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This exciting revised edition of Enjoy Playing Guitar: Tutor Book 2 picks up where Book 1 left off, guiding students to the next level in their musical development. Using the same clear approach and careful pacing, it introduces new positions (2nd, 5th, 7th), techniques (left-hand slurs, harmonics, the barré), and musical ideas, supported by tailored solos, duets, and trios. With extension activities to advance musicianship, a repertoire section for concert pieces, and a CD with over 60 play-along tracks, this is an ideal one-stop resource for the developing classical guitarist.

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This is a major collection of organ music for students, players, and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive, tuneful repertoire in two sets of graded anthologies, one set (3 volumes) for manuals only, the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes, Interludes, Processionals, and Postludes. The repertoire spans the 16th to the 21st century, with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players, containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing.

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British blues fan Mike Leadbitter launched the magazine Blues Unlimited in 1963. The groundbreaking publication fueled the then-nascent, now-legendary blues revival that reclaimed seminal figures like Son House and Skip James from obscurity. Throughout its history, Blues Unlimited heightened the literacy of blues fans, documented the latest news and career histories of countless musicians, and set the standard for revealing long-form interviews. Conducted by Bill Greensmith, Mike Leadbitter, Mike Rowe, John Broven, and others, and covering a who's who of blues masters, these essential interviews from Blues Unlimited shed light on their subjects while gleaning colorful detail from the rough and tumble of blues history. Here is Freddie King playing a string of one-nighters so grueling it destroys his car; five-year-old Fontella Bass gigging at St. Louis funeral homes; and Arthur "Big Boy" Crudup rising from life in a packing crate to music stardom. Here, above all, is an eyewitness history of the blues written in neon lights and tears, an American epic of struggle and transcendence, of Saturday night triumphs and Sunday morning anonymity, of clean picking and dirty deals. Featuring interviews with: Fontella Bass, Ralph Bass, Fred Below, Juke Boy Bonner, Roy Brown, Albert Collins, James Cotton, Arthur "Big Boy" Crudup, Joe Dean, Henry Glover, L.C. Green, Dr. Hepcat, Red Holloway, Louise Johnson, Floyd Jones, Moody Jones, Freddie King, Big Maceo Merriweather, Walter Mitchell, Louis Myers, Johnny Otis, Snooky Pryor, Sparks Brothers, Jimmy Thomas, Jimmy Walker, and Baby Boy Warren.

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Russian composer Sofia Gubaidulina (1931– ) has achieved international acclaim for her unique musical oeuvre which draws on Eastern and Western musical traditions and reflects a deep-rooted belief in the mystical and religious qualities of music. Kurtz's biography of Gubaidulina is the first in any language. Based on her papers and extensive interviews with Gubaidulina, her colleagues, and family, the book places her life and the evolution of her work within the broader cultural and political context of the post-Stalin Soviet Union. For the English edition, the text has been revised and updated and a chronology of Gubaidulina's life and a complete list of her works have been added.

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J. S. Bach's Suites for Unaccompanied Cello are among the most cherished and frequently played works in the entire literature of music, and yet they have never been the subject of a full-length music analytical study. The musical examples herein include every note of all movements (so one needs no separate copy of the music while reading the book), and undertakes both basic analyses—harmonic reduction, functional harmonic analysis, step progression analysis, form analysis, and syntagmatic and paradigmatic melodic analysis—and specialized analyses for some of the individual movements. Allen Winold presents a comprehensive study intended not only for cellists, but also for other performers, music theorists, music educators, and informed general readers.

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James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature. In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself—represented in both tablature and staff notation. Tyler's thorough yet practical approach facilitates access to this complex body of work.

