Fiction in translation

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Book SynopsisThe 25-year-old case of a missing girl sees Varg Veum dig deep into the past to find her kidnapper, as the secrets and lies of a tiny community threaten everything … Gunnar Staalesen’s award-winning, international bestselling Varg Veum series continues in this chilling Nordic Noir thriller. ***WINNER of the Petrona Award for Best Scandinavian Crime Novel of the Year*** 'Mature and captivating’ Herald Scotland ‘One of the finest Nordic novelists – in the tradition of Henning Mankell’ Barry Forshaw, Independent ‘Masterful pacing’ Publishers Weekly _________________ September 1977. Mette Misvær, a three-year-old girl disappears without trace from the sandpit outside her home. Her tiny, close middle-class community in the tranquil suburb of Nordas is devastated, but their enquiries and the police produce nothing. Curtains twitch, suspicions are raised, but Mette is never found. Almost 25 years later, as the expiry date for the statute of limitations draws near, Mette’s mother approaches PI Varg Veum, in a last, desperate attempt to find out what happened to her daughter. As Veum starts to dig, he uncovers an intricate web of secrets, lies and shocking events that have been methodically concealed. When another brutal incident takes place, a pattern begins to emerge… Shocking, unsettling and full of extraordinary twists and turns, Where Roses Never Die reaffirms Gunnar Staalesen as one of the world’s foremost thriller writers. _________________ Praise for Gunnar Staalesen 'There is a world-weary existential sadness that hangs over his central detective. The prose is stripped back and simple … deep emotion bubbling under the surface – the real turmoil of the characters’ lives just under the surface for the reader to intuit, rather than have it spelled out for them’ Doug Johnstone, The Big Issue ‘Gunnar Staalesen is one of my very favourite Scandinavian authors. Operating out of Bergen in Norway, his private eye, Varg Veum, is a complex but engaging anti-hero. Varg means “wolf ” in Norwegian, and this is a series with very sharp teeth’ Ian Rankin ‘Staalesen continually reminds us he is one of the finest of Nordic novelists’ Financial Times ‘Staalesen does a masterful job of exposing the worst of Norwegian society in this highly disturbing entry’ Publishers Weekly 'The Varg Veum series is more concerned with character and motivation than spectacle, and it’s in the quieter scenes that the real drama lies’ Herald Scotland 'Every inch the equal of his Nordic confreres Henning Mankell and Jo Nesbo' Independent ‘With an expositional style that is all but invisible, Staalesen masterfully compels us from the first pages … If you’re a fan of Varg Veum, this is not to be missed, and if you’re new to the series, this is one of the best ones. You’re encouraged to jump right in, even if the Norwegian names can be a bit confusing to follow’ Crime Fiction Lover ‘With short, smart, darkly punchy chapters Wolves at the Door is a provocative and gripping read’ LoveReading ‘Haunting, dark and totally noir, a great read’ New Books Magazine ‘An upmarket Philip Marlowe’ Maxim Jakubowski, The Bookseller ‘Razor-edged Scandinavian crime fiction at its finest’ Quentin BatesTrade Review'Gunnar Staalesen is one of my very favourite Scandinavian authors. Operating out of Bergen in Norway, his private eye, Varg Veum, is a complex but engaging anti-hero. Varg means "wolf'" in Norwegian, and this is a series with very sharp teeth' Ian Rankin * 'Not many books hook you in the first chapter - this one did, and never let go!' Mari Hannah * 'One of Norway's most skilful storytellers' Johan Theorin * 'Razor-edged Scandinavian crime fiction at its finest' Quentin Bates

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Book SynopsisIn the piazza, a man lies dead. No one will say if they witnessed his killing. This presents a challenge to the investigating officer, a man who earnestly believes in the values of a democratic and modern society. Indeed, his enquiries are soon blocked off by a wall of silence and vested interests; he must work against the community to save it and expose the truth.The narrative moves on two levels: that of the investigator, who reveals a chain of savage crimes; and that of the bystanders and watchers, of those complicit with secret power, whose gossipy, furtive conversations have only one end - to stop the truth coming out. This novel about the Mafia is also a mesmerizing demonstration of how that organization sustains itself. It is both a beautifully, tautly written story and a brave act of denunciation.Trade ReviewThe most intelligent detective story I have ever read and the ideal introduction to Sciascia's brilliant but little known oeuvre -- Thomas Wright * Daily Telegraph *The best evocation of Sicily I've read, this is one for the crime connoisseurs -- Leslie ForbesA very well-written page turner. This is an absorbing and compelling story * Northampton Chronicle *One of the major writers of the age * Time Literary Supplement *A detective story that is so much more; sharp and precise and demanding the reader to render judgement * Absolutely Chelsea *Irresistible... The finest writer [out of these classic sleuth reissues] -- Anthony Cummins * Metro *

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Book Synopsis'[An] absolute must-read. It has stunned and moved everyone who has read it' Arifa Akbar, Independent This multi-award winning novel is the extraordinary story of the twentieth century traced through the various possible lives of one woman She is a baby who suffocates in the cradle. Or perhaps not? She lives to become as an adult and dies beloved. Or dies betrayed. Or perhaps not? Her memory is honoured. Or she is forgotten by everyone. From a small Galician town at the turn of the twentieth century, through pre-war Vienna and Stalin's Moscow to modern-day Berlin, the twists of fate of her lives take us to some of the most vivid moments in European history. But it is our heroine's choices, her struggles and her humanity - as she faces everything from Nazi-occupied Austria, Soviet secret police and the trials of old age - that make this book so profoundly moving, insightful and unforgettable. Winner of the Independent Foreign Fiction Prize, the Hans Fallada Prize, the Oxford-Weidenfeld Translation Prize and an English PEN Award. 'The End of Days prises open the troubled box that is 20th-century European history and entrenches [Erpenbeck's] position as the most brilliant European writer of my generation' Neel Mukherjee, Irish Times Books of the Year 'Jenny Erpenbeck makes swift work of the one-life-multiple-outcomes conceit touched on by Kate Atkinson and David Mitchell - and is the best of the bunch' Daily Telegraph Books of the YearTrade Review[An] absolute must-read. It has stunned and moved everyone who has read it -- Arifa Akbar * Independent *A short, musical novel... philosophically and technically ambitious... shot through with an insight that almost blinds... Erpenbeck's Chekhovian talent for letting us into the shifting consciousness of her characters' various incarnations is such that with each death our loss feels definitive. But while in Chekhov there are no exits from personality, here there are no exits from history... Reading Erpenbeck is like falling under hypnosis. Exhilarating -- Kapka Kassabova * Guardian *Always startling and profound, Jenny Erpenbeck is a master of allegory. Few contemporary writers can so deftly paint the moral interplay between light and shadow -- Chloe AridjisConcise and moving... Jenny Erpenbeck makes swift work of the one-life-multiple-outcomes conceit touched on by Kate Atkinson and David Mitchell - and is the best of the bunch -- Tim Martin 'Books of the Year' * Daily Telegraph *Erpenbeck has honed an extraordinary gift for focusing the sweep of European history into intimate moments, captured in prose of a haunting beauty and tenderness. Hypnotically involving -- Boyd Tonkin * Independent *The End of Days prises open the troubled box that is 20th-century European history and entrenches [Erpenbeck's] position as the most brilliant European writer of my generation -- Neel Mukherjee ‘Book of the Year’ * Irish Times *A genuine European masterpiece -- Roy Foster, Books of the Year * TLS *Startling and profound -- Justine Jordan ‘Fiction Book of the Year’ * Guardian *Erpenbeck's writing is so powerful and so poetic, her storytelling so nuanced. [She] has important things to tell us; and she tells them beautifully. Masterful -- Will Gore * Independent on Sunday *In Erpenbeck's world, everything is connected... through tiny parallels and repetitions - elusive leitmotifs that echo across the protagonist's alternate lives... The wisdom of this novel lies in the way its form subtly subverts death's permanence -- David Winters * Literary Review *If you think this sounds like Kate Atkinson's Life After Life, think again. Moving [and] involving... its effects are arrived at in a very different way from what we have come to expect from the Anglo-American novel -- David Mills * Sunday Times *A wonderfully crafted, memorable read * New Internationalist *Compactly lyrical... Erpenbeck [has] condensed a century of European history into the turning-points of a woman's life -- Boyd Tonkin ‘Fiction in translation book of the year’ * Independent *Astonishing and deeply humane * BBC Radio 4 Saturday Review *A compressed epic... Erpenbeck possesses a remarkable gift for shifting, almost unnoticeably, between the telescopic and the microscopic, between the intimate and the cosmic, between the vertical density of a lived moment and vast swaths of geological time. Prepare for a kind of happy vertigo * National Post *[An] eerily powerful meditation on the ways a life can end... [Erpenbeck] captures [a] primal quality through her dreamy montage-like narration * New Republic *The End of Days is like the view from a plane zigzagging through the skies over 20th-century Europe, creating a connect-the-dots puzzle... [It] retains the sense of menace integral to any tale of predestination * Los Angeles Review of Books *Erpenbeck deftly handles the constant shifts in narrative throughout this complex novel. Hats off to Susan Bernofsky for her translating skills. It's a masterly piece of work -- Susan Osborne * A Life in Books *This is a beautifully written novel, impressively translated from the German by Susan Bernofsky. The End of Days is a compelling reminder that worrying about the unknowable will do nothing to delay the inevitable. Masterful -- Alice Fishburn * Financial Times *The End of Days has the same dizzying emotional reach as [Erpenbeck's] previous work... This profound meditation reaches to the heart of a cultural world of spiritual intensity, social utopianism and political catastrophe that has variously shaped German literature - and it is expertly translated by Susan Bernofsky. Incantatory -- Lesley Chamberlain * TLS *There is no one writing now who is quite like [Erpenbeck], possessing such an understanding of the deep currents of history while gifted with the ability to do such extraordinary things with form. In Susan Bernofsky's lucid, seamless translation, The End of Days emerges as a necessary and illuminating novel, alight with intelligence and meaning. Surprising and profound -- Neel Mukherjee * New Statesman *Sharp and powerful... Erpenbeck's novel intertwines the personal with the grand sweep of history to great effect, underlining the importance of both. I would certainly expect to see The End of Days on the IFFP shortlist; for me, it's potentially a winner -- David HebblethwaiteSusan Bernofsky's thoughtful translation does justice to Erpenbeck's masterly prose -- Emma Hagestadt * Independent *A literary event * MDR Figaro *A worthy winner of the Independent Foreign Fiction Prize 2015, Erpenbeck's echoing story of a single woman's multiple lives [is] an inventive way of exploring the personal and the political. It's the kind of demanding novel that bears, and rewards, repeat reading. Spell-binding -- Lesley McDowell * Independent on Sunday *Her device of an ever-new beginning is a coup. But her refinement in the form of separating the individual stories and intermezzi gives the book the quality of a grand symphony... A great novel * Frankfurter Allgemeine Zeitung *An extraordinary piece of work... of immense ambition, both literary - each 'life' comes with its own prose rhythm, language and preoccupations - and politically... It is emotionally ravishing, philosophically provocative and, thanks to this wonderful translation by Susan Bernofsky, poetically lush -- Jane Graham * Big Issue *Wonderfully masterful and at the same time gentle and insightful * Kölner Stadt-Anzeiger *A memorable and haunting novel -- Christie Hickman * Sunday Express *[I've chosen] Jenny Erpenbeck's The End of Days for its epic sweep and ingenious structure -- Helen Simpson * Observer *This slim novel packs a mighty punch and richly deserves its numerous accolades -- Lucy Popescu * Huffington Post *What Erpenbeck perfectly captures in The End of Days is the urgency by which our lives are pushed forward, yet on the other hand the transitory, perhaps futile, nature of human existence -- Will Gore (syndicated review) * Belfast Telegraph, Irish Independent *A beautiful meditation on the different possible lives of one woman... The prose is spare and moving: the structure fascinating - all echoes and repeated motifs down the troubled twentieth century. Erpenbeck deftly weaves an understanding of how power and politics play out in an individual life... An intense study of guilt, grief, love and destiny... By the end of this concise novel [...] we have experienced something profound and important. Susan Bernofsky's translation skilfully conveys Erpenbeck's vision: to take us into the dark places and shed light there in unexpected ways. * New Books *

