Ethnic studies / Ethnicity Books
Salzwasser-Verlag Gmbh Völkerstämme am Brahmaputra
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£33.21
Central European University Press Constructing Identities Over Time: “Bad Gypsies”
Book SynopsisJekatyerina Dunajeva explores how two dominant stereotypes—“bad Gypsies” and “good Roma”—took hold in formal and informal educational institutions in Russia and Hungary. She shows that over centuries “Gypsies” came to be associated with criminality, lack of education, and backwardness. The second notion, of proud, empowered, and educated “Roma,” is a more recent development. By identifying five historical phases—pre-modern, early-modern, early and “ripe” communism, and neomodern nation-building—the book captures crucial legacies that deepen social divisions and normalize the constructed group images. The analysis of the state-managed Roma identity project in the brief korenizatsija program for the integration of non-Russian nationalities into the Soviet civil service in the 1920s is particularly revealing, while the critique of contemporary endeavors is a valuable resource for policy makers and civic activists alike. The top-down view is complemented with the bottom-up attention to everyday Roma voices. Personal stories reveal how identities operate in daily life, as Dunajeva brings out hidden narratives and subaltern discourse. Her handling of fieldwork and self-reflexivity is a model of sensitive research with vulnerable groups.Trade Review"Where the book by Jekatyerina Dunajeva differs from others is in its combination of historical and ethnographic study, in the richness of the material explored and analysed and in the ways in which it problematizes the very labels it analyses. The key strength of the book lies in its attempt to offer new and critical perspectives in the study of Roma identity and Roma ethnicity, over time. It thus provides a wonderful addition and contribution to the field of Romani Studies, while also being of interest to scholars of ethnicity, nationalism, European history and minorities more broadly." https://doi.org/10.1080/01419870.2022.2078390 -- Raluca Bianca Roman * Ethnic and Racial Studies *"This is a profoundly interesting book, if also not, in its argumentation and conclusions, an especially original one. Written in an accessible style and intended for a general audience, Dunajeva’s monograph is based on a solid documentary base. Her ethnographic research in Roma communities makes the work a substantial contribution to Romani scholarship." -- Steven Usitalo * The Russian Review *Table of ContentsAcknowledgments Part I. Introduction Chapter 1: Author's Purpose Personal Note Roma and Romani Studies Notes on Methodology Structure and Subject of the Book Chapter 2: Theories and Concepts—State, Nation, and Identity Homogenization Efforts during State and Nation Building Managing the Population and Classifying Identities Comparative and Historical Study Roma in Hungary and Russia throughout Time Part II. Bad Gypsies and Good Roma in Historical Perspective Chapter 3: Early Nation and State Building in Empires Early State and Nation Building: Control over the “Other” Enduring “Backwardness” Chapter 4: The End of Empires The End of Empires: World War One and the 1917 Revolution Soviet Nativization Policies in the 1920s and ’30s Hungary after the Treaty of Trianon A Note on the Holocaust Chapter 5: State Socialism (1945–1989) Assimilationist Campaigns Political Education in State-Socialist Schools Categorization of Roma: Legacies of Socialist Identity Politics and Critical Voices Part III. Contemporary Identity Formation Chapter 6: Fieldwork Fieldwork and Positionality Ethnography: Ethics, Reflexivity, and Positionality Chapter 7: "Bad Gypsies"—Negotiation of Identities in Primary Schools Neo-Modern State Building: National Revival and Patriotic Youth 'Bad Gypsies' in Segregated Schools Disciplining 'Bad Gypsies' in Classrooms Reproducing and Contesting Stereotypes Chapter 8: Making Good Roma from Bad Gypsies Contemporary Antigypsyism Pro-Roma Civil Society’s Roots, Goals, and Projects Negotiation of Identity and Non-state Actors Chapter 9: Negotiating Identity Identity Struggles Identity and Belonging Kinship and Community Part IV. Concluding Remarks Chapter 10: Summary and Best Practices References Index
£50.35
Langaa RPCID Some Unsung Black Revolutionary Voices and
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£35.64
Independently Published Crônicas Anacrônicas
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£7.80
State University of New York Press The Time Inheritors
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£78.84
State University of New York Press The Time Inheritors
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£24.70
State University of New York Press Beyond Emancipation
£24.22
State University of New York Press Reading the Analects Today
£26.12
Radius Books Teresita Fernández Robert Smithson
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£38.69
Academic Studies Press My Father’s Journey: A Memoir of Lost Worlds of
Book SynopsisBorn into a leading Lithuanian-Jewish rabbinic family, Moshe Aron Reguer initially followed the path of traditional yeshiva education. His adolescence coincided with World War I and its upheavals, pandemics, and pogroms, as well as with new ideas of Haskala, Zionism, and socialism. His memoir, recently discovered and here translated and published for the first time, discusses his internal struggles and describes the world around him and the people who influenced him. Moshe Aron Reguer wrote his memoir at the age of 23, on the eve of his departure for Eretz Israel in 1926. However, his story did not end there, but continued in British Mandated Palestine and the United States. He kept in touch with the family in Brest-Litovsk until the Nazis destroyed Jewish Lithuania, and some of their correspondence is included within this volume.
£23.74
Auckland University Press Maori Television
Book SynopsisEstablished in 2004.M?ori Television has had a major impact on New Zealand broadcasting. But over the past year or so, the politics of M?ori Television have been brought to the foreground of public consciousness, with other media outlets trackingM?ori Television's search for a new CEO, allegations of editorial intervention and arguements over news reporting approaches to Te K?hanga Reo National Trust. Based on three years of interviews with key stakeholders-staff, the Board, other media, politicians, funders and viewers- this is a deep account ofM?ori Television in its first ten years. Jo smith argues that today;s arguements must be understood within a broader context shaped by non-M?ori interests. Offering five frameworks to address the challenges of a M?ori organisation working within a wider non-M?ori context, this is a solidly researched examination ofM?ori Television's unique contribution to the media cultures of Aotearoa New Zealand. The first sustained and focused discussion of M?ori Television practices, the role of television in language revitalization, innovations in Maori programming and how audiences are engaging with indigenous television. Maori Television is one of the boldest state broadcasting ventures in recent years and its success is worthy of study by indigenous communities and state broadcasters internationally .
£33.71
Sternberg Press Bad Infinity: Selected Writings
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£16.50
Verlag Der Kulturstiftung Sibirien Sustaining Indigenous Knowledge: Learning Tools
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£27.81
MO - University of Illinois Press Camp Harmony Japanese American Internment and the Puyallup Assembly Center
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£77.35
University of Illinois Press The Poetics of Difference
Book SynopsisWinner of the Modern Language Association (MLA)'s William Sanders Scarborough Prize From Audre Lorde, Ntozake Shange, and Bessie Head, to Zanele Muholi, Suzan-Lori Parks, and Missy Elliott, Black women writers and artists across the African Diaspora have developed nuanced and complex creative forms. Mecca Jamilah Sullivan ventures into the unexplored spaces of black women's queer creative theorizing to learn its languages and read the textures of its forms. Moving beyond fixed notions, Sullivan points to a space of queer imagination where black women invent new languages, spaces, and genres to speak the many names of difference. Black women's literary cultures have long theorized the complexities surrounding nation and class, the indeterminacy of gender and race, and the multiple meanings of sexuality. Yet their ideas and work remain obscure in the face of indifference from Western scholarship. Innovative and timely, The Poetics of Difference illuminates understudied queer contours oTrade Review"Dr. Sullivan provides expert analysis of the complex queer creativities of Black women and their (re)inventions and (re)imaginings of meaning-making in vast literary forms. " --Ms. Magazine "This book is a vital, gorgeous thing. Sullivan's thinking elegantly explores the ways black women writers use genre as a queer practice of difference. The argument here is stunning--transcendently so--and it is not an exaggeration to say that this book will become canonical."--Kevin Quashie, author of Black Aliveness, or A Poetics of Being "This luminous book lovingly parses the poetics of difference that forms and informs the continued life of black queer feminist thought in many genres. The work is brilliant and bracing."--Jennifer DeVere Brody, author of Punctuation: Art, Politics, and PlayTable of ContentsCoverTitle PageCopyrightContentsAcknowledgmentsIntroduction. Black Queer Feminist Poetics: Rereading the IntersectionChapter One. Biomythic Times: Voice, Genre, and the Invention of Black/Queer HistoryChapter Two. “walkin on the edges of the galaxy”: Queer Choreopoetic Thought in the African DiasporaChapter Three. Feeling Colors and Seeing Speech: Body/Language and Black Women’s Diasporas ofChapter Four. “Languages of Love”: “TALK” of Sex: Interstitial Idioms of Body and DesireCoda. Speech between Silence: Distance, Difference, and the Queer Poetics of Blackwoman LivingNotesWorks CitedIndexBack cover
£18.99
University of Illinois Press Shadow Traces
