most vivid ever written… Stalingrad is Life and Fate’s equal. It is, arguable, the richer book – shot through with human stories and a sense of life’s beauty and fragility * Observer *Few works of literature since Homer can match the piercing, unshakably humane gaze that Grossman turns on the haggard face of war * The Economist *

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Book SynopsisIndependent-minded Sibylla Spencer feels trapped in nineteenth-century London, where her strong will and progressive views have rendered her unmarriageable. Still single at twenty-three, she is treated like a child and feels stifled in her controlling father’s house. When Benjamin Hopkins, an ambitious employee of her father’s trading company, shows an interest in her, she realizes marriage is her only chance to escape. As Benjamin’s rising career whisks them both away to exotic Morocco, Sibylla is at last a citizen of the world, reveling in her newfound freedom by striking her first business deals, befriending locals…and falling in love for the first time with a charismatic and handsome Frenchman. But Benjamin’s lust for money and influence draws him into dark dealings, pulling him ever further from Sibylla and their two young sons. When he’s arrested on horrible charges, the fate of Sibylla’s family rests on her shoulders, as she must decide whether she’ll leave him to his fate or help him fight for his life.

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Book SynopsisThe international bestseller, longlisted for the Dublin Literary Award 2021. Fernando Aramburu's Homeland is an epic and heartbreaking story of two best friends whose families are divided by the conflicting loyalties of terrorism.‘It’s been a long time since I’ve read a book that was so persuasive and moving’ – Mario Vargas Llosa, author of Time of the Hero.The Basque Country, Spain, 2011.Miren and Bittori have lived side by side in a small Basque town all their lives. Their husbands play cards together, their children play and eventually go out drinking together. The terrorist threat posed by ETA seems to affect them little.When Bittori’s husband starts receiving threatening letters – demanding money, accusing him of being a police informant – she turns to her friend for help. But Miren’s loyalties are torn: her son has just been recruited as a terrorist and to denounce them would be to condemn her own flesh and blood. Tensions rise, relationships fracture, and events move towards a tragic conclusion . . . ‘Is Aramburu the Tolstoy of the Basque country, author of a Spanish language War and Peace?’ – GuardianTrade ReviewFew books make me cry these days but by the final page I found my eyes prickling with tears. By examining his society in such close detail, Aramburu encourages us to reflect on the bitter divisions in our own world and the opportunities we have for reconciliation. * Sunday Times *It’s been a long time since I’ve read a book that was so persuasive and moving, so intelligently conceived. -- Mario Vargas LlosaIs Aramburu the Tolstoy of the Basque country, author of a Spanish language War and Peace that lays bare the pain of forty pointless years of separatist terrorism? * Guardian *A powerful novel which has a strong claim to be the definite fictional account of the Basque troubles . . . Aramburu skillfully spins their stories in short, punchy chapters that dart back and forth in time. Its message is ultimately redemptive. * Economist *A magnificent novel which is becoming a publishing, political and literary phenomenon. A story imbued with a spine-tingling sense of realism. * Vanguardia *Homeland is, above all, a great and considered novel . . . combing evocation and analysis . . . War and Peace by Tolstoy did it. The work of Fernando Aramburu achieves the same thing. * El País *Homeland is a sweeping novel that explores so many aspects of life . . . Aramburu brings [ethnic nationalism] under the microscope to show its effects on a few individuals. The results are brilliant and unnerving. * Herald *Phenomenal . . . [Aramaburu is as] magnanimous as he is passionate. * Frankfurter Allgemeine Zeitung *A work of tremendous power . . . [One is] reminded how overwhelming and powerful literature can be. * Die Zeit *An event: Aramburu masterfully manages to tell of great things in small ways. * Stern *Shedding the occasional tear doesn’t matter. It is in any case difficult to read Homeland and remain dry-eyed. * Corriere della Sera *Gripping . . . A palpable hit. * Spiegel *Worth every page. * Vogue (Germany) *As humorous as it is heartbreaking, Homeland explores how various factions of Basque and Spanish society were violently pitted against one another for fifty years. * Millions *Aramburu recounts the lives of ordinary people shattered by events that are ongoing in Spain today even years after ETA has suspended its armed campaign . . . A humane, memorable work of literature. * Kirkus (starred review) *A brilliant and important book. Our planet is covered with lines of various kind, and Aramburu masterfully examines the bodies and souls those lines cut through like razors. * Nadeem Aslam *

