Family life fiction / Stories about family

Book SynopsisWINNER OF THE JANN MEDLICOTT ACORN PRIZE FOR FICTION WINNER OF THE MITOQ BEST FIRST BOOK OF FICTION WINNER OF THE NGAIO MARSH AWARD FOR BEST CRIME NOVEL auē (verb) to cry, howl, groan, wail, bawl. (interjection) expression of astonishment or distress. Taukiri was born into sorrow. Auē can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his father’s. It spills out of the gang violence that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home. But Taukiri’s brother, Ārama, is braver than he looks, and he has a friend, and his friend has a dog, and the three of them together might just be strong enough to turn back the tide of sadness. This bestselling multi-award-winning novel is both raw and sublime, introducing a compelling new voice in New Zealand fiction.Trade Review‘There is something so assured and flawless in the delivery of the writing voice that is almost like acid on the skin.’ -- Tara June Winch, co-judge of the Jann Medlicott Acorn Prize for Fiction 2020‘It reminds me of The Bone People and of Once Were Warriors. The writing has a wild, intuitive sort of magic.’ -- Catherine Woulfe * The Spinoff *‘This is the kind of social realist New Zealand fiction I’m thrilled to see … This is a real punch-in-the-guts kind of novel but while it deals with themes of domestic violence, gang culture, grief, and fractured families and, is at times, a heartbreaking read; it is also a beautifully pitched and nuanced hopeful story about the power of love, friendship, and family … I think everybody should read Auē. It’s a book that people will still be talking about in decades to come.’ -- Kiran Dass * NZ Herald *‘Manawatu has an ability to write grisly, horrifying details yet also keep one eye on our hearts. She builds tangible characters that have beauty and wonder, bright dreams, and enduring strength, alongside others that you wish she could unwrite. There are many elements of this book that give a nod to Keri Hulme’s The Bone People. The young boy at the centre, the violence, the isolated South Island backdrop, the secret ‘Bones Bay’ all recall Hulme, but the most important similarity is the way both authors write with such earthy grace and pull you into a world that is as repelling as it is intriguing.’ -- Arihia Latham * Landfall *‘Auē is not just the story of two boys, it is the story of a family, people who are born into it, and those who become part of it. We travel through past and present, lives come together and are held together by strands of pain, cruelty, hardship, brutality, music, and love. Throughout is the image of birds, some broken and battered, some who manage to fly. Some who sing. The writer knows exactly what she’s doing and takes us with her. I could not stop reading.’ -- Renée‘A deep and powerful work, maybe even the most successfully achieved portrayal of underclass New Zealand life since Once Were Warriors.’ -- Steve Braunias * Newsroom *‘This is a confronting book, but it’s superbly written, with the undercurrent of distress escalating as the pages progress … until it explodes in a devastating climax … Like Alan Duff’s Once There Were Warriors, this novel doesn’t shy away from depicting the dysfunctional aspects of Maori gang culture and the violence of toxic masculinity … This gift for dialogue is matched by a raw authenticity which propels the novel along until it becomes unputdownable.’ -- Lisa Hill * ANZ LitLovers *‘It’s a compelling, riveting story that feels likes riding the waves, moments of joy at the heights, the threat of doom as they crash. And the poetry of the in-between, the goodness inherent within the young and those who have been loved, the healing that can happen when families reconnect, the ceaseless drama of life. The characterisation is so well done, unsentimental but deeply empathetic, the vulnerability of some sits in deep contrast to the brutal nature of others, the tension almost unbearable. A 5 star read — extraordinary literary fiction.’ -- Claire McAlpine * Word by Word *‘Auē! — a cry of distress — calling out throughout this extraordinary novel of fear and violence, of families torn apart, and people trying to find connection and safety … As you read, you empathise so much with the characters, that the mystery of what exactly has happened and how the people are related to each other is totally absorbing. And the tension of the last few chapters almost unbearable … A remarkable book.’ -- Alyson Baker * alysontheblog *‘To attempt a plot overview of Auē is difficult because the characters and events intersect and reveal themselves in an order not chronological but like a good mystery, a puzzle fragment at a time. The fragments, often violent, or sad, or beautiful, or funny, all perfectly fit each other and create something more than their parts, but defy a easy summation … cleverly constructed.’ -- Renee Rowland * The Twizel Bookshop *‘Auē means to cry or wail, which is at the heart of this novel. It gnaws away at you, it consumes you; you can't stop thinking about it, trying to understand it, trying to find hope … a fitting title for this book as there is an underlying sense of sorrow that binds the generations together. It details intergenerational trauma and shares a journey on how this trauma can impact future generations and leave unseen scars breaking the essence and spirit of a person. Manawatu weaves the sorrowful call throughout the book, but there are just enough pockets of hope to allow the reader to imagine a better future for all the characters.’ -- Wiki Mulholland * Emirates Literature Foundation *‘It’s about the intergenerational nature of this violence, how ruinous lack of tenderness breeds further ruin. The violence is strongly gendered, the men incapable of expressing themselves except through fists … If lack of tenderness is the cause of all this suffering, aroha, love, is the answer. Throughout Auē love comes to the rescue, even if it is often thwarted. Culture and belonging are key to this love … The writing is cinematic, the dialogue heightened, the action coming in staccato bursts.’ -- James Whitmore * The Library is Open *‘Auē is a heartbreaking yet gripping drama … Despite the misery faced by its characters, the book maintains a sense of hope … [Auē] stands out for its stark yet careful approach to depicting confronting and uncomfortable subjects. It’s reminiscent of Douglas Stuart’s Shuggie Bain and Romy Ash’s Floundering in its exploration of tragedy through the innocent eyes of a child.’ -- Brad Jefferies * Books+Publishing *‘The word auē is a Maori verb to cry, howl, groan, wail, bawl and yes, yes, yes, yes and yes, you may do all of these things when reading Becky Manawatu’s incredibly assured debut novel. Small word, big emotions – and the perfect title for a book that deals in deceptively simple narration and oceanic feeling … Manawatu elicits compassion from ugly places, and threads through redemptive spiritual beauty, and innocence, too, via alternating voices.’ -- Lucy Clark * The Guardian *‘Delivered in rapid-fire, punchy prose, Auē is the remarkably assured debut of Becky Manawatu. Tracing the story Taukiri, it’s a confronting portrait of his family life — one that has been devastated by gang violence. Brutal in its themes, but permeated by hope, it’s little wonder that it’s already resonated so strongly with critics and fans alike in Manawatu’s native New Zealand.’ * Happy Mag *‘Much has been made of the violence in this novel … [but in] so many ways, Auē is quite different … more hopeful and tender … In bringing to the page characters who maim, but also characters who love fiercely, Manawatu has had to enter the aching heart of this story and bring her characters back from dark places. Auē has done well because it is expertly crafted, but also because it has something indefinable: enthralling, puzzling, gripping and familiar, yet otherworldly.’ -- Tina Makereti * The Guardian *‘[R}emarkable … In Manawatu's precise prose, even the most ruthless acts are imbued with poetry. Auē is a complex and gripping read, exploring identity, race and redemption.’ -- Dasha Maiorova * The Big Issue *‘Genre-defying, Manawatu’s writing creates an unusual mix of heart-in-your-mouth gang crime and a pensive, deeply moving family drama … Manawatu’s Maori heritage comes through with great heart, hope, and vibrancy by drawing on the natural landscape, Maori myths and the social issues and exclusions that face the modern Maori experience.’ -- Fiona Murphy * Irish Examiner *‘[Auē's] strengths emerge partly through an unwillingness to flinch at bleakness, partly through the depth of emotion, and ultimately the resilience it also portrays.’ * The Sydney Morning Herald *‘[Manawatu's] prose is as changeable as the ocean: fluid most of the time, choppy and fragmented during intense moments. Each narrator contributes a unique perspective, their voices weaving together to form a coherent, devastating tale … Auē is a novel about how trauma can spread from one generation to the next, and how it is never too late for second chances.’ -- Eileen Gonzalez * Foreword Reviews *‘Manawatu’s writing is tender, concise and cinematic, the narrative populated as much by loving, supportive men as it is by broken, violent ones. Her superb incorporation of popular music recalls – perhaps not coincidentally – the Midas touch of Quentin Tarantino, whose Django Unchained serves as both motif and character development, representing the irrepressible spirit of children who find joy in the ugliest sides of life and the pall of colonialism that hovers over the story. Manawatu slides between perspectives and time frames, abruptly introducing characters without losing command of the narrative, making revelations and connections at just the right time, the short chapters letting the story unfurl like a rich tapestry.’ -- Ruby Hamad * The Saturday Paper *‘“Auē” is the Maori word for a howling cry, and this layered work weaves a striking tapestry of fierce love and unflinching violence worthy of its poetic title … Manawatu excels at enriching her characters and story lines with heartbreaking detail … [A] devastating, beautifully written tale imbued with Maori culture and language.’ -- Gregory Brown * The New York Times *‘Auē is a vivid and profound work.’ -- Jessica Oliver * The Canberra Times *‘Read this book if you love great fiction and want to discover a powerful new voice from New Zealand.’ -- Emily Paull * The AU Review *

