Feminism and feminist theory Books

Book SynopsisIn this eloquent and blistering rejection of surrogacy, a range of international activists and experts in the field outline the fundamental human rights abuses that occur when surrogacy is legalised and reject neoliberal notions that the commodification of women’s bodies can ever be about the ‘choices’ women make. Yoshie Yanagihara shows how feminist ideas have been twisted to extend men’s freedom and their rights to access surrogacy. Catherine Lynch rails against surrogacy as the creation of babies for the express purpose of removal from their mothers, outlining the tragic outcomes for adopted people. Phyllis Chesler argues that commercial surrogacy is matricidal, “slicing and dicing biological motherhood” into egg donor, ‘gestational’ mother and adoptive mother. Melissa Farley debunks the myth of ‘choice’ in surrogacy, arguing that in a male-dominated and racist system, the exploitative sale of women in surrogacy, like in prostitution, is inherently harmful —rich women do not make the choice to become surrogates or prostitutes. Other contributors to this book, which is published in conjunction with the International Coalition for the Abolition of Surrogate Motherhood, are Gena Corea, Renate Klein, Gary Powell, Rita Banerji, Marie-Josèphe Devillers, Laura Isabel Gómez García, Alexandra Clément-Saby, Taina Bien-Aimé, Silvia Guerini, Laura Nuño Gómez and Eva Maria Bachinger.

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Book SynopsisFrom the fiery intellectual provocateur - and one of our most fearless advocates of gender equality - a brilliant, urgent essay collection that both celebrates modern feminism and affirms the power of men and women and what we can accomplish together.Trade ReviewFiercely erudite, freewheeling and sex-drenched . . . The Helen Vendler-meets-Patti Smith grad seminar you wanted but never quite got [. . . Paglia is] a fearless public intellectual and more necessary than ever * * New York Times * *Paglia's vision is always fresh . . . A fascinating and challenging reading companion * * The Times * *Dazzling . . . Compulsively readable * * Salon * *Polemical, thought-provoking, enraging, funny, and brave * * VICE * *She flies as high as you can go * * New York Times * *Remarkable . . . at once outrageous and compelling, fanatical and brilliant * * Washington Post * *A compilation of Paglia's best, and most incendiary, previously published essays . . . At times infuriating, at times glittering, Paglia's prose is always biting and relentless * * Huffington Post * *An essential work by an essential public intellectual * * VICE * *Feminist and culture critic Paglia is at her feisty, full-throated best in this series of short manifestos that spans her career * * Publishers Weekly * *Paglia is a brilliant thinker on culture and human nature . . . Inspirational in its tone and its message that freedom belongs to both sexes -- Helen Smith * * The New Criterion * *

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Book SynopsisIt's time to fight back! With this inter-sectional handbook, you'll discover practical, everyday tips and tools to help you resist sexism, smash the patriarchy, and create a better world for yourself and future generations.From reproductive rights and the wage gap to #MeToo and #TimesUp-gender inequality permeates nearly every aspect of our culture. From birth and on through adulthood, the message that our sexist society sends to women and girls is clear: you're not enough. You're not valued enough to get paid the same salary as a man with the same job title. You're not worthy enough or perfect enough to be taken seriously or respected. You're not responsible enough to make decisions about your body or reproductive rights.These negative messages are internalised on a deep psychological level. In fact, the effects of sexism are directly represented in the high rates of anxiety, depression, sleep problems, and eating disorders among women and girls-and these effects are even more severe for queer women, disabled women, and women of colour. Isn't it time you said ENOUGH?This revolutionary feminist self-help guide offers real tools you can use to:·Combat the effects of discrimination and gender/race inequality·Improve your self-confidence, gain self-esteem, and build resilience·Actively resist internalised negative messages you've received while living in an openly sexist, patriarchal cultureMost self-help books teach you how to transform your life from the inside out. But what can you do when your distress is caused by sexist institutionalised power structures, attitudes, and events that are outside of your control? This book will help you untangle the role that sexism and discrimination plays in your life, your mental health, and your overall sense of well-being. Most importantly, you'll learn to reject negative messages and work toward creating lasting change through activism and community.There's a lot of work to do. This book will help you get started now.

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Book SynopsisAlice Howell (1886-1961) is slowly gaining recognition and regard as arguably the most important slapstick comedienne of the silent era. This new study, the first book-length appreciation, identifies her place in the comedy hierarchy alongside the best-known of silent comediennes, Mabel Normand.

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Book SynopsisEnslaved West Indian women had few opportunities to record their stories for posterity. Yet from their dusty footprints and the umpteen small clues they left for us to unravel, there's no question that they earned their place in history. Pick any Caribbean island and you'll find race, skin colour and rank interacting with gender in a unique and often volatile way. In A Kick in the Belly, Stella Dadzie follows the evidence, and finds women played a distinctly female role in the development of a culture of slave resistance - a role that was not just central, but downright dynamic.From the coffle-line to the Great House, enslaved women found ways of fighting back that beggar belief. Whether responding to the horrendous conditions of plantation life, the sadistic vagaries of their captors or the 'peculiar burdens of their sex', their collective sanity relied on a highly subversive adaptation of the values and cultures they smuggled with them naked from different parts of Africa. By sustaining or adapting remembered cultural practices, they ensured that the lives of chattel slaves retained both meaning and purpose. A Kick in the Belly makes clear that their subtle acts of insubordination and their conscious acts of rebellion came to undermine the very fabric and survival of West Indian slavery.Trade Reviewreview for Heart of the Race: A feminist classic -- Bernardine Evaristo * Times Literary Supplement *review for Heart of the Race: As relevant as ever . Heart of the Race gives a huge amount of insight into black women's agency and activism in British history. * Institute of Race Relations *review for Heart of the Race: Vivid * National Geographic Traveller *In clear, accessible prose, this book upturns versions of the past that privilege his-story, revealing a more complex and many-layered past, one in which enslaved women were central to the struggle for freedom. -- Suzanne Scafe, co-author of The Heart of the RaceShocking, enlightening, fascinating, challenging, A Kick in the Belly reframes the overwhelmingly male perspective on the transatlantic slave trade through female experiences and acts of resistance. It is a essential corrective to centuries of sublimation and the presentation of black women who lived through this history as passive victims. I cannot recommend it highly enough. -- Bernardine Evaristo, author of Girl, Woman, OtherStella Dadzie has given us another chapter in women's history by uncovering resistance that is uniquely rooted in controlling reproduction. This is a meticulously researched narrative that privileges the people who were so brutally treated that it was easy to assume they had no agency. We now know that such an assumption would be mistaken. This is an essential addition to the corpus of historical study into the nature, legacy and impacts of the period of African enslavement. It's finally a work that allows us to better understand and recognise how women disrupted the principal economic principles supporting the enslavement of generations of people. -- Arike Oke, Director of The Black Cultural ArchivesWhat has become distinctive of Dadzie's scholarship is the way she centres black women in their own stories and this continues in A Kick in the Belly...After being fed narratives that 'the material doesn't exist', A Kick in the Belly shows that it is really a matter of knowing where to look and how to listen. -- Sarah Lusack * Black Ballad *Amplifies and honours the innovative ways women fought for freedom and kept their cultures alive despite the brutality they faced...When filmmaker Ava DuVernay says she is her ancestor's wildest dreams, these are the women she's talking about. -- Sharmaine Lovegrove * Red *Highlighting the experiences of enslaved women in the Anglo-Caribbean, Dadzie gives primacy, as she did in her seminal book Heart of the Race (with Beverley Bryan and Suzanne Scafe), to Black women's voices. In doing so, she puts a narrative of empowerment and hope at the centre of the brutal history of slavery. -- Meleisa Ono-George * Times Literary Supplement *Transatlantic slavery is one of the most misunderstood and misrepresented periods of history. Stella Dadzie offers a much-needed corrective by centring on the experiences of black women forced into the plantation system. -- Kehinde Andrews * BBC History Magazine: Books of the Year 2020 *Over 200 or so pages of impassioned prose, [Dadzie] delves into the many stories of female freedom fighters, from Jamaica's Queen Nanny of the Maroons, who used guerrilla warfare against the British, to those who murdered their masters with poisoned draughts like Baby of St Kitts, or became runaways like Betty, Charlotte and Molly who took flight as a trio from their Barbados plantation. -- Angela Cobbinah * Camden New Journal *

