Feminism and feminist theory Books

Book SynopsisOf all the things in the world to worry about, why would anyone put the right for women to be rude at the top of the list? It''s a fair question. Happily, there is a very simple answer. Because I believe that an inability to be rude is one of the biggest issues which still inhibits the equality of women today. The Power of Rude will discuss the way women are constantly worrying about being polite, even putting themselves in situations they''d rather avoid due to this fear of saying the wrong thing. For example, we''ll learn about the woman who paid for an entire hen do that she wasn''t even invited on (because she didn''t want to be rude!), the woman who let her cousin practice kissing on her (because she didn''t want to be rude!) and the vegan woman who ate an entire pork chop (because she didn''t want to be rude!) It will take the reader chapter by chapter through dating, family relationships, sex, the workplace, money, customer service, and more and show women how

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Book SynopsisA comprehensive defense of biblical manhood and womanhood, this handbook provides readers with an invaluable "encyclopedia" of responses to 118 evangelical feminist arguments against traditional gender roles.

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Book SynopsisExamines representations of sexual violence in modern Hebrew literature, focusing on the ways in which sexual aggression relates to Zionism, gender, ethnicity, and disability.Finalist for the 2021 Best Book in Israel Studies presented by the Azrieli Institute of Israel Studies and Concordia University Library Flesh of My Flesh looks at one of the most silenced and repressed aspects of Israeli culture by examining the trope of sexual violence in modern Hebrew literature. Ilana Szobel explores how sexual violence participates in, encourages, or resists concurrent ideologies in Jewish and Israeli culture, and situates the rhetoric of sexual aggression within the contexts of gender, ethnicity, disability, and national identity. Focusing on writings of incest survivors, Sepharadi authors, wounded soldiers, and Hebrew authors such as Shoshana Shababo, Gershon Shofman, Hayim Nahman Bialik, Yoram Kaniuk, Amalia Kahana-Carmon, and Tsvia Litevsky, Szobel unveils the various roles of sexual violence in destabilizing hegemonic notions or reinforcing norms and modes of conduct. Thus, while the book looks at poetic and social possibilities of action in relation to sexual violence, it also exposes the Gordian knot of sexualized gender-based violence and the interests of patriarchy, heteronormativity, nationalism, racism, and ableism.

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Book SynopsisOffers a timely reconsideration of the writings of Gloria Anzaldúa, treating issues of multiplicitous agency, identarian politics, and the stakes of coalition building as core themes in the author''s work.In a refreshingly novel approach to the writings of Gloria E. Anzaldúa (1942?2004), Andrea J. Pitts addresses issues relevant to contemporary debates within feminist theory and critical race studies. Pitts explores how Anzaldúa addressed, directly and indirectly, a number of complicated problems regarding agency in her writings, including questions of disability justice, trans theorizing, Indigenous sovereignty, and identarian politics. Anzaldúa''s conception of what Pitts describes as multiplicitous agency serves as a key conceptual link between these questions in her work, including how discussions of agency surfaced in Anzaldúa''s late writings of the 1990s and early 2000s. Not shying away from Anzaldúa''s own complex and sometimes problematic framings of disability, mestizaje, and Indigeneity, Pitts draws from several strands of contemporary Chicanx, Latinx, and African American philosophy to examine how Anzaldúa''s work builds pathways toward networks of solidarity and communities of resistance.

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Book Synopsis''Make this your next inspirational read. Trust us, it's Oprah's Book Club worthy'' ViceIn London in 1958, a play by a 19-year-old redefined women's writing in Britain. It also began a movement that would change women's lives forever. The play was A Taste of Honey and the author, Shelagh Delaney, was the first in a succession of young women who wrote about their lives with an honesty that dazzled the world. They rebelled against sexism, inequality and prejudice and in doing so challenged the existing definitions of what writing and writers should be. Bypassing the London cultural elite, their work reached audiences of millions around the world, paved the way for profound social changes and laid the foundations of second-wave feminism. After Delaney came Edna O'Brien, Lynne Reid-Banks, Charlotte Bingham, Nell Dunn, Virginia Ironside and Margaret Forster; an extraordinarily disparate group who were united in their determination to shake the traditional concepts of woTrade ReviewWriters who changed lives. Rebel Writers is a startling new approach to literary criticism - not just what was done, but why it had to be done - mingled with astute social history. All sorts of things we should know but don’t know about the sixties, all smoothly and elegantly written and as readable as any novel. Six writers to whom we owe a debt of gratitude, all in their own ways sowing the seeds of how we live today. Marvellously interesting! -- Fay WeldonMake this your next inspirational read. Trust us, it’s Oprah’s Book Club worthy. * Vice *Brayfield's equally illuminating book homes in on the late 1950s and early 1960s, revealing that (Shelagh) Delaney wasn't the only one showing that female experience was about more than just falling in love... Brayfield offers us perceptive analysis of the writing and ratifies these women's position in the canon in the process. Perfect companion volumes, Tastes of Honey and Rebel Writers make for entertaining, edifying and important reading. * Financial Times Weekend *Table of ContentsIntroduction Part One: Seven Writers 1. Innocence and Experience 2. A Man’s World: Sexism 3. Forbidden Kisses: Class 4. All False: Love 5. ‘I Wish I Had a Career’: Aspiration 6. The Great Unmentionable: Sex 7. Drowning in Delight: Motherhood 8. A Rotten Bargain: Marriage 9. Good Old John: Race 10. Before the Urban Family: Friendship Part Two: Out into the World 11. ‘Where is your Baby?’ 12. Losing It at the Movies: Screen Adaptation 13. A Stain Upon Womanhood 14. The Angry Young Men: The Literary Movement That Never Was 15. Backwards in High Heels: Success And After 16. We Were Pioneers Epilogue Endnotes Bibliography Acknowledgements Index

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Book SynopsisThe first book about a generation of women writers who challenged the world.Make this your next inspirational read. Trust us, it''s Oprah''s Book Club worthy.--ViceIn London in 1958, a play by a 19-year-old redefined women''s writing in Britain. It also began a movement that would change women''s lives forever. The play was A Taste of Honey and the author, Shelagh Delaney, was the first in a succession of young women who wrote about their lives with an honesty that dazzled the world. They rebelled against sexism, inequality and prejudice and in doing so challenged the existing definitions of what writing and writers should be. Bypassing the London cultural elite, their work reached audiences of millions around the world, paved the way for profound social changes and laid the foundations of second-wave feminism. After Delaney came Edna O''Brien, Lynne Reid-Banks, Charlotte Bingham, Nell Dunn, Virginia Ironside and Margaret Forster; Trade ReviewWriters who changed lives. Rebel Writers is a startling new approach to literary criticism - not just what was done, but why it had to be done - mingled with astute social history. All sorts of things we should know but don’t know about the sixties, all smoothly and elegantly written and as readable as any novel. Six writers to whom we owe a debt of gratitude, all in their own ways sowing the seeds of how we live today. Marvellously interesting! -- Fay WeldonMake this your next inspirational read. Trust us, it’s Oprah’s Book Club worthy. * Vice *Brayfield's equally illuminating book homes in on the late 1950s and early 1960s, revealing that (Shelagh) Delaney wasn't the only one showing that female experience was about more than just falling in love... Brayfield offers us perceptive analysis of the writing and ratifies these women's position in the canon in the process. Perfect companion volumes, Tastes of Honey and Rebel Writers make for entertaining, edifying and important reading. * Financial Times Weekend *Table of ContentsIntroduction Part one: Seven Writers 1. Innocence and Experience 2. A Man’s World: Sexism 3. Forbidden Kisses: Class 4. All False: Love 5. ‘I Wish I Had a Career’: Aspiration 6. The Great Unmentionable: Sex 7. Drowning in Delight: Motherhood 8. A Rotten Bargain: Marriage 9. Good Old John: Race 10. Before the Urban Family: Friendship Part two: Out into the World 11. ‘Where is your Baby?’ 12. Losing It at the Movies: Screen Adaptation 13. A Stain Upon Womanhood 14. The Angry Young Men: The Literary Movement That Never Was 15. Backwards in High Heels: Success And After 16. We Were Pioneers Epilogue Endnotes Bibliography Acknowledgements Index

