Feminism and feminist theory Books

Book SynopsisFeminist Reconfigurings of Alien Encounters reclaims the notion of alien encounters together with strange but queerly loved companions: Vulgar slugs, diatoms (micro-algae), and familiars (spirit guides of witches). The book's three human co-authors ask: what would it take to establish more-than-human, bio- and geo-egalitarian co-existence on a planet in trouble?This playfully crafted mixed-genre book is informed by feminist posthumanisms and co-created with a spectral community of more-than-humans who are respectfully summoned to contribute with their perspectives. In focus of the entangled artistic-philosophical-poetic investigations are questions of ethics, aesthetics, and methodologies to co-exist response-ably rather than based on modern human beliefs in exceptionalism and entitlement to sovereignty, control, and conquest of more-than-human worlds. Feminist Reconfi gurings of Alien Encounters is intended for broad global audiences of researchers, teTrade ReviewOn a damaged earth, human beings must finally learn to meet more-than-humans on their terms. That’s no small trick for the vertebrate-centric, especially when the partners are unfamiliars like diatoms and slugs. Helped by one or two spirit familiars, this smart, lively book is full of tips for cultivating response-ability, possibly even before the dire heritage of human exceptionalism boils us all up. Donna Haraway, Professor Emerita, History of Consciousness and Feminist Studies, University of California, Santa Cruz, USAA sensitive yet vibrant and sympathetically weird volume exploring queer ways to think of the less emphasized others of our world’s occupants. The authors remind us that posthumanism deals with a host of alien and strange fabulations which have lived alongside us and existed for longer than us, in their own ways irreducible to anthropocentric philosophical capture. A beautiful and activism-inspiring book. Patricia MacCormack, Professor of Continental Philosophy, Anglia Ruskin University, Cambridge, UKWith tenderness and vulnerability, the authors sincerely stretch their hands, hearts and minds out to meet and be met by alien others. In doing so they sculpt a post-human practice of kinship that is much needed in these petro-patriarchal times. Playful, thoughtful and committed, this book bridges theory, art, and creative writing, putting to use all these tools in such a way that readers will feel they can embark on alien journeys themselves. Camila Marambio, PhD, Curator, Artist, Independent Researcher, Ensayos. Curator of the Chilean Pavillion Turba Tol Hol-Hol at the 59th Venice Art Biennale 2022This book is a kin-spirited gathering of somatic and spectral desires to connect with mineralized, mucous-abundant and mysterious others beyond, and within, our different Earthly ways of being. It seeks out creative, epistemic hybridity through collective imaginings that tenderly nibble and glide, and poetically disrupt genres of writing, knowing, care, and companionability with other-than-human collaborators. Susan Reid, PhD, University of Sydney, Australia, Cultural Theorist, Creative Researcher, Artist and WriterOverturning expectations, the authors playfully and deconstructively employ both cognitive and affective techniques of estrangement and defamiliarization to undermine human exceptionalism and power, offering instead radically different, mutualistic practices of more-than-human companionships. For many readers, this startling and ambitious text will be an alien – yet highly productive - encounter in itself. Margrit Shildrick, Guest Professor of Gender and Knowledge Production, Stockholm University, SwedenTable of ContentsPrologue: Experimental Writing with Spectral Communities and Triquetras; Chapter 1: Reconfiguring Alien Encounters: Introduction; Intertext I Alien Arrivals: Slugs; Chapter 2: Encountering Vulgar Slugs: What Can a Bite Tell About More-than-Human Becomings?; Intertext II Alien Arrivals: Diatoms; Chapter 3: Becoming a Compassionate Diatom Companion; Intertext III Alien Arrivals: Familiars; Chapter 4: Writings from the Pit: On Creative Blocks and the Internal Editor as Familiar Spirit; Chapter 5: More-than-Human Ethics and Poetics; Chapter 6: Conversations on Alien Methods and Writing; Epilogue: Endless End

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Book SynopsisThe second volume of Rethinking Women's and Gender Studies addresses the complexities and inherent paradoxes within the expansive knowledge project known as Women's and Gender Studies for audiences both inside and adjacent to the field. Each of the volume's chapters identifies and critically examines a key term that circulates in this field, exploring how the term has come to be understood and mobilized within its everyday narratives and practices.In constructing provocative genealogies for their terms, authors explicate the roles that this language, and the narratives attached to it, play in producing and limiting possible versions of the field. The ongoing aim of Rethinking Women's and Gender Studies, both in the original volume and this entirely new extension, is to trace and expose important paradoxes, ironies, and contradictions embedded in the field from its high theory to its casual conversations that rely on these terms. Forging collective conversatiTrade ReviewLike Braithwaite and Orr’s first Rethinking project, this collection is a valuable resource for anyone interested in feminist studies and its ongoing academic transformations. Contributions both introduce and defamiliarize WGS keywords, routing them through diverse genealogies to activate new theoretical and political possibilities. This collection undertakes another round of “rethinking” that risks undoing what we think we know about Women and Gender Studies as an academic formation. A must-read for teachers and students alike.S.Trimble, Assistant Professor, Teaching Stream WGSI, University of TorontoNot a recasting of its predecessor, Rethinking Women’s and Gender Studies Volume II expands on the critical vision, personal stakes, and political calculus that inhabits the field, with broad implications for doing feminist work in an increasingly authoritarian global present. Diverse, insightful, and affectively powerful, the original essays gathered here demonstrate the vitality of contemporary feminist scholarship.Robyn Wiegman, Professor, Literature and Gender, Sexuality and Feminist Studies, Duke UniversityTable of ContentsIntroduction: Why Rethink Women’s and Gender Studies Now? Section 1: Foundational Assumptions 1. Indigenous Feminism 2. Femininity 3. Citizenship 4. Inclusion 5. Intersex 6. Expertise Section 2. Ubiquitous Descriptions 7. Belonging 8. The Ph.D. 9: Nation 10. Women 11. Innocence Section 3. Epistemologies Rethought 12. Genealogy 13. Generation 14. Critical 15. Choice 16. Self-Care 17. Consent Section 4. Silences and Disavowals 18. Settler Colonialism 19. Asexuality 20. Cis 21. Disability 22. Nonhuman Animals Section 5. Establishment Challenges 23. Humanitarian 24. Sexual Violence 25. The Gaze 26. Transdisciplinarity 27. Transformation 28. Branding Conclusion: Continuing the Conversation Works cited Index

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Book SynopsisThis fascinating book provides a groundbreaking resource for innovative approaches to qualitative inquiry that address equity and justice and equip readers with tools to enact these approaches in their own work.Comprising contributions from award-winning qualitative scholars, chapters show how methodologies can be employed to address social issues and problems from the social-political milieu including education, COVID-19, racial inequalities, health inequalities, climate change, and debates around gender diversity amongst others. This book offers the new and innovative paradigms, methodologies, and methods a cutting-edge group of scholars has crafted as well as the how to' so readers may employ these approaches in dissertations, grants, and various research team scholarship. Contributors reimagine the next generation of rigorous qualitative methodologies by pushing on the boundaries of existing methodological approaches as well as presenting new ways of engaging in research

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Book SynopsisThis book illuminates arts activist interventions that raise consciousness and advocacy for womenâs right to a life free from violence.In a context where Gender-Based Violence (GBV) has continued to intensify across the globe, the international range of essays focus on violations of bodily integrity and autonomy, reproductive, domestic and sexual violence, femicide and feminicide. Comparing and interrogating arts activist strategies and visual methods, the book also explores tactics employed by arts activists attentive to effects and lived experiences of GBV, and imagining potential solutions founded in feminist thinking to change behaviours and raise awareness generating systemic change. The case studies of feminist transnational contemporary arts activism include examples from Austria, Brazil, Canada, Ghana, Guatemala, Hong Kong, Mexico and the United States. Arts engaged with include textile work, crafts-making, performance art, clay work, protest art, and documentary art, indicating the breadth and richness of the work of feminist political artists. At a time when, according to the UN Womenâs estimates, almost one in three women have been subjected to violence, it is critical to understand how feminist politics catalyses social, cultural and political changes.This book will be of interest to scholars working in art history, womenâs studies, gender studies, and visual culture.

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Book SynopsisBased on the EU- funded project RESET (Redesigning Equality and Scientific Excellence Together) and written by members of seven European partner universities representing different disciplines, this book combines theory and practice to discuss and reflect on the concept of scientific excellence within higher education. It considers the pitfalls and the need to revisit an understanding of inclusivity by asking how scientific excellence and professional equality can be made compatible in practice.Split into three key sections, the first part of the book is devoted to the question of scientific excellence in relation to existing gender inequalities within universities. It includes discussion on the objectivity of scientific excellence based on feminist literature devoted to the reproduction of inequalities in universities and data collected during the RESET project. The second part is dedicated to the actions taken to achieve more inclusive excellence and the third part finishes by focussing on training on gender and diversity issues and the resistance that such workshops generate.The book offers a comprehensive guide to fostering an academic culture that aligns scientific excellence with equality, diversity and inclusion, providing researchers and decision-makers alike with practical tools for achieving inclusive excellence within European universities, while at the same time knowing how to deal with difficulties and resistance.

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Book SynopsisA personal and sociological examination - and ultimately a celebration - of the evolution of female friendship in pop culture and modern society.