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Book SynopsisA chance encounter in New York brings two strangers together: Liat is an idealistic translation student, Hilmi a talented young painter. Together they explore the city, share fantasies, jokes and homemade meals, and fall in love. There is only one problem: Liat is from Israel, Hilmi from Palestine. Keeping their deepening relationship secret, the two lovers build an intimate universe for two in this city far from home. But outside reality can only be kept at bay for so long. After a tempestuous visit from Hilmi's brother, cracks begin to form in the relationship, and their points of difference - Liat's military service, Hilmi's hopes for Palestine's future - threaten to overwhelm their shared present. When they return separately to their divided countries, Liat and Hilmi must decide whether to keep going, or let go. A prizewinning bestseller, but banned in Israeli schools for its frank and tender depiction of a taboo relationship, this is the deeply affecting story of two people trying to bridge one of the most deeply riven borders in the world.Trade ReviewA touching, raw and gorgeous love story with an ending which snatched the air from my lungs. * Stylist *A fine, subtle and disturbing study of the ways in which public events encroach upon the private lives of those who attempt to live and love in peace with each other, and, impossibly, with a riven and irreconcilable world. -- John BanvilleEnthralls and delights ... Rabinyan beautifully loops the story from season to season, depicting Liat and Hilmi's lives and love vividly and memorably. * Publishers Weekly *I stand with Dorit Rabinyan. Love, not hate, will save us. Hatred sows hatred, but love can break down barriers. -- Svetlana Alexievich, winner of the Nobel Prize in LiteratureEven the (asymmetrical) tragedy of the two peoples does not overwhelm this precise and elegant love story, drawn with the finest of lines ... Astonishing -- Amos OzRabinyan is a generous writer who puts her characters first... Rabinyan's writing reflects the honesty and modesty of a true artisan. She is meticulous, to be sure, but at the same time she doesn't appear to be straining, and this is what sets someone like her apart from those who merely practice the craft of writing. -- Dorit Shilo * Ha’aretz *

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Book SynopsisWinner of the 2015 Man Booker International Prize War & War begins at a point of danger: on a dark train platform Korim is on the verge of being attacked and robbed by thuggish teenagers. From here, we are carried along by the insistent voice of this nervous clerk. Desperate, at times almost mad, but also keenly empathic, Korim has discovered in a small Hungarian town's archives an antique manuscript of startling beauty: it narrates the epic tale of brothers-in-arms struggling to return home from a disastrous war. Korim is determined to do away with himself, but before he commits suicide, he feels he must escape to New York with the precious manuscript and commit it to eternity by typing it all out onto the world wide web. Following Korim with obsessive realism through the streets of New York (from his landing in a Bowery flophouse to his move far uptown with a mad interpreter), War and War relates his encounters with a fascinating range of people in a world torn between viciousness and mysterious beauty. Following the eight chapters of War & War is a short 'prequel acting as a sequel', 'Isaiah', which brings us to a dark bar, years before in Hungary, where Korim rants against the world and threatens suicide. Written like nothing else (turning single sentences into chapters), War & War affirms W. G. Sebald's comment that Krasznahorkai's prose far surpasses all the lesser concerns of contemporary writing.Trade ReviewLászló Krasznahorkai writes prose of breathtaking energy and beauty. He manages to combine our most earthly concerns with large cosmic questions. His tones and textures are filled with both risk and certainty. He has elevated the novel form and is to be ranked among the great European novelists. * Colm Tóibín *As the worthy winner of this year's Man Booker International prize, Krasznahorkai throws down a challenge: raise your game or get your coat ... the intensity of his commitment to the art of fiction is indisputable ... exhilarating, even euphoric. -- Hari Kunzru * Guardian *The universality of Krasznahorkai's vision rivals that of Gogol's Dead Souls and far surpasses all the lesser concerns of contemporary writing. * W.G. Sebald *

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Book SynopsisWhen fifteen-year-old Anna begins receiving messages from another time, her parents take her to the doctor. But he can find nothing wrong; in fact he believes there may be some truth to what she is seeing. Anna is haunted by visions of the desolate world of 2082. She sees her great-granddaughter, Nova, roaming through wasteland with a band of survivors, after animals and plants have died out. The more Anna sees, the more she realises she must act to prevent the future in her visions becoming real. But can she act quickly enough?'Compelling' Sunday TimesTrade Reviewthe global warming wake-up call is compelling * SUNDAY TIMES *

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Book SynopsisTá an tUasal Ó Sé agus a mhadra dílis, Seoirse, ag dul amach ar cuairt ghairid chuig na siopaí. Tá dearmad déanta ag an Uasal Ó Sé ar a chuid eochracha, ach beidh Bean Uí Shé ann, mar a bhíonn sí i gcónaí, chun iad a ligean isteach. Ach ar an mbealach ar ais, tugann Seoirse faoi deara go bhfuil rud éigin amú – chas siad faoi dheis nuair ba chóir dóibh casadh faoi chlé, rud atá á dtabhairt níos faide ó bhaile. Chun rudaí a dhéanamh níos measa, tá an chuma air go mbeidh báisteach ann. Buaileann na seanchairde an bóthar ar thuras trasna Bhaile Átha Cliath agus trína gcuid cuimhní, atá, de réir cosúlachta, ag imeacht ceann ar cheann… Mr Bolton and his faithful dog, George, are just popping down to the shops. He forgot his keys, but Mrs Bolton will be there to let them in like always. But on the way back, George notices something wrong - they turned right when they should have turned left, bringing them farther from home. To make things worse, it's beginning to look like rain. The old friends set off on a journey across Dublin and through their memories, which seem to be disappearing one by one...

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Book SynopsisFrom the author of international bestseller The Eight Mountains comes a story of love and community in the wild beauty of the Italian AlpsThe remote alpine village of Fontana Fredda lives by the seasons. These quiet, complex rhythms appeal to Fausto, who has left the city of Milan behind, and with it his relationship. He takes a job as chef in a little restaurant and entrusts himself to new beginnings.Silvia is also seeking change: her sights are on the glaciers where, she has read, climbing a thousand metres towards the sky is equivalent to travelling ten times the same distance to the north. She is in search of her personal North Pole.When Fausto and Silvia meet one night, their story begins: a tender story of love and renewal; of the community that sustains them; and of lives humbled by the implacable strength and beauty of the mountains.As intimate in focus as it is epic in scope, The Lovers is a luminous meditation on our que

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Book Synopsis'Zweig's fictional masterpiece' GUARDIAN 'An intoxicating, morally shaking read... A real reminder of what fiction can do best' ALI SMITH 'It's just a masterpiece. When I read it I thought, how is it that I don't already know about this?' WES ANDERSON _______________ The only novel written by one of the most popular writers of the twentieth century In 1913, young second lieutenant Hofmiller discovers the terrible danger of pity. He had no idea the girl was lame when he asked her to dance-so begins a series of visits, motivated by pity, which relieve his guilt but give her a dangerous glimmer of hope. Stefan Zweig's unforgettable novel is a devastating depiction of the betrayal of both honour and love, amid the disintegration of the Austro-Hungarian Empire.Trade Review'It's just a masterpiece. When I read it I thought, how is it that I don't already know about this?' - Wes Anderson'Zweig's fictional masterpiece' - The Guardian'It really touched me. I'm not an easy crier, not at all. But this book was one of the few moments that I found myself sobbing. It was a knife to my heart' - Shira Haas, star of the Netflix hit series 'Unorthodox''The novel I'll really remember reading this year is Stefan Zweig's frighteningly gripping Beware of Pity, first published in 1939 ... and part of the ongoing, valiant reprinting by Pushkin Press of Zweig's collected oeuvre; an intoxicating, morally shaking read about human responsibilities and a real reminder of what fiction can do best' - Ali Smith'An unremittingly tense parable about emotional blackmail, this is a book which turns every reader into a fanatic' - Julie Kavanagh, Intelligent Life (The Economist)

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Book SynopsisHere at last is an exciting new translation of the modernist Brazilian epic Macunaíma, by Mário de Andrade. This landmark novel from 1928 has been hugely influential. It follows the adventures of the shapeshifting Macunaíma and his brothers as they leave their home in the northern Amazon for a whirlwind tour of Brazil, cramming four centuries and a continental expanse into a single mythic plane. Having lost a magic amulet, the hero and his brothers journey to São Paulo to retrieve the talisman that has fallen into the hands of an Italo-Peruvian captain of industry (who is also a cannibal giant). Written over six delirious days – the fruit of years of study – Macunaíma magically synthesizes dialect, folklore, anthropology, mythology, flora, fauna, and pop culture to examine Brazilian identity. This brilliant translation by Katrina Dodson has been many years in the making and includes an extensive section of notes providing essential background information for this magnificent work.Trade Review‘Dodson’s translation captures all the playfulness of the Portuguese text. The Brazilian colloquialisms are transposed to a fizzy American vernacular, but flora and fauna maintain their original names, inviting a surrender to the story’s strange, defamiliarising atmosphere. Andrade conceived of Macunaíma as one long poem or “troubadour ballad”: we’re lucky to hear it sung in English.’ — Pablo Scheffer, Telegraph‘Macunaíma is above all a vision of mythical Brazilian consciousness, a picaresque epic of birth, triumph, decline and death.’ — New York Times ‘Katrina Dobson’s translation, employing a colloquial American diction with palpable African American and Deep South overtones, gives Macunaíma a consistent, credible voice in English. She inhabits and breathes life into the novel as though she were a revenant from the Brazilian jungle of a century ago…It is not only Brazil’s complexity that Mário de Andrade captures, but that of the Americas as a whole, and to some extent that of the entire modern world.’ — Stephen Henighan, Time Literary Supplement‘Macunaíma is a miracle. There’s nothing like it in all of literature. Katrina Dodson is a hero.’ — Mario Bellatin, author of Beauty Salon‘Macunaíma is a self-consciously nation-founding novel that reads like a thick broth of painful historical truth, quoted myth, and irreducible pleasures. Rarely is so much pleasure given and pain revealed by overlapping languages.’ — Arto Lindsay‘An explosion of language… The obvious comparison for English speakers would be Ulysses, as an encyclopedia of styles, of language forms.’ — Fredric Jameson‘He’s an anti-hero hero, questioning and contradictory. Macunaíma is an emblem of the marvelous, metamorphosed into the errant question mark of his one-legged constellation. An anti-normative hero who points to a future, eventually more open, world.’ — Haroldo de Campos‘Mário wrote our Odyssey and, with a swing of his native club, created our classical hero and the national poetic idiom for the next fifty years.’ — Oswald de Andrade‘A deliberately provocative text, slangy, comical, antiliterary, assuming all the apparent contradictions of the struggle against European seriousness in its various forms.‘ — Pascale Casanova‘We are so fortunate that Mário de Andrade’s rollicking Macunaíma is finally reappearing in English in Katrina Dodson’s dazzling translation.’ — John Keene, author of Counternarratives‘[T]old in urbane vernacular but with a vast vocabulary of indigenous words that would have been foreign even to metropolitan Brazil, [Macunaíma is] a reading experience that is wholly disorientating. It is also—perhaps rare for a modernist work—a lot of fun…. Andrade knew that the best way to begin a conversation was with a smile and a joke. Reading him almost a century later, his message is as simple and efficient as any good punchline: keep talking.’ — David McAllister, Prospect‘Dodson, a PEN Award–winning translator of Clarice Lispector, breathes new life into this spirited modernist classic from Brazillian writer de Andrade…Electrifying and perplexing, this cornerstone of Brazilian literature shouldn’t be missed.’ —Publishers Weekly, starred review ‘Over the course of seventeen chapters and an epilogue, violent parables and raunchy parodies nestle within one another to create a dazzling and chaotic Luso-tropical Holy Grail epic… Perhaps through Dodson’s masterful work, Andrade will finally be widely read alongside Joyce, Woolf, and Kafka, and Brazilian modernism will be cemented in a canon that has largely excluded authors from Latin America.’ — Meg Weeks, The Baffler

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Book SynopsisIngvild Rishøi was born and raised in Oslo. She has published several collections of stories and her debut novel Brightly Shining, originally titled Stargate, was published in Norway in 2021. It was instantly deemed a modern classic, solidifying her position as one of Scandinavia's most revered literary voices.