Book SynopsisImages of Japanese and Japanese American women can teach us what it meant to be visible at specific moments in history. Elena Tajima Creef employs an Asian American feminist vantage point to examine ways of looking at indigenous Japanese Ainu women taking part in the 1904 Louisiana Purchase Exposition; Japanese immigrant picture brides of the early twentieth century; interned Nisei women in World War II camps; and Japanese war brides who immigrated to the United States in the 1950s. Creef illustrates how an against-the-grain viewing of these images and other archival materials offers textual traces that invite us to reconsider the visual history of these women and other distinct historical groups. As she shows, using an archival collection's range as a lens and frame helps us discover new intersections between race, class, gender, history, and photography. Innovative and engaging, Shadow Traces illuminates how photographs shape the history of marginalized people and outlines a method fTrade Review"A tour de force. Creef provides nothing less than a visual pedagogy for Asian American feminism. She mines the dark gaze of imperial power and blank spots of gender history as well as its secrets. When she engages the family album (and story of a hapless Japanese pet dog, Butch) as a site of memory and memorialization, you cannot put the book down."--Leslie Bow, author of “Partly Colored”: Asian Americans and Racial Anomaly in the Segregated South"In this carefully researched book, Elena Tajima Creef offers compelling feminist readings of archival photographs from the first half of the 20th century. . . . The important questions this book raises will no doubt stimulate further discussion and analysis of not only the historic representation of Japanese/American and Ainu women, but more broadly, some visual traces of power and resistance yet to be uncovered and witnessed." --Visual AnthropologyTable of ContentsAcknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ixIntroduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Those “Mysterious Little Japanese Primitives” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 Looking at Japanese Picture Brides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 413 Beauty behind Barbed Wire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 694 Filling in the Blank Spot in an Incomplete War Bride Archive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103Epilogue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 157Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
£18.89
University of Illinois Press Workers of All Colors Unite
Book SynopsisAs the United States transformed into an industrial superpower, American socialists faced the vexing question of how to approach race. Lorenzo Costaguta balances intellectual and institutional history to illuminate the clash between two major points of view. On one side, white supremacists believed labor should accept and apply the ascendant tenets of scientific theories of race. But others stood with International Workingmen’s Association leaders J. P. McDonnell and F. A. Sorge in rejecting the idea that racial and ethnic division influenced worker-employer relations, arguing instead that class played the preeminent role. Costaguta charts the socialist movement’s journey through the conflict and down a path that ultimately abandoned scientific racism in favor of an internationalist class-focused and racial-conscious American socialism. As he shows, the shift relied on a strong immigrant influence personified by the cosmopolitan Marxist thinker and future IWW cofounder Trade Review"Costaguta’s findings torpedo the familiar notion that nineteenth-century socialists were indifferent toward race, and the interracial internationalism he recovers should be recognized as part of early socialism’s enduring legacy." --Jacobin“Lorenzo Costaguta has produced an important book that reimagines the history of labor, racism and antiracism, socialism, and the post-Civil War United States. An extraordinary work.” --Angela Zimmerman, author of Alabama in Africa: Booker T. Washington, the German Empire, and the Globalization of the New SouthTable of ContentsAcknowledgments Introduction. A Racialized History of the Origins of American Socialism Chapter One. “Freedom for All”: German American Socialism and Race before 1876 Chapter Two. “Geographies of Peoples”: Ethnicity and Racial Thinking in the Early SLP Chapter Three. Must They Go? American Socialism and the Racialization of Chinese Immigrants, 1876-1890 Chapter Four. “Regardless of Color”: The SLP and African Americans, 1876-1890 Chapter Five. Savage Capitalists, Civilized Indians: The SLP and Native Americans, 1876-1890 Chapter Six. The SLP in the 1890s: Americanization and Socialist Evolutionism Conclusion. The Past and the Future of Racial Socialism Notes Index
£19.79
University of Wisconsin Press The Divided States Unraveling National
Book SynopsisThe tension between populism and pluralism, between homogeneity and heterogeneity, has marked the United States since its inception. In The Divided States, leading scholars and critics argue that the US is, and has always been, a site where multiple national identities intersect in productive and challenging ways.Table of Contents Acknowledgments Introduction: Contested Lives, Contesting Lives Ricia Anne Chansky and Laura J. Beard Section One: Tracing Patterns Dakobijigaade mii miinawaa Aaba’igaade Gichimookomaanakiing: Tied and Untied in America Margaret Noodin Negotiating National Identity and Well-Being in US Black Women’s Diaries Joycelyn K. Moody The Legacy of Conquest in Comics: Texas History Movies, Jack Jackson, and Revision Daniel Worden “Strange Juxtapositions”: Elliott Erwitt’s Visual Diary of Cold War America Steven Hoelscher We Have Never Been a Nation of Immigrants: Refugee Temporality as American Identity Elizabeth Rodrigues “A small flashlight in a great dark space”: Elizabeth Warren, Autobiography, and Populism Rachael McLennan Indians in Monumental Places: Heid Erdich and Jeff Thomas Laura J. Beard Juneteenth Angela Ards Archival Intervention: Surviving the “Savage Splintering” in Deborah Miranda’s Bad Indians Hertha D. Sweet Wong Section Two: Facing Forward Moving Beyond the Urban/Rural Divide in Alison Bechdel’s Fun Home Katie Hogan White Privilege and J. D. Vance’s Hillbilly Elegy Stephanie Li) Getting Schooled: Responses to Education as Neoliberal Identity-Formation in US Life Narratives Megan Brown Disabling Birth: Prognostic Certainty and the Gestating Citizen of the Contemporary Midwifery Movement Ally Day Afterword Days of Reckoning: Prospects for Life Narrative 2020 Sidonie Smith and Julia Watson Contributors Index
£31.96
University of California Press The Deadly Ethnic Riot
Book SynopsisConsiders the structure and dynamics of ethnic violence - the deadly ethnic riot - an intense, sudden, lethal attack by civilian members of one ethnic group against another ethnic group. This title examines approximately 150 such riots in about fifty countries, mainly in Asia, Africa, and the former Soviet Union, as well as fifty control cases.Trade Review"Makes an important contribution to our understanding of ethnic conflict [and] will be a source of testable hypotheses for years to come."-Stephen M. Saideman, American Political Science Review "This definitive work is recommended for all academic and larger public libraries."-Library journal "Horowitz's book is comprehensive, illuminating, unprecedented in scope and absolutely fascinating. It may be just the thing for realists-yes, you know them as pessimists-who are looking for some chilly truths about the sphinx that has haunted the century past and may yet haunt the century to come."-Washington Post Book World "This magisterial yet stimulating study is marked by the comprehensiveness of its empirical data, the author's keen analytic sensibility, and his gift for the telling phrase. The Deadly Ethnic Riot is that rare combination of theoretical analysis and practical advice. It not only signals a breakthrough in our understanding of the morphology and dynamics of ethnic riots but offers eminently useful strategies for containing these deadly events."-ScienceTable of ContentsA Note on Place Names 1. Say It with Murder 2. Ethnic Boundaries, Riot Boundaries 3. The Riot Episode 4. Selective Targeting 5. Target-Group Characteristics 6. An Economy of Antipathy: Target Selection and the Imperatives of Violence 7. Organizers and Participants 8. The Occasions for Violence 9. The Social Environment for Killing 10. Location, Diffusion, and Recurrence 11. Aims, Effects, and Functions 12. Violence and Quiescence 13. The Calculus of Passion Index
£27.00
University of California Press Romance on a Global Stage
Book SynopsisBy the year 2000 more than 350 Internet agencies were plying the email-order marriage trade. Attentive to the structural, cultural, and personal factors that prompt women and men to seek marriage partners abroad, this book questions the dichotomies so frequently drawn between structure and agency, and between global and local levels of analysis.Table of ContentsAcknowledgments Introduction 1. Making Introductions 2. Ethnography in Imagined Virtual Communities 3. Feminism and Myths of "Mail-Order" Marriages 4. Fairy Tales, Family Values, and the Global Politics of Romance 5. Political Economy and Cultural Logics of Desire 6. Women's Agency and the Gendered Geography of Marriage 7. Tales of Waiting: History, Immigration, and the State 8. Conclusion: Marriage, Migration, and Transnational Families Notes References Cited Index
£27.00
University of California Press Moral Laboratories
Book SynopsisOffers an ethnography and a foray into the anthropology of morality. This book takes us on a journey into the lives of African American families caring for children with serious chronic medical conditions, and it foregrounds the uncertainty that affects their struggles for a good life.Trade Review"Mattingly convincingly bolsters her claims ... an excellent demonstration of ethnographic and theoretical work." -- Ezelle Sanford III Center for Medical HumanitiesTable of ContentsAcknowledgments Prologue Part One. First Person Virtue Ethics 1. Experimental Soccer and the Good Life 2. First Person Virtue Ethics and the Anthropology of Morality Part Two. Moral Becoming and the Everyday 3. Home Experiments: Scenes from the Moral Ordinary 4. Luck, Friendship, and the Narrative Self 5. Moral Tragedy: The Perils of a Superstrong Black Mother 6. The Flight of the Blue Balloons: Narrative Suspense and the Play of Possible Selves Part Three. Moral Pluralism as Cultural Possibility 7. Rival Moral Traditions and the Miracle Baby 8. Dueling Confessions: Revolution in the First Person 9. Tragedy, Possibility, and Philosophical Anthropology Bibliography Index
£25.20
University of California Press Racial Uncertainties Mexican Americans School
