ELT & Literary Studies Books

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Book SynopsisThis updated edition is designed to support students in study and revision for the new GCSE (9-1) English Literature exams. Table of Contents Part 1: Induction Part 2: Plot and Action Part 3: Characters Part 4: Key Contexts and Themes Part 5: Language and Structure Part 6: Grade Booster Literacy Terms

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Book SynopsisTable of Contents Part 1: Introducing Twelfth Night Part 2: Studying Twelfth Night Part 3: Characters and Themes Part 4: Structure, Form and Language Part 5: Contexts and Critical Debates Part 6: Grade Booster Essential Study Tools

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Book SynopsisThe Life of William Shakespeare is a fascinating and wide-ranging exploration of Shakespeare's life and works focusing on oftern neglected literary and historical contexts: what Shakespeare read, who he worked with as an author and an actor, and how these various collaborations may have affected his writing.Trade Review“Two of the Mighty dead have been brought back to life in exemplary fashion: Shakespeare in Lois Potter’s The Life of William Shakespeare: A Critical Biography, which very cleverly uses expert theatre-knowledge as a way of making her enigmatic subject seem plausibly substantial; and Keats in Nicholas Roe’s John Keats: A New Life, which puts the poet properly in his place.” (The Guardian, 24 November 2012) “This study will have wide appeal to readers who wish to expand their appreciation of the works of William Shakespeare. Summing Up: Highly recommended. Upper-division undergraduates through faculty; general readers.” (Choice, 1 November 2012) “A richly suggestive, undogmatic book in which Lois Potter ranges across the entire canon and the period that helped produce it.” (Around the Globe, 1 October 2012) “Lois Potter’s Life of William Shakespeare, ranks with the most distinguished examples of its kind … Her achievement lies in her catholicity, her simultaneous commitment to matters personal, historical, theatrical, literary, cultural. She exhibits an absolute command of the available facts, a lifetime’s acquaintance with the works gained in teaching and playgoing, an unparalleled familiarity with theatrical history from 1567 to the present, and a talent for connecting the fictional and the actual.” (Times Literary Supplement, 10 August 2012)Table of ContentsList of Illustrations vi Preface and Acknowledgments vii List of Abbreviations x The Shakespeare Family Tree xii 1 “Born into the World”: 1564–1571 1 2 “Nemo SibiNascitur”: 1571–1578 21 3 “Hic et Ubique”: 1578–1588 40 4 “This Man’s Art and That Man’s Scope”: 1588–1592 64 5 “Tigers’ Hearts”: 1592–1593 86 6 “The Dangerous Year”: 1593–1594 106 7 “Our Usual Manager of Mirth”: 1594–1595 134 8 “The Strong’st and Surest Way to Get”: Histories, 1595–1596 162 9 “When Love Speaks”: Tragedy and Comedy, 1595–1596 181 10 “You Had a Father; Let Your Son Say So”: 1596–1598 201 11 “Unworthy Scaffold”: 1598–1599 231 12 “These Words Are Not Mine”: 1599–1601 258 13 “Looking Before and After”: 1600–1603 277 14 “This Most Balmy Time”: 1603–1605 300 15 “Past the Size of Dreaming”: 1606–1609 330 16 “Like an Old Tale”: 1609–1611 360 17 “The Second Burden”: 1612–1616 384 18 “In the Mouths of Men”: 1616 and After 414 Bibliography 443 Index 475

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Book SynopsisOvid Unseens provides a bank of 80 practice passages of Latin verse, half elegiac and half hexameter.Taken from across Ovid's works, including the Metamorphoses, Fasti, Heroides, Amores and Tristia, the passages help build students'' knowledge and confidence in a notoriously difficult element of Latin language learning. Every passage begins with an introduction, outlining the basic story and theme of the passage, followed by a lead-in' sentence, paraphrasing the few lines before the passage begins. The first set of passages are translation exercises of 12-16 lines, each accompanied by a Discendum box which highlights a key feature of poetic Latin, equipping students further with the skills to tackle ever more difficult verse passages at first sight. These are followed by longer passages with scansion exercises and questions on comprehension and stylistic analysis, replicating unseen verse exam questiTrade ReviewOvid Unseens offers a wide-ranging and carefully graded collection of passages, giving students an excellent introduction to the poet and to the technique of unprepared verse translation. It is packed with sound advice and will be hugely useful. -- John Taylor, Head of Classics at Tonbridge School, UK and author of "Latin Beyond GCSE"Table of ContentsPreface Introduction to Ovid Translating Latin verse Ovid’s style Ovid’s Elegiac Poetry: - Shorter translation passages 1-20 - Full translation and comprehension passages 21-40 Ovid’s Hexameter Poetry: - Shorter translation passages 1-20 - Full translation and comprehension passages 21-40 An introduction to scansion and Ovid’s metres Verse vocabulary checklists Index locorum

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Book SynopsisThis collection of essays, first published in 1889, was Pater's only literary-critical work until the posthumous publication of his reviews from The Guardian (the ninth volume in this edition). His well-known essay 'Style' opens the volume, which also includes readings of Thomas Browne, Wordsworth, Coleridge, Shakespeare and Rossetti.Table of ContentsStyle; Wordsworth; Coleridge; Charles Lamb; Sir Thomas Browne; Love's Labours Lost; Measure for Measure; Shakespeare's English kings; Dante Gabriel Rossetti; Feuillet's La Morte; Postscript.

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Book SynopsisThe best and most successful guide to reading comprehension for the general reader, completely rewritten and updated with new material. A CNN Book of the Week: “Explains not just why we should read books, but how we should read them. It''s masterfully done.” —Farheed ZakariaOriginally published in 1940, this book is a rare phenomenon, a living classic that introduces and elucidates the various levels of reading and how to achieve them—from elementary reading, through systematic skimming and inspectional reading, to speed reading. Readers will learn when and how to “judge a book by its cover,” and also how to X-ray it, read critically, and extract the author’s message from the text. Also included is instruction in the different techniques that work best for reading particular genres, such as practical books, imaginative literature, plays, poetry, history, science and mathematics, philosophy and socia

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This is the second edition of English Literature in Context, a popular textbook which provides an essential resource and reference tool for all English literature students. Designed to accompany students throughout their degree course, it offers a detailed narrative survey of the diverse historical and cultural contexts that have shaped the development of English literature, from the Anglo-Saxon period to the present day. Carefully structured for undergraduate use, the eight chronological chapters are written by a team of expert contributors who are also highly experienced teachers. Each chapter includes a detailed chronology, contextual readings of selected literary texts, annotated suggestions for further reading, a rich range of illustrations and textboxes, and thorough historical and literary overviews. This second edition has been comprehensively revised, with a new chapter on postcolonial literature, a substantially expanded chapter on contemporary literature, and the addition of over two hundred new critical references. Online resources include textboxes, chapter samples, study questions, and chronologies.

