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Book Synopsis'Good story means something worth telling that the world wants to hear. Finding this is your lonely task... but the love of a good story, of terrific characters and a world driven by your passion, courage and creative gifts is still not enough. Your goal must be a good story well told.' Robert McKeeTrade Review"'In difficult periods of writing, particularly with structure, I often turn to Robert McKee's wonderful book, Story, for guidance.' Dominic Dunne, author of Another City, Not My Own and The Two Mrs Grenvilles * 'stimulating, innovative, refreshingly practical.' Lawrence Kasdan, screenwriter, director of The Accidental Tourist, The Big Chill, Body Heat and The Empire Strikes Back * 'McKee is the arch defender of story: his book is a revelation.' Griffin Dunne, screenwriter, director, producer of After Hours, Addicted to Love, Running on Empty and Chilly Scenes of Winter * 'Since I first attended Robert McKee's course, I have sold four screenplays and two novels. I could not have done so without the wisdom and inspiration he provided.' Tim Willcocks, novelist / screenwriter of Bad City Blues, Green River Rising and Swept from the Sea"

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Book SynopsisThe number one bestseller and Sunday Times Humour Book of the Year by national treasure Bob Mortimer.‘The most life-affirming, joyful read of the year’ - Sunday Times‘Winningly heartfelt’ – The Guardian‘A triumph’ – Daily Mail Bob Mortimer’s life was trundling along happily until suddenly in 2015 he was diagnosed with a heart condition that required immediate surgery and forced him to cancel an upcoming tour. The episode unnerved him, but forced him to reflect on his life so far. This is the framework for his hilarious and moving memoir, And Away… Although his childhood in Middlesbrough was normal on the surface, it was tinged by the loss of his dad, and his own various misadventures (now infamous from his appearances on Would I Lie to You?), from burning dTrade Review‘It’s probably fairer to say that since his brush with mortality, Mortimer has come into his own. There is this book, which is a triumph… And Away is as good a celebrity autobiography as you could hope to read, and enthusiastically recommend.’ * Daily Mail *‘…(a) fascinating and often poignant memoir.’ * Daily Express & Daily Mirror *‘The book, too, grows more confident in talking about serious subjects as it progresses and it’s the honesty and openness that he allows in Gone Fishing that make And Away…, by the end, an unexpectedly moving read’ * The Observer *‘A glorious collection of stories from an extraordinary life. Once you put it down, you may get the immediate urge to pick it up again. Yes, you couldn’t let it lie.’ * Yorkshire Magazine *‘Bob Mortimer is pretty much established as a national treasure…So it's great to hear his story of how he got there first-hand…In the end he has become loved for being himself. And maybe that's the best type of success of all.’ * Beyond the Joke *‘Bob’s recent reinvention via the …Gone Fishing series means a whole new audience might indeed be surprised at how many different things he’s done and will particularly admire the non-showbiz route to stardom in our age of driven but ultimately vacuous and content-free superstars.’ * Yorkshire Bylines *‘It’s a precarious world, but And Away... is a heartfelt testament to the magic of finding your happy place within it.’ * The Sunday Times *‘(a) touching, funny autobiography.' * Observer *‘(a) comic masterpiece of a memoir: melancholically amusing, warm and witty’ * Strong Words *‘Filled with anecdotes from Mortimer’s life, And Away… contrasts humour with a deeper contemplation of life following his open-heart surgery’ * Radio Times *‘…deftly combines all the varied aspects of Mortimer’s eventful, fascinating life and paints a fully three-dimensional picture of this much-loved figure’ * Chortle *‘…it’s everything you would want from the man who is the highlight of every show you see him on’ * The Independent *

