Fiction in translation

Book SynopsisFemke, her mother Trijn and her grandfather have very different ideas about how to run their family farm. Tensions between mother and daughter are growing; Femke wants to switch to sustainable growing principles, whilst her mother considers this an attack on tradition. To make matters worse, their home province of Groningen is experiencing a series of earthquakes caused by drilling for gas at a site close to their farm. While the cracks and splinters in their farmhouse increase, the authorities and the state-owned gas company refuse to offer the local farming community any help. In Shocked Earth, Saskia Goldschmidt investigates what it means to have your identity intensely entwined with your place of birth and your principles at odds with your closest kin. And how to keep standing when the world as you know it is slowly falling apart.Trade Review'Shocked Earth shows us the impact of natural disasters on people's lives. This is what literature can do.' Nieuwsweekend; 'Goldschmidt manages to portray the lives of farmers in great literary style, and with authentic vocabulary.' Het Parool; 'Goldschmidt writes eloquently... showing the way the North of the Netherlands is held captive by the gas sourcing business.' NRC; 'In order to be able to write Shocked Earth, Saskia Goldschmidt moved to a rural region ... worked on a dairy farm and spoke to its inhabitants. This effort pays off in this thorough novel with a lot of empathy, showing how the earthquakes ... forever change the lives of the people trying to keep this business going.' Dagblad van het Noorden; "Shocked Earth exquisitely captures the way our lives and identities are interwoven with the land we live on, and how its destruction will ultimately be our own. A powerful portrait of a family, an exploration of love and grief, it is perhaps most of all an essential call to action - I was both heartbroken and inspired." Helen Sedgwick; "A novel with great ambitions, which remains credible." Faithful; "Last weekend I read the book in one breath. How little did I know about the problems and life in the Groningen countryside ... I will definitely recommend this beautiful novel!" Ria van Halem, bookseller Boekaa Verkaaik

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Book SynopsisWhen the body of a woman is discovered in a fisherman’s net in Quebec’s Gaspé Peninsula, new recruit Detective Sergeant Joaquin Moralès is thrown in at the deep end… First in a beautifully written, atmospheric and addictive new series. ***Runner-up for the Scott Moncrieff Prize for Translations from French*** ‘Wonderfully atmospheric … I genuinely couldn’t put this book down’ Gill Paul 'You might want to grab this release if you've read everything by Louise Penny and need more Quebecois noir to feed your crime-loving tendencies’ Crime Fiction Lover ________________ Truth lingers in murky waters… As Montrealer Catherine Day sets foot in a remote fishing village and starts asking around about her birth mother, the body of a woman dredges up in a fisherman’s nets. Not just any woman, though: Marie Garant, an elusive, nomadic sailor and unbridled beauty who once tied many a man’s heart in knots. Detective Sergeant Joaquin Moralès, newly drafted to the area from the suburbs of Montreal, barely has time to unpack his suitcase before he’s thrown into the deep end of the investigation. On Quebec’s outlying Gaspé Peninsula, the truth can be slippery, especially down on the fishermen’s wharves. Interviews drift into idle chit-chat, evidence floats off with the tide and the truth lingers in murky waters. It’s enough to make DS Moralès reach straight for a large whisky… Both a dark and consuming crime thriller and a lyrical, poetic ode to the sea, We Were the Salt of the Sea is a stunning, page-turning novel, from one of the most exciting new names in crime fiction. ________________ Praise for Roxanne Bouchard: ‘Colourful, authentic characters with the kind of flavour that can only be inspired by real locals. So good it’ll make you want to pack your bags and drive straight to the seaside’ Journal de Montréal ‘Lyrical and elegiac, full of quirks and twists’ William Ryan ‘Asks questions right from page one’ Quentin Bates ‘An isolated Canadian fishing community, a missing mother, and some lovely prose. Very impressed by this debut so far’ Eva Dolan 'A tour de force of both writing and translation’ Su Bristow 'The translation from French has retained a dreamily poetic cast to the language, but it's det-fic for all that, as DS Joaquin Morales, transplanted from balmy Mexican shores to a remote Quebecois fishing community, investigates a woman's death at sea. This is the first book by Bouchard, renowned Canadian playwright and author, to be translated into English' Sunday Times 'Characters are well-drawn, from Moralès, the cop, and his sturdy inspector, Marlène, to the husky fishermen who were Marie's devoted suitors three decades ago. There's a comic element: the chef at the bistro, a mine of misleading information; the alcoholic priest who was never ordained - and the appalling undertaker who was once a used-car salesman and never forgot the spiel … An exotic curiosity, raw nugget’ Shots MagTrade Review"This book is the definition of atmospheric."--Book Riot

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Book SynopsisDoppelganger consists of two stories that skillfully revisit the question of "doubles" (famously explored by Stevenson, Dostoyevsky and others), and how an individual is perpetually caught between their own beliefs and those imposed on them by society. `Arthur and Isabella' is a story of the relationship between two elderly people who meet on New Year's Eve - a romantic encounter which turns into a grotesque portrayal of the loneliness of old age. The second story `Pupi' - a strange mirror of the first - centres on the life of a man who ends up on the streets and associates only with street-sellers the rhinoceroses in the zoo. Together these tales crate the highly original atmosphere that Drndic t is famous for in all her works.Trade Review"The capacity to see the bricolage of a reticent, morally compromised, elegiac past-and, more unsettlingly, how that past might see us-is a central feature of the work of the Croatian writer Dasa Drndic." Dustin Illingworth, Paris Review; `Drndic is relentless; her righteousness is passionate. Human anguish seeps from the pages, yet her writing proves unexpectedly exhilarating.'m Eileen Battersby, LA Review of Books; `Dasa Drndic is a writer who digs tunnels and refuses to make compromises; her prose attracts the same uncompromising readers.' Zdravko Zima, Novi List

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Book SynopsisThe protagonist in Dogs and Others is the first openly lesbian character in modern Serbian literature, but she is also so much more than that, as she encapsulates the zeitgeist of her generation. Coming of age in 1970s Belgrade, then the capital city of thriving, socialist Yugoslavia, we follow Lida and the bohemian life she leads, made more complicated by the trials and tribulations of her eccentric family. The whole novel breathes with a raw sensibility so aptly captured in the voice of the heroine - a striking, rebellious, overtly feminist and somewhat neurotic young woman.Trade ReviewBiljana Jovanovic came into the Serbian literary scene as a new phenomenon. . Such girls in literature bring with them spite, devastating erotica, a new language, and new rules, especially when the old rules break down painfully..." Svetlana Slapsak, ; ". . . a rich amalgam of unvarnished bohemian life in socialist Belgrade, narrative experimentation, a sensitive but provocative depiction of family life in the shadow of old age, disability, and `madness'. . . " WORDS without BORDERS; "In her novel Dogs & Others, Biljana Jovanovic went a step further in breaking down all taboos regarding women's sexuality in Serbian literature." LOM (Serbian publisher)

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Book SynopsisThe Fig Tree is a novel composed of the intertwining stories of the family of Jadran, a 30-something who tries to piece together the story of his relatives in order to better understand himself. Because he cannot understand why Anja walked out of their shared life, he tries to understand the suspicious death of his grandfather and the withdrawal of his grandmother into oblivion and dementia. With all his might, Jadran tries to understand the departure of his father in the first year of the war in the Balkans as he also tries to comprehend his mother, with her bewildering resentment of his grandfather, and her silent disappointment with his father. The Fig Tree is a multigenerational family saga, a tour de force spanning three generations from the mid-20th century through the Balkans wars of the 90s until present day. Vojnovic is a master storyteller, and while fateful choices made by his characters are often dictated by the historical realities of the times they live in, at its heart this is an intimate story of family, of relationships, of love and freedom and the choices we make.Trade Review"The Fig Tree is an exquisitely rendered novel, it's a big and satisfying read, and among others calls to mind Colum McCann's TransAtlantic and Orhan Pamuk's Silent House." Kon-teksti