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Book SynopsisA professional pianist searches for her sister, who disappeared when their parents died, aided by her childhood-care records and a single song that continues to haunt her … the exquisite new novel from the author of This Is How We Are Human‘Utterly beautiful … I couldn’t put it down’ Iona Gray‘Louise Beech has a rare talent … she doesn’t just move the reader, she breaks their heart and mends it again’ Fiona Cummins‘The best one yet … I’m still in tears of heartbreak and joy’ S E Lynes'Like the notes of a nocturne, Nothing Else will leave you profoundly touched by its beauty' Nydia Hetherington–––––––––––––––––––––––––––Heather Harris is a piano teacher and professional musician, whose quiet life revolves around music, whose memories centre on a single song that haunts her. A song she longs to perform again. A song she wrote as a child, to drown out the violence in their home. A song she played with her little sister, Harriet.But Harriet is gone … she disappeared when their parents died, and Heather never saw her again.When Heather is offered an opportunity to play piano on a cruise ship, she leaps at the chance. She’ll read her recently released childhood care records by day – searching for clues to her sister’s disappearance – and play piano by night … coming to terms with the truth about a past she’s done everything to forget.An exquisitely moving novel about surviving devastating trauma, about the unbreakable bond between sisters, Nothing Else is also a story of courage and love, and the power of music to transcend – and change – everything.–––––––––––––––––––––––––––‘One of the best writers of her generation’ John Marrs ‘A story of childhood trauma, survival, the fragility of memory, and of love that survives decades … I loved it’ Gill Paul‘A touching, beautifully written work of literary fiction ... pure perfection’
Michael Wood'A beautiful, heartbreaking, uplifting novel' Vikki Patis‘Another brilliant tale of love and hope’ Fionnuala Kearney'Powerful, mesmerising and honest … I loved every word' Carol Lovekin ‘A tender and beautiful story about the loving and unbreakable bond between sisters’ Madeleine Black ‘Wonderful prose’ Shelley’s Book Nook ‘Emotional, poignant, delightful’ Bobs and Books ‘A masterpiece of emotional artistry, as spectacularly tender as it is disquieting, this book will stay with you long after you finish it’ Bookly Matters ‘This is another beautiful, lyrically written story, made even more perfect with the musical themes throughout’ Karen Reads ‘Beautifully written, in that style that is so typical of this author, and which never fails to draw its reader in’ From Belgium with Booklove ‘Madame Beech has done it again ... both touching and heartbreaking’ Mrs Loves To Read ‘This is such a beautiful book – incredibly tender, it’s like an extended piece of the most beautiful classical music you ever heard’ Tea Leaves and Reads ‘This is a story, at its root, of love and loss, and lost time, but one that testifies to the power of truth and the endurance of love … her best yet’Blue Book Balloon

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Book SynopsisChiltern Publishing creates the most beautiful editions of the World's finest literature. Your favourite classic titles in a way you have never seen them before; the tactile embossed layers, fine details and beautiful colours of these remarkable covers make these titles feel extra special and will look striking on any shelf.

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Book SynopsisThis gorgeous, funny novel paints a picture of a bygone era, depicting the changing society in Ceylon after Independence from the British in 1948. Three Tamil girl cousins, Gowry, Saratha and Buvana, grow up in the old-fashioned village of Kolavil in Eastern Sri Lanka near the beautiful River Thillai. As they approach womanhood, they each struggle in their own way to assert themselves in opposition to the strict traditions of Tamil culture and their powerful Grandma. Their idyllic village life is threatened by people and by events beyond their control. Meanwhile, the reader can get lost in a colourful world of flamingos, temple bells and coconut prawn curry.

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Book SynopsisA rare, funny and poignant novel celebrating the beauty of open adoption and non-traditional families.They look just like any other family... but between the four children there are THREE sets of parents who committed to an open adoption of biological siblings, keeping the children connected after the death of their grandmother.Tabitha the planner of the group, is insistent that everything happens just so. Quiet single mother Ginger resists the forced togetherness, and newest mother Elizabeth is still reeling from going directly from failed fertility treatments into adopting a newborn.But when the three women receive a surprising call from their children's birth mother, announcing she is pregnant again and wants them to help her find an adoptive family for this child too, the delicate bonds they are still struggling to form threaten to collapse. As tensions start to rise on their joint family holiday, the three women reckon with their own feelings about what it means to be a mother and what they owe each other as a family.The New York Times bestselling author of The Weird Sisters returns with a striking and intimate new novel about three very different women facing an impossible question: what makes a family?Real Simple''s Best Books of 2022The Washington Post''s 12 Noteworthy Books for July and AugustEntertainment Weekly's Best New Books of July 2022''[A] full-bodied exploration of family ties, especially those made by choice'' The New York Times Book Review''Brown's experience with adoption brings emotional depth to her chronicle of each woman's anxieties'' The Washington Post''Brown has a sure hand in portraying the adoptive women; their smart, lively dialogue sparks as the characters try to define the boundaries of a family'' Publishers'' Weekly''A prismatic story of family, adoption, and how the people we choose to keep close shape who we are'' Kirkus''Explores what it means to be a family, in all its messy complication'' Christina Baker Kline''Brown brings compassion and insight to exploring the hopes and vulnerability that make us first human, then family'' Isabel Costello''A beautifully written, elegantly assembled exploration of the joys and complications of family, any family, no matter what it looks like'' Laurie Frankel''I adored this story'' Prima''Smart, original, wholly satisfying'' Elinor Lipman