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Book SynopsisThe 1940 film adaptation of Daphne du Maurier’s gothic romance Rebecca begins by echoing the novel’s famous opening line, ‘Last night I dreamt I went to Manderley again.’ Patricia White takes the theme of return as her starting point for an exploration of the film’s enduring power. Drawing on archival research, she shows how the production and reception history of Rebecca, the first fruit of the collaboration between Hollywood movie producer David O. Selznick and British director Alfred Hitchcock, is marked by the traces of women’s contributions. White provides a rich analysis of the film, addressing the gap between perception and reality that is constantly in play in the gothic romance, and highlighting the queer erotics circulating around ‘I’ (the heroine), Mrs Danvers, and the dead but ever-present Rebecca. Her discussion of the film’s afterlives emphasizes the lasting aesthetic impact of this dark masterpiece of memory and desire, while her attention to its remakes and sequels speaks to the ongoing relevance of its vision of gender and power.Trade ReviewWhite pays ample and poetic attention to the film’s aesthetic dimensions, beautifully highlighting both Hitchcock’s style and cinematic experience ... White’s marvelously observed, meticulous monograph offers fitting tribute. * Hitchcock Annually *This in-depth look at… [the] celebrated 1940 film adaptation of Daphne du Maurier’s gothic romance draws on archival research to consider themes of returning and appearance and reality. * Choice *Patricia White’s study of the 1940 goth romance turns a salutary spotlight on the women who steered it to the screen. Ben Wheatley’s re-do gets a nod, but there’s a more fruitful comparison with Paul Thomas Anderson’s Phantom Thread. * Total Film *[Patricia White has found] an autonomous and brilliant path in the wide range of readings of the film that have accumulated over the years, managing to provide an original contribution and to open up further interpretative possibilities. (Bloomsbury Translation) * Imago: Studi di cinema e media (Bloomsbury Translation) *In Rebecca, Patricia White lends her voice to the women—among them, Daphne du Maurier, Irene Selznick, Joan Harrison, and Alma Reville, as well the film’s critics—who have contributed extensively to the making and understanding of Hitchcock’s classic film. In a sense White brilliantly stages yet one more return of the dead woman, Rebecca, who haunts the unnamed heroine and so many fans of the novel and the film, and in lucid and compelling prose testifies to the undying appeal of the ghostly character and her magnificent maleficence. * Tania Modleski, University of Southern California, USA *Table of Contents1. Introduction 2. Production and release history 3. 'Rebecca' the novel 4. 'Rebecca' the film 5. Reception and film criticism 6. The afterlives of 'Rebecca'

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Book Synopsis''We are all equally fascinating, equally valuable, equally capable of altruism, equally able to change the world for the better. That''s feminism, isn''t it? And it''s what every parent wants for their kids . . . every parent that''s not a d*ck, that is.''Growing up in the ''70s, neither Allison Vale nor Victoria Ralfs reckoned they needed feminism. But years of settling for the smallest chops at the dinner table, getting battered in British Bulldog, and negotiating the flasher down the lane, left them feeling uneasy: had feminism been the missing link?In How to Raise a Feminist, they join forces as mothers, educators, story-tellers and women, to tell the riotous story of how they came to put feminism at the core of their parenting.Real feminism is: NOT angry or man-hating common sense the way to raise happily flawed, robust sons and daughtersReal parenting is:. mostly without a script. o

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Book SynopsisUnmasking the lies behind the selling of porn as ‘just a bit of fun’ Big Porn Inc reveals the shocking truths of an industry that trades in violence, crime and degradation. This fearless book will change the way you think about pornography.Trade Review"This is by far the best and most significant of these recent books. It comes from Spinifex, a feminist press in Australia, where radical feminism is prospering rather more than in the U.S. (Spinifex was recently profiled by Barry, 2016). With 40 solid chapters, this is the richest such feminist collection since Laura Lederers (1980) Take Back the Night: Women on Pornography and/or Diana Russells (1983) Making Violence Sexy: Feminist Views on Pornography." Robert Bannon in Dignity: A Journal on Sexual Exploitation and ViolenceShortlisted as a secondary reference source - 'Highly Commended' - in the Australian Educational Publishing Awards 2012.Contributor Meagan Tyler from Victoria University, Australia was a speaker at the Challenging Porn Conference, at London Metropolitan University in early December 2011.

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Book Synopsis''At least in The Handmaid''s Tale they value babies, mostly. Not so in the true stories here'' Margaret Atwood ''[A] furious, necessary book'' Sinéad GleesonUntil alarmingly recently, the Catholic Church, acting in concert with the Irish state, operated a network of institutions for the concealment, punishment and exploitation of ''fallen women''. In the Magdalene laundries, girls and women were incarcerated and condemned to servitude. And in the mother-and-baby homes, women who had become pregnant out of wedlock were hidden from view, and in most cases their babies were adopted - sometimes illegally. Mortality rates in these institutions were shockingly high, and the discovery of a mass infant grave at the mother-and-baby home in Tuam made news all over the world. The Irish state has commissioned investigations. But the workings of the institutions and of the culture that underpinned it - a shame-industrial complex - have long been cloaked in secrecy and silence. For countless people, a search for answers continues. Caelainn Hogan - a brilliant young journalist, born in an Ireland that was only just starting to free itself from the worst excesses of Catholic morality - has been talking to the survivors of the institutions, to members of the religious orders that ran them, and to priests and bishops. She has visited the sites of the institutions, and studied Church and state documents that have much to reveal about how they operated. Reporting and writing with great curiosity, tenacity and insight, she has produced a startling and often moving account of how an entire society colluded in this repressive system, and of the damage done to survivors and their families. In the great tradition of Anna Funder''s Stasiland and Barbara Demick''s Nothing to Envy: Real Lives in North Korea - both winners of the Samuel Johnson Prize - Republic of Shame is an astounding portrait of a deeply bizarre culture of control.''Achingly powerful ... There will be many people who don''t want to read Republic of Shame, for fear it will be too much, too dark, too heavy. Please don''t be afraid. Read it. Look it in the eye'' Irish Times''A must read for everyone'' Lynn Ruane''Republic of Shame is a careful, sensitive and extremely well-written book - but it is harrowing. It would break your heart in two'' Ailbhe Smyth''Hogan''s captivatingly written stories of people who were consigned to what she calls the shame-industrial complex puts faces - many old now, and lined with pain - to the clinical data ... Brilliant'' Sunday Times''Utterly brilliant. Please read it'' Marian Keyes''Riveting, immensely insightful and horrifically recognisable'' Emma Dabiri''[A] sensitive, can''t-look-away book ... Through moving stories, Hogan shows how the past is still present'' NPRTrade ReviewAt least in The Handmaid's Tale they value babies, mostly. Not so in the true stories here.[A] furious, necessary bookAchingly powerful ... There will be many people who don't want to read Republic of Shame, for fear it will be too much, too dark, too heavy. Please don't be afraid. Read it. Look it in the eye * Irish Times *Utterly brilliant. Please read itHogan's captivatingly written stories of people who were consigned to what she calls the "shame-industrial complex" puts faces - many old now, and lined with pain - to the clinical data. ... Brilliant * Sunday Times *[A] searing account of the Church's treatment of women during its period of dominance over Irish society ... It is never less than compelling * Irish Independent *Republic of Shame is a careful, sensitive and extremely well written book - but it is harrowing. It would break your heart in twoRiveting, immensely insightful and horrifically recognisableA must read for everyoneCompelling ... devastatingly human, [Republic of Shame] will make you shake with sadness and anger * RTÉ Guide *A beautifully written and impeccably researched book ... We need more books like thisCaelainn's book brings real people to the fore * Hot Press *A vital and damning portrait of Ireland's mother and baby homes * GCN.ie *I've laughed, cried & RAGED reading this bookFor anyone interested in understanding modern Ireland. A compelling and beautifully written investigation into institutions for "fallen women" and the culture which facilitated themCaelainn Hogan's harrowing account of the "shame industrial complex" shows how the legacy of Ireland's treatment of "fallen women" remains part of the scenery of modern life * Totally Dublin *[A] sensitive, can't-look-away book ... Through moving stories, Hogan shows how the past is still present * NPR *A gripping, eye-opening and challenging read ... Hogan sheds light on the darkest corners of our recent history in Ireland, but also holds up a mirror to today * Dublin Inquirer *

