ELT & Literary Studies Books
Princeton University Press The Tale of Genji
Book SynopsisTrade Review"A Choice Outstanding Academic Title of the Year""[A] beautiful book. . . . An exquisite work of art in its own right. . . . [The Tale of Genji] is a fascinating way to immerse oneself not only in Genji’s world but also in the refined culture of 16th-century Japan, through both words and pictures."---Lesley Downer, Literary Review"Written in the 11th century by the Japanese noblewoman Murasaki Shikibu, The Tale of Genji is a masterpiece of prose and poetry that is widely considered the world’s first novel. This stunning compendium combines discussions of all 54 of its chapters with paintings and calligraphy from the Genji Album (1510) in the Harvard Art Museums, the oldest dated set of Genji illustrations known to exist, here fully reproduced for the first time. English and Japanese transcriptions of the album’s calligraphy are included." * Publishers Weekly *"[Tale of Genji: A Visual Companion] serves equally well as a thorough introduction to a work of great literary and art-historical importance, and a deep dive into the book’s cultural and narrative subtleties for those who are already students of The Tale of Genji. . . . McCormick’s elucidation of the sprawling, dramatic, and beautiful Tale of Genji makes this book an educational experience for those of us without access to a Harvard survey course on the subject." * Hyperallergic *"McCormick here provides a condensed version of the novel ….[Her] commentary provides not only synopses of the corresponding chapters in the original novel, but also an interpretation of the album’s calligraphy, which often includes some symbolic meaning….McCormick also analyses the paintings, all of which are phenomenal works of art."---Claire Kohda Hazelton, Times Literary Supplement
£35.70
New York University Press Becoming Human
Book SynopsisWinner, 2021 Gloria E. Anzaldúa Book Prize, given by the National Women''s Studies AssociationWinner, 2021 Harry Levin Prize, given by the American Comparative Literature AssociationWinner, 2021 Lambda Literary Award in LGBTQ StudiesArgues that Blackness disrupts our essential ideas of race, gender, and, ultimately, the humanRewriting the pernicious, enduring relationship between Blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between Black critical theory and posthumanism. Through the cultural terrain of literature by Toni Morrison, Nalo Hopkinson, Audre Lorde, and Octavia Butler, the art of Wangechi Mutu and Ezrom Legae, and the oratory of Frederick Douglass, Zakiyyah Iman Jackson both critiques and displaces the racial logic that has dominated scientific thought since the EnlighteTrade ReviewThis is a demanding, complex, and highly significant contribution to the literature on the nature of the moral and philosophical distinctions between human and nonhuman creatures...The implications for theological anthropology are, undoubtedly, shattering. * Literature and Theology *Within Western philosophy, Zakiyyah Iman Jackson shows, Black people historically have been 'animalized.' In examining these limitations of Western philosophy, Becoming Human shows that the fundamental idea of 'humanity' that has gained widespread credence in the West is flawed … Jackson makes an intervention by firmly placing Black literary and visual culture into philosophy. * Public Books *Jackson’s scholarship has been critical to my recent curatorial work. This groundbreaking book considers how Blackness can coincide with notions of the nonhuman and animality through imaginative and emancipatory modes of being, invoking a future that breaches contemporary ideas of humanism through thoughtful research and cultural references that center Black women as a site of origin. * Artforum, "Best of 2021" *Rewriting the pernicious, enduring relationship between Blackness and animality in the history of Western science and philosophy, Becoming Human: Matter and Meaning in an Antiblack World breaks open the rancorous debate between Black critical theory and posthumanism [...] What emerges is a radically unruly sense of a being, knowing, feeling existence: one that necessarily ruptures the foundations of 'the human. * Black Perspectives *Jackson states that real change will require “revolutionizing” the human body, and her prescription for freeing oneself from the limitations of gender and species requires the same “plasticity" by which Blackness and anti-Blackness continue to be defined. * CHOICE *The book presents a compelling argument and offers worthwhile suggestions. I will certainly have my undergraduates wrestle with some of this material in upcoming semesters. * Religions Journal *The sheer beauty, force, and ingenuity of Zakiyyah Iman Jackson's aesthetic strategies and gestures are on display as she performs the very risks and rewards she conjures. Offering a brilliant intervention into questions of the human, each of Jackson’s readings profoundly unsettle our presumed relations and prevailing ontologies. She reads western philosophy and science through African diasporic literatures, theories, and visual art to open us up to what is made—what might be made—in excess of the matrix of antiblackness and its constitutive forms of the human, animal, gender, and matter. In the book’s range of knowledges, reach, and scope, no field nor discipline would not benefit from a real and sustained engagement with the work that Jackson undertakes here. -- Christina Sharpe, author of In the WakeBrilliantly reframes the relation between blackened life and the category of the human, by shifting the terms of the debate. She maintains that neither dehumanization nor exclusion are sufficient to explain antiblackness and its descending scale of life. In so doing, Jackson's ‘ontological plasticity’ reveals the controlled depletion that produces the liquidity of life and fleshly existence, and enables blackened life to be anything, which is also to say nothing at all. Jackson’s rigorous and sustained meditation is relentless in exploring the possibilities for a generative disordering of being, inhabiting other senses of the world, and imagining the field of relation in ceaseless flux and directionless becoming. -- Saidiya Hartman, author of Wayward Lives, Beautiful Experiments
£21.59
Bloomsbury Publishing PLC Volpone Or The Fox
Book SynopsisVolpone, Or, The Fox is Ben Jonson's great parable of greed, self-interest and inheritance. Using animal fable to satirize the wealthy and the greedy, it remains one of his most distinctive and compelling dramatic works.Jonson wrote the play for performance in 1606, and orchestrated its publication the following year. In it, the wealthy Venetian Volpone pretends to be on his deathbed, encouraging Voltore, Corbaccio and Corvinothe vulture, raven and crowto compete for his fortune. With unflinching harshness and biting humour, Jonson portrays a society damningly hollowed out by over-monetization.This edition has been prepared by leading textual expert, John Jowett. With incisive scholarship, he explores the play's craftsmanship and examines how theatre practitioners and critics engage with it. Detailed notes explicate an authoritative text and breathe new life into it for readers today.Arden Early Modern Drama editions offer the best in contempora
£16.14
Harvard University Press Fragments
Book SynopsisAeschylus (ca. 525–456 BC) is the dramatist who made Athenian tragedy one of the world’s great art forms. Seven of his eighty or so plays survive complete, including the Oresteia trilogy and the Persians, the only extant Greek historical drama. Fragments of his lost plays also survive.Trade ReviewAlan Sommerstein’s three-volume Aeschylus…is in many respects the best critical edition of this playwright available in any format. Sommerstein’s authority as a linguist and expert in Aeschylean drama is second to none… Particularly welcome is the well-documented and clearly presented volume of Fragments—for of course the seven plays we happen to possess are by no means all that Aeschylus wrote, and not necessarily even the seven best: the trilogies dealing with Achilles at Troy, or with Pentheus and the Bacchants, for example, seem to have been especially daring and influential. The facing English translation is a trustworthy guide for all who want help in figuring out what Aeschylus (probably) wrote and meant. -- Mark Griffith * Times Literary Supplement *
£23.70
Harvard University Press Posthomerica
Book SynopsisQuintus Smyrnaeus' Posthomerica, composed between the late second and mid-fourth centuries AD, boldly adapts Homeric diction and style to fill in the story of the Trojan expedition between the end of the Iliad and the beginning of the Odyssey. This edition replaces the earlier Loeb Classical Library edition by A. S. Way (1913).