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Book SynopsisThis new edition of Eva Feder Kittayâs feminist classic, Loveâs Labor, explores how theories of justice and morality must be reconfigured when intersecting with care and dependency, and the failure of policy towards women who engage in care work. The work is hailed as a major contribution to the development of an ethics of care. Where society is viewed as an association of equal and autonomous persons, the work of caring for dependents figures neither in political theory nor in social policy. While some women have made many gains, equality continues to elude many others, as in large measure, social institutions fail to take into account the dependency of childhood, illness, disability and frail old age and fail to adequately support those who care for dependents. Using a narrative of her experiences caring for her disabled daughter, Eva Feder Kittay discusses the relevance of her analysis of dependency to significant cognitive disability. She explores the significance of dependency work by analyzing John Rawls' influential liberal theory and two examples of public policyâwelfare reform and family leaveâto show how theory and policy fail women when they miss the centrality of dependency to issues of justice. This second edition has updated material on care workers, her adult disabled daughter and key changes in welfare reform. Using a mix of personal reflection and political argument, this new edition of a classic text will continue to be an innovative and influential contribution to the debate on searching for greater equality and justice for women. Loveâs Labor has spoken to audiences around the world and has had an impact on readers from many countries and in many disciplines: philosophy, sociology, disability studies, nursing. It has been required and supplementary reading on many undergraduate courses on Ethics, Feminist Ethics, Gender and Religious Ethics, Political Theory, Bioethics and Disability Studies. It has been translated into Italian, Japanese and Korean.Trade ReviewThe publication of Eva Kittay's Love's Labor in 1999 was a significant event in American moral and political philosophy for more than one reason. First, Kittay's book puts issues of disability on the agenda of moral and political philosophy; second, it articulates some very persuasive and powerful criticisms of contractarian models of justice; third, it shows how good philosophy can help us think well about concrete political choices.Finally, and not at all least, the book compels attention because of its moving and beautifully written account of Kittay's daughter Sesha. Kittay thus raises important questions about the role of the imagination of particulars in philosophy aimed at radical moral and social change.– Martha Nussbaum, Ernst Freund Distinguished Service Professor of Law and Ethics at the University of ChicagoTwenty years ago Eva Kittay’s book Love’s Labor poignantly and persuasively argued that modern liberal states, and liberal philosophers, fail to recognize caregiving as essential human labor that sustains the species, and as work that deserves the protection of states, of rights, and of civil society. She then showed how liberal commitments can be reworked to center and protect that work. This edition further develops the argument in a global context, highlighting the often dire conditions of migrant and immigrant women who travel far from their own homes, separated from their kin, in order to care for first world children not their own. Kittay’s book underscores the humanity and universality of carework, and the need to construct a just world that respects the needs of caregivers and their dependents worldwide.– Robin West, Frederick J. Haas Professor of Law and Philosophy, Georgetown LawFew books touch and expand the moral imagination as deeply and humanely as Love’s Labor. Eva Feder Kittay carefully explores the grounds of interdependence and relationality in the human condition. She rejects facile notions of individualistic and competitive social being. She conjoins philosophy and feeling in the story of her personal confrontation with profound cognitive impairment in the life of her daughter, Sesha. This remarkable book of many methods opens for all of us new understandings of equality, social justice, and the practices of care.– Bruce Jennings, Senior Advisor, The Hastings CenterLove’s Labor was the first book to give sustained consideration to disability in the study of feminist care ethics. Arguing for the personhood of people with profound disabilities, it also made a compelling argument for why a just society must recognize the dignity and rights of care workers. In its unforgettable story of a mother’s love for her daughter it shows the power of a philosophy grounded in lived experience, feeling, and attachment. Groundbreaking in its time, Love’s Labor continues to be necessary reading for scholars working at the intersection of feminist theory, moral philosophy, and disability studies. – Rachel Adams, Professor of English and Comparative Literature, Columbia UniversityTable of ContentsIntroduction 1. Relationships of Dependency and Equality 2. Vulnerability and the Moral Nature of Care Giving 3. The Presuppositions of Equality 4. The Benefits and Burdens of Social Cooperation 5. Policy and Public Ethics of Care 6. "Not my way Sesha. Your Way –Slowly. A Personal Story" 7. Maternal Thinking with a Difference

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Book SynopsisTable of ContentsAcknowledgements Contents List of Illustrations Preface Introduction 1. ‘Who is the Fairest?’ Skin Colour Matters, in conversation with NT 2. Beauty and the Privilege of Looking, in conversation with Marcia Michael 3. ‘What Cha Looking At?’ An Oppositional Gaze in Image-Making Practice, in conversation with Sadie Lee 4. Red Shift: Not, ‘Doing it for Daddy’, in conversation with Ajamu 5. Conclusion Bibliography

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Book SynopsisThis book offers an ideal first step for designers looking to disrupt contemporary design practice by challenging gender inequality. Drawing on feminist and queer theory, it outlines key concepts and applies them to a broad spectrum of design activity. By developing feminist design approaches and methods, it provides a practical resource for designers wanting to make a change. Designing Gender covers essential topics including definitions of sex, gender and sexuality, histories of women in design, parity in professional design practice, diversity of users, non-binary design approaches, and sustainable and equitable futures. Filled with examples from around the world, the book recognises the culturally specific nature of gendered experience. Interviews with designers working in a diverse range of fields including user experience design, visual communication, interaction design and critical design, highlight the challenges and opportunities involved in designingTable of ContentsAcknowledgements Preface 1. Gender, Feminism and Things Introduction: The Complexities of Sex and Gender Defining Gender Feminism and Systems of Oppression Gendered Things/Gendered Processes Designing Intersectional Gender Justice Case Study: Gender Swapping, Karin Ehrnberger, Stockholm Interview: Lindsey Brinkworth, Senior Researcher, Magic+Might, Chicago Activity 1: Gender Journal Activity 2: Norm Discussion Cards 2. Women, Craft, and Technology Introduction: Questioning Design (His)stories Craft as Feminist Resistance Feminist Redesigns and DIY Aesthetics Cyberfeminism and Gender Hacking Case Study: Buen Vivir-Centric Design, Diana Albarrán González, Mexico/Aotearoa Interview: Cornelia Sollfrank, Artist and Researcher, Berlin Activity 1: Pick a Theme/Make a Zine Activity 2: Hack It Game 3. Women and Design as Profession Introduction: Gender in the Design Industries Women and the Professionalisation of Design Design Knowledge and the Making of the Professional Masculinities at Work in Design Cultures Addressing Inequality in the Workplace Challenging Gender Norms in Professional Design Practice Case Study: Designers Speak (Up) Catherine Griffith, Aotearoa New Zealand Interview: In-ah Shin, Graphic Designer, Feminist Designer Social Club. Seoul Activity 1: Situational Knowledge Map Activity 2: Listening Positionality Exercise 4. Making Gender Inequality Visible Introduction: Gender Justice as a Global Issue Data, Power and Invisibility Design and the Gender Data Gap Feminist Counter-data and Queering AI Visualising Inequality Case Study: Visualizing Gender-based Violence, Nepal Interview: Brindaalakshmi K, Thematic Lead, Point of View, Chennai Activity 1: Queering Algorithms Activity 2: Gendered Life Data Drawing 5. Feminist Design Futures Introduction: Design and the Future Speculative Futures and Design Fictions Speculative Design and Inequality Feminist Visions of the Future Futuring Tools and Approaches to Time Speculative Design and Gender Case Study: Freak Science, Mary Maggic, Vienna Interview: Luiza Prado de O. Martins, Artist and Researcher, Brazil/Germany Activity 1: Participatory Futures Tool Activity 2: Speculating with the Past 6. Non-Binary Design and Sustainable Practice Introduction: Feminism and Ecological Crisis Towards Non-Binary Design More-Than-Human Entanglement, Post-nature and Queer Ecology Indigenous Worldviews, Design and Becoming-With Unmaking Design Practice Case Study: Lehuauakea, New Mexico, US and Papa’ikou, Hawaii Interview: Sixto-Juan Zavala, Designer and Illustrator, Texas/London Activity 1: Mapping Entanglements Activity 2: Feral Experiments

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Book SynopsisJust as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making. In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new punk audio visual aesthetic. A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical coTrade ReviewGirls to the front! Garfield’s book places female filmmakers at the forefront of experimental film and video. Reclaiming the energy of punk, DIY, deflation, the kitchen table aesthetic and the amateur to enthuse a new generation of filmmakers, where the emphasis is on making and being heard rather than slick production values and aspiring to mainstream monotony. Oh bondage! Up yours! I wish I’d had this book growing up. -- Abbe Leigh Fletcher, Kingston University, UKDensely research, fiercely argued, Garfield’s book goes a good way toward toggling our view of punk and No Wave film toward the exhilaration of feminist autonomy. -- Michael Atkinson, Long Island University, USAExperimental Filmmaking and Punk is the rare study that not only captures subcultural counter-histories (in this case, of music and film) but traces social, political, and aesthetic interconnections that have never fully been acknowledged, simultaneously offering a completely new way of thinking about life and creativity in this place and time. -- Amelia Jones, University of Southern California, USAGarfield writes a new lineage of experimental film, convincingly rendering the filmmakers’ shared stance of “oppositional modernism”. Celebrating edgy incompleteness, rhythm rather than plot, multiplicity instead of unity, DIY instead of glossy production values, Garfield sides with the heady, messy and personal. -- Abigail Child, Emeritus Professor, Tufts University, USAExperimental Filmmaking and Punk restores complexity and nuance to an inspiring body of work that has, until now, been under-known and under-valued. Rachel Garfield draws on her deep knowledge of the punk movement to shed light on a generation of important yet marginalised female filmmakers. Exploring the impact of punk’s anti-authoritarian spirit, she discusses how women refused gender norms in ‘art’ as well as ‘life.’ The DIY and kitchen table aesthetics described here are bound to resonate with the prosumer tactics of contemporary artists and cultural producers. -- Helena Reckitt, Goldsmiths, University of London, UK.Rachel Garfield searches out the scuzzy filmic scenarios, kitchen table aesthetics and DIY approaches that characterise the “punk films” of overlooked feminist artists in the 1970s and 1980s. In doing so, Experimental Filmmaking and Punk convinces us to look beyond the avant-garde milieux of the day and instead towards punk rock to understand why these women made the films they did. Whilst not forgetting the importance of pioneering filmmakers that came before, Garfield shows how punk exemplars of gender non-conformity like Poly Styrene of X-Ray Spex and Ari Up of The Slits demonstrated a riotous new ethic of self-fashioning for feminist filmmaking. As Styrene herself sang: “Anti-art was the start”! -- Gavin Butt, Northumbria University, UKIn her joining of the dots between the key subject matter and the ‘contextualising scaffold’ of punk, as well as her situating of the filmmakers’ art practices within the wider economic, cultural and political contexts, Garfield’s work is a thoroughly informative, entertaining and riveting book. * Punk & Post-Punk *Table of ContentsIntroduction 1. Do it Yourself and the Amateur 2. The Last of the Modern Two - Visualizing Women, Otherness and the Cosmopolitan Punk 3. Feminism, Visualising the Kitchen Table and Do-It-Yourself: in Praise of the Fragment Part 1 4. Kracauer Disintegration and Punk: In Praise of the Fragment Part 2 5. Representation and the Inability to Situate: the Undecidability of Women's Punk Conclusion Bibliography