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Book SynopsisA collection of the very best recent journalism of A. A. Gill, 'by miles, the most brilliant journalist of our age' (Lynn Barber).Trade ReviewGill's broadsides, his impatience, his scathing penportraits were, it becomes particularly clear when you read his work en bloc, the byproduct of his desire that we should wriggle free of conformity, embrace pleasure, eat our fill -- Alex Clark * GUARDIAN *Lines in the Sand, a treat for his many fans, gathers the best of Gill's journalism from 2011 to 2016. Ranging from travel reportage to serio-comic appreciations of Savile Row tweed and the delights of condensed milk, the pieces are lit up by the author's trademark literary flourishes and waspish put-downs -- Ian Thomson * EVENING STANDARD *Serene, painfully wise ... glimpses of a loftier truth are the glory of Gill's essays, and they open metaphysical vistas in journalistic junkets or stunts contrived for the sake of a feature article ... His essays - so delicate in their connoisseurship of nature and culture, so tender in their sketches of family, friends and anonymous strangers in refugee camps, so brightly witty and yet so unexpectedly profound - affirm the manifold pleasures of being alive, which is why they enrich the life of anyone who reads them, and in Gill's absence will go on doing so -- Peter Conrad * OBSERVER *As Lines in the Sand, his final collection of journalism - published just a few weeks after his death from cancer, aged 62 - makes clear, Mr Gill's opinions actually held prejudice, piety and pretension to account ... Mr Gill's overriding message throughout these pieces is that experience should be gulped down, pleasure embraced, and conformity shunned ... "There's a basic human need to tell someone what we saw, where we've been," Mr Gill writes, and his dispatches - opinionated, experienced - are told with eloquence and elan, from war zones and home counties camp sites, to, finally, the cancer ward ... Elsewhere, he writes of Lord Snowdon: "His immensely sympathetic eye was often a surprise to people who knew only his waspish tongue." There could be no better epitaph for Mr Gill himself. -- Stuart Husband * MR PORTER *AA Gill was that rare writer, famously able to serve up waspishness and compassion in the same sentence. Both are on full display in Lines in the Sand ... Written with style and ubiquitous wit, this collection of essays is only further proof that Gill's voice will be sorely missed -- Laura Garmeson * FINANCIAL TIMES *I can't think of a writer whose style so exactly replicated their conversation as A. A. Gill. Reading his weekly dispatches was just like being with him in person, which is why so many readers took his death late last year very personally. People - even people who had never met him - felt they'd lost their funniest, most outrageous chum. Opening a paper without an article by him is like going to your store cupboard and finding that there's no chilli or salt: everything is blander without him. Two collections which came out this year, Lines in the Sand and The Best of A A. Gill, showcase him at his finest. Adrian showed incredible courage, wit and generosity of heart during his final weeks. Once my husband, always my friend, he is irreplaceable, on and off the page -- Cressida Connolly * THE SPECTATOR Books of the Year *Thankfully, the late A A Gill was neither diplomatic or sensitive. Collecting together the last five years of Adrian Anthony's many highlights, Lines in the Sand sees him wasp around the world with passion, honesty and glorious, wickedly funny words. He's already much missed * WANDERLUST *The late AA Gill was a journalist who you either loved or hated, but was impossible to ignore, and this is an excellent selection of his writing, spanning the wide range of his interests, from food and television to travel and family. Even when facing his own mortality, Gill was uninhibited and brutally honest This collection does him proud * CHOICE *

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Book SynopsisINSTANT NEW YORK TIMES BESTSELLERA new book from #1 New York Times bestselling author Jenny Lawson, destined to be a classicpart therapy, part best friend, part humor, part coloring book.When Jenny Lawson is anxious, one of the things she does is to draw. Elaborate doodles, beautiful illustrations, often with captions that she posts online. At her signings, fans show up with printouts of these drawings for Jenny to autograph. And inevitably they ask her when will she publish a whole book of them. That moment has arrived.You Are Here is something only Jenny could create. A combination of inspiration, therapy, coloring, humor, and advice, this book is filled with Jenny's amazingly intricate illustrations, all on perforated pages that can be easily torn out, hung up, and shared. Drawing on the tenets of art therapywhich you can do while hiding in the pillow fort under your bedYou Are Here is ready to be made entirely your

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Book SynopsisAcademic Writing Skills 3 looks at the specific components of academic writing, such as avoiding logical fallacies, and synthesizing and improving the clarity of sentences. It is appropriate for advanced writing students needing to develop specific writing and analytical skills to complete academic writing tasks.

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Book SynopsisAcademic Writing Skills 1 takes students through a step-by-step process from writing a paragraph to essays. It is appropriate for students new to academic writing who need general training in essay writing skills.Table of ContentsUnit I. Writing a Paragraph: 1. Getting ready to write; 2. Writing a paragraph; 3. Writing a coherent paragraph; 4. Editing a paragraph; Unit II. Writing an Essay: 1. From a paragraph to an essay; 2. Writing an essay; 3. Editing an essay; Unit III. Paraphrasing, Summarizing, and Citing Information: 1. Paraphrasing and summarizing; 2. Citing the sources of information; Unit IV. Writing a Research Essay: 1. Developing and organizing a research essay; 2. Supporting arguments; 3. Editing a research essay.

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Book SynopsisThis selection of Cicero's letters not merely documents in detail Cicero's career but simultaneously provides a month-by-month record of the collapse of the republic and its replacement by a tyranny. It provides a vivid picture of daily life and politics in Rome, the assassination of Caesar, and Cicero's vain resistance to the rise of Mark Antony.