Book SynopsisMexican American racial uncertainty has long been a defining feature of US racial understanding. Were Mexican Americans white or nonwhite? In the postcivil rights period, this racial uncertainty took on new meaning as the courts, the federal bureaucracy, local school officials, parents, and community activists sought to turn Mexican American racial identity to their own benefit. This is the first book that examines the pivotal 1973 Keyes v. Denver School District No. 1 Supreme Court ruling, and how debates over Mexican Americans' racial position helped reinforce the emerging tropes of colorblind racial ideology. In the postcivil rights era, when overt racism was no longer socially acceptable, anti-integration voices utilized the indeterminacy of Mexican American racial identity to frame their opposition to school desegregation. That some Mexican Americans adopted these tropes only reinforced the strength of colorblindness in battles against civil rights in the 1970s.Trade Review"This is an important book, and educational, civil rights, and Texas historians will find much within to appreciate and discuss." * Southwestern Historical Quarterly *"Racial Uncertainties explains how racial and ethnic identities are both time and space specific but also how the law works to cement our understanding of identity and eliminate the possibility for fluidity." * The Society for US Intellectual History *Table of ContentsContents Acknowledgments Introduction 1 • (Un)making Mexican American Racial Identity, 1848–1964 2 • Racial Migrations: The Mile High City in Transition, 1945–1969 3 • Public Schools in Denver’s Racialized Urban Geography 4 • Becoming Minority under the Law 5 • “Not White, Yet Not, in the Old-Style Parlance, ‘Colored’ ” 6 • “American,” Not “Minority”: Mexican Americans and Colorblindness Conclusion Notes Bibliography Index
£22.50
University of California Press The Industrial Ephemeral
Book SynopsisWhat transformative effects does a multimillion-dollar industry have on those who work within it?The Industrial Ephemeralpresents the untold stories of the people, politics, and production chains behind architecture, real estate, and construction in areas surrounding New Delhi, India. The personal histories of those in India's large laboring classes are brought to life as Namita Vijay Dharia discusses the aggressive environmental and ecological metamorphosis of the region in the twenty-first century. Urban planning and architecture are messy processes that intertwine migratory pathways, corruption politics, labor struggle, ecological transformations, and technological development. Rampant construction activity produces an atmosphere of ephemerality in urban regions, creating an aesthetic condition that supports industrial political economy. Dharia's brilliant analysis of the sensibilities and experiences of work lends visibility to the struggle of workers in an era of growing urban ineTable of ContentsContents List of Illustrations Acknowledgments Note on Anonymity Introduction: An Asynchronous Time Line 1. Ephemeral Infrastructures 2. The Financial Sublime 3. Drawing Fantasies 4. The Industry of Sound 5. Inside the Pit 6. Concrete Love Conclusion: Inquilab Zindabad (Long Live Revolution) Appendix Notes Bibliography Index
£22.50
University of California Press Freedom Now
Book SynopsisPhotographers shot millions of pictures of the black civil rights struggle between the close of World War II and the early 1970s, yet most Americans today can recall just a handful of images that look remarkably similar. In the popular imagination, the civil rights movement is remembered in dramatic photographs of protestors attacked with police dogs and fire hoses, firebombs and shotguns, tear gas and billy clubs. The most famous images of the era show black activists victimized by violent Southern whites. But there are other stories to be told. Blacks changed America through their action, not their suffering. In this groundbreaking catalogue, Martin Berger presents a collection of forgotten photographs that illustrate the action, heroism, and strength of black activists in driving social and legislative change. Freedom Now! highlights the power wielded by black men, women, and children in courthouses, community centers, department stores, political conventions, schools, and streeTrade Review"This is a beautiful and moving book that anyone remotely interested in the topic will want to read." * Peace News *"Highly Recommended." * CHOICE *"An important augmentation, one that is essential in understanding the movement from multiple perspectives." * Southern Spaces *"A very important resource in American studies and human rights studies, Freedom Now!: Forgotten Photographs of the Civil Rights Struggle is the kind of book that should be found in all public libraries in the U.S.; this way, new generations can understand that widespread expressions of racism did not only exist in Germany and South Africa." * Journal of American Culture *Table of ContentsContents Director’s Foreword Acknowledgments Introduction: The Case for a New Canon The Photographs Selected Photographer Biographies Selected Bibliography Index
£28.90
University of California Press World Socialist Cinema
Book SynopsisOne of the Best Scholarly Books of 2023, The Chronicle of Higher Education A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visitwww.luminosoa.orgto learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated filTrade Review"World Socialist Cinema is an important and timely reminder that it is worth excavating and examining the legacy of Soviet culture in all its contradictions and complexity. In revealing its ways of building solidarity and alliances beyond neoliberal capitalism and its cultural production, Salazkina’s book shows the Tashkent festival to be a worthy place to start." * Film Quarterly *
£27.00
Harvard University Press The Image of the Black in Western Art Volume I
Book SynopsisOffers commentary and an illustrated history of the representations of people of African descent ranging from the ancient images of Pharaohs created by unknown hands to the works of the great European masters such as Bosch, Rembrandt, Rubens, and Hogarth to stunning creations by contemporary black artists.Trade ReviewA fascinating story of the changing image of Africa's people in Western art. The images are simply extraordinary and the scholarship inspiring. Anyone who cares about Western art or about Africa and her diaspora ought to know these magnificent volumes. -- Kwame Anthony AppiahIn addition to being an indispensable guide to the evolving meanings of racial difference, these dazzling volumes filled with extraordinary images and rich arguments contribute to an alternative history of the Western world. An invaluable gift for both specialists and general readers. -- Paul Gilroy, author of The Black Atlantic: Modernity and Double ConsciousnessOne of the most thorough collections depicting the African-American in works of art...The books build on the research and photo project started by art patron Dominique de Menil in the 1960s, which grew out of a frustration with segregation. The collection was then transferred and continued to grow at the W.E.B. Du Bois Institute at Harvard University. De Menil's original volumes have been updated by David Bindman and Henry Louis Gates Jr. and now include more detailed descriptions and provide a larger context of the artwork that spans more than 5,000 years, including the Roman Empire to present-day pieces, filling in tremendous gaps in de Menil's collection, according to some art historians. The images, printed in full-color on high-quality pages, are available for the masses to see and understand how African-Americans not only fit into the various societies of the Western world, but how those relationships evolved throughout the ages. * Kirkus Reviews *The volumes so far are a treasury of paintings and sculptures of people down the ages, taking in many strands of ritual, classicism, artlessness and humanity. -- William Feaver * Spectator *A sumptuous new edition with much additional material and copious color pictures....The books are a wonderful resource: a glitteringly decorated window into the Du Bois Institute's unrivalled archive of relevant images. The accompanying essays, which are models of erudition, are inescapable reading for anyone interested in the subject. -- Felipe Fernández-Armesto * The Art Newspaper *In his fresh introduction for volume 1, Jeremy Tanner, Greek and Roman art/archaeology specialist, recontextualizes the text and images in the original volume of this work in light of the explosion of scholarship examining the notions of race and identity as constructed historically and in the present. Tanner's well-researched, critical essay offers a rich bibliography of the literature on the subject of race and representation in ancient art...The high-quality color images that have replaced black-and-white images, and the more richly textured black-and-white images, all printed on good quality art stock paper, help to reinforce arguments where color symbolism is deemed critically important. -- K. Mason * Choice *Monumental and groundbreaking volumes...[with] beautifully reproduced and thought-provoking images…A vast array of different "Images of the Black" appear in these volumes, from statues of black saints such as St. Maurice or St. Benedict the Moor, to portraits of notable African ambassadors and kings, poets and musicians, or drawings of literary characters such as Shakespeare's Othello, Aphra Behn's Oroonoko, or Yarico from George Colman's Inkle and Yarico...Africans have been painted and sculpted by some of the most eminent artists in the Western tradition, including Titian, Tiepolo, Rubens, Rembrandt,Van Dyck, Reynolds, Hogarth, Watteau and Gainsborough. More importantly, they have not been caricatured, but sensitively portrayed by these masters, their humanity captured on canvas for all to see...In placing such a vast variety of different images together, both positive and negative, these volumes show that the "Image of the Black" was not at all homogenous but rather reflected the wide range of the Western response to the "other."...Seen through the prism of "Western Art," these "Images of the Black" often tell us more about the Europeans and their agendas than the Africans they portray. Nonetheless, the cumulative effect of the images is to demonstrate a continuous black presence in the Western imagination and experience…This series will pose new questions to scholars of art, history and literature and provoke us all to reconsider the role of "the Black" in Western civilization. -- Miranda Kaufmann * Times Literary Supplement *
£67.16
Princeton University Press Sara Baartman and the Hottentot Venus