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Book SynopsisNow a global bestseller, the remarkable life of Rigoberta Menchú, a Guatemalan peasant woman, reflects on the experiences common to many Indian communities in Latin America. Menchú suffered gross injustice and hardship in her early life: her brother, father and mother were murdered by the Guatemalan military. She learned Spanish and turned to catechistic work as an expression of political revolt as well as religious commitment. Menchú vividly conveys the traditional beliefs of her community and her personal response to feminist and socialist ideas. Above all, these pages are illuminated by the enduring courage and passionate sense of justice of an extraordinary woman.Trade ReviewA moving account of gruesome repression, gut-wrenching poverty and vicious racism ... A call to conscience. * Nation *A fascinating and moving description of the culture of an entire people. * Times (London) *A cornerstone of the multicultural canon. * Chronicle of Higher Education *An extraordinary document. -- Francis Sejersted * Chairman of the Norwegian Nobel Committee *

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Book SynopsisNancy Fraser's major new book traces the feminist movement's evolution since the 1970s and anticipates a new-radical and egalitarian-phase of feminist thought and action.During the ferment of the New Left, "Second Wave" feminism emerged as a struggle for women's liberation and took its place alongside other radical movements that were questioning core features of capitalist society. But feminism's subsequent immersion in identity politics coincided with a decline in its utopian energies and the rise of neoliberalism. Now, foreseeing a revival in the movement, Fraser argues for a reinvigorated feminist radicalism able to address the global economic crisis. Feminism can be a force working in concert with other egalitarian movements in the struggle to bring the economy under democratic control, while building on the visionary potential of the earlier waves of women's liberation. This powerful new account is set to become a landmark of feminist thought.Trade ReviewNancy Fraser is among the very few thinkers in the tradition of critical theory who are capable of redeeming its legacy in the twenty-first century. -- Axel HonnethFor more than a decade, Nancy Fraser's thought has helped to reframe the agenda of critical theory. -- Etienne BalibarNancy Fraser challenges us to reactivate the audacious spirit of second-wave feminism. Analyzing an imaginary aimed at eradicating exploitation as well as subjugation, she offers a rousing conclusion as to how we might mobilize feminism's best energies against the perils of the neoliberal present. -- Lynne SegalNancy Fraser is one of the most creative social philosophers and critical theorists of her generation. -- Cornel WestFortunes of Feminism goes a long way in bringing together Fraser's substantial body of work on redistribution and recognition . Scholars interested in these themes will find this invaluable - or at least they should. -- Gwendolyn Beetham * THES *Fraser asks: What became of feminism in the wake of the neoliberal turn?.This book is required reading for feminists of all persuasions, and for a broader audience of left readers who want to get an overview of feminist political and philosophical debates.[Fraser] helps us think about the crucial question of where the women's movements in all of their varieties are going. Equally crucially, she helps us to ask what the relationship of such movements is, should be, or could be, to the left broadly defined, in an era in which war and austerity threaten all of the modest social justice gains of the Golden Age. -- Hester Eisenstein * Science and Society *

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Book SynopsisHow do we represent the experience of being a gender and sexual outlaw? In Queer Forms, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberationincluding consciousness-raising, separatism, and coming out of the closetwere translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called normal gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environmentsfrom the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earthand finding new ways to formally render queTrade ReviewThis is the book I have been waiting for: fearless, brilliant, and filled with love for feminist and queer cultural forms. Rather than fetishizing formlessness as the pinnacle of freedom, Ramzi Fawaz assembles and mines a rich and moving archive of feminist and queer cultural forms that have given us tools to practice intimacy, radical vulnerability, friendship, and worldmaking. Queer Forms was written out of a deep affection for the visionary work of feminist and queer cultural producers, offering us a blueprint for allowing feminist and queer worlds to take shape. * Jennifer C. Nash, author of Birthing Black Mothers *An invigorating work of queer feminist political theory and imagination. Defying the received demand that instances of nonnormative gender identity remain fluid and formless, Ramzi Fawaz dares to present subversive examples of gender and sexual outlaws whose actions track an unfinished project of freedom. In a range of brilliant readings across political movements and cultural texts, he advances new figures of the thinkable and democratic worldmaking that inspire free action in the present. * Linda Zerilli, University of Chicago *Parting ways with queer theory’s preference for the ephemeral, Queer Forms feels the touch and re-touch of shapeshifting forms as it sets queer studies in new and dynamic relation to its objects in the world. In one of his signal claims, Fawaz uses the materiality of form to rethink the pervasive and privileged association of queerness with formlessness and fluidity. Thus, he argues that feminist and queer ideas become meaningful as they take material shape within the realm of popular cultural production, where they change audiences in ways that neither a pedantic politics nor a moralizing theory can. * Matt Brim, author of Poor Queer Studies: Confronting Elitism in the University *An inspirational history of queer and feminist cultural politics forged in the 1970s and extending to the 1990s. Ramzi Fawaz brilliantly maps the forms of relationality that feminist, lesbian, and gay communities invented to visualize themselves and their futures. In an argument that is both crystalline and capacious, he has discerned patterns across a wide range of popular cultural texts, objects, and images, and he demonstrates how radical change has been—and can be—imagined and enacted. Queer Forms is generously both history and manifesto. It calls on us to ask with each other how we want to see our future take shape. * David J. Getsy, author of Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender *With Queer Forms, Ramzi Fawaz has examined gender and sexual formlessness illustrated by queer and feminist film, literature and visual culture. This 'shapeshifting' allows for greater evolution, authenticity and intimacy for all. -- Karla Strand * Ms. Magazine *Including detailed footnotes, a thorough bibliography, and illustrative images, this volume will interest and engage those working in the field of women's and gender studies. -- R. Stone (Mt. St. Joseph University) * CHOICE *

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Book SynopsisListed in the best books of 2023 by The Economist"Invigorating debut . . . [a] full-throated rallying cry." —Publishers WeeklyOne of Ms. Magazine's "most-anticipated feminist books of 2023"An eye-opening firsthand account of the ongoing and trailblazing feminist movement in South Korea—one that the world should be watching.Since the beginning of the #MeToo movement, tens of thousands of people in South Korea have taken to the street, and many more brave individuals took a stand, to end a decades-long abortion ban and bring down powerful men accused of sexual misconduct—including a popular presidential contender. South Korean feminists know that the revolution has been a long time coming, between battles against its own patriarchal society as well as challenging stereotypes of docile Asian women in the Western imagination.Now, author Hawon Jung will show the rest of the world that these women are no delicate flowers—they are trailblazing flames. Flowers of Fire takes the reader into the trenches of this fight for equality, following along as South Korean activists march on the streets, navigate public and private spaces where spycam porn crimes are rampant, and share tips and tricks with each other as they learn how to protect themselves from harassment and how to push authorities to act.Jung, the former Seoul correspondent for the AFP, draws on her on-the-ground reporting and interviews with many women who became activists and leaders, from the elite prosecutor who ignited the country’s #MeToo movement to the young women who led the war against non-consensual photography. Their stories, though long overlooked in the West, mirror realities that women across the world are all too familiar with: threats of defamation lawsuits to silence victims of assault, tech-based sexual abuse, and criminal justice systems where victims’ voices are often met with suspicion and abusers’ downfalls are met with sympathy. These are the issues at the heart of their #MeToo movement, and South Korean women have fought against them vigorously—and with extraordinary success. In Flowers of Fire, Jung illuminates the strength and tenacity of these women, too often sidelined in global conversations about feminism and gender equality.

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Book SynopsisBasado en la extensa investigación de la autora Sarah Huff y su propia experiencia personal, Cómo fabricar a una feminista ofrece al lector una visión personal y cercana de la naturaleza extrema del verdadero feminismo, el impacto devastador que ha tenido en la sociedad, y cómo rescatar a la juventud de hoy de esta cosmovisión extrema.