£23.70
Dorling Kindersley Ltd Great Novels
Book SynopsisDiscover everything you ever wanted to know about the world''s greatest novels.From medieval romances and tales of chivalry found in the realist novels of the 19th century, to experimental modernist works and today''s explorations of the self, Great Novels explores the finest novels from around the world and through time.Tilt at windmills with Don Quixote, experience heartbreak with Tolstoy, discover the society in which Jane Austen lived, and delve into the complex rites of passage experienced by characters in modern novels. Find out what inspired writers to create their masterpieces, what their aims were, and how they set about writing them.Dive deep into the pages of this inspiring book to discover:- Paintings, photographs, and artefacts that tell the story of each novel and what inspired their authors- Superb images of first editions and manuscripts- The flavour of each novel through quotations and extended extracts - Ch
£21.25
Duke University Press On Longing
Book SynopsisMiniature books, eighteenth-century novels, Tom Thumb weddings, tall tales, and objects of tourism and nostalgia: this diverse group of cultural forms is the subject of On Longing, a fascinating analysis of the ways in which everyday objects are narrated to animate or realize certain versions of the world. Originally published in 1984 (Johns Hopkins University Press), and now available in paperback for the first time, this highly original book draws on insights from semiotics and from psychoanalytic, feminist, and Marxist criticism. Addressing the relations of language to experience, the body to scale, and narratives to objects, Susan Stewart looks at the 'miniature' as a metaphor for interiority and at the 'gigantic' as an exaggeration of aspects of the exterior. In the final part of her essay Stewart examines the ways in which the 'souvenir' and the 'collection' are objects mediating experience in time and space.Trade Review"Stewart's work provides an oasis in contemporary criticism, a place where theory and poetry, systematic reflection and the essayistic plunge into particular cases, come together in a refreshing synthesis."—W. J. T. Mitchell"The historical richness, psychological insight and sociological subtlety of the analyses Stewart develops in On Longing are exemplary for cultural studies."—Barbara Herrnstein Smith
£18.89
Spark Animal Farm SparkNotes Literature Guide
Book SynopsisWhen an essay is due and dreaded exams loom, this title offers students what they need to succeed. It provides chapter-by-chapter analysis, explanations of key themes, motifs, and symbols, a review quiz and essay topics. It is suitable for late-night studying and paper writing.
£7.82
Bloomsbury Publishing PLC Jane Austen's England: A Walking Guide
Book SynopsisThis is an engaging account of Austen's life and work, arranged as a series of walking tours through the towns and countryside she knew and loved - the settings for her novels. The 15 circular walks in the book describe the country houses, churches, great estates and elegant cities Austen knew and introduce the reader to the real-life people she met, many of whom gave her hints for the characters in her novels. The walks include Godmersham House, the inspiration for Pemberley in Pride and Prejudice and the view from Box Hill, scene of the 'exploring party' in Emma. This remains the only guide to Austen's England.Table of ContentsIllustrations Acknowledgements A Note on the Routes Calendar Introduction 1. Steventon – Home and Family 2. Steventon – Visiting Friends and Seeing ‘The Neighbourhood’ 3. In the Hampshire Highlands – Staying with the Lloyds at Ibthorpe 4. With Edward in Kent – Goodnestone and Rowling 5. Godmersham 6. Jane Visits Bath 7. Residence in Bath 8. Holidays in Devon 9. Lyme Regis – ‘Summers by the Sea’ 10. Southampton – Jane and the Navy 11. ‘Our Chawton Home’ 12. Walking to Alton, Wyards Farm and Chawton Park 13. Great Bookham and an ‘Exploring Party’ to Box Hill 14. Jane in London 15. Winchester – Jane’s Last Journey Walking in England Book List
£15.91
HarperCollins Publishers Dickens C Tale of Two Cities
Book SynopsisHarperCollins is proud to present its range of best-loved, essential classics.''It was the best of times, it was the worst of times''Set in Paris and London against the backdrop of the French Revolution, A Tale of Two Cities tells the story of Lucie Manette and her father Alexandre, held captive in Paris's notorious Bastille prison for eighteen years. When Alexandre is finally released, the Manettes find themselves caught up in the lives of a French aristocrat and an English lawyer who compete for the love of Lucie. The ensuing tale of violence and revenge depicts the plight of the peasantry, the brutality of the early revolutionaries, and the menacing shadow of the guillotine.Serialised in Dickens's own literary periodical in 1859, A Tale of Two Cities is one of the best-known works of literature set during the French Revolution.
£7.59
Yale University Press Rhymes Reason
Book SynopsisSurveys the schemes, patterns and forms of English verse, and illustrates each variation with an original and witty self-descriptive example. In this fourth edition, the authors offer a personal take on why the book has played such an important role in the education of young poets and student scholars.Trade ReviewThe first edition of Rhyme’s Reason was awarded the Modern Language Association’s Mina P. Shaughnessy Medal for an outstanding research publication in the field of teaching English language and literature"How lucky the young poet who discovers this wisest and most lighthearted of manuals."—James Merrill"[Hollander] put everything he knew about the structures of poetry—those fabled magic tricks—into a sort of guidebook for those starting out on the trail up Mount Parnassus, as well as for those who may already know the path but would take unusual delight in Hollander’s marvelously ingenious blazes along the way. . . . There are astonishments on every page."—from the Foreword by J. D. McClatchy"This book's wit and inventive spirit, its self-describing embodiments of form, now offer the beginning poet a happy chance to discover the technician in himself."—from the Afterword by Richard Wilbur"This virtuoso work from a master, a book which is accurate and useful without ever ceasing to be funny."—Paul Fussell"What the E. B. White-William Strunk The Elements of Style is to the writing of prose, Rhyme’s Reason could very easily become to the writing of verse . . . . Marvelously comprehensive, clarifying and useful [and] a delight to read."—John Reardon, Los Angeles Times Review of Books
£12.88
Cambridge University Press The Discarded Image Canto Classics
Book SynopsisPaints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the Middle Ages and Renaissance. This, Lewis's last book, has been hailed as 'the final memorial to the work of a great scholar and teacher and a wise and noble mind'.Table of ContentsPreface; 1. The medieval situation; 2. Reservations; 3. Selected materials: the classical period; 4. Selected materials: the seminal period; 5. The heavens; 6. The longaevi; 7. Earth and her inhabitants; 8. The influence of the model; Epilogue; Index.
£14.99
Spark Hamlet SparkNotes Literature Guide
Book SynopsisWhen an essay is due and dreaded exams loom, this title offers students what they need to succeed. It provides chapter-by-chapter analysis, explanations of key themes, motifs, and symbols, a review quiz and essay topics. It is suitable for late-night studying and paper writing.
