ELT & Literary Studies Books
WW Norton & Co Tess of the dUrbervilles
Book Synopsis
£10.99
Princeton University Press Gods and Mortals
Book SynopsisTrade Review"[A] superb retelling. . . . Nuanced, sympathetic and deeply moving."---Michael Dirda, Washington Post"Sarah Iles Johnston brings exceptional verve and scholarship to Gods and Mortals: Ancient Greek Myths for Modern Readers, a comprehensive volume. . . . [Johnston] restores the lustiness of tales that other writers have made bloodless. . . . Armchair enthusiasts may find some surprises."---Meghan Cox Gurdon, Wall Street Journal"[The] gods make Game of Thrones look like a pastoral idyll…this book is a delight and a ‘must have.’"---Roger Barnes, Classics for All"[Gods and Mortals] can almost be read as a novel…if you’re at all interested in the Greek myths and why they are still relevant to us in our modern world, you’ll want one on your bookshelf that you can keep and dip into over and again."---Terry Potter, The Letterpress Project"Lively, engaging, and well researched." * Choice Reviews *"Enjoyable."---Kathleen Fleming, Journal of Folklore Research Review
£25.50
Pan Macmillan Divine Might: Goddesses in Greek Myth
Book SynopsisIn Divine Might Natalie Haynes, author of the bestselling Pandora’s Jar, returns to the world of Greek myth and this time she examines the role of the goddesses.We meet Athene, who sprang fully formed from her father’s head: goddess of war and wisdom, guardian of Athens. We run with Artemis, goddess of hunting and protector of young girls (apart from those she decides she wants as a sacrifice). Here is Aphrodite, goddess of sex and desire – there is no deity more determined and able to make you miserable if you annoy her. And then there’s the queen of all the Olympian gods: Hera, Zeus’s long-suffering wife, whose jealousy of his dalliances with mortals, nymphs and goddesses lead her to wreak elaborate, vicious revenge on those who have wronged her.We also meet Demeter, goddess of agriculture and mother of the kidnapped Persephone, we sing the immortal song of the Muses and we warm ourselves with Hestia, goddess of the hearth and sacrificial fire. The Furies carry flames of another kind – black fires of vengeance for those who incur their wrath.These goddesses are as mighty, revered and destructive as their male counterparts. Isn’t it time we looked beyond the columns of a ruined temple to the awesome power within?
£15.29
Scribner The Language of the Night
Book SynopsisFeaturing a new introduction by Ken Liu, this revised edition of Ursula K. Le Guin’s first full-length collection of essays covers her background as a writer and educator, on fantasy and science fiction, on writing, and on the future of literary science fiction.“We like to think we live in daylight, but half the world is always dark; and fantasy, like poetry, speaks the language of the night.” —Ursula K. Le Guin Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator. The book and each
£15.30
Hodder & Stoughton Papyrus: THE MILLION-COPY GLOBAL BESTSELLER
Book SynopsisThe bestselling phenomenon - an enthralling 6,000-year journey through the history of books and readingA FINANCIAL TIMES, ECONOMIST AND MAIL ON SUNDAY BOOK OF THE YEARSHORTLISTED FOR THE BRITISH ACADEMY BOOK PRIZE 2023'Outstanding, universal and unique' NEW YORK TIMES'A literary phenomenon.' TLS'Masterly.' ECONOMIST'Mindboggling' TELEGRAPHLong before books were mass-produced, scrolls hand copied on reeds pulled from the Nile were the treasures of the ancient world. Emperors and Pharaohs were so determined to possess them that they dispatched emissaries to the edges of the earth to bring them back.In Papyrus, celebrated classicist Irene Vallejo traces the dramatic history of the book and the fight for its survival. This is the story of the book's journey from oral tradition to scrolls to codices, and how that transition laid the very foundation of Western culture. And it is a story full of heroic adventures, bloodshed and megalomania - from the battlefields of Alexander the Great and the palaces of Cleopatra to the libraries of war-torn Sarajevo and Oxford.An international bestseller, Papyrus brings the ancient world to life and celebrates the enduring power of the written word.Trade ReviewA literary phenomenon . . . didactic and daring . . . elegant and richly digressive. * Times Literary Supplement *'Outstanding, universal and unique' * New York Times *[A] bestselling phenomenon... Irene Vallejo recounts the birth of literary culture in the ancient world while interweaving dynamic, thrilling tales that underscore and celebrate the power of words to change the world. * Financial Times, Books of the Year *A mindboggling history of the earliest books... Vallejo is a novelist and she has a storyteller's ability to animate her subjects... and the story she tells is impressively rip-roaring. She draws a six-thousand-year line from the clay tablets of Mesopotamia to the e-reader tablets of today and leaves her readers inspired, invigorated and sincerely grateful for the invention of the book.' * Henry Eliot, Daily Telegraph *Packed with fascinating insights into literacy in the ancient world... Vallejo is a diligent scholar, excelling with her accounts of the human experience of books in the era. * i news *Irene Vallejo, a Spanish journalist and scholar, has a writer's passion for books and a classicist's fascination with the way they came to be. She is also imaginative, lively and contemporary. In her hands written texts are not only a sensual pleasure, but living and frequently disruptive... Ms Vallejo has a notable talent for evoking ancient scenes. Her description, for example, of the poet Martial returning to Spain from Rome, near the end of the book, is masterly. * Economist *This prize-winning Spanish title has a classy jacket and impressive heft, which is only fitting really, since it celebrates the book as an object. More enticingly still, novelist and essayist Vallejo enlivens history with imagination and personal anecdote as she traces the book's lineage from scrolls made of aquatic plant pith to codices and tablets, digressing to show how its development is interwoven with the development of western civilisation. Is Papyrus available as an ebook? Yes, but I'll bet any reader drawn to it is going to want to save up for the hardcover. * Observer *In this generous, sprawling work... Vallejo sets out to provide a panoramic survey of how books shaped not just the ancient world but ours too. While she pays due attention to the physicality of the book... Vallejo is equally interested in what goes on inside its covers. And also, more importantly, what goes on inside a reader when they take up a volume and embark on an imaginative and intellectual dance that might just change their life. As much as a history of books, Papyrus is also a history of reading. * Guardian *An excellent, illuminating celebration... Vallejo's vigorous celebration of book culture excels at illuminating the ancient world through contemporary references - including to Margaret Atwood, Bob Dylan and Taxi Driver - and draws revealing parallels between antiquity and today.' * The Irish Times *[A] masterpiece . . . I am absolutely sure that it will continue to be read when its readers today are already in the afterlife. * Mario Vargas Llosa *
£11.69
Bodleian Library The Eerie Book
Book Synopsis
£15.29
University of Wales Press Folk Horror: New Global Pathways
Book SynopsisWhile the undisputed heyday of folk horror was Britain in the 1960s and 1970s, the genre has not only a rich cinematic and literary prehistory, but directors and novelists around the world have also been reinventing folk horror for the contemporary moment. This study sets out to rethink the assumptions that have guided critical writing on the genre in the face of such expansions, with chapters exploring a range of subjects from the fiction of E. F. Benson to Scooby-Doo, video games, and community engagement with the Lancashire witches. In looking beyond Britain, the essays collected here extend folk horror’s geographic terrain to map new conceptualisations of the genre now seen emerging from Italy, Ukraine, Thailand, Mexico and the Appalachian region of the US.Table of ContentsIntroduction: Dawn Keetley and Ruth Heholt Part One: Folk Horror’s Folklore Chapter One: The Frightening Folk: An Introduction to the Folkloresque in Horror Jeffrey A. Tolbert Chapter Two: Whose Folk? Community, Folklore, Landscape and the Case of the Lancashire Witches Catherine Spooner Chapter Three: Folkloric Origins of the Ukrainian Gothic Svitlana (Lana) Krys Chapter Four: ‘Wow, this place is spooky at night!’ Suburban Ennui, Legend Quests and What Folk Horror Shares with Scooby-Doo Ian Brodie Part Two: Re-Visioning Canonical Folk Horror Chapter Five: The Curse of the Cursive: The Horror of the Hand in Folk Horror Film Typography David Devanny Chapter Six: The Devil His Due: Folk Horror, Occulture and the Black Magic Story Timothy Jones Chapter Seven: Black Boxes: Tradition and Human Sacrifice in American Folk Horror Bernice M. Murphy Part Three: Folk Horror in New Places Chapter Eight: Sunny Landscapes, Dark Visions: E. F. Benson’s Weird Domestic Folk Horror Ruth Heholt Chapter Nine: Monsters in the Making: Phi Pop and Thai Folk Horror Katarzyna Ancuta Chaper Ten: Curses, Rites and Questionable Offerings: Ludic Folk Horror in Video Games Tanya Krzywinska Part Four: Folk Horror’s Politics Chapter Eleven: Catholicism, Unification and Liminal Landscape in Italian Folk Horror Cinema Marco Malvestio Chapter Twelve: ‘Me quitarán de quererte, Llorona, pero de olividarte nunca’: La Llorona, Colonial Trauma and Mexicanness Valeria Villegas Lindvall Chapter Thirteen: Sacrifice Zones in Appalachian Folk Horror Dawn Keetley
£47.50
Nick Hern Books Princess & The Hustler: The GCSE Study Guide
Book SynopsisAn essential resource for anyone studying Princess & The Hustler by Chinonyerem Odimba for GCSE English Literature – featuring a complete guide to the text, plus sample questions and answers to help you prepare for assessment. Get to grips with Princess & The Hustler with expert, easy-to-follow breakdowns and analyses of key aspects of the play – including the characters, plot, structure, themes, setting and language – along with a clear explanation of the historical context. This guide also contains prompts for further reflection and research, to help you get the most out of your study and revision, whether at home or in the classroom. Featuring insights from playwright Chinonyerem Odimba, colour photographs of the original production, and extensive quotes and extracts from the text, this GCSE Study Guide will strengthen your understanding, build your confidence and boost your chances of success. It is also an invaluable resource for teachers approaching the play.