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Book SynopsisExploring the breadth of contemporary feminist research practices, this engaging text immerses the reader in cutting-edge theories, methods, and practical strategies. Chapters review theoretical work and describe approaches to conducting quantitative, qualitative, and community-based research with participants; doing content or media analysis; and evaluating programs or interventions. Ethical issues are addressed and innovative uses of digital media highlighted. The focus is studying gender inequities as they are experienced by individuals and groups from diverse cultural, racial, and socioeconomic backgrounds, and with diverse gender identities. Delving into the process of writing and publishing feminist research, the text covers timely topics such as public scholarship, activism, and arts-based practices. The companion website features interviews with prominent feminist researchers. Pedagogical Features *Case examples of feminist research. *Running glossary of key Trade Review"This excellent introduction to feminist research is accessible to both undergraduates and graduate students. Students in my Feminist Research Methodologies course found the content and structure of the book very helpful in writing a clearly argued and defendable research proposal. I recommend this book to any methods instructor who has a commitment to anti-oppressive research and social justice. It may be easily incorporated into the required readings of courses in education; anthropology; ethnic studies; sociology; and feminist, women's, and gender and sexuality studies."--Manal Hamzeh, PhD, Department of Interdisciplinary and Gender and Sexuality Studies, New Mexico State University "This is the new go-to text for feminist researchers at any stage. More than just a handbook, Contemporary Feminist Research from Theory to Practice provides an in-depth consideration of feminist theories, research, and activism, paying close attention to racial, geopolitical, and gender diversities, linkages, and controversies. Students will benefit tremendously from the expansive multimedia and multidisciplinary resources offered in each chapter, as well as the thoughtful discussion questions and activities and clearly defined terms. The book makes a unique contribution to the feminist classroom with its multidisciplinary focus; elegantly interwoven history of feminisms; and strong, accessible articulation of the dynamic and interconnected nature of feminist theory, research, and practice from a variety of perspectives."--Barbara Gurr, PhD, Women’s, Gender, and Sexuality Studies Program, University of Connecticut "This engaging guide to feminist research in all its diversity is wonderfully readable and useful. The clear writing, with remarkably little jargon, achieves accessibility without oversimplifying important concepts, such as intersectionality and nonbinary genders. The book is unique in embedding feminist research within both theory and activism while offering practical guidance for producing and disseminating it. The focus on how to be a feminist on the digital highway provides insights into the potential of digital and social media for social justice. Each chapter’s discussion questions, suggested activities, and digital and nondigital resources will stimulate student learning. Somehow the book works for all levels--undergraduates, graduate students, and instructors."--Patricia H. Miller, PhD, Department of Psychology, San Francisco State University "A major strength of this book is that it showcases a variety of ways of presenting feminist research. The book will be useful for those instructors interested in teaching feminist research with actual case examples. The discussion questions, text boxes, and additional resources are very useful, moving us from theory to application. This text exemplifies creative writing and teaching."--Venus E. Evans-Winters, PhD, Department of Educational Administration and Foundations, Illinois State University "Many texts on quantitative methods--and some on qualitative methods--frame social research as a neutral, apolitical practice. Yet, for me, such an assumption is irresponsible and dangerous. By merging critical feminist theory and research methods, this exciting book demonstrates how and why social research is political. I especially appreciate the extensive discussions of collaboration, embodiment, and intersectionality, as well as the chapters on feminist ethics, publishing feminist research, and doing public scholarship. As one of the most inclusive texts on the market, this book is an essential resource for new and advanced scholars."--Tony E. Adams, PhD, Department of Communication, Bradley University "I have been teaching methods for 25 years, and this text far surpasses any I have used in the past. It is incredibly comprehensive, providing an overview of feminist theory as well as the directions needed to choose and employ various methods."--Angela J. Hattery, PhD, Professor and Director, Women and Gender Studies Program, George Mason University "A good introduction to feminist research methodology that grounds the reader in history and theory and then moves to actual research practice, thoroughly covering the types of research that feminists are doing today. I appreciate the inclusion of contemporary digital practices, which are very important currently."--Stacie Craft DeFreitas, PhD, Department of Social Sciences, University of Houston–Downtown "There is no feminist research textbook I know of that is as timely and on point as this one. The complexity of the field of feminist scholarship is well articulated, the examples are relevant to my undergraduate students, and the exercises are thoughtful and engaging."--Kate McCoy, PhD, Department of Educational Studies and Leadership and Department of Women’s, Gender, and Sexuality Studies, State University of New York at New Paltz -Dr. Patricia Leavy and Dr. Anne Harris…offer learners of all career stages a concise and lively blueprint for bringing feminism out of the realm of theory and into that of application. The authors orient readers to feminism as a dynamic, continuously evolving culture of inclusion and affirmation. This philosophy pervades the text from start to finish, operationalized by engaging discussion questions and hands-on practice activities….Throughout the book, the authors weave in timely examples that illustrate different intersectionalities within feminist research practice. This attention to the immense diversity of what feminist research can mean across different communities and contexts makes the book both exciting and relatable. I also found the authors' explicit intent for different chapters within the book to stand alone if needed both cleverly conceived and well executed….Offers tremendous flexibility as a learning resource for courses ranging from the very conceptual to the very applied. I recommend it strongly for a wide variety of learner demographics and teaching activities within and beyond qualitative methods. Likewise, this textbook offers wonderful support for both seasoned feminist scholars and those just beginning to discover what feminism means for them.--The Qualitative Report, 10/23/2019Table of ContentsI. Feminist Theoretical Frameworks 1. Introduction 2. The Feminist Research Landscape 3. Intersectionality, Feminist Epistemology, and Standpoint Feminism Theoretical Frames 4. Postmodern/Post-Structuralist Theoretical Frames to Feminist Research II. Feminist Approaches to “Doing Research” 5. Feminist Ethics 6. Feminist Methods for Working Directly with Participants 7. Feminist Methods for Studying Nonliving Data, Organizations, and Programs III. Being a Feminist Researcher: Getting the Work Out 8. Writing and Publishing Feminist Research 9. Public Scholarship and Critical Perspectives APPENDIX. Feminist Scholars by Discipline or Area of Study References

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Book Synopsis''Will put fear in your heart''Sunday Times''For fans of The Handmaid''s Tale, this is a must''Independent''''Does the world seem right, to you?''Years ago, Dana Mayer had a vision of a better world: one where women are in charge. Now her manifesto, The Quickening, has established the rules for a new order, designed to elevate and protect women. A genteel and peaceful society that prioritises nature, good manners and aesthetics. Of course, in order for women to maintain control, the freedoms of men have been necessarily limited. Arthur Alden loves Dana Mayer but hates the world she has created. But can he find a way to resist, without losing everything? And with Dana intent on making men pay reparations for their past crimes, can Arthur be allowed to live without punishment?***''I LOVED this story . . . A necessary read'' ⭐⭐⭐Trade ReviewFor fans of The Handmaid's Tale, this is a must * Independent *No matter how often you've fantasised of a world ruled by women, this will put fear in your heart! * The Sunday Times *A daring, dystopian tale * 1883 Magazine *The rarest of all literary beasts * The Times *The provocative novel by Riley . . . imagines a future in which women dominate and men are enslaved and emasculated * Daily Mail *A fluid and engaging love story with a truly unique heroine * Heat *A bold story of love and deception, with a fascinating main character * Woman's Own *A refreshing love story about the importance of independence and destiny * Marie Claire *'Talulah Riley is an absolute force of nature. As is her lead character. Read and revel' -- Eva Rice, author of The Lost Art of Keeping SecretsRiley is obviously super smart and has an old-fashioned, modernist sort of style that makes you think. I loved it. * Daily Mail *Praise for Acts of Love * : *

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Book SynopsisThis text comprehensively surveys and critically positions the main issues, theories and contemporary debates surrounding postfeminism.

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Book SynopsisLaura Hengehold presents a new, Deleuzian reading of Simone de Beauvoir's phenomenology, the place of recognition in 'The Second Sex', the philosophical issues in her novels, the important role of her student diaries and her early interest in Bergson and Leibniz.

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Book SynopsisThrough a rethinking of the relationship between the subject and object, the human and the nonhuman, this volume shows how literature and post-anthropocentric theory can illuminate each other in mutually productive ways.

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Book SynopsisFeminist legal theory is one of the most dynamic fields in the law, and it affects issues ranging from child custody to sexual harassment. Since its initial publication in 2006, Feminist Legal Theory: A Primer has received rave reviews. Now, in the completely updated second edition of this outstanding primer, Nancy Levit and Robert R.M. Verchick introduce the diverse strands of feminist legal theory and discuss an array of substantive legal topics, pulling in recent court decisions, new laws, and important shifts in culture and technology. The book centers on feminist legal theories, including equal treatment theory, cultural feminism, dominance theory, critical race feminism, lesbian feminism, postmodern feminism, and ecofeminism. Readers will find new material on women in politics, gender and globalization, and the promise and danger of expanding social media. Updated statistics and empirical analysis appear throughout. The authors, prominent experts in the field, also address femTrade ReviewFeminist Legal Theory by Nancy Levit and Robert R. M. Verchick is not only a sophisticated theoretical exposition of feminist legal theory, but also a vivid analysis of real cases and popular culture and their relationship to womens issues. It is the first stop in researching womens issues for any academic or student of the law. The book is chock-full of information about law that relates to all aspects of womens (and sometimes, mens) issues ranging from education law to human trafficking. The information is presented through vivid, readable prose that lawyers, academics, and non-lawyers alike will find interesting, informative, and fun to read. I was blown away by the chapter on education with its analysis of constitutional and statutory law, and its up-to-date description of changes in regulatory authority. The book contains timely references to popular culture that will pique the interest of readers. A must-read for anyone who is interested in womens issues. -- Ann C. McGinley,William S. Boyd Professor of Law, University of Nevada Las VegasFeminist Legal Theory is essential for all readers. Its comprehensive review of the various types of feminism, feminist history, and the broad range of issues that affect all women and men is impressive. Levit and Verchicks work has the potential to make feminism not a four-letter word for millennial lawyers but instead a four-word phrase: 'Yes, Im a feminist!' Enjoy! -- Angela Onwuachi-Willig,Charles M. and Marion J. Kierscht Professor of Law, University of IowaThis foundational text offers an outstanding introduction and overview to one of the most important movements in the legal world today: feminist jurisprudence. The authors brilliantly weave together feminism, the law, and our ordinary experiences as men and women to create an accessible text that speaks to students, academicsand anyone who has ever thought about gender issues. -- Naomi Cahn,Harold H. Greene Chair, George Washington University Law SchoolThe time is ripe for a new look at feminism, and the new edition of Feminist Legal Theory provides the foundation. In clear, cogent, accessible prose, it tackles cutting-edge feminist topics . . . . This relatively slim volume has it all. . . . It simultaneously serves as a classic primer on feminist thought and a guide to the emerging issues that will challenge the next generation of feminist theory. -- June Carbone,Robina Chair of Law, Science and Technology, University of Minnesota Law School

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Book SynopsisIn an era of accelerating technology and increasing complexity, how should we reimagine the emancipatory potential of feminism? How should gender politics be reconfigured in a world being transformed by automation, globalization and the digital revolution? These questions are addressed in this bold new book by Helen Hester, a founding member of the 'Laboria Cuboniks' collective that developed the acclaimed manifesto 'Xenofeminism: A Politics for Alienation'. Hester develops a three-part definition of xenofeminism grounded in the ideas of technomaterialism, anti-naturalism, and gender abolitionism. She elaborates these ideas in relation to assistive reproductive technologies and interrogates the relationship between reproduction and futurity, while steering clear of a problematic anti-natalism. Finally, she examines what xenofeminist technologies might look like in practice, using the history of one specific device to argue for a future-oriented gender politics that can facilitate alternative models of reproduction. Challenging and iconoclastic, this visionary book is the essential guide to one of the most exciting intellectual trends in contemporary feminism.Trade Review"This is without doubt one of the most exciting texts I have read for quite some time. Lucid, well-grounded and brilliantly original, this short book is a breath of fresh air."Claire Colebrook, Pennsylvania State University�Helen Hester has her eyes set firmly on the future... its impact will be far reaching.�DIVA Magazine�Pithy and engaging... I heartily recommend this well-argued, provocative, and timely text.�Philosophy NowTable of Contents Contents Introduction 1. What is Xenofeminism? 2. Xenofeminist Futurities 3. Xenofeminist Technologies Conclusion: Xeno-Reproduction Endnotes Works Cited