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Book SynopsisExploring a wide variety of visualizations of pregnancy and fetuses through 300 years of history, this timely volume offers a fresh look at the influential feminist concept of the "public fetus." Images of pregnant and fetal bodies are today visible everywhere. Through ultrasound screenings at maternity clinics, birth videos on social media platforms, or antiabortion propaganda, visualizations of pregnancy are available and accessible as never before. The origins of today's visual culture of pregnancy are often traced back to the 1960s, when Swedish photographer Lennart Nilsson's stunning photographs of human development were published in Life magazine and widely disseminated over the world. But the public display of pregnant and fetal bodies actually has a much longer and more complex history. In this timely book, a group of scholars from a range of disciplines explores this multifaceted history by highlighting visualizations of pregnant and fetal bodies in a variety of geographical and cultural contexts, spanning a period of more than 300 years. By reengaging with the crucial concept of the "public fetus," coined by feminist scholars in the 1980s and 1990s, the volume aims to revitalize the scholarly discussion on the visual culture of pregnancy and demonstrate the constructed nature of fetal images. Including chapters on a wide variety of representations in different media, such as wet specimen collections, papier-mâché models, sculpture, film, and photography, the book provides a much-needed argument against the widespread notion of the "universal" fetus. On publication this title is available as an Open Access ebook under the Creative Commons License: CC-BY-NC-ND.Table of ContentsAcknowledgments Rethinking the Public Fetus: An Introduction Elisabet Björklund and Solveig Jülich 1. The Monsters of Peter and Wolff: Anatomical Preparations and Embryology in Eighteenth-Century St. Petersburg - Sara Ray 2. "What Does the Eye Have to Do with Obstetrics?" The Fetus between Sight and Touch in Eighteenth-Century Italy - Jennifer Kosmin 3. Paper Pregnancies: Visualizing the Maternal Body, 1870-1900 - Jessica M. Dandona 4. Biological Bodies, Unfettered Imaginations: The 1939 Dickinson-Belskie Birth Series Sculptures and the Unexpected Origins of Modern Antiabortion Imagery - Rose Holz 5. Creating a Public for Visualized Pregnancies: The Swedish Version of the American Sex Hygiene Film Mom and Dad (1944) - Elisabet Björklund 6. The Drama of the Fetoplacental Unit: Reimagining the Public Fetus of Lennart Nilsson - Solveig Jülich 7. The Public Fetus in Franco's Spain: Women, Doctors, and Feminists in the Circulation of Pregnancy Images - María Jesús Santesmases 8. Visual Strategies of Antiabortion Activism and Their Feminist Critique: The Public Fetus in the United States - Nick Hopwood 9. Public Menstruation: Visualizing Periods in Art, Activism, and Advertising - Camilla Mørk Røstvik 10. From "Anatomical Specimen" to "Almost Child": Pictures of Dead Fetuses in France - Anne-Sophie Giraud 11. Reproducing Bodies in the Medical Museum: Pregnancy, Childbirth, and the Fetus on Display - Manon S. Parry 12. The Public Fetus: A Traveling Concept - Solveig Jülich and Elisabet Björklund List of Contributors Selected Bibliography Index

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Book Synopsis''A brilliant new take'' Janina Ramirez, author of Femina''A masterpiece of the historian''s art'' Peter Brown, author of Augustine of HippoThe powerful and surprising story of the four remarkable women who changed Augustine''s life - and history - forever.While many know of St Augustine and the Confessions, few know of the women whose hopes and dreams shaped his early life: his mother, Monnica of Thagaste; his lover; his fiancée; and Justina, the troubled empress of ancient Rome. Drawing upon their depictions in the Confessions, historian Kate Cooper skilfully reconstructs their lives against the backdrop of the late Roman Empire to paint a vivid portrait of the turbulent society they and Augustine moved through. She shows how despite their often precarious position, these women tried in their different ways to influence the world around them and argues that Augustine did not end his engagement because he was Trade ReviewFascinating and well-written, Queens of a Fallen World raises vital questions about the role of women in the founding centuries of Christianity, piecing together a rich backdrop to Augustine's life that has rarely emerged before. Cooper convinces us that these women can be recovered, and that through his words and thoughts, their lives shaped the future of a fledgling religion. A brilliant new take -- Janina Ramirez, author of FEMINA: A NEW HISTORY OF THE MIDDLE AGES, THROUGH THE WOMEN WRITTEN OUT OF ITA masterpiece of the historian's art. With a rare balance of state-of-the-art erudition and felicitous hypotheses, Kate Cooper has brought the hidden women in Augustine's early life into the light. Governed throughout by a humane sense of the texture of a distant late Roman society, she captures women's voices which we would not otherwise have heard -- Peter Brown, author of AUGUSTINE OF HIPPO: A BIOGRAPHYWhat an invigorating book! Cooper asks a haunting question: how different would our world be had this man married either his concubine - who was the loyal mother of his child - or the young heiress he was betrothed to, instead of withdrawing from sexual relationships altogether? -- Sarah Ruden, translator of Augustine’s CONFESSIONSA marvelous achievement . . . Cooper sketches an evocative landscape of the late Roman world in Milan and North Africa . . . Above all, her's is a world of human beings suffering heartache and loneliness while trying to reconcile the pull of the heart with the lure of ambition -- Susanna Elm, Sidney H. Ehrman Professor of European History, University of California, BerkeleyAn enchanting tour de force of sensitive and probing historical writing . . . Cooper's enquiry into the influence of women on Augustine - whether empress, mother, lover, saint, or slave - enriches his legacy -- Adrienne Mayor, author of THE AMAZONS: LIVES AND LEGENDS OF WARRIOR WOMEN ACROSS THE ANCIENT WORLDA bold and imaginative venture into challenging territory. Cooper casts new light onto the women of the ancient world - and one of the founders of Western thought -- Sarah Gristwood, author of THE TUDORS IN LOVE: PASSION AND POLITICS IN THE AGE OF ENGLAND'S MOST FAMOUS DYNASTY

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Book SynopsisIf the human being is allowed to be genetically manipulated and made by artificial means in the laboratory in an unstoppable crescendo of experimentation, what will be left to defend? This book is a radical critique of gender ideology and transhuman design. Silvia Guerini shows how the TQ+ rights agenda is being pushed by eugenicist capitalist technocrats at the top of Big Business, Big Philanthropy, Big Tech and Big Pharma companies. She argues that dissociation from our sexed bodies leads to dissociation from reality, with the human body transformed into a permanent construction site besieged by synthetic and artificial interventions. Erasure of the material dimension of bodies and sexual difference is an erasure of women. She explains how fundamental struggles such as the fight against genetic engineering and the fight against artificial reproduction can only advance in conjunction with an opposition to gender ideology. By linking ‘gender identity’ to the genetic modification of bodies, she warns that humanity itself is at risk of becoming a synthetic life form with synthetic emotions within a virtual, fluid, deconstructed metaverse. Today, being revolutionary means preserving everything that makes us human. It means defending the living world and nature as entities to be respected, not as parts that can be broken down and redesigned in a laboratory world. The idea of the ‘neutral’ body and body modification pave the way for the construction of the post-human cyborg and the genetic engineering of bodies. Is the last bioethical barrier about to be breached to give way to transhumanist demands? And at what cost?Trade Review"Silvia Guerini’s From the ‘Neutral’ Body to the Posthuman Cyborg: A Critique of Gender Ideology gives a vital, highly engaging critique of transgenderism, focusing on it as an industrialized, alienated war against the body." — Donovan Cleckley, The Distance "With uncompromising clarity of vision, Silvia Guerini turns our eyes in the necessary direction. Our task now is to gather the courage not to look away." — aurora linnea, Women's Liberation Radio NewsTable of ContentsIntroduction 1. Sex Is Not Gender 2. ‘Gender Identity’ 3. Women’s Prisons in California and Canada 4. Gender ‘Neutral’ Ideology in Schools 5. In Europe: The Matić Report 6. France and Spain: Significant New Legislative Steps 7. Steps Forward in Italy 8. Where Are We in Italy? 9. Unicorns and Inclusivity: How Gender Ideology Enters Italian Schools 10. Child Transitions in Italy: The ‘Debate’ on Puberty Blockers 11. Dissenting Voices: The Italian Opposition to Gender Ideology 12. The Tavistock and Portman Foundation: Its History at the Intersection of Psychiatry, Eugenics and Cybernetics 13. Trans-industry Attacking the Little Ones 14. The Transition of the Tavistock 15. We Were Wrong 16. An Experiment on Girls and Boys: The Consequences of Puberty Blockers and Cross-sex Hormones 17. No Girl or Boy is ‘Born in the Wrong Body’ 18. A Broader Reflection on Transsexualism, Transition Pathways, and Their Rise 19. Not Wanting to Be a Woman: The Link between Anorexia and Trans-Identification 20. Gender Ideology and Paedophilia 21. Who Funds the LGBTQ+ Movement? 22. From the Laboratory to Queer Cyborg Activism 23. The New Transhumanism and Posthuman Humanity

