ELT & Literary Studies Books

Book SynopsisWhat if we reconsider contemporary rural challenges through relationships rather than oppositions? Based on seasonal work experiences, Seasonal Matters Rural Relations delves into the realm of contemporary agriculture and European labour migration. Through a variety of discursive formats, ranging from essays and interviews to drawings and recipes, this book explores the socio-political implications on rhythms, rituals, and cohabitation in Europe's countryside. The publication encourages a layered conversation between agricultural workers, engaged citizens, artists, and designers.

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Book SynopsisAnna Nasilowska''s A History of Polish Literature is a one-volume guide that immerses readers in the rich tapestry of Polish literature and reveals its enduring impact on European identity from the Middle Ages to the late twentieth century. By exploring key themes, writers, and works and grounding her discussion in crucial biographical context, she weaves together the lives of a carefully curated list of Polish writers to paint a vivid literary portrait, elucidating the epochs that these writers shaped. Offering indispensable insights for readers who may be unfamiliar with the world of Polish literature, it is an excellent jumping-off-point for further study and learning. 

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Book SynopsisAn homage to the childhood genius of Black science fiction writer Octavia E. Butler. Bringing to view a selection of Butler''s unpublished writings and drawings, this book traces her fascination with human-alien symbiosis to her early empathy with horses and other marginalized creatures. The figure of the horse, at once earthly and transcendent, represented the contradictions of freedom and captivity that enabled young Octavia to develop her nuanced sense of voice and place. Drawing on previously unknown archival research, this volume illustrates how Butler''s development as a writer was tied to her extraordinary resourcefulness and self-awareness growing up as an awkward, bookish Black girl in segregated, Cold War Pasadena. She persistently re-visited and revised her early writings on teenage angst, Martians, Westerns, and racial politics. In one way or another her supernatural characters defied the constraints of gender, race, and class with equine-inflected resilience.In the spirit of Butler''s passion for library research, this book is comprised of twenty-six short A-Z chapters, on vocabulary, images, and themes central to her authorial formation. It is part childhood biography, art and literary analysis, and memoir. It interweaves the author''s personal recollections with scholarly musings on poetry, film, and literature inspired by Butler''s encyclopedic reading habits and experiments with genre. Just as cross-species kinships are at the heart of her Afro-futurist, eco-feminist storytelling, Butler demonstrates that coming-of-age is an ongoing process and key to healing our damaged planet.

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Book SynopsisEveryone has heard of Zola, but not many people have read him. This book is quite simply designed to get you to want to, by taking a look at what is on offer, with so much more to discover.Zola made it his aim to write novels exploring the many compartments and classes of modern French life in the later nineteenth century--and he went on to carry it out, with novels that look at the longings and troubles and everyday lives of just about every kind of person in their specific social settings. Travelling through the varieties of Zola''s styles and subjects, realistic, comic, tragic, and critical, from shopping to mining to the fertility industry, the book is a guide to the different pleasures and modes of thinking to be found in reading Zola today.It also considers the many kinds of story involved in the final years of Zola''s own life, and in the wake of his untimely death in 1902 from asphyxiation. It follows him to England--to Upper Norwood, in south London, where he was in exile for

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Book SynopsisNeil Simon (1927-2018) began as a writer for some of the leading comedians of the day--including Jackie Gleason, Red Buttons, Phil Silvers, and Jerry Lewis--and he wrote for fabled television programs alongside a group of writers that included Mel Brooks, Woody Allen, Larry Gelbart, Michael Stewart, and Sid Caesar. After television, Simon embarked on a playwriting career. In the next four decades he saw twenty-eight of his plays and five musicals produced on Broadway. Thirteen of those plays and three of the musicals ran for more than five hundred performances. He was even more widely known for his screenplays--some twenty-five in all.Yet, despite this success, it was not until his BB Trilogy--Brighton Beach Memoirs, Biloxi Blues, and Broadway Bound--that critics and scholars began to take Simon seriously as a literary figure. This change in perspective culminated in 1991 when his play Lost in Yonkers won the Pulitzer Prize for Drama.In the twenty-two interviews includ

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Book Synopsis"At once erudite and colloquial" (New Yorker), this book provides an accessible introduction to the joys and challenges of poetry In Don't Read Poetry, poet and literary critic Stephanie Burt offers an accessible introduction to the seemingly daunting task of reading, understanding, and appreciating poetry. Burt dispels preconceptions about poetry and explains how poems speak to one another-and how they can speak to our lives. She shows readers how to find more poems once they have some poems they like, and how to connect the poetry of the past to the poetry of the present. Burt moves seamlessly from Shakespeare and other classics to the contemporary poetry circulated on Tumblr and Twitter. She challenges the assumptions that many of us make about "poetry," whether we think we like it or think we don't, in order to help us cherish-and distinguish among-individual poems.A masterful guide to a sometimes confounding genre, Don't Read Poetry will instruct and delight ingénues and cognoscenti alike.

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Book SynopsisFollow in the footsteps of some of the world’s most famous authors on the journeys which inspired their greatest works in this beautiful illustrated atlas. Some truly remarkable works of literature have been inspired by writers spending time away from their typical surroundings. From epic road trips and arduous treks into remote territories to cultural tours and sojourns in the finest hotels, this book explores 35 influential journeys taken by literary greats and reveals the repercussions of those travels on the authors’ personal lives and the broader literary landscape. Award-winning author Travis Elborough brings each of these trips to life with fascinating insights into the stories behind the creation of some of the world’s most famous literary creations, including Dracula, Moby Dick, Murder on the Orient Express, Madame Bovary, The Talented Mr Ripley