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Book Synopsis‘The writer who saved my life — or my soul.’ Merve Emre, The New Yorker ‘A true living hero of the American avant-garde.’ Jonathan Franzen ‘One of the very few contemporary prose writers who seem to be doing something independent, energetic, heartfelt.’ Lydia Davis A new collection of stories from the ‘godmother of flash fiction’ (The Paris Review). In Williams’ stories, life is newly alive and dangerous; whether she is writing about an affair, a request for money, an afternoon in a garden, or the simple act of carrying a cake from one room to the next, she offers us beautiful and unsettling new ways of seeing everyday life. In perfectly honed sentences, with a sly and occasionally wild wit, Williams shows us how any moment of any day can open onto disappointment, pleasure, and possibility.Trade Review‘[Williams] writes an unmistakable type of story: short, tightly wrought, each sentence a small masterpiece — a three-act play in miniature … With flying narrators and women whose hair drags on the floor as they walk, there’s something of Leonora Carrington’s visions about the stories.’ -- Francesca Peacock * The Spectator *‘As proved by I Hear You’re Rich, Diane Williams’s fiction, long beloved by those in the know, is joyful, unnerving, and linguistically spry.’ -- Leo Robson * The Telegraph *‘Williams explores the pleasures and disappointments of adulthood in this distinctive collection … Williams’ blend of precision and understatement make her insights on her characters’ fears and limitations cut deeply while leaving the stories open to interpretation. This will leave readers aching in all the best ways.’ * Publishers Weekly *‘Miniscule stories from a master of the form … It’s nearly impossible to categorise Williams’ work. She interrogates both the mundane and the metaphysical. In story after story, she upends what readers have grown to expect from traditional narratives — a beginning, middle, and end, to say the least — sometimes leaving us without any of those elements at all. A Williams story might be made up of a fragment of dialogue, a thought, a description, or some combination of these … Mysterious, gemlike, and strange.’ * Kirkus Reviews *‘You can always count on Diane Williams, head literary weirdo and “godmother of flash fiction” for a good time — if you consider having your mind blown to be a good time, which you should. Her latest book has 33 short pieces guaranteed to shift the world around you, if only for a moment.’ * Lit Hub *‘Spry, sly, and spirited, Williams’ very short stories — most are a couple of pages long — are brilliantly unsettling … Williams’ clean sentences are uncluttered, but strangely surprising, and the stories themselves have mysterious depths, a teasing sense of meaning and connection that can never be quite explained or articulated.’ -- Eithne Farry * Daily Mail *‘How much can one writer do with how little? Williams is so intelligent, fearless, and tough, she does extraordinary things within the constraints of her own stringent rules.’ -- Heather Cass White * Times Literary Supplement *‘Every event, thought, image, phrase, and word are given equal opportunity to claim or elude your attention. Turn the pages and see what stands out to you. You might be surprised.’ * Chicago Review of Books *‘The short stories in Williams’ eleventh collection — I Hear You’re Rich— are some of her very best. Alluring and allusive, the 33 beautifully wrought literary miniatures in this volume — the shortest of which is a single sentence of 23 words — are characteristically attuned to what Williams describes as “those exigencies, calamities that underpin everyday life”. Taken together, these distinctive — and sometimes surprisingly comedic — stories confirm Williams is indeed one of the most important US writers working today.’ -- Alexander Howard * The Conversation *‘Williams delights … What a treat! Life is rendered immediate and fresh through her eyes as she takes on the simplest of subjects — affairs, a request for money, the act of carrying a cake — with precision and gusto.’ * RUSSH Magazine *‘Mesmerising.’ * Tertulia *‘These 33 stories, a few as short as a paragraph, pack inordinate complexity into tiny spaces and take unpredictable turns toward unexpected conclusions … From the elusiveness of love to the desire for escape, the themes here are hard to mine in flash fiction. That Williams does so is a tribute to her talent.’ -- Shelf Awareness, starred review‘Like looking into the deep, expressive eyes of a person … struggling against forces that are not always clear to them.’ * The New York Times Book Review *‘Williams’s sentences are syntactically flexible, spasmodic, surprising … Flip to a random page and you’ll likely find at least one question. The world for Williams’s characters is an endlessly baffling place — which might be another way of saying it’s endlessly interesting.’ * Southwest Review *‘It takes a master of the short story form to craft truly incisive slice-of-life fiction, and Diane Williams proves that she’s among the best with her latest collection, I Hear You’re Rich … In each brief story, we see the entirety of the human experience bubbling underneath.’ * West Trade Review *‘You might call Diane Williams’s plots dreamlike — they proceed according to their own mysterious logic, interrupting themselves — but they’re not hazy … [Williams] turn[s] the everyday stuff of realist fiction into props for existential fun houses … I Hear You’re Rich will please fans of Lydia Davis and David Lynch.’ * Vulture *‘Stories that offer glimpses into the mundane and exhilarating beauty of everyday life.’ * The Millions *Praise for The Collected Stories of Diane Williams: ‘Full of funny, libidinal, and invigorating enigmas … Readers who love the arresting phrase, the surprising word, will gravitate to her … It’s perfect to leave on the bedside table, to be consulted before one’s dreamlife begins.’ -- Ange Mlinko * The London Review of Books *Praise for The Collected Stories of Diane Williams: ‘Erudite, elegant, and stubbornly experimental. For any writer, an omnibus collection is a triumph. To see years of Ms Williams’ confounding fictions collected in so hefty a volume is like seeing snowflakes accrue into an avalanche.’ -- Rumaan Alam * The New York Times *Praise for How High? — That High: ‘Williams is a magician of the miniature … Don’t let their diminutive stature fool you: these pieces pack a punch. Brief, elliptical, steeped in longing — or is that lust? — they offer slices of life that rely on interior more than exterior details, which is to say they are small road maps of the soul … All the pieces here … are rigorous in both language and emotion, using nuance and inference to explore the implications, the contradictions, that people rarely share aloud … Williams’ small gems are as dense and beautiful as diamonds, compressed from the carbon of daily life.’ * Kirkus Reviews *Praise for How High? — That High: ‘Williams returns with a collection showcasing her mastery of succinct and suggestive stories … Williams’ prose evokes both strangeness and familiarity as she gets at the core of what it means to live into one’s later years. This is by no means for everyone, but it will surely satisfy fans of well-wrought fiction.’ * Publishers Weekly *Praise for Diane Williams: ‘I would describe Williams as the writer who saved my life — or my soul, if one believes such a thing exists ... [Williams’] stories, many no longer than a page, suggest that what is left unsaid between people remains more powerful than what they have the capacity to articulate. Although Williams studied with Gordon Lish (and before that, with Philip Roth), her minimalism is distinctive for its sublimity and its spirituality, its ability to evoke the laws of a world apart.’ -- Merve Emre * The New Yorker *Praise for Diane Williams: ‘Williams can do more with two sentences than most writers can do with two hundred pages.’ * The New York Review of Books *Praise for Diane Williams: ‘Not a single moment of the prose, here, is what you expect, and even the ordinary is, in the context created by Diane Williams, no longer ordinary: it is fresh, happy, and peculiar — or is it we who are refreshed, happy, and more peculiar than before after reading her?’ -- Lydia DavisPraise for Diane Williams: ‘This book will rewire your brain.’ * NPR’s Pop Culture Happy Hour *

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Book SynopsisAfter building a successful group of restaurants, Val Reynolds meets and marries jeweller Hugo Gilard, and forms the Gilrey Corporation. On Hugo’s death, Val finds herself fighting against managers within the corporation who seek to take it over and turn into a more ruthless and profit-driven concern than she and Hugo envisaged. The battle involves Val’s four adult children and their partners, not all of whom are wholly supportive of her. The business jungle and its effect on the people within it is exposed in the ongoing battle for control of the Gilrey Corporation, and its effect on a family at a vulnerable time shows the different characters and aspirations of them all. After describing family matters historically in Howell Grange and over three days of a marriage in The Densham Do, Bruce Harris turns to the business politics and conflicts of the Gilard family in this latest work.

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Book Synopsis'I absolutely adored this book' - Stephen KingMeet Mrs Planksy, supposed retiree, reckless motorbike rider and exasperated solver of international internet scams.Mrs Plansky's Revenge is bestselling author Spencer Quinn's first novel in a new series since the meteoric launch of Chet and Bernie -- introducing the irresistible and unforgettable Mrs Plansky, in a story perfect for book clubs and commercial fiction readers.Mrs Loretta Plansky, a widow in her seventies, is settling into retirement in Florida while dealing with her 98-year-old father and fielding requests for money from her beloved children and grandchildren. Thankfully, her new hip hasn’t changed her killer tennis game one bit.One night Mrs Plansky is startled awake by a phone call from a voice claiming to be her grandson Will, who needs ten thousand dollars to get out of a jam.By morning, Mrs Plansky has lost everything. Law enforcement announces that her life savings have vanished, and that it’s hopeless to find the scammers behind the heist. First humiliated, then furious, Loretta Plansky refuses to be just another victim.In a courageous bid for justice, Mrs Plansky follows her only clue on a whirlwind adventure to a small village in Romania to get her money and her dignity back — and perhaps find a new lease on life, too.Trade Review'If you like Sue Grafton and Janet Evanovich, hop on this train.''Terrific... Quinn radiates pure comedic genius.''I absolutely adored this book. Really fun but with a few teeth, as well. Mrs. Plansky is a terrific character. The story ticks along like a good watch.' -- Stephen King'Nothing short of masterful.''Mrs Plansky is a wonderfully memorable heroine, full of wit ... Readers will be eager to see what Mrs Plansky gets up to next.' * Publisher's Weekly *

