Fiction in translation

Book SynopsisA SEARING HOT SUMMER READ FOR FANS OF SALTBURN AND THE TALENTED MR RIPLEY.'Addictive, evocative and effortlessly stylish' Culturefly 'Very much for fans of The Secret History . . . glamorous' Pandora Sykes 'A cool smart choice for the beach this summer' Daily MailWhen Hanna moves to Spain for an internship at the prestigious Prado gallery, she finds herself spending her days buried in the museum's stifling archives, and her nights alone in a tiny rented flat.Then one day she sees them; Tom, Samuel, and Leah. Glamorous and elegant, they are also foreigners in the city. But unlike her they are fabulously wealthy, their lives an endless whirl of creativity and hedonism. And when Hanna discovers an uncatalogued 17th century etching in the archive, she makes a decision which changes everything . . . Taking us from the sultry streets of Madrid to the gleaming world of Mediterranean luxury villas and exclusive art world parties, The Group is a timeless story of hidden identity and obsession. (Translated by Rachel Willson-Broyles).

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Book SynopsisTHE ACCLAIMED FULLY REVISED EDITION OF THE SCOTT MONCRIEFF AND KILMARTIN TRANSLATIONIn the two novels - The Captive and The Fugitive - contained in this volume, Proust''s narrator is living in his mother''s apartment in Paris with his lover, Albertine. However, this is far from an idyllic state of affairs. His obsessive love for her means that their relationship is shadowed by jealousy and headed for tragedy.Trade ReviewOh if I could write like that! -- Virginia WoolfOne of the cornerstones of the Western literary canon * The Times *Proust sinks deepest in readers because the book is so exhaustively analytical, so ceaselessly truthful... The experience of reading [the book] becomes, in itself, an unforgettable thing * Independent *The way he replicates the workings of the mind changed the art of novel-writing forever...his style is extraordinary, enveloping, captivating * Guardian *There are many who swear the experience has permanently enriched their lives * Daily Mail *

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Book SynopsisA collection of some of Tolstoy''s most powerful powerful storiesThe violent spiritual crisis in Tolstoy''s life that inspired his last period of creativity produced the stories in this compelling and startling collection. They portray the multifaceted nature of desire, from idealistic romance to sexual jealousy, from desperate lust to relentless longing. The K reutzer Sonata caused a public sensation with its indictment of so-called Christian marriage, a theme echoed in Family Happiness. In The Devil, a young man finds it impossible to resist a beautiful peasant woman with whom he had an affair before his marriage. And Father Sergius shows a man going to increasingly desperate ends in order to avoid the temptations of the flesh.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and

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Book SynopsisSince the original prewar translation there has been no completely new rendering of the French original into English. This translation brings to the fore a more sharply engaged, comic and lucid Proust. IN SEARCH OF LOST TIME is one of the greatest,most entertaining reading experiences in any language. As the great story unfolds from its magical opening scenes to its devastating end, it is the Penguin Proust that makes Proust accessible to a new generation.Each volume is translated by a different, superb translator working under the general editorship of Professor Christopher Prendergast, University of Cambridge.

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Book SynopsisSince the original, prewar translation there has been no completely new rendering of the French original into English. This translation brings to the fore a more sharply engaged, comic and lucid Proust. IN SEARCH OF LOST TIME is one of the greatest, most enjoyable reading experiences in any language. As the great story unfolds from its magical opening scenes to its devastating end, it is the Penguin Proust that makes Proust accessible to a new generation.Each book is translated by a different, superb translator working under the general editorship of Professor Christopher Prendergast.

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Book SynopsisSince the original, prewar translation there has been no completely new rendering of the French original into English. This translation brings to the fore a more sharply engaged, comic and lucid Proust. IN SEARCH OF LOST TIME is one of the greatest, most entertaining reading experiences in any language. As the great story unfolds from its magical opening scenes to its devastating end, it is the Penguin Proust that makes Proust accessible to a new generation. Each book is translated by a different, superb translator working under the general editorship of Professor Christopher Prendergast, University of Cambridge.

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Book SynopsisAlbinus - rich, married middle-aged and respectable - is an art critic and aspiring filmmaker who lusts after the coquettish young cinema usherette Margot. Gradually he seduces her and convinces himself he is irresistible to her, but Margot has other plans. She wants to be a film star, and when Albinus introduces her to the American movie producer Axel Rex, she sees her chance - and plotting, duplicity and tragedy ensue.

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Book Synopsis''Nabokov can move you to laughter in the way that masters can - to laughter that is near to tears'' GuardianLev Ganin is a young officer sharing a boarding house in Berlin with a host of Russian émigrés. Alone in his room, he dreams of his first love, Mary. Awash with memories of youth and idyllic scenes of pre-Revolution Russia, Ganin becomes convinced that Mary is in fact the wife of a fellow-boarder, due to arrive at this very house soon. He longs for her arrival, when he can whisk her away and leave everything behind ...

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book Synopsis''His artistry is supreme'' John BanvilleThey suddenly found themselves in an impersonal world, where everyday words no longer seemed to mean anything, where the most mundane details were translated into unintelligible formulae. The judges'' black gowns, the ermine, the prosecutor''s red robe further added to the impression of a ceremony set in stone where the individual counted for nothing Maigret receives an anonymous phone call concerning the brutal murder of a woman and young child. The tip off concerns the woman''s nephew, a mild-mannered man by the name of Gaston Meurant. Maigret remains unconvinced of the man''s guilt and at his trial exposes some shocking truths about Meurant''s private life that may prove his innocence.''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' GuardianTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisA Brazilian Lord of the Flies, about a group of boys who live by their wits and daring in the slums of BahiaA Penguin ClassicsThey call themselves “Captains of the Sands,” a gang of orphans and runaways who live by their wits and daring in the torrid slums and sleazy back alleys of Bahia. Led by fifteen-year-old “Bullet,” the band—including a crafty liar named “Legless,” the intellectual “Professor,” and the sexually precocious “Cat”—pulls off heists and escapades against the right and privileged of Brazil. But when a public outcry demands the capture of the “little criminals,” the fate of these children becomes a poignant, intensely moving drama of love and freedom in a shackled land.Captains of the Sands captures the rich culture, vivid emotions, and wild landscape of Bahia with penetrating authenticity and brilliantly displays the genius of Brazil’s Trade Review“Amado was writing to save his country’s soul. . . . The scenes where the captains of the sands manage to fool the rich of the city and get away with it would have made Henry Fielding or Charles Dickens proud.” —Colm Tóibín, from the Introduction“Indispensable . . . if you want to feel the intensity of life on the streets of Salvador.” —Itamar Vieira Junior, The New York Times "Amado is Brazil's most illustrious and venerable novelist."—The New York Times “Brazil’s leading man of letters . . . Amado is adored around the world!” —Newsweek

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Book SynopsisJustine's attachment to virtue attracts nothing but misfortune, and she is subjected to an unending catalogue of sexual abuse. Sade's best-known novel, it overturns all religious, moral, and political norms, and still has the power to shock. This new translation of the 1791version is the first for over 40 years, and the first critical edition.