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Book SynopsisA roofless library in the middle of war-torn Bosnia, staffed by a mysterious woman who leads a young solider through hidden doorways. A businessman hiding from an angry mob of unpaid workers in a suitcase and a lonely divorce who picks up a mysterious hitch-hiker, only to be lured by her into an unfamiliar forest. The End. And Again offers a beguiling, imaginative reworking of the history of the independence of Slovenia and the break-up of Yugoslavia through the eyes of its four main characters - like the line-up of a pop group - Peter, Goran, Denis and Mary. Their memories of the years when their interests revolved more around music and love than around the turbulent political situation that derailed their lives intersect with those of Denis, the only one of them to be enlisted and sent into battle. A lack of any meaningful resolution to their mutual story haunts them all and forces them to search for a different end(ing). (And) Again.Trade Review"Bauk's novel throbs with the wounds of his generation and at the same time tells an intense, dazzling story of love and friendship." --Kreuzer Magazine "An exciting and remarkable portrait of a generation, a book about books and what they can do to and with people." --Kleine Zeitung

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Book SynopsisBlending the naturalistic and the fabulistic, these elusive, delicate stories fold fable and fairy tale into the everyday, domestic settings of kitchen, garden, car. Women love, and lose, strange creatures they find by the garden gate; dream dogs are liberated from the icy prison of a fridge; bathrooms bloom into rainforests that souls can lose themselves in forever. Seemingly quotidian routines and unremarkable lives are pierced by Kovalyk’s precise, sensual prose, to reveal the magic lurking just beneath the surface of the daily skin of existence.

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Book SynopsisMade up of over 17,000 islands, Indonesia is the fourth most populous country on the planet. It is home to hundreds of different ethnicities and languages, and a cultural identity that is therefore constantly in flux. Like the country as a whole, the capital Jakarta is a multiplicity of irreducible, unpredictable and contradictory perspectives. From down-and-out philosophers to roadside entertainers, the characters in these stories see Jakarta from all angles. Traversing different neighbourhoods and social strata, their stories capture the energy, aspirations, and ever-changing landscape of what is also the world's fastest-sinking city. Translated by Mikael Johani, Zoe McLaughlin, Shaffira Gayatri, Khairani Barokka, Daniel Owen, Paul Agusta, Eliza Vitri Handayani, Syarafina Vidyadhana, Rara Rizal and Annie Tucker. This book has been published with the support of the British Council.Trade Review'Words are one of the most powerful ways in which to travel - so if you've ever fancied visiting the Indonesian capital, this book is an initial glimpse into its very heart.' - Bad Form Review

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Book SynopsisThe history of walls – as a way to keep people in or out – is also the history of people managing to get around, over and under them. From the Berlin Wall and the Mexico–US border, to the barbed wire fences of Bangladesh’s refugee camps, the short stories in this anthology explore the barriers that have sought to divide communities and nations, and their traumatic effects on people’s lives and histories. At a time when more walls are being built than are being brought down, All Walls Collapse brings together writing from across national, ethnic and linguistic borders, challenging the political impulse to separate and segregate, and celebrating the role of literature in traversing division.Table of ContentsForeword vii Philippe Sands Introduction ix Will Forrester & Sarah Cleave Translucency 1 Paulo Scott Translated by Daniel Hahn These Days 11 Geetanjali Shree Translated by Daisy Rockwell The Gap 23 Maya Abu Al-Hayat Translated by Yasmine Seale Collateral Damage 29 Zahra El Hasnaoui Ahmed Translated by Dorothy Odartey-Wellington What the Cat Passed On 39 Kyung-Sook Shin Translated by Anton Hur This Side of the Wall 53 Juan Pablo Villalobos Translated by Rosalind Harvey The Fence 65 Krisztina Tóth Translated by Peter Sherwood Reunited 77 Muyesser Abdul’ehed Translated by Munawwar Abdulla Brandy Sour 89 Constantia Soteriou Translated by Lina Protopapa Between Two Infernos 107 Rezuwan Khan Translated by Hla Hla Win Mother’s MacGuffin 115 Larissa Boehning Translated by Lyn Marven

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Book SynopsisA sly and playful novel about the many faces we all have. Fifteen-year-old Berta says that beautiful things aren’t made for her, she isn’t destined to have them, the only things she deserves are ugly. It’s why her main activity, when she’s not at school, is playing the ‘prosopagnosia game’ — standing in front of the mirror and holding her breath until she can no longer recognise her own face. Berta’s mother is in her forties. By her own estimation, she is at least twenty kilos overweight, and her husband has just left her. Her whole life, she has felt a keen sense of being very near to the end of things. She used to be a cultural critic for a regional newspaper. Now she feels it is her responsibility to make her and her daughter’s lives as happy as possible. A man who claims to be the famous Mexican artist Vicente Rojo becomes entangled in their lives when he sees Berta faint at school and offers her the gift of a painting. This sets in motion an uncanny game of assumed and ignored identities, where the limits of what one wants and what one can achieve become blurred.Trade Review‘Fascinating.’ -- Siobhan Murphy * The Times *‘With [Prosopagnosia], Sònia Hernández cements her place as one of the most individual voices of her generation.’ * La Vanguardia *‘In this warm, lively, and intellectual novel, Hernández’s greatest achievement is allowing the protagonist to release her trauma in a way that is both simple and true.’ -- Santos Sanz Villanueva * El Cultural *‘One of the best writers of her generation.’ -- Inés Martín Rodrigo * ABC *‘A novel of our times that explores the difficulty of constructing oneself as a person and the chaos of how things seem to happen to us.’ -- Lluís Satorras * Babelia *‘A tale of the conflict between reality and deception, and how the many forms of exile and solitude come together. A beautiful, enigmatic novel.’ -- Enrique Vila-Matas * El País *‘A reflection on false appearances, assumed identities, the need to invent other lives for ourselves, and the need for art itself.’ -- Ángel Ortín Pascual * Heraldo de Aragón *‘As structured and well-articulated as the paintings that inspired it.’ -- Isabel Gómez Melenchón * La Vanguardia *‘[D]elivers a serious reflection on the purpose and meaning of literary fiction.’ -- Domingo Ródenas * El Periódico *‘For Hernández, plot is just an excuse to articulate her own original ideas about beauty, identity, and exile, and this makes each of her books a declaration of ethical and aesthetic principles. This novel is not a means but an end in itself: the materialisation of her most important themes from life and literature.’ -- Liliana Muñoz * Criticismo *‘Sònia Hernández’ writing is unsettling and unconventional, marked by a complete independence from the dominant trends of contemporary novels in Spanish.’ -- Santos Sanz Villanueva * El Mundo *‘Hernández offers many insights into the value of experience, of travel as personal discovery, and the difficulty of explaining ourselves in our own words. A novel of reflection.’ -- Suárez Lafuente * La Nueva España *‘A narratively ambitious reflection on art, beauty, motherhood, and identity … A conceptually fascinating book.’ * Kirkus Reviews *‘Bewitching and intelligent.’ * Happy Magazine *‘This quirky coming-of-age novel by a celebrated young Spanish writer centres on a tender mother-daughter relationship.’ * New York Times ‘New & Noteworthy’ *‘[B]eguiling … the various characters’ deceptions are unveiled skillfully by Hernández as she distorts the reader’s sense of reality. This novel is more than it seems.’ * Publishers Weekly *‘Hernández leads us on a reflection about truth and reality, about perception and beauty. The book is best read slowly, with time to absorb and contemplate our own reality and how we might be deceiving ourselves.’ * Asymptote ‘New in Translation’ *‘[A]n intellectual and unflinching novel that is not afraid to ask the big questions. What is art? What is beauty? What is truth? Does any of it matter? … Hernández’s economy of language is masterful as she delves into questions that define a culture. Prosopagnosia is an uncanny portrait of what it means to be a human in the world today grappling with beauty, and confronting the way the internet has changed our relationship to art.’ * Write or Die Tribe *

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Book Synopsis

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Book Synopsis"Now's not the time to think. Now's the time to feel." A taxi ride, a train trip, a family photo: in About Us, seemingly unremarkable journeys and mundane objects ripple with the repercussions of past decisions. All is not what it seems at a family wedding, a regretful father risks estranging his daughter, and a young woman is tormented by the cries of a baby that her partner cannot hear. Reda Gaudiamo's characters charm, chafe and confound in a series of intimate snapshots of domestic relationships. With twists shifting from the comically mischievous to the abruptly chilling, this collection is a bold slice of contemporary Indonesian literature.