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Book SynopsisFeminist Media Studies is a cutting-edge introduction to the core and emerging theories, methods, and approaches in a field that has blossomed over the past twenty-five years. Adopting an intersectional approach – a framework concerning the interconnected character of oppression based on gender, race, class, and other constructed identities – Alison Harvey takes a global view of gendered practices in and around the media. She provides an accessible overview of classical and contemporary issues in media culture by exploring the past, present, and future of feminist media studies, accounting for changes in the media landscape, from digital technologies and globalized media systems to emergent inequalities, discourses, and practices. By engaging with research from a diverse body of scholarship, this book situates feminist media studies as vital to researching and analysing a range of significant issues. The go-to textbook for a new generation of students, as well as an important resource for scholars, Feminist Media Studies is both an exciting invitation to the field and a passionate call to arms.Trade Review‘Alison Harvey offers an excellent introduction to contemporary gender-based media research while advocating an ethical, intersectional, and interdisciplinary approach that attends to possible sites for action. Clearly presenting the key concerns, methods, and theories at play in feminist media criticism, and insightfully revealing both the challenges of such work and the potential opportunities that arise from it, Harvey provides an informative, well-crafted roadmap for the newbie feminist media scholar as well as a refreshingly provocative update for those already working in this area.’Mary Celeste Kearney, University of Notre Dame ‘Drawing on diverse scholarship and emphasizing intersectionality, this is a timely and necessary book that demonstrates how feminist media studies should approach our rapidly changing media environments. Alison Harvey succinctly explicates methods committed to social justice, and signposts key concepts in a student-friendly way.’Aristea Fotopoulou, University of BrightonTable of ContentsAcknowledgements 1 Introduction to Intersectional Feminist Media Studies 2 Feminist Media Critique 3 Representing Gender 4 Transnational Feminist Media Studies 5 Feminist Digital Media Studies 6 Gendered Media Work 7 Conclusion: The Future of Feminist Media Studies and Action ReferencesIndex

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Book SynopsisThis book makes the case for an inclusive form of socialist feminism that puts women with multiple disadvantages at its heart. It moves feminism beyond contemporary disputes, including those between some feminists and some trans women. Combining academic rigour with accessibility, the book demystifies some key feminist terms, including patriarchy and intersectionality, and shows their relevance to feminist politics today. It argues that the analysis of gender cannot be isolated from that of class or race, and that the needs of most women will not be met in an economy based on the pursuit of profit. Throughout, the book asserts the social, economic and human importance of the unpaid caring and domestic work that has been traditionally done by women. It concludes that there are some grounds for optimism about a future that could be both more feminist and more socialist. Trade Review'Throughout the book, Bryson successfully makes difficult theoretical concepts more accessible, and she consistently points to further reading. Due to this, her book would serve as a useful introductory text for late high school and undergraduate students. Bryson’s analysis of feminist socialism and her call for more inclusive communities and policies that start with the most disadvantaged among us is a welcome and highly accessible addition to the literature; and should perhaps be required reading for policy-makers.'Professional Historians Association, Kirra Minton -- .Table of Contents1 The sex/gender distinction and the language of sexual violence2 Sexism and patriarchy3 Intersectionality: a dry word that can make a lot of sense4 Trans women and feminism: thinking beyond binaries5 We need to talk about capitalism6 Liberalism, neoliberalism and feminism: contradictions and concerns7 Marxist feminism: reframing the issues8 Why feminists should logically be socialists (and vice versa) ConclusionsIndex

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Book SynopsisThe Me Too movement, started by Black feminist Tarana Burke in 2006, went viral as a hashtag eleven years later after a tweet by white actor Alyssa Milano. Mainstream movements like #MeToo have often built on and co-opted the work of women of colour, while refusing to learn from them or centre their concerns. Far too often, the message is not ‘Me, Too’ but ‘Me, Not You’. Alison Phipps argues that this is not just a lack of solidarity. Privileged white women also sacrifice more marginalised people to achieve their aims, or even define them as enemies when they get in the way.Me, not you argues that the mainstream movement against sexual violence expresses a political whiteness that both reflects its demographics and limits its revolutionary potential. Privileged white women use their traumatic experiences to create media outrage, while relying on state power and bureaucracy to purge ‘bad men’ from elite institutions with little concern for where they might appear next. In their attacks on sex workers and trans people, the more reactionary branches of this feminist movement play into the hands of the resurgent far-right.Trade Review'This is a necessary and vital addition to feminist texts. Alison Phipps has done exactly what women of colour wish we saw more of during these days of #NotAllWhiteWomen. She has looked white feminism and political whiteness in the eyes and delivered a much-needed reckoning. It is exhausting to both fight political whiteness and explain to white women what that whiteness is, how it benefits them and why the status quo must end if we are all to be free. This is a book I will be carrying everywhere, eager to share, excited to have Phipps’ words fighting alongside me.'Mona Eltahawy, author of The Seven Necessary Sins For Women and Girls'Paints a cohesive and alarming picture of sexual violence activism today.'Textual Practice 'Me, not you is an essential book for this historical moment. Phipps adds to the growing consideration of “carceral feminisms” by writing an accessible text that addresses how white women can enact violence while organising to end sexual violence. I was particularly interested in the book’s theorisation of “political whiteness,” a concept that owes much to the work of Black feminist scholars and activists. Me, not you uplifts this lineage and offers more food for thought. For anyone interested in anti-violence, anti-racism, and anti-criminalisation organising, this book is required reading. I’ll be coming back to it often.'Mariame Kaba, organiser, educator and founder of Project NIATimely is a tired trope for a book recommendation, but if you wanted to capture the solidarity, backlash, and politics of feminism in 2020 Alison Phipps’ Me Not You would be an excellent place to start. Phipps is upfront with her aims for the book – this is a book about mainstream feminism aimed at white people. This is the book I will give to those who still don’t get it and keep next to me for when I forget it. The Sociological ReviewThis book is very relevant to feminism now. The carefully considered research and representation of Phipps provides a way for white feminists to understand the long history and complexity of current public debates surrounding race, gender and, at times, sexuality. LIMINA, a journal of historical and cultural studies.' Me, Not You is essential reading for white women everywhere.'the F word -- .Table of ContentsIntroduction1 Gender in a right-moving world2 Me, not you3 Political whiteness4 The outrage economy5 White feminism as war machine6 Feminists and the far rightConclusion References

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Book SynopsisA new manifesto for the working woman, full of practical tips for making the most of your earnings as well as inspiration for harnessing the freedom and power that come with financial independence. In Think Like a Breadwinner, financial expert Jennifer Barrett dismantles the narrative that women don't – and shouldn't – take full control of their finances to create the lives they want for themselves. Featuring a wide variety of case studies from women at all stages of their careers and financial lives, Barrett shares the secrets of women who already think like breadwinners.Practical and empowering, this book includes advice on: - Changing how you think about money- Asking for promotions and raises at work- Saving and investing your money- How to combine breadwinning and parenting- Prioritising your futurePerfect for anyone who thinks they're 'no good with money', Think Like a Breadwinner will show you that no matter your circumstances, you can set yourself up for financial security.Trade ReviewThink Like a Breadwinner is the roadmap women need to take charge of their financial futures. Jennifer Barrett empowers readers to be unabashedly confident while getting smart about their money behaviors, ultimately unlocking their fullest potentials and wildest dreams. -- Reshma Saujani, CEO and author of 'Girls Who Code' and author of 'Brave, Not Perfect'Think Like a Breadwinner is the guide every woman needs to read in order to reframe her relationship with what it means to be a breadwinner. No matter your relationship status, Barrett encourages every woman to focus on being the breadwinner of her own life and in charge of her own financial future. -- Erin Lowry, author of Broke Millennial Talks MoneyBarrett’s manifesto is a must read for any woman at any stage of her career. This book is about so much more than the power of money – it is about empowering yourself for a lifetime of success in all domains. -- Eve Rodsky, New York Times bestselling author of Fair PlayLadies: It is time to retrain our brains. Jennifer Barrett has the stats and the solutions to get us all thinking like breadwinners. This book will teach you to see the joy in money, rather than the stress. It will crystalize why we need to build up our wealth, not build up our hopes for someone else to take care of us. This well-researched and compelling book could not come at a better time. -- Bobbi Rebell, author of How to be a Financial GrownupThink Like a Breadwinner is a vital book for our age. As the wealth gap continues to remove power and equity from women, Jennifer Barrett's brilliant book, offers a practical guide to taking matters in readers' own hands, and learning the tools to develop a mindset that changes this outdated status quo. The sharing of Barrett's personal story adds real warmth and relatability, which takes it from manual to long-term guide. A must read for all women. -- Alice Olins, coach, entrepreneur and founder of the Step Up ClubThis is a book for anyone–single or partnered, at any stage of their career – who understands that a positive money mindset isn’t only about cash in the bank. It’s about leveraging what you’ve got to get you where you want to go. -- Farnoosh Torabi, author of When She Makes More and host of the So Money podcastThink Like a Breadwinner shows women how to overcome the beliefs and barriers that hold us back financially. If you need to make life-changing money choices, start with this book. -- Octavia Goredema author of Prep, Push, Pivot: Essential Career Strategies for Underrepresented Women Jennifer Barrett’s Think Like a Breadwinner is an eye-opening and engaging read for any women beginning, progressing or reflecting on their career. This sharp and stylish read is a powerful narrative that you will want to share with any female in your life. -- Maya Prentis, Founder of Fempire FinanceThink Like A Breadwinner champions women and provides an insightful read for not just those female breadwinners but their male counterparts as well . . . The book is full of wisdom while not being too bogged down in the details. -- Ladders