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“Don Giovanni” Captured considers the life of a single opera, engaging with the entire history of its recorded performance. Mozart’s opera Don Giovanni has long inspired myths about eros and masculinity. Over time, its performance history has revealed a growing trend toward critique—an increasing effort on the part of performers and directors to highlight the violence and predatoriness of the libertine central character, alongside the suffering and resilience of his female victims. In “Don Giovanni” Captured, Richard Will sets out to analyze more than a century’s worth of recorded performances of the opera, tracing the ways it has changed from one performance to another and from one generation to the next. Will consults audio recordings, starting with wax cylinders and 78s, as well as video recordings, including DVDs, films, and streaming videos. As Will argues, recordings and other media shape our experience of opera as much as live performance does. Seen as a historical record, opera recordings are also a potent reminder of the refusal of works such as Don Giovanni to sit still. By choosing a work with such a rich and complex tradition of interpretation, Will helps us see Don Giovanni as a standard-bearer for evolving ideas about desire and power, both on and off the stage.

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Every opera lover enjoys a performance more when accompanied by a knowledgeable friend. In this indispensable guide, well-known opera critic Charles Osborne provides exactly that. Osborne fills in the details on 175 of the world’s most frequently performed operas, including facts about the composer and the music, a plot outline, accounts of famous performers, and much more."This book is exactly what the title claims: an opera lover's companion. Reading it is like going to the opera with a knowledgeable friend who tells you enough to make you want to see the piece but not so much you're drowned in superfluous detail."—Richard Fawkes, Opera Now"What this invaluable book contains is the ideal rundown on 175 operas from Auber's Fra Diavolo to Zimmerman's Die Soldaten, in each case putting the work in context within the composer's development, with a list of characters, a short synopsis and pointers towards the most imortant arias, duets and ensembles, all in a personal congenial tone, like unto an operatically wise and loving uncle."—Denby Richards, Musical Opinion“An erudite, instructive and unpretentious guide.”—Michael Kennedy, The Sunday Telegraph"It’s hard to imagine any other book on the subject more informative and helpful to the average enthusiast. . . . This book is one you’ll cherish."—Books in Canada

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Arduino, Teensy, and related microcontrollers provide a virtually limitless range of creative opportunities for musicians and hobbyists who are interested in exploring "do it yourself" technologies. Given the relative ease of use and low cost of the Arduino platform, electronic musicians can now envision new ways of synthesizing sounds and interacting with music-making software. In Arduino for Musicians, author and veteran music instructor Brent Edstrom opens the door to exciting and expressive instruments and control systems that respond to light, touch, pressure, breath, and other forms of real-time control. He provides a comprehensive guide to the underlying technologies enabling electronic musicians and technologists to tap into the vast creative potential of the platform. Arduino for Musicians presents relevant concepts, including basic circuitry and programming, in a building-block format that is accessible to musicians and other individuals who enjoy using music technology. In addition to comprehensive coverage of music-related concepts including direct digital synthesis, audio input and output, and the Music Instrument Digital Interface (MIDI), the book concludes with four projects that build on the concepts presented throughout the book. The projects, which will be of interest to many electronic musicians, include a MIDI breath controller with pitch and modulation joystick, "retro" step sequencer, custom digital/analog synthesizer, and an expressive MIDI hand drum. Throughout Arduino for Musicians, Edstrom emphasizes the convenience and accessibility of the equipment as well as the extensive variety of instruments it can inspire. While circuit design and programming are in themselves formidable topics, Edstrom introduces their core concepts in a practical and straightforward manner that any reader with a background or interest in electronic music can utilize. Musicians and hobbyists at many levels, from those interested in creating new electronic music devices, to those with experience in synthesis or processing software, will welcome Arduino for Musicians.

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Renegade Snares is the definitive book on drum & bass music. Pieced together using original interviews conducted with all the scene s main players, it traces the history of jungle/drum & bass from its early roots in soundsystem culture and rave music right through to the present day. With its hyper-speed breakbeats, warping bass pressure, and vast spectrum of sounds, drum & bass quick spawned a whole new movement in youth culture. What began as an outlaw street reverberation from the inner cities of Britain developed into a Mercury-winning, chart-topping, world-conquering genre in just a few short years. The frontier-breaking sorcery that emanated from its foundational producers and DJs pushed new levels of sonic science into the music world, and it has influenced all other electronic music genres in assorted ways. From the shock of the new to a global phenomenon, drum & bass has morphed from frowned-upon marginalisation to establishment approval -- and back again. A multicultural triumph, it is a story of resistance and resilience that takes in pioneers such as Goldie, Roni Size, Kemistry & Storm, Photek, Fabio & Grooverider, and many more renegade mavericks -- even, at one point, David Bowie. With vivid descriptions of key tracks and a detailed lineage of the scene s development, Renegade Snares traces the genre s gestation while also examining its musical twists and turns, worldwide spread, and enduring popularity. And, ultimately, it asks: surely a genre of music with such a significant grounding in black music culture, developed by so many black pioneers in its formative years, could never be whitewashed . . . could it?