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Book SynopsisSimone Atangana Bekono's poems are vivid and arresting, with the feeling of letters or diary entries. In nine breath-taking streams of consciousness, the poet explore race, gender and sexuality, addressing the social stigmatization of race and gender and invoking empathy and human connection in a voice that is both confident and innovative.

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Book SynopsisThis is young Palestinian author Shada Mustafa’s debut novel – a free-flowing narrative that interrogates, in short, direct sentences, the memories of growing up, falling in love, that keep forcing themselves out to be reckoned with. Through ceaseless questioning, and the seemingly random revisiting of each of the four “things” she has left behind, the narrator redeems her life from the inexplicable pain and tragic anguish that was her childhood in an occupied and divided land and family. In so doing, Mustafa creates a unique writing style while at the same time allowing the narrative its original, cathartic function, liberating herself from her past, and finding her true self. Why was she always having to cross the Qalandia checkpoint to see her dad or her mom? Why did they divorce? Why was her mom angry? How could she make her happy? Why was her dad a different man when he came out of the occupier’s prison? What was more important, the cause or the people? The questions become more urgent when she becomes a student and falls in love. This short novel, original in its subject as much as its narrative technique, has been singled out from the start by being shortlisted for the 2021 Sheikh Zayed Book Award for Young Authors.

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Book SynopsisImpoverished Egyptian teacher Helmy is desperate to find a better life for himself, his wife and little boy, seeing no future at home in Cairo. He dreams of working in oil-rich Kuwait and its boom in construction being the answer, just like many thousands before him. He manages to borrow the huge cost of a visa and is at last on his way to Kuwait City. He has no idea of the hellish nightmare, instead of the dream, that awaits him – the relentless summer sun and temperature of 56ºC and more, the choking dust and sweat, having to do construction work instead of teaching. And always, no money, and no answers from the many officials that he comes up against. Instead of achieving his dream, he falls into trap after trap. The author is himself a character in the novel, an engineer with the construction company who is writing a novel about the humiliating and degrading experiences of the migrant foreign workers arriving in Kuwait to make their fortunes. In the Preface to the novel, author Taleb Alrefai writes: "The novel casts lights on the lives of thousands of workers who come to the Gulf states with dreams of money and wealth, but who are confronted with the harshness of a desolate reality. It exposes specifically the suffering of migrant workers in Kuwait, be they Arabs or foreigners, and how their every moment is shaped by need, injustice and cruelty. Some commit suicide, but that has no effect on the work on site under the blazing sun that’s like the lash of hell. "Almost a historical document on my life and the lives of the workers with whom I lived for fifteen years, Shadow of the Sun presents a human landscape set in and reflecting Kuwait."

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Book SynopsisOn the trail of Roger, a brother who has gone north in search of football fame in Europe, Choupi, the narrator, takes with him the older Simon, a neighborhood friend. The bus trip north nearly ends in disaster when, at a pit stop, Simon goes wandering in search of grilled caterpillars. At the police station in Yaounde, the local cop tells them that a feckless boza who wants to go to Europe is not worth police effort and their mother should go and pleasure the police chief if she wants help! Through a series of joyful sparky vignettes, Cameroon life is revealed in all its ups and downs. Issues of life and death are raised but the tone remains light and edgy.Trade Review‘A Long Way From Douala reads like a love letter to Cameroon. A clever and compelling new voice in African literature’ (The Monthly Booking)‘There is something about the way the novel ends that is both fitting but leaves you hungry for more. I want to see where the characters go next and be swept away in Lobe’s poignant descriptions of Cameroon’ (Bad Form Magazine‘This very enjoyable novel with a loveable narrator is all about the journey, I for one, didn’t want him to arrive’ (Shiny New Books) 'Redolent with the sights, sounds and smells of modern Cameroon, this is in fact a classic road trip, a Homeric quest in which our two young heroes may not discover what they were seeking but learn a great deal about themselves, each other and the state of Africa. A jostling, poignant tale, it left me hungry for more' (Michela Wrong, author Borderlines and It's Our Turn to Eat) 'His eye is as compassionate as his characterisations are rich. I only wish this novel had been twice the length. You are in for a treat' (Patrick Gale) 'Max Lobe immerses us in the Cameroon of today... All this churns up the daily life of the novel's characters whose lives are narrated with humour and satire.' (Amnesty ) 'The role played by mothers, the fascination of football, and the influence of Boko Haram over daily life is chronicled with total delight' (Tribune de Geneve)

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Book SynopsisThe unnamed Uruguayan protagonist has accidentally booked the wrong ticket on a train journey between France and Spain and, finds himself in the Spanish border town of Irun with eight hours to kill. He meets a Spanish girl and her friend who befriend him, but we fear her intentions are not good. An unseen twist in the plot reveals our protagonist is not who he seems. Narrated in a disturbing second person present tense that constantly questions the reader and with a rhythm marked by suspense and inspired by the author's own experience of booking the wrong ticket on a train journey.Trade Review'Hauntingly mysterious right to the end' Johanna McCalmont World Kid Lit; 'Spectacularly written, Ivanier's prose flows beautifully' Sabastian Vargas;Ivanier describes with admirable freshness, that relationship between teenagers not very aware of their feelings' La Republica;‘A worldwide first Young Adult novel from Uruguay to ever be published in English. Ivanier’s hauntingly crafted novella with its clever twists and turns reveals a dark story which is hinted at from the beginning and again later on with an overt reference to the boy’s favourite classic novel. The lyrical text, excellently translated by Claire Storey, builds the atmosphere and increases tension chapter by chapter. This is not a novel for the faint-hearted with its rather macabre climax, however, it is more than just a book defined in the horror genre; there are so many complex emotions mixing everyday normality and the power of love with something much darker and sinister’ Outside in World

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Book SynopsisThe narrator, Mwana, is a young man from Bantuland, living in Geneva. A graduate from a Swiss university, we first encounter Mwana waiting for a bus in the hills of Lugano gazing at a poster calling for "black sheep" to be sent home. Mwana's efforts to find work are fruitless until he lands an internship in an NGO campaigning against racial discrimination. The team is busy organising a demonstration against the black sheep poster. Mwana has one foot in each culture. He sees Swiss society through African eyes, with all its contradictions: its moderation, stunning landscapes and its eccentricities, but also its intolerance and inflexibility. He also casts a critical eye on his native Africa, the weight of its traditions and beliefs. Is belonging nowhere the price Mwana has to pay for these insights? Sad and playful Does Snow Turn a Person White Inside? is a moving reflection on the immigrant.