£10.44
HarperCollins Publishers How to Fit All of Ancient Greece in an Elevator
Book Synopsis''Irresistibly fascinating'' MARIE CLAIRE GREECE''Essential'' VICTORIA HISLOP''Brilliantly conceived'' PAUL CARTLEDGEAn enormous bestseller in Greece, this is a bold, witty retelling of the story of Ancient Greece by a rising star in archaeologyTwo strangers meet in a trapped elevator. One is an archaeologist, the other isn't. A simple question, What do you do?', becomes the springboard for a dialogue that weaves a fascinating tale.Archaeologist Theodore Papakostas takes us on a spectacularly iconoclastic and hugely engrossing journey through ancient Greece, from its beginnings in prehistory to its end. Marvelling at the exalted moments in history as well as the more mundane, Papakostas introduces the reader to countless fascinating stories about the cradle of western civilisation many of which upend received wisdom about the empire as well as about archaeology itself. Along the way, he settles questions such as: What did a Minoan princess pack for a trip to Egypt? How did a raunchy d
£15.29
Faber & Faber They Faber Editions
Book SynopsisAs performed by Maxine Peake (''visionary''): the radical dystopian classic, lost for forty years: in a nightmarish Britain, THEY are coming closer''A creepily prescient tale ... Insidiously horrifying!'' Margaret Atwood''A masterpiece of creeping dread.'' Emily St. John MandelThis is Britain: but not as we know it. THEY begin with a dead dog, shadowy footsteps, confiscated books. Soon the National Gallery is purged; eerie towers survey the coast; mobs stalk the countryside destroying artworks - and those who resist.THEY capture dissidents writers, painters, musicians, even the unmarried and childless in military sweeps, curing' these subversives of individual identity.Survivors gather together as cultural refugees, preserving their crafts, creating, loving and remembering. But THEY make it easier to forget ...Lost for half a century, newly introduced by Carmen Maria Machado, Kay Dick''s They (1977) is a re
£9.49
And Other Stories Last Letter to a Reader
Book SynopsisIn the first days of spring in his eighty-second year, Gerald Murnane – perhaps the greatest living writer of English prose – began a project that would round off his strange career as a novelist. He would read all of his books in turn and prepare a report on each. His original intention was to lodge the reports in two of his legendary filing cabinets: in the Chronological Archive, which documents his life as a whole, and the Literary Archive, which is devoted to everything he has written. As the reports grew, however, they themselves took on the form of a book, a book as beguiling and hallucinatory, in its way, as the works on which they were meant to report. These miniature memoirs or stories lead the reader through the capacious territory Murnane refers to as his mind: they dwell on the circumstances that gave rise to his writing, on images and associations, on Murnane’s own theories of fiction, and then memories of a deeply personal kind. The final essay is, of course, on Last Letter to a Reader itself: it considers the elation and exhilaration that accompany the act of writing, and offers a moving finale to what must surely be Murnane’s last work, as death approaches. Trade Review‘Has any writer ever paraded his aesthetic privacies so shamelessly? It doesn’t matter. These are the ravings of a genius. Ignore them if you dare, literature-besotted unraveller.’ Peter Craven, Australian Book Review ---- ‘The best book about Murnane’s books that anyone is ever likely to write.’ Shannon Burns, The Monthly ---- ‘When looking over the endless paddocks of his fictions, one is also looking out at the mysterious landscape of the soul.’ Dustin Illingworth, New York Times Book Review ---- ‘Murnane, a genius, is a worthy heir to Beckett.’ Teju Cole ---- ‘The emotional conviction…is so intense, the sombre lyricism so moving, the intelligence behind the chiselled sentences so undeniable, that we suspend all disbelief.’ J. M. Coetzee ---- ‘An enigmatic author, possibly the best you’ve never heard of . . . His work insists on the reality of the inner world – perhaps even its primacy.’ Melissa Harrison, Financial Times ---- ‘Immediately arresting . . . Murnane’s writing exhibits what literature should: an insight into a way of seeing that is quite unlike our own.’ John Self, Irish Times ---- ‘As with Proust, the specificities of the images he pursues and catalogues provide their own pleasure [but] the effect of his writing is less about the images themselves, and more about the way thought works in the human mind.’ Chris Power, The Guardian ---- ‘Murnane’s fantasies are many-layered, and the narration weaves between these and his mundane life in thrillingly long, lyrical sentences.” Christian Lorentzen, London Review of Books
£10.79
Spark Henry V
Book SynopsisNo Fear Shakespeare gives you the complete text of Henry V on the left-hand page, side-by-side with an easy-to-understand translation on the right.
£7.59
The Women's Play Press Ophelia Thinks Harder
Book SynopsisThese 19 characters can be played with a minimum of 9 actors doubling, if preferred. A riotous reworking of Shakespeare''s Hamlet. Featuring Ophelia, her maid, St Joan and a couple of locals -- Rosencrantz and Guildenstern. (7 male, 12 female).