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book Synopsis''The father of contemporary European detective fiction'' Ann Cleeves''Maigret had never been comfortable in certain circles, among the wealthy bourgeoisie where he felt clumsy and awkward ... Built like a labourer, Oscar Chabut had hauled himself up into this little world through sheer hard work and, to convince himself that he was accepted, he felt the need to sleep with most of the women.''When a wealthy wine merchant is shot in a Paris street, Maigret must investigate a long list of the ruthless businessman''s enemies before he can get to the sad truth of the affair.''One of the greatest writers of the twentieth century'' GuardianTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewGem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor * Times *Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts. * Margaret Atwood *One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere. * Financial Times *Simenon's supreme virtue as a novelist, to burrow beneath the surface of his characters' behaviour; to empathise . . . it is this unfailing humanity that makes the Maigret books truly worth reading * Guardian *Terrific...the 75 Inspector Maigret books are almost uniformly wonderful. They are not crime or even detective fiction as ordinarily understood...they are about human foibles, moral failings and compromises, set in an evocatively atmospheric Paris * Sunday Times *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisA deliciously funny and moving comedy-of-manners about a Chinese father and son''s experiences at the height of London''s Jazz Age''He was in London - why be bothered looking at it? Wasn''t it bad enough just being there?''Newly arrived from China, Mr Ma and his son Ma Wei run an antiques shop nestled by St Paul''s Cathedral, where they try to make a living amid the smog and bustle of 1920s London. As they struggle with money, misunderstandings and the ways of the English - from the overbearing patronage of missionary Reverend Ely to their well-meaning landlady Mrs Weddeburn and her carefree daughter - can understanding, even love, blossom? Both a moving story of the Chinese immigrant experience and a bitingly funny satire on the English, Mr Ma and Son delicately portrays the dreams and disappointments of those seeking a new life in a distant land.Translated by William Dolby, with an introduction by Julia Lovell

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Book SynopsisThe second novel in the Inspector Bordelli series set in 1960s Florence - the detective must race to unmask a particularly brutal killer.Trade Review'A real find for anyone who likes their crime novels atmospheric, discursive, humorous and thought-provoking.' * Guardian *'[Italian] writers are justifiably growing in popularity here: Marco Vichi deserves to be among them . . . [Bordelli] is stubborn, womanless, cynical and impatient, but strangely appealing.' * Marcel Berlins, The Times *With a love of food and drink, a fine sense of justice and a desire to help the underdog Bordelli is a likeable hero. This second book in the series is a delight * www.shotsmag.co.uk *Filled with interesting character sketches and the dirt of Italian street life DEATH AND THE OLIVE GROVE is a haunting and troubling crime story. * Barry Forshaw, www.crimetime.co.uk *'Vichi's stellar first in a new mystery series introduces endearingly melancholic Inspector Bordelli . . . [and] delivers a plausible solution worthy of a golden age crime novel. Readers will look forward to seeing more of this flawed hero.' * Publishers Weekly, starred review on DEATH IN AUGUST *'When I first reviewed DEATH IN AUGUST by Marco Vichi back in June 2011 I knew before I'd finished reading the book that Hodder had a hit on their hands . . . [they] have once again delivered an outstanding package combining an envious narrative, a colourful and multi-faceted detective and a cornucopia of Italian food to die for . . . Magical and moreish' * www.milorambles.com on DEATH AND THE OLIVE GROVE *[The Inspector Bordelli books] feature a fascinating cop and disillusioned anti-hero who rails against both injustice and the corrupt system but faces classic murder cases with a familiar Christie-like ring * Maxim Jakubowski *'Over the course of his police procedurals, Vichi shows us ever more secret and dark sides to an otherwise sunny and open city. But his happiest creation, in my opinion, remains the character of Inspector Bordelli, a disillusioned anti-hero who is difficult to forget.' * Andrea Camilleri *

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Book SynopsisA BBC TWO BETWEEN THE COVERS BOOK CLUB PICKOne relentlessly hot summer, six children explore the scorched wheat fields that enclose their tiny Italian village. When the gang find a dilapidated farmhouse, nine-year-old Michele Amitrano makes a discovery so momentous that he dare not tell a soul. It is a secret that will force Michele to question everything and everyone around him, and will bring his innocent world toppling down. An unputdownable thriller, I'm Not Scared has become a contemporary classic in Italian literature, read and celebrated the world over.Trade ReviewAn exquisite parable * * Daily Telegraph * *A deft masterpiece with never a false note * * Guardian * *Ammaniti's prose is faultless from the first * * Independent on Sunday * *The new Italian word for talent is Ammaniti * * The Times * *Beneath this simplicity, Ammaniti weaves in the fairytale metaphors we know so well, giving the novel a haunting profundity * * Sunday Herald * *

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Book SynopsisAn international sensation, Small Country is a beautiful but harrowing tale of coming-of-age in the face of civil war.'A luminous debut novel…Faye dramatises the terrible nostalgia of having lost not only a childhood but also a whole world to war' GuardianBurundi, 1992. For ten-year-old Gabriel, life in his comfortable expat neighbourhood of Bujumbura with his French father, Rwandan mother and little sister, Ana, is something close to paradise. These are happy, carefree days spent with his friends sneaking cigarettes and stealing mangoes, swimming in the lake and riding bikes in the streets they have turned into their kingdom. But dark clouds are gathering over this small country, and soon their peaceful idyll will shatter when Burundi and neighbouring Rwanda are brutally hit by war.‘Unforgettable… Gaël Faye’s talent is breathtaking’ Imbolo Mbue, author of Behold the DreamersTrade Reviewan excellent novel, a model of restraint and quiet literary sophistication * Sunday Times *[A] luminous debut novel… This is a book that demanded to be written... With a light touch, Faye dramatises the terrible nostalgia of having lost not only a childhood but also a whole world to war -- Nadifa Mohamed * Guardian *An evocative portrait of what it means to lose one’s freedom and innocence. Gaël Faye’s literary powers lie in his unbridled honesty and his effortless prose. He is a writer of great promise and grace -- Chigozie Obioma, author of The FishermenUnforgettable… Gaël Faye’s talent is breathtaking; no country that can give the world a writer like him should ever be called small -- Imbolo Mbue, author of Behold the Dreamersas beautiful as it is painful... It's easy to see why it set the French literary scene alight. This is one you won't be abandoning in the hotel library when you leave. -- Sam Baker * The Pool *

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Book SynopsisThis deeply personal work, follows the changing fortunes of the Mau-Tempo family – poor, landless peasants not unlike the author’s own grandparents. Saramago charts the lives of the family in Alentjo, southern Portugal, as national and international events rumble on in the background – the coming of the republic in Portugal, the First and Second World Wars, and an attempt on the dictator Salazar's life. Yet, nothing seriously impinges on the farm labourers' lives until the first stirrings of communism.

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Book SynopsisKarl Ove Knausgaard explores the day to day realities of fatherhood in the ultimate literary gift for dads. How to be a good father? Children’s birthday parties, unsuccessful family holidays, humiliating antenatal music classes: the trials of parenthood are all found in Knausgaard’s compelling and honest account of family life. Contrasting moments of enormous love and tenderness towards his children with the boring struggles of domesticity, this is one father’s personal experience, and somehow, every father’s too.Selected from the book A Man in Love by Karl Ove KnausgaardVINTAGE MINIS: GREAT MINDS. BIG IDEAS. LITTLE BOOKS.A series of short books by the world’s greatest writers on the experiences that make us humanAlso in the Vintage Minis series:Desire by Haruki MurakamiBabies by Anne EnrightEating by Nigella LawsonLanguage by Xiaolu GuoTrade ReviewA stunningly eloquent set of reflections on masculinity, domesticity and the artist's itch to escape * Independent *Imagine our joy when Vintage announced that it is publishing a collection of easily digestible books from the world’s most celebrated writers on the experiences that make us human… They look good and read well. That’s win/win in our book. * Stylist *