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Book Synopsis"This is one beautiful book."—Mia CoutoKnown and celebrated in Brazil and abroad for his novel Resistance , Julián Fuks returns to his auto-fictional alter ego Sebastián in a narrative alternating between the writer’s conversations with refugees occupying a building in downtown São Paulo, his father’s sickness, and his wife’s pregnancy. With impeccable prose, the author builds associations that go beyond the obvious, not only between glimpsing a life's beginning and end, but also between the building’s occupation and his wife's pregnancy — showcasing the various forms of occupation while exposing the frailty of life, the risk of solitude and the brutality of not belonging.Trade Review"Fiction to look out for in 2021." —The Observer"...a thoughtful, intimate exploration of how people literally and figuratively occupy their own stories and those of others." —Publishers Weekly"Poignant, thought-provoking and engaging." —The Scotsman"Wholly mesmerising." —Irish Times"Best books of 2021" —The Financial Times"This is one beautiful book."" —Mia Couto"A slender yet striking novel." —Hopscotch Translation"Occupation asks a lot of its readers, but it gives in equal measure; and when you do come up for air, you look around you with a renewed and invigorated sense of the space you occupy in your own life. Superb." —Lunate"A quiet masterpiece." —Asymptote"In Fuks’ prose occupation and resistance walk hand-in-hand." —Full Stop**********Praise for Julián FuksPart of The New York Times' The Decameron Project: New Fiction.International Dublin Literature Prize (Longlist)English PEN (Award)José Saramago Literary Prize (Winner)Jabuti Award for Best Foreign Edition (Winner)Oceanos Prize for Literature in Portuguese (Winner)Jabuti Award for Book of the Year (Winner)Anna Seghers Prize (Winner)"This small book carries a big punch...Fuks is a young writer to watch." —The Guardian"Fuks’s skill lies in his quiet exploration of how exclusion — willed or imposed — shapes experience within families." —New York Times"Fuks’ prose is rythmic and patterned." —The Times Literary Supplement"Eloquent, unsettling and deeply philosophical." —The Financial Times"This elegant, essayistic novel, the first translated into English by this Brazilian writer, is a family drama with the dramatic parts deliberately quieted.... Fuks impressively inhabits the near despair that comes with the fragmentation of family and country." —Kirkus"Fuk’s work, while challenging in form, comes together in a powerful way. This is a thoughtful novel about identity and exile." —Publishers Weekly"Resistance is an urgent and profound novel, a meditation on family, home and dislocation. Fuks focuses on a single family living in Brazil, years after fleeing Argentina. One of the best novels I've read concerning the generation after Brazil's military regime. Fuks' writing is sharp and humane, intimate and lyrical. A stunning work." —Mark Haber, Brazos Bookstore"A brilliant achievement." —Le Monde**********

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Book SynopsisIt is London, 1880, and Lucas Jarmyn struggles to make sense of the death of his beloved youngest daughter; his wife, Aurora, seeks solace in rigid social routines; and his eighteen-year-old daughter Dinah looks for fulfilment in unusual places. Only the housekeeper, the estimable Mrs Logan, seems able to carry on. A train accident in a provincial town on the railway Lucas owns claims the life of a young child and, amid the public outcry, a father journeys to London demanding justice. As he arrives in the city on a frozen January morning he finds a family with a terrible secret tearing their lives apart.Trade ReviewAs the days get colder and darker, nothing warms me more than a period novel. Reminiscent of Kate Summerscale and set in the Victorian era, two men of very different social classes both lose their daughters in tragic accidents. * Red *Maggie Joel's new novel takes us upstairs, downstairs and into the darkest corners of a Victorian household... If you like robust dramas with the occasional dash of dark humour, then you will love this. * Daily Telegraph (Sydney) *A page-turner full of detail and colour. * Saturday Age *A sombre but fascinating tale. * The Australian *

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Book SynopsisWinner of the AWP Prize for the Novel, this debut novel digs deep into the complexities of family history and relationships. When Etta's grandmother dies, she is compelled to travel to Myanmar to explore complicated adolescent memories of her grandmother's family and the violence she witnessed there. Full of rich detail and complex relationships, The Golden Land explores those personal narratives that might lie beneath the surface of historical accounts.Trade Review"A heartfelt exploration of the ties of family, The Golden Land is an engrossing tale told across generations with the explosive history of Myanmar as its backdrop. Elizabeth Shick has written a compelling, emotionally complex novel that explores the difficulties of defining oneself amid the struggle of competing cultures. This is a timely, necessary book." * Sabina Murray, author of The Human Zoo and Valiant Gentlemen *“Elizabeth Shick’s steady, elegant prose transported me to a place I knew little about, and I found myself wanting to learn more about this turbulent period in Myanmar’s history. The Golden Land is both a rich and intimate family portrait as well as a portal leading into another world, relevant and important to where we are in our own country today.” * Mira T. Lee, author of Everything Here is Beautiful *“The Golden Land is a gorgeous and moving novel about one young woman’s journey to Myanmar, where her family’s stay with their relatives, nearly 25 years ago, was cut short by political unrest. The novel immerses us in the Burma of 1988 and the Myanmar of 2011; both places are fraught with great beauty and suffering. Through the main character’s journey, we learn the difference between “adapting and accepting, between carrying on and forgetting” and find hope in the paradox that love is always tangled with disappointment, democracy doesn’t preclude loneliness and suffering, and yet trusting people we love is as natural and inevitable as breathing. This is a remarkable novel, at once informative and deeply felt.” * Kyoko Mori, author of Yarn: Remembering the Way Home *“The Golden Land moves back and forth in time, evoking present-day Myanmar’s indeed golden past when Burma, and capturing its perilous political moment, while also uncovering a Burmese-American family’s interwoven secrets, layer upon layer, one revelation leading to the next with poignant logic and a gathering momentum. Elizabeth Shick tells this story with flawless authority, giving us a rich, ever-beckoning novel that’s historically sure, culturally acute, and, most of all, humanly wise as it asks how much of where we came from do we need to hold close, and how much can’t we shed, however urgently we wish to.” * Douglas Bauer, author of The Beckoning World *“Like the Burmese puppeteer whose marionettes dance within this novel, Elizabeth Shick knows how seeming opposites are actually tied together: jiggle the past, and the future tilts; touch regret, touch loss, and set in motion love or liberation. Balancing the personal with the political, and showing romance side by side with a blood-soaked reality, this engrossing story is about the difficult necessity of revisiting trauma. The Golden Land radiates with cultural empathy, a glow that might light a path toward justice.” * Michael Lowenthal, author of Charity Girl *

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Book SynopsisThe Columbia space shuttle and its contents rain down on the people of Kiser, Texas, in Kathryn Schwille’s imaginative debut novel set six weeks before the invasion of Iraq. What Luck, This Life begins in the aftermath of the space shuttle’s break-up, as the people of Piney Woods watch their pastures swarm with searchers and reporters bluster at their doors. A shop owner defends herself against a sexual predator who is pushed to new boldness after he is disinvited to his family reunion. A closeted father facing a divorce that will leave his gifted boy adrift retrieves an astronaut’s remains. An engineer who dreams of orbiting earth joins a search for debris and instead uncovers an old neighbor’s buried longing. In a chorus of voices spanning places and years, What Luck, This Life explores the Columbia disaster’s surprising fallout for a town beset by the tensions of class, race, and missed opportunity. Evoking Sherwood Anderson’s classic Winesburg, Ohio and Elizabeth Strout’s Olive Kitteridge, the novel’s unforgettable characters struggle with family upheaval and mortality’s grip and a luminous book emerges—filled with heartache, beauty and warmth.Trade Review“A century after the publication of Winesburg, Ohio, Kathryn Schwille has created a similarly unexpected, and unexpectedly moving, portrait of a small town: this one in East Texas, in the wake of a tragedy. Her characters speak from the heart; their troubles and small triumphs speak to all of us.” * Andrea Barrett, author of Ship Fever and Archangel *"Kaleidoscopic and incredibly moving, What Luck, This Life is the story of a hardscrabble town and the people who call it home. This is a book full of heart and wisdom." * Thomas Pierce, author of The Afterlives *What Luck, This Life is an astonishing work of literary talent, surprising at every turn. The novel takes the catastrophe of a space shuttle blowing its fragments across the uninspired landscape of an East Texas town and in the search for remains uncovers a second set of catastrophes and secrets in the lives of the people on the ground. The characters are wild and desperate, but they are also us. For we are all cast out, looking for a return. From the tattered remains of disaster, Schwille creates a glimmering constellation of humanity, a flash of heavenly light. Just thinking about this book makes me feel more alive. * Elaine Neill Orr, author of Swimming Between Worlds *A modern day Winesburg, Ohio. * Kirkus *With this novel, Schwille has given us a landscape of longings, passions, and heartaches so real and deep we can almost walk around in it. The pieces of the Columbia fall on and bring into relief the whole rich array of lives and dramas that exist in Kiser, Texas--every one of them rendered with remarkable feeling. The result is a powerful portrait of Kiser and of the human condition. * Clare Beams, author of We Show What We Have Learned *