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Book SynopsisLonglisted for the EBRD Literature Prize Since she's been ill, Lalla Fatma has become a frail little thing with a faltering memory. Lalla Fatma thinks she's in Fez in 1944, where she grew up, not in Tangier in 2000, where this story begins. She calls out to family members who are long dead and loses herself in the streets of her childhood, yearning for her first love and the city she left behind. By her bedside, her son Tahar listens to long-hidden secrets and stories from her past: married while still playing with dolls and widowed for the first time at the age of sixteen. Guided by these fragments, Tahar vividly conjures his mother's life in post-war Morocco, unravelling the story of a woman for whom resignation was the only way out. Tender and compelling, About My Mother maps the beautiful, fragile and complex nature of human experience, while paying tribute to a remarkable woman and the bond between mother and son.Trade Review'Ben Jelloun is arguably Morocco's greatest living author, whose impressive body of work combines intellect and imagination in magical fusion' Guardian; 'In any language, in any culture, Tahar Ben Jelloun would be a remarkable novelist' Sunday Telegraph; 'One of Morocco's most celebrated and translated writers' Asymptote; 'A traditional storyteller whose tales have the status of myth ... An important writer.' Times Literary Supplement; 'About My Mother pulses with life, invigorating the reader with every sentence.' World Literature Today; `A beautifully crafted novel' The New Arab

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Book SynopsisAmong Dostoevsky’s later novels, The Adolescent occupies a very special place: published three years after The Devils and five years before his final masterpiece, The Karamazov Brothers, the novel charts the story of nineteen-year-old Arkady – the illegitimate son of the landowner Versilov and the maid Sofia Andreyevna – as he struggles to find his place in society and “become a Rothschild” against the background of 1870s Russia, a nation still tethered to its old systems and values but shaken up by the new ideological currents of socialism and nihilism. Both a Bildungsroman and a novel of ideas, dealing with themes such as the relationship between fathers and sons and the role of money in modern society, The Adolescent – here presented in a brand-new translation by Dora O’Brien – shows Dostoevsky at his finest as a social commentator and observer of the workings of a young man’s mind.Trade ReviewThe Adolescent really is an unjustly neglected book. As a study of the coming of age of a confused young man, it couldn’t be bettered for capturing his mindset; and as the saga of a truly dysfunctional Russian family it can’t be faulted. * Shiny New Books *

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Book SynopsisTrade ReviewTsushima evades any label, her fiction transcends gender to focus on the existential loneliness that is at the heart of humanity. -- Kris Kosaka * Japan Times *Wonderfully poetic ... extraordinary freshness ... a Virginia Woolf quality -- Margaret Drabble * BBC Radio 3 *Spiky, atmospheric and intimate, filled with moments of strangeness that linger in the mind * The Spectator *In this short, powerful novel lurk the joy and guilt of single parents everywhere * Guardian *This exquisite and poignant novel . . . will resonate with single mothers always and everywhere -- Shami ChakrabartiAn extraordinary book . . . cool analytic intelligence propelled by sudden eruptions of passion -- Lisa AppignanesiAn astonishing and exquisite masterpiece about love, motherhood, female independence, and the restoration of a damaged family. Yuko Tsushima is an unforgettable name alongside great masters like Virginia Woolf, Alice Munro and Elizabeth Strout -- J. M. Lee, author of The Investigation

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Book SynopsisA daring novel that made Christine Angot one of the most controversial figures in contemporary France recounts the narrator's incestuous relationship with her father.

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Book SynopsisRoland, a young student at a new university, meets an inspirational teacher who sweeps him into his world of literature and learning. When the boy moves into the same building as the teacher and his wife, he becomes ever closer to this remarkable man, though he also senses his mentor pulling away from him - sometimes even seeming to hate him. But the truth about these feelings is something that will shape both men for the rest of their lives.

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Book SynopsisBringing together all of Kafka''s stories including those released during his lifetime and others after his death, a complete anthology offers insight into his valuable literary contributions. Reprint.