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Book Synopsis'What a great novel, its language and storytelling so light but also raw and lyrical. A tremendous writer. Read this book' ADRIAAN VAN DIS. Alan Noland discovers his father's memoirs and learns the truth about the violent man he despised. In this unsparing family history, Alan distils his father's life in the Dutch East Indies into one furious utterance. He reads about his work as an interpreter during the war with Japan, his life as an assassin, and his decision to murder Indonesians in the service of the Dutch without any conscience. How he fled to the Netherlands to escape being executed as a traitor and met Alan's mother soon after. As he reads his father's story Alan begins to understand how war transformed his father into the monster he knew. Birney exposes a crucial chapter in Dutch and European history that was deliberately concealed behind the ideological facade of postwar optimism. Readers of this superb novel will find that it reverberates long afterwards in their memory. Trade Review'A masterly novel about the violence of colonialism, the war of decolonisation, the repatriation of the collaborators and the consequences all of this has had on the families of those involved' De Groener Amsterdammer.'Birney mercilessly exposes a crucial part of Dutch history. This masterful novel will echo in the minds of its readers' De Volkskrant.'What a great novel, its language and storytelling so light but also raw and lyrical. A tremendous writer. Read this book' Adriaan van Dis, author of My Father's War and Betrayal.'A work of unbridled, incensed storytelling: an assault on the lazy assumptions of parochial, colonial history and a personal quest for redemption' South China Morning Post.

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Book SynopsisFrom the award-winning author of Weasels in the Attic, a modern fable about the world of work Beyond the town, there is the factory. Beyond the factory, there is nothing. Within the sprawling industrial complex, three new employees are each assigned a department. There, each must focuses on a specific task: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. As they grow accustomed to the routine and co-workers, their lives become governed by their work--days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while--it could be weeks or years--the three workers struggle to answer the most basic question: What am I doing here? With hints of Kafka and Beckett and unexpected moments of creeping humour, The Factory is a vivid, and sometimes surreal, portrait of the absurdity and meaninglessness of the modern workplace.Trade ReviewStrangely chilling * New York Times *A stirring portrait of modern work-life culture * TIME Magazine *[A] stellar, mind-bending debut * Publishers Weekly *

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Book SynopsisWhen Hubert Larnaudie invites the fellow residents of his Parisian apartment building to drink a bottle of 1954 Beaujolais, he has no idea of its special properties. The next morning, Hubert finds himself waking up in 1950s Paris, as do antique restorer Magalie, mixologist Julien, and Bob, an American on his first trip to Europe. After their initial shock, the city of Edith Piaf and An American in Paris begins to work its charm on all four. But ultimately, they need to get back to the present. And time is of the essence...

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Book SynopsisDistrict Attorney Varga is shot dead while picking a sprig of jasmine. Then Judge Sanza is killed. Then Judge Azar. Is this string of murders an individual vendetta or a more sinister plot? The charming Inspector Rogas is determined to find out. The pursuit of truth and justice are Rogas's vocation, but his work is frustrated by a system which defies his understanding. He needs a key, a way in, a map, and he is sure that his chief suspect Cres can provide it... The book, written in 1971, uncannily prefigures the Red Brigade's subsequent killing of magistrates and the Catholic-Communist pact of the late 1970s in Italy. Developed under Sciascia's hand in the spirit of a parody, Equal Danger has come to be regarded as a wide-ranging political thriller, one of the masterpieces of the genre.

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Book SynopsisLeo Tolstoy’s most personal novel, Anna Karenina scrutinizes fundamental ethical and theological questions through the tragic story of its eponymous heroine. Anna is desperately pursuing a good, “moral” life, standing for honesty and sincerity. Passion drives her to adultery, and this flies in the face of the corrupt Russian bourgeoisie. Meanwhile, the aristocrat Konstantin Levin is struggling to reconcile reason with passion, espousing a Christian anarchism that Tolstoy himself believed in. Acclaimed by critics and readers alike, Anna Karenina presents a poignant blend of realism and lyricism that makes it one of the most perfect, enduring novels of all time.Trade ReviewThe truth is we are not to take Anna Karenina as a work of art: we are to take it as a piece of life. -- Matthew ArnoldAnna Karenina is a perfect work of art. This novel contains a humane message that has not yet been heeded in Europe and that is much needed by the people of the western world. -- Fyodor DostoevskyWhat I confidently named the greatest social novel of world literature is in fact a novel against society. -- Thomas MannTolstoy’s greatness lies in not turning the story into sentimental tragedy… His world is huge and vast, filled with complex family lives and great social events. His characters are well-rounded presences. They have complete passions: a desire for love, but also an inner moral depth. -- Malcolm BradburyIt’s so fantastic that it can be read over and over again… I don’t know any other writer who is so adept at peopling their pages. -- Maggie O’FarrellTolstoy is the greatest Russian writer of prose fiction. -- Vladimir NabokovThe new translation into accurate and readable English by Kyril Zinovieff and Jenny Hughes surpasses even the most recent version by Richard Pevear and Melissa Volokhonsky...[it] makes the word order sound as natural in English as was the original in Tolstoy's Russian. * The Times Literary Supplement *Kyril Zinovieff has produced a fine, intelligent, sensitive translation that brings the Russian text alive in a way that immediately enriches a reader's awareness of its intentions and nuances. * East West Review *

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Book SynopsisOn his travels through the wild mountainous terrain of the Caucasus, the narrator of A Hero of Our Time chances upon the veteran soldier and storyteller Maxim Maximych, who relates to him the dubious exploits of his former comrade Pechorin. Engaging in various acts of duelling, contraband, abduction and seduction, Pechorin, an archetypal Byronic anti-hero, combines cynicism and arrogance with melancholy and sensitivity. Causing an uproar in Russia when it was first published in 1840, Lermontov’s brilliant, seminal study of contemporary society and the nihilistic aspect of Romanticism – accompanied here by the unfinished novel Princess Ligovskaya – remains compelling to this day.

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Book SynopsisObsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.

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Book SynopsisThis novel focuses on a group of characters who are all in different ways endeavouring to take control of their fate. Their desire to lead a genuine existence forces them to confront difficult decisions, and to break out of comfortable routines.Karl and Marina have been together for ten years and have a young son, Simón. Karl is a German-born oboist at Argentina’s national orchestra, and Marina is a meteorologist. On a field trip, she meets fellow researcher Zárate, and what might have been just a fling starts to erode the foundations of her marriage. Then there is Amer, a dynamic and successful taxidermist. At a group therapy session for smokers, Amer falls for the younger Clara. While the relationship between Karl and Marina disintegrates, the love story between Amer and Clara is just beginning – or is it already at an end? One of Argentina’s leading contemporary writers, Jorge Consiglio portrays the inner worlds of these characters through the minute details of their everyday lives, laying bare their strivings and their frustrations with a wry gaze, and seeking in this close-up texture a deeper truth.Trade Review"A moving testament to the beauty and banality of human relationships." —Publishers Weekly"A masterpiece that refuses to stay still."** —Culture Trip**"Fate could be likened to a pointillist painting by Seurat, with each dab of colour and each descriptive passage contributing to what is finally a beautifully structured and brilliantly shimmering whole."** —New York Magazine (The Strategist UK)"In the realm of fiction, an author has total authority over their characters, and they can inject interactions with meaning and pattern-play in a way therapists warn us not to in our day to day lives. It takes a particular level of craftsmanship to do this at the level of the sentence, with the effortlessness that Consiglio seamlessly achieves, and to sweep a reader so tenderly into the progress." —White Review**"A muted and unhurried novel that insists on the validity of the imperfect present."** —Kirkus**"The beauty of this novel...is that it provides no answers, but many questions. It can be reflected upon, re-read, and reconsidered."** —BookBlast**"The language of Fate has teeth and claws."** —Books and Bao**"Fate is a rich tapestry of language, a sharp depiction of the vagaries of fate and a thoughtful meditation on the human condition."** —The Monthly Booking**"Consiglio’s writing aches with poetry through its attention and complexity."** —The Skinny**"Packed full of sensuality and written in fresh, candid prose."** —The Quietus**** Praise for Jorge Consiglio**"Employing a language that is sharp, concise and visceral, it proves his talent as a natural storyteller and as a social chronicler and poet of some refinement."** —Morning Star**"There is a timeless quality to Consiglio’s prose...a storyteller of rare ingenuity."** —Splice**"His stories are told with dispassionate realism while being varnished with a surrealist gloss, creating his own in-between style...Occasional poetic turns reminiscent of Pablo Neruda erupt within the narrative."** —Culture Trip**"[Consiglio] carves out a singular space by focusing on characters who do not quite have a place of their own."** —Full Stop**