£7.60
Dorling Kindersley Ltd Shakespeare His Life and Works
Book SynopsisUnravel the history, themes, and language of Shakespeare''s plays, poems, and sonnets with this beautifully illustrated guide to his life and works.Comedy and romance, history, and tragedy, Shakespeare''s canon has it all. Some 400 years after they were written and first performed, his works still remain fresh and relevant today. Discover the work of the world''s most celebrated playwright with:- A clear and accessible format- Act-by-act plot summaries of all of his 39 plays with lists of characters- Guidance on how to read and interpret his great sonnets and narrative poems- Plays ordered by time and genre, helping readers to trace the development of Shakespeare''s topics, themes, and artistry- Sidebars that clarify the mythological, geographical, and historical context of each play and decode its language, dramatic action, and themesShakespeare fans will revel in the marvellous depiction of the Stratford-upon-Avon-born Bard hiTrade Review"Should one attempt a complete front-to-back reading, the result would be a thorough grounding in Shakespeare's work and an enlarged astonishment at the range of his imagination." (Previous Edition, 2004) * The New York Times *
£22.50
Octopus Publishing Group Anderson R Jane Austens Table
Book SynopsisFrom the picnic on Box Hill and the strawberry picking at Donwell Abbey in Emma, to supper at the Netherfield Ball and Mrs. Bennet''s family dinners in Pride and Prejudice, Jane Austen''s novels are full of delicious food that you can recreate at home with this collection of over 50 recipes inspired by her work and her life in Regency England.Jane Austen''s Table brings readers a sumptuous array of recipes that capture all the spirit and verve of the food of Jane Austen''s world and the Regency era, adapted and reimagined for the modern day. Including recipes such as Netherfield White Soup, Box Hill Picnic Pies, General Tilney''s Hot Chocolate, and Summer Berry Delice, this beautiful collection of over 70 recipes provides an irresistibly charming experience of Austen''s novels like no other.This beautiful cookbook also features fascinating insights into the food of Jane Austen''s world in the form of short essays and recipe notes, making this the perfect addition to any Austen fan''s bookshelf. Recreate the delicious meals, picnics and tidbits from the novels of Jane Austen, and indulge in all the luxury and splendour of the Regency period. Discover food and drink for every occasion, from picnics and suppers to sweet delights for your very own routs and balls. Immerse yourself in Austen''s world and all the pomp and charm of the eighteenth century with detailed notes and essays featured throughout.
£15.29
John Wiley and Sons Ltd Renaissance Drama
Book SynopsisTable of ContentsAcknowledgments Viii A Note On The Texts Ix Preface To The Third Edition X Introduction 1 Brief Lives 13 Chronology 22 Maps 31 Anonymous 33 The Noble Triumphant Coronation Of Queen Anne, Wife Unto The Most Noble King Henry The VIII Richard Mulcaster 43 The Queen’s Majesty’s Passage George Gascoigne 61 The Princely Pleasures At The Court At Kenilworth Sir Philip Sidney 89 The Lady Of May Thomas Kyd 99 The Spanish Tragedy John Lyly 149 Gallathea Anonymous 187 The Tragical History Of Thomas Of Woodstock Christopher Marlowe 243 The Tragical History Of D. Faustus Anonymous 277 Arden Of Faversham Christopher Marlowe 321 The Troublesome Reign And Lamentable Death Of Edward The Second George Peele 375 The Old Wives’ Tale Mary Sidney, Countess Of Pembroke 401 The Tragedy Of Antony Thomas Dekker 441 The Shoemakers’ Holiday John Marston 485 The Malcontent Anthony Munday 543 The Triumphs Of Re-United Britannia Thomas Heywood 557 A Woman Killed With Kindness Francis Beaumont 597 The Knight Of The Burning Pestle Ben Jonson 647 Volpone Or The Fox Ben Jonson 717 The Masque Of Queens Ben Jonson 735 Epiocene, Or The Silent Woman Thomas Middleton 815 A Chaste Maid In Cheapside Elizabeth Cary 863 The Tragedy Of Mariam John Webster 905 The Duchess Of Malfi Anonymous 967 The Barriers William Rowley, Thomas Deckker, And John Ford 977 The Witch Of Edmonton Thomas Middleton And William Rowley 1033 The Changeling John Ford 1081 ’Tis Pity She’s A Whore Margaret Cavendish 1129 The Convent Of Pleasure: A Comedy Index 1157
£35.10
WW Norton & Co Strange Case of Dr. Jekyll and Mr. Hyde
Book Synopsis“The annotations are useful, particularly for references to biblical and other literary allusions. [The contexts] section is essential to alerting students to the many subtexts/contexts of the story.” —Maria Carrig, Carthage College
£9.99
Pan Macmillan Daily Rituals Women at Work: How Great Women Make
Book Synopsis'That word, "vacation," makes me sweat.' Coco Chanel on taking a break'You must do it irregardless, or it will eat its way out of you.' Zora Neale Hurston on writing'One has to choose between the Life and the Project.' Susan Sontag on choosing artFrom Vanessa Bell and Charlotte Brontë to Nina Simone and Jane Campion, here are over one hundred and forty female writers, painters, musicians, sculptors, poets, choreographers, and filmmakers on how they create and work.Barbara Hepworth sculpted outdoors and Janet Frame wore earmuffs as she worked to block out noise. Kate Chopin wrote with her six children ‘swarming around her’ whereas the artist Rosa Bonheur filled her bedroom with the sixty birds that inspired her work. Louisa May Alcott wrote so vigorously – skipping sleep and meals – that she had to learn to write with her left hand to give her cramped right hand a break.From Isak Dinesen subsisting on oysters, champagne and amphetamines, to Isabel Allende's insistence that she begins each new book on 8 January, here are the working routines of over 140 brilliant female painters, composers, sculptors, writers, filmmakers and performers.Filled with details of the large and small choices these women made, Mason Currey's Daily Rituals Women at Work is a source of fascination and inspiration.'An admirably succinct portrait of some distinctly uncommon lives' - Meryle SecrestTrade ReviewUtterly fascinating . . . This book is the ultimate retort to the flaneurs who dream about the novel/screenplay/painting they would create if only they had the time -- Daisy Goodwin, Sunday Times on Daily Rituals: How Great Minds Make Time, Find Inspiration and Get to WorkI just can't recommend this book enough -- Lena Dunham on Daily Rituals: How Great Minds Make Time, Find Inspiration and Get to WorkA trove of entertaining anecdote and thought-provoking comparison -- Daily Telegraph, on Daily Rituals: How Great Minds Make Time, Find Inspiration and Get to WorkA chance to see what great lives look like when the triumphs, dramas, disruptions and divorces have been all but boiled away. It will fascinate anyone who wonders how a day might best be spent, especially those who have wondered of their artistic heroes, as a baffled Colette once did of George Sand: how the devil did they manage? -- Guardian, on Daily Rituals: How Great Minds Make Time, Find Inspiration and Get to WorkMason Currey has carefully compiled the daily habits and personal foibles of 161 great writers, artists, scientists and thinkers, including one who stood on his head to cure creative block. By the end of this book, our carpet-glue habit looks normal -- DBC Pierre, Guardian, on Daily Rituals: How Great Minds Make Time, Find Inspiration and Get to WorkA fascinating little book -- Financial Times on Daily Rituals: How Great Minds Make Time, Find Inspiration and Get to Work
£10.44
Bloomsbury Publishing PLC Bodies of Water
Book SynopsisThis book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com.Water is the element that, more than any other, ties human beings in to the world around them from the oceans that surround us to the water that makes up most of our bodies. Exploring the cultural and philosophical implications of this fact, Bodies of Water develops an innovative new mode of posthuman feminist phenomenology that understands our bodies as being fundamentally part of the natural world and not separate from or privileged to it. Building on the works by Luce Irigaray, Maurice Merleau-Ponty and Gilles Deleuze, Astrida Neimanis's book is a landmark study that brings a new feminist perspective to bear on ideas of embodiment and ecological ethics in the posthuman critical moment.Trade ReviewFor the last couple of decades, feminist theory has been immersed in a new materialist wave that has produced among the most innovative and capacious ways to think and to respond critically--ontologically, ethically, and politically--within the depths of the ongoing ecological crises. If hardly any field of philosophy, cultural studies, or science studies has been as well-equipped to think the posthuman turn as feminist approaches have, Astrida Neimanis's Bodies of Water brilliantly synthesizes, illustrates, and continues this feminist ebullition. * Hypatia *To read Astrida Neimanis’s Bodies of Water is to immerse oneself in a fluid poetics, contemplating the teeming, virtual infinity of lifeforms for which water, in its myriad incarnations, supplies