Book SynopsisDisplayed on European stages from 1810 to 1815 as the Hottentot Venus, Sara Baartman was one of the most famous women of her day. This book tells the entwined histories of an illusive life and a famous icon. It raises questions about the possibilities and limits of biography for understanding those who live among different cultures.Trade Review"Professors Clifton Crais and Pamela Scully of Emory University have done an excellent job not only of telling this rebarbative story but of putting it into the context of its time... No one, however, has succeeded as well as Crais and Scully in illuminating not only her important role as icon and symbol but, so important, the human being behind them. Because of their diligent research and their deep understanding of the era in which she lived--along with their sensitivity to our own time and concern--they have truly given us the 'living breathing person' that was 'Sara Baartman, the human being who was ultimately destroyed by an illusion.'"--Martin Rubin, Los Angeles Times "[Crais and Scully] chase down obscure references to Baartman's life in South Africa and discover a rich if difficult life. The authors dig deep into the limited remaining evidence but the biography wears its research lightly, a backdrop to this well-written and fascinating story of a woman who remains an elusive figure."--Publishers Weekly (Starred Review) "The authors...look beyond Baartman's life as a curiosity and an exhibit to explore her life as a woman. Crais and Scully place Baartman's contributions in such areas as the rights of the unlawfully detained, global feminism, and later--when her body was returned to South Africa from France--the politics of indigenous identity. Readers who enjoyed African Queen (2007), by Rachel Holmes, will appreciate this further examination of the life of an extraordinary woman."--Vanessa Bush, Booklist "This is a thrilling, provocative and interesting exploration. The reader learns about how Baartman's life was transformed once she became the Hottentot Venus, and is given a vivid snapshot of what the sociopolitical and ideological climate of Europe was when Baartman reached its shores. Crais and Scully literally recover Baartman--the public spectacle and the 'scientific discovery'--as so much more. Not only is this book a fascinating read, it will also have done much to restore the historical record in Europe and the US. It is an important and necessary contribution to the existing discourse on Sara Baartman's impact on contemporary ideas of race, sexuality and the European conception of primitivity."--Kaila Adia Story, Times Higher Education "Clifton Crais and Pamela Scully explore the curious juxtaposition of celebrity and degradation that followed Sara Baartman after she was brought to Europe and put on exhibit, an 'ethnopornograhic freak.' But Crais and Scully are interested in much more than the Hottentot Venus; their aim is to honor Baartman, and they do so with biography that is speculative as well as research-driven."--Joe Taylor, Foreword Magazine "This biography faced a formidable research challenge in resurrecting a forgotten woman... With such a seemingly unknowable subject, the authors refrain from putting words into Sara's mouth. Rather they reconstruct her life and times, placing her in context... Remarkable."--Lucy Sussex, The Age "The authors stitch together the pieces of Baartman's life--no small task with so little known about the woman herself--and at times veer necessarily toward the speculative. They ... admirably attempt to look past the symbol to the woman herself, who led an extraordinary life amid rapidly shifting social and scientific cultures."--Julie Biando Edwards, Library Journal "This meticulously researched book drags Baartman out of the ugly mythology that characterised her European life and restores her to humanity. It is a model biography because the sources for her real life are scarce and the authors, both academics, had to tease a rich life out of very frail strands of information."--Bruce Elder, Sydney Morning Herald "[Sara Baartman and the Hottentot Venus] stands out for the lengths it goes to present the person behind the myth. Crais and Scully uncovered details unknown or long forgotten about her life before she became the Hottentot Venus, her personal dealings when she was off the stage, and some of the characters who fill out her story. The authors gather these facts together with a narrative style that richly evokes the smells, sights, sounds, and mores of the worlds in which Baartman dwelled."--Susan Frith, Johns Hopkins Magazine "In this beautifully written and multilayered biography, Emory University professors Crais and Scully distinguish between the woman and the exhibit in order to restore the ghost to her own narrative. Tapping a wide range of archives, the authors reconstruct the Gonaqua society into which she was born and the Cape society where she worked as a domestic servant in the late 18th century before moving on to more familiar European territory."--C. Higgs, Choice "The authors are to be commended on an illuminating analysis of the complexities of contact between Europeans and other cultures in the somewhat misnamed Age of Enlightenment. They have produced a gripping biography of an extraordinary woman."--Barbara Bush, Women's History Review "[T]he book is a significant contribution to the literature on Baartman which will become essential reading for anyone interested in her life, as a living woman or academic subject. The impressive archival work that has been used to recapture so much of Baartman's elusive life is illuminating; although necessarily speculative in parts, on the whole, the book's arguments have been grounded in a well-contextualised and evocative history of the Cape region, London and Paris. Given abiding interest in Baartman's life, the book's accessible style will recommend it to a wide audience, both within and outside the halls of academia."--Sadiah Qureshi, Journal of Imperial and Commonwealth History "Ghosts are by nature elusive; their tales designed to haunt. Yet this rich 'ghost story' cum biography is elegantly turned, contesting accepted notions. It is a valuable contribution."--Maureen Isaacson, Sunday Independent "Crais and Scully's extensive new research has produced a rich and interesting biography that is a worthwhile read even for those familiar with the story. As well as providing the most detailed account of Baartman's life, the book is an illuminating insight into the broader contexts of colonial society at the Cape... The real achievement of Crais and Scully's book lies in its readability and the fresh insights it provides into the life of one of Africa's most famous women."--Sadiah Qureshi, History Today "The excellent historical illustrations throughout help the narrative, making the descriptions read like a movie script."--Margaret H. McFadden, Salem Press "Crais and Scully ... point us in the direction of more nuanced studies of the relationship between exploitation, complicity and negotiation, and of the relationship between individual lives and the larger social, political and economic landscape in which they are lived. This is an excellent and provocative study that invites debate."--Shireen Hassim, Labor Bulletin "The great strength of this book is its readability with vivid, even poetic, descriptions of everything from the African landscape and urban community to the theater district of London."--Martin S. Staum, Journal of Modern History "Crais and Scully have crafted an admirable book--informative, thought-provoking, and a pleasure to read."--Stacey Hynd, Journal of the Historical AssociationTable of ContentsLIST OF ILLUSTRATIONS ix DRAMATIS PERSONAE xiii Introduction 1 CHAPTER 1: Winds of the Camdeboo 7 CHAPTER 2: Cape of Storms 27 CHAPTER 3: London Calling 58 CHAPTER 4: Before the Law 82 CHAPTER 5: Lost, and Found 103 CHAPTER 6: Paris, City of Light 116 CHAPTER 7: Ghosts of Sara Baartman 142 EPILOGUE: Family 170 ACKNOWLEDGMENTS 181 NOTES 183 SELECT BIBLIOGRAPHY 207 INDEX 229
£25.20
Princeton University Press ARTiculations Undefining Chinese Contemporary
Book SynopsisWhat does it mean to say that some of the best Chinese contemporary art is made in America, by Americans? This book challenges the artificial and narrowly conceived definitions of Chinese art, revealing the great diversity of Chinese art and showing just how complex and uncertain the labels 'contemporary', 'Chinese', and 'American' have become.
£25.20
University of Toronto Press Dark Threats and White Knights The Somalia
Book SynopsisIn Dark Threats and White Knights, Sherene H. Razack explores the racism implicit in the Somalia Affair and what it has to do with modern peacekeeping.Trade Review"'In Dark Threats and White Knights, Sherene H. Razack raises issues that are central to world politics today - especially in light of Anglo-American occupation of postwar Iraq - covering a range of scholarly, journalistic, and governmental sources. The book is clearly and eloquently written. I found it a compelling read.' L.H.M. Ling, Graduate Program in International Affairs, New School University"
£28.80
Louisiana State University Press Race Crime and Policing in the Jim Crow South
Book SynopsisReveals previously unrecognized efforts by African Americans to use, manage, and exploit policing. In the process, Brandon Jett exposes a complex relationship, suggesting that while violence or the threat of violence shaped police and minority relations, it did not define all interactions.Trade ReviewBrandon Jett shatters some widely held axioms about policing in the American South, showing how police departments emerged in lockstep with urbanization – not slavery – and evolved in complex ways, from mechanisms of racial control to entities that relied on Black cooperation and consent. Jett's book should be required reading for anyone interested in the complex story of race and policing in the United States." - Anders Walker, author of The Burning House: Jim Crow and the Making of Modern America"Race, Crime, and Policing in the Jim Crow South will have an immediate impact on the understanding of race and policing in America. Brandon Jett vividly illustrates the continuous maltreatment of blacks by the criminal justice system and how African Americans responded in myriad, and at times unexpected, ways to the expansion of that system. This is important work." - Dwight Watson, author of Race and the Houston Police Department, 1930-1990: A Change Did Come"With depth and nuance, Brandon Jett examines the rise of professional police departments in three southern cities in the midst of the Jim Crow Era. He shows how law enforcement served to reinforce white supremacy, how African Americans responded to the often brutal over policing of their neighborhoods, and how they negotiated the policing system to ensure the safety of their communities. This is a remarkably intelligent and well-researched book that will contribute much to our understandings of the history of criminal justice in the South and urban life under Jim Crow." - Amy L. Wood, author of Lynching and Spectacle: Witnessing Racial Violence in America, 1880-1940"From the dustiest corners of law enforcement archives, Brandon Jett has unearthed the chilling history of southern white police departments that even in the middle of the 20th Century ruthlessly pursued the enforcement of degrading racial expectations, aiding the exploitation of African-American labor, and unjustly brutalizing and intimidating black citizens away from their civil, political and legal rights. This is the foundational story of why the Black Lives Matter movement is not just necessary but long overdue." - Douglas A. Blackmon, author of Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II, winner of the Pulitzer Prize
£27.00
MP-NCA Uni of North Carolina Women in the Church of God in Christ Making a
Book SynopsisThe Church of God in Christ (COGIC), an African American Pentecostal denomination founded in 1896, has become the largest Pentecostal denomination in the United States. This book examines the religious and social lives of the women in the COGIC Women's Department from its founding in 1911 through the mid-1960s.