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Book SynopsisDespite long-standing assertions that languages, including French and English, cannot sufficiently communicate the experience of smell, much of France’s nineteenth-century literature has gained praise for its memorable evocation of odours. As French perfume was industrialized, democratized, cosmeticized, and feminized in the nineteenth century, stories of fragrant scent trails aligned perfume with toxic behaviour and viewed a woman’s scent as something alluring, but also something to be controlled.Drawing on a wealth of resources, Perfume on the Page in Nineteenth-Century France explores how fiction and related writing on olfaction meet, permeate, and illuminate one another. The book examines medical tracts, letters, manuscripts, posters, print advertisements, magazine articles, perfume manuals, etiquette books, interviews, and encounters with fragrant materials themselves. Cheryl Krueger explores how the olfactory language of a novel or poem conveys the Table of ContentsList of Illustrations Preface and Acknowledgments Notes on Translations, Spelling, Editions, Illustrations, and Previously Published Material Introduction: Something in the Air 1. In a Violet Sillage 2. The Language of Flowers and Silent Things 3. Confused Words? 4. The Osmazome of Literature 5. Perfumed Letters 6. Smelling (of) Iris 7. Decadent Perfuming Epilogue: Cooked Apples and Exotic Perfume Notes Bibliography Index

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Book SynopsisThis book is an ethnography that draws upon 25 years of qualitative research and shipboard fieldwork in the merchant cargo shipping sector. It explores the lives and work of seafarers and how these have changed over time. Change over time and the experience of time on board are organising themes throughout the text. They are contextualised with accounts of transformation in the regulation of the shipping industry and technological innovation.The book begins with a unique account of a voyage on a container ship. In this, the author details both the research process and the daily activities and shared thoughts of the seafarers who are on board. The narrative is further enhanced with illustrative examples taken from other voyages to illustrate continuities and change over time.The book will be of value to individuals, scholars, and researchers interested in ethnography of all kinds. Sociologists, anthropologists, maritime studies students, seafarers, ship operators and po

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Book SynopsisNeferti X. M. Tadiar offers a new conceptual vocabulary and framework for rethinking the dynamics of a global capitalism maintained through permanent imperial war.Trade Review"A comprehensive, imaginative and carefully compiled account of the interstices of power and its workings at fractal and transnational scales . . . compelling not only for exposing the brutality of our current global political economy but also for doing justice to the complexities of moving beyond it." -- Helen Mackreath * LSE Review of Books *"This new work of Marxist-feminism from the Global South is quite simply the most convincing analysis of the current conjuncture I have read. . . . For me, the most important aspect of this book is its righteous ferocity—no injustice can hide from Tadiar’s circumspection." -- Mark Driscoll * positions *"This stunningly brilliant book will break your brain and open your mind. Tadiar focuses on the life-making practices of migrant domestic and service workers, refugees, criminalized communities and dispossessed indigenous people to develop a theory of the surplus-making work of global capitalism. She adds a consideration of Global South artists and filmmakers to illuminate the ways of living that offer new possibilities." -- Lisa Duggan * Commie Pinko Queer newsletter *"Remaindered Life is well worth a careful read. It is, in fact, a landmark work that provides a rich conceptual arsenal for understanding the capitalism of our times, where the periphery has become the center, where capital is intensifying the violent extraction and accumulation of value from surplus lives that belong to communities that, from its very beginnings in the colonial era, were forcibly subjugated by capitalism." -- Walden Bello * Journal of Peasant Studies *Table of ContentsPreface: What This Book Is About ix Acknowledgments xix Part I: In a Time of War 1. The War to Be Human: Value 3 2. A Global Enterprise: Waste 23 3. Becoming-Human in a Time of War: Remainder 49 Interregnum 73 Part II: Life-Times 4. Of Labor and Fate Playing 87 5. Of Disposability 109 6. Of Survival 123 Part III: Globopolis 7. City Everywhere 141 Excursus 173 Part IV: Dead Exchanges 8. Powers of Defending Freedom 199 9. Powers of Expending Life 229 10. Live Borrowings, Living Connections 257 Thresholds 279 Part V: By the Waysides 11. Bypass and Spendor 301 12. And Then Some 329 Notes 335 Bibliography 387 Index 411

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Book SynopsisThe contributors to Re-Understanding Media advance a feminist version of Marshall McLuhan’s key text, Understanding Media: The Extensions of Man, repurposing his insight that “the medium is the message” for feminist ends.Trade Review“This brilliant collection thrillingly updates and interrogates Marshall McLuhan’s work, with abundant insights from feminist and critical race studies. Starting from the insight that ‘the medium is the message,’ Re-Understanding Media refuses the idea of technology as a mere tool, instead showing how it is a structuring form of power—from incubators to platform heels to facial recognition scanners. A challenging and important book.” -- Rosalind Gill, City, University of London“Correcting the lack of feminist and critical race considerations in the body of work of media ecologist Marshall McLuhan, [Re-Understanding Media] explores the gender and racial power dynamics inherent in media technology. . . . The various modes of analyses presented—such as semiotic analysis, autoethnography, and interviews—also demonstrate the breadth of methodologies used in feminist and critical race media studies. Highly recommended.” -- K. Gentles-Peart * Choice *"Re-Understanding Media’s rich provocations to the field and its foundations make it a work of clear and compelling interest for media theorists and feminist scholars, artists, and activists in and outside the academy—if not, perhaps, a heartening read for devoted disciples of McLuhan." -- Eden Rea-Hedrick * The Communication Review *Table of ContentsPreface: The Centre on the Margins / Sarah Sharma vii Acknowledgments xiii Introduction: A Feminist Medium Is the Message / Sarah Sharma 1 Part I. Retrieving McLuhan's Media 1. Transporting Blackness: Black Materialist Media Theory / Armond R. Towns 23 2. Sidewalks of Concrete and Code / Shannon Mattern 36 3. Hardwired / Nicholas Taylor 51 4. Textile, the Uneasy Medium / Ganaele Langlois 68 Part II. Thinking with McLuhan: An Invitation 5. Dear Incubator / Sara Martel 87 6. Wifesaver: Tupperware and the Unfortunate Spoils of Containment / Brooke Erin Duffy and Jeremy Packer 98 7. “Will Miss File Misfile?” The Filing Cabinet, Automatic Memory, and Gender / Craig Robertson 119 8. Computers Made of Paper, Genders Made of Cards / Cait McKinney 142 9. Sky High: Platforms and the Feminist Politics of Visibility / Rianka Singh and Sarah Banet-Weiser 163 Part III. Media after McLuhan 10. Scanning for Black Data: A Conversation with Nasma Ahmed and Ladan Siad / Sarah Sharma and Rianka Singh 179 11. 3D Printing and Digital Colonialism: A Conversation with Morehshin Allahyari / Sarah Sharma and Rianka Singh 192 12. Toward a Media Theory of the Digital Bundle: A Conversation with Jennifer Wemigwans / Sarah Sharma 208 Afterword: After McLuhan / Wendy Hui Kyong Chun 225 Bibliography 233 Contributors 255 Index 259

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Book SynopsisTrade Review "Anticolonial Eruptions offers a critical repository of popular power—from the enslaved and the indentured to smugglers, organizers, workers, tricksters, anticolonials, and abolitionists—whose disruptive and eruptive actions shocked the white supremacist, colonial, slavocratic status quo and precipitated movements that reconfigured social relations." * NACLA Report on the Americas *Table of ContentsContents Overview Volcanoes 1. The Cunning of Decolonization 2. The Colonial Blindspot 3. The Second Sight of the Colonized 4. The Decolonial Ambush Moles Acknowledgments Notes Glossary Selected Bibliography