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Book Synopsis'Searing and timely' Tarana Burke, founder of the MeToo movement, and author of You Are Your Best Thing'Carefree Black Girls is the testimony I've been waiting to witness.'Robert Jones, Jr., author of The Prophets; creator of Son of Baldwin'Standout... one you'll struggle to put down.'Bad FormINCLUDES A FOREWORD WITH CLARA AMFOIn 2013, film and culture critic Zeba Blay was one of the first people to coin the viral term #carefreeblackgirls on Twitter. As she says, it was "a way to carve out a space of celebration and freedom for Black women online."In this collection of essays, Blay expands on this initial idea by delving into the work and lasting achievements of influential Black women in Pop Culture - writers, artists, actresses, dancers, hip-hop stars - whose contributions often come in the face of bigotry, misogyny, and stereotypes. Blay celebrates the strength and fortitude of these Black women, while also examining the many stereotypes and rigid identities that have clung to them.In writing that is both luminous and sharp, expansive and intimate, Carefree Black Girls seeks a path forward to a culture and society in which Black women and their art are appreciated and celebrated.Trade ReviewBlay is a talent, mixing an encyclopedic knowledge of pop culture, past and present, with incisive commentary on race and gender. * Janet Mock, author of Redefining Realness and Surpassing Certainty *Blay's welcome voice is candid, vulnerable and necessary. Her observations about the impact Black women have had and continue to have on pop culture are searing and timely and will have a lasting impact on how much the world sees and understands us. * Tarana Burke, founder of the MeToo movement, and author of You Are Your Best Thing *Alongside perceptive ruminations on everything from colourism to Cardi B, Blay writes with refreshing candour on topics that will resonate with Black women, the world over. Her passion and incredible knowledge on all things race, gender and pop culture-related make this book a standout and one you'll struggle to put down. * Morgan Cormack, Bad Form *Blay's idea of Black womanhood is an inclusive one, where liberation is not just possible, but doable because it has the space for all Black women?cisgender, transgender, rich, poor, old, young, local, global?magnifying the potential for unity (and success) against the forces which mean them harm. Each essay carries with it truths that feel ancestral. Carefree Black Girls is the testimony I've been waiting to witness. * Robert Jones, Jr., author of The Prophets; creator of Son of Baldwin *"Blay's personal experiences with astute cultural analysis to explore how joy has become one of the most useful weapons in a Black woman's arsenal. * Bitch Media *

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Book SynopsisThis groundbreaking collection interrogates protest camps as sites of gendered politics and feminist activism. Drawing on case studies that range from Cold War women-only peace camps to more recent mixed-gender examples from around the world, diverse contributors reflect on the recurrence of gendered, racialised and heteronormative structures in protest camps, and their potency and politics as feminist spaces. While developing an intersectional analysis of the possibilities and limitations of protest camps, this book also tells new and inspiring stories of feminist organising and agency. It will appeal to feminist theorists and activists, as well as to social movement scholars.Table of Contents1. Introduction: Feminism/Protest Camps - Catherine Eschle and Alison Bartlett Part 1: Gendered Power and Identities in Protest Camps 2. Safe Spaces and Solidarity: Confronting Gendered Violence in the US Occupy Encampments - Celeste Montoya 3. The Pu’u We Planted: (Re)birthing Refuge at Mauna Kea - Māhealani Ahia and Kahala Johnson 4. ‘You Can’t Kill the Spirit’ (But You Can Try): Gendered Contestations and Contradictions at Menwith Hill Women’s Peace Camp - Finn Mackay 5. Women Activists, Gendered Power and Postfeminism in Taiwan’s ‘Sunflower Movement’ - Chia-Ling Yang Part 2: Feminist Politics in and through Protest Camps 6. The Feminist Movement in Turkey and the Women of the Gezi Park Protests - Yeşim Arat 7. Feminism and Protest Camps in Spain: From the Indignados to Feminist Encampments - Emma Gómez Nicolau 8. ‘Why the Compost Toilets?’: Ecofeminist (Re)Generations at the HoriZone Ecovillage - Joan Haran Part 3: Feminist Theorising and Protest Camps 9. Protest Camps as ‘Homeplace’? Social Reproduction in and against Neoliberal Capitalism - Catherine Eschle 10. Project Democracy in Protest Camps: Caring, the Commons and Feminist Democratic Theory - Anastasia Kavada 11. Feminised and Decolonising Reoccupations, Re-existencias and Escrevivências: Learning from Women’s Movement Collectives in Northeast Brazil - Sara C. Motta, Sandra Maria Gadelha de Carvalho, Claudiana Nogueira de Alcencar and Mila Nayane da Silva Part 4: The Feminist Afterlives of Protest Camps 12. Feminism on Aboriginal Land: The 1983 Pine Gap Women’s Peace Camp, Central Australia - Alison Bartlett 13. Remembering an Eco/Feminist Peace Camp - Niamh Moore 14. US Occupy Encampments and Their Feminist Tensions: Archiving for Contemporary ‘Big-Tent’ Social Movements - Heather McKee Hurwitz and Anne Kumer 15. Greenham Women Everywhere: A Feminist Experiment in Recreating Experience and Shaping Collective Memory - Kate Kerrow, Rebecca Mordan, Vanessa Pini and Jill (Ray) Raymond, with Alison Bartlett and Catherine Eschle 16. Conclusion: Rethinking Protest Camps, Rethinking Feminism - Catherine Eschle and Alison Bartlett

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'Tightly plotted and hugely readable' Jane Rogers, author of PROMISED LANDS'Marvellous . . . fans of immersive historical fiction, the 18th century, all things French and a dash of peril, this one's for you' Emily Brand, author of THE FALL OF THE HOUSE OF BYRON'Glasfurd deftly, elegantly captures this volatile world of impoverished attic rooms and gilded literary salons' DAILY MAILThe King knows the true power and privilege of books. When every book is cause for suspicion, you risk execution for possessing the wrong ones.1766, PARIS. Ten years have passed since Delphine Vimond last saw her father. After his violent arrest, his library of books is burned. Young Delphine, bereft and fatherless, is forced to seek refuge in the city.Now working as a housekeeper for the radical Monsieur Diderot, her settled life is suddenly disrupted by the arrival of Chancery Smith. A printer's apprentice, he has been sent from London to hunt down the mysterious author of revolutionary papers marked only with the initial D - the possession of which could prove fatal.Pursued by the brutal French censor, Henri Gilbert, Delphine and Chancery set off on a frantic and deadly search that will take them across the country.But can they catch up with D before Gilbert catches up with them? 'Among historical novelists, Glasfurd rides high' FINANCIAL TIMES

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Book Synopsis'Sleepless has changed how I feel about sleep . . . I was captivated' The Times, Book of the Week'This book will inspire you to get up, light a candle, and experience your own Night Self' Financial TimesTHE NIGHT SELF IS: CREATIVE. CURIOUS. VULNERABLE. ENCHANTED. COURAGEOUS.In the winter of 2020, Annabel Abbs experienced a series of bereavements. As she grieved, she kept busy by day, but at night sleep eluded her. And yet her sleeplessness led to a profound and unexpected discovery: her Night Self. As the night transformed into a place of creativity and liberation, Annabel found she wasn't alone. From the radical fifteenth-century philosopher Laura Cereta and subversive artist Louise Bourgeois, to Virginia Woolf and the activist Peace Pilgrim, women have long found sanctuary, inspiration and courage in darkness.Drawing on the latest science, which shows we are more imaginative, open-minded and reflective at night, Annabel set out to discover the potential of her Night Self. Sleepless follows her journey, from midnight hikes to starlit swims, from Singapore, the brightest city on Earth, to the darkest corner of the Arctic Circle, and finally to that most elusive of places - sleep.A moving, revelatory voyage into the dark, Sleepless invites us to feel less anxious about our sleep, and to embrace the possibilities of the night.Trade ReviewThis book will inspire you to get up, light a candle, and experience your own Night Self -- ERICA WAGNER * Financial Times *Reveals a wondrous night world . . . Sleepless is more than an antidote to sleep zealotry; it marks a special place to embrace and enjoy -- CATHERINE DE LANGE * New Scientist *Abbs invites the reader to lean right in . . . lyrical prose . . . and extensive research illustrate the value many women have found historically in embracing their Night Selves * Irish Times *[Full of] numerous examples of creative women whose greatest, most avant-garde works were conceived and produced at night . . . Abbs urges us to mine our night brains for creative profit . . . to stop catastrophising about how you'll cope the following day * Sunday Times Magazine *The beautiful prose in this book is otherworldly and an ode to insomnia . . . Having skilfully merged her research and personal experiences, Abbs takes us on a journey through her own psyche. Not only is this book extremely readable, it is also deeply relatable * The Lady *I have never read a writer who could turn the lemons of sleep deprivation into the lemonade of creative inspiration quite like Annabel Abbs . . . Weaving history, scientific research on brain chemistry and Abbs's own personal nocturnal explorations, Sleepless is uniquely engaging and hopeful account of a condition that is more typically a truly miserable experience * Salon *Transforms the dead of the night into a place alive with feminine creativity, curiosity and self-discovery. You'll find yourself longing for the dark -- Tabitha CarvanA beautiful book that weaves together science, storytelling and self-discovery. Soft, soothing and soulful -- Nicola Jane Hobbs, author of The Relaxed WomanThis book asks one of the most beautiful questions a Big Soul can ask herself: What if our insomnia was a wondrous, life-thriving thing? As a reader, we answer it together with weary but deeply fulfilled relief, yes, yes, it is! -- Sarah Wilson, New York Times bestselling author of This One Wild and Precious LifeA rich and revelatory exploration of the creative and liberating potential of the night, and a paean to the life-enhancing power of the dark. My newborn Night Self was left longing for more -- Sharon Blackie, author of The Enchanted LifeI adore all of Annabel's vibrant and insightful writing, but this walk in the dark was an utter revelation. Beautifully written in engaging first-person narrative, I now have an idea of the beauty of this side of our lives -- Kathryn AaltoFascinating . . . seeking to avoid what she later comes to value, Annnabel's relationship with the dark shows us the night can become a time of creative potential and healing -- Nina Edwards, author of DarknessAbbs strikes a contrarian note by daring to extol and even 'befriend' the sleep deprivation she experienced after a series of bereavements . . . Abbs is right to push back against the current sleep cult, as one thing is clear: anxiety about sleep will only make it more elusive * Tablet *Award-winning author Annabel Abbs strikes a contrarian note by daring to extol and even "befriend" the sleep deprivation she experienced after a series of bereavements, seeing it as a pathway to self-discovery. * Tablet *