the medium of connection and dispersal; of gestation and differentiation through space-time. Through its feminist posthuman phenomenological lens, this work recasts the intertextual net eloquently and generously, re-inflecting a polyphony of feminist, philosophical, poetic, and scientific voices to address our planetary emergency in the wake of ecocidal extractionist and consumerist practices. -- Marion May Campbell, Deakin University * Swamphen Journal *[Neimanis] does however, offer some important and somewhat revolutionary concepts to environmental educators and researchers in both her analysis of what she terms watery embodiment and in her intentional melding of posthu-man feminist theory with phenomenology. Neimanis is immediately frank about the reasons why embracing both of these concepts is crucial in these times, citing increasing Anthropocenic global water crises as an obvious instigator of the need to reconsider how we understand, and act on, the impact of our human bodies on our surrounding ecology. -- Lisa Siegel * Australian Journal of Environmental Education *Table of ContentsINTRODUCTION: Figuring Bodies of Water Bodies of Water (A Genealogy of a Figuration) Posthuman Feminism for the Anthropocene Living with the Problem Water is What We Make It The Possibility of Posthuman Phenomenology CHAPTER ONE: Embodying Water: Feminist Phenomenology for Posthuman Worlds A Posthuman Politics of Location Milky Ways: Tracing Posthuman Feminisms How to Think (About) a Body of Water: Posthuman Phenomenology Between Merleau-Ponty and Deleuze How to Think (As) a Body of Water: Access, Amplify, Describe! Posthuman Ties in a Too-Human World CHAPTER TWO: Posthuman Gestationality: Luce Irigaray and Water's Queer Repetitions Hydrological Cycles Elemental Bodies: Irigaray as Posthuman Phenomenologist? Love Letters to Watery Others: Marine Lover of Friedrich Nietzsche Gestationality as (Sexuate) Difference and Repetition The Onto-Logic of Amniotics (Queering Water’s Repetitions) Bodies of Water Beyond Humanism CHAPTER THREE: Fishy Beginnings Other Evolutions Dissolving Origin Stories Carrier Bags and Hypersea Wet Sex Waters Remembered (Moving Below the Surface) Unknowability as Planetarity (Or, Becoming the Water that We Cannot Become) Aspiration, That Oceanic Feeling CHAPTER FOUR: Imagining Water in the Anthropocene Prologue / Kwe Swimming into the Anthropocene Learning from Anti-Colonial Waters Water is Life? Commodity, Charity and Other Repetitions Material Imaginaries and Other Aqueous Questions REFERENCES NOTES INDEX
£32.29
Orion Publishing Co The Art of Discworld GOLLANCZ SF
Book SynopsisA sumptuous illustrated journey through Terry Pratchett''s DISCWORLD; a companion volume to THE LAST HEROIn THE ART OF DISCWORLD, Terry Pratchett takes us on a guided tour of the Discworld, courtesy of his favourite Discworld artist, Paul Kidby. Following on from THE LAST HERO, THE ART OF DISCWORLD is a lavish 112-page large format, sumptuously illustrated look at all things Discworldian. Terry Pratchett provides the written descriptions while Paul Kidby illustrates the world that has made Pratchett one of the best-selling authors of all time. Here you will find favourites old and new: the City Watch, including Vimes, Carrot and Angua, the three witches - Granny Weatherwax, Nanny Ogg and Magrat Garlick - and the denizens of the Unseen University Library, not forgetting the Librarian, of course. They''re all here in sumptuous colour, together with the places: Ankh-Morpork, Lancre, Uberwald and more ...No Discworld fan will want to be without this beautiful gift
£17.09
Harvard University Press The Picture of Dorian Gray An Annotated
Book SynopsisThe Picture of Dorian Gray altered the way Victorians understood the world they inhabited, heralding the end of a repressive era. Now, more than 120 years after Wilde handed it over to his publisher, Wilde’s uncensored typescript is published here for the first time, in an annotated, extensively illustrated edition.Trade ReviewNicholas Frankel has done a great service to Oscar Wilde's readers in preparing this new edition of The Picture of Dorian Gray. His introduction and annotations deepen our understanding not only of Wilde the writer but of the political and sexual milieu in which he lived and published. This is the kind of scholarship that reminds us why scholarship matters. -- David LeavittFrankel's extensive annotations reveal that the homoerotic qualities of the novel are deeply encoded within it and cannot be excised by the removal of a few phrases...If the restored text is interesting primarily as a social document of what was and was not permissible in England in the 1890s, it poignantly reveals an author desperately at war with his society and with himself. -- Ruth Franklin * New Republic online *In pages redolent of fin-de-siecle languor and sparkling with bons mots, Wilde's only novel raises several seriously troubling questions: If one could live a life of absolute freedom, would the result be happiness or a nightmare? How much of our complex selves do we deny or sacrifice to conventional morality? ...This Harvard edition of the untouched typescript is thus a necessary acquisition for any serious student of Wilde's work...After this enthralling novel has left you shaken and disturbed, look for deeper understanding in Nicholas Frankel's superb annotated edition. -- Michael Dirda * Washington Post *This edition gives us a chance to read Wilde's text in a form as close as possible to the way he meant it to appear. -- Sarah Boslaugh * PopMatters *The Picture of Dorian Gray categorically changed Victorian Britain and the landscape of literature. An ostentatious, self-confessed aesthete, known for his wit and intellect, Wilde not only had to endure his prose being labeled "poisonous" and "vulgar," but also suffer its use as evidence in the ensuing trial, resulting in his eventual imprisonment for crimes of "gross indecency." Frankel's introduction provides a deft preliminary analysis of the novel itself--exploring etymology and extensive editorial alterations (both accidental and deliberate)--and offers valuable insight into the socio-cultural juxtaposition of aristocratic Victorian society and the London underworld. The original typescript provides the unique opportunity to examine what was considered acceptable in both the U.S. and UK at the time...A fine contextualization of a major work of fiction profoundly interpreted, ultimately riveting. * Publishers Weekly (starred review) *There is a good argument that the published version of the novel is not quite true to its author's intent or achievement, and Nicholas Frankel, who teaches English at Virginia Commonwealth University, has now set things right--and in handsome fashion. He has skillfully restored Wilde's original version, and in the manner of other great annotated editions, supplied readers with everything anyone would need to know about Oscar Wilde, The Picture of Dorian Gray, and their lives and times...The entire product--novel and critical/biographical material--makes fascinating reading. -- Philip Terzian * Weekly Standard *Like Harvard University Press's other beautiful annotated editions of classics, this is both handsome and instructive. -- David Azzolina * Library Journal *A richly annotated and illustrated volume edited by Nicholas Frankel. It is not often that a piece of serious scholarship is accorded such deluxe treatment, and in this case it is a cause for real celebration, for Frankel has provided a wealth of supplemental material and visual matter, as well as a "Textual Introduction" and a series of notes that explain references and cultural context, help the reader understand the editing processes, and point out the passages that were singled out for deletion...This annotated version [is] a treasure for scholars and for anyone with a serious interest in Wilde, the 1890s, and Aestheticism. -- Brooke Allen * Barnes & Noble Review *Oscar Wilde's novel The Picture of Dorian Gray may have outraged Victorian society even more had his editor not deleted sections of his original text...These passages and others deemed risky 120 years ago now appear for the first time. -- Nicholas Clee * The Times *Splendid...Profusely illustrated and annotated, the edition's most interesting feature will be a comparison of the original hand-emended typescript with the two main published versions, each of which toned down the novel in a vain effort to avoid the notoriety that descended on both the work and its author...Frankel's edition is a major contribution to the studies of Wilde and of late Victorian legal, sexual, and social contexts...Required reading for students and scholars of Wilde and his period. -- George Bornstein * Times Literary Supplement *In this day of Kindles, e-books and tweets, this is truly a magnificent job of bookmaking. Oversized, lavishly illustrated and gorgeously presented, Oscar would have loved it. The text is examined minutely, with a variety of comparisons from various publications of the novel, as well as Wilde's original manuscript...The scholarship is both astounding and informative. The