£7.49
Harvard University Press Fragments Volume II
Book SynopsisEuripides (c. 485–406 BCE) has been prized in every age for his emotional and intellectual drama. Eighteen of his ninety or so plays survive complete, including Medea, Hippolytus, and Bacchae, one of the great masterpieces of the tragic genre. Fragments of his lost plays also survive.Trade ReviewEuripides keeps us on the edge of our seats, whipping up pity, fear, surprise and shock in large doses...The splendid new two-volume Loeb edition of the fragments of Euripides, of which the second volume has just appeared, is a comforting reminder that we actually have fairly substantial knowledge of many Euripidean "lost" plays as well. -- Emily Wilson * Times Literary Supplement *
£23.70
Penguin Books Ltd Greek Tragedy Penguin Classics
Book SynopsisThree masterpieces of classical tragedy Containing Aeschylus's Agamemnon, Sophocles' Oedipus Rex, and Euripides' Medea, this important new selection brings the best works of the great tragedians together in one perfect introductory volume. This volume also includes extracts from Aristophanes' comedy The Frogs and a selection from Aristotle's Poetics.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.Table of ContentsGreek TragedyChronological TableIntroductionFurther ReadingA Note on the TextsPreface to AgamemnonAgamemnon by AeschylusPreface to Oedipus RexOedipus Rex by SophoclesPreface to MedeaMedea by EuripidesPreface to FrogsExtracts from Frogs by AristophanesPreface to PoeticsExtracts from Poetics by AristotleNotesGenealogical TablesMap of Ancient Greece
£10.44
Oxford University Press Palgraves Golden Treasury
Book SynopsisPalgrave's Golden Treasury of the Best Songs and Lyrical Poems in the English Language is probably the most famous poetry anthology ever compiled.This sixth edition, faithful to the spirit of the original, includes poems from the last thirty years, along with all of the material from previous editions. Fleur Adcock, Tony Harrison, Seamus Heaney, Peter Porter, and Anne Stevenson are among the many names to figure in the book for the first time.Table of ContentsAVAILABLE UPON REQUEST
£12.34
Oxford University Press Culture and Anarchy
Book Synopsis''The men of culture are the true apostles of equality.''Matthew Arnold''s famous series of essays, which were first published in book form under the title Culture and Anarchy in 1869, debate important questions about the nature of culture and society that are as relevant now as they have ever been. Arnold seeks to find out ''what culture really is, what good it can do, what is our own special need of it'' in an age of rapid social change and increasing mechanization. He contrasts culture, ''the study of perfection'', with anarchy, the mood of unrest and uncertainty that pervaded mid-Victorian England. How can individuals be educated, not indoctrinated, and what is the role of the state in disseminating ''sweetness and light''? This edition reproduces the original book version and enables readers to appreciate its immediate historical context as well as the reasons for its continued importance today, in the face of the challenges of multi-culturalism and post-modernism. ABOUT THE SERIE
£8.54
Oxford University Press Medieval Writers and their Work
Book SynopsisIn an updated edition of his hugely successful student introduction to English literature from 1100 to 1500, J. A. Burrow takes account of scholarly developments in the the field, most notably devoting a final chapter to the impact of historicism on medieval studies. Full of information and stimulating ideas, and a pleasure to read, Burrow''s book deals with circumstances of composition and reception, the main genres, ''modes of meaning'' (allegory etc.), and medieval literature''s afterlife in modern times. It shows that the literature of authors such as Chaucer, Gower, and Langland is more readily accessible than usually imagined, and well worth reading too. By placing medieval writers in their historical context - the four centuries between the Norman Conquest and the Renaissance - Professor Burrow explains not only how they wrote, but why.Trade ReviewThis book is the most effective introduction to Middle English literature that I know. It is everywhere alert to the ways that modern literary sensibilities need to be adjusted in order to appreciate the medieval norm, and Burrow combines astonishing learning with a pedagogical shrewdness that always picks out just the telling passage or focusing cultural fact. This second edition adds a great deal of new and equally important material to a work that had already become a classic in its own right. * Christopher Cannon, Girton College, Cambridge *Table of Contents1. The period and the literature ; 2. Writers, audiences, and readers ; 3. Major genres ; 4. Modes of meaning ; 5. The afterlife of Middle English literature ; Notes ; Bibliography
£32.49
Grove Press / Atlantic Monthly Press Ficciones
Book SynopsisThe seventeen pieces in Ficciones demonstrate the gargantuan powers of imagination, intelligence, and style of one of the greatest writers of this or any other century. Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal’s abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. More playful and approachable than the fictions themselves are Borges’s Prologues, brief elucidations that offer the uninitiated a passageway into the whirlwind of Borges’s genius and mirror the precision and potency of his intellect and inventiveness, his piercing irony, his skepticism, and his obsession with fantasy. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything in between.Trade ReviewPraise for Ficciones: “Without Borges the modern Latin American novel simply would not exist.” —Carlos Fuentes“In resounding the note of the marvelous last struck in English by Wells and Chesterson, in permitting infinity to enter and distort his imagination, [Borges] has lifted fiction away from the flat earth where most of our novels and short stories still take place.” —John Updike“These brief Ficciones have to be read one at a time, and slowly; then they throb with uncanny and haunting power.” —The Atlantic Monthly“Borges is the most important Spanish-language writer since Cervantes.” —Mario Vargas Llosa“[Borges] engages the heart as well as the intelligence; his genius strikes, undismayed as Theseus, through the labyrinths of our life and time to the accomplishment of new, inspiring and stunningly beautiful work.” —John Barth“One of the finest, subtlest, and least appreciated of comedians…[Borges is] a central fact of Western culture.” —The Washington Post Book World“Borges’s composed, carefully wrought, gnarled style is at once the means of his art and its object—his way of ordering and giving meaning to the bizarre and terrifying world he creates: it is a brilliant, burnished instrument, and it is quite adequate to the extreme demands his baroque imagination makes of it . . . . Absolutely and most vividly original.” —Saturday Review
£12.99
Harvard University Press Letters to Atticus Volume IV
Book SynopsisIn letters to his friend Atticus, Cicero (106–43 BC) reveals himself as to no other of his correspondents except perhaps his brother, and vividly depicts a momentous period in Roman history, marked by the rise of Julius Caesar and the downfall of the Republic.
£23.70
Spark Sonnets
Book SynopsisRead Shakespeare's sonnets in all their brillianceand understand what every word means! Don't be intimidated by Shakespeare! These popular guides make the Bard's sonnets accessible and enjoyable. This No Fear guide contains:The complete original textAline-by-line translation that puts the words into everyday languagePlenty of helpful commentary
£7.99
Bloomsbury Publishing PLC Being and Event