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Book SynopsisQuesting was Sherlock Holmes’s business. He famously adopted the latest forensic techniques, channelled the Victorian passion for enquiry, kept abreast of the key scientific breakthroughs of his age, and conducted his investigations in an enigmatic and stylised manner. And the brains behind it all was, of course, the great Arthur Conan Doyle. In this deep dive into the contemporary world of Holmes and Conan Doyle, biographer Andrew Lycett explores all that encompasses the world of the great detective – tracing the infamous character’s own interests, personality and mythologised biography alongside that of his creator’s. From the Victorian crazes for detection and séance, to contemporary developments in science and psychology, Lycett weaves together everything that inspired Conan Doyle in creating the world’s most famous detective and one of fictiTrade Review"I’ve seen lots of books about everyone’s favorite consulting detective ...none more elegant or beautifully produced. A profusion of illustrations, as well as text by Lycett, one of Arthur Conan Doyle’s best biographers, will brighten Christmas morning for any would-be Baker Street Irregular." -- Michael Dirda * The Washington Post *We can't say enough good things about it. It is a piece of art. It is lovely to hold, lovely to flip through. It is so well-written. The flow as Andrew takes us through the evolution of Sherlock Holmes in the world and what the world contributed to Sherlock Holmes... This is one of those books that every Sherlockian needs to own. -- Scott Monty, I Hear of Sherlock Everywhere podcast * Scott Monty, I Hear of Sherlock Everywhere podcast *"Lycett provides an impressive and colorfully-illustrated discussion of how Holmes was created, and why he continues to fascinate each new generation of readers." -- Peter Blau * Scuttlebuts *“This companion embarks on a lively tour of the politics, cultural and social circumstances of Holmes’s era [and] takes us inside Holmes’s mind, a mix of imagination to read a criminal’s intentions with a scientific approach to solving riddles…We discover what lies behind that famous image, the man who created him and the world into which both were born and shaped by.” -- Dan Carrier * Camden New Journal *Table of ContentsINTRODUCTION A SHERLOCKIAN SENSE OF PLACE BRITAIN AND THE WIDER WORLD THE ADVANCE OF SCIENCE WATCHING THE DETECTIVES SCREEN AND STAGE REPRESENTATIONS GETTING INTO PRINT ART IN THE BLOOD A FEW ATHLETIC TASTES STAYING THE COURSE POSTSCRIPT CHRONOLOGY OF CONAN DOYLE AND WORLD EVENTS CHRONOLOGY OF HOLMES AND WATSON FURTHER READING INDEX PICTURE CREDITS ACKNOWLEDGMENTS

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Book SynopsisEvoking memories of book-filled libraries, this handy notecard set reproduces the original cards used to keep track of literary classics. Enclosed in a keepsake replica card catalog box with tabbed dividers, each card features a different beloved work of literature straight from the storied collection of the Library of Congress.

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Book Synopsis"A vital guide ... It is difficult to imagine anyone seriously interested in Dante who will not want to own this book" AN Wilson, The Times Since Dante Alighieri wrote the Divine Comedy it has defined how people imagine and depict not only heaven and hell, but romantic love and the human condition. However, while Dante's works are widely celebrated outside Italy, the circumstances of his extraordinary life are less well known. Born in 1265, Dante's adolescence was characterised by literary genius, but his political activism in one of the medieval world's wealthiest cities led to his death in exile. Pre-eminent Dante scholar Alessandro Barbero and celebrated translator Allan Cameron bring the poet vividly to life. Animating the political intrigue, violence, civil war, exile and cities that shaped Dante's poetic and political life, this is a remarkable portrait of one of the creators of European literature and a towering medieval figure in time for the 700th anniversary of his death.Trade ReviewBarbero ... richly contextualizes the life of a middle-class man of letters in medieval Italy -- Heather Webb * TLS *A vital guide ... It is difficult to imagine anyone seriously interested in Dante who will not want to own this book -- AN Wilson * The Times *Impeccably written and researched ... In all cases, [Barbero's] reasoning is cogent, his research impressive and his answers set in earnest dialogue with the historical record -- Joseph Luzzi * NY Times *

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Book SynopsisA major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback. Roland Barthes was a restless, protean thinker. A constant innovator—often as a daring smuggler of ideas from one discipline to another—he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France’s preeminent Collège de France, where he chose to style himself as a professor of literary semiology until his death in 1980. The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume three, Masculine, Feminine, Neuter, consists of his writing on literature, covering his peers and influences, writers in French and other languages, contemporary and historical writers, and world literature. Trade Review"Given the diversity of these pieces in terms of history and content, it is crucial that the translator has made a good job of briefly contextualizing all the pieces and that the translations understand, especially in relation to the gendering that operates in the French language and to some of the more recondite references, that the renderings into English need, periodically, the helping-hand of an attuned and scholarly – that is experienced – editor and translator of Barthes." * H-France Review *Table of ContentsPre-Novels Recovering the Unburies Treasure (On Popular Poetry) The Man-Eater (On Zola’s Nana) Maupassant and the Physics of Misfortune The Cathedrals of Novels (On Victor Hugo’s Notre-Dame of Paris) Round Table Discussions New Pathways of Literary Criticism in France A Personal Statement on Robbe-Grillet The Two Sociologies of the Novel Alain Girard: ‘The Diary’ Parallel Lives Pleasure in Language Edoardo Sanguineti Preface (to Ecyclopédie Bordas, Volume VIII) Preface (to Jacques Prévert, Fatras) Argument and Prospectus: A Letter to Philippe Roger Preface (to Ecyclopédie Bordas, Volume IX) Interview-Preface to Littérature occidentale From Them to Us ‘It All Comes Together’ Masculine, Feminine, Neuter

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Book SynopsisA novel is an act, an intervention, which, most often, the naïve reader takes as a representation. The novel intervenes to modify or correct our conventional notions of a situation and, in the best and most intense cases, to propose a wholly new idea of what constitutes an event or of the very experience of living. The most interesting contemporary novels are those which try—and sometimes manage—to awaken our sense of a collectivity behind individual experience, revealing a relationship between the isolated subjectivity and a class or community. But even if this happens (which is rare), one must go on to find traces of collective praxis hidden away within the awakened feeling of inter-connection. And since it is in the sense of the nation and nationality that collectivity is most often expressed, there is an urgent need to disengage the possibilities of genuine action within these areas.This sweeping collection of essays ranges from the elusive politics of Nort

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Book Synopsis An amazing guide to some of the most beloved, original, inspiring, hysterical, heart-warming, compelling, rude and downright scary books that have enchanted children the world over. In 100 Children's Books That Inspired Our World, author Colin Salter surveys an exceptional collection of truly groundbreaking children's books – from Mark Twain's Tom Sawyer to the graphic novels of Dr. Seuss. All the classic children's authors are represented with one stand-out book, plus mentions for their best-known works. Ordered chronologically, the book showcases favourite children's books ranging from Victorian classics to modern day bestsellers. Books featured include: Alice in Wonderland, Treasure Island, Charlotte's Web, A Series of Unfortunate Events, Matilda, Watership Down, Tales of Hans Christian Anderson, Grimms Fairy Tales, Peter Pan, A Bear Called Paddington, The Snowman, The Secret Garden, How to Train Your Dragon, Anne of Green Gables, Harry Potter, James and the Giant Peach, The Gruffalo, Mr Men, Coraline, Herge's Adventures of TinTin, The Curious Incident of the Dog in the Night-time, Finn Family Moomintroll, Swiss Family Robinson, Heidi, The Hobbit, The Red Balloon, The Jungle Book, Mary Poppins, The Tale of Peter Rabbit, His Dark Materials, The Railway Children, Noddy, The House at Pooh Corner, The Sheep Pig, Stig of the Dump, Fungus the Bogeyman, Nancy Drew, The Hardy Boys, Secret Seven, Famous Five, Black Beauty, The Diary of a Young Girl, The Boy in Striped Pyjamas, Artemis Fowl and many more who lived happily ever after.Trade Review'Reveals how children’s literature has changed over time, from earnest instruction to playful adventure... includes bright covers and lively descriptions of beloved children’s books from 1697 to 2011.' -- Alexandra Wolfe, * The Wall Street Journal *'The is the most fantastic book - inspiring, interesting, reflective, nostalgic, informative and attractive.' * Juno magazine *'This is a lovely keepsake for book lovers who can look back on the stories that shaped their childhoods (and adulthood!). It is also a nice gift for children who can discover some “new” books, or learn about the authors who wrote some of their favourites.' * Picture Book Perfect blog *'Great for suggestions of books and extracts which would be worth using in the classroom; I want children in my class to see how brilliant some older texts can also be… This is an ideal book for any lover of children’s books and literature.' * Teacher Bookworm blog *'A beautiful selection of old and new books ... A real keepsake book' -- The Green Parent magazine'This is a lovely keepsake for book lovers who can look back on the stories that shaped their childhoods (and adulthood!). It is also a nice gift for children who can discover some “new” books, or learn about the authors who wrote some of their favourites.' * Picture Book Perfect blog *