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Book SynopsisPretty Hetty Sorrel is loved by the village carpenter Adam Bede, but her head is turned by the attentions of the fickle young squire. His dalliance with the dairymaid affects the lives of many in their small rural community. This new edition of Eliot's pioneering classic of social realism uses the definitive Clarendon text.Trade Reviewthis was a wonderful novel, layered and beautiful and complex. The fact that I wanted there to be even more of it is a testimony to how good it was. * Jenny Brown, Shelf Love *

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Book SynopsisAn extraordinary collection of lyrics from rap's first thirty years, a showcase of poetic depth and diversityTrade Review“This landmark work chronicles an earth-shattering movement with deep roots.”—New York Times Book Review“The Anthology of Rap is among the best books of its kind ever published.”—Dan Chiasson, New York Review of Books“For the reader who’s really interested in modern poetics a profitable week or three could be spent sitting with The Anthology of Rap.”—Will Self, Times (UK)“The authors have built a poignant collection of rhythm and rhyme. . . . For hard-core hip-hop heads, this book confirms what we have always known: that some of the most innovative writing hails from the imagination of the rapper.”—Idris Goodwin, Boston Globe“As ambitious and intelligent as anyone might want, and more enjoyable than anyone might think. . . . If you want to hear how the latter part of the twentieth century sounded, you can’t do better than this book.”—Kevin Young, Bookforum“Intelligent and authentic. . . . Written for both the hip-hop head and the uninitiated.”—James Johnson, Philadelphia Inquirer“An important contribution to this highly contested lyrical culture.”—David Barnes, Times Literary Supplement“A chronology of rap that highlights significant figures in its short history and offers a window into how rappers harmonize the world through a distinct form of self-expression.”—Library Journal“Reading The Anthology of Rap, which covers everything from Afrika Bambaataa to Young Jeezy, it’s hard not to appreciate rap’s astounding love of words, of the way they fit together and play off each other, and of how meaning can be layered upon meaning to get at a deeper truth. Which sounds an awful lot like poetry.”—Joshua Ostroff, Globe and Mail“The eye-opening essay by [Henry Louis] Gates . . . provides deep historical context for rap; it alone makes the book worth owning.”—Slate“Bradley and DuBois succeed in lucidly explaining how societal shifts have been reflected in rap lyrics. . . . This book is a fitting tribute to a genre not far short of its fortieth anniversary and which was once dismissed as a passing fad.”—Geoff St Louis, Time Out“Groundbreaking. . . . It makes the history, development and variety of the genre plain to see in vivid detail.”—Bernadine Evaristo, The Independent“An extraordinary collection of lyrics showcasing rap’s poetic depth and diversity.”—Bookseller’s Buyer’s Guide“A perfect primer for newcomers.”—The IndependentHonorable mention in the Compilations/Anthologies category of the 2010 New England Book Festival, given by the JM Northern Media family of festivals“An essential contribution to our living literary tradition. . . . This groundbreaking anthology masterfully assembles part of a new vanguard of American poetry.”—from the Foreword by Henry Louis Gates, Jr. “What you hold in your hands is more than a book. This is a culture. This is hip-hop. . . . This book offers a view of rap in full, from the root to the fruit.”—from the Afterword by Common “Every great literature deserves a great anthology. Rap finally has its own.”—from the Afterword by Chuck D “From the Sing Song cadence of the slave preachers to the emotional bravery of Tupac Shakur to the clarity of Queen Latifah . . . for all the hearts and heads and voices who have still to be heard: We Now Have an Encyclopedia. Good for us. Much needed. Much needed.”—Nikki Giovanni“The Anthology of Rap is an instant classic. It brings together the lyric poetry of some of the greatest artists of our time. Hip Hop is here to stay and rap lives forever—on the stage and now on the page!”—Cornel West“These Rappers’ lyrics love. Cut. Curse. Fight. Teach. Play. Pray. Testify. They bring us the pace of sound. The swiftness of sound. The discordant way of looking at the world of sound. The Blackness of sound. The new bebopic beat of sound. These are word sorcerers who love language and hablar sin bastón (speak without a crutch).”—Sonia Sanchez“This monumental encyclopedia of rhymes is great for hip-hop newbies or longtime fans, lyric lovers and poetry devotees. It’s an invaluable reference on hip-hop history spanning from Afrika Bambaataa to Kanye West.”—Touré“Some readers of poetry still wonder where the rhymes went. One answer is they left the ends of the lines and went inside the poem. But rhyme also strongly re-emerges in rap. Whatever the stakes or the messages contained in this monumental volume, the like-sounds that used to be the engine of English poetry drive and power these energetic lyrics.”—Billy Collins

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Book SynopsisTreacherous, power-hungry, untempered by moral restraint, and embittered by physical deformity, Richard, the younger brother of King Edward IV, is ablaze with ambition to take England's throne. This title is a chronicle of Richard's machinations to be king - a tale of murder upon murder.Trade Review“Besides the scholarly texts, these include lists of suggested further reading, essays, and more. Fab for the price.”—Library JournalSelected by the Association of American University Presses as an Outstanding Book for Public and Secondary School Libraries, 2007“Each volume of the Annotated Shakespeare proves to be a splendid addition to the series.”—Tita French Baumlin, Southwest Missouri State University“The volumes in this series will enrich any library that stocks editions of individual Shakespearean plays. . . . Especially helpful are definitions of common words that have changed meanings over the past four hundred years.”—Judith McGowan, American Association of School Librarians

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Book SynopsisTrade Review“In 1974 Dream in Shakespeare marked the debut of a young scholar with a rare gift for recognizing not only what is most Shakespearean about Shakespeare but what is at stake for us when we set out to interpret his vision. As fresh and perceptive as it was forty years ago, Dream in Shakespeare is one of those few critical monographs so beguiling that when one finishes reading it, one cries to dream again.”—Michael Dobson, Director of the Shakespeare Institute, Stratford-upon-Avon, and Professor of Shakespeare Studies, University of Birmingham -- Michael Dobson“This reissue of Marjorie Garber’s Dream in Shakespeare will allow those who don’t yet know the book to discover the pleasure of reading a great critic on our greatest author. It will remind you of what Garber has always been so very good at doing: taking something that we thought we knew and showing us how much more interesting and surprising in fact it is.” —David Scott Kastan, George M. Bodman Professor of English, Yale University -- David Scott Kastan

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Book SynopsisFor many centuries, Aristotle''s Physics was the essential starting point for anyone who wished to study the natural sciencesThis book begins with an analysis of change, which introduces us to Aristotle''s central concepts of matter and form, before moving on to an account of explanation in the sciences and a defence of teleological explanation. Aristotle then turns to detailed, important, and often ingenious discussions of notions such as infinity, place, void, time, and conintuity. He ends with an argument designed to show that the changes we experience in the world demand as their cause a single unchanging cause of all change, namely God.This is the first complete translation of Physics into English since 1930. It presents Aristotle''s thought accurately, while at the same time simplifying and expanding the often crabbed and elliptical style of the original, so that it is very much easier to read. A lucid introduction and extensive notes explain the general structure of each sectionTrade Reviewthe editions deserve great credit for the enthusiasm of their approach ... The introductions by eminent scholars put the thoughts of the author and the history of the time into clear perspective. Oxford should be given credit for making the classics accessible for all rather than just crib notes for students. * Jonathan Copeland, Lincolnshire Echo *

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Book SynopsisTable of ContentsPensées; The Art of Persuasion; Writings on Grace

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Book SynopsisIn this almost documentary account of his own experiences of penal servitude in Siberia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, thebrief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his greatmasterpieces.