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Book SynopsisMegan Feifer is Teacher-Scholar in Residence at the bell hooks center at Berea College, USA.Maia L. Butler is Associate Professor of African American Literature at University of North Carolina Wilmington, USA.Joanna Davis-McElligatt is Assistant Professor of Black Literary and Cultural Studies and Affiliate Faculty in Women's, Gender, and LGBTQ Studies at the University of North Texas, USA.

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Book SynopsisLONGLISTED FOR THE ORWELL PRIZE 2018''A blast, in all senses'' Financial TimesIncludes a new preface and extra essaysSmart and provocative, this collection of Laurie Penny's writing establishes her as one of the most urgent and vibrant feminist voices of our time. From the shock of Donald Trump's election and the victories of the far right, to online harassment and the transgender rights movement, these darkly humorous observations provoke challenging conversations about the definitive social issues of today. Featuring a new preface and nine new revelatory, revolutionary essays, Bitch Doctrine will give readers tools for change from one of today''s boldest commentators.Trade ReviewBitch Doctrine by Laurie Penny, one of the most accomplished and acerbic of the new, young journalists emerging from the protest movements of the 2010s, takes you to the front trench of the gender war and keeps you there longer than anyone should really stay * Paul Mason, Guardian *Laurie Penny is a polemicist – and her book is a largely data-free stream of consciousness – but she writes with verve and humour. It is a blast, in all senses * Financial Times *Laurie Penny is the tits. Witty and brazen, a force for both decency and revolution, she’s a swashbuckling rhetorician, a daring reporter and an all-around fabulous broad. Bitch Doctrine provides an invaluable case for truth-telling in an age of chaos and lies * Emily Nussbaum *If you've followed Penny’s work, you'll know that the thing that sets her apart from other enraged columnists is her empathy. She understands exactly what her opponents are thinking, and why, precisely, they are full of shit. This is a delight of a book. Penny’s essays are righteous ones * Cory Doctorow, author of Little Brother *The feminist writer Laurie Penny gives us short essays on everything from the trials of being trolled to why exactly she calls herself polyamorous and genderqueer ... Precise and rational ... Provocative * Vogue *It’s spiky, but that’s no bad thing. She’s angry, she won’t spare your feelings and cripes, she’s clever. Dig out your dictionary, a reference book on identity politics and concentrate * Stylist *A provocative rallying cry, she confronts social issues from love, gender and violence, pitching them against a backdrop of Trump and the rise of the right * Red *A dizzyingly clever, warm and witty compilation of essays covering topics which range from the 2016 US presidential election, to writing which explores the notion of gender: it looks at the nature of relationships and examines the current culture we find ourselves in … Passionate, interesting, thoughtful * Cherwell *A writer and polemicist, a bad-ass, contrary, angry, bisexual troublemaker who is never happier than when she’s upsetting someone, or preferably everyone … We need her * The Times *An insightful, provocative and bold commentator. She is always relevant without slavishly following a supposedly 'topical' agenda set by others. Most importantly, she never compromises her compassion and humanity * Irvine Welsh *Sometimes enraging, sometimes enchanting, often both at once … A raw, bright, urgent voice … Like Caitlin Moran, another compulsive and essentially self-taught writer, she went to places others didn’t and brought back things they had missed * Guardian *Forget Sex and the City, Penny doesn’t give a damn about the politics of waxing or how small your pants are. She’s more interested in analysing the battles we face around gender under late capitalism ... We are dealing with a new world order * Observer *Penny is one of the first feminist writers to grow up within, and so instinctively understand, both the possibilities and the dangers of this relatively new cyber world * New Statesman *

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Book SynopsisOf all the things in the world to worry about, why would anyone put the right for women to be rude at the top of the list? It''s a fair question. Happily, there is a very simple answer. Because I believe that an inability to be rude is one of the biggest issues which still inhibits the equality of women today. The Power of Rude will discuss the way women are constantly worrying about being polite, even putting themselves in situations they''d rather avoid due to this fear of saying the wrong thing. For example, we''ll learn about the woman who paid for an entire hen do that she wasn''t even invited on (because she didn''t want to be rude!), the woman who let her cousin practice kissing on her (because she didn''t want to be rude!) and the vegan woman who ate an entire pork chop (because she didn''t want to be rude!) It will take the reader chapter by chapter through dating, family relationships, sex, the workplace, money, customer service, and more and show women how

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Book SynopsisA comprehensive defense of biblical manhood and womanhood, this handbook provides readers with an invaluable "encyclopedia" of responses to 118 evangelical feminist arguments against traditional gender roles.

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Book SynopsisExamines representations of sexual violence in modern Hebrew literature, focusing on the ways in which sexual aggression relates to Zionism, gender, ethnicity, and disability.Finalist for the 2021 Best Book in Israel Studies presented by the Azrieli Institute of Israel Studies and Concordia University Library Flesh of My Flesh looks at one of the most silenced and repressed aspects of Israeli culture by examining the trope of sexual violence in modern Hebrew literature. Ilana Szobel explores how sexual violence participates in, encourages, or resists concurrent ideologies in Jewish and Israeli culture, and situates the rhetoric of sexual aggression within the contexts of gender, ethnicity, disability, and national identity. Focusing on writings of incest survivors, Sepharadi authors, wounded soldiers, and Hebrew authors such as Shoshana Shababo, Gershon Shofman, Hayim Nahman Bialik, Yoram Kaniuk, Amalia Kahana-Carmon, and Tsvia Litevsky, Szobel unveils the various roles of sexual violence in destabilizing hegemonic notions or reinforcing norms and modes of conduct. Thus, while the book looks at poetic and social possibilities of action in relation to sexual violence, it also exposes the Gordian knot of sexualized gender-based violence and the interests of patriarchy, heteronormativity, nationalism, racism, and ableism.

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Book SynopsisOffers a timely reconsideration of the writings of Gloria Anzaldúa, treating issues of multiplicitous agency, identarian politics, and the stakes of coalition building as core themes in the author''s work.In a refreshingly novel approach to the writings of Gloria E. Anzaldúa (1942?2004), Andrea J. Pitts addresses issues relevant to contemporary debates within feminist theory and critical race studies. Pitts explores how Anzaldúa addressed, directly and indirectly, a number of complicated problems regarding agency in her writings, including questions of disability justice, trans theorizing, Indigenous sovereignty, and identarian politics. Anzaldúa''s conception of what Pitts describes as multiplicitous agency serves as a key conceptual link between these questions in her work, including how discussions of agency surfaced in Anzaldúa''s late writings of the 1990s and early 2000s. Not shying away from Anzaldúa''s own complex and sometimes problematic framings of disability, mestizaje, and Indigeneity, Pitts draws from several strands of contemporary Chicanx, Latinx, and African American philosophy to examine how Anzaldúa''s work builds pathways toward networks of solidarity and communities of resistance.

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Book Synopsis''Make this your next inspirational read. Trust us, it's Oprah's Book Club worthy'' ViceIn London in 1958, a play by a 19-year-old redefined women's writing in Britain. It also began a movement that would change women's lives forever. The play was A Taste of Honey and the author, Shelagh Delaney, was the first in a succession of young women who wrote about their lives with an honesty that dazzled the world. They rebelled against sexism, inequality and prejudice and in doing so challenged the existing definitions of what writing and writers should be. Bypassing the London cultural elite, their work reached audiences of millions around the world, paved the way for profound social changes and laid the foundations of second-wave feminism. After Delaney came Edna O'Brien, Lynne Reid-Banks, Charlotte Bingham, Nell Dunn, Virginia Ironside and Margaret Forster; an extraordinarily disparate group who were united in their determination to shake the traditional concepts of woTrade ReviewWriters who changed lives. Rebel Writers is a startling new approach to literary criticism - not just what was done, but why it had to be done - mingled with astute social history. All sorts of things we should know but don’t know about the sixties, all smoothly and elegantly written and as readable as any novel. Six writers to whom we owe a debt of gratitude, all in their own ways sowing the seeds of how we live today. Marvellously interesting! -- Fay WeldonMake this your next inspirational read. Trust us, it’s Oprah’s Book Club worthy. * Vice *Brayfield's equally illuminating book homes in on the late 1950s and early 1960s, revealing that (Shelagh) Delaney wasn't the only one showing that female experience was about more than just falling in love... Brayfield offers us perceptive analysis of the writing and ratifies these women's position in the canon in the process. Perfect companion volumes, Tastes of Honey and Rebel Writers make for entertaining, edifying and important reading. * Financial Times Weekend *Table of ContentsIntroduction Part One: Seven Writers 1. Innocence and Experience 2. A Man’s World: Sexism 3. Forbidden Kisses: Class 4. All False: Love 5. ‘I Wish I Had a Career’: Aspiration 6. The Great Unmentionable: Sex 7. Drowning in Delight: Motherhood 8. A Rotten Bargain: Marriage 9. Good Old John: Race 10. Before the Urban Family: Friendship Part Two: Out into the World 11. ‘Where is your Baby?’ 12. Losing It at the Movies: Screen Adaptation 13. A Stain Upon Womanhood 14. The Angry Young Men: The Literary Movement That Never Was 15. Backwards in High Heels: Success And After 16. We Were Pioneers Epilogue Endnotes Bibliography Acknowledgements Index