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Book SynopsisTHE SUNDAY TIMES MUSIC BOOK OF THE YEARA DAILY TELEGRAPH BEST MUSIC BOOK OF THE YEARA TELEGRAPH BEST MUSIC BOOK OF THE YEARA NEW STATESMAN BEST BOOK OF THE YEARFaith, Hope and Carnage is a book about Nick Cave's inner life.Created from over forty hours of intimate conversations with Seán O'Hagan, it is a profoundly thoughtful exploration, in Cave's own words, of what really drives his life and creativity.The book examines questions of faith, art, music, freedom, grief and love. It draws candidly on Cave's life, from his early childhood to the present day, his loves, his work ethic and his dramatic transformation in recent years.From a place of considered reflection, Faith, Hope and Carnage offers ladders of hope and inspiration from a true creative visionary.Trade ReviewAn extraordinary, uplifting book . . . This is a book you could dip into if you had no knowledge of Cave at all, just to find someone unafraid to ask all the big questions: what is grief? What is forgiveness? . . . Everyday carnage has brought forth a book of hope and freedom and life * * Daily Telegraph * *This beautiful book is a lament, a celebration, a howl, a secular prayer, a call to arms, a meditation & an exquisite articulation of the human condition. It will take your breath away -- RACHEL CLARKE * * Observer * *Illuminating . . . a great deal of beauty in Cave's descriptions of the "strange reckless power" that comes when the worst has happened . . . if it meets a need for Cave, it also feels like a gift to the reader * * Sunday Times * *An absolutely wonderful book. I don't think I've ever read so integrated and searching an engagement with how faith works, how creativity works, and how grief is bound up with both -- ROWAN WILLIAMSA masterpiece * * The Age * *Faith, Hope and Carnage redefines the potential potency of a memoir, creating a bold, brave and brilliant book that deserves to be read, reread and cherished as an illuminating reflection of how we haven't developed the vocabulary to adequately explore death and its aftermath * * Irish Times * *Ultimately enriching . . . suffused with love, teeming with ideas * * Guardian * *The most compelling book of the year - raw pain and struggle thought through and explored with rare courage * * New Statesman, Books of the Year * *Immensely eloquent and wise . . . a tender guide to the transformative potential of grief * * Telegraph, Best Music Books of 2022 * *Cave is one hell of a writer . . . An extraordinary, one-of-a-kind book . . . Cave is a miraculously fluent talker, incapable of a dull line. Many of the sentences have an aphoristic punch . . . It is impossible to overstate how unusual it is to find this depth of self-analysis and wisdom from a rock musician. Faith, Hope and Carnage makes most rock memoirs look like skips full of rusty anecdotes and grudges -- DORIAN LYNSKEY * * UnHerd * *

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Book SynopsisThis book contains nine pieces from ABRSM's Grade 6 Piano syllabus for 2021 & 2022, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information.

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Book SynopsisBright Lights Dark Shadows is the ultimate account of the rise and fall of a legendary group and a biography of great perception.

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Book SynopsisDiscovering Music Theory is a suite of workbooks and corresponding answer books that offers all-round preparation for the updated ABRSM Music Theory exams from 2020, including the new online papers. This full-colour workbook will equip students of all ages with the skills, knowledge and understanding required for the ABRSM Grade 3 Music Theory exam. Written to make theory engaging and relevant to developing musicians of all ages, it offers: - straightforward explanations of all new concepts - progressive exercises to build skills and understanding, step by step - challenge questions to extend learning and develop music-writing skills - helpful tips for how to approach specific exercises - ideas for linking theory to music listening, performing and instrumental/singing lessons - clear signposting and progress reviews throughout - a sample practice exam paper showing you what to expect in the new style of exams from 2020 As well as fully supporting the ABRSM theory syllabus, Discovering Music Theory provides an excellent resource for anyone wishing to develop their music literacy skills, including GCSE and A-Level candidates, and adult learners.

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Book SynopsisThe perfect book for dog lovers everywhere is your dog king-of-the-hillor run of the mill!Does your dog respond to hand gestures?How about facial signals?Can he perform tricks both inside and outside?Now you can find out just how smart your dog really is by giving him or her the Dog IQ Test. With three fun quizzes designed to measure your dog's communication skills, social behaviour, motor skills and memory, you'll finally discover if your dog is really a canine Einstein.Test Your Dog also comes complete with guidelines on analyzing your dog's score, tips for improving your dog's IQ and amusing illustrations throughout.

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Book SynopsisThe critically acclaimed definitive biography of Kate Bush, revised and updated for 2024, with a new foreword by Sinead Gleeson.