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Book SynopsisTable of ContentsIphigenia among the Taurians ; Bacchae ; Iphigenia at Aulis ; Rhesus

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Book SynopsisIn his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with uniqueinsight the relationship between an elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement,and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence.

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Book SynopsisOf all Jack London's fictions none have been so popular as his dog stories. In addition to The Call of the Wild, the epic tale of a Californian dog's adventures during the Klondike gold rush, this edition includes White Fang, and five famous short stories - 'Bâtard', 'Moon-Face', 'Brown Wolf', 'That Spot', and 'To Build a Fire'.Trade Review`guaranteed to warm the heart of any child' Press and Journal, Aberdeen'utterly convincing ... wonderful forays into danger and excitement' Beat SceneTable of ContentsThe Call of the Wild; White Fang; Bâtard; Moon-Face; Brown Wolf; That Spot; To Build a Fire

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Book Synopsis''I have lately written...a tale, to illustrate an opinion of mine, that a genius will educate itself.''Mary Wollstonecraft is best known for her pioneering views on the rights of women to share equal rights and opportunities with men. Expressed most forcefully in her Vindication of the Rights of Woman (1792), her forthright opinions also inform her two innovative novels, Mary and The Wrongs of Woman, a fictional sequel to the Vindication. In both novels the heroines have to rely on their own resources to establish their independence and intellectual development. Mary learns to take control of her destiny and become a social philanthropist, while Maria, in The Wrongs of Woman, fights imprisonment and a loveless marriage to claim her rights.Strongly autobiographical, both novels powerfully complement Wollstonecraft''s non-fictional writing, inspired by the French Revolution and the social upheavals that followed. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made ava

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Book SynopsisHow well do you really know your favourite author? Ace literary detective turned quizmaster John Sutherland and Austen buff Deirdre Le Faye challenge the reader to find out. Starting with easy, factual questions that test how well you remember a novel and its characters, the quiz progresses to a level of greater difficulty, demanding close reading and interpretative deduction. What really motivates the characters, and what is going on beneath the surface of the story? Designed to amuse and divert, the questions and answers take the reader on an imaginative journey into the world of Jane Austen, where hypothesis and speculation produce fascinating and unexpected insights. Whether you are an expert or enthusiast, So You Think You Know Jane Austen? guarantees you will know her much better after reading it. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitmeTrade Reviewyou should get a kick out of answering any of the questions in this book correctly. * Irish Times *For those reading Austen for academic puposes the clear answers and insights could prove a valuable learning tool. * Irish Times *

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Book Synopsis`Tonight When I make my sweeping bow at heaven''s gate, One thing I shall still possess, at any rate, Unscathed, something outlasting mortal flesh, And that is ... My panache.''The first English translation of Cyrano de Bergerac, in 1898, introduced the word panache into the English language. This single word summed up Rostand''s rejection of the social realism which dominated late nineteenth-century theatre. He wrote his `heroic comedy'', unfashionably, in verse, and set it in the reign of Louis XIII and the Three Musketeers. Based on the life of a little known writer, Rostand''s hero has become a figure of theatrical legend: Cyrano, with the nose of a clown and the soul of a poet, is by turns comic and sad, as reckless in love as in war, and never at a loss for words. Audiences immediately took him to their hearts, and since the triumphant opening night in December 1897 - at the height of the Dreyfus Affair - the play has never lost its appeal. The text is accompanied by notes and a full introduction which sets the play in its literary and historical context. Christopher Fry''s acclaimed translation into `chiming couplets'' represents the homage of one verse dramatist to another. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Book SynopsisFirst published in 1572, The Lusiads is one of the greatest epic poems of the Renaissance, immortalizing Portugal''s voyages of discovery with an unrivalled freshness of observation. At the centre of The Lusiads is Vasco da Gama''s pioneer voyage via southern Africa to India in 1497-98. The first European artist to cross the equator, Camoes''s narrative reflects the novelty and fascination of that original encounter with Africa, India and the Far East. The poem''s twin symbols are the Cross and the Astrolabe, and its celebration of a turning point in mankind''s knowledge of the world unites the old map of the heavens with the newly discovered terrain on earth. Yet it speaks powerfully, too, of the precariousness of power, and of the rise and decline of nationhood, threatened not only from without by enemies, but from within by loss of integrity and vision. The first translation of The Lusiads for almost half a century, this new edition is complemented by an illuminating introduction and extensive notes. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Book SynopsisTrade Review'the man had style and wit and was a great influence on the theatre of his time' Hamish Coghill, Evening NewsTable of ContentsLady Windermere's Fan ; Salome ; A Woman of No Importance ; An Ideal Husband ; The Importance of Being Earnest

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Book Synopsis''It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.''The Kill (La Curée) is the second volume in Zola''s great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola''s narrative world. Conceived as a representation of the uncontrollable ''appetites'' unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure. The all-pervading promiscuity of the new Paris is reflected in the dissolute and frenetic lives of an unscrupulous property speculator, Saccard, his neurotic wife Renée, and her dandified lover, Saccard''s son Maxime. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewNelson's translation is preceded by a highly useful and scrupulously researched introduction [with] a depth of analysis rarely found in introduction of this kind... The translation itself is sensitive and elegant...the text reads as an engaging and thoughtful close rereading of the original which is especially effective in bringing Zola's fascination with descriptive detail to the attention of the anglophone reader without syntactically overburdening the prose. * Hannah Thompson, Modern Languages Review vol 102, part1 *Émile Zola's The Kill, in Brian Nelsons thrillingly good Oxford World's Classics translation, is one of the most sensuous, sexy books that I think Ive ever read. * Illuminations *

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Book SynopsisTwelfth Night is one of the most popular of Shakespeare's plays in performance, and this edition emphasizes its theatrical qualities in both the introduction and the full and detailed commentary. Where the original music has not survived, James Walker has composed settings compatible with the surviving originals, freshly edited, so that this edition, uniquely, offers all the music required to perform the play.Trade ReviewThe commentary on Twelfth Night is alive with the editors' feeling for the play in performance. * M.M. Mahoud, University of Kent, YES, 27, 1996 *

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Book SynopsisOver the years, Grene and Lattimore's "Complete Greek Tragedies" have been the preferred choice of millions of readers - for personal libraries, individual study, and classroom use. This title presents Sophocles' searing tale of jealousy, rage, and revenge.Trade Review"This is it. No qualifications. Go out and buy it everybody." - Kenneth Rexroth, Nation "The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary.... They have life and speed and suppleness of phrase." - Times Education Supplement "Grene is one of the great translators." - Conor Cruise O'Brien, Sunday Times "These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead." - Warren D. Anderson, American Oxonian "The critical commentaries and the versions themselves... are fresh, unpretentious, and above all, functional." - Commonweal "These authoritative translations consign all other complete collections to the wastebasket." - Robert Brustein, New Republic, on "David Grene and Richmond Lattimore's Complete Greek Tragedies"

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Book SynopsisOffers a fresh and nuanced account of the rise of Jewish nationalism and the subsequent creation of Israel. Following Marcel Proust's heirs, Beckett and Genet, and a host of Middle Eastern writers, artists, and filmmakers, this title traces the shifting dynamic of memory and identity across the crucial cultural links between Europe and Palestine.