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Book SynopsisThe first book about a generation of women writers who challenged the world.Make this your next inspirational read. Trust us, it''s Oprah''s Book Club worthy.--ViceIn London in 1958, a play by a 19-year-old redefined women''s writing in Britain. It also began a movement that would change women''s lives forever. The play was A Taste of Honey and the author, Shelagh Delaney, was the first in a succession of young women who wrote about their lives with an honesty that dazzled the world. They rebelled against sexism, inequality and prejudice and in doing so challenged the existing definitions of what writing and writers should be. Bypassing the London cultural elite, their work reached audiences of millions around the world, paved the way for profound social changes and laid the foundations of second-wave feminism. After Delaney came Edna O''Brien, Lynne Reid-Banks, Charlotte Bingham, Nell Dunn, Virginia Ironside and Margaret Forster; Trade ReviewWriters who changed lives. Rebel Writers is a startling new approach to literary criticism - not just what was done, but why it had to be done - mingled with astute social history. All sorts of things we should know but don’t know about the sixties, all smoothly and elegantly written and as readable as any novel. Six writers to whom we owe a debt of gratitude, all in their own ways sowing the seeds of how we live today. Marvellously interesting! -- Fay WeldonMake this your next inspirational read. Trust us, it’s Oprah’s Book Club worthy. * Vice *Brayfield's equally illuminating book homes in on the late 1950s and early 1960s, revealing that (Shelagh) Delaney wasn't the only one showing that female experience was about more than just falling in love... Brayfield offers us perceptive analysis of the writing and ratifies these women's position in the canon in the process. Perfect companion volumes, Tastes of Honey and Rebel Writers make for entertaining, edifying and important reading. * Financial Times Weekend *Table of ContentsIntroduction Part one: Seven Writers 1. Innocence and Experience 2. A Man’s World: Sexism 3. Forbidden Kisses: Class 4. All False: Love 5. ‘I Wish I Had a Career’: Aspiration 6. The Great Unmentionable: Sex 7. Drowning in Delight: Motherhood 8. A Rotten Bargain: Marriage 9. Good Old John: Race 10. Before the Urban Family: Friendship Part two: Out into the World 11. ‘Where is your Baby?’ 12. Losing It at the Movies: Screen Adaptation 13. A Stain Upon Womanhood 14. The Angry Young Men: The Literary Movement That Never Was 15. Backwards in High Heels: Success And After 16. We Were Pioneers Epilogue Endnotes Bibliography Acknowledgements Index

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Book SynopsisExploring the breadth of contemporary feminist research practices, this engaging text immerses the reader in cutting-edge theories, methods, and practical strategies. Chapters review theoretical work and describe approaches to conducting quantitative, qualitative, and community-based research with participants; doing content or media analysis; and evaluating programs or interventions. Ethical issues are addressed and innovative uses of digital media highlighted. The focus is studying gender inequities as they are experienced by individuals and groups from diverse cultural, racial, and socioeconomic backgrounds, and with diverse gender identities. Delving into the process of writing and publishing feminist research, the text covers timely topics such as public scholarship, activism, and arts-based practices. The companion website features interviews with prominent feminist researchers. Pedagogical Features *Case examples of feminist research. *Running glossary of key Trade Review"This excellent introduction to feminist research is accessible to both undergraduates and graduate students. Students in my Feminist Research Methodologies course found the content and structure of the book very helpful in writing a clearly argued and defendable research proposal. I recommend this book to any methods instructor who has a commitment to anti-oppressive research and social justice. It may be easily incorporated into the required readings of courses in education; anthropology; ethnic studies; sociology; and feminist, women's, and gender and sexuality studies."--Manal Hamzeh, PhD, Department of Interdisciplinary and Gender and Sexuality Studies, New Mexico State University "This is the new go-to text for feminist researchers at any stage. More than just a handbook, Contemporary Feminist Research from Theory to Practice provides an in-depth consideration of feminist theories, research, and activism, paying close attention to racial, geopolitical, and gender diversities, linkages, and controversies. Students will benefit tremendously from the expansive multimedia and multidisciplinary resources offered in each chapter, as well as the thoughtful discussion questions and activities and clearly defined terms. The book makes a unique contribution to the feminist classroom with its multidisciplinary focus; elegantly interwoven history of feminisms; and strong, accessible articulation of the dynamic and interconnected nature of feminist theory, research, and practice from a variety of perspectives."--Barbara Gurr, PhD, Women’s, Gender, and Sexuality Studies Program, University of Connecticut "This engaging guide to feminist research in all its diversity is wonderfully readable and useful. The clear writing, with remarkably little jargon, achieves accessibility without oversimplifying important concepts, such as intersectionality and nonbinary genders. The book is unique in embedding feminist research within both theory and activism while offering practical guidance for producing and disseminating it. The focus on how to be a feminist on the digital highway provides insights into the potential of digital and social media for social justice. Each chapter’s discussion questions, suggested activities, and digital and nondigital resources will stimulate student learning. Somehow the book works for all levels--undergraduates, graduate students, and instructors."--Patricia H. Miller, PhD, Department of Psychology, San Francisco State University "A major strength of this book is that it showcases a variety of ways of presenting feminist research. The book will be useful for those instructors interested in teaching feminist research with actual case examples. The discussion questions, text boxes, and additional resources are very useful, moving us from theory to application. This text exemplifies creative writing and teaching."--Venus E. Evans-Winters, PhD, Department of Educational Administration and Foundations, Illinois State University "Many texts on quantitative methods--and some on qualitative methods--frame social research as a neutral, apolitical practice. Yet, for me, such an assumption is irresponsible and dangerous. By merging critical feminist theory and research methods, this exciting book demonstrates how and why social research is political. I especially appreciate the extensive discussions of collaboration, embodiment, and intersectionality, as well as the chapters on feminist ethics, publishing feminist research, and doing public scholarship. As one of the most inclusive texts on the market, this book is an essential resource for new and advanced scholars."--Tony E. Adams, PhD, Department of Communication, Bradley University "I have been teaching methods for 25 years, and this text far surpasses any I have used in the past. It is incredibly comprehensive, providing an overview of feminist theory as well as the directions needed to choose and employ various methods."--Angela J. Hattery, PhD, Professor and Director, Women and Gender Studies Program, George Mason University "A good introduction to feminist research methodology that grounds the reader in history and theory and then moves to actual research practice, thoroughly covering the types of research that feminists are doing today. I appreciate the inclusion of contemporary digital practices, which are very important currently."--Stacie Craft DeFreitas, PhD, Department of Social Sciences, University of Houston–Downtown "There is no feminist research textbook I know of that is as timely and on point as this one. The complexity of the field of feminist scholarship is well articulated, the examples are relevant to my undergraduate students, and the exercises are thoughtful and engaging."--Kate McCoy, PhD, Department of Educational Studies and Leadership and Department of Women’s, Gender, and Sexuality Studies, State University of New York at New Paltz -Dr. Patricia Leavy and Dr. Anne Harris…offer learners of all career stages a concise and lively blueprint for bringing feminism out of the realm of theory and into that of application. The authors orient readers to feminism as a dynamic, continuously evolving culture of inclusion and affirmation. This philosophy pervades the text from start to finish, operationalized by engaging discussion questions and hands-on practice activities….Throughout the book, the authors weave in timely examples that illustrate different intersectionalities within feminist research practice. This attention to the immense diversity of what feminist research can mean across different communities and contexts makes the book both exciting and relatable. I also found the authors' explicit intent for different chapters within the book to stand alone if needed both cleverly conceived and well executed….Offers tremendous flexibility as a learning resource for courses ranging from the very conceptual to the very applied. I recommend it strongly for a wide variety of learner demographics and teaching activities within and beyond qualitative methods. Likewise, this textbook offers wonderful support for both seasoned feminist scholars and those just beginning to discover what feminism means for them.--The Qualitative Report, 10/23/2019Table of ContentsI. Feminist Theoretical Frameworks 1. Introduction 2. The Feminist Research Landscape 3. Intersectionality, Feminist Epistemology, and Standpoint Feminism Theoretical Frames 4. Postmodern/Post-Structuralist Theoretical Frames to Feminist Research II. Feminist Approaches to “Doing Research” 5. Feminist Ethics 6. Feminist Methods for Working Directly with Participants 7. Feminist Methods for Studying Nonliving Data, Organizations, and Programs III. Being a Feminist Researcher: Getting the Work Out 8. Writing and Publishing Feminist Research 9. Public Scholarship and Critical Perspectives APPENDIX. Feminist Scholars by Discipline or Area of Study References

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Book Synopsis''Will put fear in your heart''Sunday Times''For fans of The Handmaid''s Tale, this is a must''Independent''''Does the world seem right, to you?''Years ago, Dana Mayer had a vision of a better world: one where women are in charge. Now her manifesto, The Quickening, has established the rules for a new order, designed to elevate and protect women. A genteel and peaceful society that prioritises nature, good manners and aesthetics. Of course, in order for women to maintain control, the freedoms of men have been necessarily limited. Arthur Alden loves Dana Mayer but hates the world she has created. But can he find a way to resist, without losing everything? And with Dana intent on making men pay reparations for their past crimes, can Arthur be allowed to live without punishment?***''I LOVED this story . . . A necessary read'' ⭐⭐⭐Trade ReviewFor fans of The Handmaid's Tale, this is a must * Independent *No matter how often you've fantasised of a world ruled by women, this will put fear in your heart! * The Sunday Times *A daring, dystopian tale * 1883 Magazine *The rarest of all literary beasts * The Times *The provocative novel by Riley . . . imagines a future in which women dominate and men are enslaved and emasculated * Daily Mail *A fluid and engaging love story with a truly unique heroine * Heat *A bold story of love and deception, with a fascinating main character * Woman's Own *A refreshing love story about the importance of independence and destiny * Marie Claire *'Talulah Riley is an absolute force of nature. As is her lead character. Read and revel' -- Eva Rice, author of The Lost Art of Keeping SecretsRiley is obviously super smart and has an old-fashioned, modernist sort of style that makes you think. I loved it. * Daily Mail *Praise for Acts of Love * : *

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Book SynopsisThis text comprehensively surveys and critically positions the main issues, theories and contemporary debates surrounding postfeminism.