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Book SynopsisDubbed “the industry bible” by the Los Angeles Times, All You Need to Know About the Music Business by veteran music lawyer Donald Passman is the go-to guide for everyone in the music business through ten editions, over thirty years, and over a half a million copies sold. Now with updates explaining why musicians have more power today than ever in history; discussion of the mega-million-dollar sales of artists’ songs and record catalogs; how artist access to streaming media, and particularly TikTok, has completely reshaped the music business; the latest on music created by AI; and a full update of the latest numbers and trends.For more than thirty years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its eleventh edition, Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls: streaming. For the first time in history, music is no longer monetized by selling something—it’s monetized by how many times a listener streams a song. And also, for the first time, artists can get their music to listeners without a record company gatekeeper, creating a new democracy for music. The “industry bible” (Los Angeles Times), now updated, is essential for anyone in the music business—musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—and the definitive guide for anyone who wants to be in the business. So, whether you are—or aspire to be—in the music industry, veteran music lawyer Passman’s comprehensive guide is an indispensable tool. He offers timely information about the latest trends, including the reasons why artists have more clout than ever in history, the massive influence of TikTok, the mega million dollar sales of artists’ songs and record catalogs, music in Web3 and the Metaverse, music created by AI, and a full update of the latest numbers and practices.

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Book SynopsisDiscovering Music Theory is a suite of workbooks and corresponding answer books that offers all-round preparation for the updated ABRSM Music Theory exams from 2020, including the new online papers. This full-colour workbook will equip students of all ages with the skills, knowledge and understanding required for the ABRSM Grade 1 Music Theory exam. Written to make theory engaging and relevant to developing musicians of all ages, it offers: - straightforward explanations of all new concepts - progressive exercises to build skills and understanding, step by step - challenge questions to extend learning and develop music-writing skills - helpful tips for how to approach specific exercises - ideas for linking theory to music listening, performing and instrumental/singing lessons - clear signposting and progress reviews throughout - a sample practice exam paper showing you what to expect in the new style of exams from 2020 As well as fully supporting the ABRSM theory syllabus, Discovering Music Theory provides an excellent resource for anyone wishing to develop their music literacy skills, including GCSE and A-Level candidates, and adult learners.

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Book SynopsisThe Shining may be the first movie that ever made its audience jump with a title that simply says, Tuesday,' proclaimed The New York Times. Never has a film evoked so much dread in its audience with so little gore than Stanley Kubrick's adaptation of the 1977 novel by the master of terror himself, Stephen King, where true horror lies in the darkest corners of domesticity and isolation. Equally a study of the intricate mechanics of Kubrick's genius as an in-depth look at the making of a visual masterpiece, Stanley Kubrick's The Shining gathers hundreds of hours of exclusive new interviews with the cast and crew in an unprecedented look at the 1980 cult classic. Slip in through the back door of The Overlook Hotel to witness Kubrick's endless rounds of script rewrites, his revolutionary use of the Steadicam, the mechanics behind the infamous blood elevator, the mysterious mid-filming fire at Elstree Studios, and the countless takes needed to satisfy the meticulous force that was Kubrick. Conceived and edited by Academy Award-winning director Lee Unkrich, dubbed by The Hollywood Reporter as the world''s foremost Shining aficionado, with text by best-selling author J.W. Rinzler and a foreword by Steven Spielberg, this is the definitive compendium of the film that transformed the horror genre. The two-volume collection designed by M/M Paris includes hundreds of never-before-seen production photographs from the Stanley Kubrick Archive and the personal collections of cast and crew, rare documents and correspondence, conceptual art, an exclusive look at deleted scenes, and more. THE SHINING and all related characters and elements & Warner Bros. Entertainment Inc. (s22)

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Book SynopsisThis book contains nine pieces from ABRSM's Grade 5 Piano syllabus for 2021 & 2022, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information.

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Book SynopsisTHE SUNDAY TIMES BESTSELLERDiscover the funny, uplifting, occasionally heartbreaking and always honest life story of Phillip Schofield'[A] fantastic read on such an interesting life' Lorraine Kelly'A really smashing book' Michael BallFor forty years we've watched Phillip on our tellies, from children's TV to This Morning and Dancing on Ice, but what is it like on set and who is he when the camera's off? In Life's What You Make It Philip for the first time takes us behind the scenes of his remarkable career. From his idyllic childhood in Cornwall, where for years he pestered the BBC for a job, eventually landing a prize position in the Broom Cupboard with mischievous sidekick Gordon the Gopher, through hosting Going Live!, starring in Joseph and the Amazing Technicolour Dreamcoat and finally finding his on-screen home and presenting-partner Holly Willoughby on This Morning, Phillip takes us on the highs and lows of his extraordinary life. ____'For a long time, I felt that I couldn't wri