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Book SynopsisCandide, or the Optimist is Voltaire’s hilarious and deeply scathing satire on the Age of Enlightenment. This classic of French literature has been a bestseller for over two hundred years.Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This classic of French literature features an introduction by Dr Marine Ganofsky.Young nobleman Candide lives a sheltered and comfortable life under the tutorship of the ridiculous Dr Pangloss who espouses the prevailing 18th-century philosophy of Optimism. Following an indiscretion, Candide is cast out into the world which according to Pangloss is ‘the best of all possible worlds’. But this is not so, Candide and his companions encounter nothing but ludicrous calamities in their madcap travels around the world – war crimes, earthquakes, inquisitions and chain gangs – all based with horrible closeness on real events of the 18th century.Trade ReviewCandide remains politically topical and its McCarthy-era satire has, unfortunately, lost little relevance -- John Allison * Telegraph *It was no fable inhabiting some make-believe or symbolic location; rather, it was a report on the current state of the world, deliberately set among the headlines of the day -- Julian Barnes * Guardian *

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Book SynopsisThe Story of the Stone (c. 1760), also known by the title of The Dream of the Red Chamber, is the great novel of manners in Chinese literature.Divided into five volumes, of which The Warning Voice is the third, it charts the glory and decline of the illustrious Jia family (a story which closely accords with the fortunes of the author''s own family). The two main characters, Bao-yu and Dai-yu, are set against a rich tapestry of humour, realistic detail and delicate poetry, which accurately reflects the ritualized hurly-burly of Chinese family life. But over and above the novel hangs the constant reminder that there is another plane of existence - a theme which affirms the Buddhist belief in a supernatural scheme of things.Trade Review“Filled with classical allusions, multilayered wordplay, and delightful poetry, Cao’s novel is a testament to what Chinese literature was capable of. Readers of English are fortunate to have David Hawkes and John Minford’s The Story of the Stone, which distills a lifetime of scholarship and reading into what is probably the finest work of Chinese-to-English literary translation yet produced. You will be rewarded every bit of attention you give it, many times over.” —SupChina, “The 100 China Books You Have to Read, Ranked” (#1)Table of ContentsThe Story of the Stone Volume 3Note on SpellingPrefaceChapter 54:Lady Jia ridicules the cliches of romantic fiction; And Wang Xi-feng emulates the filifal antics of Lao Lia-ziChapter 55:A foolish concubine seeks to humiliate her own daughter; And an ill-natured stewardess tries to outwit her young mistressChapter 56:Resourceful Tan-chun abolilshes abuses in the interests of econoomy; And sapient Bao-chai shows how small consessions can be made without loss of dignityChapter 57:Nightengale tests Jade Boy with a startling message; And Aunt Xue comforts Frowner with words of loving kindnessChapter 58:In which the cock-bird who mourns his mate is found to be a hen; And a true heart is able to sympathize with a strange kind of loveChapter 59:By Willow Walk the conververs of property resort to violence and abuse; And at Green Delights the defenders of law and order invoke a higher authorityChapter 60:As a substiture for rose-orris Jia Huan is given jasmine face-powder; And in return for rose essence Cook Liu is given lycoperdon snowChapter 61:Bao-yu owns up to a crime he did not commit; And Patience bends authority in order that the innocent may be sparedChapter 62:A tipsy Xiang-yun sleeps on a peony-petal pillow; And a grateful Caltrop unfastens her pomegranate skirtChapter 63:Flower-maidens combine for nocturnal birthday revels; And a grass widow copes with funeral arrangments single-handedChapter 64:Five fair women make subjects for a chaste maid's verse; And nine jade dragons make a love-gift for a flirtChapter 65:Jia Lian's second marriage is celebrated in secret; And the future marriage of San-jie becomes a matter of speculationChapter 66:Shame drives a warm-hearted young woman to take her life; And shock leads a cold-hearted young gentleman to renounce the worldChapter 67:Frowner sees something that makes her homesick; And Xi-feng hears something that rouses her suspicionsChapter 68:Er-jie takes up residence in Prospect Garden; And Xi-feng makes a disturbance in Ning-guo HouseChapter 69:A scheming woman kills with a borrowed knife; And one who has ceased to hope swallows gold and diesChapter 70:Lin Dai-yu resuscitates the Poetry Club; And Shi Xiang-yun tries her hand at a song lyricChapter 71:Lady Xing deliberately humiliates her daughter-in-law; And Faithful inadvertently iterrupts a pair of love-birdsChapter 72:Wang Xi-fen refuses to see a doctor; And Brightie's wife seeks help with a betrothalChapter 73:A half-witted servant girl picks up a highly embarrassing object; And an easy-going young mistress refuses to inquire into a theftChapter 74:Lady Wang authorizes a raid on Prospect Garden; And Jia Xi-chun breaks off relations with Ning-guo HouseChapter 75:Midnight revellers are startled by a sound of evil omen; And Mid-Autumn moon-watchers listen to quantrains of unequal meritChapter 76:Flute-playing at Convex Pavillion provokes too much melancholy; And linked verses at Concave Pavilion betray a morbid sensitivityChapter 77:A wronged maid takes a loving last leave of her master; And three young actresses seek to escape matrimony in the cloisterChapter 78:Jia Zheng commissions the Ballad of the Winsome Colonel; And Bao-yu composes an Invocation to the Hibiscus SpiritChapter 79:Xue Pan finds to his sorrow that he is married to a termagant; And Ying-chun's parents betroth her to a Zhong-shan wolfChapter 80:Unfortunate Caltrop is battered by a philandering husband; And One Plaster Wang presribes for an insufferavle wifeAppendix I: Sandal, Musk, and SkybrightAppendix II: Suncloud, Sunset and MoonriseAppendix III: You San-jie, Liu Xiang-lian and Jia Lian's JourneysAppendix IV: Old Mrs. You and the ZhangsAppendix V: Fivey, Bao Er and The MattressAppendix VI: Euergesia and the Little ActressesCharacters in Volume 3Genealogical Tables