Book SynopsisSince the book's first publication in 1988, Alain Badiou's Being and Event has established itself of one of the most important and controversial works in contemporary philosophy and its author as one of the most influential thinkers of our time. Being and Event is a comprehensive statement of Badiou's philosophical project and sees him recast the European philosophical tradition from Plato onwards, via a series of analyses of such key figures as Descartes, Spinoza, Leibniz, Hegel, Rousseau, and Lacan. He thus develops the basis for a history of philosophy rivalling those of Heidegger and Deleuze in its depth.Now publishing in the Bloomsbury Revelations series to mark 25 years since the book's first publication in French, Being and Event is an essential read for anyone interested in contemporary thought.Trade Review"Badiou's approach is unique, rigorous, and interesting..." - Jill Stauffer, Theory & Event"[Badiou] develops, in the central passages of the book, his central notions of situations and events, and devotes many, often arresting pages to elucidating the mechanism by which the latter productively disrupt the former. The structure of experience is not merely open to change, pregnant with contingent revolution. This is a nice model and Badiou deploys it across a broad front." - Hugh Lawson-Tancred for The Liberal"A variety of scholars, including philosophers, mathematicians, and intellectual historians, would do well to examine this volume and seek in it threads that warrant continued examination in an era of nanotechnology and political terrorism."- Francisca Goldsmith, Library Journal, April 1, 2006 * Library Journal *"Two things are new in this much-anticipated translationof Badiou: the language and the preface. Both are instructive. TranslatorOliver Feltham stayed 'as close as possible to Badiou's syntax' but 'at theprice of losing fluidity.' Thankfully, Badiou addresses such dissonance and hislarger philosophical goals in an indispensable new preface—without which the 37weighty meditations might be lost to the layperson. Recommended..." - Publishers Weekly * Publishers Weekly *Table of ContentsNew Author's Preface Translator's Preface Introduction Book I Being: Multiple and Void. Plato/Cantor 1. The One and the Multiple: a priori conditions of any possible ontology 2. Plato 3. Theory of the Pure Multiple: paradoxes and critical decision Technical Note: the conventions of writing 4. The Void: Proper name of being 5. The Mark Æ 6. Aristotle Book II Being: Excess, State of the Situation, One/Multiple, Whole/Parts, or Î/Ì? 7. The Point of Excess 8. The State, or Metastructure, and the Typology of Being (normality, singularity, excrescence) 9. The State of the Historico-social Situation 10. Spinoza Book III Being: Nature and Infinity. Heidegger/Galileo 11. Nature: Poem or matheme? 12. The Ontological schema of Natural Multiples and the Non-existence of Nature 13. Infinity: the other, the rule and the Other 14. The Ontological Decision: 'There is some infinity in natural multiples' 15. Hegel Book IV The Event: History and Ultra-one 16. Evental Sites and Historical Situations 17. The Matheme of the Event 18. Being's Prohibition of the Event 19. MallarméBook V The Event: Intervention and Fidelity. Pascal/Choice; Hölderlin/Deduction 20. The Intervention: Illegal choice of a name for the event, logic of the two, temporal foundation 21. Pascal 22. The Form-multiple of Intervention: is there a being of choice? 23. Fidelity, Connection 24. Deduction as operator of ontological fidelity 25. HölderlinBook VI Quantity and Knowledge. The discernable (or constructible): Leibniz/Gödel 26. The concept of quantity and the impasse of ontology 27. Ontological destiny of orientation within thought 28. Constructivist thought and the knowledge of being 29. The folding of being and the sovereignty of language 30. LeibnizBook VII The Generic: indiscernible and truth. The event - P.J.Cohen 31. The Thought of the Generic and Being in Truth 32. Rousseau 33. The Matheme of the Indiscernible: P.J.Cohen's strategy 34. The existence of the indiscernible: the power of the namesBook VIII Forcing: Truth and the Subject. Beyond Lacan 35. Theory of the subject 36. Forcing: from the indiscernible to the undecidable 37. Descartes / LacanAnnexes Appendixes Notes Dictionary
£21.84
University of California Press Antonin Artaud Selected Writings
Book SynopsisArtaud remains one of the significant and influential theorists of modern theatre.--Gerald Rabkin, Rutgers University
£27.00
Harvard University Press Early Greek Philosophy Volume VI Later Ionian
Book SynopsisVolume VI of the nine-volume Loeb edition of Early Greek Philosophy includes the later Ionian and Athenian thinkers Anaxagoras, Archelaus, and Diogenes of Apollonia, along with chapters on early Greek medicine and the Derveni Papyrus.Trade ReviewIn brief, André Laks and Glenn Most give us a brilliant and beautiful reference work that can, at the same time, be easily enough read straight through. And spending a few months doing so gives the reader almost all that she needs (perhaps along with Loeb #258, Greek Elegiac Poetry) to reconstruct for herself the origins of the discipline of philosophy. I should want any graduate student or colleague in ancient philosophy or intellectual history to acquire and make their way through it. -- Christopher Moore * Classical Journal *The publication of the Loeb Classical Library’s nine-volume set, Early Greek Philosophy, gives us a new edition of the original texts, with fresh translations. It is a monumental achievement—the result of many years of dedicated work on the part of the two editors/translators André Laks and Glenn W. Most… We owe a profound debt of gratitude to the editors/translators for their thorough and impeccable scholarship, and to the publishers for their usual high standards of production. If you can afford them, don’t hesitate: you will be all the richer for having these volumes on your shelves. -- Jeremy Naydler * Minerva *André Laks and Glenn W. Most have made available to the world of scholarship in early Greek philosophy a resource of immense value. Every study of a thinker or of an issue within the thematic ambit of Early Greek Philosophy must henceforth start by canvassing and taking into account the appropriate selections in the Loeb set. -- Alexander P. D. Mourelatos * Bryn Mawr Classical Review *The publication of a Loeb Classical Library edition of the evidence for early Greek philosophy is a major event in classical scholarship…The editors and their assistants are to be commended for their exemplary execution of such a vast and difficult task. They have succeeded in producing what is far and away the best available edition of the texts of the early Greek philosophers with accompanying English translation…More than that, their edition effectively supersedes Hermann Diels and Walter Kranz’s Die Fragmente der Vorsokratiker, which has long held sway as the standard edition of the Presocratics, but it only does so because Laks and Most have respectfully taken Diels-Kranz as their model…Laks and Most have set such a high standard with this work that it is hard to imagine that we will see a better general collection on early Greek philosophy in our lifetimes…Laks and Most’s philological acumen, judiciousness as editors, and excellence as translators is evident on every page. -- John Palmer * Arion *
£23.70
Adams Media Corporation Poetry 101: From Shakespeare and Rupi Kaur to
Book SynopsisBecome a poet and write poetry with ease with help from this clear and simple guide in the popular 101 series. Poetry never goes out of style. An ancient writing form found in civilizations across the world, poetry continues to inform the way we write now, whether we realize it or not—especially in social media—with its focus on brevity and creating the greatest possible impact with the fewest words. Poetry 101 is your companion to the wonderful world of meter and rhyme, and walks you through the basics of poetry. From Shakespeare and Chaucer, to Maya Angelou and Rupi Kaur, you’ll explore the different styles and methods of writing, famous poets, and poetry movements and concepts—and even find inspiration for creating poems of your own. Whether you are looking to better understand the poems you read, or you want to tap into your creative side to write your own, Poetry 101 gives you everything you need!Trade Review"Provides anyone interested in poetry with a way to grow their knowledge. No matter how much you already know about poetry you will come away with something new by the end of Poetry 101. Dalzell is able to provide a great deal of information in a way that allows you to casually take it in while not feeling as though you are reading a textbook. I would strongly recommend this book not only to those who are interested in learning more about poetry, but also for anyone who will need to study poetry in school. Poetry 101 is perfectly written for any age reader and could tremendously help high school and college students learn and refresh their memories." * The Nerdy Girl Express *
£999.99
Harvard University Press Tragedies Volume I Hercules. Trojan Women.
Book SynopsisSeneca (ca. AD 4 65) authored verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists. Plots are based on myth, but themes reflect imperial Roman politics. John G. Fitch has thoroughly revised his two-volume edition to take account of scholarship that has appeared since its initial publication.