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Book SynopsisJill Furmanovsky has photographed legendary rock musicians for more than 50 years, including Pink Floyd, Bob Dylan, Blondie, The Clash, The Ramones, The Pretenders, Joy Division, Leonard Cohen, Amy Winehouse and Oasis. In 2024 she received a Lifetime Achievement award from Amateur Photography magazine; the Legend of the year award from So.Co for Image of Music Awards; and the Abbey Road ICON award. Noel Gallagher is the primary songwriter, lead guitarist and co-lead vocalist of Oasis, the band that defined the era of Cool Britannia. In August 1994 Oasis's first album, Definitely Maybe, entered the UK charts at number one and received widespread critical and commercial success, as did their next two albums, (What's the Story) Morning Glory? (1995) and Be Here Now (1997). The band split in 2009 but are reforming for a worldwide tour in 2025.

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Book SynopsisChoices Behind Human Communication The Interpersonal Communication Book approaches the subject of communication through integrative theory, research, and hands-on methods. A threefold approach identifies important communicative concepts: choices in interpersonal situations, the theories and research that support these choices, and the communication skills necessary to effectively use these theories. The text allows students to examine the question of how, when, and through which channels they should communicate in different contexts. The Fourteenth Edition provides the newest insights and research in person-to-person interaction, making for an up-to-date source for communication study. New features and chapter-by-chapter updates make Interpersonal Communication the most comprehensive, relevant source on the topic.

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Book SynopsisPerennially on the outside, Brian has led a solitary life; he works at Camden Council, lunches every day at Il Castelletto café and then returns to his small flat on Kentish Town Road. It is an existence carefully crafted to avoid disturbance and yet Brian yearns for more. A visit one day to the BFI brings film into his life, and Brian introduces a new element to his routine: nightly visits to the cinema on London’s South Bank. Through the works of Yasujirō Ozu, Federico Fellini, Agnes Varda, Yilmaz Güney and others, Brian gains access to a rich cultural landscape outside his own experience, but also achieves his first real moments of belonging, accepted by a curious bunch of amateur film buffs, the small informal group of BFI regulars. A tender meditation on friendship and the importance of community, Brian is also a tangential work of film criticism, one that is not removed from its subject matter, but rather explores with great feeling how art gives meaning to and enriches our lives.Trade Review‘Brian is affecting, funny and, at 184 pages, a skilfully compressed chronicle of one man’s life and the cornucopia of film that enriches it.’ — Max Liu, Financial Times‘[T]he novel’s celebration of ordinariness and anonymity…It’s a quiet and even melancholic vision…Cooper gives us chronology without event, people without relationships, art without identification, agglomeration without purpose. And so we are forced to focus on what’s left—the structure of a life story, mediated through art, but not redeemed by it.’ — Clair Wills, New York Review of Books‘What makes Jeremy Cooper’s seventh novel appealing and convincing is the author’s serene prose and tender, understated empathy…This is an affectionate, thoughtful portrait of a gentle soul.’ — David Collard, Times Literary Supplement‘I don’t think I’ve ever felt such warmth for a character, or that I’ve been able to see cinema through another’s eyes insuch a lucid, sustained way. As Brian moves further and further into a life of moviegoing, ordering his days, and then years, around it, he finds companionship and a calm sense of wellbeing. As I read this beautifully subtle novel, I found the same.’ — Amina Cain, author of A Horse at Night‘After having published his luminous Ash Before Oak, Jeremy Cooper now brings us Brian, equally a work of mysterious interiority and poetry. It confirms that however solitary life might be, art enriches both our imaginations and our realities. This is a very tender book.’ — Xiaolu Guo, author of A Lover’s Discourse‘There’s a strange magic to Jeremy Cooper’s writing. The way he puts words together creates an incantatory effect. Reading him is to be spellbound, then. I have no idea how he does it, only that I am seduced.’ — Ben Myers, author of The Offing‘Jeremy Cooper’s work is consistently haunting and layered, built on a refreshing trust in the reader to delve deeper behind the quiet insinuations of his prose. His work resists every modern accelerant, creating a patient and precise tonic. He is easily one of the most thoughtful British fiction writers working today.’ — Adam Scovell, author of How Pale the Winter Has Made Us‘This novel achieves a great deal with its close insistence on the dignity of a quiet life invigorated by the most defamiliarising art form of them all.’ — Jonathan Gharraie, Review 31‘A novel of simmering cinephilia…. Told in close third person, Brian unfolds neutrally and with little at stake, the frictionless description of the extremely circumscribed life of its protagonist often segueing to plot synopses and analyses of the scores of movies he takes in.’ — Melissa Anderson, Bookforum‘Every city has its Brians. Every cinema has its Brians. Still, in his looping disassociation, Cooper’s Brian recalls not just Bartleby[...] and Prufrock[...] but also a particularly English lineage of introverts and isolates….’ — Sukhdev Sandhu, 4 Columns‘Somewhere between a novel and a work of film criticism, Cooper’s book is a celebration of the amateur enthusiast, and a reminder of why we all need art in our lives.’ — Lucy Scholes, Prospect Books of the Year‘A novel in epistolary form, the writer and art historian’s latest work is both an intimate account of a mother-daughter relationship and a lively history of London’s art scene. It is October 1985 when Lynn moves to the capital to study at Saint Martin’s, later making a successful career as an artist. She and her mother, who is back at home in Birmingham, begin a 30-year-long written relationship – via letters, postcards and emails. Their contact is irregular, and by turns affectionate and combative, making the relationship feel engrossing, deep and utterly true.’ — New Statesman (Praise for Bolt from the Blue)‘Low-key and understated, this beautiful book ... is a civilised and melancholy document that slowly progresses towards a sense of enduring, going onwards, and even new life. It feels like a healing experience.’ — Phil Baker, Sunday Times (Praise for Ash Before Oak)