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Book SynopsisThis new translation of Clarice Lispector's sensational first book tells the story of a middle class woman's life from childhood through an unhappy marriage and its dissolution to transcendence.Trade Review"Her images dazzle even when her meaning is most obscure, and when she is writing of what she despises she is lucidity itself." -- The Times Literary Supplement"Lispector is one of the hidden geniuses of twentieth century literature, in the same league as Flann O’Brien, Borges and Pessoa… utterly original and brilliant, haunting and disturbing." -- Colm Tóibín"A truly remarkable writer." -- Jonathan Franzen"We now finally have a translation worthy of Clarice Lispector's inimitable style. Go out and buy it." -- The Guardian"It is jarring and yet restorative to read a writer whose focus is so private, internal." -- Boston Globe"One of 20th-century Brazil’s most intriguing and mystifying writers." -- The L Magazine"There's a feeling of encountering something completely new and classic at the same time." -- Time Out Chicago"I had a sort of missionary urge with her...but I started thinking, even when I was 19: How can I help this person reach the prominence she deserves?" -- Benjamin Moser - San Francisco Chronicle"You could breeze through it, you could let it marinate, or you could reread it twice in one sitting." -- Vanity Fair

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Book SynopsisLispector’s most shocking novel.Trade Review"She is quite a thing to discover indeed." -- The Los Angeles Times"[Lispector] left behind an astounding body of work that has no real corollary inside literature or outside it." -- Bookforum"Her images dazzle even when her meaning is most obscure, and when she is writing of what she despises she is lucidity itself." -- The Times Literary Supplement"Over time, I’ve come to admire and even love this novel. In fact, as soon as I slammed the book shut, my understanding of G.H.’s story began to take on an almost-corporeal reality. Trying to put this into words is a slippery thing. What I was beginning to appreciate was that I could not consider Lispector’s philosophical concerns for any length of time without losing my grasp on those concerns, yet I could somehow feel them, sense the substance of them in my own mind, in those deep pools of thought where language doesn’t quite reach, and which words can’t express." -- Emma Komlos-Hrobsky - Tin House"Lispector's prose is unforgettable... still startling by the end because of Lispector's unsettling forcefulness." -- Boston Globe"A lyrical, stream of consciousness meditation on the nature of time, the unreliability of language, the divinity of God, and the threat of hell." -- The Rumpus"One of 20th-century Brazil’s most intriguing and mystifying writers." -- The L Magazine"I had a sort of missionary urge with her... but I started thinking, even when I was 19: How can I help this person reach the prominence she deserves?" -- San Francisco Chronicle"A penetrating genius." -- Donna Seaman - Booklist"Reading G.H., you follow the narrator’s logic to its most physically and philosophically shocking conclusions. You, too, learn to “want the God in whatever comes out of the roach’s belly." -- Bennett Sims - Electric Literature

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Book SynopsisTrade ReviewDung Kai-cheung's Atlas: The Archeology of an Imaginary City is a most unusual work in the history of modern Chinese literature: part fiction, part history, part theory-all in the service of the author's unique method of fictional 'archaeology,' an endeavor that has unearthed a wealth of materials-streets, buildings, personalities, names and signs, and marvels and legends-about this 'vanished' city, the traces of which constitute the sum total of Hong Kong's cultural memory. A cross between fact and fiction, history and mystery, Jorge Luis Borges and Italo Calvino, this work defies all generic categories and now stands as a contemporary classic. -- Leo Ou-fan Lee, author of City Between Worlds: My Hong Kong ...seamless, yet eccentric...a playful yet poignant invitation to begin layering new symbols and projections over the city's landscape. South China Morning Post Readers pleased by cliff-hanging, nail-biting, page-turning adventure will not be satisfied with "Atlas." Devotees of writers as curious as Borges, Calvino and Eco, will love this map of maps of an imaginary city.Japan Times -- David Cozy Japan Times Well worth the experiment. -- Peter Gordon Asian Review of BooksTable of ContentsPreface: An Archaeology for the Future, by Dung Kai-cheung Introduction, by Bonnie S. McDougall Part One: Theory 1. Counterplace 2. Commonplace 3. Misplace 4. Displace 5. Antiplace 6. Nonplace 7. Extraterritoriality 8. Boundary 9. Utopia 10. Supertopia 11. Subtopia 12. Transtopia 13. Multitopia 14. Unitopia 15. Omnitopia Part Two: The City 16. Mirage: City in the Sea 17. Mirage: Towers in the Air 18. Pottinger's Inverted Vision 19. Gordon's Jail 20. "Plan of the City of Victoria," 1889 21. The Four Wan and Nine Yeuk 22. The Centaur of the East 23. Scandal Point and the Military Cantonment 24. Mr. Smith's One-Day Trip 25. The View from Government House 26. The Toad of Belcher's Dream 27. The Return of Kwan Tai Loo 28. The Curse of Tai Ping Shan 29. War Game Part Three: Streets 30. Spring Garden Lane 31. Ice House Street 32. Sugar Street 33. Tsat Tsz Mui Road 34. Canal Road East and Canal Road West 35. Aldrich Street 36. Possession Street 37. Sycamore Street 38. Tung Choi Street and Sai Yeung Choi Street 39. Sai Yee Street 40. Public Square Street 41. Cedar Street Part Four: Signs 42. The Decline of the Legend 43. The Eye of the Typhoon 44. Chek Lap Kok Airport 45. The Metonymic Spectrum 46. The Elevation of Imagination 47. Geological Discrimination 48. North-Oriented Declination 49. The Travel of Numbers 50. The Tomb of Signs 51. The Orbit of Time Acknowledgments Author and Translators