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Book SynopsisA contemporary gothic debut with a feminist edge, for fans of Naomi Alderman and Madeline Miller'The simmering menace and mystery kept me absolutely gripped' Jennifer Saint, author of Ariadne'Rebecca meets The Secret History. Gloriously dark, gloriously gothic' Sara Collins, author of The Confessions of Frannie LangtonFor 150 years, Caldonbrae Hall has loomed high above the Scottish cliffs as a beacon of excellence. A boarding school for girls, it promises that its pupils will emerge 'resilient and ready to serve society'. New to the school, Classics teacher Rose Christie is soon overwhelmed by the institution's arcane traditions and terrifyingly cool, vindictive students. Her classroom becomes her haven, until her lessons about fearless women starts to draw the suspicions of the powers that be. As Rose uncovers the darkness that beats at the very heart of Caldonbrae, the lines between myth and reality grow ever more blurred. Can Rose - and the fierce young women she has come to love - find a way to escape the fate the school has in store for them, before it is too late. . .______________________'A highly entertaining and atmospheric read' Kate Sawyer, author of The Stranding'Imagine if Donna Tartt and Margaret Atwood got together to write a creepy, suspenseful novel . . . ' Chandler Baker, author of Whisper Network'Strange, dark, and utterly consuming . . . I loved it' Katie Lowe, author of The Furies'Chilling, eerie and very clever. I devoured it' Polly Crosby, author of The Illustrated Child'A thrilling debut, reminiscent of Du Maurier. Leaves us breathless at each twist and turn' Nydia Hetherington, author of A Girl Made Of AirTrade ReviewRebecca meets The Secret History. Gloriously dark, gloriously gothic * Sara Collins, author of THE CONFESSIONS OF FRANNIE LANGTON *Imagine if Donna Tartt and Margaret Atwood got together to write a creepy, suspenseful novel about a school for young women in the Scottish Highlands. The result is Madam, a book I couldn't for the life of me put down. Brooding and unsettling, Wynne paints a gorgeous picture that only serves to camouflage the dark secrets she's hidden within * Chandler Baker, author of WHISPER NETWORK *The simmering menace and mystery kept me absolutely gripped. It gave me the same feeling as when I read The Secret History and put me in mind of The Furies. I loved the clever interweaving stories of the classical women of ancient myth and history with the tantalising reveal of the horrifying truth behind the impressive facade of the grand boarding school. This was a smouldering slow burn of a novel that I could not put down * Jennifer Saint, author of ARIADNE *Strange, dark, and utterly consuming... I loved it * Katie Lowe, author of THE FURIES *Chilling, eerie and very clever. I devoured it * Polly Crosby, author of THE ILLUSTRATED CHILD *A thrilling debut, reminiscent of Du Maurier. The narrative, written in precise prose with beautifully crafted characters, barrels along at pace, leaving us breathless at each twist and turn. A truly wonderful read * Nydia Hetherington, author of A GIRL MADE OF AIR *I ripped through it and thoroughly enjoyed the ride. It had real echoes of Jean Brodie and a flavour of one of my favourite films Heathers, too! A highly entertaining and atmospheric read * Kate Sawyer, author of THE STRANDING *Full of fire and light, written with a passionate intensity . . . Madam is a book that shimmers . . . This is a chilling and shocking read that shouts of the abuse of power. Yet the warmth of its writing and the spell it holds is more powerful than the words give way to. It's an extraordinary achievement * Now and Fen blog *Brooding, creepy and suspenseful... Perfect for fans of The Handmaid's Tale * Woman & Home *I was immersed in the bleak landscape and terrifying atmosphere...from beginning to end... A wonderful, refreshing, beautifully written novel, and I cannot wait to read Wynne's next * Louise Fein, author of PEOPLE LIKE US *Chilling, unsettling with strong messages about femininity, Madam shocks as it builds from subtle hits to its big satisfying crescendo . . . An interesting mix of modern gothic, the anticipation of a thriller and a strong female voice * My Weekly *Thick with Gothic intrigue and menace, this is also a novel with a feminist heart * Daily Mail *One of my favourite reads of 2021 so far and I found it thoroughly addictive, sickeningly disturbing at times and endlessly fascinating * Shemazing *Madam is a sinister and utterly compelling boarding school mystery * Mummy Pages *A dazzling slice of dark, Gothic feminism * Heat *A book that's truly hard to put down * Living North Magazine *A pitch-perfect debut with a feminist twist * 17 Degrees Magazine *Latin and Greek myths echo throughout, in a story that will not let you go * The Irish Times *

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Book Synopsis'THIS FOLLOW-UP IS AS ENTHRALLING AS ITS PREDECESSOR' Sunday Times'BRILLIANTLY IMAGINED AND THOROUGHLY CHILLING' Observer'BEGINS WITH A BANG AND DOESN'T LET UP' Clare ChambersThrilling dystopian fiction from the acclaimed author of Widowland. Perfect for fans of Margaret Atwood.It is 1955 and Britain is still a Protectorate of Germany. The assassination of the Leader on British soil provoked violent retribution towards British citizens, particularly women. Rose Ransom is amazed even to be alive, her role in the assassination miraculously overlooked. The widowed Queen Wallis reigns, yet some citizens hope that Elizabeth may one day return.President Eisenhower is to visit Britain and Rose is tasked with briefing Queen Wallis. She finds the queen in a state of paranoia, desperate to return to America. But Wallis, a poker addict, has a trump card - a document so explosive that it will blow the Protectorate apart, should she dare to reveal it.'FULL OF TWISTS' Red'A GRIPPING THRILLER' Bel Mooney'THRILLING, SUBVERSIVE' Jane Harris'A TRIUMPH' Amanda CraigTrade ReviewIt begins with a bang and doesn't let up. There were so many telling references to the current political climate it was frightening. C.J. Carey has created a detailed and convincing alternative universe and a gutsy heroine you really care about * Clare Chambers *Brilliantly imagined and thoroughly chilling, this is a counterfactual tour de force * Guardian *This is a chilling , compelling read, full of twists and ''what if?'' moments * Red *Exciting and provocative dystopian fiction * Observer *A triumph! So often, sequels disappoint, but Queen High is not just as compelling, sinister, satirical and original as Widowland, it's actually better in that it shows us how we might find a way out of tyranny and barbarism * Amanda Craig *Oh, be careful, people! Brilliant C.J. Carey hasn't just written a gripping thriller but holds a satirical mirror up to modern life. And at the heart of Queen High is a serious, passionate belief in the power of women and of books to effect change * Bel Mooney *Carey has built on the world of Widowland just brilliantly. The parallels with contemporary events (how character and history effect attitudes to "rules"; the sense of a political order making it up as it goes along; the role of women) are just ingenious. Wallace too, what a character! I hope it flies off the shelves - it deserves to' * Sabine Durrant *Another triumph from C.J. Carey in this follow-up to the brilliant Widowland. Thrilling, subversive, page-turning, deeply feminist, and beautifully written * Jane Harris *This follow-up is as enthralling as its predecessor * The Sunday Times *Rose's double life unravels as Carey coldly and cleverly controls the release of who knows what, reflecting the ruthless surveillance techniques of a totalitarian regime where no one trusts anyone * Daily Mail *A brilliant, vividly imagined spine-chilling dystopian thriller * Irish Independent *Words continue to have power both on and off the page as Carey expands her alternate history to good effect * Sci Fi Bulletin *Fascinating novel of alternative history and a suspenseful story * SHOTS Magazine *History as it might have been, wonderfully-sketched characters, crime and conspiracies: a perfect thriller and I can't wait for the next volume' * Crime Time *Irresistible mix of fact, fiction and feminism * Lancashire Evening Post *

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Book Synopsis'A genius writer' FABULOUS MAGAZINE· Explore your sensuality· Discover your inner power· Reclaim your sexuality with this gentle and mind-opening journal by sexual priestess and activist Lucy-Anne Holmes.When Lucy-Anne Holmes was in her mid-thirties, she had an epiphany about sex: she realised that she hadn't even skimmed the surface of how fulfilling it could be. So, she took herself on a sexual odyssey. Ten years on, after countless explorations, sex festivals and workshops, she was initiated as a sacred sexual priestess. She now shares everything she has learned about how liberating and empowering sexual self-knowledge can be.Guided by Lucy, on each day of the 28 days you'll be invited to read, to write and to do something around the following themes: Your Love, Your Body, Your Sex, Your Intimacy, Your Desire, Your Pleasure, Your Power, Your Playfulness, Your Surrender, Your Sacredness, Your Vision.This book features a host of activities to discover and play, including: activation mediations, touch practises, sex magic, self-pleasure experiments, sex audits, games to play with friends or lovers, plus opportunities to get creative and express your sexual self through various artforms, and much more.Consider this your own personal pleasure school. Prepare to be wowed and enlightened, inspired and excited as you acquaint yourself with the glorious uniqueness of your sexuality.Praise for Women on Top of the World'Searingly honest ... A beautiful and important work' VANITY FAIR'Holmes has done an admirable job' SUNDAY TIMES'The female gaze at its purest... An important read' SUNDAY INDEPENDENT Praise for Don't Hold My Head Down'Absolutely essential . . . So funny, hopeful, truthful and needed' Caitlin Moran'A must-read. . . will make you laugh yourself silly' Laura Bates'I can't express how much I loved this book. And how evangelical I feel about it. I want to rush out and buy copies for every woman, and actually every man, I know' Caroline Criado-Perez

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Book SynopsisIn an era marked by a frustrating sense of stagnation for women, Jennifer Palmieri has found a way to move beyond the bounds ofpatriarchy. Building on the lessons shared in Dear Madam President, Palmieri argues that women have gone as far as they can in a world made for men, and it is time to break from it.She Proclaims declares what most women know in their souls but have yet to say out loud-that they deserve something better than a life where men hold a vast majority of power and women continue to be undervalued. It is a manifesto for the second century of feminism that no longer chases a man's elusive path but proclaims the value, ambition, and emotion women have had all along to change their world by changing how they engage in it.This book celebrates the accomplishments and history of the women's movement, and through personal reflections and stories of other inspirational female leaders, Jennifer shares concrete advice and insights she's learned from her journey out of a man's world that will inspire you to boldly chart your own course in life.