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Even in this digital age, we haven’t moved so far from our past that there’s no room for the traditional musical format that is vinyl. In 100 Greatest Albums You Should Own On Vinyl, we collate the greatest albums to have ever been pressed and then sold on vinyl since the ’50s. From the bands and solo artists that made the music possible, to the sleeve art and limited edition extras of the records themselves, take a trip back in time to discover the ultimate artists and their best records for the definitive list of vinyl that should be part of any collection! Van Morrison Def Leppard Bob Dylan The Beatles The Rolling Stones Dr Dre Kate Bush Sex Pistols Nirvana The White Stripes The Jimi Hendrix Experience

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Dave Itzkoff is the author of Mad as Hell, Cocaine's Son and Lads. He is a culture reporter at the New York Times, where he writes regularly about film, television, theatre, music and popular culture. He previously worked at Spin, Maxim and Details, and his work has appeared in GQ, Vanity Fair, Wired and other publications. He lives in New York City.

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Hidden motifs, references, background details, set design, cameos, crossovers, inspirations and oddities in the history of cinema.

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The Pearson Edexcel GCSE Anthology of Music CD introduces the GCSE set works to a new generation of musicians and will inspire them to develop their music knowledge, understanding and skills and will help them prepare for their assessment. Published in partnership with Edition Peters and Faber Music, and edited by Julia Winterson, the audio CD contains: · all 8 set works on one CD · performances which correspond to the scores in the printed Anthology.

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A miracle of still-plentiful hair, raw sex-appeal, and strutting talent . The frontman of one of the most influential and controversial groups of all time. A musical genius with a career spanning over four decades. He is a testament to British glamour, the ultimate architect and demi-god of rock. Bestselling biographer Philip Norman offers an unparalleled account of the life of a living legend, Mick Jagger. From Home Counties schoolboy, to rebel without a cause to Sixties rock sensation and global idol, Norman unravels with astonishing intimacy the myth of the inimitable frontman of The Rolling Stones. MICK JAGGER charts his extraordinary journey through scandal-ridden conspiracy, infamous prison spell, hordes of female admirers and a knighthood while stripping away the colossal fame, wealth and idolatry to reveal a story of talent and promise unfulfilled. Understated yet ostentatious; the ultimate incarnation of modern man's favourite fantasy: 'sex, drugs and rock 'n' roll', yet blessed with taste and intelligence; a social chameleon who couldn't blend in if he tried; always moving with the Jagger swagger yet modest enough to be self-deprecating, Mick was a paradoxical energy that reconfigured the musical landscape. This revelatory tour de force is ample tribute to a flawed genius, a Casanova, an Antichrist and a god who, with characteristic nonchalance realised the dreams of thousands of current contenders and rocker pretenders, longevity, while coasting on a sea of fur rugs.

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In its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. Its rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World Is a Problem Benjamin Piekut tells the band’s story—from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later—and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group’s pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow’s story resonates far beyond its inimitable music; it speaks to the avant-garde’s unpredictable potential to transform the world.