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Book SynopsisTrade ReviewChambers's edition of Tales of Moonlight and Rain is well worthwhile... Highly Recommended. The Complete Review A shining new version of a living Japanese classic. Japan Times Japan scholars and people who just like weird, spooky stuff should enjoy this new edition of Akinari's classic. -- Brad Quinn Daily Yomiuri Chambers's new translation is a lucid addition to the handful of previous versions. -- James Lasdun's The GuardianTable of ContentsAcknowledgments Introduction Tales of Moonlight and Rain Preface Book One Shiramine The Chrysanthemum Vow Book Two The Reed-Choked House The Carp of My Dreams Book Three The Owl of the Three Jewels The Kibitsu Caldron Book Four A Serpent's Lust Book Five The Blue Hood On Poverty and Wealth Bibliography

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Book SynopsisThe Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature.Divided into five volumes, of which The Debt of Tears is the fourth, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author''s own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence - a theme which affirms the Buddhist belief in a supernatural scheme of things.Trade Review“Filled with classical allusions, multilayered wordplay, and delightful poetry, Cao’s novel is a testament to what Chinese literature was capable of. Readers of English are fortunate to have David Hawkes and John Minford’s The Story of the Stone, which distills a lifetime of scholarship and reading into what is probably the finest work of Chinese-to-English literary translation yet produced. You will be rewarded every bit of attention you give it, many times over.” —SupChina, “The 100 China Books You Have to Read, Ranked” (#1)Table of ContentsThe Story of the Stone: Volume 4Note on SpellingPrefaceChapter 81:Four young ladies go fishing and divine the future; Bao-yu receives a homily and is re-enrolled in the Family SchoolChapter 82:An old pedant tries to instil some Moral Philosophy into his incorrigible pupil; And the ailing Naiad, in a nightmare, confronts the spectres of her fevered mind.Chapter 83:An Indisposition in the Imperial Bedchamber calls for a Family Visitation; While insubordination in the inner apartments reveals Bao-chai's long-suffering natureChapter 84:Bao-yu is given an impromptu examination, and his betrothal is discussed for the first time; Jia Huan visits a convulsive child, and old hostilites are resumedChapter 85:It is announced that Jia Zheng has been promoted to the rank of Permanent Secretary; And it is discovered that Xue Pan has once more brought upon himself the threat of exileChapter 86:Bribery induces an old mandarin to tamper with the course of justice; And a discourse on the Qin provides a young lady with a vehicle for romantic feelingsChapter 87:Autumnal sounds combine with sad remembrances to inspire a composition on the Qin; And a flood of passion allows evil spirits to disturb the serenity of ZenChapter 88:Bao-yu gratifies his grandmother by praising a fatherless child; Cousin Zhen rectifies family discipline by chastising two unruly servantsChapter 89:Our hero sees the handiwork of a departed love, and is moved to write and ode; Frowner falls prey to hysterical fear and resolves to starve to deathChapter 90:A poor girl loses a padded jacket and puts up with some obstreperous behaviour; A young man accepts a tray of sweetmeats and is put out by some devious goings-onChapter 91:In the pursuance of lust, Moonbeam evolves an artful strategem; In a flight of Zen, Bao-yu makes an enigmatic confessionChapter 92:Qiao-jie studies the Lives of Noble Women and shows a precocious enthusiasm for Virtue; Jia Zheng admires a Mother Pearl and reflect on the vicissitudes of LifeChapter 93:A Zhen retainer seeks shelter in the Jia household; And shady activities are revealed behind the Iron ThresholdChapter 94:Grandmother Jia gives a crab-blossom party - a celebration of the ominous; Bao-yu loses his Magic Jade - a strange disappearance of the numinousChapter 95:A rumour comes true and the Imperial Consort passes away; A counterfeit is deceptively like the real thing, and Bao-yu loses his witsChapter 96:Xi-feng conceives an ingenious plan of deception; And Frowner is deranged by an inadvertent disclosureChapter 97:Lin Dai-yu burns her poems to signal the end of her heart's folly; And Xue Bao-chai leaves home to take part in a solemn riteChapter 98:Crimson Pearl's suffering spirit returns to the Realm of Separation; And the convalescent Stone-in-waiting weeps at the scene of past affectionAppendix I:Prefaces to the first Cheng-Gao edition Joint Foreword to the subsequent Cheng-Gao editionAppendix II:The Octopartite Composition or 'bagu wenzhang'Appendix III:The Qin or Chinese Lute, and Knowing the SoundAppendix IV:Iron Threshold Temple and Water-moon PrioryCharacters in Volume 4Genealogical Tables