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Book Synopsis‘For however long we must keep our distance, we will continue to create, to reinvent, to strive and to feed our creativity. At a time where performers are needed more than ever, training the next generation of performers must go on!’ Glyn Trefor-Jones, from his Introduction Drama Menu is the revolutionary, hugely popular concept that has transformed the planning and delivery of drama classes for teachers and workshop leaders around the world. Choose an Appetiser or two, a Starter, a Main Course and a Dessert – and voilà! – you’ll have a delicious, dramatic banquet for your students. This new collection, Drama Menu at a Distance – created specifically to help anyone teaching drama during the COVID-19 pandemic – brings you 80 games and exercises, all of which are safe and secure to play in this new era of socially distanced teaching and online learning. It offers dynamic, brand-new exercises to energise, excite and inspire your group, alongside some firm favourites, redesigned to be played within the necessary constraints. Also included is an introduction by the author, with advice and suggestions to support you in delivering your session. Drama Menu at a Distance is the essential recipe book you need to eliminate the challenges of planning lessons and workshops in the ‘new normal’, and leave you with more time for playing. Stay safe – and bon appétit! Praise for Drama Menu: ‘An essential resource for anyone teaching drama to children of all ages… with catchy titles, clear numbering and individual exercise summaries, Drama Menu is an easily accessible, flexible and creative resource useful for any dramatic platform. A must-have for all teachers wanting to give their students the very best!’ Word Matters ‘Easy to navigate… definitely something for everyone… a really useful collection’ Teaching Drama ‘Ideal… [the author’s] knowledge and experience are apparent in his writing and this book will provide a great deal of varied and inspiring material for sessions with secondary-aged or older students, although many activities could be used with or adapted for younger age-groups’ Drama Resource ‘Unbelievably useful… every reader will find something new and of absolute hands-on usefulness… Drama Menu will become your companion’ ReviewsGate.com ‘Well organised and easy to use… a useful and relevant tool for anyone involved with facilitating drama sessions’ Drama MagazineTrade Review'An invigorating, inspiring collection… superbly reassuring, it underlines that drama workshops are still POSSIBLE, exciting and creative... for however long we need to live with Covid 19, teachers, workshop leaders and anyone with an interest and care in drama needs to not just embrace the new normal, but embrace this innovative and inspiring book' * BritishTheatre.com *'Very timely, carefully planned and well thought-out… the games will be relished by a wide age-range and will keep any drama teacher in business for quite some time' * Drama Resource *'An exceptionally timely piece… offers much-needed inspiration for safe, engaging and practical activities that will benefit many people striving to keep drama going in these unprecedented times… there are likely to be some new ideas for everyone in this volume - many of which may become permanent parts of your repertoire, even when we can rehearse normally again' * Broadway World *