£23.70
Broadview Press Ltd Pride and Prejudice
Book SynopsisElizabeth Bennet is Austen’s most liberated and appealing heroine, and Pride and Prejudice has remained over most of the past two centuries Austen’s most popular novel. The story turns on the marriage prospects of the five daughters of Mr. and Mrs. Bennet, and especially on Elizabeth’s prejudice against the proud and distant Fitzwilliam Darcy. Pride and Prejudice is a romantic comedy that has been read as conservative and feminist, reactionary and revolutionary, rooted in the time of its composition and deliberately timeless. Robert Irvine’s introduction sets the novel in the context of the literary and intellectual history of the period, dealing with such crucial background issues as class relations in Britain, female exclusion from property and power, and the impact of the French Revolution. The introduction and annotations have been expanded and updated for the new edition, and a new appendix of Austen’s juvenilia has been added.Trade Review“Robert P. Irvine’s new edition of Pride and Prejudice is a superb version of Austen’s most frequently taught novel. Broadview’s Austen editions have always been my go-to for the classroom due to their rich introductions and expansive critical apparatuses, and this edition is no exception. Irvine’s cogent and insightful introduction clarifies the novel’s contexts and intertexts for both students and scholars, but what really set this and Broadview’s other Austen editions apart are the excellence and depth of their appendices; this one includes contemporary reviews and judiciously chosen excerpts from conduct books and texts on domestic tourism, on the French Revolution, and on militia regiments, as well as selections from Austen’s letters and juvenilia, all of which richly contextualize Pride and Prejudice for twenty-first-century readers. This edition will be a valuable resource for Austen scholars at all levels, perhaps especially for students who approach the novel with limited knowledge of the period.” — Suzanne L. Barnett, Manhattan College“This is my new go-to edition of Pride and Prejudice. Robert Irvine’s introduction usefully elucidates the social, political, and literary contexts of the novel, and his illuminating explanatory notes are indispensable for today’s student. As with all Broadview Editions, a range of supplementary materials offers productive frameworks for teaching the novel and will benefit both new and veteran readers of Austen.” — Mary-Catherine Harrison, University of Detroit MercyTable of Contents Acknowledgements Introduction Jane Austen and Her Time: A Brief Chronology A Note on the Text Map Pride and Prejudice Appendix A: From the Juvenilia (1792–93) 1. From Volume the First: “The Three Sisters” 2. From Volume the Second: “From a young Lady in distress’d Circumstances to her freind” Appendix B: From Austen’s Letters to Her Sister Cassandra 1. To Cassandra Austen, 8–9 January 1799 2. To Cassandra Austen, 11 June 1799 3. To Cassandra Austen, 29 January 1813 4. To Cassandra Austen, 4 February 1813 Appendix C: Contemporary Periodical Reviews of Pride and Prejudice 1. British Critic (February 1813) 2. From Critical Review (March 1813) Appendix D: From the Conduct Books 1. From James Fordyce, Sermons to Young Women (1766) 2. From Dr. John Gregory, A Father’s Legacy to His Daughters (1774) Appendix E: Domestic Tourism 1. From William Watts, The Seats of the Nobility and Gentry (1779) 2. From William Bray, Sketch of a Tour into Derbyshire and Yorkshire (1777) Appendix F: Burke on the French Revolution1. From Edmund Burke, Reflections on the Revolution in France (1790)Appendix G: Discussion of Women’s Role after the French Revolution 1. From Mary Wollstonecraft, A Vindication of the Rights of Woman 2. From Hannah More, Strictures on the Modern System of Female Education (1799) Appendix H: The Militia Regiments on the South Coast of England in 1793–95 1. Women at the Brighton Camp, from The Sussex Weekly Advertiser (1793, 1795) 2. The Mutiny of the Oxfordshire Militia, from The Sussex Weekly Advertiser (1795) Works Cited and Select Bibliography
£15.73
University of Wales Press Introducing the Medieval Dragon
Book SynopsisThe aim of this book is to explore the characteristics of the medieval dragon and discuss the different and sometimes differing views found in the relevant medieval text types. This study is based on an intimate knowledge of the primary texts and presents new interpretations of well-known literary works and also takes into consideration paintings and other depictions of these beasts. Dragons were designed not only to frighten, but also to fire the imagination, and provide a suitably huge and evil creature for the hero to overcome - yet there is far more to them than reptilian adversaries. This book introduces the medieval dragon via brief, accurate and clear chapters on its natural history, religion, literature and folklore, and concludes with how the dragon is constantly revived - from Beowulf to Tolkien, Disney and Potter.Table of ContentsPreface List of illustrations Introduction The Dragon and Medieval Scholarship The Dragon and Medieval Religion The Medieval Dragon and Folklore The Dragon and Medieval Literature Outlook and Conclusion Endnotes Further reading Bibliography Index
£11.39
Harvard University Press Roman History Volume II
Book SynopsisAppian (ca. AD 95–161) is a principal source for the history of the Roman Republic. His theme is the process by which Rome achieved her contemporary prosperity, and his method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. This Loeb edition replaces the original by Horace White (1912–13).Trade ReviewA superb, nuanced translation…It is not simply that McGing updates the translation to reflect contemporary idiom; he also breathes new life into Appian’s prose on almost every page…This exceptionally well executed Loeb is a welcome resource that will be deeply appreciated by all those interested in Appian and his remarkable Roman History as well as expand his appeal to a new generation of readers. -- Alain M. Gowing * Bryn Mawr Classical Review *I have not read any fictions that have more dramatic tension, philosophy, or narrative curiosities than this history of Appian’s. * Pennsylvania Literary Journal *
£23.70
Bodleian Library Jane Austen: The Chawton Letters
Book SynopsisIn their celebration of ‘little matters’ – the regular round of visiting, dining out, drinking tea, of reading and walking to the shops and sending to the post – Jane Austen’s letters and novels have many similarities. The thirteen letters collected by Jane Austen’s House Museum, in Chawton, Hampshire and reproduced in this book give us intimate glimpses into her life in Bath and Chawton and on visits to London, many of their details finding echoes in her fiction. 'Jane Austen: The Chawton Letters' traces a lively story beginning in 1801, when, aged twenty-five, Jane Austen left Steventon in Hampshire to move to Bath. Later letters relish the shops, theatres and sights of London, but are interspersed from 1809 with the quieter routines of village life in Chawton, Hampshire, which was to be her home for the remainder of her short life. We learn here of her anxieties for the reception of Pride and Prejudice, her care in planning Mansfield Park and the hilarious negotiations over the publication of Emma. These letters, each accompanied by reproductions from the original manuscripts in Jane Austen’s hand, testify to Jane’s deep emotional bond with her sister: the most moving letter of all is that written by Cassandra only days after Jane’s death in Winchester in July 1817. Brought together in this little book, these artefacts make a delightful modern-day keepsake of correspondence from one of the world’s best-loved writers.Trade Review'Exquisitely bound and printed, with an excellent introduction by Kathryn Sutherland, this is a book that will delight any Austen reader … a real treasure that will find its way on to many a fan's bookshelf.' * Jane Austen's Regency World *Table of ContentsAcknowledgements Chronology Introduction Letters Further Reading Index
£14.24
Orion Publishing Co The Art of Discworld GOLLANCZ SF
Book SynopsisA sumptuous illustrated journey through Terry Pratchett''s DISCWORLD; a companion volume to THE LAST HEROIn THE ART OF DISCWORLD, Terry Pratchett takes us on a guided tour of the Discworld, courtesy of his favourite Discworld artist, Paul Kidby. Following on from THE LAST HERO, THE ART OF DISCWORLD is a lavish 112-page large format, sumptuously illustrated look at all things Discworldian. Terry Pratchett provides the written descriptions while Paul Kidby illustrates the world that has made Pratchett one of the best-selling authors of all time. Here you will find favourites old and new: the City Watch, including Vimes, Carrot and Angua, the three witches - Granny Weatherwax, Nanny Ogg and Magrat Garlick - and the denizens of the Unseen University Library, not forgetting the Librarian, of course. They''re all here in sumptuous colour, together with the places: Ankh-Morpork, Lancre, Uberwald and more ...No Discworld fan will want to be without this beautiful gift
£17.09
Harvard University Press The Picture of Dorian Gray An Annotated