annotator and editor, Nicholas Frankel, easily and effortlessly places the modern reader in Wilde's time and place, London's late Victorian Age in London. There is still a tingle to Dorian's story of endless debauchery while he remains looking pure and innocent for decades and the painting ages and grows monstrous, reflecting his sins and crimes. Strangely, the book seems more modern than one would imagine. Rather than merely a potboiler from two centuries back, Wilde's genius imbues the story with a strange and haunting immediacy, and a cautionary tale for us all: Be careful what you wish for. One could hardly wish for a more beautifully accoutered book. -- Alan W. Petrucelli * Pittsburgh Examiner *There is much to be appreciated in this handsome scholarly edition...Frankel [is] an accomplished guide and this edition an elegant resource that enables us to admire all the more deeply the portrait and the artist. -- Richard Gibson * Books & Culture *The version that Wilde submitted to Lippincott's [published for the first time by Harvard University Press] is the better fiction. It has the swift and uncanny rhythm of a modern fairy tale--and Dorian is the greatest of Wilde's fairy tales. -- Alex Ross * New Yorker *It's a revelatory exercise to examine the text of Wilde's original typescript...It yields a deeper understanding of its author and of the hypocrisy and intolerance of late-Victorian English society which led to his two-year imprisonment for "gross indecency."...With this landmark edition we have the opportunity, until now denied us, to read what the author originally wrote. It unquestionably belongs on every Wildean's shelves. -- Joel Greenberg * The Australian *Oscar Wilde's The Picture of Dorian Gray has the distinction of being one of the few pieces of literature that grew longer by way of being censored...It's seven chapters longer than his original version, which now appears for the first time from Harvard University Press by way of a brilliant scholarly presentation of the typescript Wilde submitted to the Philadelphia office of Lippincott's magazine...The typescript (in the UCLA library, but published for the first time here) is, besides truer to Wilde's original intentions, a vastly better novel than the one Lippincott's Monthly Magazine published, say nothing of the much expanded version England's Ward, Lock and Company brought out the next year, the one most of us know. To call Wilde's earlier version leaner would miss the flavor and point of this aestheticism-drenched work, but it's a swifter, bolder, more uncompromising, less moralistic and in every respect more affecting work than its edited, rewritten, or otherwise censored versions. Who would have thought a scholarly edition would be the one to have? But everything about Nicholas Frankel's revelatory new edition of the typescript of The Picture of Dorian Gray is game-changing. Reading it is like viewing a painting by Michelangelo--one of the great artists Wilde named while explaining what he meant by the phrase "the love that dare not speak its name" (to cheers of applause from some in the gallery) in the 1895 court trial--returned to its original glory by deeply knowledgeable, painstaking art restorers. If it did nothing more, Frankel's exhaustively researched book would be a dream presentation of any edition of Dorian Gray, lavishly illustrated with relevant art of the period, including priceless photographs that bring the details of Wilde's book, amazingly now 120 years old, to vivid life. The typescript text is larded with footnotes I'm tempted to describe as being as absorbing as Wilde's writing, except that no one's writing is more captivating than Wilde's, as Frankel would be the first to agree...Entry by entry, Frankel's painstaking explication of the culture Wilde's writing was both a product of, and immeasurably advanced, makes this dense, brilliant book comprehensible...Once through this seminal text with all its notes, illustrations, and explanations, the drive is to go back and re-read the typescript (easily recognized by its larger typeface) all over again, just because it's such a terrific book. -- Tim Pfaff * Bay Area Reporter *We now have an uncensored Dorian, which is very exciting...[It's] a beautifully produced volume: lots of white space, helpful annotations, crisp color illustrations and photographs. -- Nikolai Endres * Victorians *[A] superbly annotated new edition of Wilde's novel. -- Colm Tóibín * London Review of Books *
£39.06
Random House USA Inc The Divine Comedy
Book Synopsis
£26.25
Manchester University Press The Historians Craft
Book SynopsisThis work, by the co-founder of the Annales School deals with the uses and methods of history. It is useful for students of history, teachers of historiography and all those interested in the writings of the Annales school. -- .Table of ContentsA note on the manuscripts of the present book, Lucien Febvre; "The Historian's Craft" introduction; history, men and time; historical observation; historical criticism; historical analysis; historical causation.
£14.24
University of Wales Press Charms, Charmers and Charming in Ireland: From
Book SynopsisThis is the first book to examine the full range of the evidence for Irish charms, from medieval to modern times. As Ireland has one of the oldest literatures in Europe, and also one of the most comprehensively recorded folklore traditions, it affords a uniquely rich body of evidence for such an investigation. The collection includes surveys of broad aspects of the subject (charm scholarship, charms in medieval tales, modern narrative charms, nineteenth-century charm documentation); dossiers of the evidence for specific charms (a headache charm, a nightmare charm, charms against bleeding); a study comparing the curses of saints with those of poets; and an account of a newly discovered manuscript of a toothache charm. The practices of a contemporary healer are described on the basis of recent fieldwork, and the connection between charms and storytelling is foregrounded in chapters on the textual amulet known as the Leabhar Eoin, on the belief that witches steal butter, and on the nature of the belief that effects supernatural cures.Table of ContentsList of Illustrations and Maps List of Tables Abbreviations Notes on Contributors Introduction 1. Jacqueline Borsje – European and American Scholarship and the Study of Medieval Irish ‘Magic’ (1846–1960) 2. John Carey – Charms in Medieval Irish Tales: Tradition, Adaptation, Invention 3. Cathinka Dahl Hambro – The Religious Significance of the sén 7 soladh in Altram Tige Dá Medar 4. Ilona Tuomi – Nine Hundred Years of the Caput Christi Charm: Scribal Strategies and Textual Transmission 5. Ksenia Kudenko – In Defence of the Irish Saints who ‘Loved Malediction’ 6. Barbara Hillers – Towards a Typology of European Narrative Charms in Irish Oral Tradition 7. Nicholas M. Wolf – Nineteenth-Century Charm Texts: Scope and Context 8. Joseph J. Flahive – A Toothache Charm in a Manuscript Fragment of John Lysaght 9. Bairbre Ní Fhloinn – ‘The Cure for Bleeding’: Charms and Other Cures for Blood-stopping in Irish Tradition 10. Deirdre Nuttall – ‘Cahill’s Blood’: Mr Cahill Makes the Cure 11. Denis McArdle – Aisling na Maighdine: The Virgin’s Dream in Irish Oral Tradition 12. Gearóid Ó Crualaoich – An Leabhar Eoin: The ‘In Principio’ Charm in Oral and Literary Tradition 13. Shane Lehane – The Cailleach and the Cosmic Hare 14. Stiofán Ó Cadhla – ‘We’ll talk now about charms’: Knowledge as Folklore and Folklore as Knowledge Bibliography Index
£40.50
Penguin Putnam Inc The Autobiography of Alice B. Toklas Illustrated
Book SynopsisAn illustrated edition of Gertrude Stein''s most well-known work, The Autobiography of Alice B. Toklas, bursting with the bright, sophisticated, and fanciful images of artist Maira KalmanConsidered one of the richest and most irreverent biographies in history, The Autobiography of Alice B. Toklas was written by Gertrude Stein in the style and voice of her life partner, Alice B. Toklas. Published in 1933 and narrated by Alice, this autobiography begins with her initial move to France in 1907, the day after which she meets Gertrude, sparking a relationship that lasts for nearly four decades. Recounting the vibrant and literary life the two make for themselves among the Parisian avant-garde, Alice opens the doors to the prominent salons they held in their home at rue de Fleurus, hosting fellow expatriate American writers such as Ernest Hemingway, T. S. Eliot, and Ezra Pound as well as artists Pablo Picasso, Henri Matisse, and Man Ray, and speaks of the twilight of the Paris belle epoque. In this edition, the wildly talented Maira Kalman brings this glittering Parisian world to life, and celebrates Stein and Toklas in vivid color. Her whimsical and inimitable illustrations complement the wit and humor of Stein’s narrative, and elevate the exciting intrigues of these famous women and their friends. Inviting readers to experience this book in a completely new way, the illustrated edition of The Autobiography of Alice B. Toklas will prompt a contemporary reading of this cherished and singular classic.