£25.60
MP-FLO Uni Press of Florida From SitIns to SNCC The Student Civil Rights
Book SynopsisIn the wake of the fiftieth anniversary of the historic sit-in at Woolworth's lunch counter by four North Carolina A&T college students, From Sit-Ins to SNCC brings together the work of leading civil rights scholars to offer a new and groundbreaking perspective on student-oriented activism in the 1960s.Trade Review“Central to the collection’s theme is the idea that [SNCC] was diffuse with different visions, and not a hierarchy. The approach was local, and the results hinged on the locality. . . . Adds much to the discussion of the nonviolent resistance movement.” —Choice“Provides fresh and original insights into the student protest movement of the 1960s. A must for anyone interested in the history of the SNCC or the civil rights struggle.” —Kevern Verney, Edge Hill University
£16.96
Rutgers University Press Recovering the Black Female Body
Book SynopsisRecovering the Black Female Body recognizes the pressing need to highlight through scholarship the vibrant energy of African American women's attempts to wrest control of the physical and symbolic construction of their bodies away from the distortions of others.Trade ReviewAlthough feminists have studied the social construction of the female body for many decades, few have focused on black women. In Recovering the Black Female Body, the editors present a pioneering collection of original writings by academics and artists on æhow African-American women, from slavery to the present, have represented their physical selves in opposition to the distorted vision of the dominant culture.Æ. * Publishers Weekly *A collection of essays that examine the complex workings of race, gender and the body. Editors Bennett and Dickerson explain that it seeks to æamplifyÆ African American women writersÆ attempts to ætake back their selves and reappropriate and reconstitute a body that has often been hyperoticized or exoticized and made a site of impropriety and crime.Æ. * WomenÆs Review of Books *By examining African American women writers of the nineteenth and twentieth centuries, the book not only makes a significant contribution to a body of scholarly work but also attempts to ærecoverÆ a more accurate representation of the African American female body. * DePauw Magazine *A highly original and very informative collection of essays that theorizes the complicated intersection of the black female body and its Western symbolic meanings. The collection is essential for anyone interested in the tensions between post-structuralist and humanist understandings of subject formation, social agency, and performative identity. -- Claudia Tate * Princeton University *Table of ContentsFrances Ellen Watkins sings the body electric / Michael Bennett "The deeds done in my body": black feminist theory, performance, and the truth about Adah Isaacs Menken / Daphne A. Brooks The flower of Black female sexuality in Pauline Hopkins's Winona / Dorri Rabung Beam Shopping to pass, passing to shop: bodily self-fashioning in the fiction of Nella Larsen / Meredith Goldsmith Re-locating the Black female subject: the landscape of the body in the poems of Lucille Clifton / Ajuan Maria Mance Body language: the Black female body and the word in Suzan-Lori Park's The death of the last Black man in the whole entire world / Yvette Louis Detecting bodies: Barbara Neely's domestic sleuth and the trope of the (in)visible woman / Doris Witt Summoning somebody: the flesh made word in Toni Morrison's fiction / Vanessa D. Dickerson On being a fat black girl in a fat-hating culture / Margaret K. Bass Body and soul: identifying (with) the Black lesbian body in Cheryl Dunye's Watermelon woman / Mark Winokur Pumping iron with resistance: Carla Dunlap's Victorious body / Jacqueline E. Brady Wearing your race wrong: hair, drama, and a politics of representation for African American women at play on a battlefield / Noliwe Rooks (photographs by Bill Gaskins) Afterword: recovery missions: imaging the body ideals / Deborah E. McDowell
£28.80
Wayne State University Press Autobiography of William Sanders Scarborough
Book SynopsisThis illuminating autobiography traces Scarborough''s path out of slavery in Macon, Georgia, to a prolific scholarly career that culminated with his presidency of Wilberforce University. Despite the racism he met as he struggled to establish a place in higher education for African Americans, Scarborough was an exemplary scholar, particularly in the field of classical studies. He was the first African American member of the Modern Language Association, a forty-four-year member of the American Philological Association, and a true champion of higher education. Scarborough advocated the reading, writing, and teaching of liberal arts at a time when illiteracy was rampant due to slavery''s legacy, white supremacists were dismissing the intellectual capability of blacks, and Booker T. Washington was urging African Americans to focus on industrial skills and training.The Autobiography of William Sanders Scarborough is a valuable historical record of the life and work of a
£20.96
University of Minnesota Press Speculative Blackness
Book SynopsisTrade Review"André M. Carrington takes readers on a voyage that beautifully maps gendered and sexualized articulations of Blackness across different speculative genres and media... Speculative Blackness is a wonderful book that makes indispensable contributions to Black studies, literary studies, studies science fiction fan fiction and fandom, and Afrofuturism."—Alexander G. Weheliye, Northwestern University"An excellent exploration of blackness in sci-fi."—PopMatters"This is required reading for those interested in popular culture’s role in constructing social identity."—CHOICE"Speculative Blackness convincingly persuades that speculative fiction is an ideal space to explore the boundaries of blackness, and to consider new ways of thinking about the way blackness as a category is constructed and produced."—Souls: A Critical Journal of Black Politics, Culture, and Society"Speculative Blackness makes an important contribution to ongoing conversations (both in the academy and in fan culture) about race and science fiction."—African American Review"A telling and thoughtful contribution to discussions of blackness in science fiction, fantasy, utopia, and horror important to cultural production across a variety of media, including fandom, television, film, comics, and literature."—Science Fiction Studies"This book is an intriguing examination of and hopeful outlook on the history of blackness and science fiction and a highly recommended read for scholars in film and race relations."—Film MattersTable of ContentsContentsIntroduction: The Whiteness of Science Fiction and the Speculative Fiction of Blackness1. Josh Brandon’s Blues: Inventing the Black Fan2. Space Race Woman: Lieutenant Uhura beyond the Bridge3. The Immortal Storm: Permutations of Race in Marvel Comics4. Controversy and Crossover in Milestone Media’s Icon5. The Golden Ghetto and the Glittering Parentheses: The Once and Future Benjamin Sisko6. Dreaming in Color: Racial Revisions in Fan FictionCodaAcknowledgmentsNotesIndex
£19.79
The University of Alabama Press A Cuban City Segregated
Book SynopsisDrawing on the insights of intersectional feminism, Bonnie Lucero shows that the key to understanding racial segregation in Cuba is recognising the often unspoken ways specifically classed notions and practices of gender shaped the historical production of race and racial inequality.Trade ReviewAn insightful and well-researched microhistory of the range of dynamics that shaped race relations, urban order, and sexual labor in Cienfuegos. A Cuban City, Segregated joins an increasingly rich historiography centered on the political and social history - especially with regard to race and gender - of Cuba during the nineteenth century."" - Tiffany A. Sippial, author of Prostitution, Modernity, and the Making of the Cuban Republic, 1840–1920""This is an excellent study of the construction of urban order in a nineteenth-century Cuban city and a unique contribution to several bodies of literature in the field, especially Latin American urban history, studies of race and slavery, and Cuban studies."" - Guadalupe García, author of Beyond the Walled City: Colonial Exclusion in Havana and coeditor of Imprints of Revolution: Visual Representations of ResistanceTable of Contents List of Illustrations Acknowledgments A Note on Terminology Introduction: Urban Orderand Racial Exclusion 1. A White Colony in the Age of ""Africanization,"" 1790–1830s 2. A Town of Racial Enclaves, 1840–1860s 3. Freedom and Marginality in a Divided City, 1860–1890s 4. Negotiating Exclusion in the Historic City Center, 1890s 5. Consolidating a White City Center under US Rule Conclusion: Reclaiming Urban Space in the Early Republic Notes Glossary Bibliography Index
£39.91
Ohio University Press The Papers of Clarence Mitchell Jr. Volume VI
Book SynopsisThe Civil Rights Act of 1960 attempted to rectify loopholes in the 1957 Civil Rights Act that had enabled southern states to continue disenfranchising Black voters and, in Texas, Mexican Americans. The legislation called for federal inspection of voter registration polls and introduced penalties for obstructing a person from registering to vote.Trade Review“Clarence Mitchell, Jr., for decades waged in the halls of Congress a stubborn, resourceful and historic campaign for social justice. The integrity of this ‘101st senator’ earned him the respect of friends and adversaries alike. His brilliant advocacy helped translate into law the protests and aspirations of millions consigned for too long to second-class citizenship. The hard-won fruits of his labors have made America a better and stronger nation.”“The Papers of Clarence Mitchell Jr. is a primary source and analytical goldmine for scholars of civil rights and labor struggles in the twentieth-century United States…. Well organized, engagingly written, and edited with cogent commentary, these two volumes (III & IV) take us inside Mitchell’s activist office and let us hear his own words.” * Journal of Southern History *