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Book SynopsisWith the death of her aunt, Maria Stepanova is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. Dipping into various forms – essay, fiction, memoir, travelogue and historical documents – Stepanova’s In Memory of Memory assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.Trade Review‘Stepanova’s tour de force blends memoir, literary criticism, essay and fiction. Although this is a personal and intimate work using photographs, postcards and diaries, it succeeds in mining a universal theme in contemporary Russian cultural life: how does a family – or a country – process the events of the past 100 years?’ — Viv Groskop, Guardian‘A brilliant evocation of the last years of the Soviet Union, extending deep into the past. In a work that crosses the boundaries of fiction and nonfiction, Russian poet and journalist Stepanova recounts the lives of her ancestors, rural Russian Jews who, on moving to Moscow, could never quite go home again…. Apart from delivering a mine of family and national history, Stepanova exercises a well-honed sense of the apposite literary allusion (“The chimneys in the view from the window resembled flowerpots, Kafka said something similar about them”). Stretching from the days before Lenin took power to the “Doctor’s Plot” and the collapse of the USSR and beyond, Stepanova’s book is lyrical and philosophical throughout…. A remarkable work of the imagination – and, yes, memory.’ — Kirkus, starred review‘This remarkable account of the author’s Russian-Jewish family expands into a reflection on the role of art and ethics in informing memory.… Stepanova is both sensitive and rigorous.’ — New Yorker‘A luminous, rigorous, and mesmerizing interrogation of the relationship between personal history, family history, and capital-H History. I couldn’t put it down; it felt sort of like watching a hypnotic YouTube unboxing-video of the gift-and-burden that is the twentieth century. In Memory of Memory has that trick of feeling both completely original and already classic, and I confidently expect this translation to bring Maria Stepanova a rabid fan base on the order of the one she already enjoys in Russia.’ — Elif Batuman, author of The Idiot‘There is simply no book in contemporary Russian literature like In Memory of Memory. A microcosm all its own, it is an inimitable journey through a family history which, as the reader quickly realizes, becomes a much larger quest than yet another captivating family narrative. Why? Because it asks us if history can be examined at all, yes, but does so with incredible lyricism and fearlessness. Because Stepanova teaches us to find beauty where no one else sees it. Because Stepanova teaches us to show tenderness towards the tiny, awkward, missed details of our beautiful private lives. Because she shows us that in the end our hidden strangeness is what makes us human. This, I think, is what makes her a truly major European writer. I am especially grateful to Sasha Dugdale for her precise and flawless translation which makes this book such a joy to read in English. This is a voice to live with.’ — Ilya Kaminsky, author of Deaf Republic‘Dazzling erudition and deep empathy come together in Maria Stepanova’s profound engagement with the power and potential of memory, the mother of all muses. An exploration of the vast field between reminiscence and remembrance, In Memory of Memory is a poetic appraisal of the ways the stories of others are the fabric of our history.’ — Esther Kinsky, author of Grove‘Extraordinary – a work of haunting power, grace and originality’ — Philippe Sands, author of East West Street‘The poet Maria Stepanova’s In Memory of Memory, beautifully translated by Sasha Dugdale, is a deeply intelligent quest for the significance of minutiae that survive while grand narratives of history sweep over them. It makes for powerful and magical reading, reminiscent of Nabokov’s Speak Memory. Time and again the sheer richness of the task sustains us and drives us on. This is a wholly marvellous book that extends our knowledge of all that is valued and lost.’ — George Szirtes, author of The Photographer at Sixteen

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Book Synopsis'An ambiguous horror story about egg donorship and the black market, it keeps the reader equally balanced between frustration and fascination. ' Daily Mail'An intricate, textured slow-burner that paints a vivid picture of a post-Soviet state where gangsters rule and the exploitation of the female body is big business' GuardianHelsinki, 2016. Olenka sits on a bench, watching a family play in a dog park. A stranger sits down beside her. Olenka startles; she would recognize this other woman anywhere. After all, Olenka was the one who ruined her life. And this woman may be about to do the same to Olenka. Yet, for a fragile moment, here they are, together - looking at their own children being raised by other people.Moving seamlessly between modern-day Finland and Ukraine in the early days of its post-Soviet independence, Dog Park is a keenly observed, dark and propulsive novel set at the intersection of East and West, centered in a web of exploitation and the commodification of the female body. Oksanen brings fearless psychological acuity to this captivating story about a woman unable to escape the memory of her lost child, the ruthless powers that still hunt her, and the lies that could well end up saving her.Trade ReviewAn ambiguous horror story about egg donorship and the black market, it keeps the reader equally balanced between frustration and fascination. * Daily Mail *Following her incredibly popular Purge, Sofi Oksanen gives us another propulsive thriller about a woman unable to forget her lost child and the web of lies she's built around herself. A novelist and playwright, Oksanen is one of the most awarded literary authors in Scandinavia; now, we get to experience the phenomenon. * Lit Hub *Fans of slow-burning suspense will find much to enjoy * Publishers Weekly *With the volatile European fertility market as her backdrop, a rising Scandinavian star poses troubling questions about the double-edged sword of motherhood and the rancorous debates over women's bodies * Oprah, Best Translated Books of 2021 *A remarkably ambitious story... Oksanen has much to say about the price of parenthood and the cost for young women who, with few other options to escape poverty, become egg donors or surrogates. Owen F. Witesman's translation conveys the mounting tension as Oksanen layers in shadowy, overlapping plotlines. * New York Times *Stunning and furious * Mesta, Finland *Sharp, sociocritical... Passionate drama, murder and revenge make this a thriller-like novel with a high level of suspense. * Bergens Tidende, Norway *An intricate, textured slow-burner that paints a vivid picture of a post-Soviet state where gangsters rule and the exploitation of the female body is big business * Guardian *

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Book SynopsisAmid ethnic violence, political corruption, and petty professional intrigue, an artist tries to live free of lies. Set during the last years of the Soviet Union, Stone Dreams tells the story of Azerbaijani actor Sadai Sadygly, who lands in a Baku hospital while trying to protect an elderly Armenian man from a gang of young Azerbaijanis. Something of a modern-day Don Quixote, Sadai has long battled the hatred and corruption he observes in contemporary Azerbaijani society. Wandering in and out of consciousness, he revisits his hometown, the ancient village of Aylis, where Christian Armenians and Muslim Azeris once lived peacefully together, and dreams of making a pilgrimage of atonement to Armenia. Stone Dreams is a searing, painful meditation on the ability of art and artists—of individual human beings—to make change in the world.

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Book Synopsis'I heard our grandmother asking what we were doing.'"Say something!" she demanded, threatening to tear out our tongues. Little did she know that one of us was holding her tongue in her hand.'Deep in Brazil's neglected Bahia hinterland, two sisters find an ancient knife beneath their grandmother's bed and, momentarily mystified by its power, decide to taste its metal. The shuddering violence that follows marks their lives and binds them together forever. Heralded as a new masterpiece and the most important Brazilian novel of this century, this fascinating and gripping story about the lives of subsistence farmers in the Brazil's poorest region, three generations after the abolition of slavery in that country is at once fantastic and realist, covering themes of family, spirituality, slavery and its aftermath and political struggle.Trade Review[Brazil's] deep-rooted racial and economic injustices are laid bare in one of the most celebrated Brazilian debut novels of recent times. -- Financial Times Best Books of the Year 2023A leading voice among the Black authors who have jolted Brazil's literary establishment in recent years with imaginative and searing works that have found commercial success and critical acclaim * New York Times *One of the great novels of the year... -- João Céu e Silva * Diário de Notícias *A tour de force of injustice, tragedy, affection and human dignity reminiscent of Victor Hugo's Les Misérables or John Steinbeck's The Grapes of Wrath, Vieira Júnior's book garnered top literary prizes in Portugal and Brazil. Its author has drawn comparisons to Jorge Amado, the giant of Brazilian letters who introduced the magic and plight of Afro-Brazilians to the world. * Americas Quarterly *Beautiful, powerful and moving, he presents us with great literature with a simplicity that torments * Pessoa Magazine *Vieira Junior conveys the girls' childhood confusion and wonder in hypnotic prose, and he brings the close-knit Água Negra to life. This heralds the arrival of a welcome voice. * Publishers Weekly *Among the laudable feats Vieira Junior accomplishes in this novel is the way it gradually moves from a highly specific story to one with implications for a region's entire working class. A stirring, lived-in novel of struggles both personal and societal. -- starred review * Kirkus Reviews *Crooked Plow is a powerful novel set among a Black Brazilian farming community living on the edge of existence, whose people are resilient against historical forces and the individuals who oppress them.Each of the novel's three parts has a different narrator, including Bibiana, Belonísia, and an encantada. These respective narrators lead to rich interiority; the characterizations are deep, and the novel is layered in its rendering of events. The sometimes nonchronological narration goes back in time to reveal people's secrets, building suspense as it moves toward its unsettling, fitting conclusion. * Foreword Reviews *This powerful debut novel charts the plight of Brazil's poorest farmers scrabbling for subsistence on the land their enslaved ancestors worked. Initially centered on two sisters whose lives are changed forever by a catastrophic accident, the book explores themes of generational poverty and political strife through the lens of family bonds and the eyes of a once-revered Afro-Brazilian divinity. A bestseller in Brazil and lauded with literary accolades, the engrossing story gives visibility to many who have traditionally been marginalized. -- Becky Meloan * The Washington Post *Vivid ... a saga that tells not just the story of two siblings, but the enduring dysfunction of a nation. -- Oliver Basciano * ArtReview *A compelling chronicle ... Junior provides an immensely readable account of how men and women of no property have to deal with domestic, economic and state violence and of how story and language restore the dignity such people are so often denied -- Michael Cronin * Irish Times *Magic, social realism, and deep character studies grounded in a complex community are the hallmarks of this brilliant novel from a rising voice in Brazil. -- Molly Odintz * CrimeReads *A potential heir to the great Clarice Lispector, Vieira Junior, a Bahian native, sets his first story to appear in English among poor Afro-Brazilian tenant farmers...a contemporary Brazilian masterpiece. * The Center for Fiction *Five years after it was first published, 'the most important Brazilian novel of the century so far' finally makes its English-language debut. Believe the hype. -- Patrick Rapa * The Philadelphia Inquirer *Itamar Vieira Junior offers a salt-of-the-earth paean...a compelling vision of history's downtrodden and neglected. -- Anderson Tepper * The New York Times Book Review *Crooked Plow, with artistic clarity and beauty, presents racism and the spectre of slavery as the source of strife in the lives of contemporary Quilombolas ... A provocation to those who believe that simple perseverance will save the day. -- Angel Lambo * Frieze *[Crooked Plow] is rooted ... in the voices and languages of the sertão, in the names of the animals and plants, in the oral storytelling traditions of ancient communities, in the richness of the spirit world ... An impressive first novel by an important literary voice. -- Angel Gurría-Quintana * Financial Times *Crooked Plow brings to vivid light the harsh realities of tenant farmers exploited by land owners who enrich themselves on the backs of the workers and yet still take much of what little the farmers save for themselves. The novel resonates with the "sounds of animals, of rustling leaves, of flowing water. the sound[s] of the world" - an illuminating journey in a dark time. -- K. M. Sandrick * The Historical Novel Society *Vieira brings both sisters to electric life, but Belonísia's narration is especially immediate and moving. It would be a privilege to share a tongue with her. -- Lily Meyer * NPR *Crooked Plow is a powerful and piercing book that follows the lives of two sisters, their family, and a disembodied spirit in the hinterlands of Bahia, Brazil. The sisters, who use the same voice after an accident takes the ability to speak away from one of them, grow and follow their own life paths confronting poverty, racial injustice, and the threat of being removed from the land they are profoundly attached to. -- David Martinez * Full Stop *Subtle and profound ... Crooked Plow balances a portrait of inner lives with a thoughtful treatment of grand sociohistorical forces -- Franklin Nelson * Times Literary Supplement *Crooked Plow is a tour-de-force that deeply humanizes those who bear the unspeakable burdens of colonialism in the Americas, making their gestures appear through writing that pays close attention to hidden languages of care. -- Ana Laura Malmaceda * Words Without Borders *Vieira Junior emphasizes that legacy and history are not always a curse. Rather, their persistence is a form of resistance to the dehumanization wrought upon the family by slavery's shadow...The book's success in Brazil exemplifies a trend in the country's literary landscape toward novels told from the perspective of the historically oppressed. In the past five years, Vieira Junior has been an integral member of a group of Brazilian writers who, in depicting racism and slavery through the viewpoint of racial minorities and enslaved peoples, remind us of Brazil's painful colonial history while returning agency to those who suffered under its one-sided narration. -- Jimin Kang * The Nation *Translated into more than ten languages, Crooked Plow has received wide acclaim, both for its poignant story of social struggles and for the empathetic depiction of the quilombolas' lives and traditions. Also remarkable is its vivid imagery and the colorful vocabulary typical of Brazil's Northeast. These are aptly maintained in Johnny Lorenz's excellent translation, which employs various Portuguese words and expressions present in the original, thus avoiding unwieldy footnotes or glossaries while offering English-language readers a taste for the distinct language of the Brazilian sertão. -- Cristina Pinto-Bailey * World Literature Today *Lorenz's English translation deserves credit for conveying the understated lyricism and concentrated power of Vieira Junior's storytelling ... Crooked Plow is highly readable fiction, a flowing and clear novel that wears its experimentalism lightly while exploring a long history of exploitation and resistance. -- Cate Farr * Oxonian Review *Crooked Plow is a novel that shows us, through magic and murder, how the tongue can also be a fire in the greatest sense-one that can alter lives, spark movements and claim freedoms -- Laura Garmeson * Asymptote Journal *