£25.50
Harvard University Press Roman History Volume III
Book SynopsisAppian (ca. AD 95–161) is a principal source for the history of the Roman Republic. His theme is the process by which Rome achieved her contemporary prosperity, and his method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. This Loeb edition replaces the original by Horace White (1912–13).Trade ReviewA superb, nuanced translation…It is not simply that McGing updates the translation to reflect contemporary idiom; he also breathes new life into Appian’s prose on almost every page…This exceptionally well executed Loeb is a welcome resource that will be deeply appreciated by all those interested in Appian and his remarkable Roman History as well as expand his appeal to a new generation of readers. -- Alain M. Gowing * Bryn Mawr Classical Review *I have not read any fictions that have more dramatic tension, philosophy, or narrative curiosities than this history of Appian’s. * Pennsylvania Literary Journal *
£23.70
Cambridge University Press Measure for Measure
Book SynopsisLike every other play in the Cambridge School Shakespeare series, Measure for Measure has been specially prepared to help all students in schools and colleges. This version of Measure for Measure aims to be different from other editions of the play. It invites you to bring the play to life in your classroom through enjoyable activities that will help increase your understanding. You are encourage to make up your own mind about the play, rather than have someone else''s interpretation handed down to you. Whatever you do, remember that Shakespeare wrote his plays to be acted, watched and enjoyed.Table of ContentsList of characters; Measure for Measure; A problem play?; The writer in his time; The powerful and the powerless; Justice and mercy; Sex and sexuality; The language of Measure for Measure; Setting and staging; William Shakespeare.
£10.91
Hackett Publishing Co, Inc Confessions
Book Synopsis"Williams's masterful translation satisfies (at last!) a long-standing need. There are lots of good translations of Augustine's great work, but until now we have been forced to choose between those that strive to replicate in English something of the majesty and beauty of Augustine's Latin style and those that opt instead to convey the careful precision of his philosophical terminology and argumentation. Finally, Williams has succeeded in capturing both sides of Augustine’s mind in a richly evocative, impeccably reliable, elegantly readable presentation of one of the most impressive achievements in Western thought—Augustine's Confessions." —Scott MacDonald, Professor of Philosophy and Norma K. Regan Professor in Christian Studies, Cornell UniversityTrade Review"A major new translation of what is no doubt Augustine's best known and most influential work. There are many good translations of the Confessions, but this is the first one to be carefully sensitive to the philosophical nuances of Augustine's text. The careful yet readable translation is accompanied by an informative and thoughtful Introduction, ample notes, and appendices." —Paul Vincent Spade, Professor Emeritus of Philosophy, Indiana University, Bloomington
£33.14
HarperCollins Publishers The Story of Kullervo
Book SynopsisThe world first publication of a previously unknown work of fantasy by J.R.R. Tolkien, which tells the powerful story of a doomed young man who is sold into slavery and who swears revenge on the magician who killed his father.Kullervo son of Kalervo is perhaps the darkest and most tragic of all J.R.R. Tolkien's characters. Hapless Kullervo', as Tolkien called him, is a luckless orphan boy with supernatural powers and a tragic destiny.Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and who tries three times to kill him when still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and guarded by the magical powers of the black dog, Musti. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruellest of fates.Tolkien wrote that The Story of Kullervo was the germ of my attempt to write legends of my own', and was a majTrade ReviewPraise for J.R.R. Tolkien:‘One marvels anew at the depth, breadth and persistence of J.R.R. Tolkien’s labour. No one sympathetic to his aims – the invention of a secondary universe – will want to miss this chance to be present at the creation.’Publishers Weekly
£8.99
Penguin Books Ltd A Short Account of the Destruction of the Indies
Book SynopsisBartolomé de Las Casas was the first and fiercest critic of Spanish colonialism in the New World. An early traveller to the Americas who sailed on one of Columbus's voyages, Las Casas was so horrified by the wholesale massacre he witnessed that he dedicated his life to protecting the Indian community. He wrote A Short Account of the Destruction of the Indies in 1542, a shocking catalogue of mass slaughter, torture and slavery, which showed that the evangelizing vision of Columbus had descended under later conquistadors into genocide. Dedicated to Philip II to alert the Castilian Crown to these atrocities and demand that the Indians be entitled to the basic rights of humankind, this passionate work of documentary vividness outraged Europe and contributed to the idea of the Spanish 'Black Legend' that would last for centuries.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700&Table of ContentsA Short Account of the Destruction of the IndiesAcknowledgementsMap of America (1540)IntroductionA Note on Editions and on this TranslationA Short Account of the Destruction of the IndiesSynopisPrologue(Preface)HispaniolaThe Kingdoms of HispaniolaThe Islands of Puerto Rico and JamaicaCubaThe MainlandThe Province of NicaraguaNew SpainNew Spain (continued)The Province and Kingdom of GuatemalaNew Spain, Pánuco and JaliscoThe Kingdom of YucatánThe Province of Santa MartaThe Province of CartagenaThe Pearl Coast, Paria and TrinidadThe River YuyapariThe Kingdom of VenezuelaThe Mainland in the Region Known as FloridaThe River PlateThe Great Kingdoms and Provinces of PeruThe Kingdom of New Granada(Conclusion)Index
£9.49
Penguin Books Ltd The Odyssey
Book SynopsisHomer's best-loved and most accessible poem, recounting the great wandering of Odysseus during his ten-year voyage back home to Ithaca, after the Trojan War. A superb new verse translation, now published in trade paperback, before the standard Penguin Classic B format.Table of ContentsThe OdysseyIntroductionIntroductionThe Spelling and Pronunciation of Homeris NamesMaps:1. Homeric Geography: Mainland Greece2. Homeric Geography: The Peloponnese3. Homeric Geography: The Aegean and Asia MinorHomer: The OdysseyBook 1: Athena Inspires the PrinceBook 2: Telemachus Sets SailBook 3: King Nestor RemembersBook 4: The King and Queen of SpartaBook 5: Odysseus-Nymph and ShipwreckBook 6: The Princess and the StrangerBook 7: Phaeacia's Halls and GardensBook 8: A Day for Songs and ContestsBook 9: In the One-Eyed Giant's CaveBook 10: The Bewitched Queen of AeaeaBook 11: The Kingdom of the DeadBook 12: The Cattle of the SunBook 13: Ithaca at LastBook 14: The Loyal SwineherdBook 15: The Prince Sets Sail for HomeBook 16: Father and SonBook 17: Stranger at the GatesBook 18: The Beggar-King of IthacaBook 19: Penelope and her GuestBook 20: Portents GatherBook 21: Odysseus Stings his BowBook 22: Slaughter in the HallBook 23: The Great Rooted BedBook 24: PeaceNotesTranslator's PostscriptGenealogiesTextual Variants from the Oxford Classical TextNotes on the TranslationSuggestions for Further ReadingPronouncing Glossary
£15.29
The University of Chicago Press Unoriginal Genius
Book SynopsisExplores a new development in contemporary poetry: the repurposing of other people's words in order to make new works, by framing, citing, and recycling already existing phrases, sentences, and even full texts. This book concludes with a discussion of Kenneth Goldsmith's conceptualist book "Traffic".