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Book SynopsisJohn Nathan provides a lucid and vivid account of Natsume Sōseki, the father of the modern novel in Japan. This biography elevates Sōseki to his rightful place as a great synthesizer of literary traditions and a brilliant chronicler of universal experience who, no less than his Western contemporaries, anticipated twentieth-century modernism.Trade ReviewNathan, a master translator and a gifted storyteller. . . . paints a portrait of this singular man based mostly on primary sources, accompanied by convincing textual analyses of the novelist’s representative works. The result is an accessible account of a tortured, difficult, and yet ultimately irresistible soul that is touching even to those who are not yet familiar with the pleasures of Sōseki’s writing. -- Eri Hotta * Times Literary Supplement *[Natsume Sōseki's] life and work are explored insightfully in John Nathan’s outstanding and cohesive literary biography. -- Eileen Battersby * Financial Times *Comprehensive and discerning. . . . A revealing portrait of a writer who deserves a new audience. * Kirkus Reviews *A compelling narrative of this complicated man....Recommended. * Choice *Sōseki captures the soul of Japan’s greatest modern writer in the best tradition of biography. Here the venerated figure comes fully alive with his infuriating failings and astounding intelligence, his maddening ambitions and biting self-deprecations. The book also offers a vibrant portrayal of Japan’s rapidly transforming society—an extraordinary feast. -- Minae Mizumura, author of Inheritance from MotherA vivid portrait of Sōseki’s anxious and troubled life, of his violent mood swings, as well as of the chaos that constantly lurked just below the surface, ready to explode at any moment. -- Martin LaFlamme * Japan Times *A vibrant portrayal of the transformation of a modern Japan as witnessed through the story of one of that country’s best writers. * International Examiner *A fine biographical work that also helpfully covers Sōseki's major works in quite good depth, Sōseki is a solid and interesting biography -- M.A. Orthofer * Complete Review *Anyone with an interest in Japanese literature will enjoy the book. Not only is it a nice introduction to his work, but it also provides fascinating insights into a life cut short. As such, Sōseki: Modern Japan’s Greatest Novelist is a work to be recommended, an easy read about a great writer. * Tony's Reading List *[An] illuminating biography. . . . Nathan’s incisive portrait of Sōseki as a troubled yet widely celebrated literary game changer—his image adorned the ¥1,000 banknote in 1984—will likely drive new readers to his fiction. * Publishers Weekly *All the varied accomplishments of this man who's often considered Japan's greatest writer, together with his many shortcomings, are put in perspective and context by literary scholar John Nathan. Sōseki: Modern Japan's Greatest Novelist provides a literary biography of the finest sort: an engaging, reasonably paced narrative of Sōseki 's life punctuated by just enough literary analysis to render the book intellectually important as well. -- Hans Rollman * PopMatters *In John Nathan’s excellent and very readable new biography, Sōseki: Modern Japan’s Greatest Novelist, the first English-language biography of the writer’s life in fifty years, we are given a portrait of a complex, troubled individual who spent his career resisting black-and-white interpretations. -- Angela Qian * Cha: An Asian Literary Journal *This biography and literary study describes a difficult, demanding man, plagued by poor physical and mental health, yet one who was also a master stylist with an extraordinary gift. * Times Higher Education *Nathan offers a lucid view of the life and works of the writer many consider to be Japan’s most important, and best, novelist. He deftly shows how Sōseki's life reflects the many social and intellectual changes that occurred over the tumultuous decades of his lifetime—decades of Japan’s transformation into a modern nation. -- Alan Tansman, University of California, BerkeleyIt’s been half a century since the appearance of the most recent English-language biography of Natsume Sōseki, one of the giants of twentieth-century world literature, so the arrival of John Nathan’s fine new study is cause for celebration. Sōseki's life story often reads like one of his novels, and Nathan captures it in prose worthy of his subject. -- Michael Bourdaghs, University of ChicagoJohn Nathan has certainly shown in this biography why Sōseki is such an important figure in Japanese literature, as well as demonstrating that he can hold his own with the best novelists the West have to offer. * Asian Review of Books *John Nathan has given us a robust portrayal of Sōseki’s aesthetic practices and what they meant for his life and his work. His thoughtful readings, always grounded in his own aesthetic and emotional response and further honed through translation, provide an inspiring model for the Japanese literary criticism of the future. * Monumenta Nipponica *Table of ContentsPrefaceAcknowledgments1. Beginnings2. School Days3. Words4. The Provinces5. London6. Home Again7. I Am a Cat8. Smaller Gems9. The Thursday Salon10. A Professional Novelist11. Sanshirō12. A Pair of Novels13. Crisis at Shuzenji14. A Death in the Family15. Einsamkeit16. Grass on the Wayside17. The Final YearNotesSelected BibliographyIndex