Book SynopsisThe Picture of Dorian Gray altered the way Victorians understood the world they inhabited, heralding the end of a repressive era. Now, more than 120 years after Wilde handed it over to his publisher, Wilde’s uncensored typescript is published here for the first time, in an annotated, extensively illustrated edition.Trade ReviewNicholas Frankel has done a great service to Oscar Wilde's readers in preparing this new edition of The Picture of Dorian Gray. His introduction and annotations deepen our understanding not only of Wilde the writer but of the political and sexual milieu in which he lived and published. This is the kind of scholarship that reminds us why scholarship matters. -- David LeavittFrankel's extensive annotations reveal that the homoerotic qualities of the novel are deeply encoded within it and cannot be excised by the removal of a few phrases...If the restored text is interesting primarily as a social document of what was and was not permissible in England in the 1890s, it poignantly reveals an author desperately at war with his society and with himself. -- Ruth Franklin * New Republic online *In pages redolent of fin-de-siecle languor and sparkling with bons mots, Wilde's only novel raises several seriously troubling questions: If one could live a life of absolute freedom, would the result be happiness or a nightmare? How much of our complex selves do we deny or sacrifice to conventional morality? ...This Harvard edition of the untouched typescript is thus a necessary acquisition for any serious student of Wilde's work...After this enthralling novel has left you shaken and disturbed, look for deeper understanding in Nicholas Frankel's superb annotated edition. -- Michael Dirda * Washington Post *This edition gives us a chance to read Wilde's text in a form as close as possible to the way he meant it to appear. -- Sarah Boslaugh * PopMatters *The Picture of Dorian Gray categorically changed Victorian Britain and the landscape of literature. An ostentatious, self-confessed aesthete, known for his wit and intellect, Wilde not only had to endure his prose being labeled "poisonous" and "vulgar," but also suffer its use as evidence in the ensuing trial, resulting in his eventual imprisonment for crimes of "gross indecency." Frankel's introduction provides a deft preliminary analysis of the novel itself--exploring etymology and extensive editorial alterations (both accidental and deliberate)--and offers valuable insight into the socio-cultural juxtaposition of aristocratic Victorian society and the London underworld. The original typescript provides the unique opportunity to examine what was considered acceptable in both the U.S. and UK at the time...A fine contextualization of a major work of fiction profoundly interpreted, ultimately riveting. * Publishers Weekly (starred review) *There is a good argument that the published version of the novel is not quite true to its author's intent or achievement, and Nicholas Frankel, who teaches English at Virginia Commonwealth University, has now set things right--and in handsome fashion. He has skillfully restored Wilde's original version, and in the manner of other great annotated editions, supplied readers with everything anyone would need to know about Oscar Wilde, The Picture of Dorian Gray, and their lives and times...The entire product--novel and critical/biographical material--makes fascinating reading. -- Philip Terzian * Weekly Standard *Like Harvard University Press's other beautiful annotated editions of classics, this is both handsome and instructive. -- David Azzolina * Library Journal *A richly annotated and illustrated volume edited by Nicholas Frankel. It is not often that a piece of serious scholarship is accorded such deluxe treatment, and in this case it is a cause for real celebration, for Frankel has provided a wealth of supplemental material and visual matter, as well as a "Textual Introduction" and a series of notes that explain references and cultural context, help the reader understand the editing processes, and point out the passages that were singled out for deletion...This annotated version [is] a treasure for scholars and for anyone with a serious interest in Wilde, the 1890s, and Aestheticism. -- Brooke Allen * Barnes & Noble Review *Oscar Wilde's novel The Picture of Dorian Gray may have outraged Victorian society even more had his editor not deleted sections of his original text...These passages and others deemed risky 120 years ago now appear for the first time. -- Nicholas Clee * The Times *Splendid...Profusely illustrated and annotated, the edition's most interesting feature will be a comparison of the original hand-emended typescript with the two main published versions, each of which toned down the novel in a vain effort to avoid the notoriety that descended on both the work and its author...Frankel's edition is a major contribution to the studies of Wilde and of late Victorian legal, sexual, and social contexts...Required reading for students and scholars of Wilde and his period. -- George Bornstein * Times Literary Supplement *In this day of Kindles, e-books and tweets, this is truly a magnificent job of bookmaking. Oversized, lavishly illustrated and gorgeously presented, Oscar would have loved it. The text is examined minutely, with a variety of comparisons from various publications of the novel, as well as Wilde's original manuscript...The scholarship is both astounding and informative. The annotator and editor, Nicholas Frankel, easily and effortlessly places the modern reader in Wilde's time and place, London's late Victorian Age in London. There is still a tingle to Dorian's story of endless debauchery while he remains looking pure and innocent for decades and the painting ages and grows monstrous, reflecting his sins and crimes. Strangely, the book seems more modern than one would imagine. Rather than merely a potboiler from two centuries back, Wilde's genius imbues the story with a strange and haunting immediacy, and a cautionary tale for us all: Be careful what you wish for. One could hardly wish for a more beautifully accoutered book. -- Alan W. Petrucelli * Pittsburgh Examiner *There is much to be appreciated in this handsome scholarly edition...Frankel [is] an accomplished guide and this edition an elegant resource that enables us to admire all the more deeply the portrait and the artist. -- Richard Gibson * Books & Culture *The version that Wilde submitted to Lippincott's [published for the first time by Harvard University Press] is the better fiction. It has the swift and uncanny rhythm of a modern fairy tale--and Dorian is the greatest of Wilde's fairy tales. -- Alex Ross * New Yorker *It's a revelatory exercise to examine the text of Wilde's original typescript...It yields a deeper understanding of its author and of the hypocrisy and intolerance of late-Victorian English society which led to his two-year imprisonment for "gross indecency."...With this landmark edition we have the opportunity, until now denied us, to read what the author originally wrote. It unquestionably belongs on every Wildean's shelves. -- Joel Greenberg * The Australian *Oscar Wilde's The Picture of Dorian Gray has the distinction of being one of the few pieces of literature that grew longer by way of being censored...It's seven chapters longer than his original version, which now appears for the first time from Harvard University Press by way of a brilliant scholarly presentation of the typescript Wilde submitted to the Philadelphia office of Lippincott's magazine...The typescript (in the UCLA library, but published for the first time here) is, besides truer to Wilde's original intentions, a vastly better novel than the one Lippincott's Monthly Magazine published, say nothing of the much expanded version England's Ward, Lock and Company brought out the next year, the one most of us know. To call Wilde's earlier version leaner would miss the flavor and point of this aestheticism-drenched work, but it's a swifter, bolder, more uncompromising, less moralistic and in every respect more affecting work than its edited, rewritten, or otherwise censored versions. Who would have thought a scholarly edition would be the one to have? But everything about Nicholas Frankel's revelatory new edition of the typescript of The Picture of Dorian Gray is game-changing. Reading it is like viewing a painting by Michelangelo--one of the great artists Wilde named while explaining what he meant by the phrase "the love that dare not speak its name" (to cheers of applause from some in the gallery) in the 1895 court trial--returned to its original glory by deeply knowledgeable, painstaking art restorers. If it did nothing more, Frankel's exhaustively researched book would be a dream presentation of any edition of Dorian Gray, lavishly illustrated with relevant art of the period, including priceless photographs that bring the details of Wilde's book, amazingly now 120 years old, to vivid life. The typescript text is larded with footnotes I'm tempted to describe as being as absorbing as Wilde's writing, except that no one's writing is more captivating than Wilde's, as Frankel would be the first to agree...Entry by entry, Frankel's painstaking explication of the culture Wilde's writing was both a product of, and immeasurably advanced, makes this dense, brilliant book comprehensible...Once through this seminal text with all its notes, illustrations, and explanations, the drive is to go back and re-read the typescript (easily recognized by its larger typeface) all over again, just because it's such a terrific book. -- Tim Pfaff * Bay Area Reporter *We now have an uncensored Dorian, which is very exciting...[It's] a beautifully produced volume: lots of white space, helpful annotations, crisp color illustrations and photographs. -- Nikolai Endres * Victorians *[A] superbly annotated new edition of Wilde's novel. -- Colm Tóibín * London Review of Books *
£39.06
Harvard University Press Roman History Volume VI
Book SynopsisAppian (ca. AD 95–161) is a principal source for the history of the Roman Republic. His theme is the process by which Rome achieved her contemporary prosperity, and his method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. This Loeb edition replaces the original by Horace White (1912–13).Trade ReviewA superb, nuanced translation…It is not simply that McGing updates the translation to reflect contemporary idiom; he also breathes new life into Appian’s prose on almost every page…This exceptionally well executed Loeb is a welcome resource that will be deeply appreciated by all those interested in Appian and his remarkable Roman History as well as expand his appeal to a new generation of readers. -- Alain M. Gowing * Bryn Mawr Classical Review *I have not read any fictions that have more dramatic tension, philosophy, or narrative curiosities than this history of Appian’s. * Pennsylvania Literary Journal *
£23.70
Oxford University Press The Dukes Children Complete
Book SynopsisThe Duke's Children is a novel about sorrow and loss, and about a parent s pained discovery that our children inevitably grow to love us less than we love them.Trade Review[The Duke's Children], edited by the American scholar Steven Amarnick, now appears in paperback, as an Oxford World's Classic. At long last, all the children of The Duke's Children are fully born. [...] Entombed for more than a century, the extended, original "Duke's Children" arrives as a stroke of good fortune. The inclusion of 65,000 additional words allows for a statelier pace, a suitable spaciousness wherein a headstrong Plantagenet can reconcile himself to the invincible unreason of young love. * Brad Leithauser, Wall Street Journal *Table of ContentsIntroduction Select Bibliography Note on the Text Chronology The Duke's Children Explanatory Notes Name Index
£11.69
Saqi Books Revolt Against the Sun
Book SynopsisA key resource for students and teachers of Arabic and world literature, as well as for readers interested in discovering an alternative narrative of modern Iraqi culture.