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Book SynopsisThe One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And D-503, the Builder, is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex and freedom.A foundational work of dystopian fiction, inspiration for both Orwell's Nineteen Eighty-Four and Huxley's Brave New World, WE is a book of radical imaginings - of control and rebellion, surveillance and power, machine intelligence and human inventiveness, sexuality and desire. In this brilliant new translation, it is both a warning and a hope for a better world.Trade ReviewThe best single work of science fiction yet written -- URSULA K. LE GUINTwo of the most iconic novels in the English language - Brave New World by Aldous Huxley and 1984 by George Orwell - owe an enormous debt to Zamyatin. We is the ur-text of science-fiction dystopias . . . the product of a powerful imagination * * Wall Street Journal * *The prototype . . . Zamyatin is a major artist * * New York Times * *This new edition, which contains Orwell's review as well as an introduction by Margaret Atwood, an afterword by Ursula Le Guin and an absorbing comment by the translator Bela Shayevich, who grew up in the former Soviet Union, will be the definitive version in English for the foreseeable future * * New Statesman * *[A] fine new translation . . . In a market of competing editions . . . Shayevich's stands out, and for very good reason . . . truly excellent . . . Shayevich's [translation] retains the novel's bold, jagged, elemental energy [and] remains true to the spirit of the work in a way that the author himself would have applauded * * Times Literary Supplement * *A seminal dystopian classic . . . This timely and thoughtful edition is a fitting tribute to book of lasting influence * * Irish Times * *It is in effect a study of the Machine, the genie that man has thoughtlessly let out of its bottle and cannot put back again -- GEORGE ORWELL

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Book SynopsisThe first thrilling standalone crime novel from the international number one bestseller and Sweden's answer to Val McDermid, Anders de la Motte.'Enthralling...De la Motte juxtaposes the horrors of war with age-old superstitions to superb effect' Joan Smith, Sunday TimesSouthern Sweden: Beautiful countryside, endless forests, coastal walks, dark days - and even darker nights. But beneath the beauty lies a dark heart . . .Skåne, 1986: On the night of Walpurgis, the eve of May Day, where bonfires are lit to ward off evil spirits and preparations are made to celebrate the renewal of spring, a sixteen-year-old girl is ritualistically murdered in the woods beside a castle. Her stepbrother is convicted of the terrible deed and shortly after, the entire family vanishes without a trace.Spring, 2019: Dr Thea Lind moves into the castle. After making a strange discovery in an ancient oak tree on the grounds, her fascination with the old tragedy deepens. As she uncovers more and more similarities between her own troubled past and the murdered girl, she begins to believe that the real truth of the killing was never uncovered.What if the spring of 1986 claimed more than one victim?'A mesmerising amalgam of creepy folklore, festering secrets, dark truths and a damp and mouldering Scandinavian landscape rendered so dark and brooding that is becomes a principal player in this slow-burn, addictive tale' Lancashire Evening PostTrade ReviewEnthralling...De la Motte juxtaposes the horrors of war with age-old superstitions to superb effect -- Joan Smith * Sunday Times *Rites of Spring is an evocative exploration of an old mystery. Dr Thea Lind moves to the small community of Tornaby in southern Sweden and is drawn into the investigation of a murder long considered solved. Anders de la Motte crafts a powerful and enthralling tale that's capped by a twist that makes it all the more satisfying * Adam Hamdy *Rites of Spring is a classy slice of classic Scandi Noir with all the right ingredients - a rural community in which everyone harbours secrets, a murdered girl, a possible miscarriage of justice, and a creepy belief in ancient folklore - I literally couldn't read it fast enough! * Alison Belsham *A mesmerising amalgam of creepy folklore, festering secrets, dark truths and a damp and mouldering Scandinavian landscape rendered so dark and brooding that it becomes a principal player in this slow-burn, addictive tale * Lancashire Evening Post *

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Book SynopsisA chilling new case for Thora Gudmundsdottir, from Iceland''s answer to Stieg Larsson.When all contact is lost with two Icelanders working in a harsh and sparsely populated area on the northeast coast of Greenland, Thora is hired to investigate. Is there any connection with the woman who vanished from the site some months earlier? Why are the locals so hostile? And could one of the team staying at the site with Thora be responsible for the disappearances?Already an international bestseller, this fourth book to feature Thora Gudmundsdottir (''a delight'' - Guardian) is chilling, unsettling and compulsively readable.Trade ReviewYrsa is one of the most exciting new voices in the crime thriller world. -- Peter JamesHenning Mankell and Stieg Larsson have helped to make Scandinavian crime fiction a global phenomenon, but if you're looking for something a bit different try this Icelandic writer and her feisty lawyer heroine, Thora. * Mail on Sunday *A gripping thriller with enough mystery and horror to keep you sitting on the edge of your seat while you try to work out what happened. -- Peter RobinsonPut simply, it's terrifying. And brilliant. * Stylist *

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Book Synopsis***Longlisted for the CWA Crime in Translation Dagger 2023***"If there's an entry point into the work of the enduring, award-winning Italian writer Erri De Luca, then N.S. Thompson's excellent translation is surely it ... Thoughtful and wise about life and landscape, it's the most cerebral of whodunnits" Ben East, Observer Two men go walking in the Dolomites, but not together; one falls to his death, the other reports the body. Is it coincidence that they knew each other in earlier years, and that one had betrayed the other?Impossible is at once a game of cat-and-mouse in which the prisoner, a survivor of a left-wing cadre now long dispersed, holds his own. Nor is he crushed by his solitary confinement from which he communicates with his distant beloved. This novel is a brilliant hymn to the lure of the mountains, an engrossing illumination of political brotherhood, and also the subtlest of detective stories.Trade ReviewIf there's an entry point into the work of the enduring, award-winning Italian writer Erri De Luca, then N.S. Thompson's excellent translation is surely it . . . Thoughtful and wise about life and landscape, it's the most cerebral of whodunnits * Observer *A unique and remarkable novel * La Croix *The only true first-rate writer that the new millennium has given us so far * Corriere della Sera *

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Book SynopsisÁróra returns to Iceland when her estranged sister goes missing, and her search leads to places she could never have imagined. A chilling, tense thriller – FIRST in an addictive, nerve-shattering new series – from one of Iceland’s bestselling authors…‘Icelandic crime writing at its finest … immersive and unnerving’ Shari Lapena‘Best-selling Icelandic crime-writer Sigurðardóttir has built a formidable reputation with just four novels, but here she introduces a new protagonist who is set to cement her legacy’ Daily Mail‘Another bleak, unpredictable classic’ Metro**Winner: Best Icelandic Crime Novel of the Year**––––––––––––––Icelandic sisters Áróra and Ísafold live in different countries and aren‘t on speaking terms, but when their mother loses contact with Ísafold, Áróra reluctantly returns to Iceland to find her sister. But she soon realises that her sister isn’t avoiding her … she has disappeared, without trace. As she confronts Ísafold’s abusive, drug-dealing boyfriend Björn, and begins to probe her sister’s reclusive neighbours – who have their own reasons for staying out of sight – Áróra is led into an ever-darker web of intrigue and manipulation. Baffled by the conflicting details of her sister’s life, and blinded by the shiveringly bright midnight sun of the Icelandic summer, Áróra enlists the help of police officer Daníel, as she tries to track her sister’s movements, and begins to tail Björn – but she isn’t the only one watching…Slick, tense, atmospheric and superbly plotted, Cold as Hell marks the start of a riveting, addictive new series from one of Iceland’s bestselling crime writers.–––––––––––––––––‘Lilja Sigurðardóttir doesn’t write cookie-cutter crime novels. She is aware that “the fundamentals of existence are totally incomprehensible and chaotic”: anything can and does happen … Isn’t that what all crime writers should aim for?’ The Times‘The blinding midnight sun in Iceland’s summer is beautifully evoked as Áróra establishes herself as a heroine to move the heart’ Daily Mail‘Lilja is a standout voice in Icelandic Noir, and this book does not disappoint … Cold as Hell is her best yet’ James Oswald ‘Domestic abuse, high-finance hanky-panky, and illegal immigration all figure in this arresting series launch … sure to please Scandi noir fans’ Publishers Weekly ‘What sets Lilja’s work apart is her ability to thread dark atmospheric tension throughout her writing and to keep the tale so taut … a slick, refreshing, glacial blast of a thriller’ LoveReading‘So atmospheric’ Crime Monthly‘Intricate, enthralling and very moving – a wonderful crime novel’ William Ryan‘Three things we love about Cold as Hell: Iceland’s unrelenting midnight sun; the gritty Nordic murder mystery; the peculiar and bewitching characters’ Apple Books‘Lilja Sigurðardóttir just gets better and better … Áróra is a wonderful character: unique, passionate, unpredictable and very real’ Michael RidpathPraise for Lilja Sigurðardóttir'Smart writing with a strongly beating heart' Big Issue'Tough, uncompromising and unsettling' Val McDermid'Tense and pacey' Guardian'Deftly plotted' Financial Times‘An emotional suspense rollercoaster on a par with The Firm, as desperate, resourceful, profoundly lovable characters scheme against impossible odds’ Alexandra Sokoloff'Tense, edgy and delivering more than a few unexpected twists and turns' Sunday Times‘The intricate plot is breathtakingly original, with many twists and turns you never see coming. Thriller of the year’ New York Journal of Books'Taut, gritty and thoroughly absorbing' Booklist'A stunning addition to the icy-cold crime genre' Foreword Reviews For fans of Katrine Engberg, Eva Bjorg Aegisdottir, Arne Dahl and Sarah Vaughan

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Book SynopsisThe electrifying new novel from the sensational bestselling winners of the International Booker Prize and ''one of the boldest writers alive today'' (Max Porter).It's been a long time since a book has destroyed me like this.'' Max Porter''Obsessed me from the first line.'' Daisy Johnson''I''m in awe.'' Brandon TaylorWINNER OF THE JAMES TAIT BLACK PRIZE FOR FICTION 2024In the tempestuous summer of 2005, a local veterinarian becomes enraptured by a 14-year-old farmer's daughter his favourite' as he tends her father's cows. This deeply troubled soul is our narrator: a man who believes he offers the object of his love a tantalizing path out of the constrictions of her conservative rural life, a chance to escape to a world of fantasy. But the obsessive reliance he cultivates builds into a terrifying trap, with a crime and confession at the heart of it that threatens to rip their small community apart.''Mesmerising . . . A singular, deeply discomforting talent.' Financial Times''An extraordinary literary achievement.' Daily Telegraph *****I was floored by this novel . . . Unholy brilliance.' Observer''A unique creation and a tour de force of transgressive imagination.' Guardian (Book of the Day)

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Book SynopsisA literary sensation from its first publication, The Master and Margarita is considered a masterpiece of twentieth-century Russian literature. Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated by Diana Burgin and Katherine Tiernan O’Connor, and features an introduction by Orlando Figes.In Mikhail Bulgakov's imaginative extravaganza, Satan, disguised as a magician, descends upon Moscow in the 1930s with his riotous band, which includes a talking cat and an expert assassin. This visit has several aims, one of which concerns the fate of the Master, an author who has written a novel about Pontius Pilate and is now in a mental hospital. By turns satiric, fantastic and ironically philosophical, The Master and Margarita constantly surprises and entertains as the action switches back and forth between twentieth-century Moscow and first-century Jerusalem.Trade ReviewFunny and frightening * London Review of Books *Incandescent . . . One of those novels that, even in translation, make you feel that not one word could have been written differently . . . It has too many achievements to list, but the way it keeps faith in love and art even in moments of unspeakable humiliation and cruelty must be the greatest * New York Times *It had everything: Satan and a wise-cracking cat, Jesus as a wise simpleton, doomed love, hints of sex, blasphemy -- Jonathan Grimwood * Independent *I read it as a book about how to go on living when your spirit is broken -- Viv Groskop * Guardian *

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Book Synopsis A SPELLBINDINGLY CREEPY COLLECTION OF SHORT STORIES, FROM AN ARGENTINIAN LITERARY STAR 'The Grimm brothers and Franz Kafka pay a visit to Argentina in Samanta Schweblin's darkly humorous tales.' J.M. Coetzee Spine-tingling and unexpected, unearthly and strange, the stories of Mouthful of Birds are impossible to forget. The crunch of a bird's wing. A cloud of butterflies, so beautiful it smothers. A crimson flash of blood across an artist's canvas. Samanta Schweblin's writing expertly blurs the line between the surreal and the everyday, pulling the reader into a world that is at once nightmarish and beautiful. An exhilarating tour de force guaranteed to leave the pulse racing. 'This is our world, and sharp-focused, but stripped of its usual meanings... Brutal violence is twisted into horrific, intensely experienced art.' Guardian *Longlisted for the Man Booker International Prize, 2019* Trade Review'Spritely and uncanny, this is a beautifully imagined and skilfully executed collection of stories.' International Booker Prize judges‘Delving into the cryptic depths of the human psyche, this is a highly imaginative and thought-provoking collection, deftly translated by Megan McDowell.’ Observer'In this slim and superb book, Schweblin takes on the desire to love, to parent, and to care for one's own body - hardly extraordinary themes - and invests them with a fresh poignancy.' Vogue'Impressive... Schweblin is among the most acclaimed Spanish-language writers of her generation.' New York Times‘Schweblin's Man Booker-shortlisted novel Fever Dream was unsettling and uncanny and these 20 brilliant stories, translated by Megan McDowell, are just as fabulous... an eerie blend of the supernatural and the all too real.’ Daily Mail‘Starting a story by the Argentinian Samanta Schweblin is like tumbling into a dark hole with no idea where you'll end up.’ Chris Power, The Sunday Times‘[Schweblin's] particular genius lies in the fact that there’s something inherently savage and ungovernable about her work.' Financial Times ‘At once fantastically out there and real to the point of being haunting.’ Vanity Fair‘The author of the magnetic, scalp-prickling Fever Dream returns with stories as gothic and incantatory as a telltale heart- virtuoso fiction from Argentina's own Edgar Allan Poe.’ O, the Oprah Magazine‘So strange and beautiful.’ Tommy Orange, author of There There‘These wild, unsettling, absurdist tales cement her status as a penetrating voice in modern fiction.’ New Statesman‘Samanta Schweblin’s strange, haunting and stunningly beautiful collection of short stories… Many of these stories got under my skin and lingered with me long after I’d put the book down.’ Jan Carson, author of The Fire Starters‘These are fictions of indisputable power, presenting modern life as a farcical horror show in which our limitations and destructive appetites have made us ugly, ridiculous and doomed.’ Daily Telegraph‘Schweblin's imagination seemingly knows no bounds.’ Refinery29