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Book SynopsisLaura Hengehold presents a new, Deleuzian reading of Simone de Beauvoir's phenomenology, the place of recognition in 'The Second Sex', the philosophical issues in her novels, the important role of her student diaries and her early interest in Bergson and Leibniz.

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Book SynopsisThrough a rethinking of the relationship between the subject and object, the human and the nonhuman, this volume shows how literature and post-anthropocentric theory can illuminate each other in mutually productive ways.

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Book SynopsisFeminist legal theory is one of the most dynamic fields in the law, and it affects issues ranging from child custody to sexual harassment. Since its initial publication in 2006, Feminist Legal Theory: A Primer has received rave reviews. Now, in the completely updated second edition of this outstanding primer, Nancy Levit and Robert R.M. Verchick introduce the diverse strands of feminist legal theory and discuss an array of substantive legal topics, pulling in recent court decisions, new laws, and important shifts in culture and technology. The book centers on feminist legal theories, including equal treatment theory, cultural feminism, dominance theory, critical race feminism, lesbian feminism, postmodern feminism, and ecofeminism. Readers will find new material on women in politics, gender and globalization, and the promise and danger of expanding social media. Updated statistics and empirical analysis appear throughout. The authors, prominent experts in the field, also address femTrade ReviewFeminist Legal Theory by Nancy Levit and Robert R. M. Verchick is not only a sophisticated theoretical exposition of feminist legal theory, but also a vivid analysis of real cases and popular culture and their relationship to womens issues. It is the first stop in researching womens issues for any academic or student of the law. The book is chock-full of information about law that relates to all aspects of womens (and sometimes, mens) issues ranging from education law to human trafficking. The information is presented through vivid, readable prose that lawyers, academics, and non-lawyers alike will find interesting, informative, and fun to read. I was blown away by the chapter on education with its analysis of constitutional and statutory law, and its up-to-date description of changes in regulatory authority. The book contains timely references to popular culture that will pique the interest of readers. A must-read for anyone who is interested in womens issues. -- Ann C. McGinley,William S. Boyd Professor of Law, University of Nevada Las VegasFeminist Legal Theory is essential for all readers. Its comprehensive review of the various types of feminism, feminist history, and the broad range of issues that affect all women and men is impressive. Levit and Verchicks work has the potential to make feminism not a four-letter word for millennial lawyers but instead a four-word phrase: 'Yes, Im a feminist!' Enjoy! -- Angela Onwuachi-Willig,Charles M. and Marion J. Kierscht Professor of Law, University of IowaThis foundational text offers an outstanding introduction and overview to one of the most important movements in the legal world today: feminist jurisprudence. The authors brilliantly weave together feminism, the law, and our ordinary experiences as men and women to create an accessible text that speaks to students, academicsand anyone who has ever thought about gender issues. -- Naomi Cahn,Harold H. Greene Chair, George Washington University Law SchoolThe time is ripe for a new look at feminism, and the new edition of Feminist Legal Theory provides the foundation. In clear, cogent, accessible prose, it tackles cutting-edge feminist topics . . . . This relatively slim volume has it all. . . . It simultaneously serves as a classic primer on feminist thought and a guide to the emerging issues that will challenge the next generation of feminist theory. -- June Carbone,Robina Chair of Law, Science and Technology, University of Minnesota Law School

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Book SynopsisIn an era of accelerating technology and increasing complexity, how should we reimagine the emancipatory potential of feminism? How should gender politics be reconfigured in a world being transformed by automation, globalization and the digital revolution? These questions are addressed in this bold new book by Helen Hester, a founding member of the 'Laboria Cuboniks' collective that developed the acclaimed manifesto 'Xenofeminism: A Politics for Alienation'. Hester develops a three-part definition of xenofeminism grounded in the ideas of technomaterialism, anti-naturalism, and gender abolitionism. She elaborates these ideas in relation to assistive reproductive technologies and interrogates the relationship between reproduction and futurity, while steering clear of a problematic anti-natalism. Finally, she examines what xenofeminist technologies might look like in practice, using the history of one specific device to argue for a future-oriented gender politics that can facilitate alternative models of reproduction. Challenging and iconoclastic, this visionary book is the essential guide to one of the most exciting intellectual trends in contemporary feminism.Trade Review"This is without doubt one of the most exciting texts I have read for quite some time. Lucid, well-grounded and brilliantly original, this short book is a breath of fresh air."Claire Colebrook, Pennsylvania State University�Helen Hester has her eyes set firmly on the future... its impact will be far reaching.�DIVA Magazine�Pithy and engaging... I heartily recommend this well-argued, provocative, and timely text.�Philosophy NowTable of Contents Contents Introduction 1. What is Xenofeminism? 2. Xenofeminist Futurities 3. Xenofeminist Technologies Conclusion: Xeno-Reproduction Endnotes Works Cited

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Book SynopsisFeminist Media Studies is a cutting-edge introduction to the core and emerging theories, methods, and approaches in a field that has blossomed over the past twenty-five years. Adopting an intersectional approach – a framework concerning the interconnected character of oppression based on gender, race, class, and other constructed identities – Alison Harvey takes a global view of gendered practices in and around the media. She provides an accessible overview of classical and contemporary issues in media culture by exploring the past, present, and future of feminist media studies, accounting for changes in the media landscape, from digital technologies and globalized media systems to emergent inequalities, discourses, and practices. By engaging with research from a diverse body of scholarship, this book situates feminist media studies as vital to researching and analysing a range of significant issues. The go-to textbook for a new generation of students, as well as an important resource for scholars, Feminist Media Studies is both an exciting invitation to the field and a passionate call to arms.Trade Review‘Alison Harvey offers an excellent introduction to contemporary gender-based media research while advocating an ethical, intersectional, and interdisciplinary approach that attends to possible sites for action. Clearly presenting the key concerns, methods, and theories at play in feminist media criticism, and insightfully revealing both the challenges of such work and the potential opportunities that arise from it, Harvey provides an informative, well-crafted roadmap for the newbie feminist media scholar as well as a refreshingly provocative update for those already working in this area.’Mary Celeste Kearney, University of Notre Dame ‘Drawing on diverse scholarship and emphasizing intersectionality, this is a timely and necessary book that demonstrates how feminist media studies should approach our rapidly changing media environments. Alison Harvey succinctly explicates methods committed to social justice, and signposts key concepts in a student-friendly way.’Aristea Fotopoulou, University of BrightonTable of ContentsAcknowledgements 1 Introduction to Intersectional Feminist Media Studies 2 Feminist Media Critique 3 Representing Gender 4 Transnational Feminist Media Studies 5 Feminist Digital Media Studies 6 Gendered Media Work 7 Conclusion: The Future of Feminist Media Studies and Action ReferencesIndex

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Book SynopsisThis book makes the case for an inclusive form of socialist feminism that puts women with multiple disadvantages at its heart. It moves feminism beyond contemporary disputes, including those between some feminists and some trans women. Combining academic rigour with accessibility, the book demystifies some key feminist terms, including patriarchy and intersectionality, and shows their relevance to feminist politics today. It argues that the analysis of gender cannot be isolated from that of class or race, and that the needs of most women will not be met in an economy based on the pursuit of profit. Throughout, the book asserts the social, economic and human importance of the unpaid caring and domestic work that has been traditionally done by women. It concludes that there are some grounds for optimism about a future that could be both more feminist and more socialist. Trade Review'Throughout the book, Bryson successfully makes difficult theoretical concepts more accessible, and she consistently points to further reading. Due to this, her book would serve as a useful introductory text for late high school and undergraduate students. Bryson’s analysis of feminist socialism and her call for more inclusive communities and policies that start with the most disadvantaged among us is a welcome and highly accessible addition to the literature; and should perhaps be required reading for policy-makers.'Professional Historians Association, Kirra Minton -- .Table of Contents1 The sex/gender distinction and the language of sexual violence2 Sexism and patriarchy3 Intersectionality: a dry word that can make a lot of sense4 Trans women and feminism: thinking beyond binaries5 We need to talk about capitalism6 Liberalism, neoliberalism and feminism: contradictions and concerns7 Marxist feminism: reframing the issues8 Why feminists should logically be socialists (and vice versa) ConclusionsIndex