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Book SynopsisA child swipes her mother's ring, snatches her sister's nightgown, and runs outside to play "bride." She soon loses the ring, rips the gown, correctly assumes it's about to rain daggers, and runs away from home to find a better family. What happens next is a summer-long journey in which Grace Townsend rides shotgun in a Plymouth Belvedere, and hunkers in the back of a rattletrap vegetable truck, crawls into a crumbling tunnel, dresses up with a prom queen, and keeps vigil in the bedroom of a molestation victim. There are reasons why Grace remembers the summer of 1956 for the rest of her life. Those are just a few. Through the eyes of a child and the mature woman she becomes, we make the journey with Grace and discover important truths about life, equality, family, and the soul-searching quest for belonging.

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Book SynopsisA Confederacy of Dunces-esque family story written by one of China's most beloved women writers.

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Book SynopsisRamiza Shamoun Koya reveals the devastating cost of anti-Muslim sentiment in The Royal Abduls, her debut novel about a secular Indian-America family. Evolutionary biologist Amina Abdul accepts a post-doc in Washington, DC, choosing her career studying hybrid zones over a faltering West Coast romance. Her brother and sister-in-law welcome her to the city, but their marriage is crumbling, and they soon rely on her to keep their son company. Omar, hungry to understand his roots, fakes an Indian accent, invents a royal past, and peppers his aunt with questions about their cultural heritage. When he brings an ornamental knife to school, his expulsion triggers a downward spiral for his family, even as Amina struggles to find her own place in an America now at war with people who look like her. With The Royal Abduls, Koya ignites the canon of post-9/11 literature with a deft portrait of second-generation American identity.Trade Review“Ramiza Shamoun Koya’s The Royal Abduls is filled with wonderfully flawed, yet deeply sympathetic characters who occupy utterly convincing and beautifully drawn narrative and emotional situations. Is independence freedom or isolation? How can we balance our own needs with those of our loved ones? How can we both protect ourselves and connect with others? Koya’s novel reminds us that the answers to these questions are, of course, both deeply personal and deeply political, and in answering them, Koya performs the marvelous alchemy of dropping us into a story world that dismantles and then reassembles our sense of who we are.” —Karen Shepard, author of The Celestials “The Royal Abduls is a novel for our times. It is a novel of struggle and a reminder of the hope that we once felt and that, hopefully, we will feel again soon.” —Carol Zoref, author of Barren Island “Koya has crafted a tender-hearted story with a sharp knife edge. She's cut to the heart of the devastating effects of colonialism and white supremacy on multi-generational American immigrant families.” —Jenny Forrester, author of Narrow River, Wide Sky "After reading Ramiza Shamoun Koya's warm and wise debut novel, you will not soon forget the Abdul family, especially the tenderness between Amina and her young nephew, Omar, as both struggle to find happiness amid family turmoil and hostility towards Muslims in post-9/11 America. Koya imbues each page of The Royal Abduls with lessons of the heart and what it means to save yourself while protecting the ones you love." —Mo Daviau, author of Every Anxious Wave “A beautiful and messy family story set in the tumultuous post 9/11 world of Washington, DC, The Royal Abduls digs deep into the hearts of a small boy and his academic auntie as they struggle to define themselves and stay connected to the ones they love. It’s a story of an immigrant experience of our times, full of hope and tender human wisdom.” —Joanna Rose, author of A Small Crowd of Strangers “The Royal Abduls is a propulsive and absorbing story of the tensions that reside between career and love, personal desires and family expectations. Upping the power of this book, Ramiza Shamoun Koya deftly reveals how these tensions are made more complicated by political, cultural and social forces. Especially unique in this story is the complex and beautifully drawn relationship between the two point of view characters: a childless aunt and her adolescent nephew. We need more stories like this.” —Jackie Shannon Hollis, author of This Particular Happiness: A Childless Love Story

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Book SynopsisMarrying the wrong man is easier than leaving him. How does a librarian from New Jersey end up in a convenience store on Vancouver Island in the middle of the night, playing Bible Scrabble with a Korean physicist and a drunk priest? She gets married to the wrong man for starters—she didn't know he was 'that kind of Catholic'—and ends up in St. Cloud, Minnesota. She gets a job in a New Age bookstore, wanders toward Buddhism without realizing it, and acquires a dog. Things get complicated after that. Pattianne Anthony is less a thinker than a dreamer, and she finds out the hard way that she doesn't want a husband, much less a baby, and that getting out of a marriage is a lot harder than getting into it, especially when the landscape of the west becomes the voice of reason. A Small Crowd of Strangers, Joanna Rose’s second novel, is part love story, part slightly sideways spiritual journey.Trade Review"A tale of the impossibility of becoming someone that some else wishes you were (that you thought you could be), with an ending that is nothing but joyful." —Whitney Otto, author of How to Make an American Quilt "In A Small Crowd of Strangers, the profoundly talented Joanna Rose creates a generous, compassionate, and vivid world. We drift along with Pattianne Anthony, newly married but barely tethered to her own choices. When the truth about her marriage gains an unexpected and inexorable momentum, it both explodes and saves Pattianne’s life. Piling detail upon shining detail, Rose builds her story of political strife, spiritual awakening and feminist reclamation to a climax that made me laugh and cry and long for more. An important meditation on how our supposed missteps often create as much life as they destroy, Pattianne’s final destination rewards the reader as much as it does the character. —Michelle Ruiz Keil, author of All of Us With Wings “As a fan of Joanna Rose’s groundbreaking novel, Little Miss Strange, I was eager to read the next, A Small Crowd of Strangers. Lucky readers—this novel, too, is buoyant, tender, and it’s so easy to invest in her lively characters and the gorgeously described landscape. At the center of the novel is Pattianne Anthony, a quirky reference librarian who is smart and witty, but who also tends to make major life choices on a whim. One of those is to marry a charming schoolteacher, Michael Bryn, and move from her childhood home in New Jersey to St. Cloud, Minnesota. It’s Pattianne’s discovery of self that most captivates through these pages—her budding realization that she has let life lead her instead of her leading life. As Pattianne ventures out, we witness her profound discoveries about love, family, faith, and the abiding strength of an eclectic community, and in this way Rose’s novel becomes sweetly intimate, a joy to read.” —Debra Gwartney, author of I Am a Stranger Here Myself “Joanna Rose’s A Small Crowd of Strangers is the story of Pattianne Anthony, a young woman who leaves home on a spiritual quest and—by shedding what husband, family, and orthodox Catholicism expect of her—learns to share ‘time and space and silent language with strangers,’ learns to live alone on the edge of ‘a crazy gathering of lost souls.’ Pattianne finds solace in solitude, ultimately realizing that she is ‘seeking wonder.’ She spends quiet, introspective stretches in the Pacific Northwest’s natural world, gaining a Buddhist sensibility suited to her soul. Joanna Rose’s beautifully lyric novel is a gift: the work of a true story-teller. Her quiet, careful wonderment nourishes our souls.” —Paulann Petersen, Oregon Poet Laureate Emerita “If you’ve ever longed for the truth, but were afraid to face the reality of it, or made bad decisions for the right reasons, you’ll love this fascinating cast of characters and the honesty, complexity and beauty of this captivating story.” —Anna Quinn, author of The Night Child "Beneath the tranquil developments of Joanna Rose’s coming-of-adulthood novel A Small Crowd of Strangers lie dire possibilities, but also the hope of meeting one’s authentic self." —Michelle Anne Schingler, Foreword Reviews PRAISE FOR JOANNA ROSE'S DEBUT NOVEL, LITTLE MISS STRANGE (Algonquin) “An extraordinarily powerful first novel . . . Sarajean is impossible to forget.” —Kirkus Reviews “Packed with colorful details reminiscent of the dream the era of ‘free love’ left behind.” —Redbook “A wondrous, uncanny book, like few others you will read . . . So assured and accomplished that it seems the work of a seasoned novelist at the peak of her talent.” —The Oregonian “The closest thing to a perfect book that I have read in years.” —The Bellingham Herald