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Book SynopsisN. Katherine Hayles traces the emergence of what she identifies as the postprint condition, exploring how the interweaving of print and digital technologies has changed not only books but also language, authorship, and what it means to be human.Trade ReviewN. Katherine Hayles presents new explorations of typesetting, scholarly editing, and radical recent book projects, using these to unite aspects of her theories of computation, textual materialities, and (un)thought. The profound insights in Postprint show what print is becoming, not just as a medium or cultural phenomenon, but as cognition. -- Nick Montfort, author of GolemPostprint may be enjoyed simply as a series of well-selected, vividly rendered case studies detailing recent convergences between books, human readers and writers, and computational technologies. But it is much more than that. With her hallmark clarity, Hayles lays out a whole new conceptual framework—the cognitive-assemblage approach—in terms of which postprint may be grasped as a moment of unprecedented symbiosis across cognitive media: the 'becoming computational of books and people together.' -- James F. English, author of The Global Future of English StudiesClaiming that computational media have brought to bear new, nonhuman forms of cognition, Postprint offers a series of compelling examples and showcases an empirical method that will be widely emulated by literary and media studies scholars interested in exploring the history and future of print culture. -- Lee Konstantinou, author of Cool Characters: Irony and American FictionHayles’ book provides a unique framework for understanding print (and postprint) from a fresh perspective. * Americana *Hayles has duly focused our attention on books and how closely we are tied to them, perhaps oneof humanity’s finest technologies. * Publishing Research Quarterly *Table of ContentsList of IllustrationsAcknowledgments1. Introducing Postprint2. Print Into Postprint3. The Mixed Ecologies of University Presses4. Postprint and Cognitive Contagion5. Bookishness at the Limits: Resiting the HumanEpilogue: Picturing the AsemicNotesBibliographyIndex

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Book SynopsisExplores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. This work focuses on Countze Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices.Trade Review"Heretofore scholars have not been willing perhaps, even been unable for many reasons both academic and personal to identify much of the Harlem Renaissance work as same-sex oriented... An important book." Jim ElledgeTable of ContentsPreliminary Table of Contents: AcknowledgmentsList of AbbreviationsIntroduction1. Gay Harlem and the Harlem Renaissance2. Writing in the Harlem Renaissance: The Burden of Representation and Sexual Dissidence3. Countée Cullen: "His Virtues Are Many; His Vices Unheard Of"4. Langston Hughes: A "True 'People's Poet'"5. Claude McKay: "Enfant Terrible of the Negro Renaissance"6. Richard Bruce Nugent: The Quest for BeautyConclusionNotesBibliographyIndex

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Book SynopsisAn exploration of hypothetical turning points in history from Ancient Greece to September 11Trade Review“Our political activities are based on the presumption that choices matter. But historians rarely consider roads not taken and the chain of consequences that a different direction at a crucial turning point could have had. Quentin Deluermoz and Pierre Singaravélou push us to pose such questions, and hence to reconsider how we think about history.”—Frederick Cooper, author of Citizenship, Inequality, and Difference: Historical Perspectives “In this wonderful book, Quentin Deluermoz and Pierre Singaravelou show "counterfactual history" has itself a long and rich history. Ever since Tite-Live, Edward Gibbon, Louis Geoffroy and Niall Ferguson, social actors and intellectuals have been describing some of the many historical paths and bifurcations which did not happen. The book offers a fascinating analysis of this body of discourse, its uses and misuses. A must-read by two of the most innovative historians of their generation.”—Thomas Piketty, author of Capital and Ideology “Impeccably documented, A Past of Possibilities provides an impressively broad survey of the usages of counterfactual reasoning in various disciplines, weaves epistemological reflections with critical assessments, spells out methodological recommendations, and outlines how these can inform the teaching of history in various settings: a remarkable and multi-faceted achievement.”— Ivan Ermakoff, author of Ruling Oneself Out: A Theory of Collective Abdications

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Book SynopsisTrade Review"S[oucy]’s translation has great merit. It is more poetic than any current version." * Classics for All *"Soucy’s Commentary gives lavishly helpful guidance to the piecemeal reader, noticing links and making comparisons between different tales. . . . He’s refreshingly sensitive to the way contemporary concerns with sexual and identity politics can feel urgently addressed by the Metamorphoses. Equally refreshing, from the other side, is the fact that as a scholar he feels the value and importance of seeing past attitudes clearly, neither discreetly veiling elements in them that might affront a contemporary sensibility – as many translators have done with divine rapes – nor reading them as if Ovid were our contemporary and saw life as we do." * The High Window *Table of ContentsContents List of Illustrations Introduction Translator’s Note METAMORPHOSES Book 1 Prologue • The First Creation • The Ages of Man • The Gigantomachy • Lycaön • The Deluge • Deucalion and Pyrrha • The Second Creation: Python • Apollo and Daphne • Io, Part 1 • Argus: Pan and Syrinx • Io, Part 2 • Phaëthon, Part 1 Book 2 Phaëthon, Part 2 • The Heliads and Cygnus • Callisto • The Raven and the Crow • Ocyrhoë • Battus • The Envy of Aglauros • Europa Book 3 Cadmus and the Dragon’s Teeth • Actaeon • Semele • Tiresias • Echo and Narcissus • Pentheus and Acoetes Book 4 The Daughters of Minyas, Part 1 • Pyramus and Thisbe • The Loves of the Sun • Hermaphroditus and Salmacis • The Daughters of Minyas, Part 2 • Athamas and Ino • Cadmus and Harmonia • Perseus, Atlas, and Andromeda • Perseus and Medusa Book 5 Perseus and Phineus • Proetus and Polydectes • Pyreneus and the Muses • The Pierides, Part 1 • The Rape of Proserpine • Arethusa • Lyncus and Triptolemus • The Pierides, Part 2 Book 6 Arachne and Minerva • Niobe • Latona and the Lycians • Marsyas • Pelops • Tereus, Procne, and Philomela • Boreas and Orithyia Book 7 Medea • Theseus • The War with Minos • The Myrmidons • Cephalus and Procris Book 8 Scylla and Nisus • The Minotaur • Daedalus • The Calydonian Hunt • Althaea and Meleäger • Acheloüs • Baucis and Philemon • Mestra and Erysichthon • Acheloüs and Hercules, Part 1 Book 9 Acheloüs and Hercules, Part 2 • The Death of Hercules • Lucina and Galanthis • Dryope and Lotus • Iolaüs and Themis • Byblis and Caunus • Iphis and Ianthe Book 10 Orpheus and Eurydice • Cyparissus • Ganymede and Hyacinth • The Cerastae, the Propoetides, and Pygmalion • Myrrha • Venus and Adonis Book 11 The Death of Orpheus • Midas • Peleus and Thetis • Daedalion and Chione • The Wolf of Psamathe • Ceÿx and Alcyone • Aesacus Book 12 The Greeks at Aulis • The House of Rumor • Achilles and Cygnus • Caenis Becomes Caeneus • The Centauromachy • Hercules and Periclymenus • The Death of Achilles Book 13 The Judgment of Arms • The Sorrows of Hecuba • Memnon • The Daughters of Anius • Galatea, Acis, and Polyphemus • Scylla and Glaucus, Part 1 Book 14 Scylla and Glaucus, Part 2 • The Sibyl of Cumae • Polyphemus • Ulysses and Circe • Picus and Canens • The Crew of Diomedes • The Apotheosis of Aeneas • Pomona and Vertumnus • The Apotheoses of Romulus and Hersilie Book 15 Hercules and Croton • Pythagoras • Egeria and Hippolytus • Cipus • Aesculapius • The Apotheosis of Julius Caesar • Epilogue Commentary Appendix: Text and Translation Notes Acknowledgments Selected Bibliography Glossary of Names and Places About the Translator