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Book SynopsisPenguin''s commemorative hardback reissue of One Hundred Years of Solitude by late Nobel laureate and author Gabriel García Márquez is a timeless classic and the perfect Christmas gift for any booklover.Gabriel García Márquez has been one of the undisputed literary giants of the past century; his stories are vivid, energetic, tender and unforgettable; they have touched the lives of readers across the globe and earned him countless awards including the Nobel Prize for Literature.In the wake of the author''s death, his most beloved novel is reissued in commemorative hardback edition. One Hundred Years of Solitude is endlessly fascinating, an intricately patterned work of fiction and a joyful, irrepressible celebration of humanity. Vibrantly colourful and teeming with life, this timeless tale blends the natural with the supernatural in one of the most magical reading experiences on earth.''Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice.''Gabriel Garcia Marquez''s great masterpiece is the story of seven generations of the Buendia family and of Macondo, the town they have built. Though little more than a settlement surrounded by mountains, Macondo has its wars and disasters, even its wonders and its miracles. A microcosm of Columbian life, its secrets lie hidden, encoded in a book, and only Aureliano Buendia can fathom its mysteries and reveal its shrouded destiny. Blending political reality with magic realism, fantasy and comic invention, One Hundred Years of Solitude is one of the most daringly original works of the twentieth century.''Dazzling'' The New York TimesTrade ReviewThe book that sort of saved my life -- Emma ThompsonThe greatest novel in any language of the last 50 years -- Salman RushdieShould be required reading for the entire human race * New York Times *

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Book SynopsisAmidst the seedy hotels and deserted campsites of the Costa Brava, someone has gone missing.A detective sets out to find them. They search among the hapless girls, failed poets, and shifty policemen that populate this dream world but every door opens onto a nightmare.An experimental novella, spliced together in vignettes, Antwerp is Roberto Bolaño's first work of fiction. A personal declaration of the power of literature, to read it is to be present at the big bang' of Bolaño's enterprise into prose, to see the beginning, to witness the moment when his talent explodes.TRANSLATED BY NATASHA WIMMER''A fascinating, even compulsory addition to the Bolaño fan's bookshelf'' Daily TelegraphBolaño set a new speed limit for literature. He simply wrote past other authors... His books are volcanic, perilous, charged with infectious erotic energy and demonic lucidity' Benjamín Labatut, author of The Maniac

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Book SynopsisWelcome to 1990s Norway. White picket fences run in neat rows and Christian conservatism runs deep. But as the Artist considers her past, her practice and her hatred, things start stirring themselves up around her. In a corner of Oslo a coven of witches begin cooking up some curses. A time-travelling Edvard Munch arrives in town to join a death metal band, closely pursued by the teenaged subject of his painting Puberty, who has murder on her mind. Meanwhile, out deep in the forest, a group of school girls get very lost and things get very strange. And awful things happen in aspic.Jenny Hval's latest novel is a radical fusion of feminist theory and experimental horror, and a unique treatise on magic, writing and art.Trade Review"Hval's curiosity is more than simple pleasure in perversity: It's meant to defile the idea of women's bodies as pristine and plush . and reshape it into something more dreadfully real. Maybe more revolutionary than that transfiguration is her disemboweling of desire itself, unraveling it to its fearsome, primal state, and exploring the strangeness of how sexuality can alienate one from oneself; how feelings of mistrust come about when desire is new, queer and unreliable." * NPR *"Strange and lyrical . Hval's writing is surreal and rich with the grotesque banalities of human existence." * Publishers Weekly *"The themes of alienation, queerness, and the unsettling nature of desire align Hval with modern mainstays like Chris Kraus, Ottessa Moshfegh, and Maggie Nelson."-Pitchfork * Pitchfork *"Hval's surreal debut riffs on the same layered intricacies as her music, transcending simple categorisation to create a dreamy landscape both separate and a part of what we recognise as reality." * Stinging Fly *"With the release of the newly translated Paradise Rot, we can experience her artistic evolution beyond the shape of a timeline, as a series of challenging examinations melting and bending in on themselves . Listening to-or now reading-her work feels like getting jettisoned into an underwater reality that fantastically mirrors our own. It would be entirely terrifying, if exploring it weren't so much fun." * The Nation *A sensual, putrid reimagining of the original sin that explores the dynamics between two young women . [a] striking debut novel . To read Paradise Rot is to inhabit one of Hval's eerie, theory-conscious soundscapes. As in a dream, the closeness of this world to our own and its simultaneous uncanny otherness, awash with potent symbolism, leaves us looking at everything anew. It took nine years to be translated into English; I only hope we needn't wait so long for the two other books, already published in Norwegian, from this talented polymath. * Financial Times *"All I can say is with no electricity I read Paradise Rot by Jenny Hval in the dark tonight by flashlight, in one go. It will not let go of you. A surreal *and* realist gem of sensation and detail and character. Beautiful and boldly written" * Jeff VanderMeer, author of Annihilation *Astute * Kirkus Reviews *[Girls Against God] is part fever dream, part manifesto, and part nostalgic reminiscing, with a hefty dose of feminist and queer theory for good measure. ... Chaotic yet ordered, Hval dives deeply into the process of self-discovery. [Her] language is visceral and haunting, corporal and carnal. -- Carolyn Ciesla * Booklist *This genre-bending novel from a self-described gloomy child queen blends feminism and the occult with a touch of time travel. -- Joshunda Sanders * Boston Globe *[An] incendiary genre-bending novel. ... Throughout, Hval employs a dirge-like repetition of themes (feminist rage prominent among them), which enlivens her witchy visions and sets the stage for a reincarnated Edvard Munch, on the run from the vengeful subject of his painting Puberty. Hval's fascinating exploration is not for the faint of heart, but those who like it dark will find this right up their alley. * Publishers Weekly *The atmosphere of Girls against God is on its surface bleak and unforgiving and yet beneath that impression there is a second story about the strength and solidarity of despised women. -- David Renton * Morning Star *[In] Girls Against God, Hval plunges up to her elbows in the thick, black, chthonic goo of rebellion and angst, through the quintessentially Scandinavian medium of black metal. The black-metal scene has historically been extremely sexist, but Hval reclaims it for the hateful, nihilistic teenage girls of the world with a decades-spanning tale of cinematic terrorism, political witchcraft, and satanic noise. * The A.V. Club (5 new books to read in October) *What begins with dressing as a goth and cursing at school morphs into witches' covens and fantastic demonic, cannibalistic banquets. Along the way Hval segues into the role of language (Norwegian, but also English) as a tool of both suppression and liberation, and the role of digital technology in the same. -- ArtReview * Mark Rappolt *Hval is one of the few musicians to branch out into the world of literary fiction. For Hval, it is a sideline that makes total sense, working as an extension of her atmospheric sound and descriptive, inquisitive lyrics. -- Leonie Cooper * Guardian *It is Hval's unflinching attitude to mixing genres that has brought both her essays and her bewitching, otherworldly music to critical acclaim...Hval is best in her moments of dark humour and in her writing on femininity. -- Baya Simons * Financial Times *Ambitious...[Girls Against God] has much of interest to say about the loneliness and pleasure of adolescent blasphemy, with totems of patriarchal Norwegian authority such as Knut Hamsun, Henrik Ibsen, Edvard Munch, and the Lutheran church singled out in the narrator's crosshairs. -- George MacBeth * Asymptote Journal *Anti-bourgeois and feminist, soaked in conviction and rage. -- Cal Revely-Calder * Telegraph *Strange and seductive and challenging and, at times, very funny ... a reminder that musician-turned-author Hval, is one of the most intriguing, provocative artists around at the moment. -- Teddy Jamieson * Herald *Girls Against God covers every angsty young woman's favourite subjects. Witchcraft, heavy metal, viscera, and hatred. It's a book in the grand tradition of Kathy Acker and women surrealists everywhere, dancing through space and time into different dimensions. -- India Lewis * The Arts Desk *An excellent, bewitching read. Jenny Hval's musical ability makes her a natural novelist - her writing often feeling like a blend of lyrics and essays. Girls Against God is a terrifying, striking fusion of the occult and female repression. -- Laura Mehers * Indiependent *In Girls Against God, Hval challenges the form and conventions of the novel once again: a vivid, seething voice narrates a series of apocalyptic events cut together with food fights, black metal shows, black magic, and surreal, witchy rituals. -- Alexandra Kleeman * Lit Hub *Hval, who is known for using body imagery to express political ideas about art, depicts cultish rituals to subvert what she sees as "the restrictive framework of our daily lives." * New Yorker *Girls Against God is compelling, surprising, and frequently inspiring. ... laced throughout with powerful urban imagery and striking turns of phrase. -- Andrea Tallarita * PopMatters *Truly transgressive -- Terri-Jane Dow * Severine *[Girls Against God] is a must-read for anyone looking for a mystifying, genre-bending read. -- Hannah May-Powers * The Tulane Hullabaloo *Riveting ... Like the French philosopher Luce Irigaray, [Hval] explores ideas of what a feminist or radical language would sound like. -- Sukhdev Sandhu * Guardian *Hval is steeped in the traditions of autofiction and the theoretical novel. ... The plot aspires toward an "escape route from structure and rhetoric," and makes room for thrilling observations on art, magic, and rebirth. -- Jenn Pelly * Pitchfork (Favourite Music Books of 2020) *If Girls Against God were an artwork, it would be a Munch - raw, dark and seething. -- Chloë Ashby * Times Literary Supplement *Readers drawn to more experimental literature will feel strangely at home in Jenny Hval's novel. For all of Girls Against God's baffling imagery and cryptic dialogue, the narrator registers as an individual longing for an existence outside the binary of light and dark, good and evil; a voice oppressed by a lifetime of being told it must be saved because it is lost, one that sees in the archetype of the witch not a heretic or a deviant but something more elemental: someone who is free. -- Zack Ravas * Zyzzyva *[Hval] pries into black metal's past to present an alternative, radical, and genuinely liberating trajectory for black metal to exist as a dissident art form. -- William Peel * Overland *Hval's writing embraces finding new ways to express thought patterns, experiences, and stories-and encourages people to let go of logic rather than look for the familiar markers of institutionally accepted creative writing. -- Nathania Gilson * Hazlitt *To say that Jenny Hval has an impressive creative range is an understatement ... Girls Against God is ambitious, with a plot that blends time travel, black metal, witchcraft, and film theory. -- Tobias Carroll * Tor *

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Book Synopsis ** Sunday Times Crime Book of the Month **The exhilarating new Inspector Adamsberg novel from France's multi-million-copy bestselling crime fiction star**A NEW STATESMAN BOOK OF THE YEAR 2020**'Adamsberg is one of my favourite detectives... I so enjoyed This Poison Will Remain' ANN CLEEVESAfter three elderly men are bitten by spiders, everyone assumes that their deaths are tragic accidents. But at police headquarters in Paris, Inspector Adamsberg begins to suspect that the case is far more complex than first appears.It isn't long before Adamsberg is investigating a series of rumours and allegations that take him to the south of France. Decades ago, at La Miséricorde orphanage, shocking events took place involving the same species of spider: the recluse.For Adamsberg, these haunting crimes hold the key to proving that the three men were targeted by an ingenious serial killer. His team, however, is not convinced. He must put his reputation on the line to trace the murderer before the death toll rises..._______________________PRAISE FOR THIS POISON WILL REMAIN:'Absorbing... Full of twists and spiced with Vargas's characteristic wit and style' PETER ROBINSON'Vargas is an addictive writer whose surreal touches create a curiously solid world' INDEPENDENT'Vargas's books are...cunning, corkscrew murder mysteries' A.J. FINNTrade ReviewThrilling… Breathtakingly original… A wildly inventive plot that puts Vargas’s real-life expertise (she is an archaeologist) to brilliant use * Sunday Times, Crime Book of the Month *I so enjoyed This Poison Will Remain, real vintage Vargas: playful, thought-provoking, a total delight. And beautifully translated. Adamsberg is one of my favourite detectives -- ANN CLEEVES, author of the Shetland seriesIn This Poison Will Remain, Fred Vargas has delivered an absorbing plot full of twists and spiced with her characteristic wit and style. Adamsberg is a terrific creation and his team of misfits a joy to watch in action -- PETER ROBINSON, author of the DCI Banks seriesFred Vargas’s books are murder mysteries, yes – cunning, corkscrew murder mysteries – but so much else besides: delicate comedies, engrossing tours of French geography and history, fascinating excursions into folklore and myth -- A.J. FINN, author of The Woman in the WindowVargas has as loving and sharp an eye for provincial French eccentrics as Simenon... Vargas is an addictive writer whose surreal touches create a curiously solid world * Independent *