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Book SynopsisA heartbreaking and hilarious memoir by iCarly and Sam & Cat star Jennette McCurdy about her struggles as a former child actor—including eating disorders, addiction, and a complicated relationship with her overbearing mother—and how she retook control of her life. Jennette McCurdy was six years old when she had her first acting audition. Her mother’s dream was for her only daughter to become a star, and Jennette would do anything to make her mother happy. So she went along with what Mom called “calorie restriction,” eating little and weighing herself five times a day. She endured extensive at-home makeovers while Mom chided, “Your eyelashes are invisible, okay? You think Dakota Fanning doesn’t tint hers?” She was even showered by Mom until age sixteen while sharing her diaries, email, and all her income. In I’m Glad My Mom Died, Jennette recounts all this in unflinching detail—just as she chronicles what happens when the dream finally comes true. Cast in a new Nickelodeon series called iCarly, she is thrust into fame. Though Mom is ecstatic, emailing fan club moderators and getting on a first-name basis with the paparazzi (“Hi Gale!”), Jennette is riddled with anxiety, shame, and self-loathing, which manifest into eating disorders, addiction, and a series of unhealthy relationships. These issues only get worse when, soon after taking the lead in the iCarly spinoff Sam & Cat alongside Ariana Grande, her mother dies of cancer. Finally, after discovering therapy and quitting acting, Jennette embarks on recovery and decides for the first time in her life what she really wants. Told with refreshing candor and dark humor, I’m Glad My Mom Died is an inspiring story of resilience, independence, and the joy of shampooing your own hair.Trade Review“[A] layered account of a woman reckoning with love and violence at once…[Not] a flippant exposé of childhood stardom, nor an angry diatribe directed at an abuser. This complexity is what makes I’m Glad My Mom Died feel real…Some supposed literary types will think the immense popularity of I’m Glad My Mom Died—the hardcover initially sold out at many major bookstores—is merely the result of McCurdy’s former stardom and modern culture’s thirst for a sensational take. With its bold headline and bright cover featuring a smirking McCurdy holding a pink urn, the book feels deliberately marketed for virality, perfect for sharing on the internet and catching the eye of bookstore browsers. I’ve mentioned the title of this memoir to some people who have dismissed it out of hand, remarking that being glad one’s parent is dead is crude and a sentiment that should be kept to oneself. But those people haven’t read the book. McCurdy takes her time to remember difficult and complex moments of her life, staying true to her younger self while ultimately trying to come to terms with who she is as an independent adult. It’s a triumph of the confessional genre.”—Nina Li Coomes, The Atlantic “Not many people rise to her level of fame or are so deeply abused, but McCurdy’s narrative will feel familiar to anyone who has navigated poverty and trauma. Taking advantage of the store discount at your dad’s retail job, tuning out screaming matches between parents, avoiding calls from debt collectors … this is what childhood is like for millions of Americans. Like many, I recognized myself in her words.”—Sabrina Cartan, Slate “Unflinching…This year’s most candid book…I'm Glad My Mom Died made me laugh; it made me cry. It's such a funny, dark, moving, honest, real, uncensored book, and it's unlike anything I've ever read.”—Mary Elizabeth Williams, Salon “[The] number-one New York Times-bestselling memoir that has also achieved pop-cultural phenomenon status…I'm Glad My Mom Died is more than source material for a deluge of headlines about Grande and the slimy advances of a Nickelodeon svengali McCurdy calls simply ‘The Creator.’ McCurdy distinguishes herself from standard-issue celebrity memoir fare with a vivid, biting, darkly comic tone and an immersive present tense.”—Michelle Ruiz, Vogue “For McCurdy, this book isn't just her writing debut. It's a reckoning with guilt and grief after her mother's premature death. It's healing from multiple eating disorders and processing decades of trauma. It's finally doing what she wants for the first time: not acting. Writing…Healing from trauma looks different for everyone: For McCurdy, writing this memoir symbolized empowerment over her narrative. And understanding that it's OK not to forgive her late mother provided her peace.”—Jenna Ryu, USA Today “Judging simply by the shocking title of Jennette McCurdy’s debut memoir, I’m Glad My Mom Died, you may think the book is a no-holds-barred, scathing takedown of her mother and everyone else who perpetuated the horrifying upbringing that the former iCarly star endured, but you’d be wrong. McCurdy’s book is certainly revealing, describing the abuse she endured from her mother, who pushed her into acting at age 6, then guided her directly into an eating disorder and much worse until her death in 2013. But beyond that, it’s a measured, heartbreakingly poignant, and often laugh-out-loud-funny memoir with McCurdy showing more sympathy for her complicated mother than most people could even imagine mustering. However, what is perhaps most important about her memoir, which is smart, well-written, and powerful, is just how much hope and help it will surely provide to those suffering similar abuses right now.”