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Book SynopsisV. S. Naipaul was born in Trinidad in 1932. He came to England on a scholarship in 1950. He spent four years at University College, Oxford, and began to write, in London, in 1954. He pursued no other profession.His novels include A House for Mr Biswas, The Mimic Men, Guerrillas, A Bend in the River, and The Enigma of Arrival. In 1971 he was awarded the Booker Prize for In a Free State. His works of nonfiction, equally acclaimed, include Among the Believers, Beyond Belief, The Masque of Africa, and a trio of books about India: An Area of Darkness, India: A Wounded Civilization and India: A Million Mutinies Now.In 1990, V. S. Naipaul received a knighthood for services to literature; in 1993, he was the first recipient of the David Cohen British Literature Prize. He received the Nobel Prize in Literature in 2001. He lived with his wife Nadira and cat Augustus in Wiltshire, and died in 20Trade ReviewEssential reading . . . it offers the insights and observations – on literature, history and cultural sensibility – of an honest and truly global thinker. * Evening Standard *The greatest writer now living in Britain. His courage in seeing and telling the truth represents a level of high seriousness that has all but vanished. * Sunday Times *Naipaul has a sharp visual sense . . . And then there is his chiselled prose, elegant and economical: who, now living, writes as well as he? * Financial Times *

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Book SynopsisHermione Lee sees Virginia Woolf afresh, in her historical setting and as a vital figure for our times. It is a writer's life, illustrating how the concerns of her work arise and develop, and a political life, which establishes Woolf as a radically sceptical, subversive, courageous feminist.Trade ReviewAn outstanding achievement...superb -- Selena Hastings * Sunday Telegraph *It is a lasting, and even a great, book. These are not terms one gets to use often, or should ever use lightly -- Michael Cunningham, author of The HoursLee's book is not only very good, but very necessary -- Penelope FitzgeraldOne of the most impressive biographies of the decade: moving, eloquent, powerful * Financial Times *

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Book SynopsisThe second century A.D. traveller''s guide to buildings, tombs, and statues including mythological, religious, and historical background of sites from Delphi to OlympiaTable of ContentsGuide to Greece 1: Central GreeceList of FiguresList of Maps and PlansAcknowledgmentsCorrectionsIntroductionBook I: AtticaBook II: Corinth and the ArgolidBook III: AchaiaBook IV: BoiotiaBook V: PhokisAppendix: The Successors of Alexander and their WarsSelect BibliographyIndex