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Book SynopsisAnne’s diagnosis of terminal cancer shines a spotlight onto fractured relationships with her daughter and granddaughter, with surprising, heartwarming results. A moving, elegant and warmly funny novel by the Norwegian Anne Tyler. ‘Helga Flatland writes with such astuteness … Her portrayal of a fractured family trying to cope through emotional personal circumstances was perfect. I devoured this in two sittings and was overwhelmed with feelings for the characters’ Nina Pottell, Prima ‘Sometimes you simply don’t have words to express the beauty and experience of a book – this is one of them’ Louise Beech _______________ Anne’s life is rushing to an unexpected and untimely end. But her diagnosis of terminal cancer isn’t just a shock for her – and for her daughter Sigrid and granddaughter Mia – it shines a spotlight onto their fractured and uncomfortable relationships. On a spur-of-the moment trip to France the three generations of women reveal harboured secrets, long-held frustrations and suppressed desires, and learn humbling and heart-warming lessons about how life should be lived when death is so close. With all of Helga Flatland’s trademark humour, razor-sharp wit and deep empathy, One Last Time examines the great dramas that can be found in ordinary lives, asks the questions that matter to us all – and ultimately celebrates the resilience of the human spirit, in an exquisite, enchantingly beautiful novel that urges us to treasure and rethink … everything. For fans of Elena Ferrante, Maggie O’Farrell, Mike Gayle, Joanna Cannon, Sally Rooney and Carol Shields. _______________ ‘The most beautiful, elegant writing I’ve read in a long time. If you love Anne Tyler, you will ADORE this’ Joanna Cannon ‘Flatland is hailed as “the Norwegian Anne Tyler”, but, for me, she writes like Flatland, which is more than good enough’ Saga ‘A poignant and beautifully written story ... intimate, evocative and moving’ Kristin Gleeson ‘Helga Flatland possesses a pen made from fluent wisdom, subtle humour and elegance’ Carol Lovekin ‘Absolutely loved its quiet, insightful generosity’ Claire King 'So perceptive and clever' Rónán Hession ‘A thoughtful and reflective novel about parents, siblings and the complex – and often challenging – ties that bind them’ Hannah Beckerman, Observer ‘This is a super exploration of families that I’d urge you to read for the subtle prose, with well defined characters and a strong storyline’ Sheila O’Reilly ‘Love the sophistication, directness and tenderness of this book’ Claire Dyer ‘The most clear-eyed, honest, yet sympathetic examination of relationships that I have ever read’ Sara Taylor ‘The author has been dubbed the Norwegian Anne Tyler and for good reason … If you love books about dysfunctional families, you’ll love this’ Good Housekeeping ‘In quiet prose, Helga Flatland writes with elegance and subtle humour to produce a shrewd and insightful examination of the psychology of family and of loss’ Daily Express

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Book SynopsisOriginally published in 1929 in Germany, it was one of the many books banned by the Nazis, and all copies which could be found at the time were burnt in bonfires by the Gestapo. It has been out of print since its original publication, with few copies having escaped destruction.

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Book SynopsisLonglisted for the 2022 International Booker Prize Winner of the 2023 Jabuti Prize in the Brazilian Book Published Abroad category Federico and Lourenco are brothers. Their father is black, a famed forensic pathologist for the police; their mother is white. Federico - distant, angry, analytical - has light skin, which means he's always been able to avoid the worst of the racism that Brazilian culture has to offer. He can 'pass' as white, and yet, because of this, he has devoted his life to racial justice. Lourenco, on the other hand, is dark-skinned, easy-going, and well-liked in the brothers' hometown of Porto Alegre - and has become a father himself. As Federico's fiftieth birthday looms, he joins a governmental committee in the capital. It is tasked with quelling the increasingly violent student protests rocking Brazil by overseeing the design of a software program that will adjudicate the degree to which each university applicant is sufficiently black to warrant admittance under new affirmative-action quotas. Before he can come to grips with his feelings about this initiative, not to mention a budding romance with one of his committee colleagues, Federico is called home: his niece has just been arrested at a protest carrying a concealed gun. And not just any gun. A stolen police service revolver that Federico and Lourenco hid for a friend decades before. A gun used in a killing. Paulo Scott here probes the old wounds of race in Brazil, and in particular the loss of a black identity independent from the history of slavery. Exploratory rather than didactic, a story of crime, street-life and regret as much as a satirical novel of ideas, Phenotypes is a seething masterpiece of rage and reconciliation.Trade Review'A searing indictment of racism and privilege in Brazil, and an uncompromising challenge to the country's idealised view of itself as a racial democracy.' Angel Gurria-Quintana, Financial Times ---- 'An artfully plotted tale about race, privilege and guilt . . . careful reading proves richly rewarding.' Lucy Popescu, The Observer ---- 'Phenotypes underscores how difficult antiracist projects can be at any scale...Scott's characters quickly abandon the possibility of a comprehensive solution in favor of stopgap measures that may or may not work. Such are the inadequacies, the novel asserts, of treating entrenched and systemic issues as if they are only skin-deep.' New York Times Book Review ---- 'A compelling exploration of the fraught reality of race relations in Brazil . . . there is much that English-speaking readers stand to gain from the considered, quiet fury of Paulo Scott's novel, not least the expansion of and challenge to modern-day discourses on race.' Laura Garmeson, Times Literary Supplement ---- 'A blistering examination of Brazil's fraught racial history told through two brothers, one light-skinned and one dark-skinned.' Katie Goh, i-D (Books to Read 2022) ---- 'Phenotypes is...brilliant and emotionally resonant. I put it down days ago, and I'm still walking around with it.' Star Tribune ---- 'Phenotypes is a complex, stream-of-consciousness novel about race, culture, and deciding for oneself where one belongs.' Foreword Reviews ---- '[A] profound story of colorism and familial loyalty set in Brazil...The multiple layers combine for a mesmerizing and mature story.' Publishers Weekly starred review ---- 'Scott pours out his indictment of Brazil in long, overflowing sentences that are equal parts outrage and cutting humor. Originally titled Brown and Yellow when it was published in Portuguese...it is not easy to shake off.' Kirkus Review ---- 'Scott seems to have managed to produce a novel that will survive the test of time, a profound interpretation of our time and our country.' Folha de Sao Paulo ---- 'Federico, the white-passing mixed-race narrator of Paulo Scott's stirring new novel Phenotypes, grips you from his opening words, and what a story he has to tell. Ostensibly sending up a Brazilian governmental bureaucracy's attempts to address problems with the racial quota system in its higher education, Scott quickly shows that he has penned a profound, coruscating exploration of race, racism, colorism, family dynamics, class, culture, regionalism, politics, radicalism, and so much more. Scott's intricate, ironic, entrancing narration, skillfully rendered into English by Daniel Hahn, confirms Scott as one of Brazil's finest contemporary writers.' John Keene ---- 'A powerful, complex and very ambitious voice. In the contemporary Latin American literature scene, Paulo Scott is a must-read.' Juan Pablo Villalobos ---- 'Phenotypes demonstrates how the traumas of growing up in a racist society can propel a person of color forward while never letting them escape their past.' Southwest Review ---- '[Phenotypes'] deftly engaging plot . . . twists and turns while exploring race, brotherhood, privilege, and the lasting impact of guilt. Hahn's translation is exemplary, and although this is not an easy read, it is a journey worth taking.' Joshua Rees, Buzz ---- 'Phenotypes is innovative, deftly precise in its form, and utterly profound in its content. Scott's work in bringing contemporary urgencies into fiction is uncomfortable and often unsettling, but necessary-and, ultimately, unforgettable.' Rachel Farmer, Asymptote