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Book SynopsisWhat makes us who we are? And why do we lead one life and not another? The year is coming to a close and Asle, an ageing painter and widower who lives alone on the southwest coast of Norway, is reminiscing about his life. His only friends are his neighbour, Åsleik, a traditional fisherman-farmer, and Beyer, a gallerist who lives in the city. There, in Bjørgvin, lives another Asle, also a painter but lonely and consumed by alcohol. Asle and Asle are doppelgängers – two versions of the same person, two versions of the same life, both grappling with existential questions about life, death, love, light and shadow, faith and hopelessness. Written in melodious and hypnotic ‘slow prose’, The Other Name: Septology I-II is an indelible and poignant exploration of the human condition by Jon Fosse, ‘a major European writer’ (Karl Ove Knausgaard), in which everything is always there, and past and present flow together.Trade Review‘Jon Fosse is a major European writer.’ — Karl Ove Knausgaard, author of My Struggle‘Fosse has written a strange mystical moebius strip of a novel, in which an artist struggles with faith and loneliness, and watches himself, or versions of himself, fall away into the lower depths. The social world seems distant and foggy in this profound, existential narrative, which is only the first part of what promises to be a major work of Scandinavian fiction.’ — Hari Kunzru, author of White Tears‘There is, in this book’s rhythmic accumulation of words, something incantatory and self-annihilating — something that feels almost holy.’ — Wall Street Journal‘Over the past two decades, Jon Fosse, a playwright, poet, essayist and children’s author as well as a novelist, has won almost every award going in Norway, while his “slow prose” has gained him a cult following in English translation. He has been compared to Ibsen and Beckett, and his writing has elements of both the former’s severity and the latter’s use of insistent repetition.... The work simply loops and flows. The style is formal, yet with a sense of restlessness. As for plot, there is plenty.... Fosse’s fusing of the commonplace and the existential, together with his dramatic forays into the past, make for a relentlessly consuming work: already Septology feels momentous.’ — Catherine Taylor, Guardian‘Fosse’s portrait of intersecting lives is that rare metaphysical novel that readers will find compulsively readable.’ — Publishers Weekly, starred review‘Deeply enigmatic though never obscure, the novel presents questions [...] But to understand how completely these things elude comprehension, and to clothe their fundamental mystery in such gorgeous raiment, is an achievement no less profound.’ — Dustin Illingworth, The Nation

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Book SynopsisA fifteen-year-old girl and her father, Johannes, take a cruise to Greece on the SS Proleterka. Jaeggy recounts the girl's youth in her distinctively strange, telescopic prose: the remarried mother, cold and unconcerned; the father who was allowed only rare visits with the child; the years spent stashed away with relatives or at boarding school. For the girl and her father, their time on the ship becomes their `last and first chance to be together.' On board, she becomes the object of the sailors' affection, receiving a violent, carnal education. Mesmerised by the desire to be experienced, she crisply narrates her trysts as well as her near-total neglect of her father.Proleterka is a ferocious study of distance, diffidence and `insomniac resentment.'Trade Review`"Incorruptible crystal" is an apt description of Jaeggy's style. Her sentences are hard and compact, more gem than flesh. Images appear as flashes, discontinuous, arresting, then gone . . . this feels appropriate for a writer who is a "stranger" and an "enemy" to the familial.' Sheila Heti, The New Yorker ---- `Jaeggy's works are a translator's dream: short, lucid and complex. Her distinctive vocabulary and syntax move elegantly and it would seem effortlessly into the English language.' Margaret Drabble, The New Statesman ---- `. . . an elegantly structured and stubbornly moving study of innocence destroyed and love denied. Very accomplished indeed.' Kirkus Reviews ---- `. . . an elegantly structured and stubbornly moving study of innocence destroyed and love denied. Very accomplished indeed.' Kirkus Reviews ---- `[Jaeggy] has a startling ability to go beyond: beyond the sentimental heart, the writerly niceties, the conventions that bind us, and the messy effusions of contemporary life.' The New Yorker ---- `[Jaeggy] has a startling ability to go beyond: beyond the sentimental heart, the writerly niceties, the conventions that bind us, and the messy effusions of contemporary life.' The New Yorker --- Praise for Fleur Jaeggy --- `Fleur Jaeggy's pen is an engraver's needle depicting roots, twigs, and branches of the tree of madness-extraordinary.' Joseph Brodsky ---- 'The fierceness of her words erupts from the seams of her tiny sentences ... Jaeggy's highly unusual work is finally gaining recognition in the English-speaking world.' Emily Rhodes, The Spectator---`Proleterka is a ferocious study - a masterclass in distance , diffidence, death, and `insomniac resentment.’ Barbara Epler

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Book SynopsisA cult classic of Italian literature, published in English for the first time, with an afterword by André Aciman, author of Call Me By Your Name.'A masterpiece' - Le Figaro'Dazzling in every detail' - ElleIn the late 1960s, Leo Gazzara leads a precarious life in Rome. He spends his time in an alcoholic haze, bouncing between hotels, bars, uninspiring jobs, romantic entanglements and the homes of his rich friends. Leo drifts, aimless and alone.But on the evening of his thirtieth birthday, he meets Arianna. All night they drive the city in Leo’s run-down Alfa Romeo, talking and talking. They eat brioche for breakfast, drink through the dawn, drive to the sea and back. A whirlwind beginning. What follows is the story of the year Leo fell in love and lost everything.Intense, romantic, witty and devastating, Last Summer in the City is a forgotten classic of Italian literature which offers an intoxicating portrait of two lonely people, pushing and pulling each other away and back again.'The most beautiful love story of the year' - Il GiornaleTrade ReviewThe true quality of this novel is the way it enlightens, with a desperate clearness, a relationship between a man and a city, that is, between crowd and loneliness -- Natalia GinzburgThe most beautiful love story of the year * Il Giornale *A masterpiece * Le Figaro *Dazzling in every detail * Elle *[A] sublime text, of extraordinary languid beauty and sadness * Sud Ouest *Calligarich’s time capsule of love and existential drift in a lost Rome, translated into sparkling prose by Curtis, is ripe for a rediscovery * New York Times Book Review *A sad, seductive declaration of love for Rome * Il Messaggero *A short, gorgeous, moving and magnificent story of love and solitude -- Il Sole 24 OreThis book, at once painful and ironic, remains a small gem * La Repubblica *A heartrending marvel * L’Echo *Charming, decadent, and emotionally ruthless . . . equal parts Fitzgerald and Antonioni . . . It's wonderful to have this devastating gem at large in the world again -- Andrew Martin, author of Cool for AmericaDeeply haunting . . . A marvel of a novel * Booklist *Calligarich’s rendering turns la dolce vita into something more akin to Camus’s L’Etranger in a contemporary-ish urban setting. Out of print for years, this welcome new translation is elegiac and heart-rending * Vogue, Best Books to Read This Summer 2021 *The account of a lost generation in Rome in the early 1970s (possibly the children of the children of Hemingway’s lost generation) carries the weight of both family history and generational saga * Kirkus *Evocative . . . Calligarich conjures Italy’s piazzas, parties, beaches, and bars with a mood reminiscent of A Movable Feast . . . the feeling that Leo is alone in the world is poignantly conveyed * Publishers Weekly *

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Book Synopsis''Who possesses me will possess all things,But his life will belong to me...''Raphael de Valentin, a young aristocrat, has lost all his money in the gaming parlours of the Palais Royal in Paris, and contemplates ending his life by throwing himself into the Seine. He is distracted by the bizarre array of objects in a chaotic antique shop, among them a strange animal skin, a piece of shagreen with magical properties. It will grant its possessor his every wish, but each time a wish is bestowed the skin shrinks, hastening its owner''s death. Around this fantastic premise Balzac weaves a compelling psychological portrait of his hero, a prisoner of his own Promethean imagination, and explores profound ideas about the human will, vice and virtue, love and death. Helen Constantine''s new translation captures the energy and exuberance of Balzac''s novel, one of the most engaging of his ''Études philosophiques'' from the Comédie humaine. The accompanying introduction and notes offer fresh insights into this remarkable work. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewThe novel has been elegantly translated by Helen Constantine, who is both faithful and creative * Nicholas White, Times Literary Supplement *A model of its kind * Nineteenth-Century French Studies *