£13.49
Princeton University Press The Chinese Tragedy of King Lear
Book Synopsis
£22.50
Oxford University Press George Eliot
Book Synopsis
£9.49
Pearson Education Limited Pride and Prejudice York Notes for AS A2
Book SynopsisTable of Contents Part 1: Introducing Pride and Prejudice Part 2: Studying Pride and Prejudice Part 3: Characters and Themes Part 4: Structure, Form and Language Part 5: Contexts and Critical Debates Part 6: Grade Booster Essential Study Tools
£7.99
James Currey A History of Modern Ethiopia 18551991
Book SynopsisUpdated and revised edition.Trade ReviewReviews of the first edition (1855-1974): 'Bahru Zewde, one of present-day Ethiopia's leading historians, must be thanked for producing the first serious history of his country from the coronation of the reforming emperor Tewodros in 1855 to the Ethiopian Revolution of 1974. The work encompasses the lives of Ethiopia's four last, and most important, monarchs: Tewodros, Yohannes, Menilek and Hayla Sellase, whose reigns, as the author presents them, form an historical continuum. The text is valuable in that it provides an historical overview of virtually the entire area of present-day Ethiopia, with sections on the south of the country, largely ignored by previous historians, as well as on the better-documented Semitic north. ... The book, though less than 250 pages in length, is packed with information not readily available elsewhere, and contains valuable new historical insights. There are moreover interesting discussions of how events in one part of the region influenced the situation in others...there are also interesting sections on such topics as Hayla Sellase's ideas of government. ...The author does not ignore the more positive features of the occupation. ... Bahru's work is the first history of modern Ethiopia to be written by an Ethiopian, and thus provides a new perspective. Though later imprisoned for several years by Ethiopia's post-imperial regime he does not see the Hayla Sellase era, through which he lived as a student, with rosy spectacles. -- Richard Pankhurst * JOURNAL OF THE ROYAL ASIATIC SOCIETY *...gaping void now filled with distinction by Bahru Zewde...He achieves too, the difficult tasks of balancing the political history of warlords and emperors with social and economic developments, and relating internal developments to the progressive increase in external pressures. His judgements are succinct and illuminating. ...In short, it is a model of its kind. -- Christopher Clapham * AFRICAN AFFAIRS *... timely ... wealth of illustrative material ... Required reading for practitioners, graduate students and advanced undergraduates. - * CHOICE *Table of ContentsPreface to 2nd edition - The background - Unification & independence 1855-1896 - From Adwa to Maychaw 1896-1935 - The Italian occupation 1936-1941 - From liberation to revolution 1941-1974 - Revolution & its Sequel - Conclusion
£23.74
University of Toronto Press The Typewriter Century
Book SynopsisThis book captures the intensity of the relationship between writers and their typewriters from the 1880s, when the machine was first commercialized, to the 1980s, when word-processing superseded it. Drawing on examples from the United States, Britain, Europe, and Australia, The Typewriter Century focuses on celebrity writers, including Henry James, Jack Kerouac, Agatha Christie, Georges Simenon, and Erle Stanley Gardner, who wrote prolifically and mechanically, developing routines in which typing, handwriting, and dictation were each allotted important functions. The typewriter de-personalized the text; the office typewriter bureaucratized it. At the same time, some authors found a new and disturbing distance between themselves and their compositions while others believed the typewriter facilitated spontaneous and automatic typing. The Typewriter Century provides a cultural history of the typewriter, outlining the ways in which it can be considered an agent of Trade Review"Well written and really entertaining, with numerous interesting individual findings, Martyn Lyons' book provides a useful introduction to a complex field of research." -- Kim Christian Priemal, University of Oslo * H-Soz-Kult *"This is a useful study of the complex impacts of the typewriter on the practices of different writers in the twentieth century. It contextualizes existing research approaches to this set of questions effectively and offers original insights into the history of the typewriter as a technology and its interactions with the social position of writers and the market for published literary works." -- Morag Shiach, Queen Mary University of London * Journal of British Studies *"With so many technological changes in our lives, the typewriter has become a clear symbol of the transformation from manual to digital technology. In The Typewriter Century, Martyn Lyons plays homage to this once cherished tool of authors, tracing its history from an eighteenth-century ‘writing machine’ to the post-digital age. Along the way, he recounts how famous authors felt about their typewriters, and how changes in the typewriter also changed the writing process itself, not always for the better." -- Gretchen Webster * Publishing Research Quarterly *"The Typewriter Century is clearly the result of extensive research but that does not inhibit the prose, which is very engaging. This book will interest scholars concerned with the means of production, and it will also appeal to general readers who are curious about the history of technology and writing." -- Alice Grundy, Australian National University * SHARP News *“This book will be of interest to historians of typewriters and office work and a wider audience curious about the writing practices of some of the most legendary authors since the 1880s.” -- James Inglis * Technology and Culture *Table of ContentsList of Illustrations Acknowledgments 1. Introduction: The Typewriter as an Agent of Change? 2. The Birth of the Typosphere 3. Modernity and the Typewriter Girl 4. The Modernist Typewriter 5. The Distancing Effect: The Hand, the Eye, the Voice 6. The Romantic Typewriter 7. Manuscript and Typescript 8. Georges Simenon: The Man in the Glass Cage 9. Erle Stanley Gardner: The Fiction Factory 10. Domesticating the Typewriter 11. The End of the Typewriter Century and Post-Digital Nostalgia Bibliography Index
£21.59
Oxford University Press Elizabeth Bishop A Very Short Introduction Very
Book SynopsisVery Short Introductions: Brilliant, Sharp, Inspiring Elizabeth Bishop has been described as the ''best-loved'' poet in English of the second half of the twentieth century. This Very Short Introduction explores the 90 or so published poems that are at the core of her remarkable canon of verse. Drawing on biographical and critical material, Jonathan Post also makes frequent use of Bishop''s letters and commentary by fellow poets, including Marianne Moore, Robert Lowell, and James Merrill to illuminate her writing and contemporary literary landscape. Throughout, Post places Bishop''s lyric poetry within the context of her life and aesthetic values, showing how these shaped her work. The book covers a wide range of core themes present in her poetry, including her powerful use of description, the environment, balance, and ideas of love and loss, as well as looking at Bishop''s interest in the visual arts. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Trade ReviewA generous, sensitive overview of Bishops life and work. - Kimberly Johnson, Brigham Young University, George Herbert JournalI would recommend this book to any reader of Bishop because Professor Post's insights are fine-tuned with a good ear and extensive poetic foundation. * Angus Cleghorn, Seneca College, Toronto, The Elizabeth Bishop Centenary *Jonathan F. S. Post has written a fine guide. * Andrew Neilson, Los Angeles Review of Books *Table of Contents1: Less is more: a world in miniature 2: Formal matters 3: 'The Armadillo', the art of description, and 'Brazil, January 1, 1502' 4: Poetry and painting 5: Love known 6: Late travel poems Epilogue, with acknowledgements Timeline References Further reading Index