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Book SynopsisJuan Pablo Villalobos's fifth novel adopts a gentle, fable-like tone, approaching the problem of racism from the perspective that any position as idiotic as xenophobia can only be fought with sheer absurdity. In an unnamed city, colonised by an unnamed world power, an immigrant named Gaston makes his living selling exotic vegetables to eateries around the city. He has a dog called Kitten, who's been diagnosed with terminal cancer, and a good friend called Max, who's in a deep depression after being forced to close his restaurant. Meanwhile, Max's son, Pol, a scientist away on a scientific expedition into the Arctic, can offer little support. Gaston begins a quest, or rather three: he must search for someone to put his dog to sleep humanely; he must find a space in which to open a new restaurant with Max; and he must look into the truth behind the news being sent back by Pol: that human life may be the by-product of an ancient alien attempt at colonisation . . . and those aliens might intend to make a return visit.Trade Review‘This is a book about xenophobia and racism and the conflicted tug between isolation and community. It makes a fine – and deliciously strange – addition to Villalobos’ already grand personal canon. Wrought with tenderness, wit, and a wonderful sense of absurdity, Villalobos’ latest novel is a triumph.’ Kirkus Starred Review ---- ‘Invasion of the Spirit People is a celebration of closeness, of friendship . . . It implies a vision of the world that is anti-essentialist and anti-territorial, but is instead inclusive.’ Nadal Suau, El Mundo ---- ‘An extraordinary novel that you can read in one sitting and which confirms Villalobos's place among the great writers of the city. Stories of rootlessness like these are as valuable as a sociological treatise, especially when they let you know that there's always a friend nearby to give you a hand, which is something that never appears in manuals.’ Jordi Garrigos, Ara

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Book SynopsisItaly’s great chronicler of the macabre and of growing up geeky. Long before the latest vogue for autofiction, Michele Mari, one of Italy's most beloved authors, cast his mind back to the days of his own childhood, and found it crawling with monsters. Raised on comic books and science fiction, the young Mari constructed an alternate universe for himself untouched by uncomprehending grownups or sadistic peers. Compared to the horrors of real life, Long John Silver and Cthulhu made for positively cuddly company; but little boys raised by beasts may well grow up beastly-or never grow up at all. Waking or sleeping, the obsessions of Mari's youth seem to haunt his every adult thought. You, Bleeding Childhood stands as his first attempt to catalog this cabinet of wonders. Cult classics since their first publication, these loosely connected stories stand as the ideal introduction to a fantasist on a par with Kafka, Poe, and Borges.Trade Review'Short stories from an Italian maestro finally translated into English [...] Amusing, disturbing, intoxicating tales of childhood terrors and obsessions.' Kirkus Reviews, starred review ---- 'Mari makes his English-language debut with a dazzling and sometimes surreal collection of reminiscences on childhood obsessions. [...] Mari delivers trenchant satires of nostalgia with deadpan grace and wit, resulting in stories that are as heartfelt as they are humorous, with great care given to descriptions of the characters' foibles and idiosyncrasies. This is not to be missed.' Publisher's Weekly, starred review ---- 'If I were to give a book award to a living Italian writer, man or woman, I'd pick Michele Mari.' Domenico Starnone, I-Italy ---- 'The greatest living Italian writer.' Andrea Coccia, Linkiesta ---- 'Michele Mari has written only beautiful books. The most beautiful of the beautiful is the short story collection You, Bleeding Childhood.' Elena Stancanelli, La Repubblica ---- 'The charm that Mari exercises on his readers, from the most devoted to the most distracted, is incredible . . . More than anyone else, Michele Mari represents today a model of writer that seems on the point of disappearing - fully literary, lofty, in short, twentieth-century.' Sara Marzullo, Esquire ---- 'Emotion, anger, nostalgia: but also affectionate humour, indulgent sympathy [in] a work that masterfully combines elegance and irony, psychological acumen and an understanding of form, eclectic culture and emotional vulnerability. [The work of a child] who developed an unstoppable passion for adventure books, for comics . . . [who] cultivated a fetishistic relationship with thought, with the imagination; but also with a stubborn self, wounded by the intensity of his perceptions.' Alida Airaghi, SoloLibri ---- 'Michele Mari's mythology is that of the great darkness of Romanticism, even if he contemplates the oceans and the far places of the Earth from the safety of his library. I don't know if he is devoured . . . by an obsession, or if he is deeply enchanted . . . as by a vision he had in a dream . . . [But] he loves the darkness: crisscrossed by lightning, furrowed by thin trails of light. Around that night, his skillful rhetoric builds an endless echo chamber, in which his one voice resounds with the manifold voices of literature itself.' Pietro Citati, La Repubblica ---- 'The world of Michele Mari is a world where monsters and tutelary gods (interchangeable?), where sixteenth-century literature and classic sci-fi pocket paperbacks coexist in sinister harmony; where writing is exorcism and never punishment: the only way to escape the quotidian . . . Mari is one of those writers who feed on their own obsessions, know how to paint them with words and phrases, to arrange those phrases into novels embodying those same obsessions.' Tiziano Gianotti, Linkiesta

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Book SynopsisWinner of the 2020 Leipzig Book Fair Prize Longlisted for the 2022 Prix du Meilleur Livre Etranger Shortlisted for the 2022 Prix Femina etranger #1 on the Spiegel Bestseller List November 1989. The Berlin Wall has just fallen when the East German couple Inge und Walter, following a secret dream they've harboured all their lives, set out for life in the West. Carl, their son, refuses to keep watch over the family home and instead heads to Berlin, where he lives in his father's car until he is taken in by a group of squatters. Led by a shepherd and his goat, the pack of squatters sets up the first alternative bar in East Berlin and are involved in guerrilla occupations. And it's with them that Carl, trained as a bricklayer, finds himself an initiate of anarchy, of love, and above all of poetry. Winner of the prestigious Leipzig Book Fair Prize and a bestseller in German already with 150,000 copies sold, Star 111, musical and incantatory, tells of the search for authentic existence and also of a family exploded by political change which must find its way back together.Trade Review‘There aren’t many books that can be cited as the missing link between Uwe Johnson’s Anniversaries and Roberto Bolaño’s The Savage Detectives, and still fewer that could live up to the comparison, but Lutz Seiler (with impeccable assistance from Tess Lewis) makes it look easy. Star 111 is a brilliant, immersive, sometimes funny, slyly moving book with a main character who walks through the new reality he finds himself in like an astronaut exploring alone beneath a strange, harsh, beautiful sun. A stellar achievement.’ Will Ashon ---- 'It took Lutz Seiler, born in East Germany, thirty years to give to the moment [of the Fall of the Berlin Wall] the full richness of fertile and ambiguous human experience. With its ample narrative and powerful imagination, Star 111 is the "Wenderoman" par excellence, the great novel of the "turn", as German reunification is called.' Christine Lecerf, Le Monde des livres ---- 'The Berlin of Star 111 wakes a longing for a city like no other. You want to linger there in the squatted Assel bar where workers, hookers and departing Soviet soldiers cross paths with anarchists full of ideas.' Frederique Fanchette, Liberation ---- 'The presence of objects have is no doubt one of the most extraordinary things about Star 111. Everything is unique, everything has a price, everything is respected because it is the fruit of work or of making. Nothing is thrown away, everything kept. What if the objects have a soul? Read Star 111 (the title is the name of an East German transistor radio) and understand the real value of an object.' Cecile Dutheil de la Rochere, AOC ---- 'Lutz Seiler reaches the level of a Thomas Pynchon here. [...] This is atmospherically rich, true world literature. World literature is, after all, that which lets me see the world with different eyes, which shows me a part of the world I have not seen before. And this is what Seiler manages to do in Star 111.' Denis Scheck, SWR lesenswert ---- 'Star 111 reveals the fiery nucleus of everything political, its dual nature: the unity of poetic rapture and the mysticism of the revolution. [...] Lutz Seiler has the ability to describe the ridiculous, overheated and even the unconscionable of that political romanticism without having to denounce the original impulse. That's what makes Star 111 great literature.' Ijoma Mangold, Die Zeit ---- 'Star 111 is a novel full of hard-hitting, deeply moving psychology, full of scenes in which people shake the foundations of a reality that is in the process of creating new laws for itself.' Paul Jandl, Neue Zurcher Zeitung ---- 'The [goat in the novel], the reader understands, knows neither longing nor nostalgia. The fact that the novel shares, in this regard, the view of a goat, is its last and biggest virtue.' Thomas Steinfeld, Suddeutsche Zeitung ---- 'For the second time now Lutz Seiler has achieved something rather extraordinary: to talk about how one actually leads a poetic existence, a matter that is as euphoric as it is cruel, in a novel that is "accessible" in the best sense of the word.' Jan Wiele, Frankfurter Allgemeine Zeitung ---- 'Lutz Seiler talks about a city and a time that seemed to have been exhausted in fiction. But he creates a new fascination.' Jona Nietfeld, Der Tagesspiegel ---- 'It has been a long time since anyone has talked about those foggy years, glossed over with garish colours by other writers scores of times, more movingly than Lutz Seiler.' Anja Maier, die tageszeitung ---- 'Seiler tells a story of freedom in a poetically-precise style.' Der Spiegel ---- 'This is much more than a historical novel. It condenses an era and invokes the great panoramas of consciousness of modernity in a highly independent way.' Helmut Boettiger, Deutschlandfunk Kultur ---- 'This unexpected novel about post-reunification from the partially decayed, far from gentrified Berlin convinces with its unique atmospheric density, its gentle irony and the devotion to the matter at hand.' Bayerischer Rundfunk ---- 'With Star 111, Lutz Seiler presents a great novel that talks enchantingly about departures and downfalls, about social utopias and societal realities, about humiliation and pride. Fascinating.' Katja Weise, NDR Kultur ---- 'What distinguishes it from the many Berlin-Reunification-books is that there is not a trace of caricature, no manipulative narrative, but still captivating entertainment.' Roland Gutsch, Nordkurier ---- ‘Drawing on a history at once recent and ever more distant, Seiler's dazzling novel recounts just what must be lost for an artist to be made.’ Roland Bates, Kirkdale Books