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Book SynopsisWITH AN INTRODUCTION BY ADAM THIRLWELL''Our very best writer today'' Milan KunderaSparkling with comic genius and narrative exuberance, I Served the King of England is a story of how the unbelievable came true. Its remarkable hero, Ditie, is a hotel waiter who rises to become a millionaire and then loses it all again against the backdrop of events in Prague from the German invasion to the victory of Communism. Ditie''s fantastic journey intertwines the political and the personal in a narrative that both enlightens and entertains.Trade ReviewThe fantasising and storytelling deliver a body blow of total irreverence to the solemn mythopoeia of monumental historiography * Times Literary Supplement *Hrabal bounces and floats. His mode is a sort of dancing realism, somewhere between fairytale and satire.He is a most sophisticated novelist, with a gusting humour and a hushed tenderness of detail. We should read him -- Julian BarnesWell worth reading * The Book Magazine *A master of rueful comedy and tender eroticism, Hrabal was, for all his eccentricity, a major figure in 20th-century world literature. -- Jonathan Coe

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Book Synopsis'[A] page-turner of a novel . . . I couldn't put the book down' - New York Times'A multi-viewpoint panorama of thwarted aspirations, spiced with breathy sex scenes and nostalgic detail.' - Mail on SundayAugust 1992. Fourteen-year-old Anthony and his cousin decide to steal a canoe to fight their all-consuming boredom on a lazy summer afternoon. Their simple act of defiance will lead to Anthony's first love and his first real summer - that one summer that comes to define everything that follows.Over four sultry summers in the 1990s, Anthony and his friends grow up in a France trapped between nostalgia and decline, decency and rage, desperate to escape their small town, the scarred countryside and grey council estates, in search of a more hopeful future.Nicolas Mathieu's eloquent novel gives a pitch-perfect depiction of teenage angst. Winner of the Prix Goncourt, it won praise for its portrayal of people living on the margins and shines a light on the struggles of French society today.'Deeply felt . . . An exceptional portrait of youth' - Irish TimesTrade ReviewNicolas Mathieu's Goncourt-winning And Their Children After Them, translated by William Rodarmor, winningly wove people, place and time into a lyrical, almost-Lawrentian saga of left-behind France. -- Boyd Tonkin, Spectator, Books of the Year[A] page-turner of a novel . . . I couldn't put the book down * New York Times Book Review *Mathieu won France's prestigious Goncourt prize for this absorbing Nineties narrative set in a French valley community left stranded by the decline of industry . . . a multi-viewpoint panorama of thwarted aspirations, spiced with breathy sex scenes and nostalgic detail * Mail on Sunday *And Their Children After Them . . . finds space too for beauty, for tenderness, for hope . . . you might think of a Ken Loach movie with a soundtrack by Bruce Springsteen . . . an elegiac anthem * Financial Times *The plot, involving drug dealing and simmering violence . . . keeps you turning the pages * Sunday Times *A deeply felt novel, filled with characters that demand the empathy of the reader . . . There are no villains in the book, but there is a deep sense of humanity in all its flaws. It's easy to see why And Their Children After Them won so many awards in its native France. It's an exceptional portrait of youth, ennui and class divide. -- John Boyne * Irish Times *Mathieu captures the vulnerability and awkwardness of adolescence with painful acuity . . . A gritty, expansive coming-of-age novel filled with sex and violence that manages to be tender, even wryly hopeful * Kirkus Reviews *Mathieu's stunning, bittersweet Prix Goncourt-winning English debut . . . will enrapture readers and appeal to fans of Édouard Louis. * Publishers Weekly *Described by this paper's reviewer as "a Ken Loach movie with a soundtrack by Bruce Springsteen", this haunting Prix Goncourt-winning novel is set in a post-industrial town in Lorraine, where the long decommissioned steel mill continues to loom over the inner lives of a younger generation heading falteringly towards adulthood. * Financial Times, Summer Reads *'A masterly, far-reaching exploration of a de-industrialized country which "treated its families like a minor footnote to society . . . And Their Children After Them invites comparison with the great naturalist and realist writers of the French nineteenth century. * TLS *We've probably all read books and seen movies depicting Paris as the elegant and luxurious City of Light, but for a more nuanced study of the French capital, I would recommend Nicolas Mathieu's And Their Children After Them * The Gloss *

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Book SynopsisA Dog''s Heart: An Appalling Story is Mikhail Bulgakov''s hilarious satire on Communist hypocrisies. This Penguin Classics edition is translated with notes by Andrew Bromfield, and includes an introduction by James Meek.In this surreal work by the author of The Master and Margarita, wealthy Moscow surgeon Filip Preobrazhensky implants the pituitary gland and testicles of a drunken petty criminal into the body of a stray dog named Sharik. As the dog slowly transforms into a man, and the man into a slovenly, lecherous government official, the doctor''s life descends into chaos. A scathing indictment of the New Soviet Man, A Dog''s Heart was immediately banned by the Soviet government when it was first published in 1925: alternating lucid realism with pulse-raising drama, the novel captures perfectly the atmosphere of its rapidly changing times.Andrew Bromfield''s vibrant translation is accompanied by an introduction by James Meek, which places the work in the context of the Russian class struggles of the era and considers the vision, progressive style and lasting relevance of an author who was isolated and suppressed during his lifetime. This edition also contains notes and a chronology.Mikhail Bulgakov (1891-1940) was born in Kiev, today the capital of Ukraine. After finishing high school, Bulgakov entered the Medical School of Kiev University, graduating in 1916. He wrote about his experiences as a doctor in his early works Notes on Cuffs and Notes of a Young Country Doctor. His later works treated the subject of the artist and the tyrant under the guise of historical characters, but The Master and Margarita is generally considered his masterpiece. Fame, at home and abroad, was not to come until a quarter of a century after his death at Moscow in 1940.If you enjoyed A Dog''s Heart, you might like Bulgakov''s The Master and Margarita, also available in Penguin Classics. ''One of the greatest of modern Russian writers, perhaps the greatest'' Nigel Jones, Independent

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Book SynopsisThe tales collected in The Nose and Other Stories are among the greatest achievements of world literature. They showcase Nikolai Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own.Trade Review[A] first-rate collection . . . Admirers of Gogol and his odd sensibilities will devour this excellent gathering. * Kirkus Reviews, Starred Review *While they deal in subjects including witchcraft, demonic influence, and madness, Gogol’s stories are as humorous as they are bizarre . . . The Nose and Other Stories is filled with ill-fated characters, strange happenings, and satirical commentary. * Foreword Reviews *Since much of Gogol’s humor depends on linguistic play, he has proven resistant to adequate translation. . . Fusso’s ear for humor makes all the difference. * New York Review of Books *Crazy, colorful, delightful, and sad, Gogol’s short stories are among the great gems of Russian literature. Susanne Fusso’s scholarly and stylish new translations bring them alive once again and make this selection a pleasure to read. -- David Bellos, author of Is That a Fish in Your Ear?: Translation and the Meaning of EverythingThe first major English translation of Gogol’s stories in more than twenty years, The Nose and Other Stories captures his humor and complexity brilliantly. This volume will prove to be a great read for students and Russian literature enthusiasts alike. -- Bruce Holl, Trinity University[A] really wonderful collection of Gogol’s writings, and essential for any lover of his work. * Kaggsy's Bookish Ramblings *An erudite, modern translation of [Gogol’s] work that shows clearly how this strange writer became a defining influence on Russian literature and beyond. * Paperback Paris *In a move that preserves a sense of foreignness in the English translation, Fusso employs something closer to a literal translation than the more idiomatic one used by Richard Pevear and Larissa Volokhonsky in their 2011 rendering of Gogol’s stories. Fusso maintains the pacing and eeriness of Gogol’s narrative flow while also stretching out some of the language . . . Such choices in translation create a subtle nod to the linguistic distance Russian readers would have experienced reading Gogol’s prose. * The Nation *Susanne Fusso does excellent work making the Russian-to-English prose accessible, readable, and unfussily poetic. * Jason Half's Blog *[Fusso's] translation captures all of Gogol’s magic. * Evilcyclist's Bookshelf *Table of ContentsAcknowledgmentsIntroduction, by Susanne FussoNotes on the TranslationTable of Ranks1. The Lost Letter2. Viy3. The Portrait (1835 version)4. Nevsky Avenue5. Diary of a Madman6. The Carriage7. The Nose8. Rome (A Fragment)9. The OvercoatNotes

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Book SynopsisTHE PRIZE-WINNING SATIRICAL BESTSELLER - MORE THAN 500,000 COPIES SOLD WORLDWIDETrade ReviewFirst-class satire . . .The Capital delivers, within a brilliant satirical fiction, thoughtful and instructive analysis of both the weaknesses in the EU that galvanise leavers and the strengths that motivate remainers. -- Mark Lawson * Guardian *A traditional novel, broadshouldered, omniscient, almost Balzac-ian, but with terrorism part of a plot centeredsatirically around an all-too-plausible Brussels idea. -- Steven Erlanger * New York Times *The Capital is a mischievous yet profound story about storytelling; about the art of shaping a narrative by finding resonances in the messy stuff of life . . . [An] unexpectedly delightful book about Brussels. * Economist *Menasse has a finely tuned satirical ear that easily criss-crosses borders . . . an intelligently written, pacy novel whose wide-ranging narratives ensure the momentum never wavers . . . Robert Menasse has produced an extraordinary piece of work -- Charlie Connelly * New European *A thoroughly entertaining fiction that serves both as a sort of campus satire and a novel of ideas . . . Menasse packs his Brussels with sharply-etched types . . . With its zest, pace and wit, Jamie Bulloch's translation serves him splendidly. -- Boyd Tonkin * Spectator *A deliciously vicious - and timely - satire about the E.U. and the meaning of Europe today -- Frederick Studemann * Financial Times *[An] ambitious panorama that arrives amid the throes of Brexit and the Chinese Year of the Pig. Intelligent, fun, sad, insightful - an exceptional work. * Kirkus Reviews *An elegantly written, brilliantly constructed novel, full of discussion points and ideas -- Andreas Isenschmid * Die Zeit *A sharply observed, witty novel, a character comedy . . . the best novel about European bureaucracy you'll read . . . a brave and funny book -- Charlie Connelly * New European Best Books of 2019 *A brutally funny and exhaustive tableau of both a continent in transition and the organisation straining to hold it together . . . a teeming epic -- Andrew R. Chow * Time Magazine *Rumbustious . . . deliciously witty -- Paul Connolly * Metro *The Capital could hardly be more topical . . . It is about Europe reconnecting with its ideals via a tragic past . . . It's a smart read, unlike anything being written in Britain today. -- David Herman * Jewish Chronicle *Robert Menasse's polyphonic EU satire juggles a multitude of wryly amusing storylines. -- Siobhan Murphy * The Times *This is above all the polyphonic novel in excelsis . . . I want to read much more from this major European writer -- David Nice * Arts Desk *Witty but humane. . . . The massive cast never becomes unwieldy thanks to Menasse's delightful prose. This epic, droll account of contemporary Europe will be catnip for fans of mosaic novels and comical political machinations. * Publishers Weekly (*****) *I enjoyed The Capital so much . . . A major book about coincidences, of linked and overlapping meanings . . . This is a deeply humane novel, a novel for adults. -- Dwight Garner * The New York Times *Menasse assembles his cast from the different member states . . . but he gives their inner lives a complexity that belies the satirical shorthand of simple labels . . . brilliantly comic . . . An important and timely book. -- Michael Cronin * Irish Times *A gripping novel with an urgent political purpose -- Fintan O'Toole * New York Review of Books *

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Book SynopsisSamuel Bjork (Author) Samuel Bjork is the pen name of Norwegian novelist, playwright and singer/songwriter Frode Sander Øien. The Munch and Krüger series features five books: the Richard & Judy Bookclub bestseller I'm Travelling Alone, The Owl Always Hunts At Night, The Boy in the Headlights, The Wolf and Dead Island.Charlotte Barslund (Translator) Charlotte Barslund translates Scandinavian novels and plays. Her recent work includes Calling Out For You by Karin Fossum, Machine by Peter Adolphsen and The Pelican by August Strindberg.