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To celebrate its 30th anniversary of publication, a brand new edition of the ultimate combination of traditional hymns and modern worship songs.Mission Praise' is a much-loved hymn book, and has remained so since its outset in 1984. Initially used for Billy Graham's Mission England rallies where thousands of people converted to Christianity it has become a staple of worship throughout the UK and across the world.It was the first hymn book of its kind, introducing more modern styles of music into worship yet retaining the best of traditional hymnody loved by churchgoers of every age. This new, expanded edition of the complete Mission Praise' includes the whole of the existing collection of over 1000 songs and hymns, and adds the best new songs in various styles from the past few years.This brand new edition has been put together by Mission Praise''s original editorial team of Peter Horrobin and Greg Leavers, and contains in this 30th anniversary year over 100 new songs and has, by p

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"Playing in an orchestra in an intelligent way is the best school for democracy."--Daniel Barenboim The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Ricardo Muti, Andrew Patner was right there. As music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSO's changing repertories, all while cultivating a deep rapport with its four principal conductors. This book assembles Patner's reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patner's "driving survey" that playfully ranks the Maestri he knew on a scale of "total comfort" to "fright level five," and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez's and Haitink's heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind it--from the conductors' varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patner's writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics.

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At one time a star in her own right as a singer, Anna Magdalena (1701-60) would go on to become, through her marriage to the older Johann Sebastian Bach, history's most famous musical wife and mother. The two musical notebooks belonging to her continue to live on, beloved by millions of pianists young and old. Yet the pedagogical utility of this music--long associated with the sound of children practicing and mothers listening--has encouraged a rosy and one-sided view of Anna Magdalena as a model of German feminine domesticity. Sex, Death, and Minuets offers the first in-depth study of these notebooks and their owner, reanimating Anna Magdalena as a multifaceted historical subject--at once pious and bawdy, spirited and tragic. In these pages, we follow Magdalena from young and flamboyant performer to bereft and impoverished widow--and visit along the way the coffee house, the raucous wedding feast, and the family home. David Yearsley explores the notebooks' more idiosyncratic entries--like its charming ditties on illicit love and searching ruminations on mortality--against the backdrop of the social practices and concerns that women shared in eighteenth-century Lutheran Germany, from status in marriage and widowhood, to fulfilling professional and domestic roles, money, fashion, intimacy and sex, and the ever-present sickness and death of children and spouses. What emerges is a humane portrait of a musician who embraced the sensuality of song and the uplift of the keyboard, a sometimes ribald wife and oft-bereaved mother who used her cherished musical notebooks for piety and play, humor and devotion--for living and for dying.

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In one corner, a godless young warrior, Voltaire’s heralded ‘philosopher-king’, the It Boy of the Enlightenment. In the other, a devout if bad-tempered old composer of ‘outdated’ music, a scorned genius in his last years. The sparks from their brief conflict illuminate a turbulent age. Behind the pomp and flash, Prussia's Frederick the Great was a tormented man, son of an abusive king who forced him to watch as his best friend (probably his lover) was beheaded. In what may have been one of history's crueler practical jokes, Frederick challenged ‘old Bach’ to a musical duel, asking him to improvise a six-part fugue based on an impossibly intricate theme (possibly devised for him by Bach's own son). Bach left the court fuming, but in a fever of composition, he used the coded, alchemical language of counterpoint to write ‘A Musical Offering’ in response. A stirring declaration of faith, it represented ‘as stark a rebuke of his beliefs and world view as an absolute monarch has ever received,’ Gaines writes. It is also one of the great works of art in the history of music. Set at the tipping point between the ancient and the modern world, the triumphant story of Bach's victory expands to take in the tumult of the eighteenth century: the legacy of the Reformation, wars and conquest, the birth of the Enlightenment. Brimming with originality and wit, ‘Evening in the Palace of Reason’ is history of the best kind – intimate in scale and broad in its vision.

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In this eloquent, intimate exploration of the delights and demands of the piano, world-renowned concert pianist and music writer Charles Rosen draws on a lifetime's wisdom to consider every aspect of the instrument: from what makes a beautiful sound to suffering from stage fright, from the physical challenges of playing to tales of great musicians, including Vladimir Horowitz's recording tricks, Rachmaninov's hands and why Artur Rubenstein applied hairspray to the keys. Gracefully blending anecdote, history, expertise and memoir, Piano Notes will enchant anyone with a passion for music.