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Book SynopsisInterpreting the meaning of hospitality in an unwelcoming political moment Amid xenophobic challenges to America’s core value of welcoming the tired and the poor, Irina Aristarkhova calls for new forms of hospitality in her engagement with the works of eight international artists. In this first monograph on hospitality in contemporary art, Aristarkhova employs a feminist perspective to critically explore the artworks of Ana Prvački, Faith Wilding, Lee Mingwei, Kathy High, Mithu Sen, Pippa Bacca, Silvia Moro, and Ken Aptekar and asks who, how, and what determines who is worthy of our welcome. Spanning a diverse range of contemporary art practices, Arrested Welcome shows how artists challenge our existing notions of hospitality—culturally, philosophically, and politically. From the role of “microcourtesies” in social change to the portrayal of waiting as a feminist endeavor, Aristarkhova looks deeply into topics such as gender stereotypes of welcome, ways to reclaim civility, and the means by which guests (sometimes human, sometimes animal) push the limits of our hosting traditions. Blending a feminist analysis of hospitality with in-depth case studies on how contemporary artists stimulate personal reflection and political engagement, Aristarkhova initiates these important conversations at a critical time of national and international hospitality crises.Trade Review"A thought-provoking and accessible analysis of the ways that contemporary performance and exhibition artists address a theme of great contemporary importance: hospitality. Linking that theme to a cluster of related issues—fear, courtesy and etiquette, the act of waiting, the act of welcoming—Arrested Welcome offers a series of engaging examples of ways that artists can stimulate personal reflection and political engagement without being didactic or preachy."—Susan Merrill Squier, author of Epigenetic Landscapes: Drawings as MetaphorTable of ContentsContentsIntroduction: Welcome as Resistance1. Reclaimed Civility: Ana Prvački2. Undoing Waiting: Faith Wilding3. The Man Who Welcomes: Lee Mingwei4. Hosting the Animal: Kathy High5. Welcome Withdrawn: Mithu Sen6. A Leap of Faith: Pippa Bacca and Silvia MoroConclusion. Hospitality Now: Ken AptekarAcknowledgmentsNotesIndex

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Book SynopsisTrade Review"Fashioning Postfeminism is a superb book. Often theoretically dazzling, it effectively opens a new window onto postfeminism. It will also make a defining contribution to the newly burgeoning field of decolonial global fashion studies, effectively modeling a balance of local specificity with the transnational." --Hypatia”This brilliantly-executed and theoretically exciting book places Dosekun on the frontlines of radically decolonial cultural and feminist theory. The author critically explores the ”unhappy technologies,” utilised by women determined to re-invent themselves for themselves, not in NY or London, but in the cultural ferment of the global African city of Lagos. Fashioning Postfeminism advances the theorization of feminine agency and subjectivity beyond the inherent coloniality of US and UK (Western) cultural and feminist studies. Dosekun's adept analysis details contemporary elite women's psychic and material investments in the 'unhappy' technologies and cosmetic practices in the pursuit of individualised fantasies of power and happiness in the neoliberal world.”—Amina Mama, author of Beyond the Masks: Race, Gender and Subjectivity”This book brilliantly challenges the assumption of whiteness and the Western location of the postfeminist female subject, documenting how postfeminism circulates well beyond the Global North. Dosekun demonstrates a rare sensitivity to place and to the specific norms circulating that space, which, as she underscores, shape the way in which postfeminism is taken up. The arguments are forceful, and the empirical material is handled with great care, sensitivity, and insight.”—Catherine Rottenberg, author of The Rise of Neoliberal Feminism

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Book SynopsisMy Brilliant Friends is an innovative group biography of three friendships forged in second-wave feminism. Poignant and politically charged, the book is a captivating personal account of the complexities of women’s bonds.Trade ReviewIn this astute, passionate, rigorously honest book about her friendships with three extraordinary women, Miller delineates the mysterious geography of those attachments we are not born into, but choose freely. The longing, pain, confusion, envy, and joy that inhabit the often unarticulated distance between "me” and “you” are so alive on these pages, they are still resonating inside me. I loved reading this book. -- Siri Hustvedt, author of A Woman Looking at Men Looking at WomenIn My Brilliant Friends, Nancy K. Miller depicts the life-altering importance of deep and nourishing friendships between and among women. Through vivid details and Miller’s singular point of view, we witness her transformative relationships with Carolyn Heilbrun, Naomi Schor, and Diane Middlebrook and their enduring love, growth, and collective power. -- Min Jin Lee, author of Free Food for Millionaires and Pachinko, a finalist for the National Book AwardOf Nancy K. Miller's many illuminating books, My Brilliant Friends may be my favorite—for its sculpted lucidity, its lancing details, its interlocking plots, and its virtuoso attention to emotional ambivalence. Like Hilton Als's The Women, Miller's book is a classic triple-decker account of entanglement and rupture. She reminds us, with a witty yet mournful gracefulness, that every friendship is a complex work of art, demanding fastidious analysis and enraptured recounting. -- Wayne Koestenbaum, author of My 1980s & Other EssaysA new book by Nancy K. Miller is always a treat. This compulsively readable triptych of her friendships with Carolyn Heilbrun, Naomi Schor, and Diane Middlebrook will touch, delight, and enlighten anyone who has grown up under the influence of feminism. -- Susan Gubar, author of The Woman Writer and the Nineteenth-Century Literary ImaginationNancy K. Miller writes with shimmering intelligence, grace, courage, and hard-won candor about her friendships with three other significant writers, all feminists, now all dead: Carolyn Heilbrun, Naomi Schor, and Diane Middlebrook. Miller herself is surviving cancer. Both heartbreaking and life-sustaining, My Brilliant Friends proves that death can be the mother of beauty. -- Catharine R. Stimpson, University Professor and Dean Emerita, Graduate School of Arts and Science, New York UniversityNancy K. Miller has a gift for friendship and a mind for memoir. Reflecting on feminism, ambition, competition, and loss in these candid, tender stories of three passionate women intellectuals who died too soon, she has given a gift to readers who know the importance and complexity of female friendship. -- Elaine Showalter, professor emerita of English, Princeton UniversityI loved reading My Brilliant Friends. It’s a fascinating and revealing look at the texture—good and bad—of feminist friendships, and, crucially, academic life for women. It is also an inspiring testament to three remarkable feminists, each operating in her own style. An important book for generations of feminists—those established, and those to come. -- Hillary Chute, author of Graphic Women: Life Narrative and Contemporary ComicsA stunning elegy to the intimacy of friendships among women, and a book in which closeness is felt through the act of thinking. -- Maggie Taft * Booklist (starred review) *The result is a compassionate homage to the book’s three extraordinary subjects. My Brilliant Friends is not memoir as therapy, but memoir as monument....Unlike so many confessional documents, My Brilliant Friends is written in a genuinely exceptional circumstance by a genuinely exceptional person. * Times Literary Supplement *A pellucid and absorbing study on the ambivalent and less frequently explored facets of friendship – the painful coexistence, for instance, of envy, competitiveness, and resentment, on the one hand, and love and admiration, on the other. * Contemporary Women's Writing *Miller is a nimble writer, more than capable of exploring a larger world. And the world of women's friendships contain multitudes. * Women's Review of Books *It really doesn't get much better than this for me. -- Nina Collins * What Would Virginia Woolf Do? *Miller’s book, a brave and beautiful act of storytelling, is itself a gift — to her brilliant friends, to feminism, to friendship, to the literary endeavor, and to all of her readers. -- Jenny McPhee * Los Angeles Review of Books *The book offers contemporary feminist literary scholars an evocative, resonant chance to consider the nature of scholarly friendship, as well as how much has (and has not) changed for women in academe. * Tulsa Studies in Women's Literature *It is a conversation, not only with lost friends, but with the reader. . . Recommended. * Choice *The retrospective look at the fabric of her life as interwoven with the lives of other women is as much an homage to her friends as it is an elegy to friendship itself. * Literature Salon *Valuable to students of literary criticism and feminism as well as history and even psychology. It is such a specific evocation of a particular time and place, and it simultaneously engages the emotions in its reflection on love and loss. * RGWS *Miller recognizes the transformative power and centrality of the nitty-gritty in women’s outer and inner lives, and the vital, enduring friendships they form. * a/b: Auto/Biography Studies *Miller characterizes these friendships as collaborative, competitive, nurturing, and occasionally confounding. * Public Books *Table of ContentsPrelude: The Art of Losing1. Carolyn Heilbrun2. Naomi Schor3. Diane MiddlebrookEndpiecesElegy : Ann Patchett and Lucy GrealyDialogue in a Garden: Patricia YaegerNotes on LossNotesAcknowledgments