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Book SynopsisThe international bestseller, longlisted for the Dublin Literary Award 2021. Fernando Aramburu's Homeland is an epic and heartbreaking story of two best friends whose families are divided by the conflicting loyalties of terrorism.‘It’s been a long time since I’ve read a book that was so persuasive and moving’ – Mario Vargas Llosa, author of Time of the Hero.The Basque Country, Spain, 2011.Miren and Bittori have lived side by side in a small Basque town all their lives. Their husbands play cards together, their children play and eventually go out drinking together. The terrorist threat posed by ETA seems to affect them little.When Bittori’s husband starts receiving threatening letters – demanding money, accusing him of being a police informant – she turns to her friend for help. But Miren’s loyalties are torn: her son has just been recruited as a terrorist and to denounce them would be to condemn her own flesh and blood. Tensions rise, relationships fracture, and events move towards a tragic conclusion . . . ‘Is Aramburu the Tolstoy of the Basque country, author of a Spanish language War and Peace?’ – GuardianTrade ReviewFew books make me cry these days but by the final page I found my eyes prickling with tears. By examining his society in such close detail, Aramburu encourages us to reflect on the bitter divisions in our own world and the opportunities we have for reconciliation. * Sunday Times *It’s been a long time since I’ve read a book that was so persuasive and moving, so intelligently conceived. -- Mario Vargas LlosaIs Aramburu the Tolstoy of the Basque country, author of a Spanish language War and Peace that lays bare the pain of forty pointless years of separatist terrorism? * Guardian *A powerful novel which has a strong claim to be the definite fictional account of the Basque troubles . . . Aramburu skillfully spins their stories in short, punchy chapters that dart back and forth in time. Its message is ultimately redemptive. * Economist *A magnificent novel which is becoming a publishing, political and literary phenomenon. A story imbued with a spine-tingling sense of realism. * Vanguardia *Homeland is, above all, a great and considered novel . . . combing evocation and analysis . . . War and Peace by Tolstoy did it. The work of Fernando Aramburu achieves the same thing. * El País *Homeland is a sweeping novel that explores so many aspects of life . . . Aramburu brings [ethnic nationalism] under the microscope to show its effects on a few individuals. The results are brilliant and unnerving. * Herald *Phenomenal . . . [Aramaburu is as] magnanimous as he is passionate. * Frankfurter Allgemeine Zeitung *A work of tremendous power . . . [One is] reminded how overwhelming and powerful literature can be. * Die Zeit *An event: Aramburu masterfully manages to tell of great things in small ways. * Stern *Shedding the occasional tear doesn’t matter. It is in any case difficult to read Homeland and remain dry-eyed. * Corriere della Sera *Gripping . . . A palpable hit. * Spiegel *Worth every page. * Vogue (Germany) *As humorous as it is heartbreaking, Homeland explores how various factions of Basque and Spanish society were violently pitted against one another for fifty years. * Millions *Aramburu recounts the lives of ordinary people shattered by events that are ongoing in Spain today even years after ETA has suspended its armed campaign . . . A humane, memorable work of literature. * Kirkus (starred review) *A brilliant and important book. Our planet is covered with lines of various kind, and Aramburu masterfully examines the bodies and souls those lines cut through like razors. * Nadeem Aslam *

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Book SynopsisAn exhilarating story of ambition, joy and failure in early manhood from the international phenomenon, Karl Ove Knausgaard.* Karl Ove Knausgaard''s dazzling new novel, The Morning Star, is available to pre-order now *As the youngest student to be admitted to Bergen''s prestigious Writing Academy, Karl Ove arrives full of excitement and writerly aspirations. Soon though, he is stripped of his youthful illusions. His writing is revealed to be puerile and clichéd, and his social efforts are a dismal failure. He drowns his shame in drink and rock music.Then, little by little, things begin to change. He falls in love, gives up writing and the beginnings of an adult life take shape. That is, until his self-destructive binges and the irresistible lure of the writer''s struggle pull him back.''Breathtaking... Knausgaard has a rare talent for making everyday life seem fascinating'' The TimesTrade ReviewBracing, maddening and utterly compelling -- Robert Collins * The Sunday Times *Tremendous, maddening, addictive, gripping * Observer *It is a pen-and-paper virtual reality; after reading it you feel that another past has been downloaded into your mind -- Laurence Scott * Financial Times *Breathtaking... Knausgaard has a rare talent for making everyday life seem fascinating * The Times *For Knausgaard's obsessive fans, this cycle is the most exciting literary project of our times... Knausgaard is the most humane writer in the world… He writes beautifully… It is precisely in the commonness of the lovingly recorded details that these books spin their magic -- Daniel Swift * Spectator *Raw, fast, improvisatory, unfettered. It’s addictive high-wire writing in which he unflinchingly reveals everything about himself * Shortlist *[Some Rain Must Fall] is Knausgaard at his best… It’s a rare novelist who writes about student bars and the Happy Mondays at the same time as yearning for spiritual salvation -- Max Liu * Independent *Part of Knausgaard’s appeal is believability: his books may be called novels but we read them as memoirs. The meticulous detail seems to guarantee their authenticity… Childhood, sex, love, art, work and death are there too, writ small from his own perspective, but compellingly observed -- Blake Morrison * Guardian *Reverberates with life’s core questions… In its depiction of the torment of writer’s block and a young adult’s struggle to construct a sense of self, both on and off the page, it is brilliant -- Anita Sethi * Mail on Sunday *

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Book SynopsisAn isolated, snow-bound valley and a series of strange murders set the scene in this gripping French bestseller.Trade ReviewA publishing sensation in France, where it's rushed up the bestseller lists, this is Minier's first crime novel and this translation justifies its vast French reputation...With a villain possessing the intelligence of Thomas Harris's immortal Hannibal Lecter, this is great story-telling, with a creeping sense of dread that would not disgrace Stephen King at his best. * Daily Mail *A terrific thriller that will keep you up long past your bedtime. The French Pyrenees make a wonderfully atmospheric setting for this complex story of past crimes, madness and revenge. Servaz and Ziegler are a fascinating cop duo, and I hope to see more of them in the future. Excellent. -- Peter Robinson, author of the DCI Banks seriesRevenge is at the heart of this clever mystery, which involves a plot as cold-blooded as the slaying of the horse * Sunday Times *This densely written and very atmospheric thriller is Minier's first novel. It has been a bestseller in France and, in this well-translated English edition, deserves to be one here * Literary Review *An enjoyable and fast-paced thriller * Sunday Business Post *Chilling * Elle *The writing is razor sharp and nothing goes to waste. Enough to make other authors jealous. * Femme Actuelle *THE FROZEN DEAD is a boiling-hot success * Le Point *Remember the name Bernard Minier... he might well take his places among the masters of French thrillers * Le Figaro *