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Book SynopsisLost in the raging debate over the validity of social construction is the question of what, precisely, is being constructed. Facts, gender, quarks, reality? Ian Hacking’s book explores an array of examples to reveal the deep issues underlying contentious accounts of reality—especially regarding the status of the natural sciences.Trade Review[A] spirited and eminently readable book… Hacking’s book is an admirable example of both useful debunking and thoughtful and original philosophizing—an unusual combination of good sense and technical sophistication. After he has said his say about the science wars, Hacking concludes with fascinating essays on, among other things, fashions in mental disease, the possible genesis of dolomitic rock from the activity of nanobacteria, government financing of weapons research, and the much-discussed question of whether the Hawaiians thought Captain Cook was a god. In each he makes clear the contingency of the questions scientists find themselves asking, and the endless complexity of the considerations that lead them to ask one question rather than another. The result helps the reader see how little light is shed on actual scientific controversies by either traditionalist triumphalists or postmodern unmaskers. -- Richard Rorty * The Atlantic *Ian Hacking is among the best philosophers now writing about science… He discusses psychopathology, weapons research, petrology, and South Pacific ethnography with the same skeptical intelligence he brings to quarks and electron microscopy. It is not his aim to enter a partisan controversy, still less to decide it. Instead, he clearly explains what is at stake—nothing less than the intellectual authority of modern science. -- Barry Allen * Science *Hacking’s good humour and easy style make him one of those rare contemporary philosophers I can read with pleasure. -- Steven Weinberg * Times Literary Supplement *Hacking is a Canadian philosopher of science, with important studies of probability and psychology to his name. He is no less at home in Continental philosophy and social theory than in the Anglo-Saxon tradition. His ability to leap with enviable facility from one to the other qualifies him well to bring some order into this intellectual quagmire. -- Daniel Johnson * New York Times Book Review *The Social Construction of What? explores the significance of the idea of social construction, not simply in science but also in other arenas… Hacking’s arguments are important. -- Kenan Malik * The Independent *The commonplace idea of science as the construction of models caught fire in the 1970s. It became—as Ian Hacking notes in his intelligent miscellany, The Social Construction of What?—a rallying cry for the radical optimists who relished the thought that social forms are transient and resented any attempt to freeze them for eternity on the authority of something called ‘science’… [Hacking] prefers to explore the territory that lies between the banalities. He concentrates on phenomena such as ‘child abuse’ or ‘women refugees’, wondering in what sense they existed before they were conceptualised as such and noting the ‘looping effects’ through which objective realities can be moulded by intellectual artefacts and hence by transient political and conceptual interests or even facts. * Times Higher Education Supplement *A welcome and timely arrival. Both a philosopher of science and a contributor to constructionism, Hacking speaks across the great divide. As his book title implies, he finds that the terms of this intellectual engagement vary considerably from case to case, and that the terminology of this engagement has all too often been sloppily employed on both sides. Examining an eclectic range of examples, from a nasty ethnographic spat over Captain Cook’s murder on a Hawaiian beach to the influence of weapons research on the related hard sciences, he teases out the finer points that constitute the middle ground… By meting out credit while illuminating complexities, nuances, and missteps on both sides, Hacking’s work implicitly urges a truce in the science wars. -- Kenneth Gergen * Civilization *This book offers a helpful contribution to the discussion of social constructionism and its limits, both for hard scientists who feel threatened by it and for those who practice it. This is a fun book, as Hacking takes pokes at social constructionists and clarifies what they are about. -- Matthew P. Lawson * Health, Illness, and Medicine *An interesting and invaluable frontline perspective on the causes and results of the revolution from someone close enough to it to understand it and explain it to the rest of us. Its chief merits are its linguistic clarity, intellectual scope, and self-referentiality… Communication scholars who know little about social construction will find this a very readable introduction to the major ideas being debated. -- Scott R. Olson * Journal of Communication *While informed by a sophisticated grasp of the issues, [The Social Construction of What?] is accessible, witty, and good-humored in tone. There are fascinating discussions of social constructionist claims regarding subjects are diverse as gender, Zulu nationalism, quarks, and dolomite. -- T. A. Torgerson * Choice *Hacking is one of the best philosophers of science and society of our time. Here, as usual, he argues from carefully researched examples… This is a delightful book—evenhanded, fun to read, and packed with information on everything from nuclear physics, nanobacteria, and madness to the deification of Captain Cook. -- Leslie Armour * Library Journal *[Ian Hacking] dispute[s] the claims of leftist professors, who try to fight oppression by showing that race, gender and sexuality, far from being legitimate bases for discrimination, are hardly real at all and merely the results of ‘social construction.’ In The Social Construction of What? the distinguished philosopher looks at how this kind of argument works, and particularly at cases—in the natural sciences, and with social phenomena like child abuse in which it can endanger a clear sense of what ‘reality’ is. * Publishers Weekly *In his Preface, Hacking describes this book as a kind of primer for noncombatants in the culture wars, understood as being fought between the ‘social constructionists’ who hold that knowledge is constitutively and importantly a social product, and those who see knowledge as being importantly distinct from the social realm (scientists being the exemplary instances of the latter). I especially like his discussion of the social sciences and their peculiar relation to their objects—the discussion of ‘interactive kinds’ and the ‘looping effect’ through which people can reflexively react to social science descriptions by, for example, acting out and upon such descriptions. There is an interesting line of development here concerning the difference between the social and the natural sciences, and the different senses of ‘construction’ that might be appropriate to each. The book accomplishes its chosen task in clarifying what constructionism is about and why people get excited about it. I might add that besides noncombatants in the culture wars, the book should interest and inform some of the combatants, too—it should help the anticonstructionists get clearer on the actual contours of their enemy’s position. Hacking is one of the most important philosophers working today. -- Andrew Pickering, author of Constructing Quarks and The Mangle of Practice

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Book SynopsisAldus Manutius was the most innovative scholarly publisher of the Renaissance. This ITRL edition contains all of his prefaces to his editions of the Greek classics, translated for the first time into English. They provide unique insight into the world of scholarly publishing in Renaissance Venice.Trade ReviewThese prefaces are important documents in the history of culture in general as well as the history of printing. * Seventeenth-Century News *