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Book SynopsisA bold translation of Nobel Prize-winner Herman Hesse's most inspirational and beloved work, which was nominated as one of America’s best-loved novels by PBS’s The Great American ReadA Penguin Classic Hesse's famous and influential novel, Siddartha, is perhaps the most important and compelling moral allegory our troubled century has produced. Integrating Eastern and Western spiritual traditions with psychoanalysis and philosophy, this strangely simple tale, written with a deep and moving empathy for humanity, has touched the lives of millions since its original publication in 1922. Set in India, Siddhartha is the story of a young Brahmin's search for ultimate reality after meeting with the Buddha. His quest takes him from a life of decadence to asceticism, through the illusory joys of sensual love with a beautiful courtesan, and of wealth and fame, to the painful struggles with his son and the ultimate wisdom of renunciatioTrade ReviewBy the Winner of the Nobel Prize in LiteratureTable of ContentsSiddhartha IntroductionSuggestions for Further ReadingA Note on the TranslationSIDDHARTHA

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Book SynopsisDanilo Kiš (Author) Danilo Kiš was born in the then Kingdom of Yugoslavia in 1935. After an unsettled childhood during the Second World War, in which several of his family members were killed, Kiš studied literature at the University of Belgrade where he lived for most of his adult life. He wrote novels, short stories and poetry and went on to receive the prestigious NIN Award for his novel Pešcanik. He died in Paris in 1989.Trade ReviewI urge you to read this reissued collection from a writer who reinvented and invigorated the short story...[The title story] is one of the most moving I have ever read, a testament to both the power and the weakness of literature and human memory... He is one of those writers you feel is on your side. In short, I cannot recommend this book highly enough, or urge it on you more strongly -- Nicholas Lezard * Guardian *Kis is woefully undervalued. He belongs at the centre of European literature, not on its fringes. . .It is past time for Kis's rediscovery. * New Statesman *Compulsively readable * Daily Telegraph *Kiš is one of the great European writers of the post-war period * Guardian *Fantasy chases reality and reality chases fantasy. Pirandello and Borges are not far away. But these names are intended as approximate references. Kiš is a new, original writer -- Leonardo Sciascia * Times Literary Supplement *In The Encyclopedia of the Dead, Danilo Kiš offers a vision that expands the domain of life at the expense of that of death. These stories present that vision with a journalist's precision, with a taxidermist's tactile knowledge of era and realm, with the tenacity of a true son of the century -- Joseph BrodskyIntense and exotic, his mysteries hint at unspeakable secrets that remain forever beyond the story-teller's grasp -- Boyd TonkinThis translation, by Michael Henry Heim, is superb * Independent *The Encyclopedia of the Dead is a book of wonders, product of a vivid imagination that is yet a model of narrative restraint * RTE *