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FutureDJs: How to DJ is the ideal resource for anyone interested in the alchemy of mixing records. Perfect for the aspiring student with no prior knowledge as well as DJs looking to extend their skills and explore new genres. This complete guide covers all the technical foundations for DJ-ing in any genre or style, from fundamental skills such as beat-matching right through to using effects, scratching and beat-juggling. Featuring clear step-by-step instructions, stunning diagrams, at-a-glance guides to genres and packed with comments from professional DJs, this book will inspire and guide you through the creative and thrilling techniques required to become a FutureDJ. Every skill can be practised over and over in a range of genres from House, Techno and Trance to Grime, Trap, Hip-hop and Drum and Bass. “At last, a comprehensive and authentic book on the art of DJ-ing. The FutureDJs team have delivered a must-have book for anyone aspiring to become a DJ or enhance their existing skills.” Mark Brown (Cr2 Records) “This brilliant handbook will help you to develop your skills, musical understanding and sense of what makes DJ-ing unique, exciting and important as a modern musical skill. Dig in and enjoy.” Dr Pete Dale

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A collection of powerful, evocative and hilarious songs collected in the 1970s, My Song is My Own takes the reader on a musical journey of courtship, desire and sex, marriage, motherhood,childhood and work from the last five centuries. With full sheet music for every song, and accompanying lyrics, this is perfect for singers as well as readers. Each section is introduced with a a brief thematic history, showing how the music has developed over time. From ballads to industrial songs written for the mine and factory, from folk revivals to children's songs for the street and playground, this book reveals the hidden culture and history of women for us today.

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Paul Harris’s brilliant series of workbooks contains finger fitness exercises, scale and arpeggio studies, key pieces, simple improvisations and composition to help you play scales and arpeggios with real confidence. An invaluable resource for students, Improve your scales! Clarinet Grades 4-5 covers all the keys and ranges required for the Associated Board syllabus, helping you pick up valuable extra marks in exams. This new edition has been devised to support the revised criteria from the ABRSM from 2018.

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The combination of new insights into Ligeti by people who knew him with new analytical approaches will make this a core publication not only for Ligeti scholars, but also for readers interested in post-war music history and in Hungarian culture. Shortlisted for the RPS Music Award 2012 for Creative Communication. György Ligeti: Of Foreign Lands and Strange Sounds offers a new assessment of a composer whose constant exploration of new sound worlds- based on the musics of different cultures and ages - contributed in crucial ways to making him one of the most important musical voices of the last 50 years. The book combines texts by former students, colleagues and friends, who reflect on different and so far unknown aspects of Ligeti's persona, with new musicological interpretations of his style and several of his main works. Among the contributors are some of the most eminent Ligeti scholars, including Richard Steinitz and Paul Griffiths. Louise Duchesneau, Ligeti's assistant of over 20 years, acts not only as contributor but also as co-editor of the volume. Many of the musicological chapters are based on studies of Ligeti's sketches, which are now housed by the Paul Sacher Foundation in Basle and were made available for research only recently. Two close collaborators representing disciplines which deeply interested Ligeti - Heinz-Otto Peitgen (a mathematician who introduced Ligeti to fractal geometry, which influenced many if his works since 1985) and Simha Arom (an ethnomusicologist who acquainted Ligeti with the complex rhythmic patters of the music of Sub-saharan Africa) - also reflect on the composer for the very first time in writing. The combination of new insights into Ligeti by people who knew him with new analytical approaches will make this a core publication not only for Ligeti scholars, but also for readers interested in music of the second half of the twentieth century and in Hungarian culture. WOLFGANG MARX is Lecturer in Music, University College Dublin. LOUISE DUCHESNEAU was Ligeti's assistant for 20 years Contributors: SIMHA AROM, JONATHAN W. BERNARD, CIARÁN CRILLY, LOUISE DUCHESNEAU, BENJAMIN DWYER, TIBORC FAZEKAS, PAUL GRIFFITHS, ILDIKÓ MÁNDI-FAZEKAS, WOLFGANG MARX, HEINZ-OTTO PEITGEN, FRIEDEMANN SALLIS, WOLFGANG-ANDREAS SCHULTZ, MANFRED STAHNKE, RICHARD STEINITZ