£56.10
Duke University Press Travel See
Book SynopsisIn this set of essays that cover the period from 1992 to 2012, Kobena Mercer uses a diasporic model of criticism to analyze the cross-cultural aesthetic practice of African American and black British artists and to show how their refiguring of visual representations of blackness transform perceptions of race. Trade Review"Travel & See benefits from a retrospective gaze; Mercer’s 30-year career gives him a judicious distance on some highly charged aesthetic movements and issues.... Mercer’s volume ... does not simply collect his past writings; it forces us to see international modernism in a way that has implications for future scholarship both within and beyond the field of black diasporic art. Travel & See posits Mercer as a chronicler not only of the field of contemporary art of the Afro-modern world, but of the inextricable ties of black diasporic and modernism itself." -- Sarah Lewis * Art in America *"Travel & See is an essential addition to any art historian’s library.... With Travel & See, Mercer further establishes himself as a leading figure in the field while also modeling the type of work that still needs to be done. The volume shows how Mercer’s writing redefined contemporary art history just as much as it shows how black diaspora artists changed contemporary art." -- Uchenna Itam * Shift *"Mercer's optimistic spirit encourages the reader to dare to travel in space and time in order to see better." -- Maureen Murphy * Critique d'art *"Subtleties of thought and elegance of expression are characteristic of Mercer's writings, read avidly by those art historians who have sought insight into Black British Cultural Studies, increasingly influential over the last thirty years. Mercer's essays offer a welcome contrast to art‐historical scholarship aimed at the specialist, and also to criticism on the contemporary arts of the African and Asian diasporas." -- Amna Malik * Art History *Table of ContentsList of Illustrations ix Acknowledgments xiii Introduction 1 Part I. Art's Critique of Representation 37 1. The Fragile Inheritors 39 2. Busy in the Ruins of Wretched Phantasia 50 Part II. Differential Proliferations 87 3. Marronage of the Wandering Eye: Keith Piper 89 4. Mortal Coil: Eros and Diaspora in the Photographs of Rotimi Fani-Kayode 97 5. Avid Iconographies: Isaac Julien 129 6. Art That Is Ethnic is Inverted Commas: Yinka Shonibare 147 Part III. Global Modernities 155 7. Home from Home: Portraits from Places in Between 157 8. African Photography in Contemporary Visual Culture 170 9. Ethnicity and Internationality: New British Art and Diaspora-Based Blackness 186 10. Documenta 11 207 Part IV. Detours and Returns 215 11. A Sociography of Diaspora 217 12. Diaspora Aesthetics and Visual Culture 227 13. Art History after Globalization: Formations of the Colonial Modern 248 14. The Cross-Cultural and the Contemporary 262 Part V. Journeying 277 15. Postcolonial Trauerspiel: Black Audio Film Collective 279 16. Archive and Dépaysement in the Art of Renée Green 294 17. Kerry James Marshall: The Painter of Afro-Modern Life 310 18. Hew Locke's Postcolonial Baroque 321 Bibliography 347 Index 357
£35.10
University of New Mexico Press Anasazi America Seventeenth Centuries on the
Book Synopsis
£23.36
American Psychological Association Womanist and Mujerista Psychologies
a huge range and FREE tracked UK delivery on ALL orders.
£63.90
The University of North Carolina Press The Haitians
Book SynopsisIn this sweeping history, Jean Casimir argues that the story of Haiti begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the US occupation in 1915.
£69.70
The University of North Carolina Press Pauli Murray A Personal and Political Life
Book SynopsisThe Rev. Dr. Anna Pauline “Pauli” Murray (1910-1985) was a trailblazing social activist, writer, lawyer, civil rights organizer, and campaigner for gender rights. In this intimate biography, Troy Saxby provides the most comprehensive account of Murray's inner life to date, revealing her struggles in poignant detail.Trade ReviewThere's so much to glean from this book, so many milestones Saxby says Murray set, that you almost can't stop reading despite watching the discomfort, obvious pain, and inner struggle she endured. Through letters and articles she wrote, readers get to know Murray as she perceived herself. Those personal peeks are engrossing, especially given the legacy she left. . . . Any reader who wants to know more about social justice pioneers should get a bead on it.--The Washington Informer This detailed biography on an underrated social and politlcal activist results in an ambitious undertaking by Saxby, whose emphasis on Murray's private life tells a history of trials based on personal experiences and records.--Library Journal
£30.36
The University of North Carolina Press Cuban Revolution in America
Book SynopsisCuba's grassroots revolution prevailed on America's doorstep in 1959, fueling intense interest within the multiracial American Left. Teishan Latner contends that in the era of decolonization, the Vietnam War, and Black Power, Cuba claimed centre stage for a generation of Americans who looked to the insurgent Third World for inspiration.Trade ReviewAn outstanding piece of scholarship that merits a book prize." - Journal of American History"Teishan Latner's fascinating Cuban Revolution in America, with its focus on histories of travel, hijacking, and exile across Cold War barriers, is an important intellectual weapon against both the [travel] ban and the blockade." - Labour/Le Travail"An impressive, compelling work of research and analysis . . . an unusually deep and nuanced study." - H-Net Reviews
£32.96
The University of North Carolina Press That Middle World
Book SynopsisFocusing on the construction and performance of racial identity in works by writers from the antebellum period through Reconstruction, Julia Charles creates a new discourse around racial passing to analyse mixed-race characters' social objectives when crossing into other racialized spaces.
£26.96
Duke University Press Dear Science and Other Stories
Book SynopsisIn Dear Science and Other Stories Katherine McKittrick presents a creative and rigorous study of black and anticolonial methodologies. Drawing on black studies, studies of race, cultural geography, and black feminism as well as a mix of methods, citational practices, and theoretical frameworks, she positions black storytelling and stories as strategies of invention and collaboration. She analyzes a number of texts from intellectuals and artists ranging from Sylvia Wynter to the electronica band Drexciya to explore how narratives of imprecision and relationality interrupt knowledge systems that seek to observe, index, know, and discipline blackness. Throughout, McKittrick offers curiosity, wonder, citations, numbers, playlists, friendship, poetry, inquiry, song, grooves, and anticolonial chronologies as interdisciplinary codes that entwine with the academic form. Suggesting that black life and black livingness are, in themselves, rebellious methodologies, McKittrick imagines withTrade Review“Drawing from black anticolonial thought and study, black poetics, music, and expressive arts, Katherine McKittrick's Dear Science and Other Stories is an experiment in materializing black method and black wonder in stories of black livingness and relation, in spite of conditions of racial colonial violence and antiblack science of maps, algorithms, and life chances. It insists on other sensoria, consciousness, creation, and knowing—a black sense of place.” -- Lisa Lowe, author of * The Intimacies of Four Continents *“Freedom is a place made through rehearsals of thought and human-environment inter-action. Katherine McKittrick's stories show geography in the making through their persistent refusal to recite empirics of suffering and catastrophe. What a gift to travel these surprising, complex paths through rage toward life. I am grateful for this book.” -- Ruth Wilson Gilmore, author of * Change Everything! Racial Capitalism and the Case for Abolition *"In this innovative, rich work, Katherine McKittrick works tirelessly to make us aware of how Black thought is a form of knowledge production. McKittrick uses a fascinating essay structure — stories and letters to science — to discuss jazz, computer science, poetry, Black history, and more. It contains one of the most powerful analyses of scientific racism that I’ve read in recent times, arguing that sometimes our efforts to articulate race and racism as social phenomena actually reinforce the idea that they are somehow biological in nature." -- Chanda Prescod-Weinstein * Bookriot *"McKittrick’s prose is beautiful and timely, and she demonstrates that there is a cost to reducing Black life to any description without deep thought. Her readers—no matter their relationship to science—are pressed to question what we know, how we know, and who we know. Dear Science urges us to be cautious of a single narrative, to articulate our thoughts with exacting labor, and it provides insight into how we can create a universe beyond Black suffering." -- Edna Bonhomme * The Baffler *"Reading the richly poetic and sonically-driven Dear Science, we can see the many complex projects and thoughts of McKittrick’s work. The stories are citational observations and calls for a theory and method of storytelling and reading practice as a way to undo discipline (41), a reimagination of the academic text as a genre and incomplete visions of defining ‘science’. The text itself is artfully arranged, breaking from the conventional academic structure. . . ." -- Anna Nguyen * LSE Review of Books *"For those of us working inside, along, and through environmental studies, the