—Scott Neumyer, Shondaland “The new memoir from former child star Jennette McCurdy has an attention-grabbing title: I’m Glad My Mom Died. Over the course of the book, McCurdy, who built her name on Nickelodeon’s iCarly and Sam and Cat, more than makes her case, detailing years of her mother’s mental and physical abuse. The result is a detailed look at a very specific and individual childhood of horrors, but it also points to a major systemic problem. I’m Glad My Mom Died doubles as a damning indictment of the child star system…She paints a vivid picture of child stardom as a system in which children find themselves turned into walking piles of other people’s cash, and summarily dismantled when they lose their value. It’s damning both for the horrors she experienced as an individual and the systemic failures to which her story points.”—Constance Grady, Vox “McCurdy’s book must be written by someone. Why? It must be done because there is someone out there right now who truly believes that life will never be any different. They truly believe that they will live under their parent’s thumb, never have the life they wanted, not trust their own agency, their own minds, and people like Jennette exist to tell them: You are not wrong, you can trust yourself. You can do this too.”—Erin Taylor, Observer “A stunning memoir…[McCurdy] reveals herself to be a stingingly funny and insightful writer, capable of great empathy and a brutal punchline. It’s a document not just of all she’s endured, but also of the wisdom she accrued along the way.”—Sam Lansky, Time “A coming-of-age story that is alternately harrowing and mordantly funny.”—Dave Itzkoff, The New York Times “[A] magnum opus…sharply funny and empathetic.”—Ashley Spencer, The Washington Post “McCurdy strips away the candy-coated facade of her sitcom experiences.”—Vanity Fair “[The] US summer publishing sensation that—in short, punchy sentences delivered with a high level of self-perception—could transform the trauma memoir business…[T]he book, and the reception it has received, could return the focus of the trauma narratives to the mother and create new demand for mother-daughter accounts.”—Edward Helmore, The Guardian “[An] explosive debut…insightful and incisive, heartbreaking and raw, McCurdy’s narrative reveals a strong woman who triumphs over unimaginable pressure to emerge whole on the other side. Fans will be rapt.”—Publishers Weekly (starred review) “McCurdy asks readers a question: When and how does one rid oneself of the cage created by others and walk freely? Her stunning debut offers fierce honesty, empathy for those that contributed to her grief, and insights into the hard-fought attachments and detachments of growing older.”—Booklist (starred review) “Delivered with captivating candor and grace.”—Kirkus (starred review) “Jennette McCurdy is the queen of lemonade from lemons, using her trauma to weave a painfully funny story that also illuminates the commodification of teenage girls in America. An important cultural document just as much as a searingly personal one.”—Lena Dunham “Jennette’s road to finding herself—removed from the expectations of her mother—is impressively funny. She fuses nuanced relationships, complex grief, religious whiplash and Hollywood trauma into a bold story with a specific comedic voice.”—Jerrod Carmichael “How can a book be so sad and also so funny? It's an art, and Jennette McCurdy has mastered it here. I’m Glad My Mom Died is hysterical and heartbreaking and fascinating all at the same time.”—Jenny Lawson, New York Times bestselling author of Furiously Happy: A Funny Book About Horrible Things and Broken (in the Best Possible Way) “I'm Glad My Mom Died is furious, sad, brave, knowing, honest, heart-wrenching, and utterly compelling. McCurdy writes with a keen insight and startling compassion. Whether showing how dysfunction can seem normal to those most affected, the torture of eating disorders, or the mindfuck that is child stardom, McCurdy brings readers deep into the milieu so often hidden from outsiders. This is a beautifully crafted coming-of-age story as fearless as its author.” —Lauren Hough, New York Times bestselling author of Leaving Isn’t the Hardest Thing “Jennette McCurdy’s book is a coruscating picture of her life as a child actor, devastatingly honest and with great understanding of the psychology and emotions operating at a deep level. It’s a riveting read, entertaining and very touching.”—Hayley Mills, New York Times bestselling author of Forever Young “Jennette’s career as an actor was simply a character in a much more important story. She is a natural writer with a wonderful sense of humor. Her story is heartbreaking with a nice balance of hopeful. I could not put this book down.”—Laraine Newman, original cast member of Saturday Night Live and author of May You Live in Interesting Times