£21.00
Harvard University Press Roman History Volume VI
Book SynopsisAppian (ca. AD 95–161) is a principal source for the history of the Roman Republic. His theme is the process by which Rome achieved her contemporary prosperity, and his method is to trace in individual books the story of each nation’s wars with Rome up through her own civil wars. This Loeb edition replaces the original by Horace White (1912–13).Trade ReviewA superb, nuanced translation…It is not simply that McGing updates the translation to reflect contemporary idiom; he also breathes new life into Appian’s prose on almost every page…This exceptionally well executed Loeb is a welcome resource that will be deeply appreciated by all those interested in Appian and his remarkable Roman History as well as expand his appeal to a new generation of readers. -- Alain M. Gowing * Bryn Mawr Classical Review *I have not read any fictions that have more dramatic tension, philosophy, or narrative curiosities than this history of Appian’s. * Pennsylvania Literary Journal *
£23.70
University of Wales Press Plants in Science Fiction: Speculative Vegetation
Book SynopsisPlants have played key roles in science fiction novels, graphic novels and film. John Wyndham’s triffids, Algernon Blackwood’s willows and Han Kang’s sprouting woman are just a few examples. Plants surround us, sustain us, pique our imaginations and inhabit our metaphors – but in many ways they remain opaque. The scope of their alienation is as broad as their biodiversity. And yet, literary reflections of plant-life are driven, as are many threads of science fictional inquiry, by the concerns of today. Plants in Science Fiction is the first-ever collected volume on plants in science fiction, and its original essays argue that plant-life in SF is transforming our attitudes toward morality, politics, economics and cultural life at large – questioning and shifting our understandings of institutions, nations, borders and boundaries; erecting and dismantling new visions of utopian and dystopian futures.Trade Review“Science fiction teaches us to ‘be-with others better.’ This is the core argument of Plants in Science Fiction, captured in one of its chapters and suffused throughout. Readers will come away with a profound and challenging understanding of what it means to be human, as well as a deep appreciation for the critical function of science fiction in a threatened world.” -- Eric Otto, Florida Gulf Coast University“Plants in Science Fiction demonstrates that science fiction and ecocriticism have much to say to each other. By considering ‘speculative vegetation,’ of course, we learn much about our own lives in the present moment on Earth.’ -- Scott Slovic, Editor-in-Chief, ISLE: Interdisciplinary Studies in Literature and EnvironmentTable of ContentsContributors Introduction - Katherine E. Bishop Abjection Weird Flora: Plant Life in the Classic Weird Tale - Jessica George ‘Bloody unnatural brutes’: Anthropomorphism, Colonialism and the Return of the Repressed in John Wyndham’s The Day of the Triffids - Jerry Määttä Botanical Tentacles and the Chthulucene- Shelley Saguaro Affinity Between the Living and the Dead: Vegetal Afterlives in Evgenii Iufit's and Vladimir Maslov’s Silver Heads - Brittany Roberts Vegetable Love: Desire, Feeling, and Sexuality in Botanical Fiction - T. S. Miller Alternative Reproduction: Plant-time and Human/Arboreal Assemblages in Holdstock and Han - Elizabeth Heckendorn Cook Accord Sunlight as a Photosynthetic Information Technology: Becoming Plant in Tom Robbins’s Jitterbug Perfume - Yogi Hale Hendlin The Question of the Vegetal, the Animal, the Archive in Kathleen Ann Goonan’s Queen City Jazz - Graham J. Murphy Queer Ingestions: Weird, Vegetative Bodies in Jeff VanderMeer’s Fiction - Alison Sperling The Botanical Ekphrastic and Ecological Relocation - Katherine E. Bishop Selected Bibliography Index
£57.00
Cambridge University Press All the Sonnets of Shakespeare
Book SynopsisIntended for all readers of Shakespeare, this beautiful and ground-breaking book arranges Shakespeare's sonnets printed in 1609 in chronological order and intersperses the sonnets from the plays among them. A lively introduction provides essential background, while explanatory notes and modern English paraphrases illuminate the sonnets' meanings.Trade Review'What a fresh and lovely idea! I've been speaking the sonnets for most of my life. They are such wonderful training for an actor, and the notes and paraphrases in this book are just what we all need to guide us through them.' Judi Dench'This new arrangement of Shakespeare's sonnets is a revelation. Paul Edmondson, and Stanley Wells have truly illuminated the author's themes, preoccupations and obsessions. In so doing the poems have a fresh, and startlingly clear narrative progression. Thanks to their scholarship I found myself experiencing this work as never before. There is a directness, simplicity, and humanity, which shines from the page. It was an honour to read them in this form. I hope a large audience will enjoy seeing (and hearing), this new light shone on a great literary treasure.' Kenneth Branagh'Paul Edmondson and Stanley Wells have done something daring, controversial, and richly illuminating. To the 154 poems collected in the celebrated volume of Shakespeare's Sonnets they have conjoined the sonnets that appear in the plays – such as the famous lines shared by Romeo and Juliet. To these they have added a number of passages from the plays that are in effect close relations to the conventional sonnet form. The result is to break down the walls and set Shakespeare's famous sequence in a much expanded field of poetic making. But that is not all: jettisoning the order in which the sonnets first appeared in print, Edmondson and Wells arrange them in what they take to be their chronological order of composition. The result is something radical and unsettling. To make these deeply familiar poems seem unexpected and new is a significant achievement.' Stephen Greenblatt, Author of Tyrant: Shakespeare on Politics and The Rise and Fall of Adam and Eve'A marvellously refreshing new look at Shakespeare's devotion to the sonnet form, expanding our understanding of the published sonnets by adding those he included in the plays. The single sentence description of each sonnet is also immensely useful and helpful to even the most seasoned reader.' Gregory Doran, Royal Shakespeare Company, Artistic Director'This is a book of clarity and love which shadows the mind in time of Shakespeare the poet and in so doing brings us closer than ever before to his own awareness of the reach of his genius.' Carol Ann Duffy'All the Sonnets of Shakespeare presents a wealth of valuable material and compelling interpretations in a clear, comprehensible, and convincing style that will hold appeal not only for Shakespeare scholars and students, but for all devotees of 'the supreme poet-dramatist' and his work.' Deb Miller, DC Metro Theater Arts'A valuable project, and one which achieves what Shakespeare editions so often promise but so rarely deliver: which is to prompt a genuinely new way of looking at these familiar works.' Daniel Swift, The Spectator'What Edmondson and Wells have done is both groundbreaking and profoundly significant … whether dipping in for a brief encounter or wanting to fully immerse oneself in the entire Sonnet canon, with scholarly explication and guidance, All the Sonnets of Shakespeare is a one volume tour de force. 400 years after his death, Edmondson and Wells have breathed new life into our engagement with his poetic output and a revised understanding of the man, his motives and his responses to creative muses … I strongly recommend grabbing a copy of their book and rediscovering the Sonnets for yourself! The casual reader will be both enlightened and entertained and the scholar will be academically stimulated.' Paul Spalding-Mulcock, Yorkshire Times'… a model of editing, which scraps the conventional sentimentalities and lets us read the Sonnets as poems - explorations into worlds of possible feeling, speech and thought, rather than coded memoirs.' Rowan Williams, New Statesman, Books of the Year 2020'In putting Shakespeare's dramatic sonnets alongside the 1609 group, this edition exhibits the breadth with which he handles the form.' Molly Clark, Times Literary Supplement'This book is a gift to scholars and students … This study will prove valuable to all who specialize in Shakespearean topics.' M. H. Kealy, Choice'Exploring the sonnets hidden in some of Shakespeare's most revered plays gives a new flavour and dynamic to those characters. It draws our attention to the author's intention in each play, where he makes a character unexpectedly speak in poetry. It illuminates that moment and poses new questions. The detailed and extremely in-depth introduction strongly supports the original works and allows us to examine all of Shakespeare's sonnets in a new, exciting and precise way. I learned a lot from reading this. I hope you do too.' Lolita Chakrabarti'… this is a volume into which one can dip suggestively, creatively and repeatedly to find things new. It is, frankly, the most exciting reconception of the Sonnets since John Benson's Poems in 1640, and the same motive of making them 'serene, clear and elegantly plain' serves to intensify their drama, their diversity and their brilliance.' Jane Kingsley-Smith, Shakespeare SurveyTable of ContentsIntroduction Paul Edmondson and Stanley Wells; About this Volume; Sonnets; Textual Notes, All the Sonnets of Shakespeare: Literal Paraphrases, Numerical Index of Shakespeare's Sonnets (1609), Index of First Lines.