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Book SynopsisA very unusual family saga written with unusual intelligence and compassion. Erica Witsell has a gift for depicting complex relationships. - Phyllis Rose, author of Parallel Lives, The Year of Reading Proust, and The Shelf Every summer, Jessie and Emma leave their suburban home in the Central Valley and fly north to Baymont. Nestled among Mendocino's golden hills, with ponies to love and endless acres to explore, Baymont should be a child's paradise. But Baymont belongs to Laurel, the girls' birth mother, whose heedless parenting and tainted judgement cast a long shadow over the sisters' summers---and their lives. Caught in a web of allegiances, the girls learn again and again that every loyalty has its price, and that even forgiveness can take unexpected turns. Luminous and poignant, Give is the story of one family's troubled quest to redeem the mistakes of the past and a stirring testament to the bonds of sisterhood. This is a gripping narrative about family, identity, and loyalty . . . Beautifully written! - Kate Rademacher, author of Following the Red Bird At times subtle and at times cutting to the quick Give digs deep into the heart and soul of a family as connected as it is torn apart. Give pulls no punches, delivering an honest look into the lengths we will go for family. - Amy Willoughby-Burle, author of The Lemonade YearTrade Review"I met Erica at a conference and after hearing her speak, I couldn't wait to read her bookI was not disappointed. Jessie and Emma are the product of a broken marriage between Len and Laurel." Andrea, reviewer at Fountain Bookstore, Richmond, VA"Erica is a superb story teller, and her book deserves to be read by as many book lovers as possible." Jon Mayes, book blogger, https://advancereadingcopy-jon.blogspot.com/2019/05/erica-witsells-give.html"In its earnest, unrestrained exploration of sisterhood, Give is a groundbreaking approach to the timeless themes of loss, love, and loyalty." Wesleyan University NewsletterA very unusual family saga written with unusual intelligence and compassion. Erica Witsell has a gift for depicting complex relationships. -- Phyllis Rose, author of Parallel Lives, The Year of Reading Proust, and The ShelfThis is a gripping narrative about family, identity, and loyalty... Beautifully written! -- Kate Rademacher, author of Following the Red BirdAt times subtle and at times cutting to the quick Give digs deep into the heart and soul of a family as connected as it is torn apart. Give pulls no punches, delivering an honest look into the lengths we will go for family. -- Amy Willoughby-Burle, author of The Lemonade Year

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Book Synopsis"It’s not romantic," Torrey says. "It’s physics. For every letter there is an equal and opposite, you know…letter." Sheila’s life is built of little thievings. Adrift in her mid-thirties, she sleeps in fragments, ditches her temp jobs, eavesdrops on her neighbor’s Skype calls, and keeps a stolen letter in her nightstand, penned by a UPS driver she barely knows. Her mother is stifling and her father is a bad memory. Her only friends are her mysterious, slovenly neighbor Vinnie and his daughter Torrey, a quirky twelve-year-old coping with a recent tragedy. When her grandmother Rosamond dies, Sheila inherits a box of secret love letters from Harold C. Carr—a man who is not her grandfather. In spite of herself, Sheila gets caught up in the legacy of the affair, piecing together her grandmother’s past and forging bonds with Torrey and Vinnie as intense and fragile as the crumbling pages in Rosamond’s shoebox. As they get closer to unraveling the truth, Sheila grows almost as obsessed with the letters as the man who wrote them. Somewhere, there’s an answering stack of letters—written in Rosamond’s hand—and Sheila can’t stop until she uncovers the rest of the story. Threaded with wry humor and the ache of love lost or left behind, How to Set Yourself on Fire establishes Julia Dixon Evans as a rising talent in the vein of Shirley Jackson and Lindsay Hunter.Trade Review"Offbeat and winning...the story of a surprisingly touching friendship between a 35-year-old woman and her 12-year-old neighbor. Torrey, who becomes obsessed with the letters and also becomes something of a fairy godmother to Sheila, urges her to find Harold, pushing Sheila to her eventual, reluctant transformation. It’s impossible not to be charmed by Torrey and Sheila’s relationship." --Publishers Weekly "Evans gets inside every nook and cranny of Sheila’s head, and it’s hard to look away from, like driving by a train wreck. Socially awkward to the core, Shelia and her fellow characters are emotionally detached from each other but not from readers, who will be fully drawn into Evans’ world and eventually rooting for Sheila, too. With its touch of mystery, this refreshingly realistic and quirky novel is hard to put down." --Booklist "A page turner. Gripping in its terseness ... How to Set Yourself on Fire pulls the reader along, white-knuckled and wide-eyed. ... The emotion is inexorable while the humor is palpable and the story is skillfully acute. How to Set Yourself on Fire could almost be a “beach-read” if it were more acceptable to cry on the beach." --Popscure "This honest first-person narrator is just the woman without a filter that I want to listen to: She’s honest, funny, and shares all of the emotions that some readers might not feel brave enough to confront...How to Set Yourself on Fire deserves every one of its five stars—and maybe more." --Independent Book Review "The friendship that develops between Torrey and Sheila gives the book its real heart. Torrey matches Sheila's extreme immaturity with her own wisdom, and their bond feels unexpected and fresh." --Kirkus Reviews "A brooding tale of memory, emotional malaise, grief, and voyeurism...Here, even the most isolated individuals find meaningful connections." --Foreword Reviews "The atmosphere taut with tension, secrets and lies, How to Set Yourself on Fire exudes the quiet menace of an explosion waiting to happen...the start of a literary career that will be nothing short of incendiary." --Vol. 1 Brooklyn "How to Set Yourself on Fire is a family mystery that slowly reveals itself, illuminating a poignant emptiness in its lovable but complicated main character. Sheila is funny, depressed, searching, and unpredictable. Her story will move you long after its lovely final scene." --Lindsay Hunter, author of Eat only When You're Hungry "This book had me glued. I came for the intrigue buried in the treasure hunt of letters, but I stayed for the unlikely friendship of thirty-five-year-old Sheila and twelve-year-old Torrey. I would read a whole series of these two having adventures together, but I'll have to relish this singularly heartbreaking and hilarious story of lost and found love, in all its guises. " --Jac Jemc, author of The Grip of It "This book features my favorite type of protagonist: the creepy, socially awkward woman who you can't help but fall in love with. It's also the best kind of reading experience: a book that is funny and difficult to put down, and builds to something that is disarmingly touching." --Juliet Escoria, author of Witch Hunt