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Book SynopsisScience, like most fields, is set up for men to succeed, and is rife with racism, sexism, and shortsightedness as a result. But as Dr. Chanda Prescod-Weinstein makes brilliantly clear, we all have a right to know the night sky. One of the leading physicists of her generation, she is also one of the fewer than one hundred Black women to earn a PhD in physics.You will enjoy -- and share -- her love for physics, from the Standard Model of Particle Physics and what lies beyond it, to the physics of melanin in skin, to the latest theories of dark matter -- all with a new spin and rhythm informed by pop culture, hip hop, politics, and Star Trek. This vision of the cosmos is vibrant, inclusive and buoyantly non-traditional.By welcoming the insights of those who have been left out for too long, we expand our understanding of the universe and our place in it. The Disordered Cosmos is a vision for a world without prejudice that allows everyone to view the wonders of the universe through the same starry eyes.

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Book SynopsisAn essential anthology of leading academics, activists, and artists on the state of queer studies today.The David R. Kessler Lectures, established in 1992 by CLAGS: Center for LGBTQ Studies at the City University of New York, represent the cutting edge of queer studies in the United States. Queer Then and Now collects the lectures given from 2002 to 2020 by some of the most influential scholars, artists, and activists of the last two decades?Adrienne Rich, Amber Hollibaugh, Cathy J. Cohen, Cheryl Clarke, Dean Spade, Douglas Crimp, Gayle Rubin, Isaac Julien, Jasbir K. Puar, Jonathan Ned Katz, Martin Duberman, Richard Fung, Roderick A. Ferguson, Sara Ahmed, Sarah Schulman, Susan Stryker, and Urvashi Vaid?alongside new reflections and two scholarly roundtables.Diverse and dynamic, these lectures and intertextual conversations tackle some of today?s most important interventions from the margins?including the growth of trans studies, the synergy and disconnect between theory and activism, the role of LGBTQ+ art and media, and the challenge of transnational and postcolonial theory. Charting the intellectual development of queer studies after the 1990s, Queer Then and Now lays the groundwork for queer thinking in the twenty-first century and beyond.

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Book SynopsisThe authoritative biography of the 60s countercultural icon who wrote SCUM Manifesto, shot Andy Warhol, and made an unforgettable mark on feminist history.Too drastic, too crazy, too "out there," too early, too late, too damaged, too much—Valerie Solanas has been dismissed but never forgotten. She has become, unwittingly, a figurehead for women''s unexpressed rage, and stands at the center of many worlds. She inhabited Andy Warhol''s Factory scene, circulated among feminists and the countercultural underground, charged men money for conversation, despised "daddy''s girls," and outlined a vision for radical gender dystopia.Known for shooting Andy Warhol in 1968 and for writing the polemical diatribe SCUM Manifesto, Solanas is one of the most famous women of her era. SCUM Manifesto—which predicted ATMs, test-tube babies, the Internet, and artificial insemination long before they existed—has sold more copies, and has been translated into more languages, than nearly all other feminist texts of its time.Shockingly little work has interrogated Solanas''s life. This book is the first biography about Solanas, including original interviews with family, friends (and enemies), and numerous living Warhol associates. It reveals surprising details about her life: the children nearly no one knew she had, her drive for control over her own writing and copyright, and her elusive personal and professional relationships.Valerie Solanas reveals the tragic, remarkable life of an iconic figure. It is “not only a remarkable biographical feat but also a delicate navigation of an unwieldy, demanding, and complex life story” (BOMB Magazine).

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Book SynopsisThe rage of women is at a high: sparked by the Women's March of early 2017, stoked by countless policies of the Trump administration, and finally reaching incineration levels over the confirmation of Brett Kavanaugh in October 2018. But this issue isn't just timely--there's depth to the idea of women's rage: who gets to be angry (white women, black women, young women)? How do women express their anger? And what will they do with it as a collective? In Burn It Down, a diverse group of women authors explore what rage means to them--from the personal to the systemic, the unackowledged to the public, and more. One woman describes a complicated rage at one's own body--for being ill with no explanation--while another writes of the rage she inherits from her father. One Pakistani-American contributor says, "to openly express my anger would be too American," and explains why. Edited by Lilly Dancyger, a Catapult editor and writing instructor, Burn It Down is an anthology that offers literary catharsis and narrative variety to the many readers who have propelled Rebecca Traiser's Good and Mad to the NYT bestseller list.

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Book SynopsisAn anthology of radicalism and healing for seasoned activists and young feminists alike.

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Book SynopsisIn Marx, Women and Capitalist Social Reproduction, Martha E. Giménez offers a distinctive perspective on social reproduction which posits that the relations of production determine the relations of social reproduction, and which links the effects of class exploitation and location to forms of oppression predominantly theorised in terms of identity. Grounding her analysis in Marx's theory and methodology, Giménez examines the relationship between class, reproduction and the oppression of women in different contexts such as the reproduction of labour power, domestic labour, feminisation of poverty, and reproductive technologies. Because most people, whether members of dominant or oppressed groups, are working class, she argues that the future of feminist politics is inextricably tied to class politics and the fate of capitalism.Table of ContentsAcknowledgements Introduction Part 1: Marxist-Feminist Theory1 Marxism and Feminism 2 Structuralist Marxism on The Oppression of Women 3 Marxism, and Class, Gender and Race: Rethinking the Trilogy 4 Reflections on Intersectionality 5 What's Material about Materialist Feminism? Part 2: Capitalist Social Reproduction6 Population and Capitalism 7 Feminism, Pronatalism, and Motherhood 8 Reproduction and Procreation under Capitalism: A Marxist-Feminist Analysis 9 The Feminisation of Poverty: Myth or Reality? 10 The Dialectics of Waged and Unwaged Work: Waged Work, Domestic Labour, and Household Survival in the United States 11 Loving Alienation: The Contradictions of Domestic Work 12 Self-Sourcing: How Corporations get us to Work Without Pay 13 From Social Reproduction to Capitalist Social Reproduction Part 3: Whither Feminism? 14 Connecting Marx and Feminism in the Era of Globalisation: A Preliminary Investigation 15 Global Capitalism and Women: From Feminist Politics to Working-Class Women's Politics 16 Capitalism and the Oppression of Women: Marx Revisited Bibliography Index

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Book SynopsisUsing the narratives of women who use(d) drugs, this account challenges popular understandings of Appalachia spread by such pundits as JD Vance by documenting how women, families, and communities cope with generational systems of oppression. Prescription opioids are associated with rising rates of overdose deaths and hepatitis C and HIV infection in the US, including in rural Central Appalachia. Yet there is a dearth of studies examining rural opioid use. RX Appalachia explores the gendered inequalities that situate women’s encounters with substance abuse treatment as well as additional state interventions targeted at women who use drugs in one of the most impoverished regions in the US.Trade Review"At its very core, Rx Appalachia is a call to action for all of us to expand our consciousness of how poliitcal, social, and physical enviroments impact opiod use disorder. What do we do after we read it? Well, that is up to us." —Journal of Appalachian Studies "Lesly-Marie Buer's Rx Appalachia is a compelling account of substance abuse in Central Appalachia that at last puts race and gender at the forefront of analysis. Buer, a harm reductionist and medical anthropologist, offers a layered portrait of the lives led by women who use drugs and their experiences navigating treatment programs too often shaped by punitive impulses than evidence-based research. A rare book that combines a powerful systemic critique within humanely-rendered stories of coping and survival, Rx Appalachia is a clear and accessible primer about the people and places now synomous with America's new addiction crisis." —Elizabeth Catte, author of What You are Getting Wrong About Appalachia and Pure America "Lesly-Marie Buer’s ethnographic study RxAppalachia examines what happens to women and mothers who use drugs and get caught up in the intertwined therapeutic, rehabilitative, and often punitive practices of public and private addiction recovery programs including drug courts. Buer analyzes the entangled dimensions of care and cruelty, domination and love, family and community, and the discursive and disciplinary techniques that are involved in so-called “rehabilitation” efforts. What good such programs might do is often undercut by inadequate funding and by their tendency to ignore or worsen the stereotypes and the structural and systemic inequalities, constraints, and violence their clients face on a daily basis—often within the programs themselves. The ethnographic site of this brilliant book is Appalachia but it is a must-read for scholars, practitioners, students, concerned citizens, and clients everywhere." —Dwight B. Billings, Emeritus Professor of Sociology, University of Kentucky "Reproductive Justice demands that we provide parents who use drugs with sufficient resources such as housing and access to comprehensive reproductive health care, knowing that parents' well-being is intrinsically linked to that of their children. Dr Buer makes a strong case for why tax dollars spent on policing and incarceration are harmful and no substitute for adequate social supports and basic human rights. This book makes the case for why we can't simply wait on the state to rectify the many injustices that plague the lives of people and especially women in Appalachia - we must take care of each other now." —Anna Carella, Co-Director, Healthy and Free Tennessee "In this riveting account, Buer defies the media version of the opioid crisis in Appalachia, a story of overnight villains and victims. She listens to the women who for years have navigated punitive and highly gendered and racialized state policies, deeply unequal social structures, and state divestment. She asks women who use drugs--who have been told over and again how to “fix” themselves and to whose standards--what they believe they need for themselves and their caring networks of family and friends. Their refreshing narratives intertwine with Buer’s careful contextualization to produce a bold vision for harm reduction in Appalachia. A necessary book for those seeking to understand the opioid crisis and the broader political economy of which it is part." —Jessica Wilkerson, author of To Live Here, You Have to Fight: How Women Led Appalachian Movements for Social Justice "In the midst of the latest drug scare focused on opioids, pregnant women have once again become the objects of state surveillance and control. Lesly-Marie Buer's book arrives just in time to provide information needed to evaluate and challenge government responses that focus on separating families and fixing mothers rather than the economic, social and public health policies that undermine women's health and lives. With moving accounts by mothers of their desperate efforts to do whatever it takes to get their children back and revelations of sometimes shocking state action – including compelled religious education and prohibitions on needed medical treatment, this beautifully written book is a must read." —Lynn Paltrow, Executive Director of National Advocates for Pregnant Women "Anyone who does research or practice in rural communities affected by drug use will agree with my feeling that we have long needed this book. This deep ethnographic examination into the lives of women in Appalachia who use drugs serves a vital antidote to shallow representations of rural drug use in the age of the opioid epidemic. Buer is comprehensive in her approach to understanding not only the histories and inequities that contribute to drug use, but also the ways that the design of public health and social systems to address these health disparities inadvertently can harm those who they are meant to serve. While this book helps us to understand the larger inequities that have led us to here, it also begins to help us understand the path to move forward." —Claire Snell-Rood, author of No One will Let Her Live: Women's Struggle for Well-Being in a Delhi Slum