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Book SynopsisTrade ReviewThomas H. Johnson and the Belknap Press of the Harvard University Press have brought out in three big volumes, noted, chronologically arranged, and accurate to the last variant, misspelling, and grammatical error, The Poems of Emily Dickinson… This is, truly, a marvelous book: the reader finishes speechless, and laughing, and shaking his head in helpless wonder… All the absolutes and intensives and eccentricities of an absolutely intense eccentric have passed over him like a train of avalanches, and left him a couple of hundred feet deep in Knowledge… [Dickinson’s] poetry is the diary or autobiography—though few diaries or autobiographies compare with it for intentional and, especially, unintentional truth—of an acute psychologist, a wonderful rhetorician, and one of the most individual writers who ever lived, one of those best able to express experience at its most nearly absolute. -- Randall Jarrell * Harper’s *A scholarly miracle… [This work], in three volumes, includes ‘variant readings critically compared with all known manuscripts’… [The editor] has brought sympathy and insight to bear in an illuminating way on several major Dickinsonian enigmas… The work comprises seventeen hundred and seventy-five poems, of which forty-one are known to be unpublished, in whole or in part. * New Yorker *The appearance of Thomas H. Johnson’s three-volume compilation of ‘The Poems of Emily Dickinson,’ the first authentic and really Complete Poems, is a major publishing event. A carefully collated and scholarly text has been awaited, demanded, and needed for years. The present publication is a cumulative response to that demand. It is far more than an important revision; it is a rediscovery. -- Louis Untermeyer * Saturday Review *

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Book SynopsisCris Miller’s volume of Emily Dickinson's complete poems is the only edition to distinguish in easy visual form the poems Dickinson took pains to copy carefully onto folded sheets in fair hand—arguably to preserve them for posterity—from the poems she retained in rougher form or did not retain.Trade ReviewThis book brings us as close as we can get to how [Dickinson] presented her work… Sparing us the task of deciphering the poet’s sometimes challenging handwriting and presenting intriguing variants, this edition demonstrates why generations of writers have been galvanized by Dickinson… This edition brings us that much nearer to what this exceedingly decisive and willful writer wanted. It sweeps away distractions caused by posthumous fame, leaving us with the poems themselves… Closer than previous editions to Dickinson’s wishes, priorities and personality, Emily Dickinson’s Poems: As She Preserved Them calls for no redundant plays, films, novels or warbling. What remains is lightning bolts of language akin to the trouvailles of Arthur Rimbaud and other powerful magicians of verse. -- Benjamin Ivry * Literary Review *[Dickinson’s] ‘fluid’ approach to poetic composition [is] clarified in Cristanne Miller’s painstaking new edition of Dickinson’s poems. -- Christopher Benfey * New York Review of Books *Miller chooses rightly not to number Dickinson’s poems, as previous editors have done, and allows them instead to name themselves in their first lines. More importantly, though, she does make a convincing case for Dickinson’s having wanted to preserve and organize her works as poems, to decide, for the most part, on their finished forms. -- Fiona Green * Times Literary Supplement *Miller’s approach works well, not only to give readers agency, but also to show Dickinson’s thought process… Miller crafts an edition that artfully accommodates Dickinson’s process of continuously reworking poems. -- Meg Schoerke * Hudson Review *Cristanne Miller’s edition of Emily Dickinson’s Poems: As She Preserved Them is surely the best poetry book of all this past year. Who’d have expected such a surprising, new and fruitful way to read the great poet? -- Don Share * Irish Times *Reading the volume straight through, it’s a pleasure to discover and re-discover Dickinson’s odd metaphors and strange sounds in poems that oscillate between whimsical riddle and hard-nosed philosophical meditation… Emily Dickinson’s Poems delivers. -- Micah Mattix * Washington Free Beacon *This new edition of Dickinson’s poems attempts nothing less than to shift the center of gravity and value in present-day Dickinson studies back to the fascicles, the poet’s own ‘manuscript books.’ Miller has done the community of general readers as well as scholars a huge service in compiling this edition. -- Mary Loeffelholz, Northeastern UniversityA remarkable new resource in a wonderfully accessible format. This edition offers readers a print version of the manuscript poems Dickinson retained and that, Miller argues, Dickinson preserved for posterity. -- Paul Crumbley, Utah State UniversityMiller’s edition gives us something like the Collected Poems Dickinson might have published in different circumstances. An invaluable book for Dickinson scholars and general readers alike. -- Bonnie Costello, Boston University

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Book SynopsisHave we become beauty-blind? This title not only defends beauty from the political arguments against it but also argues that beauty does indeed press us toward a greater concern for justice. It offers a manifesto for the revival of beauty in our intellectual work as well as our homes, museums, and classrooms.Trade Review"Ms. Scarry's writing is evocative and lively... Her book is a bracing antidote to the glum puritanism of many opponents of beauty, and it makes some insightful observations about how beauty figures in our perceptual, emotional and moral lives."--Colin McGinn, The Wall Street Journal "She begins her defense of aesthetic pleasure with musings on the nature of beauty. Beauty begets, she argues. It constantly provokes copies of itself. That replication is not only in art, for example, but also in perception, as in the desire to continue beholding as long as possible. Beauty's link with truth requires no belief in an immortal realm. 'The beautiful, almost without any effort of our own, acquaints us with the mental event of conviction,' she says. That mental state is so pleasurable 'that ever afterwards one is willing to labor, struggle, wrestle with the world to locate enduring sources of conviction-to locate what is true.' The heightened perception that comes with beauty's life-affirming capacity to awaken us to our world is part of what alerts us to injustice, she writes."--Nina Ayoub, Chronicle of Higher Education Scarry persuades that there is an analogy between the recognition of beautyand the recognition of just or fair social arrangements ... [She]...does not preach and ... her short book [is] light and allusive and gentle and unpolemical [in] style... "--Stuart Hampshire, The New York Review of Books "This short book could change your life... Beauty makes us better, more honest, more judicious, more humble, nicer people. And dare I say, this little book, taken to heart, will do the same."--Tom D'Evelyn, The Providence Sunday Journal "Scarry makes a fascinating case that seeing beauty reminds us of our own marginality, and therefore our equalness to other people. And she very skillfully defies traditional political criticisms of beauty."--Meredith Petrin, Boston Review "Full of striking observations about beauty in and beyond the arts."--Kenneth Baker, San Francisco Chronicle "In the tradition of 19th-century aesthetics, On Beauty and Being Just describes, evokes and manifests the loving attention that beautiful objects provoke... [It] is fresh, eccentric and uncompromising."--Alexander Nehamas, London Review of Books "Any sophisticated reader not mummified beneath protective layers of irony will find this book not only pleasant to hold in the hand, but valuable to hold in the mind."--Paul J. Johnson, Religious Studies ReviewTable of ContentsPART ONE On Beauty and Being Wrong 1 PART TWO On Beauty and Being Fair 55 NOTES 125 ACKNOWLEDGMENTS 133