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Book SynopsisThérèse Raquin is a clinically observed, sinister tale of adultery and murder among the lower orders in nineteenth-century Paris. Zola''s dispassionate dissection of the motivations of his characters, mere `human beasts'' who kill in order to satisfy their lust, is much more than an atmospheric Second Empire period-piece. Many readers were scandalized by an approach to character-drawing which seemed to undermine not only the moral values of a deeply conservative society, but also the whole code of psychological description on which the realist novel was based.Together with the important `Preface to the Second Edition'' in which Zola defended himself against charges of immorality, Thérèse Raquin stands as a key early manifesto of the French Naturalist movement, of which Zola was the founding father. Even today, this novel has lost none of its power to shock.This new translation is based on the second edition of 1868. The Introduction situates the novel in the context of Naturalism, medicine, and the scientific ideas of Zola''s day. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade Review'Andrew Rothwell captures the tone of Th`rése Raquin, reproducing its meodramatic overstatements, accumulations and repetitions faithfully, yet at the same time his text is inventive and abounds in felicitous touches ... there is a thought-provoking discussion of the text's narrative structure, its symbolic and metaphorical patterns and the ways in which the author's exchanges with Manet and the Impressionists coloured his descriptions.' Joy Newton, University of Glasgow, French Studies, Vol. 47, Part 3'Three Classic tales of sexual passion, perversion, and corruption have been added to the rapidly increasing World's Classics collection, whose repertoire of nineteenth-century French novels is now impressive. The price and format of these volumes make them an obvious choice for the reader approaching them in translation, the more so since each is accompanied by a helpful general introduction ... the reader is likely to get better vaqlue here than from other translations currently in print.' Timothy Unwin, University of Western Australia, MLR, 89./2, 1994

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Book Synopsis 'Incredibly funny, incredibly insightful and incredibly moving' Fiona Mozley, author of Hot Stew A darkly comic and explosive tale of a world at war and one island girl's struggle to survive Eighty-year old Herra Björnsson lies alone in her garage waiting to die. Oh, she has two weeks left, maybe three - she has booked her cremation appointment, at a blistering 1,000 degrees, so it won't be long. But until then she has her cigarettes, her laptop, a World War II grenade, and her memories to sustain her. One of the most original narrators in literary history, Herra takes readers with her on a dazzling ride of a novel as she reflects - in a voice by turns darkly funny, poignant and always, always smart - on the mishaps, tragedies and turns of luck that shaped her life. And with a bawdy, uncompromising spirit, she has survived it all. As hilarious as it is heartbreaking, Hallgrímur Helgason tells the deeply moving story of a woman swept up by the forces of history. Trade Review‘Published in 13 languages, this novel about one feisty Icelandic woman's proximity to history's big moments is a thoroughly entertaining ride.’ * People magazine *‘A blitzkrieg of a novel… Funny, shrewd and reliably rude… This hugely entertaining tale is surely destined for classic status.’ * Guardian *‘In this black-humoured novel...the narrator recounts her misshapen life with engaging vividness.’ * The New Yorker *‘Breathtaking… Herra’s life, and voice, is deeply compelling.’ * Financial Times *‘The hottest new book from Iceland… [Herra’s] perspective might be just what we need in these uncertain times: She survives and shares her story on her terms. And what a story it is, one worth reading to further understand the complexity of World War II — and to enjoy the quick wit of a woman you won’t forget.’ * Washington Post *‘The Woman at 1,000 Degrees is incredibly funny, incredibly insightful and incredibly moving.’ * Fiona Mozley, author of Elmet *‘What a novel! Helgason’s Woman at 1,000 Degrees is a gutsy, brilliant book: I could not tear myself away from it. Octogenarian Herra Björnsson’s dying recollections, as she lies nursing a hand grenade between her legs in an Icelandic garage, hurtle the reader headfirst into an epic narrative of war, loss, desire and survival, across years and continents. Both funny and deeply moving, I finished it utterly dazzled, my ears ringing.’ * Hannah Kent, author of Burial Rites *‘One of the most original novels of the year.’ * Irish Independent *‘An explosive experience.’ * Elle *‘By turns funny, sweet, gripping and sad but never sentimental, Helgason's work...is a sensitive tale of a nearly lived life.’ * Monocle *‘Herra…is exceedingly quick-witted and has a wickedly colorful way with words… Brilliantly written with flashing insights.’ * Kirkus *'The Woman at 1,000 Degrees is a bold work of fiction that gnaws at the silence blanketing the blackest holes of humanity to lay bare the author's dark vision of truth.' * Washington Independent Review of Books *'This novel is a shock, a laugh, an evocation of grief, and a tribute to survival and imagination.' * Affinity Konar, author of Mischling *'Helgason’s sad and funny novel begins in 2009, as 80-year-old Herra Björnsson lies dying in a Reykavík garage, still in possession of a live hand grenade from World War II...In her unsentimental, unsparing narrative, she offers insights into Icelandic culture and character, including a riff on reticence and a brief summary of Iceland’s financial meltdown. Like the Icelandic landscape, she can be both appealing and treacherous.' * Publishers Weekly, starred review *‘Compelling…uplifting…required reading for those who want sour along with the sweet of life.’ * New York Journal of Books *‘A very enjoyable story…a terrific read. Herra is a great character; she is bawdy, at times outright vulgar and mischievous.’ * The Bookshelf, ABC Radio Australia *'Gripping, darkly comic, and utterly original.' * Valerie Martin, author of Property *'Icelandic novelist Helgason shares with John Irving a knack for masterful plotting and clever, sarcastic humour...anyone willing to...revel in its flights of language will find much to enjoy.' * Booklist *‘Helgason’s characters are rare beauties. One falls for his absurd fantasies immediately.’ * Spiegel.de *‘Long after I read it, the story and its prickly protagonist has stayed with me.’ * Esmeralda Santiago, author of When I Was Puerto Rican, New York Magazine *‘You don’t know her yet, but she already despises you… With a biting humour, she examines love, marriage, sex, politics, and those who practice them.’ * Le Figaro Magazine *‘Extraordinarily absorbing and enjoyable. The story revolves around a woman who lived ahead of her time. Many young women would idealize Herra Björnsson. At the same time, it gives an insight into life during World War II.’ * Washington Book Review *'This is a profoundly, triumphantly feminist book... There’s nothing like it in our language.' * Toronto Star *‘Helgason’s novel is superbly written, with characters and events that grab your attention and make it hard to put down.’ * Tulsa Book Review *‘Unpredictable and endearing.’ * Jacksonville Journal-Courier *‘It's a sophisticated work, combining elements of Bildungsroman, comic burlesque, fictional biography and historical commentary… The novel's sheer invention, talkativeness and linguistic zest recall Joyce, while the plot itself, with its logical progression into the absurd, is not too distant from the labyrinths of Kafka.’ * David McDuff, literary translator and critic *‘A magnificent novel about maybe the most memorable character in Icelandic fiction.’ * Fréttablaðið *‘A mind-blowing doorstopper’ * Le Monde des Livres *‘This novel is toxic. The cover, the crumpled lady with the pink wig should have been warning enough, still one is stunned. This novel charges at you like a little terrier after you have opened a garden gate. It barks short, hoarse sentences. However, you don’t want to put this book down again!’ * Der Spiegel 1 *‘A ride through the 20th century of the ice island through the Nazi German Reich to Argentina and back again – wildly, tough, and devilishly clever. “Like” it? It rocks!’ * Stern *‘The most surprising, funny, bonkers novel of the season’ * Lire *‘Passionate, explosive and fiery…’ * El Periodico *‘Book of the year!’ * SWR3 Radio *‘Irresistible.’ * Paris Match *‘A caustic and human story that is tragic with a great sense of humour at the same time.’ * ABC Libros *‘If this had been written by a different, non-Icelandic author, it would be a pulp Charles Dickens, with a bit of Chuck Palahniuk thrown in.’ * Il Giornale *‘Playing with time and with history, this is a tragicomic and hard-hitting novel in which the author gets to the heart of a global situation and the vagaries of Icelandic politics.’ * El Diario *

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Book SynopsisNo one has written more feelingly and more beautifully than Nescio about the madness and sadness, courage and vulnerability of youth: its big plans and vague longings, not to mention the binges, crashes, and marathon walks and talks. No one, for that matter, has written with such pristine clarity about the radiating canals of Amsterdam and the cloud-swept landscape of the Netherlands. Who was Nescio? Nescio—Latin for “I don’t know”—was the pen name of J.H.F. Grönloh, the highly successful director of the Holland–Bombay Trading Company and a father of four—someone who knew more than enough about respectable maturity. Only in his spare time and under the cover of a pseudonym, as if commemorating a lost self, did he let himself go, producing over the course of his lifetime a handful of utterly original stories that contain some of the most luminous pages in modern literature. This is the first English translation of Nescio’s stories.