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Book SynopsisThis book contains nine pieces from ABRSM''s Grade 5 Piano syllabus for 2025 & 2026, three pieces chosen from each of Lists A, B and C - ideal for both Practical and Performance Grade exams. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. Recordings of all pieces are available on all major streaming platforms.

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Book SynopsisThe complete Fleabag. Every Word. Every Side-eye. Every Fox.Fleabag: The Scriptures includes the filming scripts and the never-before-seen stage directions from the Golden Globe, Emmy and BAFTA winning series.'Perfect' Guardian'Perfect' Daily Telegraph'Perfect' Stylist'Perfect' Independent'Perfect' Evening Standard'Perfect' Metro'Perfect' Irish Times'Perfect' RTE'Perfect' Spectator'Perfect' Refinery29'Perfect' Catholic Herald'Perfection' Financial Times***HAIRDRESSERNO.(pointing to Claire)That is EXACTLY what she asked for.FLEABAGNo it's not. We want compensation.HAIRDRESSERClaire?CLAIREI've got two important meetings and I look like a pencil.HAIRDRESSERNO. Don't blame me for your bad choices. Hair isn't everything.FLEABAGWow.HAIRDRESSERWhat?FLEABAGHair. Is. Everything. We wish it wasn't so we could actually think about something else occasionally. But it is. It's the difference between a good day and a bad day. We're meant to think that it is a symbol of power, a symbol of fertility, some people are exploited for it and it pays your fucking bills. Hair is everything, Anthony.Trade ReviewOh, Fleabag. The hot priest. The pencil haircut. The closing scene. I don't think there has ever been a show that dominated the pop culture conversation and captured the nation's hearts quite like Fleabag. When it was confirmed that the second season would be the final one, a collective mourning was palpable on Twitter and in offices alike. Fortunately, creator Phoebe Waller-Bridge keeps giving us a little more...And now we have a book to clutch: Fleabag: The Scriptures is filled with the filming scripts, stage directions and new writing from PWB herself. It's a sacred text, if ever there was one. * Red Magazine *Featuring an insight into the show's delightfully funny stage directions and a number of previously unheard set secrets, this collection of scripts and behind-the-scenes notes from Phoebe Waller-Bridge is a must read for fans * The I *There's a good reason television screenplays aren't often sold as mainstream books - "Man enters room, looks around" isn't necessarily soul-capturing stuff. But it's worth making an exception for Phoebe Waller-Bridge's Fleabag: The Scriptures, naughtily bound to look like an old Bible. The show confirmed her skills as a comic actress, but seeing the words in black and white crystallises her brilliance as a writer who can so expertly build the comedy of a scene to bursting point. It's often very moving, too * Evening Standard *It was with scepticism that I picked up this volume . . . Then I read it. Bliss. The scripts are written with such precise technical skill that it is a pleasure and an education to see their workings . . . It's a fun exercise to overlap in your mind the sound, the rhythm of the edit and the performances as you read these scripts, highly controlled though they are . . . Occasionally mumblings can be deciphered, script in hand, and ad-libs that aren't in the script identified. A good study of the moments of genius . . . Perhaps Fleabag is best left to speak for itself. Scripts as Scriptures. Amen * Spectator *

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Book SynopsisTHE HILARIOUS AND HEARTWARMING SUNDAY TIMES BESTSELLER Ant and Dec hold a special place in the hearts of TV viewers everywhere. This is their epic story, with never-before-seen photography and the very best tales from their 30 years in TV. Ant: As the old Chinese proverb says, ''Good things come in pairs''.Dec: And as another Chinese proverb says, ''If you''ve been in a double act with your best mate for thirty years, why not write a book about all your most memorable moments in three decades of showbusiness?''Ant: Less catchy that one, isn''t it?Dec: But no less true. And after three decades together, we''re writing that book. Covering everything from a pirate radio storyline in Byker Grove through to the biggest shows on telly, this is our story.Ant: Thirty years, eh? Amazing.Dec: Absolutely. Especially when you consider we are both still 27 years old.Fro

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