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'It's Number One - it's Top of the Pops'. It's not just the story of a long-running television programme. The story of Top of the Pops is the story of British popular music. It is a shadow history of British rock & roll, and beyond. It is the story of 'Auntie' BBC getting down with the kids. It is the story of how a 6-week show turned into a pan-global phenomenon and how for 40 years, Top of the Pops was a British institution. 'It's Number One - it's Top Of The Pops' for every generation from 1964, until the show ended in 2006, that was the sentence every young television viewer sat down to hear. At its peak, a quarter of the UK's entire population was watching. Top Of The Pops was the pivotal pop television programme over its 2,000 weekly episodes, the programme gave peak airtime to every act, from The Beatles to Beyonce - from Cream to Coldplay - from Pink Floyd to Pink! From its humble beginnings in 1964 from a disused church through to the programme's pan-global appeal in the 1990s, Top Of The Pops has become synonymous with the best in pop television. With a span of nearly half a century, there are so many highlights: The Beatles only live appearance, in 1966, promoting 'Paperback Writer' - the Who getting banned - the first colour edition in 1969 - David Bowie's breakthrough performance of 'Starman' in 1972 - Nirvana's chaotic 1991 appearance promoting 'Smells Like Teen Spirit' - the Blur versus Oasis battle - Justin Timberlake playing bass with the Flaming Lips in 2003 - Top Of The Pops II was launched in 1994, bringing the programme to a whole new audience. Around the same time, the BBC licensed the "Top Of The Pops" brand to over 90 countries, with estimated audience of 100 million. Though it ceased broadcasting in 2006, thanks to the internet, compilation CDs; repeated viewing on BBC4 - Top Of The Pops lives on. This is the first book to tell that incredible story.

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Of the many girl-groups that came out of the 1960s, none is more idiosyncratic and influential than the Shangri-Las. They were together only five years, but within that time they subverted pop standards and foreshadowed a generation of tough women in music. Critically, they are not lauded in the way of the Ronettes, and they are certainly not a household name like the Supremes. They were a little too low-brow with an uncouth flair for theatrics that has placed them just left of the girl-group canon. This book examines the still-elusive validation of 1960s girl-groups as a whole, but also paradoxically aims to free the Shangri-Las from that category, viewing them instead with the sort of individuality traditionally afforded to rock groups. They were somehow able to challenge the status quo under the guise of sticky-sweet pop, a feat not many pop groups can achieve, but which they do fleetingly but not insubstantially in Golden Hits of the Shangri-Las.

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When it was first published in 2017, Jesse Fink’s masterful biography of Bon Scott became an international sensation: it made the cover of Classic Rock magazine, threats were made against the author, and there was talk among some AC/DC fans of boycotts and book burnings. So why the uproar? The legend of the man known around the world as `Bon’ grows with each passing year. In death, AC/DC’s trailblazing frontman has become a rock icon. But so much of his story is myth. Bon: The Last Highway tells the unvarnished truth. The 1977–80 period forged the legend of AC/DC. There wasn’t a harder working band on the road in America. But, as Fink reveals in a journey that takes the reader from Austin to Miami to London, the relentless AC/DC machine was threatening to fall apart. With unprecedented access to Bon’s lovers, newly unearthed documents and a trove of never-before-seen photos, this updated edition contains a new introduction and more revelations about the singer’s death, which should dispel once and for all the idea that Scott succumbed to acute alcohol poisoning on 19 February 1980. Meticulously researched and packed with fresh information, Bon: The Last Highway is an affectionate, honest tribute to a titan of rock music.

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'No musician or music lover should be without it.' BBC Music MagazineRobert Schumann was far ahead of his time: his music anticipated a multitude of trends that would spread in the 150 years after his death, and almost every major composer who followed him acknowledged his influence. He was also revolutionary in his attitude to young people; in 1848 he wrote his famous Advice to Young Musicians, a book that is still deeply relevant today. In this volume, celebrated cellist Steven Isserlis has taken Schumann's words of wisdom and set them in a modern context with his own extensive commentary. By turns practical, humorous and profound, this book is a must for aspiring musicians and music-lovers of all ages.