£9.49
Harvard University Press Augustines Soliloquies in Old English and in
Book SynopsisIn the tenth century, an anonymous scholar crafted an Old English version of Saint Augustine’s Soliloquia, which explores the nature of truth and immortality of the soul. This volume presents the first English translation of the complete Old English Soliloquies to appear in more than a century accompanied by a unique edition of Augustine’s work.Trade Review[An] elegant, readable, and accurate translation of the Latin text…This work will prove a boon both to scholars and students of Old English literature. -- Justin Lake * Bryn Mawr Classical Review *
£26.96
Harvard University Press Dinner Pieces
Book Synopsis
£26.96
Columbia University Press Perplexing Plots
Book SynopsisDavid Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how popular culture has evolved over the past century.Trade ReviewDavid Bordwell has a brain I envy, one that makes connections and associations about books, film, and the arts that are breathtakingly unorthodox and exactly correct. I learned so much from reading Perplexing Plots about how crime narratives are situated in the larger literary and cinema spheres, and rejoiced in how much pleasure Bordwell's criticism provided, once more and always. -- Sarah Weinman, author of Scoundrel: How a Convicted Murderer Persuaded the Women Who Loved Him, the Conservative Establishment, and the Courts to Set Him FreeMy favorite of David Bordwell’s many important books, this is an engrossing tour of crime and mystery storytelling in literature high and low, with asides on film, theater, and other media. I’m in awe of its encyclopedic reach, erudition, analytic brilliance, clarity, and wit. It’s wonderfully instructive and fun. -- James Naremore, author of More than Night: Film Noir in Its ContextsPerplexing Plots is the most illuminating study of narrative technique that I’ve read. David Bordwell’s investigation of popular storytelling benefits from his exceptional breadth of knowledge and analytic skills. But what is especially impressive is his ability to present information and insights so persuasively—and so readably. An admirable achievement. -- Martin Edwards, author of The Life of Crime: Detecting the History of Mysteries and their CreatorsBordwell's is the first-ever-historical poetics of cross-media storytelling in which inventions and conventions, the new and the old, the brainy and the brainless are considered not as successive stages of, as Mandelstam called it, a "boring bearded development," but as complementary components of a creative symbiosis. -- Yuri Tsivian, author of Approaches to Carpalistics: Movement and Gesture in Art, Literature and FilmPerplexing Plots is a must. Rare is scholasticism this engaging — you’ll put it down with more than a handful of authors to discover, not to mention the movies adapted from them. * Boulder Weekly *Bordwell’s work is exceptionally well-researched and offers fascinating examinations of plot devices, patterns, and structure in crime fiction. This book is sure to be enjoyed by fans of crime fiction and film noir. * Hometowns to Hollywood *[Bordwell's] voluminous work on film underpins his sensitivity to questions of narrative voice, points of view and misdirection in novel-writing. Better yet, his writing radiates an enthusiasm that will please both genre fans and literary scholars. The book is readable and very entertaining. * Sight and Sound *An engaging study of how twentieth- and twenty-first-century storytellers across literature, film, radio, and stage have coaxed audiences along as collaborators in the narrative process . . . reading Perplexing Plots is a hell of a lot of fun. * Noir City Magazine *[A] terrific book. -- Michael Dirda * Washington Post *Perplexing Plots is unfailingly rich and fascinating, and Bordwell’s exegeses on popular narrative will be central to studies of the concept far into the future. * New Review of Film and Television Studies *Wildly illuminating. * The Film Stage *A highly recommended title. * Popcultureshelf.com *Like the great detectives he writes about, Bordwell shows off his encyclopedic knowledge and his dazzling analytic powers, laying out his case with an abundance of evidence. . . . Highly recommended. * Choice Reviews *Bordwell, America’s finest film scholar, has connected the dots between movies and popular detective stories . . . for a thrilling X-ray of genre. -- Phillip Lopate * The Millions *Highly recommended. * Journal of Popular Culture *[A] brilliant book . . . Bordwell has been one of the great exponents of precise formal analysis for whom methods of narration are never to be taken for granted. His writing is at once impeccably scholarly and acutely sensitive to the human use of stories and the part they play in people’s lives . . . I was exhilarated by Bordwell’s multiple demonstrations of the pleasures of deflection and distraction, shapely detours and sidewise turns, in the service of what he calls the “playful experience of form.” -- Geoffrey O’Brien * New York Review of Books *Table of ContentsAcknowledgmentsIntroduction: Mass Art as Experimental StorytellingPart I1. The Art Novel Meets 1910s Formalism2. Making Confusion Satisfactory: Modernism and Other Mysteries3. Churn and Consolidation: The 1940s and AfterPart II4. The Golden Age Puzzle Plot: The Taste of the Construction5. Before the Fact: The Psychological Thriller6. Dark and Full of Blood: Hard-Boiled Detection7. The 1940s: Mysteries in Crossover Culture8. The 1940s: The Problem of Other Minds, or Just OnePart III9. The Great Detective Rewritten: Erle Stanley Gardner and Rex Stout10. Viewpoints, Narrow and Expansive: Patricia Highsmith and Ed McBain11. Donald Westlake and the Richard Stark Machine12. Tarantino, Twists, and the Persistence of Puzzles13. Gone Girls: The New Domestic ThrillerConclusion: The Power of LimitsNotesIndex
£26.60
Vallentine Mitchell & Co Ltd Chapters of Accidents: A Writer’s Memoir
Book Synopsis
£999.99
Unicorn Publishing Group Four French Holidays: Daphne Du Maurier, Stella
Book SynopsisFour popular novelists of the same generation each wrote a novel inspired by a holiday that the author spent in France. In the nineteen-fifties, Rumer Godden based The Greengage Summer on her recollections of her family’s 1923 battlefield-tour manqué in the Champagne region. Margery Sharp’s 1936 holiday in Southern France led to ‘Still Waters’ and The Nutmeg Tree: both the short story and the novel are set in and around the region of Aix-les-Bains. In 1955, Daphne Du Maurier first visited the department of Sarthe to research French family history; the novel The Scapegoat was the immediate result of the holiday. And in 1966, Stella Gibbons’ last trip to the continent took the form of a visit to an old friend in her summer home near Grenoble. The stay is obliquely reflected in The Snow-Woman, in which a similar holiday leads a never-married septuagenarian to experience a renaissance of sorts.Trade Review"This is a very original literary study of the work of four British writers who, though still remembered today, are not as celebrated or read as much as they deserve to be. Through the prism of visits to France in the novels and stories of these writers, Anne Hall explores the delicate and subtle interplay of relations between those two nations in fiction. It is elegantly written, illuminating and informative. There is some fascinating original scholarship here, but, above all, Four French Holidays is highly entertaining and tempts you to go and read for yourself (if you haven’t already) or re-read the works under consideration." Reggie Oliver, nephew and biographer of Stella Gibbons
£25.00
Harvard University Press Dinner Pieces
Book Synopsis
£26.96
Bodleian Library Write Cut Rewrite
Book Synopsis
£34.00