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Book SynopsisThe new novel from the Nobel Prize-winning author of international bestseller ‘Soul Mountain’. ‘Unforgettable. “One Man’s Bible” burns with a powerfully individualistic fire of intelligence and depth of feeling.’ New York TimesTrade Review‘Brilliant and poetic, keen and original…Gao has written a book drenched in the political turmoil in China. But his ambition is to transcend the specifics of time and place, to write a meditation on literature itself and its ability to reveal the raging, brutal, brilliant beast that is mankind…“One Man’s Bible” burns with a powerfully individualistic fire of intelligence and depth of feeling…Unforgettable.’ New York Times ‘An absorbing historical primer on the decades of Maoist terror…Both more personal and more political than its predecessor, “Soul Mountain”, “One Man’s Bible” is a Chinese variation on an important global literary theme: the desperate quest by those living under dictatorships of all kinds to escape the crushing forces of totalitarian collectivism.’ TLS ‘Everything a novel should be…Like all good novelists Gao creates a world, not as a kind of wallpaper or filling but as a place in which the protagonist suffers and sometimes is happy.’ Literary Review ‘Dreamlike, elegant and haunting.’ Boston Globe

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Book SynopsisFramed as the confession of a tormented outcast who has murdered the only woman capable of understanding him, Ernesto Sabato''s The Tunnel has been acclaimed as a masterpiece by writers such as Albert Camus and Graham Greene. This Penguin Classics edition is translated by Margaret Sayers Peden with an introduction by Colm Tóibín.Infamous for the murder of Maria Iribarne, the artist Juan Pablo Castel is now writing a detailed account of his relationship with the victim from his prison cell: obsessed from the first moment he saw her examining one of his paintings, Castel had become fixated on her over the next months and fantasized over how they might meet again. When he happened upon her one day, a relationship was formed which swiftly convinced him of their mutual love. But Castel''s growing paranoia would lead him to destroy the one thing he truly cared about...Ernesto Sabato (1911-2011) was born in Rojas, a small town in Buenos Aires Province. He read physicTrade Review'An existentialist classic ... Retains a chilling, memorable power' * The New York Times Book Review *'Sabato captures the intensity of passions run into uncharted passages where love promises not tranquillity, but danger' * Los Angeles Times *Heralded by Albert Camus and Thomas Mann and widely translated, ''The Tunnel'' is the brief, obsessive, sometimes delirious confession of a convicted murderer. -- Robert Coover * New York Times Book Review *