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Become a different drummer Drumming is natural to all of us—after all, it mimics the regular beat of our hearts. But some of us want to go further and really lay down a big beat. And no wonder—whether you want to become the powerful backbone of a band or just learn how to play a hand drum for pleasure, drumming is a lot of fun. Oh, and it’s scientifically proven to make you smarter. Bonus: healthier! Drums For Dummies gets you going on the road to becoming the drummer you want to be. Get started with the basics—what drums to buy, exercises that build your skills, and playing simple rhythms. Then move into more complex topics, explore drumming styles from around the world, and add other percussion instruments to your repertoire. Written in an easy-to-follow step-by-step style by respected instructor Jeff Strong, you’ll go from banging out basic rhythms—with or without sticks—to acquiring versatility with different styles and types of drum. The book also provides online audio files to drum along with, as well as suggestions for solo approaches to wow your bandmates. Understand fundamental techniques. Hone your technique with exercises. Explore other percussion instruments. Care for your drums. The all-time drumming great Neal Peart of the band Rush once said that when he saw a good drummer, all he wanted to do was practice. Drums For Dummies is your best way to do just that—and start hitting your perfect groove. P.S. If you think this book seems familiar, you’re probably right. The Dummies team updated the cover and design to give the book a fresh feel, but the content is the same as the previous release of Drums For Dummies (9780471794110). The book you see here shouldn’t be considered a new or updated product. But if you’re in the mood to learn something new, check out some of our other books. We’re always writing about new topics!

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'A real treat for Can fans.' SpectatorAll Gates Open is the definitive story of the most influential and revered avant-garde band of the late twentieth century: Can. In part one, Rob Young gives us the full biography- an in-depth and exhilarating history of the band.In part two, Irmin Schmidt presents an oral history of Can, drawing on extensive interviews with many musicians who cite the band as an influence, including Bobby Gillespie and Mark E. Smith.An essential book for Can fans, All Gates Open is illustrated throughout with previously unseen art, photographs and ephemera from the band's archive.

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Recently resurrected and now enjoying chart success in the 21st century, when it was formed Trojan Records epitomised the punk DIY ethic over a decade before 1976. With a blizzard of individual labels and a marketing strategy that involved selling product out of the backs of vans, the company spearheaded the injection of reggae and ska into the vein of British youth consciousness. In its first brief six-year incarnation, Trojan produced nearly 30 hit singles, created the legendary compilation series Tighten Up and launched new acts like Jimmy Cliff, Desmond Dekker, Ken Boothe, The Pioneers, Bob And Marcia, Greyhound and Dave And Ansell Collins, all against a background of cut-throat politics, cultural division and prejudice.

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Personally compiled and curated by Yoko Ono, Imagine John Yoko is the definitive inside story – told in revelatory detail – of the making of the legendary album and all that surrounded it: the locations, the creative team, the artworks and the films, in the words of John & Yoko and the people who were there. Features 80% exclusive, hitherto-unpublished archive photos and footage sequences of all the key players in situ, together with lyric sheets, Yoko’s art installations, and exclusive new insights and personal testimonies from Yoko and over forty of the musicians, engineers, staff, celebrities, artists and photographers who were there – including Julian Lennon, Klaus Voormann, Alan White, Jim Keltner, David Bailey, Dick Cavett and Sir Michael Parkinson. ‘A lot has been written about the creation of the song, the album and the film of Imagine, mainly by people who weren’t there, so I’m very pleased and grateful that now, for the first time, so many of the participants have kindly given their time to “gimme some truth” in their own words and pictures’ Yoko Ono Lennon, 2018 In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono’s ‘event scores’ in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017. Imagine John Yoko tells the story of John & Yoko’s life, work and relationship during this intensely creative period. It transports readers to home and working environments showcasing Yoko’s closely guarded archive of photos and artefacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface. All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks – including the creative process behind the double exposure polaroids used on the album cover. With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history.