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Book SynopsisGriselda is the mother of three children, two boys and one girl. On a winter day in the mid-1980s, while exiled in France, she drowned her two sons in the bathtub. After a lapse of more than thirty years, the narrator tracks down the survivors of this family tragedy. She delves into their story in an attempt to approach these barely credible events, and ends up – in the depths of darkness – getting a glimpse of love and life. Laura Alcoba’s subtle, gentle writing accurately captures her characters’ humanity, without any overwrought sentiment, nor emphasis, in spite of the horrific facts. We feel the presence of beings resonating without, however, anyone ever being able to unlock the mystery of Griselda’s act – even Griselda herself. Trade Review“The delicacy and intelligence shown by Laura Alcoba to tell or, more exactly, to try to understand the ins and outs of the double infanticide which took place in an apartment of Argentinian exiles that she herself frequented as a child, make Through the Forest an even more exceptional book.” —Le Monde

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Book Synopsis"Despite the hordes of people packing the theatre that day, I can't remember a single face."An extended meditation on the world of Korean cinema, the blockbuster versus the independent artist, its trends and its characters and role in society, as seen through the eyes of a film enthusiast narrator and their interactions with those around them, each on their own journey.

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Book Synopsis"The bloodstains on the linoleum were impossible to remove completely."A madcap, sci-fi, found-family caper set in a world where a small group of people, known as 'monsters', have developed odd special powers or traits necessitating their voluntary, or less voluntary, incarceration while the state works out what to do with them and which builds to a wonderfully comic set-piece, charmingly told with tenderness and wry humour.

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Book Synopsis"I simply shrugged at her like a westerner, which did nothing to temper the bottled-up shame and simmering anger within me."A cranky woman of letters ends up investigating after a story submitted for a writing competition at a government sponsored magazine is pulled from publication by its author, and in doing so finds a story of her own.

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Book Synopsis"Are you referring to the 'strange and sorrowful coincidences'? That's what I call them. I don't know what you've heard, but they're no ordinary, everyday thing, just so we're clear."A young woman rumoured to be possed of a strange supernatural ability and a young man take a walk. As she tells him her story it emerges that he has a specific request of her concerning a problem of his own. A charming tale of unlikely friendship found.

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Book Synopsis"If I had to choose the richest person whom I would call a friend, I would pick Han Seung-hui."A reconnection with an old friend leads to an intriguing party invite with surprising results and, through this simple tale and the progress of a single relationship, but from separate and very different worlds, a deeper story is told of contemporary society and class.

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Book Synopsis"My name is きょうこ, Kyoko, I am Korean ... I have something important to tell you."A subtly disorienting story of reminiscences between a mother and daughter as they each in their own way struggle with the effects of the mother's encroaching dementia. As they each try to piece together the fragments of a traumatic history, through doing so they tell a wider story of Korea itself.

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Book SynopsisSex, lies, and scientific history collide in 1993 Havana.It was as if we’d reached the minimum critical point of a mathematical curve. Imagine a parabola. Zero point down, at the bottom of an abyss. That’s how low we sank.The year is 1993. Cuba is at the height of the Special Period, a widespread economic crisis following the collapse of the Soviet bloc.For Julia, a mathematics lecturer who hates teaching, this is Year Zero: the lowest possible point. But a way out appears: the search for a missing document that will prove the telephone was invented in Havana, secure her reputation, and give Cuba a purpose once more. What begins as an investigation into scientific history becomes a tangle of sex, friendship, family legacies, and the intricacies of how people find ways to survive in a country at its lowest ebb.Trade ReviewEnglish PEN (Award)Carbet de la Caraïbe et du Tout-monde (Winner)Insular Book Award (Winner)"A breezy, engaging and cunningly plotted tour of a resilient city and culture. (4 stars)" —The Arts Desk"A terrifically enjoyable read." —Irish Times"Equal parts historical novel, comedy of errors and detective story, Suárez portrays with extraordinary voluptuousity and suggestiveness one of the toughest periods of this Caribbean island." —El Mundo"An astonishing novel." —Le Figaro Littéraire"'The Name of the Rose' Cuban-style...A masterpiece." —Marie Claire"A brilliant, intense mystery." —BookBlast"A delightfully unusual detective story." —Shiny New Books"Suarez’s prose, and Christina MacSweeney’s translation, is conversational, beautifully written and manages wonderfully to evoke Havana as a city in crisis without the situation seeming hopeless." —The Sock Drawer"A magisterial and innovative demonstration of first-person narration." —Reading in Translation"Suárez’s sharp, engaging prose grows organically out of a clear and unique narrative voice." —Necessary Fiction"Quirky, poignant, and very relevant for our times." —Lucy Writers"Havana Year Zero is like a set of Russian dolls; its many layers fit together in a firm and satisfying way." —Lunate"Suárez’s kaleidoscopic take on recent Cuban history is worth a look." —Publishers Weekly"‘Havana Year Zero’, is one of those few precious books that humbly offers up sentences that you take forward into the world, sharp bifurcating sentences, dissecting sentences, that swiftly bring sense to confusion, order to chaos. " —Callum Churchill, Mr B's Emporium"Suárez applies chaos theory to Cuba." —Le Temps"A brilliant, joyful and beautiful novel." —Leer"The original plot, narrated like a mathematical conundrum, and the apocalyptic portrait of Havana in 1993 are two of the great attractions of this novel." —La Libre Belgique"With incisive and restrained language, Suárez portrays a country ravaged by the economic crisis." —Le Matin d'Algérie"Rich in the ingredients typical of the best literature: a good story, with rhythm and flow, but also sensibility, elegance, intelligence and a sense of humour." —Duas margens