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Book SynopsisJennifer C. Nash reframes black feminism's engagement with intersectionality, contending that black feminists should let go of their possession and policing of the concept in order to better unleash black feminist theory's visionary and world-making possibilities.Trade Review"What Nash does in Black Feminism Reimagined is new, brave, and important." -- Chelsea Johnson * Women's Review of Books *"This book brings charged feminist issues, anxieties, and negative affects to the surface for the field of women’s studies to confront making for a challenging yet necessary read." -- Tiffany Lethabo King * Feminist Formations *"This is a book that generates messy feelings, that forges counterintuitive intimacies, that asks and answers difficult questions about a field that is still too often denied a brief— at least in the US academy— as a crucial site of intellectual motility, critical inquiry, and capacious knowledge production." -- Shoniqua Roach * Syndicate *"Black Feminism Reimagined is an invitation to explore the radical openness of Black feminism and the diversity of its potential expressions." -- James Bliss * Syndicate *"[This] book has created a moment in the academy that calls us to practice radical honesty. [Its] honesty about the affect and feelings that Black feminism— and particularly intersectionality— produce in the academy is a rare and refreshing break from the norms of bourgeois pretense and protocols of politesse." -- Tiffany King * Syndicate *"Black Feminism Reimagined invites us to think about which sites of black feminism have been emphasized and which have been foreclosed in its multi-decade tarrying with the academy." -- Amber Musser * Syndicate *"Nash provides an important new examination of intersectionality and Black feminism, one that will shape women’s studies and feminist theory well into the future. Challenging yet enlightening, this book is sharp and nuanced and necessary. It’s your end-of-year #RequiredReading." -- Karla Strand * Ms. *Table of ContentsAcknowledgments vii Introduction: Feeling Black Feminism 1 1. A Love Letter from a Critic, or Notes on the Intersectionality Wars 33 2. The Politics of Reading 59 3. Surrender 81 4. Love in the Time of Death 111 Coda: Some of Us are Tired 133 Notes 139 Bibliography 157 Index 165

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Book SynopsisIn March 2017, Nevada surprised the rest of the country by suddenly ratifying the Equal Rights Amendment, thirty-five years after the deadline had passed. The ERA is now just two states short of total ratification. Two states and a legacy of shame are standing between American women and full equality.She the People takes on the campaign for change by offering a sweeping, highly illustrated, sometimes sarcastic look at women's rights and citizenship. Journalist, historian, and activist Jen Deaderick takes readers on a walk down the ERA's rocky road to become part of our Constitution. Divided into 12 historical periods between 1776 and today, each era highlights specific changes in the legal status of women along with the significant cultural and social influences of the time, so women's history is understood as an integral part of U.S. history, rather than a tangential sideline.Clever and dynamic, She the People is informative, entertaining, and a vital reminder that women still aren't fully accepted as equal citizens in America.

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Book SynopsisComposed in 1790, Mary Wollstonecraft's seminal feminist tract A Vindication of the Rights of Woman broke new ground in its demand for women's education. A Vindication remains one of history's most important and elegant broadsides against sexual oppression. In her introduction, renowned socialist feminist Sheila Rowbotham casts Wollstonecraft's life and work in a new light.Trade Review"A fascinating, and entertaining, read."--Diva

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Book SynopsisWords matter. They wound, they inflate, they define, they demean. They have nuance and power. "Effortless," "Sassy," "Ambitious," "Aggressive": What subtle digs and sneaky implications are conveyed when women are described with words like these? Words are made into weapons, warnings, praise and blame, bearing an outsize influence on women's lives-to say nothing of our moods.No one knows this better than Lizzie Skurnick, writer of the New York Times' column "That Should be A Word" and a veritable queen of cultural coinage. And in Pretty Bitches, Skurnick has rounded up a group of powerhouse women writers to take on the hidden meanings of these words and how they can limit our worlds - or liberate them. From Laura Lipmann and Meg Wolizer to Jennifer Weiner and Rebecca Traister, each writer uses her word as a vehicle for memoir, cultural commentary, critique, or all three. Spanning the street, the bedroom, the voting booth and the workplace, these simple words have huge stories behind them - stories it's time to examine, re-imagine and change.

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Book SynopsisTests anthropology's traditional assumptions about kinship, economics, power, and gender. Focusing on Oceania societies from Polynesia to Papua New Guinea and including Australian Aborigine groups, this title investigates the category of possessions that must not be given or, if they are circulated, must return finally to the giver.

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Book SynopsisAre girls taking over the world? It would appear so, based on magazine covers, news headlines, and popular books touting girls' academic success. Describing girls' varied everyday experiences, the authors show how teachers, parents, and media commentators can help smart girls thrive while working toward straight A's and a bright future.Trade Review"A compelling look into the complex topic of female academic success." Library JournalTable of ContentsForeword by Anita Harris Acknowledgments 1. Are Girls Taking Over the World? 2. Driven to Perfection 3. Fitting In or Fabulously Smart? 4. Sexism and the Smart Girl 5. A Deeper Look at Class and "Race": Belongings and Exclusions 6. Cool to Be Smart: Microresistances and Hopeful Glimpses Appendix: Study Participants Notes Bibliography Index

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Book SynopsisHannah Arendt's most important contribution to political thought may be her well-known and often-cited notion of the "right to have rights." This book explores the theoretical and social foundations of Arendt's philosophy on human rights. It considers Arendt's key philosophical works along with her literary writings.Trade ReviewPeg Birmingham explores the theoretical and social foundations of Arendt's philosophy on human rights. Devoting special consideration to questions and issues surrounding Arendt's ideas of common humanity, human responsibility, and natality, Birmingham explains how these basic concepts support Arendt's theory of human rights. -- Joseph Haberer * SHOFAR *A new reading of Hannah Arendt's philosophy of human rights Hannah Arendt and Human Rights is to demonstrate how closely Arendt's account of the human condition . . . can figure into demonstrating that the discourse on human rights is not wholly negative, not wholly an empirical upshot of the disasters of the twentieth century. The idea of human rights we now possess articlates what, plausibly, might be thought to be involved in recognizing all others as members of the human community, thereby underwriting the political structures necessary to hold the fragile framework of the conditions of humanity in place. Birmingham can thus be thought to have demonstrated, at the very least, that pursuing the goal of realizing human rights is one direct way of pursuing an Arendtian politics.38 2008 -- J.M. Bernstein * New School for Social Research *The achievement of Birmingham's book is that it situates Arendt's much cited discussion of the right to have rights within the broader context of her later work. She persuasively shows that the political predicament of stateless people exemplified the problematic of modern politics with which she was implicitly preoccupied in her later work on freedom and praxis. . .Vol. 18.2 2009 -- ANDREW SCHAAP * University of Exeter, UK *Table of ContentsContentsAcknowledgmentsList of AbbreviationsIntroduction: The Problem of Human Rights1. The Event of Natality: The Ontological Foundation of Human Rights2. The Principle of Initium: Freedom, Power, and the Right to Have Rights3. The Principle of Givenness: Appearance, Singularity, and the Right to Have Rights4. The Predicament of Common ResponsibilityConclusion: The Political Institution of the Right to Have RightsNotesWorks CitedIndex

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Book Synopsis''Funny, kind, generous and smart - I could have done with the wisdom of Flo Perry far sooner'' Dolly AldertonWe talk about feminism in the workplace and we talk about dating after #MeToo, but women''s own patriarchal conditioning can be the hardest enemy to defeat. When it comes to our sex lives, few of us are free of niggling fears and body image insecurities. Rather than enjoying and exploring our bodies uninhibited, we worry about our bikini lines, bulging tummies and whether we''re doing it ''right''.Flo broaches everything from faking it to consent, stress to kink, and how losing your virginity isn''t so different to eating your first chocolate croissant. Her mission is to get more people talking openly about what they do and don''t want from every romantic encounter.Trade ReviewPerry is on the charge to show feminism for the sexy movement it is, and offers it in a hilarious, accessible and completely non-judgemental package. * The Evening Standard *cheeky, sweet and extremely witty...figures of all shapes and sizes and ages and races (clothed and unclothed) contort and grin and dart across the pages, bringing to vivid life Perry's wisdom about as broad sexual quandaries as libido, trust, faking orgasms, consent, body image, pubic hair, nude photos, porn, ghosting, and virginity....an emotionally intelligent discussion about the climate in which women - but not just women - are navigating relationships * The i *Thank God for Flo Perry * The Times *Funny, kind, generous and smart - I could have done with the wisdom of Flo Perry far sooner -- Dolly AldertonFlo Perry is on a mission to improve your sex life...How To Have Feminist Sex is undoubtedly alluring (most books about sex are) but it's also a manual on how to get yours in bed and how to 'have the sex you want'. * Metro *