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Book SynopsisTrade Review"Finalist for the National Book Critics Circle Awards, Criticism Category""A New Yorker Best Book We've Read This Year""A Seminary Co-Op Notable Book of the Year""Dames considers the nature of the chapter, a subjective division that nonetheless organizes our understanding of life and literature. . . . For Dames, form begets function—and neither is above scrutiny." * New Yorker *"Dames shows exactly why chapters are worth our attention. . . . A pleasing investigation." * Kirkus Reviews *"[Dames] transforms the chapter into an extraordinarily revealing object of both literary analysis and cultural history. . . . Although Dames doesn’t claim to have written a comprehensive history of the chapter in every kind of book, one can hardly imagine a fuller record of the tradition that led to their use in the modern novel. . . . One comes away from The Chapter with a new appreciation for the technical challenges of long fictions."---Catherine Gallagher, Chronicle of Higher Education"This fascinating study causes the reader to reflect on narrative sequences in time, and on the flow of time in reading and life." * Paradigm Explorer *

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Book SynopsisTrade Review"In chapters on Poor Folk, The Double, The House of the Dead, Notes from Underground, Crime and Punishment, The Idiot, and The Brothers Karamazov, Frank distills his multivolume biography’s provocative and superbly argued readings. . . . The best approach, in Frank’s view, is first to locate Dostoevsky’s fiction and ideas within his immediate concerns, and only then proceed, from the ground up rather than from generalities down, to consider their broader implications. These lectures do that especially well."---Gary Saul Morson, New York Review of Books"The lectures are full of novel, authoritatively argued insights. Frank makes new connections and clears up previous misunderstandings"---Christina Karakepeli, Modern Languages Review

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Book SynopsisTrade Review"A Seminary Co-Op Notable Book of the Year""Provocative. . . .A brilliant book."---Shadi Barsch, Times Literary Supplement

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisTrade Review"A Seminary Co-Op Notable Book of the Year""This marvellous short book. . .is unsettling and relevant to our own times. Essential reading."---Mark Glanville, Jewish Chronicle"Hoffman’s short book ought to be . . . one of the most perceptive and sympathetic introductions to Miłosz’s life and work available. She manages not only to bring vividly alive one of the greatest Europeans of the century, but also to raise once again all the hauntingly insistent questions about art, politics, power and suffering that the century generated – and that we are constantly in danger of forgetting."---Rowan Williams, Literary Review

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Book SynopsisTrade Review"A Choice Outstanding Academic Title of the Year""Winner of the McKay Award, Vergilian Society""Thoroughly researched. . . . Highly recommended." * Choice Reviews *"A highly engaging, well-written, and thought-provoking take on the Aeneid, which will become an indispensable guide both to Virgil’s text and to the long and rich tradition of scholarship on the poem."---Anke Walter, Greece and Rome"Juno’s Aeneid is a landmark work that should be essential reading on Vergil’s relation to Homer.—Tedd A. Wimperis, Classical Journal"

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Book SynopsisTrade Review"Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay""One of Lit Hub's Most Anticipated Books of the Year""One of VULTURE'S 49 Books We Can't Wait to Read""A Choice Outstanding Academic Title of the Year""Wonderful. . . . Through language, we come to know ourselves: Lahiri’s work shows how it is always possible to expand that knowledge."---Erica Wagner, Harper’s Bazaar UK"[Lahiri’s] observations are as plentiful as they are enlightening."---Juliana Ukiomogbe, Elle"[In this book] a vision emerges of translation as a site where the physical and the textual, the extraordinary and the ordinary, intersect."---Polly Barton, Times Literary Supplement"[Lahiri] is excellent. . . . Translating Myself and Others is a reminder, no matter your relationship to translation, of how alive language itself can be. In her essays as in her fiction, Lahiri is a writer of great, quiet elegance; her sentences seem simple even when they're complex. Their beauty and clarity alone would be enough to wake readers up."---Lily Meyer, NPR"[Translating Myself and Others] is about the consequences of the apparently simple act of choosing one’s own words. . . . [The] book also contains a hope for the liberating power of language."---Benjamin Moser, New York Times"[A] series of passionate [and] thoughtful essays."---Frank Wynne, The Spectator"[Translating Myself and Others] movingly describes [Lahiri’s] history with translation from her experiences as an immigrant child . . . to her early literary-translation efforts and her eventual decision to move to Rome and learn Italian." * Vulture *"Poetic." * New York Magazine *"A wry collection."---Adam Rathe, Town & Country"[Lahiri’s] voice is a strong one in the current campaign to give translators more recognition. Her candidness about the hardships of translation and her enthusiasm for its rewards make you want to hear more from these fascinating figures, who spend so much time in others’ voices but have not lost the use of their own."---Camilla Bell-Davies, Financial Times"Digestible and approachable. . . . The thought-provoking collection makes for a sharp and luminous exploration of Lahiri’s relationship to language, translation, and literature and made me want to finally tackle my goal of learning a second language."---Jordan Snowden, Apartment Therapy"[A] memoir of the experience [of learning Italian], recounted with passion and insight."---Gregory Cowles, New York Times"Lahiri explores her relationship with literature, translation, and the English and Italian languages in this exhilarating collection. . . . Lucid and provocative, this is full of rewarding surprises." * Publishers Weekly, starred review *"A scrupulously honest and consistently thoughtful love letter to ‘the most intense form of reading…there is.'" * Kirkus Reviews, starred review *"The collection is singular for Lahiri’s ability to integrate the personal and the theoretical, drawing her examples from literature and from life. . . . Lahiri writes so beautifully that this collection will have broad appeal for anyone interested in literary essays."---David Azzolina, Library Journal"[An] absorbing new collection of essays. . . . Translating Myself and Others is a subtle yet ultimately engrossing work, somewhat academic at times, yet infused with the kind of understated, often startling capacity for observation that has always been Lahiri’s literary superpower." * Bookpage *"Translating Myself and Others is a thought-provoking collection of essays about the art of modern translation." * Foreword Reviews *"Anyone interested in the art of translation will be engrossed by Translating Myself and Others by Jhumpa Lahiri."---Martin Chilton, The Independent"Lahiri’s ruminations on translation are relatable and luminous. . . . This book embraces simplicity-in-complexity, making it appropriate for both the Lahiri devotee and the uninitiate."---Carmen Acevedo Butcher, Christian Century"[Lahiri] explores [translation] with her customary rigor and candidness in this new essay collection, featuring several pieces originally written in Italian and translated into English by Lahiri for the first time, an act of metamorphosis as dazzling to her as it is to the reader." * Chicago Review of Books *"Throughout these essays, it’s as if Lahiri, feeling misunderstood, were hoping to build a literary home for herself that is ample enough to accommodate her lives as author, translator, academic, and language learner. A home in which she can write, on her own terms, in whatever language she wants, and think, on her own terms, about whatever subject she wants."---Julia Sanches, Astra"The essays . . . are master classes in translation theory and in critical writing about translation. . . . Fascinating and insightful writing."---Lauren Elkin, American Scholar"These essays . . . demonstrate the depths of [Lahiri’s] love for her adopted language. . . . Readers will have a newfound appreciation of the translator's ability to illuminate."---Michael Margas, Shelf Awareness starred review"In this collection of essays, Lahiri gives insights into her processes, as well as penetrating and perceptive thoughts on the act of translating that will be especially illuminating for readers who enjoy translated works."---Joe Rubbo, Readings"This cool, detached book bristles with life and love."---John Self, Observer New Review"There is great joy and intrigue to be found in Lahiri’s ruminations on self-translation. . . . [Translating Myself and Others] is a love letter to not only translation, but to literary criticism as a whole.”—Malavika Praseed, Chicago Review of Books"---Malavika Praseed, Chicago Review of Books"[A] portrait of intelligent, sensitive and deeply humane curiosity . . . inspiring."---James Kidd, South China Morning Post"[T]his latest set of essays proves [Lahiri’s] skill lies in the craft of experimenting with what language can do, both in Italian and English, and both as a writer and as a translator."---Anandi Mishra, Frieze"Translating Myself and Others feels at once ambitious and safe, playful and formulaic, variegated and quasi-myopic."---Carolina Iribaren, Hopscotch Translation"[In Translating Myself and Others] Lahiri achieves the task of portraying her profound love for linguistics and the ways languages give new life to one another in translation. . . . Lahiri’s writing is impeccably strong."---Amanda Janks, Zyzzyva"Readers . . . will find themselves immersed in a voyage of discovery not just of what makes Lahiri the writer and the translator tick, but of how these two facets or ‘containers’ inform, extend, challenge and ultimately re-create her, while at the same time providing much food for thought for the reader."---Lilit Žekulin Thwaites, Sydney Morning Herald"These deeply thoughtful meditations . . . illuminate the art of literary alchemy." * Saga Magazine *"Eloquent. . . . [Lahiri] explores what it means to be a translator, how translating enhances her identity as a writer and vice versa, and how these multiple identities are mutually enriching"---Hayley Armstrong, In Touch"A lyrical meditation on translation and a manifesto establishing translation as an artistic pursuit as creative and authentic as writing in the original language."---Lopamudra Basu, World Literature Today"Anyone interested in the challenges of translating literary works from one language to another will find this book fascinating. . . . It’s certainly a richly rewarding [read]."---Terry Freedman, Teach Secondary"A deep meditation on the art of translation. . . . Lahiri offers a straightforward but profound and lyrical theory of translation."---Lucky Issar, Economic & Political Weekly"A lucid and engaging reflection not only on what it means to translate a text and to properly acknowledge that work, but also what translation signifies beyond the act of individual words being noted down in another language."---Franklin Nelson, Wasafiri Magazine"Rich, deep and, above all, beautifully written, Translating Myself and Others exemplifies the power of words, language, art, ‘‘to explore the phenomenon and the consequences of change itself’’."---Cushla McKinney, Otago Daily News