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Stravinsky in the Americas explores the “pre-Craft” period of Igor Stravinsky’s life, from when he first landed on American shores in 1925 to the end of World War II in 1945. Through a rich archival trove of ephemera, correspondence, photographs, and other documents, eminent musicologist H. Colin Slim examines the twenty-year period that began with Stravinsky as a radical European art-music composer and ended with him as a popular figure in American culture. This collection traces Stravinsky’s rise to fame—catapulted in large part by his collaborations with Hollywood and Disney and marked by his extra-marital affairs, his grappling with feelings of anti-Semitism, and his encounters with contemporary musicians as the music industry was emerging and taking shape in midcentury America. Slim’s lively narrative records the composer’s larger-than-life persona through a close look at his transatlantic tours and domestic excursions, where Stravinsky’s personal and professional life collided in often-dramatic ways.

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ÊThe Complete Singer-SongwriterÊ is the ultimate guide for the modern performer chock-full of tips tools and inspiration for both aspiring troubadours and those looking to take their craft and career to the next level. Author Jeffrey Pepper Rodgers draws on firsthand interviews with songwriting legends and rising stars; expert advice from managers agents lawyers and publishers; and his own experiences as a performing songwriter. He offers this invaluable companion for singer-songwriters on their journey from idea to song to the stage studio and beyond.ÞNew in the second edition:ÞÛ A songwriter's guide to chord progressionsÞÛ Understanding song form and rhymeÞÛ Dozens of songwriting games and exercisesÞÛ Essential info on copyrighting your songs music publishing and digital royaltiesÞÛ Online companion at completesingersongwriter.com with playlists and additional resourcesÞSongwriting tips and techniques from more than 100 artists including Joni Mitchell John Mayer Paul Simon Rosanne Cash Jewel Jeff Tweedy Ani DiFranco James Taylor John Fogerty Brandi Carlile Richard Thompson Jason Mraz Rodney Crowell Jerry Garcia Dar Williams and more.

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A musical force across four decades, a voice for the ages, and a great songwriter, Chrissie Hynde is one of America’s foremost rockers. Inducted into the Rock and Roll Hall of Fame in 2005, she and her band The Pretenders have released ten albums since 1980. The Pretenders’ debut LP has been acclaimed as one of the best albums of all time by VH1 and Rolling Stone. In a business filled with “pretenders” and posers, Hynde remains unassailably authentic. Although she blazed the trail for countless female musicians, Hynde has never embraced the role of rock-feminist and once remarked, “It’s never been my intention to change the world or set an example for others to follow.” Instead, she pursued her own vision of rock—a band of “motorcycles with guitars.”Chrissie Hynde: A Musical Biography traces this legend’s journey from teenage encounters with rock royalty to the publication of her controversial memoir Reckless in 2015. Adam Sobsey digs deep into Hynde’s catalog, extolling her underrated songwriting gifts and the greatness of The Pretenders’ early classics and revealing how her more recent but lesser-known records are not only underappreciated but actually key to understanding her earlier work, as well as her evolving persona. Sobsey hears Hynde’s music as a way into her life outside the studio, including her feminism, signature style, vegetarianism, and Hinduism. She is “a self-possessed, self-exiled idol with no real forbears and no true musical descendants: a complete original.”

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When Twin Peaks debuted on the ABC network on the night of April 8, 1990, thirty-five million viewers tuned in to some of the most unusual television of their lives. Centered on an eccentric, coffee-loving FBI agent’s investigation into the murder of a small town teen queen, Twin Peaks brought the aesthetic of arthouse cinema to a prime time television audience and became a cult sensation in the process. Part of Twin Peaks’ charm was its unforgettable soundtrack by Angelo Badalamenti, a longtime musical collaborator of film director and Twin Peaks co-creator David Lynch. Badalamenti’s evocative music, with its haunting themes and jazzy moodscapes, served as a constant in a narrative that was often unhinged and went on to become one of the most popular and influential television soundtracks of all time. How did a unique collaborative process between a director and composer result in a perfectly postmodern soundtrack that ran the gamut of musical styles from jazz to dreamy pop to synthesizer doom and beyond? And how did Badalamenti’s musical cues work with Twin Peaks’ visuals, constantly evolving and playing off viewers’ expectations and associations? Under the guidance of Angelo Badalamenti’s beautifully dark sonic palette, Clare Nina Norelli delves deep into the world of Twin Peaks to answer all this and more.

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