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Book SynopsisThe Me Too movement, started by Black feminist Tarana Burke in 2006, went viral as a hashtag eleven years later after a tweet by white actor Alyssa Milano. Mainstream movements like #MeToo have often built on and co-opted the work of women of colour, while refusing to learn from them or centre their concerns. Far too often, the message is not ‘Me, Too’ but ‘Me, Not You’. Alison Phipps argues that this is not just a lack of solidarity. Privileged white women also sacrifice more marginalised people to achieve their aims, or even define them as enemies when they get in the way.Me, not you argues that the mainstream movement against sexual violence expresses a political whiteness that both reflects its demographics and limits its revolutionary potential. Privileged white women use their traumatic experiences to create media outrage, while relying on state power and bureaucracy to purge ‘bad men’ from elite institutions with little concern for where they might appear next. In their attacks on sex workers and trans people, the more reactionary branches of this feminist movement play into the hands of the resurgent far-right.Trade Review'This is a necessary and vital addition to feminist texts. Alison Phipps has done exactly what women of colour wish we saw more of during these days of #NotAllWhiteWomen. She has looked white feminism and political whiteness in the eyes and delivered a much-needed reckoning. It is exhausting to both fight political whiteness and explain to white women what that whiteness is, how it benefits them and why the status quo must end if we are all to be free. This is a book I will be carrying everywhere, eager to share, excited to have Phipps’ words fighting alongside me.'Mona Eltahawy, author of The Seven Necessary Sins For Women and Girls'Paints a cohesive and alarming picture of sexual violence activism today.'Textual Practice 'Me, not you is an essential book for this historical moment. Phipps adds to the growing consideration of “carceral feminisms” by writing an accessible text that addresses how white women can enact violence while organising to end sexual violence. I was particularly interested in the book’s theorisation of “political whiteness,” a concept that owes much to the work of Black feminist scholars and activists. Me, not you uplifts this lineage and offers more food for thought. For anyone interested in anti-violence, anti-racism, and anti-criminalisation organising, this book is required reading. I’ll be coming back to it often.'Mariame Kaba, organiser, educator and founder of Project NIATimely is a tired trope for a book recommendation, but if you wanted to capture the solidarity, backlash, and politics of feminism in 2020 Alison Phipps’ Me Not You would be an excellent place to start. Phipps is upfront with her aims for the book – this is a book about mainstream feminism aimed at white people. This is the book I will give to those who still don’t get it and keep next to me for when I forget it. The Sociological ReviewThis book is very relevant to feminism now. The carefully considered research and representation of Phipps provides a way for white feminists to understand the long history and complexity of current public debates surrounding race, gender and, at times, sexuality. LIMINA, a journal of historical and cultural studies.' Me, Not You is essential reading for white women everywhere.'the F word -- .Table of ContentsIntroduction1 Gender in a right-moving world2 Me, not you3 Political whiteness4 The outrage economy5 White feminism as war machine6 Feminists and the far rightConclusion References

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Book SynopsisA new manifesto for the working woman, full of practical tips for making the most of your earnings as well as inspiration for harnessing the freedom and power that come with financial independence. In Think Like a Breadwinner, financial expert Jennifer Barrett dismantles the narrative that women don't – and shouldn't – take full control of their finances to create the lives they want for themselves. Featuring a wide variety of case studies from women at all stages of their careers and financial lives, Barrett shares the secrets of women who already think like breadwinners.Practical and empowering, this book includes advice on: - Changing how you think about money- Asking for promotions and raises at work- Saving and investing your money- How to combine breadwinning and parenting- Prioritising your futurePerfect for anyone who thinks they're 'no good with money', Think Like a Breadwinner will show you that no matter your circumstances, you can set yourself up for financial security.Trade ReviewThink Like a Breadwinner is the roadmap women need to take charge of their financial futures. Jennifer Barrett empowers readers to be unabashedly confident while getting smart about their money behaviors, ultimately unlocking their fullest potentials and wildest dreams. -- Reshma Saujani, CEO and author of 'Girls Who Code' and author of 'Brave, Not Perfect'Think Like a Breadwinner is the guide every woman needs to read in order to reframe her relationship with what it means to be a breadwinner. No matter your relationship status, Barrett encourages every woman to focus on being the breadwinner of her own life and in charge of her own financial future. -- Erin Lowry, author of Broke Millennial Talks MoneyBarrett’s manifesto is a must read for any woman at any stage of her career. This book is about so much more than the power of money – it is about empowering yourself for a lifetime of success in all domains. -- Eve Rodsky, New York Times bestselling author of Fair PlayLadies: It is time to retrain our brains. Jennifer Barrett has the stats and the solutions to get us all thinking like breadwinners. This book will teach you to see the joy in money, rather than the stress. It will crystalize why we need to build up our wealth, not build up our hopes for someone else to take care of us. This well-researched and compelling book could not come at a better time. -- Bobbi Rebell, author of How to be a Financial GrownupThink Like a Breadwinner is a vital book for our age. As the wealth gap continues to remove power and equity from women, Jennifer Barrett's brilliant book, offers a practical guide to taking matters in readers' own hands, and learning the tools to develop a mindset that changes this outdated status quo. The sharing of Barrett's personal story adds real warmth and relatability, which takes it from manual to long-term guide. A must read for all women. -- Alice Olins, coach, entrepreneur and founder of the Step Up ClubThis is a book for anyone–single or partnered, at any stage of their career – who understands that a positive money mindset isn’t only about cash in the bank. It’s about leveraging what you’ve got to get you where you want to go. -- Farnoosh Torabi, author of When She Makes More and host of the So Money podcastThink Like a Breadwinner shows women how to overcome the beliefs and barriers that hold us back financially. If you need to make life-changing money choices, start with this book. -- Octavia Goredema author of Prep, Push, Pivot: Essential Career Strategies for Underrepresented Women Jennifer Barrett’s Think Like a Breadwinner is an eye-opening and engaging read for any women beginning, progressing or reflecting on their career. This sharp and stylish read is a powerful narrative that you will want to share with any female in your life. -- Maya Prentis, Founder of Fempire FinanceThink Like A Breadwinner champions women and provides an insightful read for not just those female breadwinners but their male counterparts as well . . . The book is full of wisdom while not being too bogged down in the details. -- Ladders

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Book Synopsis'Searing and timely' Tarana Burke, founder of the MeToo movement, and author of You Are Your Best Thing'Carefree Black Girls is the testimony I've been waiting to witness.'Robert Jones, Jr., author of The Prophets; creator of Son of Baldwin'Standout... one you'll struggle to put down.'Bad FormINCLUDES A FOREWORD WITH CLARA AMFOIn 2013, film and culture critic Zeba Blay was one of the first people to coin the viral term #carefreeblackgirls on Twitter. As she says, it was "a way to carve out a space of celebration and freedom for Black women online."In this collection of essays, Blay expands on this initial idea by delving into the work and lasting achievements of influential Black women in Pop Culture - writers, artists, actresses, dancers, hip-hop stars - whose contributions often come in the face of bigotry, misogyny, and stereotypes. Blay celebrates the strength and fortitude of these Black women, while also examining the many stereotypes and rigid identities that have clung to them.In writing that is both luminous and sharp, expansive and intimate, Carefree Black Girls seeks a path forward to a culture and society in which Black women and their art are appreciated and celebrated.Trade ReviewBlay is a talent, mixing an encyclopedic knowledge of pop culture, past and present, with incisive commentary on race and gender. * Janet Mock, author of Redefining Realness and Surpassing Certainty *Blay's welcome voice is candid, vulnerable and necessary. Her observations about the impact Black women have had and continue to have on pop culture are searing and timely and will have a lasting impact on how much the world sees and understands us. * Tarana Burke, founder of the MeToo movement, and author of You Are Your Best Thing *Alongside perceptive ruminations on everything from colourism to Cardi B, Blay writes with refreshing candour on topics that will resonate with Black women, the world over. Her passion and incredible knowledge on all things race, gender and pop culture-related make this book a standout and one you'll struggle to put down. * Morgan Cormack, Bad Form *Blay's idea of Black womanhood is an inclusive one, where liberation is not just possible, but doable because it has the space for all Black women?cisgender, transgender, rich, poor, old, young, local, global?magnifying the potential for unity (and success) against the forces which mean them harm. Each essay carries with it truths that feel ancestral. Carefree Black Girls is the testimony I've been waiting to witness. * Robert Jones, Jr., author of The Prophets; creator of Son of Baldwin *"Blay's personal experiences with astute cultural analysis to explore how joy has become one of the most useful weapons in a Black woman's arsenal. * Bitch Media *