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Book SynopsisIn this expansive companion to Abolition Feminisms Vol. I, contributors confront multiple paradigms of punitivity—the foundational logics of family, borders, heterosexuality, colonial violence, and more—to disengage us from root systems of carcerality. The book transcends various modes and forms: through grassroots praxis, critical research, storytelling, diagrams, poetry, and visual art, these pieces build on the legacies of feminist thinkers who formulated abolitionist critiques of policing, surveillance, and control. The resulting framework provides readers with the resources to cultivate and inhabit a post-carceral world of radical freedom and possibility. Trade Review“As inspiring as it is edifying, this phenomenal collection, Abolition Feminisms, Volume 2: Feminist Ruptures Against the Carceral State, offers us a broad range of ideas, images, provocations, and organizing approaches enabled by developing theories and practices associated with abolition feminisms. Thanks to the thoroughgoing familiarity of the editors with the grassroots efforts that constitute the groundwork of abolition feminism, we are offered important tools that help us to recognize punitive logics within and beyond conventional carceral contexts and to support us as we struggle for a world of mutual care, transformative justice, and freedom.” —Angela Y. Davis, author of Freedom Is a Constant Struggle “This essential two-volume collection maps the shared roots between abolitionist life-making and feminist resistance, showing us how rebellious organizing and radical care are always at the heart of real change. Brimming with dispatches across borders and prison walls, archives of movement building, and striking creative work, Abolition Feminisms describes a breathtaking body of freedom practices, galvanizing us to do everything we can to help forge the liberatory future that we urgently need. Anyone who engages this collection is guaranteed to learn some-thing new.” —Mariame Kaba, author of We Do This ’Til We Free Us “This beautiful two-volume collection of essays, poems, and artwork brings a refreshing vibrancy to the radical work of abolition feminism. Inspiring, accessible, and far-reaching, the books are precisely what is needed right now: clear demands for radical change, reflections on the power of radical organizing, and radical statements of hope. Readers will be lifted up as they turn the pages, where each entry is a reminder of how abolition feminism is critical to freedom struggles, and our movement will therefore be challenged and changed.” —Beth E. Richie, coauthor of Abolition. Feminism. Now. “Contrary to popular belief, revolutions don’t come with handbooks or blueprints. They do carry histories, memories, manifestos, maps, moments of clarity and deep contradictions, dreams, principles, and real people who endure the oppressions they are seeking to overturn. This extraordinary collective of activists, artists, and scholars understand that this is what revolutions are made of, and that through study and struggle we see abolition feminism not as a variant or a tendency within some larger liberatory movement but the revolution we need to genuinely overturn things.” —Robin D.G. Kelley, author of Freedom Dreams: The Black Radical Imagination “Abolition Feminisms: Organizing, Survival, and Transformative Practice upends feminism’s relegation to an afterthought or appendage of abolition and urges us toward social arrangements defined by caring collectively. One of the most exquisite volumes on abolition feminism to date, this gather-ing of essays, dispatches, art, and poetry features a constellation of vibrant theorists, including those who have been criminalized and imprisoned. Abolition Feminisms offers original insights into the everyday terror and annihilating deprivation facing people inside women’s prisons, the work of imprisoned people to challenge gender and sexual oppression, the structuring role of gender violence to the logic and technologies of the carceral state, the nexus of imperial and domestic modes of repression, the carceral production of gender and sexual normativity, settler-colonial and anti-Black carceral violence, and more. Bierria, Caruthers, and Lober effectively establish abolition’s feminist provenance in an utterly brilliant account of abolition feminism’s decolonial heart, intimate practice, and radical momentum. This collection will be an instant classic in feminist and queer of color critique.” —Sarah Haley, author of No Mercy Here: Gender, Punishment, and the Making of Jim Crow Modernity “The creative, political, intellectual interventions in this book, with their deeply intersectional locations of study and methods of analysis, fuel our ongoing work to understand what we are taking apart and to tear it down fully, once and for all. These articles, poems, and images also provide the warm, inviting entry points we need to imagine how bold, risky, ordinary work done by brave, ordinary people is the only path for building a world in which it is impossible for anyone to put anyone in a cage." —Dean Spade, from the foreword to Volume 1

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Book Synopsis A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.

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Book SynopsisMaud Gonne, the legendary woman known as the Irish Joan of Arc, left her mark on everyone she met. She famously won the devotion of one of the greatest poets of the age, William Butler Yeats. Born into tremendous privilege, she allied herself with rebels and the downtrodden and openly defied what was at the time the world’s most powerful empire. She was an actress, a journalist and an activist for the cause of Irish independence. Ignoring the threat of social ostracism, she had several children out of wedlock. She was an independent woman who charted her own course. Yet Maud Gonne was also a lifelong anti-semite, someone who, even after the horrors of the Second World War, could not summon sympathy for the millions murdered by the Nazis. A believer in the occult and in reincarnation, she took mescaline with Yeats to enhance visions of mythic Irish heroes and heroines, and in mid-life converted to Catholicism in order to marry her husband, the Irish Catholic war hero John MacBride. What motivated this extraordinary person? Kim Bendheim has long been fascinated by Maud Gonne’s perplexing character, and here gives us an intensely personal assessment of her thrilling life. The product of much original research, including interviews with Gonne’s equally vivid, unconventional descendants, The Fascination of What’s Difficult is a portrait of a powerful woman who, despite her considerable flaws, continues to inspire.Trade Review“With clear-eyed forays into obsession, love, and friendship, Kim Bendheim fleshes out one of the most enigmatic and alluring women in the history of European letters and politics.”—Florence Williams“Much more than a muse: biography shows us the Maud Gonne we didn’t learn about at school” — Irish Independent“The great virtue of Kim Bendheim’s book is that she brings fresh perspectives – non-academic, contemporary and American – to bear on the known facts of Gonne’s life… Revelatory.” — The Irish Times “[A] richly detailed critical biography of one of Ireland’s most celebrated and enigmatic political and cultural figures” — The Arts Fuse “Thanks to her role as muse to W.B.Yeats, Maud Gonne (1866-1953) is well-known in mythic form to many who have never heard her name. The initial corrective was her own 1938 autobiography, but Kim Bendheim’s book is a much more candid and useful book.” — Tortoise

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Book Synopsis"What is in the bag behind the Devil's chair? Knowledge of some kind? Surely something a little girl did not know should be left alone. I've been criticized- and sometimes admired-for what some readers see as my affinity with cruelty, both in my depictions of it and my supposed infliction of it on characters." In The Devil's Treasure-aptly subtitled A Book of Stories and Dreams-the iconic author Mary Gaitskill has created a chimerical hybrid of fiction, memoir, essay, criticism, and visual art that transcends categorization. This collage of four novels (one a work in progress), interspersed with and thematically linked by a single short story, then woven together with the author's commentary, is a kind of director's cut revealing the personal and societal forces that inform each individual piece of work, an ongoing, passionate exploration of core human emotions and experience, the ideally, sometimes quixotically high and grossly, confusedly low. With the stylistic daring and preternatural acuity that has made her one of America's most original writers, Gaitskill has created a layered vision of modern life that simultaneously blends the huge prehistoric creatures that swim at the bottom of our collective ocean with a family that picnics on the beach while a podcast natters about politics and a perhaps dangerously curious child explores the lapping waves.Trade Review"About sex she is an especially distinctive writer. She catches cruelty and inexplicable desire, what she has called "the dirt within," as well as any writer we have. Once you've read her, her little hammer continues to tap in your head." - Dwight Garner, New York Times "Gaitskill is something special. She doesn't grandstand; she lacks self-pity. She has an intuitive sympathy for people acting on their worst impulses and a gift for portraying cruelty without condemnation. She manages to be an erotic writer without being, precisely, a sex writer." - Emily Nussbaum, New York Magazine "Bracing in its rigorous truth-seeking, subtle and capacious in its moral vision, Gaitskill's work feels more real than real life and reading her leads to a place that feels like a sacred space." - Boston Globe "What is most amazing about Gaitskill is her ability to portray the heart of human longing and suffering, and to see in each gesture of our lives the disturbing and conflicting pool of drives that marks our every gesture." - Sheila Heti, The Believer "Devotees of Gaitskill's work are likely to appreciate the opportunity to revisit her masterworks on something of a guided tour where the author herself is able to instruct us... This impressionistic construction rewards those looking for a deeper connection to Gaitskill's rigorous imagination." - Kirkus Review