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Book SynopsisByobu reveals a rich inner world, one driven by its meticulous attention to our rich outer one."a story’s existence, even if not well defined or well assigned, even if only in its formative stage, just barely latent, emits vague but urgent emanations."Byobu's every interaction trembles with possibility and faint menace. A crack in the walls of his house, marring it forever, means he must burn it down. A stoplight asks what the value of obedience is, what hopefulness it contains, and what insensible anarchy it defies. In brief episodes, aphorisms, and moments of spiritual turbulence and gentle scrutiny, reside a wealth of habits, worries, curiosities, pleasures, peculiarities, and efforts to understand.Representative of the modesty and complexity of Ida Vitale’s poetic universe, Byobu flushes the world with meaning and playfully offers another way of inhabiting the every day.Trade Review"the best book of 2021 just arrived. Search no further. All the other contenders tapped out while this masterpiece was being completed." —ABC Cultural"Vitale’s prose is drop dead gorgeous and Byobu an enchanting mix of the wise, the ruminative, and the poetic." —Jeremy Garber, Powell's Bookshop"A fascinating glimpse into the poet’s intricate world." —Morning Star"Extraordinary... giving due attention to Vitale’s prose will bring you reassurance and optimism" —Lunate**********Praise for Ida Vitale Winner of Miguel de Cervantes Prize (2018). Named by BBC as one of the 100 most influential women of 2019. Winner of Reina Sofía Prize for Latin American Poetry (2015). ‘In Byobu , the veteran Uruguayan poet Ida Vitale gives us a holy fool for the twenty-first century. The responses of her childish everyman to the contemporary life she’s constructed for him are puzzled yet direct, wry yet fresh. A series of exquisitely rendered vignettes see him struggle, existentially alone, to make sense of park life, insomnia, or a conference roundtable. But behind the humour and pathos rumbles the entire western philosophical tradition. This complex late masterpiece, published when Vitale was 95, offers plenty of questions but – of course – no answers.’Fiona Sampson MBE FRSL‘An alchemical abecedary in which the ever-insubordinate imagination of Ida Vitale fashions delicate miniatures, origami animals, to a rebellious horology set by tourbillon. The eye as instrument coalesces words into a double play: classical forms and experimentation, contradictio in adiecto , the paradox of language paints the colored screen, biombo , byobú, between ourselves and the mystery. Odilon Redon, Queneau and Calvino meet Voltaire in the hands of master watchmaker Vitale who whispers: linear time is but an illusion.’Valerie Miles‘Byobu offers a journey both mysterious and epiphanic. Signposted by exquisite vocabulary and writing that is not simple, where each word possesses its own weight and music’Babelia‘Ida Vitale is a woman of almost legendary courage. Due to her long and intense life, she has become an exceptional witness of Latin America and its literature.’Salient Women‘Ida Vitale’s writing succeeds like few others in encountering that harmonious figure (…) hidden and woven between the hurtful protrusions of reality, among the amorphous noise of chaos.’El País

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Book SynopsisThe weird, fetid, familiar discomfort of family is front and centre in these short stories of all the ways we remain a mystery to each other.The mysteries of kinship (families born into and families made) take disconcerting and familiar shapes in these refreshingly frank short stories. A family is haunted by a beast that splatters fruit against its walls every night, another undergoes a near-collision with a bus on the way home from the beach. Mothers are cold, fathers are absent—we know these moments in the abstract, but Adaui makes each as uncanny as our own lives: close but not yet understood.Trade Review"haunting….Adaui’s poetic prose elevates the poignancy of these mostly somber stories" —Publishers Weekly"A kaleidoscopic collection that takes a sharp, dark look at family and how we survive it." —Kirkus"A softly beguiling book that pulls the reader into its complexity and investigation of deeply vicious themes." —The Arts Desk"Brief, incendiary tales, flaring into being." —Irish Times"With this book Katya Adaui consolidates her position as one of the most subtle and original Peruvian writers in recent years." —El País"Adaui belongs to a resurgence of women storytellers who have restored the pleasure of reading stories that leave us suffering from their sweet intoxication." —WMagazín

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Book SynopsisWhat happens when two revolutionaries are left with nothing to believe in, not even each other?Never Did the Fire unfolds in the humdrum of everyday working class existence, making the afterlife of an agitator that of anyone living next door. For one old couple, brought together years ago in an underground cell, the revolution has ended in a small apartment, a grinding job caring for the bodies of the unwell well-to-do, and all the aches and pains that go with a long life and a long marriage. Untethered from the political action that defined them, and mourning the loss of their child, their bonds dissolve, but the consequences of their former life, and their dependence on each other, won't let them go.A literary icon in Chile and a major figure in the anti-Pinochet resistance, Diamela Eltit is at the height of her powers in this novel of breakdowns. Never Did the Fire evokes the charged air of Chile's violent past, and the burdens it carries into the present-day, when the structures we built, and the ones we succumbed to, no longer offer us any comfort or prospect of salvation.Trade Review"Never Did the Fire will be a first-rate literary experience for any reader." —El País"One of the greatest merits of Diamela Eltit’s work is the way she narrates failure from the interior of her language." —Letras Libres************Praise for Diamela Eltit Guggenheim Fellowship, 1985 Prize José Nuez Martín, 1995 for Los vigilantes Nominated to Altazor Award 2001 in the category of literary essay with Emergencias. Escritos sobre literatura, arte y política Prize Iberoamericano de Letras José Donoso 2010 Nominated to Altazor Award 2011 with the novel with Impuesto a la carne Finalist in the Prize Rómulo Gallegos 2011 with Impuesto a la carne Finalist for the Neustadt International Prize for Literature 2012 Altazor Award 2014 in the fiction category for Fuerzas especiales Simón Bolívar Professor at University of Cambridge (2014) National Prize for Literature (Chile), 2018 "Her novels are radical projects that dispute the public space, the national interpretation and the role of genres under authoritarian conditions. (...) Her writing has an avant-gardist’s freedom of forms, a political reaffirmation of margins, and an exploratory and rebellious edge." Julio Ortega, BOMB magazine‘One of the most brilliant literary voices in the region (…). Eltit writes furiously.’BBC Mundo

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Book SynopsisMount Everest, and all it means to royalty, explorers, imperialists, and two sherpas, perched on a cliffside, waiting for a man on the ledge below to move.A British climber has fallen from a cliffside in Nepal, and lies inert on a ledge below. Two sherpas kneel at the edge, stand, exchange the odd word, waiting for him to move, to make a decision, to descend. In those minutes, the world opens up to Kathmandu, a sun-bleached beach town on another continent, and the pages of Julius Caesar. Mountaineering, colonialism, obligation—in Sebastián Martínez Daniell's effortless prose each breath is crystalline, and the whole world is visible from here.Trade Review"Daniell reveals a fascinating universe in scintillating prose, precisely translated by Croft….It’s a stunner." —Publishers Weekly, starred review"An ambitiously inventive, profoundly intelligent trek through highly personal experiences of lingering imperialism." —Kirkus, starred review"Brilliantly tangential...this book becomes a viewpoint from which we can see the whole world." —The Observer"Daniell uses a neat cast of characters, a sprinkling of sub-tales and a touch of comedy to create a story far broader than the reader might expect, an acerbic dissection of a tired world order and personal history of two very different individuals." —Lunate"Two Sherpas is sheer brilliance, a book that had me hooked in anticipation from its opening pages. It’s a wake up call." —Word by Word**********Praise for Sebastián Martínez Daniell"Daniell reveals a fascinating universe in scintillating prose, precisely translated by Croft….It’s a stunner." —Publishers Weekly, starred review"An ambitiously inventive, profoundly intelligent trek through highly personal experiences of lingering imperialism." —Kirkus, starred review"Brilliantly tangential...this book becomes a viewpoint from which we can see the whole world." —The Observer