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Book SynopsisThis edited collection is a careful assemblage of papers that have contributed to the maturing field within education studies that works with the feminist implications of the theories and methodologies of posthumanism and new materialism â what we have also called elsewhere âPhEmaterialismâ. The generative questions for this collection are: what if we locate education in doing and becoming rather than being? And, how does associating education with matter, multiplicity and relationality change how we think about agency, ontology and epistemology? This collection foregrounds cutting edge educational research that works to trouble the binaries between theory and methodology. It demonstrates new forms of feminist ethics and response-ability in research practices, and offers some coherence to this new area of research. This volume will provide a vital reference text for educational researchers and scholars interested in this burgeoning area of theoretically informed methodology and methodologically informed theory.The chapters in this book were originally published as articles in Taylor & Francis journals.Table of ContentsIntroducing Feminist Posthumanisms/New Materialisms & Educational Research: Response-able Theory-Practice-Methodology 1. Voice in the agentic assemblage 2. Images of thinking in feminist materialisms: ontological divergences and the production of researcher subjectivities 3. Learning to be affected: Matters of pedagogy in the artists’ soup kitchen 4. Objects, bodies and space: gender and embodied practices of mattering in the classroom 5. Gettin’ a little crafty: Teachers Pay Teachers©, Pinterest© and neo-liberalism in new materialist feminist research 6. Dexter time: the space, time, and matterings of school absence registration 7. Diffractive pedagogies: dancing across new materialist imaginaries 8. Selfies, relfies and phallic tagging: posthuman part-icipations in teen digital sexuality assemblages 9. Learning with children, ants, and worms in the Anthropocene: towards a common world pedagogy of multispecies vulnerability 10. A Walk in the Park: Considering Practice for Outdoor Environmental Education Through an Immanent Take on the Material Turn

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Book Synopsis'An exhilarating story of freedom and constraint, told with a confident and unwavering verve. This is a journey driven by boundless curiosity, and by the desire for connection - across borders, across languages, across time' MALACHY TALLACKWhen Esa Aldegheri and her husband left their home in Orkney, Esa didn't know that their eighteen-month motorbike adventure would take them through twenty international frontiers - between Europe and the Middle East, through Pakistan, China and India - many of which are now impassable. Charting a story of shrinking and expanding liberties and horizons, of motherhood, womanhood, xenophobia and changing geopolitical situations, Free to Go examines the challenges of navigating a world where many assume that women ride pillion, both on a motorbike and within relationships. Part around-the-world adventure, part-literary exploration of womanhood, Free to Go is about the journeys that shape and transform us.Trade ReviewA very readable tale of adventure, motherhood and the ties that bind. Honest and perceptive, Free to Go perfectly captures the whole tricky business of being a free-spirited woman at large in the world -- LOIS PRYCE, author of Revolutionary RideIn her account of an epic trip by motorcycle, and a similarly scaled expedition into the trauma that was the recent pandemic, Esa Aldegheri opens the book on the most elemental aspects of being alive: tested by trials, gripped by the varieties of love, and crossing borders both internal and drawn on the map. Free to Go is an act of literary generosity, and an expression of clear-eyed beauty -- MELISSA HOLBROOK PIERSON, author of The Perfect VehicleA thought-provoking and elegiac journey through a lost world on a second-hand motorbike, the past, present and life itself -- CHITRA RAMASWAMY, author of Expecting

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Book SynopsisNewly revised and updated, this classic manifesto is a foundational text for anyone hoping to understand transgender politics and culture in the U.S. today (NPR)*Named as one of 100 Best Non-Fiction Books of All Time by Ms. Magazine*A landmark of trans and feminist nonfiction, Whipping Girl is Julia Serano''s indispensable account of what it means to be a transgender woman in a world that consistently derides and belittles anything feminine. In a series of incisive essays, Serano draws on gender theory, her training as a biologist, her career in queer activism, and her own experiences before and after her gender transition to examine the deep connections between sexism and transphobia. She coins the term transmisogyny to describe the specific discrimination trans women face-and she shows how, in a world where masculinity is seen as unquestionably superior to femininity, transgender women''s very existence becomes a threat to the est

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Book SynopsisThe pioneering debut novel by one of Turkey’s most radical authors, originally published in the 1970s, tells the story of an aspiring intellectual in a complex, modernizing country.Erbil’s groundbreaking coming-of-age novel, nominated for the Nobel upon original release, follows a young woman and aspiring poet in Turkey. Nermin frequents Istanbul’s coffeehouses and underground readings, but is torn between the creative, anarchist youth culture of Turkey’s capital and her parents, members of the old cultural guard who are wary of Nermin’s turn toward secularism. In four parts, A Strange Woman narrates the past and present of a complicated Turkish family through the eyes of each of its members. This rebellious, avant-garde novel tackles sexuality, psychology, and history through the lens of a modernizing 20th-century Turkey. Deep Vellum brings this long-awaited translation of the debut novel by a trailblazing feminist voice to US readers.Trade Review“How odd that a writer who first started making her mark in 1956 should remain a pioneer still today… How odd that, even after half a century, no writer capable of surpassing her has yet appeared." ––Mahmut Temisyurek, award-winning poet “ Leylâ Erbil is a consummate literary artist.” ––Turkish National Committee for UNESCO "Complex but fascinating." ––The Modern Novel

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Book SynopsisAt the beginning of the decade renowned historian Sheila Rowbotham was a rebellious sixteen-year-old at a Methodist boarding school in the north-east of England, reading Sartre and dreaming of Paris. By the end of the sixties she was a seasoned political activist, planning Britain's first-ever women's liberation conference, and beginning to find her voice as a writer.Her story of the intervening years moves from coffee bars in Leeds to the Sorbonne and Oxford University, where she arrives wearing frayed Levis and clutching a volume of Rimbaud. A participant in the Campaign for Nuclear Disarmament, she was also a member of the editorial board of the notorious revolutionary newspaper Black Dwarf.While faithful to the exhilaration and enthusiasm of the sixties, Rowbotham is also wryly amusing about her younger self. When Jean-Luc Godard wanted to film her in the nude, she dithered between principle and vanity. Wearing the shortest of mini skirts she argued passionately for women's liberation.Promise of a Dream is a moving, witty and poignant recollection of a time when young women were breaking all the rules about sex, politics and their place in the world. Sheila Rowbotham was, and remains, one of their most effective and endearing voices.Trade ReviewA record of an era, winding one girl's coming-of-age story through the drama of political evolution ... She has captured that amazing sense of possibility that grew with each year, the confidence that not only was the promised dream within reach, it was also upon us. -- Mary Maher * Irish Times *This is a document historians dream of ... it captures the spirit of the 1960s-its fun and crazy idealism-in the life of one spirited young woman. -- Joan Bakewell * Sunday Times *Unerringly perceptive and funny ... if you want to know what the sixties were like, read this book. -- Julie ChristieThe book works best in conveying the excitement generated by ideas, not just straightforwardly political ones but those about art and the wider definition of liberation ... I wasn't there, but I'm happy that Rowbotham was, and that she remembers it with such clarity. * Literary Review *A rich, painful picture emerges of women searching for both words and spaces to articulate the insights of feminism. * The Women's Review of Books *The accounts of the successes, failures, joys and pains of young adulthood have the qualities to be found in the best creative writing. It is a book to be read for the quality of its writing and the honesty and humor of its presentation, as much as for the history it reveals. -- Dorothy Thompson * Times Higher Education SUpplement *An honest account of radical activism, love affairs, studies, travels, teaching, agitation and other stuff of the sixties. -- Anna Aslanyan * Tribune *

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