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Book SynopsisLonglisted for the Orwell Prize for Books 2016 Shortlisted for the Financial Times and McKinsey Business Book of the Year Award 2015 When Anne-Marie Slaughter's Atlantic article, "Why Women Still Can't Have it All" first appeared, it immediately went viral, sparking a firestorm of debate across countries and continents. Within four days, it had become the most-read article in the history of the magazine. In the following months, Slaughter became a leading voice in the discussion on work-life balance and on women's changing role in the workplace. Now, Slaughter is here with her eagerly anticipated take on the problems we still face, and how we can finally get past them. In her pragmatic, down-to-earth style, Slaughter bursts the bubble on all the "half-truths" we tell young women about "having it all", and explains what is really necessary to get true gender equality, both in the workplace and at home. Deeply researched, and filled with all the warm, wise and funny anecdotes that first made her the most trusted and admired voice on the issue, Anne-Marie Slaughter's book is sure to change minds, ignite debate and be the topic of conversation. Trade Review‘An incredibly thought-provoking read and a helpful guide to setting yourself up for success at work and at home.’ * Independent *‘A fearlessly honest and brilliant analysis of “having it all”... Slaughter understands the huge pressures women today are under.’ * Telegraph *'Ms Slaughter should be applauded for devising a "new vocabulary" to identify a broad, misclassified social phenomenon'. * The Economist *'[Slaughter] marshals an impressive array of evidence...she has read every study going - and despite the US focus, there is plenty here for a British reader to chew over'. * Guardian *'[A] deft handling of this important and complex topic...Slaughter's analysis is acute, and the book...contains useful information and advice'. * Observer *'Slaughter's refreshing self-awareness differentiates her...an...engrossing, timely call for change for both women and men'. * Independent on Sunday *'A rallying cry for all women - and men'. * Red *'An important addition to the feminist debate'. * Glamour *'Unfinished Business poses crucial questions about what success really looks like.' * Sunday Times Culture *'A compelling and lively read...a brilliant summary of the problem with work, told well and with a quiet, righteous anger'. * Financial Times *‘Anne-Marie Slaughter insists that we ask ourselves hard questions. After reading Unfinished Business, I’m confident that you will be left with Anne-Marie’s hope and optimism that we can change our points of view and policies so that both men and women can fully participate in their families and use their full talents on the job.’ -- Hillary Clinton‘Anne-Marie Slaughter’s gift for illuminating large issues through everyday human stories is what makes this book so necessary for anyone who wants to be both a leader at work and a fully engaged parent at home.’ -- Arianna Huffington‘Unfinished Business is an important read for women and men alike. Slaughter shows us that when people share equally the responsibility of caring for others, they are healthier, economies prosper and both women and men are freer to lead the lives they want.’ -- Melinda Gates, co-chair, Bill & Melinda Gates Foundation'With breathtaking honesty Anne-Marie Slaughter tackles the challenges of often conflicted working mothers and working fathers and shows how we can craft the lives we want for our families. Her book will spark a national conversation about what we need to do to live saner, more satisfying lives.' -- Katie Couric

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Book SynopsisFrom slut-shaming to the allegedly shrill voices of female politicians, from vocal fry to online misogyny, the language women use (and the language used about them) is as controversial as it has ever been. Our language use and our gender have an enormous impact on the way we understand ourselves and the world around us, and the way we are treated by society. Using the latest academic research, Allyson Jule tackles some of the most pressing issues facing feminism today, including how language use and related ideas about gender play out in the home, workplace and online. It turns out that many popular ideas about gender and language are more complicated than they first appear. This book will change the way you think about language, and give you the tools to challenge the world around you. Trade ReviewFascinating and hugely informative, Allyson Jule will make you realise just how powerful language is in creating the gender norms that many of us are trying to battle against. This is a brilliant way to understand how language has shaped women's experience in a patriarchal world. Timely, rigorous, and so important, Jule's research gives substance and weight to the current feminist conversation. * Marisa Bate, contributing editor at The Pool and author of The Periodic Table of Feminism *A highly accessible beginner's guide for the era of #MeToo and LGBTQ+, but also of neoliberalism and Trump. It will be a welcome addition to the field of gender and language. * Mary Talbot, author of Language and Gender *I can't wait to read it! * Sofie Hagen, stand-up comedian and podcaster *Speaking Up is so much more than a book about the linguistic habits of men and women. It is a journey through feminist history, a retrospective of the successes and failures of the research that has shaped the study of language and gender, and a close look at the underlying social forces that influence our language patterns daily in personal relationships, the workplace, and beyond. A rich, insightful journey through the hidden dynamics behind language in action. * Ada Brunstein, writer and editor *This book should be included on reading lists for anyone interested in gender, language, and classroom or workspace dynamics. The first two chapters contain accessible language to introduce gender studies, feminism, and gender and language connectivity. The second section clearly deals with various gendered spheres familiar to all, encouraging readers to consider their own relationship with language. The glossary is a reader-friendly bonus, either offering support to those with a limited background in the field or serving as a refresher on the terminology to others. -- Tanja McCandie, Nanzan University, Japan * JALT Journal, 42.1 *In its own words Speaking Up was written to be an "accessible introduction to academic research in this dynamic field", and I think Jule absolutely achieves this. The book assumes no prior knowledge of language and gender studies and is unintimidating, accessible and gives a good introduction to language and gender, while applying our understanding to current world challenges. -- Jill Crawley, Lancaster University, UK * BAAL News, Issue 116, Winter 2020 *Speaking Up is more than an introduction to theoretical research about language and gender: it is a call to action and transformation of social realities through self-reflection about our own practices. -- Fernanda Lazaro, Federal University of Rio de Janeiro, Brazil * Language in Society 48 (2019) *I anticipate recommending this book to the many secondary-level students who ask me for advice on resources for their language-and-gender projects. It is clearly aimed at a general rather than a specialist audience, but it will also be valuable to those enrolled in various introductory third-level courses. Even experienced scholars will find useful the crystal-clear definitions and discussion of basic concepts, as well as the succinct and well-selected glossary items. -- Janet Holmes, Victoria University of Wellington, New Zealand * Journal of Multilingual and Multicultural Development, 2019 *Reading [this book], we feel that [the author] has studied everything that has ever been said on gendered linguistics; she references Foucault and the Kardashians with equal rigour. -- Florence Holmes * The Bookbag *Speaking Up has spoken, and we should listen. What is at stake is nothing less than our humanity. -- Susan J. Behrens, Marymount Manhattan College, USA * Women & Language, Volume 42, Issue 1 Spring 2019 *Table of ContentsPart I: Understanding Gender and Language Use Chapter 1. The Basics Chapter 2. Language as Gendered Part II: Understanding Gender and Language Use in the World Chapter 3. Gender and Language Use in the Media and Technology Chapter 4. Gender and Language Use in Education Chapter 5. Gender and Language Use in the Workplace Chapter 6. Gender and Language Use in Religion: Judaism, Christianity and Islam Chapter 7. Gender and Language Use in Relationships Chapter 8. An Anti-Conclusion Glossary References Index

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Book Synopsis'Utterly magnificent . . . gripping, accomplished and dark' Marian KeyesWINNER: Newcomer of the Year at the IBAs WINNER: Bookseller YA Prize WINNER: CBI Eilis Dillon Award Buzzfeed's Best Books Written by Women in 2014The bestselling novel about beauty, body image and betrayaleves are designed, not made. The School trains them to be prettyThe School trains them to be good.The School trains them to Always be Willing.All their lives, the eves have been waiting. Now, they are ready for the outside world.companion . . . concubine . . . or chastityOnly the best will be chosen.And only the Men decide.Trade ReviewGripping ... like all the best dystopias, Only Ever Yours is about the world we live in now * Irish Times *The Handmaid's Tale meets Mean Girls' * The Vagenda *Utterly magnificent ... gripping, accomplished and dark * Marian Keyes *Deserves to be read by young and old, male and female, the world over in the same way Harry Potter and The Hunger Games were * Sunday Independent *A dark dream. A vivid nightmare. The world O'Neill imagines is frightening because it could come true. She writes with a scalpel * Jeanette Winterson *Deep, dark and frighteningly believable, this book will stay with you for a long time * Marie Claire *Compelling writing ... this only-too-real dystopia grips from beginning to end * SFX *Margaret Atwood's The Handmaid's Tale with a post-millennial twist * The Journal.ie *The bleakness of The Catcher in the Rye, the satire of The Stepford Wives and it made me recall Nineteen Eighty-Four ... a fresh and original talent * Irish Independent *Terrifying but captivating * Company *A sparkling debut that will really make you think * Heat *'Compelling and frightening' * Irish Examiner *An ingenious exploration of gender roles, female identity and female competition * Buzzfeed *'Terrifying and heartbreaking, O'Neill's story reads like an heir to Margaret Atwood's The Handmaid's Tale and MT Anderson's Feed, and, like those two books, it's sure to be discussed for years to come' * Publisher's Weekly *'A stunning debut set in a dystopian future that has everyone talking . . . once read, will never be forgotten' * Irish Independent *Dark, gripping . . . should be mandatory reading everywhere * The F Word *

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Book Synopsis*A NEW STATESMAN AND THE TIMES BOOK OF THE YEAR**WINNER OF THE TONY LOTHIAN PRIZE*'Interesting women have secrets. They also ought to have sisters.'From the beginning of their lives, the Olivier sisters stood out: surprisingly emancipated, strikingly beautiful, markedly determined, and alarmingly 'wild'. Rupert Brooke was said to be in love with all four of them; D. H. Lawrence thought they were frankly 'wrong'; Virginia Woolf found them curiously difficult to read. In this intimate, sweeping biography, Sarah Watling brings the sisters in from the margins, tracing lives that span colonial Jamaica, the bucolic life of Victorian progressives, the frantic optimism of Edwardian Cambridge, the bleakness of two world wars, and a host of evolving philosophies for life over the course of the twentieth century.Noble Savages is a compelling portrait of sisterhood in all its complexities, which rediscovers the lives of four extraordinary women within the varied fortunes of the feminism of their times, while illuminating the battles and ethics of biography itself.Trade ReviewThe best group biography of the year – of many years, in fact – is Sarah Watling’s Noble Savages, the story of the four Olivier sisters... Their mother was the model for Tess of the D’Urbevilles, their joint best friend was Rupert Brooke, and they had, said Virginia Woolf, strange glass eyes which they took out at night. But this is not why they are interesting. After feral childhoods in Surrey, where their parents lived in a Fabian utopia, each woman struggled with postwar realities: insanity, grief, poverty, catastrophic marriages. Elegantly structured in “seven fragments”, Watling’s book gives us a riveting drama that begins as pastoral comedy and ends as tragedy. -- Frances Wilson * New Statesman, Books of the Year *This is the first time [the Olivier sisters] have had a biography to themselves, and a very fine job Sarah Watling makes of it… thoroughly fascinating... This book is interesting on a dozen levels. * Daily Telegraph *Four remarkable sisters born at the end of the 19th century, and I didn’t know about any of them before reading this utterly absorbing book in which their whole lives are laid before us. Their story has opened my eyes to whole new areas of early 20th-century British life. * Daily Mail *In this compelling biography Sarah Watling tells [the Olivier sisters’] tale for the first time. It is the story of the end of Victorianism and the birth of the modern age. It is also, grippingly, the story of the early feminist movement, and a vital contribution to the construction of an alternative women’s history… [Watling] is quite brilliant. * Guardian *A story of four girls rebelling against Edwardian stuffiness is vividly told… in this thoughtful, compassionate biography… I found much to celebrate and admire here. * The Times *

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