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Book SynopsisQueen of French Noir, Johana Gustawsson returns with a spell-binding, dazzlingly dark gothic thriller that swings from Belle Époque France to 21st-century Quebec, with an extraordinary mystery at its heart … FIRST in a bewitching new series **Shortlisted for the CWA Crime in Translation Dagger** `A wonderfully dark, intricately woven historical thriller spanning three generations … it will have you hooked from the very first page' B A Paris `A gripping story of murder and black magic …Gustawsson slowly weaves together three seemingly disparate strands of her narrative with a skill that shows why she is such an admired crime writer in her native France´ The Times BOOK OF THE MONTH `Intriguingly dark and vivid, and so cleverly told through three different time frames´ Essie Fox ________________ Three women Three eras One extraordinary mystery…1899, Belle Époque Paris. Lucienne’s two daughters are believed dead when her mansion burns to the ground, but she is certain that her girls are still alive and embarks on a journey into the depths of the spiritualist community to find them. 1949, Post-War Québec. Teenager Lina’s father has died in the French Resistance, and as she struggles to fit in at school, her mother introduces her to an elderly woman at the asylum where she works, changing Lina’s life in the darkest way imaginable. 2002, Quebec. A former schoolteacher is accused of brutally stabbing her husband – a famous university professor – to death. Detective Maxine Grant, who has recently lost her own husband and is parenting a teenager and a new baby single-handedly, takes on the investigation. Under enormous personal pressure, Maxine makes a series of macabre discoveries that link directly to historical cases involving black magic and murder, secret societies and spiritism … and women at breaking point, who will stop at nothing to protect the ones they love… _________________ `This novel is a whirlpool that draws you irresistibly into levels of darkness so much deeper than you can possibly be ready for´ Ambrose Parry `I found myself racing through the book, always wanting one more page, one more chapter. A wonderfully creepy, unsettling read, with a superb twist in its tail´ James Oswald `Gustawsson’s writing is so vivid, it’s electrifying. Utterly compelling´ Peter James `I was hooked from the first page – a stunning and beautifully written gothic thriller full of atmosphere, intrigue and delight´ Alexandra Benedict `Brilliant … the last chapters knocked me sideways, and it’s a long time since that’s happened´ Lisa Hall `A dark world of elegance and grotesque … mesmeric´ Matt Wesolowski `Harrowing, compelling, haunting, vivid, twisty and shocking! ´ Noelle Holten `A powerful page-turner´ Livres Hebdo ***NUMBER ONE BESTSELLER IN FRANCE*** FOR FANS OF Laura Purcell, Stacey Halls, Bridget Collins, Anna Mazzola, Essie Fox, Ambrose Parry and Laura Shepherd-Robinson Praise for Johana Gustawsson `A satisfying, full-fat mystery´ The Times `Assured telling of a complex story´ Sunday Times `A real page-turner, I loved it´ Martina Cole `A bold and intelligent read´ Guardian `Utterly compelling´ Woman’s Own `Cleverly plotted, simply excellent´ Ragnar Jónasson `A must-read´ Daily Express `Gritty, bone-chilling, and harrowing – it’s not for the faint of heart, and not to be missed´ Crime by the Book `A relentless heart-stopping masterpiece´ New York Journal of Book

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Book SynopsisCan everyone’s favourite insurance mathematician, Henri, combine the increasingly dangerous world of adventure parks with the unpredictability of blended-family life? He’s about to find out in the final instalment of the hilarious, nail-biting Rabbit Factor Trilogy. 'A joyous, triumphant conclusion to Tuomainen’s trilogy … the comic thriller of the year' Sunday Times THRILLER OF THE YEAR ‘Quirky crime capers don’t come more left field than the Rabbit trilogy … extremely funny, with a wicked line in social satire’ Daily Mail ‘One of those rare writers who manages to deftly balance intrigue, noir and a deliciously ironic sense of humour’ Vaseem Khan _______ Henri Koskinen, intrepid insurance mathematician and adventure-park entrepreneur, firmly believes in the power of common sense and order. That is until he moves in with painter Laura Helanto and her daughter… As Henri realises he has inadvertently become part of a group of local dads, a competing adventure park is seeking to expand their operations, not always sticking to the law in the process… Is it possible to combine the increasingly dangerous world of the adventure-park business with the unpredictability of life in a blended family? At first glance, the two appear to have only one thing in common: neither deals particularly well with a mounting body count. In order to solve this seemingly impossible conundrum, Henri is forced to step far beyond the mathematical precision of his comfort zone … and the stakes have never been higher… Warmly funny, quirky, touching, and a nail-biting triumph of a thriller, The Beaver Theory is the final instalment in the award-winning Rabbit Factor Trilogy, as Henri encounters the biggest challenge of his career, with hair-raising results… Soon to be a major motion picture starring Steve Carell ––––––––– Praise for the Rabbit Factor Trilogy: ‘Finland's greatest export’ M.J. Arlidge ‘The funniest writer in Europe’ The Times ‘Thrilling and warmly human. In these uncertain times, what better hero than an actuary?' Chris Brookmyre ‘Delightfully funny’ Guardian ‘Unlike anything else out there' The Times ‘A thrilling and hilarious read’ Liz Nugent ‘Charming, funny and clever, this is a novel to cheer up anyone who is finding life a little tough’ Literary Review ‘A delight from start to finish’ Big Issue 'Original and brilliant story-telling' Helen FitzGerald ‘A coruscating comedy’ Sunday Times 'You don’t expect to laugh when you’re reading about terrible crimes, but that’s what you’ll do when you pick up one of Tuomainen’s decidedly quirky thrillers' New York Times ‘A refreshing change from the decidedly gloomier crime fiction for which Scandinavia is known’ Publishers Weekly Right up there with the best’ Times Literary Supplement ‘A thriller with black comedy worth of Nabokov’ Telegraph

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Book SynopsisThe reader arrives in Adam Bodor's world, the periphery of civilization, at the break of dawn. Adam, the foster son of Brigadier Anatol Korkodus is waiting at the dilapidated station for a boy who is arriving from a reformatory. Soon afterwards, Korkodus is arrested for unfathomable reasons. Yet this decaying and sinister world is not devoid of a certain joie de vivre: people eat gourmet dishes, point out their interlocutor's hidden motives with incredibly dark humor and enjoy the region's stunning natural beauty.

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Book SynopsisIn the sixteenth century, on the island of Hven, the pioneering Danish astronomer, Tycho Brahe, is undertaking an elaborate study of the night skyA great mind and a formidable personality, Brahe is also the world’s most illustrious noseless man of his time. Told by Brahe and his assistants—a filthy cast of characters—Sublunar is both novel and almanac. Alongside sexual deviancy, spankings, ruminations on a new nose—flesh, wood, or gold?—Brahe (a choleric and capricious character) and his peculiar helpers (“I would rather watch her globes tonight than icy stars”) take painstaking measurements that will revolutionize astronomy, long before the invention of the telescope. Meanwhile the plague rages in Europe…The second in Voetmann’s triptych of historical novels, Sublunar is as visceral, absurd, and tragic as its predecessor, Awake, but with a special nocturnal glow and a lunatic-edged gaze trained on the moon and the stars.

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Book Synopsis

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Book Synopsis

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Book Synopsis

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