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Book SynopsisTrade Review"How does globalism affect the books we read, and the way we read them? A leading scholar investigates." * New York Times Book Review *"Few scholars active today can claim to have done as much as David Damrosch to shape the discipline of comparative literature in the United States. . . . Damrosch writes with great clarity and care, vividly bringing individual figures and their ideas to life. . . . [He] not only displays the breadth of his own personal canon, but also argues compellingly for the idea that our understanding of a given text is always enhanced by comparing it with other texts, whether or not the pairings are conventional or expected."---Alexander Beecroft, Modern Philology

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Book SynopsisTrade Review"A deeply informed, academic work, but highly readable."---Steven Carroll, Sydney Morning Herald"The Man of the Crowd is a thoroughly engaging book about the legendary writer and his complex relationship with the urban environment. Peeples is to be commended for deploying a unique lens for further examining the tortured genius of the great Edgar Allan Poe."---Leonora Cravotta, American Spectator"[A] superb new biograph[y] of Poe. . . . The Man of the Crowd . . . give[s] us a clearer view of Poe as a man and an artist, while at the same time showing how the myth mill about him was busy from the start, forming and deforming his choices, and creating the brand of Poe we know today."---Jonathan Elmer, Public Books"Engaging. . . . [The Man of the Crowd] succeeds admirably in bringing us closer to a man we can now better appreciate as part of the crowd rather than a remote and inexplicable monad."---Ian Finseth, Edgar Allan Poe Review"The Man of the Crowd, by Scott Peeples, has something for everyone. It should be equally attractive to Edgar Allan Poe scholars, aficionados, and those who simply want to read more of Poe’s stories, poems, and essays."---Henry T. Edmonson III, Law & Liberty"What sets Scott Peeples’s ‘compact biography’ apart from other recent work is that it also concerns cities, specifically Richmond, Baltimore, Philadelphia, and New York, where Poe spent much of his life and which stirred his imagination. Peeples’s aim is to re-contextualize the image of Poe as a campy ‘nowhere man,’. . . . In detailing Poe’s moves from city to city, Peeples presents an ambitious young man seeking to support his family and to establish himself as a writer, critic, and editor."---Katherine J. Kim, The Metropole"A welcome, engaging introduction to Poe’s life. . . . This compact biography is an affable ramble, a genial journey, with Poe through the years. It knowledgeably and accessibly recounts Poe’s urban contexts and relates his relevant texts. . . . The whole is interestingly complemented by archival images of contemporary maps and periodicals and by archival photographs, blended photographs, and recent photographs by Michelle Van Parys of various Poe sites and locales. This volume is a useful vade mecum for our armchair Poe peregrinations."---Richard Kopley, Poe Studies"Peeples convincingly demonstrates that Poe remained “in transit” throughout his life, despite his literary successes, and was never in full control of his career. This accessible book will interest casual readers and Poe scholars alike." * Choice *"Well-researched . . . [and] deeply informed. . . . Scott Peeples's streamlined account of Poe's journeys . . . grounds itself determinedly in the arc of his life's movement through various urban social realities. . . . This biography achieves its freshness through framing Poe's life as a series of chapters related to the cities in which he took up primary residence."---Stephen Rachman, Poe Studies"A highly absorbing, important, and superbly crafted study that deserves a place on the top shelf of Poe biographies."---Jason Richards, American Literary History

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Book SynopsisTrade Review"[Creative Intuition in Art and Poetry] contains a wealth of concrete perception on the most varied aesthetic problems. It is impossible to do more than mention M. Maritain’s beautifully balanced chapter on abstract art, his discussion of the difference between classical and modern poetic imagery, and the gentle irony with which he chides the over-zealousness of modern critics who use Dante to denigrate modern poetry. . . . It is a rare pleasure to read a work characterized by this habit of mind and this sensibility . . . the best attempt yet made to write a poetics of modern art."---Joseph Frank, New Republic

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