environmental humanities, science studies, and all disciplines in between, Dear Science challenges us to confront the stories that our fields of study tell us about ourselves and the world around us and to consider what is possible if we center Black ways of knowing to imagine more equitable futures." -- Erin Gilbert and Leah Rubinsky * ISLE *"You are my black feminist answer to Borges and his short story, 'On Rigor in Science.' In the rigor and incisiveness of your stories you challenge and dismantle singular, unified, totalizing representations, narratives of classification and ways of knowing and being that discipline and punish, stifle, crush and suffocate. In their stead, you offer and practice relationality, generative collaborative praxis, black creative consciousness, method, and life. Thank you." -- Hazel Carby * Society and Space *"Dear Science is like no other scholarly book." -- Dina Georgis * Society and Space *"Dear Science and Other Stories is a one-of-a-kind,theoretical-practical-creative work that promises to intrigue, inspire, and question the reader, urging them toward new relational ways of thinking and living. It is a wonderful book, which encourages the reader to step out of their comfort zone and to explore interdisciplinary and cross-theory-making and art, in and through Black creativity and ‘livingness’, storytelling, and ways of knowing." -- Lena Anggren * Feminist Studies Association *"Katherine McKittrick's book about Black livingness and Black knowledge is a mind-altering and world-bending read that rarely leaves my side. I turn to it constantly, as a way to recognize the world that the Black studies tradition is constantly building. . . . A must-read for anyone interested in finding alternative ways of being and knowing rooted in abolition." -- Orlando Serrano * Smithsonian Magazine *"Refreshingly, Dear Science . . . [shows] what science misses in trying to define Black spiritual and corporeal existence. McKittrick urges Black studies thinkers to resist the hold of biocentric knowledge and to imagine ways of being and thinking that exist beyond and beside it." -- Cera Smith * The Black Scholar *"Dear Science is generous and expansive—disrupting normative disciplinary approaches often rehearsed in academic writing. It demands careful engagement and deep study. . . . Reading this book will, borrowing from Fanon, cause your heart to make your head swim." -- Jade How and Gada Mahrouse * Lateral *"Each exquisite sentence of Dear Science is comprised of layers of meaning. Still, McKittrick thought carefully about the importance of readability. . . . On each page of Dear Science, readers will find a reminder that Black (livingness) is beautiful, complex, and brilliant." -- Chanda Prescod-Weinstein * Catalyst *"Though McKittrick’s short book may seem humble, it offers a wide-ranging examination of both racist and liberatory methodologies. . . . To anyone working within Western academia, especially to those invested in anti-racist, feminist, and anti-colonial study, this book provides teachings, guidance, and support for re-examining one’s critical practices so they may better serve and imagine non-colonial futures." -- Tavleen Purewal * Letters in Canada *"By reading in and with black studies, Dear Science is a discipline-shattering love letter to the possibilities imbued in the black imagination." -- Ladipo Famodu & Temitope Famodu * Antipode *"McKittrick’s work, and Black Studies more broadly, are offering us a home, a safe space, outside, which is empowering and life-affirming and generous. I want us to applaud McKittrick’s work. I want us to celebrate and cherish and protect this place, outside, and to get lost in it." -- Lioba Hirsch * Antipode *Table of ContentsHe Liked to Say that This Love was the Result of a Clinical Error ix Curiosities (My Heart Makes My Head Swim) 1 Footnotes (Books and Papers Scattered about the Floor) 14 The Smallest Cell Remembers a Sound 35 Consciousness (Feeling like, Feeling like This) 58 Something That Exceeds All Efforts to Definitively Pin It Down 71 No Place, Unknown, Undetermined 75 Notes 79 Black Ecologies. Coral Cities. Catch a Wave 83 Charmaine's Wire 87 Polycarbonate, Aluminum (Gold), and Lacquer 91 Black Children 95 Telephone Listing 99 Failure (My Head Was Full of Misty Fumes of Doubt) 103 The Kick Drum Is the Fault 122 (Zong) Bad Made Measure 125 I Got Life/Rebellion Invention Groove 151 (I Entered the Lists) 168 Dear Science 186 Notes and Reminders 189 Storytellers 193 Diegeses and Bearings 211
£70.55
Duke University Press Writing in Space 19732019
Book SynopsisWriting in Space, 1973-2019 gathers the writings of conceptual artist Lorraine O'Grady, who for over forty years has investigated the complicated relationship between text and image. A firsthand account of O'Grady's wide-ranging practice, this volume contains statements, scripts, and previously unpublished notes charting the development of her performance work and conceptual photography; her art and music criticism that appeared in the Village Voice and Artforum; critical and theoretical essays on art and culture, including her classic "Olympia's Maid"; and interviews in which O'Grady maps, expands, and complicates the intellectual terrain of her work. She examines issues ranging from black female subjectivity to diaspora and race and representation in contemporary art, exploring both their personal and their institutional implications. O'Grady's writings-introduced in this collection by critic and curator Aruna D'Souza-offer a unique window into her artistic and intellectual evolution while consistently plumbing the political possibilities of art.Trade Review“Lorraine O'Grady's work has always been driven by embodied experiences, questioning the construction of identity and what it means to be human. This extraordinary volume charts O'Grady's fascinating musings on these subjects, tracing and shedding new light on her impressive forty-year career whilst highlighting the urgency and continued relevance of her work in our current moment. O'Grady once told me, ‘Everything I do could be a book’; this publication goes some way toward meeting that possibility.” -- Hans Ulrich Obrist, Artistic Director of the Serpentine Galleries“Lorraine O'Grady is one of the foremost conceptual artists of the last century. Writing in Space, 1973-2019 is an indispensable contribution to our appreciation of the breadth and innovation of her singular practice; it asks us to think beyond rigid boundaries that prevent a nuanced consideration of the mutually transformative power of ‘text’ and ‘image.’ O'Grady's practice creates new worlds, wherein photography, criticism, literature, and history leave the reader with a renewed sense of creative possibility.” -- Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem"This is the first book to offer a comprehensive overview of O’Grady’s writing. Monumental texts, canonical essays, interviews, performance transcripts, and previously unpublished material form the edited volume, affirming both the range and reach of the artist’s significant impact upon an art world that has only belatedly recognized her. . . . The book establishes O’Grady’s literary brilliance that shines through her multifaceted creative practice, as she consistently pushes the art world toward deeper thought and political consciousness." -- Alexandra M. Thomas * Hyperallergic *"Lorraine O’Grady’s importance as a performance artist has tended to overshadow her talent as a writer. Ahead of a Brooklyn Museum retrospective due next year, critic and art historian Aruna D’Souza put together a must-read volume featuring O’Grady’s shrewd musings on her own work, the intersections of Blackness and gender, and notions of visibility." -- Alex Greenberger * ARTnews *"A deeply nourishing account of her life, from the years preceding her full approach to artistry and criticism until recent times. . . . Such a collection, 46 years into O’Grady’s exceptional career, reflects how the art industry has long excluded Black women artists. It is a delicate and difficult read, and a manifestation of the many possibilities embedded in thoughtful collaboration between an artist and editor who have been longtime supporters of each other’s work." -- Tyra A. Seals * Art Papers *"This volume is more than a collection of writing by an important artist whose work and thoughts have very belatedly come to larger attention. It is an extremely eloquent analysis of the New York art world since 1973 by one of the most articulate and profound conceptual artists to address questions of race, class, diasporic identity, non-Western philosophy and aesthetics and female subjectivity." -- Andrea Kirsh * The Art Blog *"For nearly a half century, Lorraine O’Grady has produced a profound body of art and writing that reckons with and contests the logics of anti-Blackness, coloniality, and extraction that underpin cultural institutions. The texts anthologized in her new volume, Writing in Space, 1973–2019, immerse readers in O’Grady’s prescience. . . . The collection spans the four decades of O’Grady’s career with interdisciplinary writings that address questions of formal beauty in concept-driven art, interrogate where and how power operates in every part of the organization of museum space, and highlight Black avant-garde and abstract work." -- Christina Sharpe * Art in America *"An absorbing cover-to-cover read, no surprise considering the artist’s roots in literature." -- Holland Cotter * New York Times *"The book is astonishing for O’Grady’s way with words alone. We see how she refines her own artist biographies and the framing of her process over time. Her performance scripts are so richly detailed that they read like closet dramas." -- Rahel Aima * Bookforum *"[W]onderful and inspiring. . . . The collection of O’Grady’s erudite and charged writings spans 1973 to 2019; each entry contests and reimagines structures of power." -- Lisa Le Feuvre * The Art Newspaper *Table of ContentsList of Illustrations ix Acknowledgments xiii Introduction: For Those Who Will Know / Aruna D'Souza xix 1. Statements and Performance Transcripts Two Biographical Statements (2012 and 2019) 1Cutting Out the New York Times (CONYT), 1977 (2006) 6Mlle Bourgeoise Noire 1955 (1981) 8Rivers, First Draft, 1982: Working Script, Cast List, Production Credits (1982) 11 Statement for Moira Roth re: Art Is . . ., 1983 (2007) 23Body Is the Ground of My Experience, 1991: Image Descriptions (2010) 27 Studies for a Sixteen-Diptych Installation to Be Called Flowers of Evil and Good, 1995–Present (1998) 30 2. Writing in Space Performance Statement #1: Thoughts about Myself, When Seen as a Political Performance Artist (181) 37 Performance Statement #2: Why Judson Memorial? or, Thoughts about the Spiritual Attitudes of My Work (1982) 40 Performance Statement #3: Thinking Out Loud: About Performance Art and My Place in It (1983) 43Nefertiti/Devonia Evangeline (1977) 50 Interview with Cecilia Alemani: Living Symbols of New Epochs (2010) 53 Interview with Amanda Hunt on Art Is . . . (2015) 60 On Creating a Counter-confessional Poetry (2018) 64 3. Reclaiming Black Female Subjectivity Black Dreams (1982) 69 Interview with Linda Montano (1986) 77 Dada Meets Mama: Lorraine O'Grady on WAC (1992) 84 The Cave: Lorraine O'Grady on Black Women Film Directors (1992) 88 Olympia's Maid: Reclaiming Black Female Subjectivity (1992/1994) 94Mlle Bourgeoise Noire and Feminism (2007) 110 4. Hybridity, Diaspora, and Thinking Both/And On Being the Presence That Signals an Absence (1993) 115 Some Thoughts on Diaspora and Hybridity: An Unpublished Slide Lecture (1994) 119 Flannery and Other Regions (1999) 126 Responding Politicially to William Kentridge (2002) 131 Sketchy Thoughts on My Attraction to the Surrealists (2013) 136 Two Exhibits: The Diptych vs. the Triptych (1998) and Notes on the Diptych (2018) 139 Introducing: Lorraine O'Grady and Juliana Huxtable (2016) 142 5. Other Art Worlds A Day at the Races: Lorraine O'Grady on Jean-Michel Basquiat and the Black Art World (1993) 169 SWM: On Sean Landers (1994) 176 Poison Ivy (1998) 181The Black and White Show, 1982 (2009) 184 Email Q&A with Artforum Editor (2009) 198 My 1980s (2012) 203Rivers and Just Above Midtown (2013, 2015) 213 6. Retrospectives Interview with Laura Cottingham (1995) 219 Interview with Jarrett Earnest (2016) 239 The Mlle Bourgeoise Noire Project, 1980–1983 (2018) 250 Job History (from a Feminist "Retrospective") (2004) 260 First There Is a Mountain, Then There Is No Mountain, Then . . . ? (1973) 269 The Wailers and Bruce Springsteen at Max's Kansas City, July 18 1973 (1973) 278 Notes 287 Index 311 Credits
£21.59
Duke University Press Birthing Black Mothers
Book SynopsisJennifer C. Nash examines how the figure of the Black mother has become a powerful political category synonymous with crisis, showing how they are often rendered into one-dimensional symbols of tragic heroism and the ground zero of Black life.Trade Review“Viewing Black motherhood as a trending political site, Jennifer C. Nash boldly pushes Black feminists to reflect critically on their own embrace of crisis rhetoric that casts Black maternal bodies as mere symbols of state violence marked by suffering, trauma, and grief. While powerfully arguing we risk reproducing Black mothers as problems in need of intervention and relying on low-wage Black birthworkers to save them, Nash points to ways we can theorize new forms of Black maternal freedom that refuse confinement to a marketed crisis frame.” -- Dorothy Roberts, author of * Killing the Black Body: Race, Reproduction, and the Meaning of Liberty *“Investigating the fraught position in which Black mothers find themselves and the complex ways they engage with the discourse of crisis that is attached to them, Birthing Black Mothers will generate a wonderfully complex debate in Black feminism. The difficult conversations that Jennifer C. Nash’s arguments will incite are well worth the discomfort. This brilliant book is the most exciting piece of scholarship I have read this year.” -- Khiara M. Bridges, author of * The Poverty of Privacy Rights *"[An] essential examination of Black motherhood and its layered complexities of representation, performance, gaze, critique, precarity and politics." -- Karla Strand * Ms. *"Birthing Black Mothers is a highly relevant and accessible work that will appeal to students interested in various aspects of Black motherhood, as well as to a broader audience outside academia. Jennifer Nash's depiction of the contemporary crisis enriches ongoing debates around Black motherhood." -- Etyelle Pinheiro de Araujo * E3W Review of Books *"Birthing Black Mothers is an insightful and important analysis of black motherhood in the contemporary moment. . . . Nash’s most significant contribution lies in the questions she asks of black feminists; what happens when 'Black feminist innovations' are absorbed by the very institutions they are meant to challenge? What are the consequences of getting a rickety seat at an intrinsically unjust table?" -- Patricia Hamilton * Ethnic and Racial Studies *"Birthing Black Women is essential reading for those interested in reproductive justice, Black feminism, public health, and media studies." -- Jennifer Musial * Resources for Gender and Women's Studies *"The contemporary content and ingenious writing style of the author create numerous points to engage students in various subjects ranging from reproductive rights to social class, thus making it perfect for both undergraduate and graduate students. The book would easily lend itself to a women’s and gender studies or sociology program, but facilitators would be remiss to ignore the social movement underpinnings, making it ideal for political science or criminal justice courses with an emphasis on inequality, social justice, and race." -- Shauntey James * Gender & Society *Table of ContentsAcknowledgments ix Introduction. The Afterlives of Malaysia Goodson, or Black Mothering in Crisis 1 1. Black Gold: Remaking Black Breasts in an Era of Crisis 31 2. In the Room: Birthwork by Women of Color in a State of Emergency 69 3. Black Maternal Aesthetics: The Making of a Noncrisis Style 103 4. Writing Black Motherhood: Black Maternal Memoirs and Economies of Grief 133 Conclusion. The Afterlives of Jazmine Headley 173 Coda. "All Mothers Were Summoned when George Floyd Called Out for His Mama" 179 Notes 187 Bibliography 209 Index 235
£19.79
Duke University Press Black Gathering
Book SynopsisIn Black Gathering Sarah Jane Cervenak engages with Black artists and writers who create alternative spaces for Black people to gather free from interruption or regulation. Drawing together Black feminist theory, critical theories of ecology and ecoaesthetics, and Black aesthetics, Cervenak shows how novelists, poets, and visual artists such as Gayl Jones, Toni Morrison, Clementine Hunter, Samiya Bashir, and Leonardo Drew advance an ecological imagination that unsettles Western philosophical ideas of the earth as given to humans. In their aestheticization and conceptualization of gathering, these artists investigate the relationships among art, the environment, home, and forms of Black togetherness. Cervenak argues that by offering a formal and conceptual praxis of gathering, Black artists imagine liberation and alternative ways of being in the world that exist beyond those Enlightenment philosophies that presume Black people and earth as given to enclosure and ownership.Trade Review“Extending her rich study of philosophical praxis and the racial politics of wandering, Sarah Jane Cervenak explores daily practices and real-life social happenings as frames for navigating the discourses of death, subjection, and, most vitally, life. Surely this is a gathering; surely this is a beautiful work in Black aesthetics.” -- Kevin Quashie, author of * Black Aliveness, or A Poetics of Being *“Foregrounding fugitive existence in the reading of key literary texts and artworks, Black Gathering offers a powerful account of how Blackness (as it signals the without of modern representation) releases humans and nonhumans from their modern aesthetic enclosure (as subject and object of uncommitted contemplation) and juridic-economic misfortune (as subject and object of expropriation and extraction).” -- Denise Ferreira da Silva, author of * Toward a Global Idea of Race *“[Black Gathering], laid out in a captivating manner, moves from engagement with the concept of an earthly home and expands into works which explore the cosmos as well as parallel worlds. . . . This book will be of interest to advanced scholars studying the theory of African American artistic contributions.” -- Laura Christine Haynes * ARLIS/NA *“One of the key strengths of the book is its own ‘gathering’: that is, Cervenak takes up artists and works that either have been understudied or are not typically considered in the same context. . . . [Black Gathering] rewards readers interested in Black women’s (literary and visual) art, questions of form, and Black abstraction.” -- Evie Shockley * ISLE *“Black Gathering’s utopianism bespeaks an investment, inherited from performance studies, in what artworks are as well as what they do. Cervenak approaches Black ecologies not from the perspective of animality but from that of property. . . . Art, for Cervenak, generates a commons of sorts: it holds space for Black life, unenclosed.” -- Jean-Thomas Tremblay * GLQ *Table of ContentsAcknowledgments Introduction: Another Beginning Part I. Gathering's Art 1. "For a While at Least": Toni Morrison, Nikki Wallschlaeger, and the Ecoaesthetic Shapes of Home 2. The Art of the Matter: Samiya Bashir and Gabrielle Ralambo-Rajerison's Cosmopoetics Part II. The Art of Gathering 3. Arrangements Against the Sentence: Gayl Jones's Early Literature 4. "A Project From Outside": Leonardo Drew's Sculpture Conclusion: Clementine Hunter's Unscalable Field Notes References Index
£18.89