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Book SynopsisThis groundbreaking collection interrogates protest camps as sites of gendered politics and feminist activism. Drawing on case studies that range from Cold War women-only peace camps to more recent mixed-gender examples from around the world, diverse contributors reflect on the recurrence of gendered, racialised and heteronormative structures in protest camps, and their potency and politics as feminist spaces. While developing an intersectional analysis of the possibilities and limitations of protest camps, this book also tells new and inspiring stories of feminist organising and agency. It will appeal to feminist theorists and activists, as well as to social movement scholars.Table of Contents1. Introduction: Feminism/Protest Camps - Catherine Eschle and Alison Bartlett Part 1: Gendered Power and Identities in Protest Camps 2. Safe Spaces and Solidarity: Confronting Gendered Violence in the US Occupy Encampments - Celeste Montoya 3. The Pu’u We Planted: (Re)birthing Refuge at Mauna Kea - Māhealani Ahia and Kahala Johnson 4. ‘You Can’t Kill the Spirit’ (But You Can Try): Gendered Contestations and Contradictions at Menwith Hill Women’s Peace Camp - Finn Mackay 5. Women Activists, Gendered Power and Postfeminism in Taiwan’s ‘Sunflower Movement’ - Chia-Ling Yang Part 2: Feminist Politics in and through Protest Camps 6. The Feminist Movement in Turkey and the Women of the Gezi Park Protests - Yeşim Arat 7. Feminism and Protest Camps in Spain: From the Indignados to Feminist Encampments - Emma Gómez Nicolau 8. ‘Why the Compost Toilets?’: Ecofeminist (Re)Generations at the HoriZone Ecovillage - Joan Haran Part 3: Feminist Theorising and Protest Camps 9. Protest Camps as ‘Homeplace’? Social Reproduction in and against Neoliberal Capitalism - Catherine Eschle 10. Project Democracy in Protest Camps: Caring, the Commons and Feminist Democratic Theory - Anastasia Kavada 11. Feminised and Decolonising Reoccupations, Re-existencias and Escrevivências: Learning from Women’s Movement Collectives in Northeast Brazil - Sara C. Motta, Sandra Maria Gadelha de Carvalho, Claudiana Nogueira de Alcencar and Mila Nayane da Silva Part 4: The Feminist Afterlives of Protest Camps 12. Feminism on Aboriginal Land: The 1983 Pine Gap Women’s Peace Camp, Central Australia - Alison Bartlett 13. Remembering an Eco/Feminist Peace Camp - Niamh Moore 14. US Occupy Encampments and Their Feminist Tensions: Archiving for Contemporary ‘Big-Tent’ Social Movements - Heather McKee Hurwitz and Anne Kumer 15. Greenham Women Everywhere: A Feminist Experiment in Recreating Experience and Shaping Collective Memory - Kate Kerrow, Rebecca Mordan, Vanessa Pini and Jill (Ray) Raymond, with Alison Bartlett and Catherine Eschle 16. Conclusion: Rethinking Protest Camps, Rethinking Feminism - Catherine Eschle and Alison Bartlett

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'Tightly plotted and hugely readable' Jane Rogers, author of PROMISED LANDS'Marvellous . . . fans of immersive historical fiction, the 18th century, all things French and a dash of peril, this one's for you' Emily Brand, author of THE FALL OF THE HOUSE OF BYRON'Glasfurd deftly, elegantly captures this volatile world of impoverished attic rooms and gilded literary salons' DAILY MAILThe King knows the true power and privilege of books. When every book is cause for suspicion, you risk execution for possessing the wrong ones.1766, PARIS. Ten years have passed since Delphine Vimond last saw her father. After his violent arrest, his library of books is burned. Young Delphine, bereft and fatherless, is forced to seek refuge in the city.Now working as a housekeeper for the radical Monsieur Diderot, her settled life is suddenly disrupted by the arrival of Chancery Smith. A printer's apprentice, he has been sent from London to hunt down the mysterious author of revolutionary papers marked only with the initial D - the possession of which could prove fatal.Pursued by the brutal French censor, Henri Gilbert, Delphine and Chancery set off on a frantic and deadly search that will take them across the country.But can they catch up with D before Gilbert catches up with them? 'Among historical novelists, Glasfurd rides high' FINANCIAL TIMES

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Book Synopsis'Sleepless has changed how I feel about sleep . . . I was captivated' The Times, Book of the Week'This book will inspire you to get up, light a candle, and experience your own Night Self' Financial TimesTHE NIGHT SELF IS: CREATIVE. CURIOUS. VULNERABLE. ENCHANTED. COURAGEOUS.In the winter of 2020, Annabel Abbs experienced a series of bereavements. As she grieved, she kept busy by day, but at night sleep eluded her. And yet her sleeplessness led to a profound and unexpected discovery: her Night Self. As the night transformed into a place of creativity and liberation, Annabel found she wasn't alone. From the radical fifteenth-century philosopher Laura Cereta and subversive artist Louise Bourgeois, to Virginia Woolf and the activist Peace Pilgrim, women have long found sanctuary, inspiration and courage in darkness.Drawing on the latest science, which shows we are more imaginative, open-minded and reflective at night, Annabel set out to discover the potential of her Night Self. Sleepless follows her journey, from midnight hikes to starlit swims, from Singapore, the brightest city on Earth, to the darkest corner of the Arctic Circle, and finally to that most elusive of places - sleep.A moving, revelatory voyage into the dark, Sleepless invites us to feel less anxious about our sleep, and to embrace the possibilities of the night.Trade ReviewThis book will inspire you to get up, light a candle, and experience your own Night Self -- ERICA WAGNER * Financial Times *Reveals a wondrous night world . . . Sleepless is more than an antidote to sleep zealotry; it marks a special place to embrace and enjoy -- CATHERINE DE LANGE * New Scientist *Abbs invites the reader to lean right in . . . lyrical prose . . . and extensive research illustrate the value many women have found historically in embracing their Night Selves * Irish Times *[Full of] numerous examples of creative women whose greatest, most avant-garde works were conceived and produced at night . . . Abbs urges us to mine our night brains for creative profit . . . to stop catastrophising about how you'll cope the following day * Sunday Times Magazine *The beautiful prose in this book is otherworldly and an ode to insomnia . . . Having skilfully merged her research and personal experiences, Abbs takes us on a journey through her own psyche. Not only is this book extremely readable, it is also deeply relatable * The Lady *I have never read a writer who could turn the lemons of sleep deprivation into the lemonade of creative inspiration quite like Annabel Abbs . . . Weaving history, scientific research on brain chemistry and Abbs's own personal nocturnal explorations, Sleepless is uniquely engaging and hopeful account of a condition that is more typically a truly miserable experience * Salon *Transforms the dead of the night into a place alive with feminine creativity, curiosity and self-discovery. You'll find yourself longing for the dark -- Tabitha CarvanA beautiful book that weaves together science, storytelling and self-discovery. Soft, soothing and soulful -- Nicola Jane Hobbs, author of The Relaxed WomanThis book asks one of the most beautiful questions a Big Soul can ask herself: What if our insomnia was a wondrous, life-thriving thing? As a reader, we answer it together with weary but deeply fulfilled relief, yes, yes, it is! -- Sarah Wilson, New York Times bestselling author of This One Wild and Precious LifeA rich and revelatory exploration of the creative and liberating potential of the night, and a paean to the life-enhancing power of the dark. My newborn Night Self was left longing for more -- Sharon Blackie, author of The Enchanted LifeI adore all of Annabel's vibrant and insightful writing, but this walk in the dark was an utter revelation. Beautifully written in engaging first-person narrative, I now have an idea of the beauty of this side of our lives -- Kathryn AaltoFascinating . . . seeking to avoid what she later comes to value, Annnabel's relationship with the dark shows us the night can become a time of creative potential and healing -- Nina Edwards, author of DarknessAbbs strikes a contrarian note by daring to extol and even 'befriend' the sleep deprivation she experienced after a series of bereavements . . . Abbs is right to push back against the current sleep cult, as one thing is clear: anxiety about sleep will only make it more elusive * Tablet *Award-winning author Annabel Abbs strikes a contrarian note by daring to extol and even "befriend" the sleep deprivation she experienced after a series of bereavements, seeing it as a pathway to self-discovery. * Tablet *

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Book SynopsisA contemporary gothic debut with a feminist edge, for fans of Naomi Alderman and Madeline Miller'The simmering menace and mystery kept me absolutely gripped' Jennifer Saint, author of Ariadne'Rebecca meets The Secret History. Gloriously dark, gloriously gothic' Sara Collins, author of The Confessions of Frannie LangtonFor 150 years, Caldonbrae Hall has loomed high above the Scottish cliffs as a beacon of excellence. A boarding school for girls, it promises that its pupils will emerge 'resilient and ready to serve society'. New to the school, Classics teacher Rose Christie is soon overwhelmed by the institution's arcane traditions and terrifyingly cool, vindictive students. Her classroom becomes her haven, until her lessons about fearless women starts to draw the suspicions of the powers that be. As Rose uncovers the darkness that beats at the very heart of Caldonbrae, the lines between myth and reality grow ever more blurred. Can Rose - and the fierce young women she has come to love - find a way to escape the fate the school has in store for them, before it is too late. . .______________________'A highly entertaining and atmospheric read' Kate Sawyer, author of The Stranding'Imagine if Donna Tartt and Margaret Atwood got together to write a creepy, suspenseful novel . . . ' Chandler Baker, author of Whisper Network'Strange, dark, and utterly consuming . . . I loved it' Katie Lowe, author of The Furies'Chilling, eerie and very clever. I devoured it' Polly Crosby, author of The Illustrated Child'A thrilling debut, reminiscent of Du Maurier. Leaves us breathless at each twist and turn' Nydia Hetherington, author of A Girl Made Of AirTrade ReviewRebecca meets The Secret History. Gloriously dark, gloriously gothic * Sara Collins, author of THE CONFESSIONS OF FRANNIE LANGTON *Imagine if Donna Tartt and Margaret Atwood got together to write a creepy, suspenseful novel about a school for young women in the Scottish Highlands. The result is Madam, a book I couldn't for the life of me put down. Brooding and unsettling, Wynne paints a gorgeous picture that only serves to camouflage the dark secrets she's hidden within * Chandler Baker, author of WHISPER NETWORK *The simmering menace and mystery kept me absolutely gripped. It gave me the same feeling as when I read The Secret History and put me in mind of The Furies. I loved the clever interweaving stories of the classical women of ancient myth and history with the tantalising reveal of the horrifying truth behind the impressive facade of the grand boarding school. This was a smouldering slow burn of a novel that I could not put down * Jennifer Saint, author of ARIADNE *Strange, dark, and utterly consuming... I loved it * Katie Lowe, author of THE FURIES *Chilling, eerie and very clever. I devoured it * Polly Crosby, author of THE ILLUSTRATED CHILD *A thrilling debut, reminiscent of Du Maurier. The narrative, written in precise prose with beautifully crafted characters, barrels along at pace, leaving us breathless at each twist and turn. A truly wonderful read * Nydia Hetherington, author of A GIRL MADE OF AIR *I ripped through it and thoroughly enjoyed the ride. It had real echoes of Jean Brodie and a flavour of one of my favourite films Heathers, too! A highly entertaining and atmospheric read * Kate Sawyer, author of THE STRANDING *Full of fire and light, written with a passionate intensity . . . Madam is a book that shimmers . . . This is a chilling and shocking read that shouts of the abuse of power. Yet the warmth of its writing and the spell it holds is more powerful than the words give way to. It's an extraordinary achievement * Now and Fen blog *Brooding, creepy and suspenseful... Perfect for fans of The Handmaid's Tale * Woman & Home *I was immersed in the bleak landscape and terrifying atmosphere...from beginning to end... A wonderful, refreshing, beautifully written novel, and I cannot wait to read Wynne's next * Louise Fein, author of PEOPLE LIKE US *Chilling, unsettling with strong messages about femininity, Madam shocks as it builds from subtle hits to its big satisfying crescendo . . . An interesting mix of modern gothic, the anticipation of a thriller and a strong female voice * My Weekly *Thick with Gothic intrigue and menace, this is also a novel with a feminist heart * Daily Mail *One of my favourite reads of 2021 so far and I found it thoroughly addictive, sickeningly disturbing at times and endlessly fascinating * Shemazing *Madam is a sinister and utterly compelling boarding school mystery * Mummy Pages *A dazzling slice of dark, Gothic feminism * Heat *A book that's truly hard to put down * Living North Magazine *A pitch-perfect debut with a feminist twist * 17 Degrees Magazine *Latin and Greek myths echo throughout, in a story that will not let you go * The Irish Times *