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Book SynopsisLonglisted for The Millions Best Translated Book Awards for FictionLonglisted for the National Book Award for Translated LiteratureFour siblings. Two summer houses. One terrible secret. When a dispute over her parents' will grows bitter, Bergljot is drawn back into the orbit of the family she fled twenty years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favouritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different-a final attempt to suppress the truth and a cruel insult to the grievously injured.Will and Testament is a lyrical meditation on trauma and memory, as well as a furious account of a woman's struggle to survive and be believed. Vigdis Hjorth's novel became a controversial literary sensation in Norway and has been translated into twenty languages.Trade ReviewHjorth parcels out the secrets with a precision worthy of Ibsen, so that the level of suspense is maintained up to the very last of the 343 pages. * Aftenposten *Vigdis Hjorth's new novel is furious and wise, trembling and stringent. Wills and Testaments examines who owns the past. This is the novel in weaponised form. * NRK *This was a novel that people could enjoy either as high literature or as a work of down-and-dirty revenge. The tabloids loved it as much as the broadsheets, and it became the bestselling novel of the year. * The Guardian *Its strong emotional truths take hold of you immediately - even before the family secret's consequences are made apparent: I dogeared page after page to mark off insights, movements, formulations. * Dagens Nyheter *The strength of the novel lies in Bergljot's convincing and continuing vulnerability, in her mixed feelings and her flaws . A clear-eyed and convincing story of a family's doomed attempt to reconcile and the limits of forgiveness. * Kirkus *Vigdis Hjorth is one of my favorite contemporary writers. -- Sheila Heti, author of Motherhood and How Should a Person Be?In a ruthless yet patiently delivered work, Hjorth does something that few writers achieve: Will and Testamentis both economical and overwhelming. -- Elsa Court * Financial Times *Devastating -- FriezeWill and Testament is a compulsively readable novel, one that turns questions of shame into weapons against silence. * Paris Review *Hjorth's thoughtful, drily funny, and often devastating novel will leave a deep and lasting impression on readers. * Publishers Weekly *Will and Testament is a reminder that it's easier to hide darkness than face it ... Hjorth argues cogently that conflicts and atrocities often stem from what a nation represses or denies. * Observer *Compelling ... Hjorth proves brilliant at revealing the stubborn, unredemptive quality of childhood suffering. -- Lara Feigel * Guardian *Even in the depths of family trauma, the scent of the forest, sea and meadow may still drift over the troubled cities and suburbs of Norwegian fiction. That forest may be a real place. It may also, as in Will and Testament, be a longed-for state of mind. -- Boyd Tonkin * Norwegian Arts *Hypnotic -- John Williams * New York Times Book Review *A powerfully humane novel about inheritance, trauma and the inheritance of trauma * Times Literary Supplement *Precise, contemplative, and deeply moving, it's a masterful unpacking of the tensions, secrets, and bonds that hold a family together. -- Hannah Williams * Los Angeles Review of Books *An extraordinary storyteller * LA Review of Books *Readers pining for a dose of brooding Norwegian writing in the style of Karl Ove Knausgaard may be drawn to this account of a woman's struggle to achieve reconciliation with a family that refuses to recognise she was the victim of abuse at the hands of her own father -- Ángel Gurría-Quintana * Financial Times *One of the year's gems in translation was Will and Testament by Vigdis Hjorth, translated by Charlotte Barslund. A story of abuse, inheritance and the battle for the truth among a privileged Norwegian family, it grips like a vice while interrogating national as well as individual self-conception. * Guardian, Best Fiction of 2019 *Published to a storm of controversy in Vigdis Hjorth's native Norway in 2016, Will and Testament arrived in English this year. The novel is a meticulously paced account of a property dispute that bleeds poisonously back into the history of the narrator and the family members whose squabbling over a cabin comes to seem darkly absurd compared with the trauma she has suffered. -- Megan Nolan * New Statesman, Books of the year 2019 *Unsettling, beautifully constructed * Observer *Unspooling in a splenetic torrent of raw emotional intensity, [Will and Testament] speaks to wider issues of collective traumas that societies refuse to confront. * Morning Star *Add Vigdis Hjorth to the growing list of writers of significant autofiction, reality literature whose characters depend on recognizable people and actual situations. Like Karl Ove Knausgaard's monumental six volumes of the autobiographically inspired My Struggle and Elena Ferrante's indelible four-volume Neapolitan series (beginning with My Brilliant Friend), Hjorth's Will and Testament brilliantly examines the troubled life occasioned by recovered memories of a traumatic personal event. -- Robert Allen Papinchak * World Literature Today *A curious and very good short novel. -- Laura Waddell * Scotsman *

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Book SynopsisHåkan Nesser, 'the Godfather of Swedish Crime' (Metro), is back with the second installment in the Inspector Barbarotti series, The Root of Evil.*Shortlisted for the Crime Writers' Association's International Dagger*July 2007. A letter arrives on Inspector Barbarotti’s doorstep detailing a murder that is about to take place in his quiet Swedish town. By the time the police track down the subject of the letter, he is already dead. So when a second letter arrives, then a third, and a fourth, it’s a game of cat and mouse to stop the killer before he can make good on all of his promises. Meanwhile, an anonymous diary is unearthed depicting the incidents of a two week holiday in France five years earlier, and it doesn’t take Barbarotti long to realize the people populating the diary are the ones whose lives are now in the balance . . .Continue the thrilling investigative series with The Secret Life of Mr Roos.'One of the best of the Nordic Noir writers' - GuardianTrade ReviewThe godfather of Swedish crime * Metro *Told with wry humour and compassion, Nesser has four more Barbarotti stories to come — cherish them all -- Daily Mail on The Darkest DayA master of suspense * Sunday Times *In an exemplary translation by Sarah Death, this tangled tale of guilt and betrayal whets the appetite for translations of the other Barbarotti novels -- Financial Times on The Darkest DayOne of the best of the Nordic Noir writers * Guardian *One of Sweden's best crime writers * Mail on Sunday *Barbarotti has to disentangle years of bad blood and resentment to get to the heart of a thrillingly complex case * Sunday Times (on The Darkest Day) *

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Book SynopsisA fifteen-year-old girl and her father, Johannes, take a cruise to Greece on the SS Proleterka. Jaeggy recounts the girl's youth in her distinctively strange, telescopic prose: the remarried mother, cold and unconcerned; the father who was allowed only rare visits with the child; the years spent stashed away with relatives or at boarding school. For the girl and her father, their time on the ship becomes their `last and first chance to be together.' On board, she becomes the object of the sailors' affection, receiving a violent, carnal education. Mesmerised by the desire to be experienced, she crisply narrates her trysts as well as her near-total neglect of her father.Proleterka is a ferocious study of distance, diffidence and `insomniac resentment.'Trade Review`"Incorruptible crystal" is an apt description of Jaeggy's style. Her sentences are hard and compact, more gem than flesh. Images appear as flashes, discontinuous, arresting, then gone . . . this feels appropriate for a writer who is a "stranger" and an "enemy" to the familial.' Sheila Heti, The New Yorker ---- `Jaeggy's works are a translator's dream: short, lucid and complex. Her distinctive vocabulary and syntax move elegantly and it would seem effortlessly into the English language.' Margaret Drabble, The New Statesman ---- `. . . an elegantly structured and stubbornly moving study of innocence destroyed and love denied. Very accomplished indeed.' Kirkus Reviews ---- `. . . an elegantly structured and stubbornly moving study of innocence destroyed and love denied. Very accomplished indeed.' Kirkus Reviews ---- `[Jaeggy] has a startling ability to go beyond: beyond the sentimental heart, the writerly niceties, the conventions that bind us, and the messy effusions of contemporary life.' The New Yorker ---- `[Jaeggy] has a startling ability to go beyond: beyond the sentimental heart, the writerly niceties, the conventions that bind us, and the messy effusions of contemporary life.' The New Yorker --- Praise for Fleur Jaeggy --- `Fleur Jaeggy's pen is an engraver's needle depicting roots, twigs, and branches of the tree of madness-extraordinary.' Joseph Brodsky ---- 'The fierceness of her words erupts from the seams of her tiny sentences ... Jaeggy's highly unusual work is finally gaining recognition in the English-speaking world.' Emily Rhodes, The Spectator---`Proleterka is a ferocious study - a masterclass in distance , diffidence, death, and `insomniac resentment.’ Barbara Epler

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Book SynopsisAsta Olivia Nordenhof (Author) Asta Olivia Nordenhof is an award-winning poet and author. Money to Burn, the first book in the Scandinavian Star septology, was first published in Denmark in 2020. It was awarded the PO Enquist Prize and the European Union Prize for Literature and was shortlisted for the Nordic Council Literature Prize. An international sensation and translated into eighteen languages, Money to Burn was published in English by Jonathan Cape. The Devil Book is the second in the series and was an instant bestseller upon first publication in Denmark.Caroline Waight (Translator) Caroline Waight is an award-winning literary translator working from Danish, German and Norwegian. Her translations include books by Caroline Albertine Minor, Ingvild Rishøi, Maren Uthaug and Dorthe Nors. She was a finalist for the 2023 PEN Translation Award and received a special commendation at the 2023 Warwick Prize for Women in Translation.

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Book Synopsis** Shortlisted for the 2020 International Dublin Literary Award **The radical, urgent new novel from the author of The End of Eddy - a personal and powerful story of violence.I met Reda on Christmas Eve 2012, at around four in the morning. He approached me in the street, and finally I invited him up to my apartment. He told me the story of his childhood and how his father had come to France, having fled Algeria. We spent the rest of the night together, talking, laughing. At around 6 o'clock, he pulled out a gun and said he was going to kill me. He insulted me, strangled and raped me. The next day, the medical and legal proceedings began.History of Violence retraces the story of that night, and looks at immigration, class, racism, desire and the effects of trauma in an attempt to understand a history of violence, its origins, its reasons and its causes. 'It stays with you' Times'A heartbreaking novel' John BoyneTrade ReviewLouis’s greatest strength as a writer is that he feels things so passionately, sometimes to the point of obsession, but that he also has a philosophical turn of mind that explores, rather than neutralises, his feelings. -- Edmund White * Guardian *[B]oth brave and ambitious in its determination never to let its reader, or its author, escape lightly the damaging realities it describes. -- Tim Adams * Observer *[A] harrowing piece of autofiction… History of Violence is a slim but densely layered novel that begins with raw urgency. -- Johanna Thomas-Corr * The Times *[A] heartbreaking novel… I find myself captivated by Édouard Louis's books and his raw honesty. -- John Boyne * Irish Times *An intense and uncomfortably thrilling book, which uses the harrowing events of that Christmas Eve as a basis for a wider exploration of class, race and individualism... a novel that is unflinching in its examination of class and discrimination. -- Tash Aw * Times Literary Supplement *

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Book SynopsisIn The Sicilian Method, Andrea Camilleri's twenty-sixth novel in the Inspector Montalbano mystery series, a troubling murder invesitgation may see Montalbano find his answers on a theatre's stage . . .'[E]ven the contents of his fridge are described with the wit and gusto that make this narrator the best company in crime fiction today' – GuardianMimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly he climbs out the window and into the downstairs apartment, but finds himself swinging from one danger to another. In the dark he sees a body lying on the bed.Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the methods he has developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all. Are the two deaths connected? Catalanotti scrupulously kept notes and comments on all the actors he worked with – as well as strange notebooks full of figures, dates and names . . .Inspector Montalbano finds all of Catalanotti's dossiers and plays, the notes on the characters and the notes on his final drama, Dangerous Turn. Indeed, it is in the theatre where he feels the solution lies.Trade ReviewMontalbano’s colleagues, chance encounters, Sicilian mores, even the contents of his fridge are described with the wit and gusto that make this narrator the best company in crime fiction today * Guardian *Among the most exquisitely crafted pieces of crime writing available today . . . Simply superb * Sunday Times *One of fiction’s greatest detectives and Camilleri is one of Europe’s greatest crime writers * Daily Mail *