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Book Synopsis''A truly great translation . . . This English version really is better'' - A. N. Wilson, The SpectatorTIMES LITERARY SUPPLEMENT BOOKS OF THE YEAR 2014This acclaimed new translation of Dostoyevsky''s ''psychological record of a crime'' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society''s laws. But when he commits a random murder, only suffering ensues. Embarking on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption.Fyodor Dostoevsky (1821-1881) was born in Moscow and made his name in 1846 with the novella Poor Folk. He spent several years in prison in Siberia as a result of his political activities, an experience which formed the basis of The House of the Dead. In later life, he fell in love with a much younger woman and developed a ruinous passion for roulette. His subsequent great novels include Notes from Underground, Crime and Punishment, The Idiot, Demons and The Brothers Karamazov.Oliver Ready is Research Fellow in Russian Society and Culture at St Antony''s College, Oxford. He is general editor of the anthology, The Ties of Blood: Russian Literature from the 21st Century (2008), and Consultant Editor for Russia, Central and Eastern Europe at the Times Literary Supplement.Trade ReviewA superb translation -- Jennifer Szalai * The New York Times *A truly great translation ... Sometimes new translations of old favourites are surplus to our requirements. Sometimes, though, a new translation really makes us see a favourite masterpiece afresh. And this English version of Crime and Punishment really is better ... Crime and Punishment, as well as being an horrific story and a compelling drama, is also extremely funny. Ready brings out this quality well ... That knife-edge between sentimentality and farce has been so skilfully and delicately captured here ... Ready's version is colloquial, compellingly modern and - in so far as my amateurish knowledge of the language goes - much closer to the Russian. ... The central scene in the book is a masterpiece of translation -- A. N. Wilson * Spectator *I was delighted to discover Oliver Ready's new translation of Crime and Punishment ... It is brimful of a young man's rage and energy and bullshit. I adored it -- Peter CareyThis vivid, stylish and rich rendition by Oliver Ready compels the attention of the reader in a way that none of the others I've read comes close to matching. Using a clear and forceful mid-20th-century idiom, Ready gives us an entirely new kind of access to Dostoyevsky's singular, self-reflexive and at times unnervingly comic text. This is the Russian writer's story of moral revolt, guilt and possible regeneration turned into a new work of art ... [It] will give a jolt to the nervous system to anyone interested in the enigmatic Russian author -- John Gray * New Statesman, 'Books of the Year' *Oliver Ready's translation of Crime and Punishment . . . is a five-star hit, which will make you see the original with new eyes -- A. N. Wilson * Times Literary Supplement, 'Books of the Year' *At last we have a translation that brings out the wild humour and vitality of the original -- Robert ChandlerI was bowled over, by the novel itself and the utterly brilliant translation, which grabs you by the lapels and doesn't let go. In the course of my work, I go through mountains of nonfiction to try to understand the world. This summer, I was reminded of the power of a novel to uncover something much deeper about the human spirit -- Fareed Zakaria * The New York Times Book Review *A tour de force built from prose that is not only impeccable in its own right but also perfectly suited to the story, its characters, its epoch and themes. We should treasure this new translation and, indeed, this new book * New York Journal of Books *A dazzlingly agile and robust new translation . . . Ready, who has a practiced ear for Russian dialect and a natural grace with English, is exceptionally deft at navigating [the novel's] challenges ... His ability to reproduce the whole heady brew of Dostoyevsky's novel in a consistent but nimble modern English ought to be applauded * Los Angeles Review of Books *What a great book this is and nothing like the dated, heavy Russian literature I thought I might have to wade through. It's a page turner - a dark, comic thriller with an anti-hero akin to Macbeth and characters so perfectly rendered as to leap from the page. The style is really modern and constantly delves into the mad thoughts of the protagonist - if you can call him that - Raskolnikov. Try it, especially Oliver Ready's high-tempo version -- Gary KempOliver Ready's version is outstanding in finding le mot juste for all of Dostoevsky's graphic verbs and odd objects (few Russian writers have a lexical range to equal Dostoevsky's) * The Times Literary Supplement *Ready's translation is nothing less than a wonder. He mirrors the tonal shifts in Dostoyevsky's original more nimbly than any English-language translator has before, and he catches the dark humour that runs through the book mostly below its surface, and best of all, he captures the essential, unchanging absurdity of Raskolnikov perfectly ... Ready's version crackles with grubby, demented vitality -- Steve Donoghue * Open Letters Monthly *Ready's lively translation succeeds in admirably capturing the psychological intensity of Dostoyevsky's style. . . . [It] replicates natural speech patterns in a way that Pevear and Volokhonsky's rather stilted translation does not. . . . [Ready's] English prose is rhythmic and, at times, poetic. . . . It is [the novel's] sense of frenzy that Ready so brilliantly captures in his new translation, which will ensure that another generation of readers remains enraptured by Crime and Punishment -- Slavic and East European JournalReady's vivid, new version ... is more than a Titanic idea of a great translation. It is the real thing ... Crisp and compelling, building on staccato rhythmic structures to heighten the novel's dramatic tension, then elegantly sidling into Dostoyevsky's abrupt denouement, his translation brings new life to a 150-year-old classic, rendering the familiar in fresh light * The Wichita Eagle *A gorgeous translation ... Inside one finds an excellent apparatus: a chronology, a terrific contextualizing introduction, a handy compendium of suggestions for further reading, and cogent notes on the translation. . . . But the best part is Ready's supple translation of the novel itself. Ready manages to cleave as closely as any prior translator to both spirit and letter, while rendering them into an English that is a relief to read * The East-West Review *What a pleasure it is to see Oliver Ready's new translation bring renewed power to one of the world's greatest works of fiction ... Ready's work is of substantial and superb quality ... [His] version portrays more viscerally and vividly the contradictory nature of Raskolnikov's consciousness. ... Ready evokes the crux of Crime and Punishment with more power than the previous translators have ... with an enviably raw economy of prose * The Curator *[An] excellent new translation * Critical Mass *Ready's new translation of Crime and Punishment is thoughtful and elegant [and] shows us once again why this novel is one of the most intriguing psychological studies ever written. His translation also manages to revive the disturbing humour of the original ... In some places, Ready's version echoes Pevear and Volokhonsky's prize-winning Nineties version, but he often renders Dostoyevsky's text more lucidly while retaining its deliberately uncomfortable feel. . . . Ready's colloquial, economical use of language gives the text a new power * Russia Beyond the Headlines *A clever modern translation of this classic of Russian horror that gave me nightmares as a student. We journey through suffering, repentance and expiation of sin -- Neil Mendoza * The Week *

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