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Book Synopsis'THIS FOLLOW-UP IS AS ENTHRALLING AS ITS PREDECESSOR' Sunday Times'BRILLIANTLY IMAGINED AND THOROUGHLY CHILLING' Observer'BEGINS WITH A BANG AND DOESN'T LET UP' Clare ChambersThrilling dystopian fiction from the acclaimed author of Widowland. Perfect for fans of Margaret Atwood.It is 1955 and Britain is still a Protectorate of Germany. The assassination of the Leader on British soil provoked violent retribution towards British citizens, particularly women. Rose Ransom is amazed even to be alive, her role in the assassination miraculously overlooked. The widowed Queen Wallis reigns, yet some citizens hope that Elizabeth may one day return.President Eisenhower is to visit Britain and Rose is tasked with briefing Queen Wallis. She finds the queen in a state of paranoia, desperate to return to America. But Wallis, a poker addict, has a trump card - a document so explosive that it will blow the Protectorate apart, should she dare to reveal it.'FULL OF TWISTS' Red'A GRIPPING THRILLER' Bel Mooney'THRILLING, SUBVERSIVE' Jane Harris'A TRIUMPH' Amanda CraigTrade ReviewIt begins with a bang and doesn't let up. There were so many telling references to the current political climate it was frightening. C.J. Carey has created a detailed and convincing alternative universe and a gutsy heroine you really care about * Clare Chambers *Brilliantly imagined and thoroughly chilling, this is a counterfactual tour de force * Guardian *This is a chilling , compelling read, full of twists and ''what if?'' moments * Red *Exciting and provocative dystopian fiction * Observer *A triumph! So often, sequels disappoint, but Queen High is not just as compelling, sinister, satirical and original as Widowland, it's actually better in that it shows us how we might find a way out of tyranny and barbarism * Amanda Craig *Oh, be careful, people! Brilliant C.J. Carey hasn't just written a gripping thriller but holds a satirical mirror up to modern life. And at the heart of Queen High is a serious, passionate belief in the power of women and of books to effect change * Bel Mooney *Carey has built on the world of Widowland just brilliantly. The parallels with contemporary events (how character and history effect attitudes to "rules"; the sense of a political order making it up as it goes along; the role of women) are just ingenious. Wallace too, what a character! I hope it flies off the shelves - it deserves to' * Sabine Durrant *Another triumph from C.J. Carey in this follow-up to the brilliant Widowland. Thrilling, subversive, page-turning, deeply feminist, and beautifully written * Jane Harris *This follow-up is as enthralling as its predecessor * The Sunday Times *Rose's double life unravels as Carey coldly and cleverly controls the release of who knows what, reflecting the ruthless surveillance techniques of a totalitarian regime where no one trusts anyone * Daily Mail *A brilliant, vividly imagined spine-chilling dystopian thriller * Irish Independent *Words continue to have power both on and off the page as Carey expands her alternate history to good effect * Sci Fi Bulletin *Fascinating novel of alternative history and a suspenseful story * SHOTS Magazine *History as it might have been, wonderfully-sketched characters, crime and conspiracies: a perfect thriller and I can't wait for the next volume' * Crime Time *Irresistible mix of fact, fiction and feminism * Lancashire Evening Post *

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Book Synopsis'A genius writer' FABULOUS MAGAZINE· Explore your sensuality· Discover your inner power· Reclaim your sexuality with this gentle and mind-opening journal by sexual priestess and activist Lucy-Anne Holmes.When Lucy-Anne Holmes was in her mid-thirties, she had an epiphany about sex: she realised that she hadn't even skimmed the surface of how fulfilling it could be. So, she took herself on a sexual odyssey. Ten years on, after countless explorations, sex festivals and workshops, she was initiated as a sacred sexual priestess. She now shares everything she has learned about how liberating and empowering sexual self-knowledge can be.Guided by Lucy, on each day of the 28 days you'll be invited to read, to write and to do something around the following themes: Your Love, Your Body, Your Sex, Your Intimacy, Your Desire, Your Pleasure, Your Power, Your Playfulness, Your Surrender, Your Sacredness, Your Vision.This book features a host of activities to discover and play, including: activation mediations, touch practises, sex magic, self-pleasure experiments, sex audits, games to play with friends or lovers, plus opportunities to get creative and express your sexual self through various artforms, and much more.Consider this your own personal pleasure school. Prepare to be wowed and enlightened, inspired and excited as you acquaint yourself with the glorious uniqueness of your sexuality.Praise for Women on Top of the World'Searingly honest ... A beautiful and important work' VANITY FAIR'Holmes has done an admirable job' SUNDAY TIMES'The female gaze at its purest... An important read' SUNDAY INDEPENDENT Praise for Don't Hold My Head Down'Absolutely essential . . . So funny, hopeful, truthful and needed' Caitlin Moran'A must-read. . . will make you laugh yourself silly' Laura Bates'I can't express how much I loved this book. And how evangelical I feel about it. I want to rush out and buy copies for every woman, and actually every man, I know' Caroline Criado-Perez

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Book SynopsisIn an era marked by a frustrating sense of stagnation for women, Jennifer Palmieri has found a way to move beyond the bounds ofpatriarchy. Building on the lessons shared in Dear Madam President, Palmieri argues that women have gone as far as they can in a world made for men, and it is time to break from it.She Proclaims declares what most women know in their souls but have yet to say out loud-that they deserve something better than a life where men hold a vast majority of power and women continue to be undervalued. It is a manifesto for the second century of feminism that no longer chases a man's elusive path but proclaims the value, ambition, and emotion women have had all along to change their world by changing how they engage in it.This book celebrates the accomplishments and history of the women's movement, and through personal reflections and stories of other inspirational female leaders, Jennifer shares concrete advice and insights she's learned from her journey out of a man's world that will inspire you to boldly chart your own course in life.

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Book SynopsisScience, like most fields, is set up for men to succeed, and is rife with racism, sexism, and shortsightedness as a result. But as Dr. Chanda Prescod-Weinstein makes brilliantly clear, we all have a right to know the night sky. One of the leading physicists of her generation, she is also one of the fewer than one hundred Black women to earn a PhD in physics.You will enjoy -- and share -- her love for physics, from the Standard Model of Particle Physics and what lies beyond it, to the physics of melanin in skin, to the latest theories of dark matter -- all with a new spin and rhythm informed by pop culture, hip hop, politics, and Star Trek. This vision of the cosmos is vibrant, inclusive and buoyantly non-traditional.By welcoming the insights of those who have been left out for too long, we expand our understanding of the universe and our place in it. The Disordered Cosmos is a vision for a world without prejudice that allows everyone to view the wonders of the universe through the same starry eyes.

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Book SynopsisAn essential anthology of leading academics, activists, and artists on the state of queer studies today.The David R. Kessler Lectures, established in 1992 by CLAGS: Center for LGBTQ Studies at the City University of New York, represent the cutting edge of queer studies in the United States. Queer Then and Now collects the lectures given from 2002 to 2020 by some of the most influential scholars, artists, and activists of the last two decades?Adrienne Rich, Amber Hollibaugh, Cathy J. Cohen, Cheryl Clarke, Dean Spade, Douglas Crimp, Gayle Rubin, Isaac Julien, Jasbir K. Puar, Jonathan Ned Katz, Martin Duberman, Richard Fung, Roderick A. Ferguson, Sara Ahmed, Sarah Schulman, Susan Stryker, and Urvashi Vaid?alongside new reflections and two scholarly roundtables.Diverse and dynamic, these lectures and intertextual conversations tackle some of today?s most important interventions from the margins?including the growth of trans studies, the synergy and disconnect between theory and activism, the role of LGBTQ+ art and media, and the challenge of transnational and postcolonial theory. Charting the intellectual development of queer studies after the 1990s, Queer Then and Now lays the groundwork for queer thinking in the twenty-first century and beyond.

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