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Book SynopsisThe era between the accession of Henry VIII and the crisis of the English republic in 1659 formed one of the most fertile epochs in world literature. This anthology offers a broad selection of its poetry, and includes a wide range of works by the great poets of the age—notably Sir Philip Sidney, Edmund Sepnser, John Donne, William Shakespeare and John Milton. Poems by less well-known writers also feature prominently—among them significant female poets such as Lady Mary Wroth and Katherine Philips. Compelling and exhilarating, this landmark collection illuminates a time of astonishing innovation, imagination and diversity.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by intrTable of ContentsSelected and with an Introduction by David Norbrook - Edited by H.R. Woudhuysen Abbreviations Used in the TextPrefaceAcknowledgmentsIntroductionNote on the Text and AnnotationI. The Public World1. JOHN SKELTON: [from A Lawde and Prayse Made for Our Sovereigne Lord the Kyng]2. SIR THOMAS MORE: De Principe Bono Et Malo3. Quis Optimus Reipublicae Status4. SIR DAVID LINDSAY: [from The Dreme] The Complaynt of the Comoun weill of Scotland5. SIR THOMAS WYATT: [Who lyst his welth and eas Retayne]6. In Spayn7. [The piller pearisht is whearto I Lent]8. HENRY HOWARD, EARLY OF SURREY: [Thassyryans king in peas with fowle desyre]9. ANONYMOUS: John Arm-strongs last good night10. ROBERT CROWLEY: Of unsaciable purchasers11. JOHN HEYWOOD: [from A Ballad on the Marriage of Philip and Mary]12. WILLIAM BIRCH: [from A songe betwene the Quenes majestie and Englande]13. QUEEN ELIZABETH I: [The dowbt off future foes exiles my present joye]14. SIR PHILIP SIDNEY: [from The Countesse of Pembrokes Arcadia]15. ANONYMOUS: Of Sir Frauncis Walsingham Sir Phillipp Sydney, and Sir Christopher Hatton, Lord Chancelor16. GEORGE PUTTENHAM: Her Majestie resembled to the crowned piller17. ANNE DOWRICHE: [from The French Historie]18. SIR WALTER RALEGH: [Praisd be Dianas faire and harmles light]19. [from Fortune hath taken the away my love]20. QUEEN ELIZABETH I: [Ah silly pugge wert thou so sore afraid]21. SIR WALTER RALEGH: The 21th: and last booke of the Ocean to Scinthia22. The Lie23. ALEXANDER MONTGOMERIE: [Remembers thou in Aesope of a taill]24. SIR JOHN HARINGTON: A Tragicall Epigram25. Of Treason26. FULKE GREVILLE, LORD BROOKE: [from Caelica] Sonnet 7827. GEORGE PEELE: [from Anglorum Feriae]28. JOHN DONNE: The Calme29. [from Satire 4]30. ROBERT DEVEREUX, EARL OF ESSEX: [Change thy minde since she doth change]31. MARY SIDNEY, COUNTESS OF PEMBROKE: [To Queen Elizabeth]32. EDMUND SPENSER: [from The Faerie Queene Book 5]33. EOCHAIDH Ó HEÓGHUSA: [On Maguire's Winter Campaign]34. BEN JONSON: On the Union35. SIR ARTHUR GORGES: Written upon the death of the most Noble Prince Henrie36. SIR HENRY WOTTON: Upon the sudden Restraint of the Earle of Somerset, then falling from favor37. WILLIAM BROWNE: [from Brittania's Pastorals Book 2]38. ANONYMOUS: Feltons Epitaph39. ANONYMOUS: [Epitaph on the Duke of Buckingham]40. SIR RICHARD FANSHAWE: [from An Ode Upon occasion of His Majesties Proclamation in the yeare 1630]41. JOHN CLEVELAND: Epitaph on the Earl of Strafford42. SIR JOHN DENHAM: Coopers Hill43. MARTIN PARKER: Upon defacing of White-hall44. ROBERT HERRICK: A King and no King45. ANDREW MARVELL: An Horatian Ode upon Cromwel's Return from Ireland46. SIR WILLIAM MURE: [from The Cry of Blood, and of a Broken Covenant]47. KATHERINE PHILIPS: On the 3. of September, 165148. JOHN MILTON: To the Lord Generall Cromwell May 165249. To Sir Henry Vane the younger50. ANDREW MARVELL: [from The First Anniversary of the Government under O.C.]51. ALEXANDER BROME: On Sir G.B. his defeatII. Images of Love52. ANONYMOUS: [Westron wynde when wylle thow blow]53. SIR THOMAS WYATT: [They fle from me that sometyme did me seke]54. [Who so list to hount I knowe where is an hynde]55. [It may be good like it who list]56. [My lute awake perfourme the last]57. HENRY HOWARD, EARL OF SURREY: [The soote season, that bud and blome furth bringes]58. ALEXANDER SCOTT: [To luve unluvit it is ane pane]59. GEORGE TURBERVILLE: To his Love that sent him a Ring wherein was gravde, Let Reason rule60. ISABELLA WHITNEY: I.W. To her unconstant Lover61. GEORGES GASCOIGNE: [A Sonet written in prayse of the brown beautie]62. ANONYMOUS: A new Courtly Sonet, of the Lady Greensleeves63. SIR PHILIP SIDNEY: [from Certain Sonnets: 4]64. [from The Countesse of Pembrokes Arcadia]65. [from Astrophil and Stella] 166. [from Astrophil and Stella] 267. [from Astrophil and Stella] 968. [from Astrophil and Stella] 7269. [from Astrophil and Stella] 8170. [from Astrophil and Stella] 8371. [from Astrophil and Stella] Eight song72. [from Astrophil and Stella] Eleventh song73. FULKE GREVILLE, LORD BROOKE: [from Caelica] Sonnet 2274. [from Caelica] Sonnet 2775. [from Caelica] Sonnet 3976. [from Caelica] Sonnet 4477. [from Caelica] Sonnet 8478. MARK ALEXANDER BOYD: Sonet79. ROBERT GREENE: Dorons description of Samela80. EDMUND SPENSER: [from The Faerie Queene Book 2]81. [from The Faerie Queene Book 3]82. [from The Faerie Queene Book 3]83. [from Amoretti] Sonnet 2384. [from Amoretti] Sonnet 6485. [from Amoretti] Sonnet 6786. [from Amoretti] Sonnet 7087. [from Amoretti] Sonnet 7188. Epithalamion89. SIR WALTER RALEGH: [As you came from the holy land]90. SAMUEL DANIEL: [from Delia] Sonnet 1391. [from Delia] Sonnet 3992. [from Delia] Sonnet 5293. SIR JOHN DAVIES: [from Gullinge Sonnets]94. [Faith (wench) I cannot court thy sprightly eyes]95. THOMAS NASHE: The choise of valentines96. JOHN DONNE: To his Mistress going to bed97. BARNABE BARNES: [from Parthenophil and Parthenophe] Sonnet 2799. CHRISTOPHER MARLOWE: The passionate Sheepheard to his love99. Hero and Leander100. WILLIAM SHAKESPEARE: [from Venus and Adonis]101. [from Lucrece]102. RICHARD BARNFIELD: [from Cynthia] Sonnet 8103. [from Cynthia] Sonnet 11104. WILLIAM SHAKESPEARE: [from Sonnets] 19105. [from Sonnets] 20106. [from Sonnets] 29107. [from Sonnets] 35108. [from Sonnets] 36109. [from Sonnets] 55110. [from Sonnets] 56111. [from Sonnets] 66112. [from Sonnets] 74113. [from Sonnets] 94114. [from