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Book SynopsisA multicultural saga, This Fierce Blood follows three generations of women in the Sylte family. In rural late-nineteenth-century New England, Wilhelmina Sylte is a settler starting a family with her Norwegian immigrant husband. When she forms an inexplicable connection with a mountain lion and her cubs living near their farm, Mina grapples with divided loyalties and the mysterious bond she shares with the animals. In 1927 in southern Colorado, Josepa is accused of witchcraft by a local priest for using the healing practices passed down from her Native mother. Fighting for her family’s reputation and way of life, Sepa finds strength in worldly and otherworldly sources. When Magdalena, an ecologist, inherits her great-grandmother Wilhelmina’s Vermont property, she and her astrophysicist husband decide to turn the old farm into a summer science camp for teens. As Magda struggles with both personal and professional responsibilities, the boundary between science and myth begins to blur. Rich in historical and cultural detail, This Fierce Blood combines magical realism with themes of maternal ancestral inheritance, and also explores the ways Hispano/Indigenous traditions both conflicted and wove together, shaping the distinctive character of the American Southwest. Readers of Téa Obreht and Ruth Ozeki will find much to admire in this debut novel.Trade Review"Malia Márquez’s intense multigenerational novel incorporates magical realism into its story of three women struggling with family and social expectations. . . . Attentive to the pressures facing women across historical eras, the lush novel This Fierce Blood shows the power of strong women staying true to themselves." * Foreword Reviews *“Passion, faith, identity, trauma, love, and loyalty. . . through the interwoven stories of three women spanning generations, Malia Márquez dramatizes these urgent-as-ever themes. Taken individually, the stories of Wilhelmina, Josepa, and Magdalena are equally gripping. But like voices in a chorus, united in the sublime oratorio that is This Fierce Blood, their tales strike chords, harmonies, and syncopations greater than the sum of their distinct parts. Márquez has written a singular and passionate first novel.” * Peter Selgin, author of 'The Inventors' and 'Duplicity' *“This Fierce Blood traverses time, culture, and distance with gorgeous, sure-footed prose and a compelling cast of characters. By showing us all that separates these generations of Sylte women, Márquez deftly guides us toward what binds them. A wholehearted debut with a whisper of magic and deep, twisting roots in the natural world, this novel announces the arrival of a very special writer.” * Lily Brooks-Dalton, author of 'Good Morning, Midnight' *“This Fierce Blood is a wonder of a novel—at once epic and intimate, all of it deeply alive. Malia Márquez writes with compassion and precision, writes, to borrow words from these pages, ‘Like a song. Or a spell.’ I’m grateful to have been pulled into the magic of this book, grateful for my time with its generations of unforgettable, wild-hearted women.” * Gayle Brandeis, author of 'Many Restless Concerns' and 'The Book of Dead Birds' *“This Fierce Blood is a gorgeous and ecologically tender generational odyssey. The rebellious, loving, and brilliant Sylte women at the heart of this magical debut novel offer us a vision of what is possible when we consider both the power of our familial bonds and a natural world beyond the human. Malia Márquez has given us a spellbinding novel that remembers and fiercely reclaims our shared histories.” * Michael Zapata, author of 'The Lost Book of Adana Moreau' *"This Fierce Blood is compelling and beautiful. It is a multigenerational saga that captures the beauty, difficulty, and importance of merging and growing cultures. It clashes and it mends relationships across generations and cultures in a thoughtful and lovely way. It’s absolutely stunning." * Bookish Brews *

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Book SynopsisAll the Tiny Beauties follows five characters in California as their lives intertwine.All the Tiny Beauties begins with a kitchen fire that sends the reclusive Webster Jackson to the home of his new neighbor, Colleen, who discovers him on her doorstep wearing a lacy peignoir, his house in flames. Unwilling to take responsibility for the lonely eccentric, Colleen reaches out to Webb’s estranged daughter, Debra. She also helps him find a live-in companion, a young adult reeling from the loss of her childhood friend. Moving among perspectives and generations, we see the longings and vulnerabilities that drive and impede these characters as their stories intertwine—Webb’s first love clashing with his last; Colleen embarking on a secret affair with Debra; the older Webb and his young housemate, Hannah, forming a bond over tragedy, guilt, and his passion for baking. Confronting the many ways they’ve failed others as well as themselves, Webb, Colleen, Hannah, and Debra slowly find ways forward and ways out. While exploring the fragile nature of our connections to one another, All the Tiny Beauties asks larger questions about the constraints society imposes that warp and wound, leading us to deny those things that make us wholly ourselves.Trade Review“All the Tiny Beauties is a careful, beautiful literary novel that ponders the contents of happiness and the purpose with which people lead their lives. By questioning what it means to conform to gender and social roles, it makes a deep investment in the multiplicity of identities.” * Foreword Reviews *“The best books are the ones that fill holes—in our lives, in our hearts, in our bookshelves—we didn't even know we had until the books showed up to fill them. Jenn Scott's All the Tiny Beauties is one of those books. It is a time-traveling, mind-bending wonder, a novel about Oakland now and then, about the fluidity of gender, of family, of place. It reminds me of Jennifer Egan's A Visit from the Goon Squad in its wicked sense of humor; its intelligence; its patience; its careful, fond study of how love can drift into hate and then, if we're lucky, back into love again. A wonderful first novel by one of our most talented up-and-coming writers.” * Brock Clarke, author of 'Who Are You, Calvin Bledsoe?' *"All the Tiny Beauties is a wonder, an arrow-to-the-heart kind of a novel. At once compact and expansive, this book is part family reckoning, part love story, part grappling with notions of gender that both complete and confine us. Like Jenny Offill in Department of Speculation, Scott is a master at balancing the melancholic longing of her characters with moments of bristling hilarity and joy. All the Tiny Beauties is a wise and urgent novel that rewards you on every page." * Sarah Domet, author of 'The Guineveres' *

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Book SynopsisWho would you be without your memory??When Katherine Keene is diagnosed with Alzheimer’s disease, her four grown children must grapple with how to care for her - and how to remake their relationships with each other. ?And then there’s the secret that threatens their family’s very identity. Will the Keenes find healing and reconciliation - or implode from within??Catchlight is the winner of the 2019 Fairfield Book Prize.

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Book Synopsis"Holding On To Nothing is a resonant song of the South, all whiskey, bluegrass, Dolly Parton, tobacco fields, and women who know better but still fall for the lowdown men whom they know will disappoint them." —Lauren Groff, National Book Award finalist author of Fates and Furies and Florida Lucy Kilgore has her bags packed for her escape from her rural Tennessee upbringing, but a drunken mistake forever tethers her to the town and one of its least-admired residents, Jeptha Taylor, who becomes the father of her child. Together, these two young people work to form a family, though neither has any idea how to accomplish that, and the odds are against them in a place with little to offer other than bluegrass music, tobacco fields, and a Walmart full of beer and firearms for the hunting season. Their path is harrowing, but Lucy and Jeptha are characters to love, and readers will root for their success in a novel so riveting that no one will want to turn out the light until they know whether this family will survive. In luminous prose, debut novelist Elizabeth Chiles Shelburne brings us a present-day Appalachian story in the tradition of Lee Smith, Silas House, and Ron Rash, cast without sentiment or cliché, but with a genuine and profound understanding of the place and its people.Trade ReviewNamed One of the Most Anticipated Books of Fall 2019 by The Millions Named One of the 25 Books to read in the second half of 2019 by The Week Selected as an Okra Pick by the Southern Independent Booksellers Alliance Named One of the 5 Hottest Debuts of Fall 2019 by The Writer "Shelburne's stunning debut novel is a long trip into small-town Tennessee. . .riveting, touching, heart-wrenching, tragic, and beautiful." —Booklist "Holding On To Nothing is a resonant song of the South, all whiskey, bluegrass, Dolly Parton, tobacco fields, and women who know better but still fall for the lowdown men whom they know will disappoint them. Elizabeth Chiles Shelburne writes with extraordinary love and compassion of the lives of her flawed characters; she shines a clear, calm light on their tragedies, their joys, and their hard-won redemptions." —Lauren Groff, Florida and Fates and Furies "Forget Hillbilly Elegy and read this gorgeous novel instead. Every detail is exactly right. Contemporary themes of work and no work, drinking, sex, guns, music, community, and no future—along with in-depth character development and a hard-driving plot—make this a book you literally cannot put down." —Lee Smith, Dimestore: A Writer's Life and The Last Girls "With her immense empathy for her characters, Elizabeth Chiles Shelburne refuses to give the reader a simple, and stereotypical, tale of Appalachian dysfunction. Instead, we get a story of a seemingly star-crossed couple striving to create a better life in the most trying of circumstances. Holding On To Nothing is a gem." —Ron Rash, Serena "With unflinching candor imbued with love and understanding, Elizabeth Chiles Shelburne's evocative debut novel explores the meaning of family and the choices people make when the world denies them good options. A compassionate but unsentimental tale of love, loss, and hardship in modern-day Appalachia." —Whitney Scharer, The Age of Light "Elizabeth Chiles Shelburne’s debut novel sings and burns in equal measure. Holding On To Nothing is a gripping story of love and place, of the small choices and large passions that determine our lives, of the gorgeous hope that tomorrow will bring something solid and sturdy, something lucky and true." —Bret Anthony Johnston, Remember Me Like This and Corpus Christi "Following in the literary footsteps of Silas House's debut novel Clay's Quilt, Holding Onto Nothing is a tragically beautiful tale of love, loss, music, and blue-collar mountain life. Elizabeth Chiles Shelburne is a fresh contemporary Appalachian voice that I hope to hear from again and again." —Amy Greene, Bloodroot and Long Man "Elizabeth Chiles Shelburne writes with a chafe and charm that makes you give a damn about these flawed characters, Lucy and Jeptha, makes you root for them when what little they have is at risk. This novel has all the makings of a true ballad—heartache and dead ends, booze and bad decisions, double-crossing relatives, a hand-me-down mandolin, and a loyal dog named Crystal Gayle. It also has a deep humming heart that knows sorrow. Like Lucy’s beloved Dolly Parton, Holding On To Nothing is not just country, it’s mountain. Shelburne is a literary force to be reckoned with." —Susan Bernhard, Winter Loon "In this gritty debut, Elizabeth Chiles Shelburne deftly captures the blue-collar ache and darkly comic sensibility of what it means to exist in a world of disappointment and generational trauma, where one is both cussed and cursed. It's impossible to turn away as these hardscrabble characters embark on a long shot at love despite voices real and imagined that shout in dissent. A stunning debut by a fierce new voice in southern fiction." —Kelly J. Ford, Cottonmouths "Elizabeth Chiles Shelburne writes with an unprecedented lyricism that is both highly literary and charmingly accessible. From the opening moments of this page-turner, the reader can’t help but surrender to the titanic love affair that is Jeptha and Lucy. The storytelling is so masterful and enchanting that no matter what happens, you know you’re safe with Shelburne at the helm." —Jennie Wood, A Boy Like Me and Flutter "Elizabeth Chiles Shelburne’s complex, moving portrait of Jeptha—universally dismissed as a loser in his small town in Tennessee, but who, in Shelburne’s hands, is a wounded, sensitive soul who was never taught how to be the good man he longs to be—resonates long after the final chapter . . . Holding On To Nothing marks the debut of an important new author of Southern fiction." —Lisa Borders, The Fifty-First State and Cloud Cuckoo Land "Holding On To Nothing is a smart, wry novel filled with bourbon, bluegrass, grit, and heart." —Patricia Park, Re Jane "Holding On To Nothing is a novel of big skies and limited choices, of sweet bluegrass in a sticky hometown bar, of tobacco and guns, danger and desire. Shelburne shoots straight, never allows us to turn our heads. And even non-praying folk will pray for the desperate mismatch of Lucy and Jeptha and their lonely, shivering hearts. Shelburne has done the small town novel a wondrous turn." —Michelle Hoover, The Quickening