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Book SynopsisA visionary novel about our interconnected world, about the collision of horror and humanity, from the Man Booker-shortlisted master of the spine-tingling tale A Guardian & Observer Best Fiction Book of 2020 * A Sunday Times Best Science Fiction Book of the Year * The Times Best Science Fiction Books of the Year * NPR Best Books of the Year World Literature Today's 75 Notable Translations of 2020 * Ebook Travel Guides Best 5 Books of 2020 * A New York Times Notable Book of 2020 They’re not pets. Not ghosts or robots. These are kentukis, and they are in your home. You can trust them. They care about you... They've infiltrated apartments in Hong Kong, shops in Vancouver, the streets of Sierra Leone, town squares of Oaxaca, schools in Tel Aviv, bedrooms in Indiana. Anonymous and untraceable, these seemingly cute cuddly toys reveal the beauty of connection between far-flung souls – but they also expose the ugly truth of our interconnected society. Samanta Schweblin's wildly imaginative new novel pulls us into a dark and complex world of unexpected love, playful encounters and marvellous adventures. But beneath the cuddly exterior, kentukis conceal a truth that is unsettlingly familiar and exhilaratingly real. This is our present and we’re living it – we just don’t know it yet. *Little Eyes comes with two different covers, and the cover you receive will be chosen at random*Trade Review'Ingenious... An artful exploration of solitude and empathy in a globalised world… In a nimble, fast-moving narrative, what’s most impressive is the way she foregrounds her characters’ inner hopes and fears.' * Guardian *'Disturbing... Schweblin enjoys hovering just above the normal. Inspired by Samuel Beckett, she is interested in exposing absurdities.' * Financial Times *‘Little Eyes makes for masterfully uneasy reading; it’s a book that burrows under your skin.’ * Telegraph *'I cannot remember a book so efficient in establishing character and propelling narrative; there’s material for a hundred novels in these deft, rich 242 pages... The writing, ably translated from the Spanish by Megan McDowell, is superb, fully living up to the promise of Schweblin's stunning previous novel, Fever Dream... A slim volume as expansive and ambitious as an epic.' * New York Times *'A timely meditation on humanity and technology.' * Harper's Bazaar *'Little Eyes provides us with a powerful examination of the underlining disparities that persist. It is a fable for a society in which we are all made to feel simultaneously exposed and anonymous, connected and alone.' * Times Literary Supplement *‘Little Eyes acts as a clear warning that every digital decision we make has consequences... It does feel alarmingly real.’ * i *'This dazzling inquiry into loneliness and connection...has been given added resonance by the atomisation of lockdown.' * Guardian, '50 Brilliant Books to Transport You This Summer' *'A dark story, beautifully translated by Megan McDowell, it leaves the reader in a world from which there is no escape, as it questions our growing complicity in social media and neocapitalist technologies.' * Morning Star *'Creepy as hell.' * Weekend Sport *‘Enjoyable reading… riffing on everyday human foibles – jealousy, capriciousness, existential restlessness…the understatedly arch tone is well served by Megan McDowell’s translation, which is so slick that one hardly seems to be reading a translated work.’ * Literary Review *'Daring and original... Schweblin deftly explores both the loneliness and casual cruelty that can inform our attempts to connect in this modern world.' * Booklist *'If you want a spookily prescient vision of human isolation both assuaged and deepened by inscrutable, glitch-prone tech, then Little Eyes more than fits the brief... Adroitly served by Megan McDowell’s winningly deadpan translation, these stories deal not in 'truly brutal plots' but 'desperately human and quotidian' urges, fears and scams... In the middle of our stay-at-home, broadband-enabled apocalypse, that feels right.' * Spectator *'The 'toys' Schweblin has created are the perfect hybrid between a pet and a social network, enabling her to dissect problems that touch all of our lives: the dark side of the internet; the global epidemic of loneliness; the dumb inertia that leads us to jump on board with the latest trend… As always in the worlds Schweblin creates, the real monsters are to be found not in the outside world, but inside each of us.' * New York Times (Spanish edition) *'A dystopian novel that is necessary, hypnotic, irresistible.' * Elle Italia *'This brilliant and disturbing book resembles Margaret Atwood’s Handmaid’s Tale in how it speculates…Schweblin unspools a disquieting portrait of the dark sides of connectivity and the kinds of animalistic cyborgs it can make of us, as we walk through barriers that even spirits cannot cross.' * Literary Hub *'The finest novel of the past five years. Quite exceptional. Little Eyes will certainly feature in future lists of the ten best novels of this century.' * Luisgé Martín, author of The Same City *'A nuanced exploration of anonymous connection and distant intimacy in our heavily accessible yet increasingly isolated lives...Capacious, touching, and disquieting, this is not-so-speculative fiction for an overnetworked and underconnected age.' * Kirkus Reviews *'Little Eyes by Samanta Schweblin, translated by Megan McDowell, is a chilling and often hilarious book on the pitfalls of living in a highly interconnected world. Schweblin has a true talent for getting to the centre of our fears and drawing them out. An intensely clever title that will have you examining your own relationship to the internet.' -- Daisy Johnson, author of Sisters'This has a propulsive, Dave Eggers-ish readability.' * Daily Mail *'Little Eyes is a short, powerful, disquieting novel. The story explores the grey area that constitutes an invasion of privacy, and the line between intimacy and exhibitionism. Samanta Schweblin guides the narrative with a skilful hand reminiscent of her very finest short stories. An excellent storyteller, but above all, a true writer.' * La Razón *'Readers will be fascinated by the kentuki-human interactions, which smartly reveal how hungry we are for connection in a technology-bent world. Of a piece with Schweblin’s elliptical Fever Dream and the disturbing story collection Mouthful of Birds...this jittery eye-opener will appeal to a wide range of readers.' * Library Journal *'Schweblin’s handling of tension and her viscously instantaneous ironic twists, familiar from her short story collection Mouthful of Birds, are delicious... An eerie sense of disjuncture characterises the entire reading experience...an indicator of the deep, discomforting place it has made itself under my skin.' * 3:AM magazine *'Schweblin unfurls an eerie, uncanny story… Daring, bold, and devious.' * Publishers Weekly *'Her most unsettling work yet – and her most realistic.' * New York Times *‘A master of the unsettling… the imaginary technology at the heart of Little Eyes feels all too real, and Schweblin persuasively elaborates its operations and implications… the novel’s breadth provides much of its pleasure, allowing an inventiveness that balances the bleakness of its characters’ lives.’ -- Hannah Rosefield * The New Statesman *'In Samanta Schweblin's fiendishly readable Little Eyes, the new must-have tech gadget allows users to leapfrog into the lives of strangers – a sharp idea that became even more pertinent with the isolation and atomisation of lockdown.' -- Guardian, Best Fiction of 2020'Schweblin's clear and brisk language, aided by a seemingly effortless translation from Spanish by Megan McDowell, drives home the accessibility of this outlandish story. Little Eyes is strange and addictive, an experience made even more frightening by how familiar this feels.' * Salon *‘Alluring and unsettling in equal measure… A subtle and scathing parody of modern communications technology and social media… Colourful and near-hypnotic prose… A rare, yet powerful, indictment of a society that tolerates and even encourages violations of one of our most precious moral commodities – privacy.’ * E&T *'She has a gift for fiction that is pure, original, revelatory.' * El País *'Little Eyes calls to mind the world of Black Mirror. The result is suffocating and addictive in equal measure; combining the minutiae of domestic life with a picture of the dark side of technology in a disconcertingly natural style. A story about voyeurism, and the pleasure of looking at the world through someone else’s eyes.' * El Mundo *'An insightful reflection on solitude and privacy.' * ABC *'[Schweblin is] a literary explorer of 21st century fears.' * La Vanguardia *'Schweblin plunges herself once again into the disturbing limits of what we think of as 'normal'.' * Letras Libres *'This isn’t science fiction; this is the here and now.' * El Diario *'Drawn in quotidian elegance, the novel is a string of nonstop, colorful vignettes… If Schweblin’s sci-fi thriller Fever Dream made sleep difficult, Little Eyes raises the unease quotient. The book seems to watch viewers creepily as it unfolds.' * BookPage *'Like a true master, Schweblin manages to lure us in with a story that leaves us both bruised and fascinated.' * Culturas *'The undisputed star of Latin American fiction.' * ABC Sevilla *'The fantastic and strange worlds of Samanta Schweblin’s work are described with wisdom and ferocity.' * La Repubblica *'[Little Eyes is] yet another unsettling glimpse of life...providing us with the disturbing psychological insights which we associate with her work... Once again Schweblin has produced a novel which is prescient and frightening in equal measure.’ * 1streading *'Embedded within this novel of international interconnectivity are questions of the exhibitionism and voyeurism tied up in our use of technology. Expect echoes of the Wachowskis' Sense8, except told with what has been characterized as Schweblin's "neurotic unease."' * The Millions, Most Anticipated Titles of 2020 *'Samanta Schweblin will injure you, however safe you may feel.' * Jesse Ball, author of Census *'Samanta Schweblin is one of the most promising voices in modern literature.' * Mario Vargas Llosa, winner of the Nobel Prize for Literature *'Little Eyes by Samanta Schweblin was pure sorcery. Hands down, one of the best books of 2020 (so far)... I was intoxicated.' * The Book Satchel *'In accentuating so many of the dangers of online communities, as well as [the] advantages, Schweblin takes you on a psychological journey that feels like a Black Mirror episode and has you questioning actions that seemed mundane before.' * The Book Slut *'Brilliantly creepy.' -- New York Times, Notable Books of 2020'Little Eyes supposes a world that is our world, 5 minutes from now... It then introduces one small thing — one little change, one product, one tweaked application of a totally familiar technology — and tracks the ripples of chaos that it creates... Think for just a moment the kind of joy and the kind of horror something like that would create. Then read Little Eyes and see how whatever it was that you imagined was just the beginning of how awful it could be.' -- NPR, Best Books of the Year'A smart and timely meditation on what the internet is doing to the human soul... Funny, frightening and bound to make you turn off your mobile.' -- Tablet, Summer reads

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Book SynopsisTHE #1 INTERNATIONAL BESTSELLER''Bernhard Schlink speaks straight to the heart'' New York TimesOlga is an orphan raised by her grandmother in a Prussian village around the turn of the 20th century. Smart and precocious, she fights against the prejudices of the time to find her place in a world that sees her as second-best.When she falls in love with Herbert, a local aristocrat obsessed with the era''s dreams of power, glory and greatness, her life is irremediably changed.Theirs is a love against all odds, entwined with the twisting paths of German history, leading us from the late 19th to the early 21st century, from Germany to Africa and the Arctic, from the Baltic Sea to the German south-west.This is the story of that love, of Olga''s devotion to a restless man - told in thought, letters and in a fateful moment of great rebellion.Translated from the German by Charlotte CollinsTrade ReviewFrom the author of The Reader comes a brilliant new novel about history and the nature of memory... The story of Olga, translated here from German by Charlotte Collins, is the story of Germany's modern history. It is also a study of memory... You should read this novel if you appreciate the power of history. How do we remember each other? As individuals, or as parts of a larger whole? As they were, or as we wish they had been? The narration can be breakneck: decades pass in single sentences, while other paragraphs describe mere moments. This is the effect of memory; lives are condensed into a series of experiences and relationships. One line still sticks in my head, in a letter from a Norwegian bookseller. "History is not the past as it really was. It's the shape we give it". * Evening Standard *A cleverly-constructed tale of cross-class romance... Olga's story draws us into a present-day reckoning with Germany's past. * Mail on Sunday *A poignant portrait of a woman out of step with her time. * Observer *Bernhard Schlink, one of Germany's best-loved authors, is famous beyond its borders for the international bestseller The Reader. Like that excellent novel, his latest, Olga, is a searching examination of modern Germany and its scarred soul... there's a sophisticated precision to his writing, which is superbly translated by Charlotte Collins. And in Schlink's macro look at Germany's past, it's the small acts - of kindness and humility - that linger. * Sunday Telegraph, Novel of the Week *This is not a straightforward elegy - and throughout the book, death is not an absolute end. Instead, Schlink frames the novel as a search for meaning, which dances in Olga between a multitude of timeframes and territories. Throughout, Charlotte Collins's translation is careful and beautifully paced * Financial Times *A compelling tale of love and thwarted dreams... Schlink's lucid, no-frills prose lends his novel immediacy, and at times potency, and gives us a character to root for. * The Herald *One of Bernhard Schlink's secrets stems from his art of telling stories by interweaving the standpoints of different generations in the very same life story. Olga is another very well-done example of that. * Le Monde *In this moving book Bernhard Schlink resurrects the last traces of an unfulfilled love, with his trademark, sophisticated nostalgia. * Le Nouvel Observateur *Bernhard Schlink, whose The Reader we haven't forgotten, impresses again with Olga. * Lire *Everything points towards Olga being a new bestseller which can pick up where the international success of The Reader left off. In other words: not to be missed! * SWR1 *Schlink is a brilliant stylist; this bittersweet love affair is deeply moving. * Hamburger Abendblatt *The third part of the novel - letters Olga writes to Herbert after he's set out for the Arctic - is the most beautiful. Here, the camera finally zooms in and we learn of Olga's feelings, how she's torn between hope and fear, love and anger at her lover, who has left her for a madcap expedition. * Spiegel *[Schlink] takes up motifs from his most famous work The Reader. Olga, who fights to be allowed to continue her education, seems like an alternative draft of the illiterate Hannah, whose lacking abilities led to her becoming a concentration camp guard during the Nazi era. * Hannoversche Allgemeine Zeitung *Olga is captivating. Bernhard Schlink tells the story in lucid, serene language. He is a master of this warm, pleasant tone, which has a hint of the old-fashioned to it. * Stern *Schlink tells a gripping, true-to-life story which startles you with its unforeseen twists, and not only makes you think, but feel too. * NDR Kultur *Schlink was and is an author for readers who love intelligently told stories. And they won't be disappointed by Olga. * Tages-Anzeiger, Zurich *

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