Sonnets] 121115. [from Sonnets] 124116. [from Sonnets] 129117. [from Sonnets] 135118. [from Sonnets] 138119. [from Sonnets] 144120. ROBERT SIDNEY, EARL OF LEICESTER: Sonnet 21121. Sonnet 25122. Sonnet 31123. Songe 17124. GEORGE CHAPMAN: [from Hero and Leander Sestiad 3]125. JOHN MARSTON: [from The Metamorphosis of Pigmalions Image]126. THOMAS DELONEY: [Long have I lov'd this bonny Lasse]127. ANONYMOUS: [from The wanton Wife of Bath]128. [JOHN DOWLAND]: [Fine knacks for ladies, cheape choise brave and new]129. THOMAS CAMPION: [Followe thy faire sunne unhappy shaddowe]130. [Rose-cheekt Lawra come]131. [There is a Garden in her face]132. JOHN DONNE: His Picture133. The Sunne Rising134. The Canonization135. Loves growth136. A Valediction of weeping137. A Valediction forbidding mourning138. MICHAEL DRAYTON: [from Idea] 10139. [from Idea] 61140. To His Coy Love, A Canzonet141. BEN JONSON: Why I Write Not of Love142. My Picture left in Scotland143. LADY MARY WROTH: [from Pamphilia to Amphilanthus] 23144. [from Pamphilia to Amphilanthus] 34145. [from Pamphilia to Amphilanthus] A crowne of Sonetts dedicated to Love146. [from Pamphilia to Amphilanthus]147. [from The Countesse of Mountgomeries Urania] 7148. ROBERT HERRICK: Delight in Disorder149. The Vision150. The silken Snake151. Her Bed152. Upon Julia's haire fil'd with Dew153. Upon Sibilla154. THOMAS CAREW: The Spring155. Ingratefull beauty threatned156. [from A Rapture]157. MARTIN PARKER: [from Cupid's Wrongs Vindicated]158. [from Well met Neighbour]159. EDMUND WALLER: The story of Phoebus and Daphne appli'd160. Song161. The Budd162. SIR JOHN SUCKLING: [Out upon it, I have lov'd]163. JOHN CLEVELAND: The Antiplatonick164. RICHARD LOVELACE: Song. To Lucasta, Going to the Warres165. Gratiana dauncing and singing166. To Althea, From Prison167. Her Muffe168. [from On Sanazar's being honoured with six hundred Duckets by the Clarissimi of Venice, for composing an Elegiack Hexastick of the City. A Satyre]169. ANDREW MARVELL: To his Coy Mistress170. The Gallery171. The Definition of Love172. JAMES HARRINGTON: Inconstancy173. KATHERINE PHILIPS: An Answer to another perswading a Lady to MarriageIII. Topographies174. ALEXANDER BARCLAY: [from Certayne Egloges 5]175. GEORGE BUCHANAN: Calendae Maiae176. ANONYMOUS: [from Vox populi vox Dei]177. ANONYMOUS: [from Jack of the North]178. ANONYMOUS: The Jolly Pinder of Wakefield179. BARNABE GOOGE: Goyng towardes Spayne180. SIÔON PHYLIP: [from Yr Wylan]181. SIR PHILIP SIDNEY: [from The Countesse of Pembrokes Arcadia]182. EDMUND SPENSER: [from The Shepheardes Calender] Maye183. ALEXANDER HUME: [from Of the day Estivall]184. JOHN DAVIES: [from Epigrammes] In Cosmum 17185. JOSEPH HALL: [from Virgidemiarum Book 5]186. EVERARD GUILPIN: [from Skialetheia Satire 5]187. ANONYMOUS: A Songe bewailinge the tyme of Christmas, So much decayed in Englande188. JOHN DONNE: A nocturnall upon S. Lucies day, Being the shortest day189. AEMILIA LANYER: The Description of Cooke-ham190. BEN JONSON: To Penshurst191. MICHAEL DRAYTON: [from Pastorals] The Ninth Eglogue192. [from Poly-Olbion Song 6]193. To the Virginian Voyage194. SAMUEL DANIEL: [from Epistle. To Prince Henrie]195. ANONYMOUS: On Francis Drake196. W. TURNER: [from Turners dish of Lentten stuffe, or a Galymaufery]197. JOHN TAYLOR: [from The Sculler] Epigram 22198. WILLIAM BROWNE: [from Britannia's Pastorals Book 2]199. EDWARD HERBERT, LORD HERBERT OF CHERBURY: Sonnet200. RICHARD CORBETT: A Proper New Ballad Intituled the Faeryes Farewell: Or God-A-Mercy Will201. SIR WILLIAM DAVENANT: The Countess of Anglesey lead Captive by the Rebels, at the Disforresting of Pewsam202. GEORGE WITHER: [from Britain's Remembrancer Canto 4]203. JOHN MILTON: Song on May morning 204. L'Allegro205. ROBERT HERRICK: To Dean-bourn, a rude River in Devon, by which sometimes he lived206. Corinna's going a Maying207. To Meddowes208. The Wassaile209. RICHARD CRASHAW: [from Bulla]210. ABRAHAM COWLEY: The Wish211. ANONYMOUS: [The Diggers' Song]212. HENRY VAUGHAN: [from To his retired friend, an Invitation to Brecknock]213. RICHARD LOVELACE: The Snayl214. ANDREW MARVELL: Bermudas215. The Mower to the Glo-Worms216. The Mower against Gardens217. The Garden218. [from Upon Appleton House, to my Lord Fairfax]219. MARGARET CAVENDISH, DUCHESS OF NEWCASTLE: Of many Worlds in this World220. A Dialogue betwixt Man, and Nature221. Similizing the Sea to Meadowes, and Pastures, the Marriners to Shepheards, the Mast to a May-pole, Fishes to Beasts222. KATHERINE PHILIPS: Upon the graving of her Name upon a Tree in Barnelmes WalksIV. Friends, Patrons and the Good Life223. SIR THOMAS WYATT: [Myn owne John poyntz sins ye delight to know]224. GEORGE GASCOIGNE: [Upon the theme: Magnum vectigal parcimonia]225. [Gascoignes wodmanship]226. EDWARD DE VERE, EARL OF OXFORD: [Weare I a Kinge I coulde commande content]227. THOMAS LODGE: [from Scillaes Metamorphosis]228. JOHN DONNE: To Sir Henry Wotton229. THOMAS DELONEY: The Weavers Song230. THOMAS DEKKER: [Art thou poore yet hast thou golden Slumbers]231. SAMUEL DANIEL: To Lucy, Countesse of Bedford, with Mr. Donnes Satyres233. Inviting a Friend to Supper234. [THOMAS RAVENSCROFT]: [Hey hoe what shall I say]235. [Sing we now merily]236. A Belmans song237. THOMAS CAMPION: [Now winter nights enlarge]238. ANONYMOUS: The Mode of France239. MICAHEL DRAYTON: These verses weare made By Michaell Drayton Esquier Poett Lawreatt the night before hee dyed240. EDMUND WALLER: At Pens-hurst241. RICHARD LOVELACE: The Grasse-hopper. To my Noble Friend, Mr. Charles Cotton. Ode242. ALEXANDER BROME: [from The Prisoners] Written when O.C. attempted to be King243. JOHN MILTON: [To Edward Lawrence]244. KATHERINE PHILIPS: Friendship's Mystery, To My Dearest Lucasia245. Friendship in Embleme, or the Seal. To my dearest Lucasia246. To my Excellent Lucasia, on our FriendshipV. Church, State and Belief247. JOHN SKELTON: [from Collyn Clout]248. ANNE ASKEW: The Balade whych Anne Askewe made and sange whan she was in Newgate249. LUKE SHEPHERD: [from The Upcheringe of the Messe]250. ANONYMOUS: [A Lament for our Lady's Shrine at Walsingham]251. JOHN HEYWOOD: [from Epygrams] Of turnyng.252. GEORGE PUTTENHAM: [from