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Book SynopsisLeni crossed her arms, said nothing, and watched the fight unfold. She was like a bored onlooker at a boxing trial, wasting no energy on the undercard, saving her passion for the moment when the real champions would step into the ring. And yet, at some point, she began to cry. Just tears, without any sound. Water falling from her eyes as water was falling from the sky. Rain disappearing into rain.The Wind That Lays Waste begins in the great pause before a storm. Reverend Pearson is an evangelist preaching the word of God across northern Argentina with Leni, his teenage daughter, in tow. When their car breaks down, fate leads them to the workshop of an ageing mechanic, Gringo Brauer, and his assistant, a boy called Tapioca. Over the course of a long day, curiosity and a sense of new opportunities develop into an unexpected intimacy. Yet this encounter between a man convinced of his righteousness and one mired in cynicism and apathy will become a battle for the very souls of the young pair: the quietly earnest and idealistic mechanic’s assistant, and the restless, sceptical preacher’s daughter. As tensions among the four ebb and flow, beliefs are questioned and allegiances tested, until finally the growing storm breaks over the plains.Selva Almada’s exquisitely crafted debut, with its limpid and confident prose, is profound and poetic, a near-tangible experience of the landscape amid the hot winds, wrecked cars, sweat-stained shirts and damaged lives, told with the cinematic precision of a static road movie, like a Paris, Texas of the south. With echoes of Carson McCullers, The Wind That Lays Waste is a contemplative and powerfully distinctive novel that marks the arrival in English of an author whose talent and poise are undeniable.Trade ReviewEdinburgh International Book Festival First book Award (Winner)Book Cover of the Year (Saltire Awards) (Winner)"Like Flannery O’Connor and Juan Rulfo, Almada fills her taut, eerie novel with an understanding of rural life, loneliness, temptation and faith." —BBC Culture"Billed as a ‘promising voice’ in Latin American literature, this tale delivers readily on that promise." —Booklist"The drama of this refreshingly unpredictable debut . . . smolders like a lit fuse waiting to touch off its well-orchestrated events. . . . A stimulating, heady story." —Publishers Weekly"The story packs a punch in its portraits of a man who exalts heaven and another who protests." —Kirkus"A dynamic introduction to a major Latin American literary force." —Shelf Awareness, starred review"[The Wind That Lays Waste] delivers exactly that compressed pressurised electricity of a gathering thunderstorm: it sparks and sputters with live-wire tension." —TANK Magazine"The Wind That Lays Waste is elegant and stark, a kind of emblem or vision fetched from the far edges of things, arrested and stripped to its essence, as beautiful as it is unnerving. "" —Paul Harding , author of TINKERS"The Wind That Lays Waste is a mesmerizing novel, at once strange and compelling."" —Bonnie Jo Campbell , author of MOTHERS, TELL YOUR DAUGHTERS"The quality and resolve of her prose produce a power of suggestion that is unique to Selva Almada." —El País"The best novel written in Argentina in the last few years? Don’t know, and don’t care, but you must read Selva Almada." —El País"Almada’s prose has a touch of the Faulkner of As I Lay Dying but passed through the filters of the dirty light of the cotton fields and the clean clothes worn by country people to Sunday mass."" —Germán Machado"A distinctive debut: atmospheric, tension-packed, and written in vivid, poetic language." —Books from Scotland"Perhaps most powerful in the book is Almada’s focus on detail―she skillfully renders the story of a day in brief chapters that reveal the thoughts and fleeting encounters of characters, who are largely living inside themselves." —Ploughshares"Almada’s nuanced approach leaves room to explore her characters’ pasts in some detail, but, crucially, these individuals . . . are not defined by their mistakes." —ZYZZYVA"What seems fantastical soon turns hyper-realistic, in a style that is reminiscent of Juan Rulfo or Sara Gallardo." —La Nación**********Praise for Selva Almada"Almada combines reportage, fiction, and autobiography to explore femicide in Argentina in her acute, unflinching latest." —Publishers Weekly, starred review"Almada’s prose is sparse, but the details count. Her ear for dialogue and especially gossip is pitch perfect. Her eye for detail is hawkish." —LA Review of Books"Part journalism, part history, part autobiography, part relentless nightmare." —Shelf Awareness, starred review"Not an easy book, but it feels like an important one – a work of investigative writing about how easily women’s lives are obscured." —The Scotsman"An unassuming yet intensely felt narrative. (4 stars)" —The Arts Desk"This is a powerful read...[Almada's] effective use of fiction ensures a deep empathy in her readers which strict reportage sometimes fails to evoke." —The Big Issue"Genre-defying, with beautifully crafted and reflective prose." —The F Word"You’ll walk away from this book with a vivid memory of where you were, how you were feeling, and what the weather was like on the day that you read Dead Girls." —Books and Bao"The literary quality of the text shines." —Sound and Vision"The prose strikes a perfect tone – clinical and punchy when necessary, angry and lyrical, brutal yet humanistic." —TN2"Exquisite prose that vibrates with a deep, melodious rage." —The Monthly Booking"It’s crisp, bracing, and beautiful." —White Review"It is a profound novel and call to action still relevant as activists continue to take to the streets throughout Latin America to decry, ‘ni una más’ (not one more)." —The Skinny"A tense, precise chronicle that treats seriously a still serious subject." —El Cultural"A powerful read, shedding a stark light on the horrors of gender violence." —The Big Issue"This is not a book that will make you feel at peace with the world, but that is precisely where its strength and persuasion lie." —Translating Women"Challenge[s] the true crime obsession in an indirect way. " —Pendora Magazine"What makes the book compelling is how the author explores issues of domestic violence, state complicity, machismo and family negligence, along with class and social inequalities, in a non-sentimental prose which is all the more effective as result." —Morning Star"Part coming-of-age, part detective work, partly a web of rumors, Almada’s story fuses a variety of genres to create a work that splits the seams of personal narrative, journalism, and fiction." —NACLA"The devastating conclusion of the narrator is that the women who survive are unlikely to have made it unscathed but they are lucky ones – lucky to be alive." —NB Magazine"Fate has in Dead Girls the perfume of a Greek tragedy: immutable, irreversible, lethal." —El País"Far from the detective story, this is an intimate tale, a certain negative of the autobiography of a young woman looking at other young women and how all of them are perceived by a society where misogyny and violence against them is still an everyday affair." —Pagina/12"Selva Almada reinvents the imaginative rural world of a country. She is an author gifted with a very uncommon power and sensitivity." —Rolling Stone (Argentina)"Dead Girls is a brutal, necessary story in which Almada describes the crimes, states the facts and lays bare the horror of these femicides." —Tony's Reading List"Gripping, shocking and sad." —The Book Satchel

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