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Book Synopsis"Like a love song to my Oklahoma roots. Henderson House offers a sweet window into a past when lives and loves moved to the gentle rhythm of small-town cafes, front porch swings, and old two-lane highways." — Lisa Wingate, New York Times bestselling author of Before We Were YoursAn enchanting boardinghouse tale of sisters, secrets, and later-in-life romance, Henderson House invites you to pull up a rocking chair and lose yourself in the heartaches and hopes of 1940s Oklahoma.In May 1941, Bartlesville, Oklahoma, hums with talk of spring flowers, fishing derbies, and the growing war in Europe. And for the Blackwell sisters, who reside in a quiet neighborhood boarding house, the winds of change are blowing.Bessie Blackwell, copy room manager at Phillips Petroleum and faithful churchgoer, is the reluctant owner of a new pair of glasses. The young women in the office swear by Bessie's romantic advice, despite the fact she's a self-proclaimed spinster. Frank Davis, Henderson House’s newest tenant, throws that status into question with his gentle eyes and ready smile. But the scar on his forehead and rumors of divorce speak of a troubled past.Bessie’s sister, Florence, a sales assistant at the men's clothing store downtown, knows all about troubled pasts. Her husband is dead, and it’s only with her sister's help that she’s able to raise Johnny. Life at Henderson House is luxurious compared to growing up in Cherokee Indian Territory, but Florence wants more for her boy than a rented room. When the flagship store in Tulsa offers her a management position, Florence sets her sights on the future and keeping the family together. And neither future nor family includes Frank Davis.Mrs. Henderson, the landlady, cook, and adopted matriarch of the Blackwell clan, possesses an uncanny intuition about all her boarders. She knows true love when she sees it. But soon even her vision becomes clouded as Florence schemes to undermine her sister’s budding romance. In a desperate attempt to keep Bessie by her side, Florence exposes the sisters' darkest secret. A secret that will change their lives, and the lives of those they love, forever.Trade Review"One of those rare novels that just makes you smile, [with] plenty of betrayals and secrets to keep you turning pages." —Addison Armstrong, author of The Light of Luna Park and The War Librarian"In Henderson House, McVicker has created a world that is both cozy and yet brimming with dark secrets, the possibility of new love, and conflicting plans for the future. The very walls of the building buzz with the hopes and dreams of its variety of inhabitants, from sweet Bessie, to scheming Florence, to the mysterious new boarder, Frank Davis. Alive with small-town, 1940s details, readers will be charmed by this sweet story." —Juliette Fay, bestselling author of Catch Us When We Fall and The Half of It"A charming novel about real people, flawed but lovable. Promises, heartbreaks, and betrayals are tenderly rendered, always with a dash of humor." —Kathryn Holzman, author of The Cost of Electricity and Real Estate: A Novel "A heart-warming tale of lost love and seemingly never found family, faith, and the deep dark secrets we all keep. McVicker’s Henderson House is far more than it seems, as she bursts into the Romance world with her innovative debut novel. McVicker’s writing breathes life into the story, much like the Henderson House itself. A story virtually decades in the making, McVicker’s ability to paint a picture with words proves that some things are worth waiting for." —M.B. Lewis, author of the Award-Winning novel The Pilate Scroll

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Book Synopsis** Library Journal's Editor's Pick! ** Philadelphia 1793. Hercules, President George Washington’s chef, is a fixture on the Philadelphia scene. He is famous for both his culinary prowess and for ruling his kitchen like a commanding general. He has his run of the city and earns twice the salary of an average American workingman. He wears beautiful clothes and attends the theater. But while valued by the Washingtons for his prowess in the kitchen and rewarded far over and above even white servants, Hercules is enslaved in a city where most black Americans are free. Even while he masterfully manages his kitchen and the lives of those in and around it, Hercules harbors secrets-- including the fact that he is learning to read and that he is involved in a dangerous affair with Thelma, a mixed-race woman, who, passing as white, works as a companion to the daughter of one of Philadelphia's most prestigious families. Eventually Hercules’ carefully crafted intrigues fall apart and he finds himself trapped by his circumstance and the will of George Washington. Based on actual historical events and people, The General's Cook, will thrill fans of The Hamilton Affair, as they follow Hercules' precarious and terrifying bid for freedom.

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Book SynopsisOh how I love this book. I finished Edie Richter Is Not Alone in one sitting, then reread it immediately. Hilariously heartbreakingly honest on every page, Rebecca Handler's novel is that rare thing: a perfect book. Andrew Sean Greer, Pulitzer Prize-winning author of LessFunny, acerbic Edie Richter is moving with her husband from San Francisco to Perth, Australia. She leaves behind a sister and mother still mourning the recent death of her father. Before the move, Edie and her husband were content, if socially awkward?given her disinclination for small talk. In Perth, Edie finds herself in a remarkably isolated yet verdant corner of the world, but Edie has a secret: she committed an unthinkable act that she can barely admit to herself. In some ways, the landscape mirrors her own complicated inner life, and rather than escaping her past, Edie is increasingly forced to confront what she''s done. Everybody, from the wildlife to her new neighbors, is keen to engage, and Edie does her best to start fresh. But her relationship with her husband is fraying, and the beautiful memories of her father are heartbreaking, and impossible to stop. Something, in the end, has to give.Written in clean spare prose that is nevertheless brimming with the richness and wry humor of the protagonist''s observations and idiosyncrasies, Edie Richter is Not Alone is Rebecca Handler's debut novel. It is both deeply shocking and entirely quotidian: a story about a woman''s visceral confrontation with the fundamental meaning of humanity.

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