Partheniades] Partheniad 11 Urania253. ROBERT SOUTHWELL: The burning Babe254. HENRY CONSTABLE: To St. Mary Magdalen255. SIR JOHN HARINGTON: A Groome of the Chambers religion in King Henry the eights time256. JOHN DONNE: Satyre 3257. Goodfriday, 1613. Riding Westward258. Hymne to God my God, in my sicknesse259. [from Holy Sonnets]260. [Since she whome I lovd, hath payd her last debt]261. [Show me deare Christ, thy spouse, so bright and cleare]262. FULKE GREVILLE, LORD BROOKE: [from Caelica] Sonnet 89263. [from Caelica] Sonnet 99264. [from Caelica] Sonnet 109265. GILES FLETCHER: [from Christs Victorie, and Triumph in Heaven, and Earth, over, and after death]266. AEMILIA LANYER: [from Salve Deus Rex Judaeorum]267. WILLIAM DRUMMOND: [For the Baptiste]268. [Content and Resolute]269. PHINEAS FLETCHER: [Vast Ocean of light, whose rayes surround]270. JOHN MILTON: On the morning of Christs Nativity271. FRANCIS QUARLES: [from Pentelogia] Fraud Mundi272. [from Divine Fancies] On the contingencie of Actions273. [from Divine Fancies] On the Needle of a Sun-diall274. [from Divine Fancies] On the Booke of Common Prayer275. [from Divine Fancies] On Christ and our selves276. GEORGE HERBERT: Perseverance277. Redemption278. Easter wings279. Prayer280. Deniall281. Jordan282. The Collar283. The Flower284. The Forerunners285. Love286. [from The Church Militant]287. ANONYMOUS: [Yet if his Majestie our Sovareigne lord]288. SIDNEY GODOLPHIN: [Lord when the wise men came from Farr]289. JOHN TAYLOR: [from Here followeth the unfashionable fashion, or the too too homely Worshipping of God]290. EDMUND WALLER: Upon His Majesties repairing of Pauls291. RICHARD CRASHAW: A Hymne of the Nativity, sung by the Shepheards292. To the Noblest and best of Ladyes, the Countesse of Denbigh293. [from The Flaming Heart]294. ANONYMOUS: Upon Arch-bishop Laud, Prisoner in the Tower. 1641295. ROBERT WILD: [from Alas poore Scholler, whither wilt thou goe]296. JOHN MILTON: On the new forcers of Conscience under the Long Parliament297. MORGAN LLWYD: [from The Summer]298. LAURENCE CLARKSON: [from A Single Eye All Light, no Darkness]299. HENRY VAUGHAN: The Retreate300. The World301. Cock-crowing302. The Water-fall303. SIR WILLIAM DAVENANT: [from Gondibert Book 2]304. ANNA TRAPNEL: [from The Cry of a Stone]305. AN COLLINS: Another Song exciting to spirituall Mirth306. ANDREW MARVELL: The CoronetVI. Elegy and Epitaph307. JOHN SKELTON: [from Phyllyp Sparowe]308. HENRY HOWARD, EARL OF SURREY: [Norfolk sprang thee, Lambeth holds thee dead]309. [W. resteth here, that quick could never rest]310. NICHOLAS GRIMALD: [from A funerall song, upon the deceas of Annes his moother]311. CHIDIOCK TICHBORNE: [My prime of youth is but a froste of cares]312. WILLIAM SHAKESPEARE: [The Phoenix and Turtle]313. JOHN DONNE: [from The Second Anniversarie] Of the Progres of the Soule314. BEN JONSON: On My First Sonne315. To the immortalle memorie, and friendship of that noble paire, Sir Lucius Cary, and Sir H. Morison316. SIR WALTER RALEGH: [Even suche is tyme that takes in trust]317. WILLIAM BROWNE: On the Countesse Dowager of Pembrooke318. HENRY KING: An Exequy To his matchlesse never to be forgotten Freind318. GEORGE HERBERT: [from Memoriae Matris Sacrum]320. THOMAS CAREW: Epitaph on the Lady Mary Villers321. SIR HENRY WOTTON: Upon the death of Sir Albert Morton's Wife322. ROBERT HERRICK: To the reverend shade of his religious Father323. Upon himselfe being buried324. Upon a child325. JOHN MILTON: Lycidas326. [Methought I saw my late espoused Saint]327. 'ELIZA': To my Husband328. HENRY VAUGHAN: [They are all gone into the world of light]329. KATHERINE PHILIPS: Epitaph. On her Son H.P. at St. Syth's Church where her body also lies Interred330. Orinda upon little Hector Philips331. JAMES SHIRLEY: [The glories of our blood and state]VII. Translation332. HENRY HOWARD, EARL OF SURREY: [from Virgil's Aeneid Book 4]333. RICHARD STANYHURST: [from Virgil's Aeneid Book 4]334. ARTHUR GOLDING: [from Ovid's Metamorphoses Book 6]335. EDMUND SPENSER: [from Ruines of Rome: by Bellay] 5336. MARY SIDNEY, COUNTESS OF PEMBROKE: Quid gloriaris? Psalm 52337. [from Psalm 89 Misericordias]338. Voce mea ad Dominum Psalm 142339. CHRISTOPHER MARLOWE: [from Ovides Elegies Book 1] Elegia. 13. Ad Auroram ne properet340. [from Lucan's Pharsalia Book 1]341. SIR JOHN HARINGTON: [from Ariosto's Orlando Furioso Book 34]342. EDWARD FAIRFAX: [from Tasso's Godfrey of Bulloigne Book 4]343. JOSUAH SYLVESTER: [from Saluste du Bartas' Devine Weekes]344. GEORGE CHAPMAN: [from Homer's Iliad Book 12]345. JOHN MILTON: The Fifth Ode of Horace. Lib. 1VIII. Writer, Language and Public346. JOHN SKELTON: [from A Replycacion]347. THOMAS CHURCHYARD: [from A Musicall Consort]348. SIR JOHN HARINGTON: Of honest Theft. To my good friend Master Samuel Daniel350. JOHN DONNE: The triple Foole351. WILLIAM SHAKESPEARE: [from Sonnets]352. JOHN MARSTON: [from The Scourge of Villanie] In Lectores prorsus indignos353. SAMUEL DANIEL: [from Musophilus]354. BEN JONSON: A Fit of Rime against Rime355. An Ode. To himselfe356. GEORGE CHAPMAN: [from Homer's Iliad, To the Reader]357. SIR WALTER RALEGH: To the Translator358. WILLIAM BROWNE: [from Britannia's Pastorals Book 2]359. RACHEL SPEGHT: [from The Dreame]360. MICHAEL DRAYTON: [from Idea]361. To my most dearely-loved friend Henery Reynolds Esquire, of Poets and Poesie362. [from The Muses Elizium] The Description of Elizium363. JOHN MILTON: [from At a Vacation Exercise]364. JOHN TAYLOR: [from A comparison betwixt a Whore and a Booke]365. THOMAS CAREW: An Elegie upon the death of the Deane of Pauls, Dr. John Donne366. A Fancy367. ROBERT HERRICK: To the Detracter368. Posting to Printing369. GEORGE WITHER: [from Vox Pacifica]370. SIR WILLIAM DAVENANT: [from Gondibert Book 2]371. MARGARET CAVENDISH, DUCHESS OF NEWCASTLE: The Claspe372. [The Common Fate of Books]373. ABRAHAM COWLEY: The Muse374. HENRY VAUGHAN: The BookNotes to the TextAppendix 1: Index of GenresAppendix 2: Index of Metrical and Stanzaic FormsAppendix 3: Glossary of Classical NamesAppendix 4: Biographical Notes on AuthorsAppendix 5: Index of AuthorsIndex of First LinesIndex of Titles

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