£15.99
Edinburgh University Press The Desert in Modern Literature and Philosophy
Book SynopsisAidan explores the ways in which Nietzsche's warning that 'the desert grows' has been taken up by Heidegger, Derrida and Deleuze in their critiques of modernity, and the desert in literature ranging from T.S Eliot to Don DeLillo; from imperial travel writing to postmodernism; and from the Old Testament to salvagepunk.
£19.94
Oxford University Press The Dukes Children Complete
Book SynopsisThe Duke's Children is a novel about sorrow and loss, and about a parent s pained discovery that our children inevitably grow to love us less than we love them.Trade Review[The Duke's Children], edited by the American scholar Steven Amarnick, now appears in paperback, as an Oxford World's Classic. At long last, all the children of The Duke's Children are fully born. [...] Entombed for more than a century, the extended, original "Duke's Children" arrives as a stroke of good fortune. The inclusion of 65,000 additional words allows for a statelier pace, a suitable spaciousness wherein a headstrong Plantagenet can reconcile himself to the invincible unreason of young love. * Brad Leithauser, Wall Street Journal *Table of ContentsIntroduction Select Bibliography Note on the Text Chronology The Duke's Children Explanatory Notes Name Index
£11.69
Cambridge University Press The Cambridge Centennial Edition of The Great
Book Synopsis
£17.00
Union Square & Co. Romeo and Juliet
Book SynopsisThis colourful graphic novel features an illustrated cast of characters and a helpful plot summary.
£9.89
Fordham University Press Theosemiotic
Book SynopsisTable of ContentsPreface | ix Parenthetical References | xv Prolegomena | 1 1 A Brief History of Theosemiotic | 15 2 Signs, Selves, and Semiosis | 43 3 Love in a Universe of Chance | 75 4 Theology as Inquiry, Therapy, Praxis | 107 5 Communities of Interpretation | 155 6 Rules for Discernment | 192 7 On Prayer and the Spirit of Pragmatism | 227 Postlude: The Play of Musement | 259 Acknowledgments | 265 Notes | 269 Index | 301
£27.90
Sirius Entertainment Tao Te Ching
Book Synopsis
£11.69
Oxford University Press NotreDame de Paris
Book SynopsisThree extraordinary characters caught in a web of fatal obsession are at the centre of Hugo's novel. The grotesque hunchback Quasimodo, bell-ringer of Notre-Dame, owes his life to the austere archdeacon, Claude Frollo, who in turn is bound by a hopeless passion to the gypsy dancer Esmeralda. She, meanwhile, is bewitched by a handsome, empty-headed officer, but by an unthinking act of kindness wins Quasimodo's selfless devotion. Behind the central figures moves apageant of picturesque characters, ranging from the cruel, superstitious king, Louis XI, to the underworld of beggars and petty criminals. These disreputable truands' night-time assault on the cathedral is one of the most spectacular set-pieces of Romantic literature. Hugo vividly depicts medieval Paris, where all life is dominated by the massive cathedral. His passionate enthusiasm for Gothic architecture is set within the context of an epic view of mankind's history, to which he attaches even more importance than to the novelTrade ReviewAlban Krailsheimer's fluent new translation more than does justice to a great romantic classic. * Max Davidson, Weekend Telegraph *
£9.49
Oxford University Press The Collected Poems
Book Synopsis''a Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe'' E. M. ForsterE. M. Forster''s description of C. P. Cavafy (1863-1933) perfectly encapsulates the unique perspective Cavafy brought to bear on history and geography, sexuality and language in his poems. Cavafy writes about people on the periphery, whose religious, ethnic and cultural identities are blurred, and he was one of the pioneers in expressing a specifically homosexual sensibility. His poems present brief and vivid evocations of historical scenes and sensual moments, often infused with his distinctive sense of irony. They have established him as one of the most important poets of the twentieth century.This volume presents the most authentic Greek text of the 154 authorized poems ever published, together with a new English translation that conveys the accent and rhythm of Cavafy''s individual tone of voice. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made a
£9.49
Oxford University Press The Gothic
Book SynopsisThe Gothic is wildly diverse. It can refer to ecclesiastical architecture, supernatural fiction, cult horror films, and a distinctive style of rock music. It has influenced political theorists and social reformers, as well as Victorian home décor and contemporary fashion. Nick Groom shows how the Gothic has come to encompass so many meanings by telling the story of the Gothic from the ancient tribe who sacked Rome to the alternative subculture of the present day.This unique Very Short Introduction reveals that the Gothic has predominantly been a way of understanding and responding to the past. Time after time, the Gothic has been invoked in order to reveal what lies behind conventional history. It is a way of disclosing secrets, whether in the constitutional politics of seventeenth-century England or the racial politics of the United States. While contexts change, the Gothic perpetually regards the past with fascination, both yearning and horrified. It reminds us that neither societies nor individuals can escape the consequences of their actions.The anatomy of the Gothic is richly complex and perversely contradictory, and so the thirteen chapters here range deliberately widely. This is the first time that the entire story of the Gothic has been written as a continuous history: from the historians of late antiquity to the gardens of Georgian England, from the mediaeval cult of the macabre to German Expressionist cinema, from Elizabethan Revenge Tragedy to American consumer society, from folk ballads to vampires, from the past to the present. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.Table of ContentsINTRODUCTION: A HISTORY OF THE GOTHIC IN THIRTEEN CHAPTERS; FURTHER READING
£9.49
Oxford University Press Complete Letters
Book SynopsisPliny's letters provide a fascinating insight into Roman life in the period 97 to 112 AD. They document politics, social life, religion, the educational system, the treatment of slaves and include a vivid description of the eruption of Vesuvius. This is a lively and sympathetic new translation.
£10.44
Oxford University Press Lyrical Ballads 1798 and 1802 Oxford Worlds
Book SynopsisWordsworth and Coleridge's joint collection of poems has often been singled out as the founding text of English Romanticism. This is the only edition to print both the original 1798 collection and the expanded 1802 edition, with Wordsworth's famous Preface. It includes important letters, a wide-ranging introduction and generous notes.Trade ReviewFor students of the Lyrical Ballads as one of the key texts of Romanticism, Staffords new edition, juxtaposing the two 1798 and 1802 versions, is highly recommendable as it finely lays out both the reader response dimension of its poetics and the contexts of its production. * Helga Schwalm, The BARS Review *Lyrical Ballads, in case you missed it, is, quite simply, possibly the single most important collection of poems in English ever published. * Nicholas Lezard, Guardian *An invaluable resource for both teachers and students of Romantic literature... elegant, informative and clearly written introduction, a lucid overview of the Lyrical Ballads' transformation between 1798 and 1802... warmly recommended. * Susan Valladares, Reviews Editor for the British Association for Romantic Studies' Bulletin & Review and Lecturer in English, Worcester College, Oxford *Stafford's new edition, juxtaposing the two 1798 and 1802 versions, is highly recommendable * Helga Schwalm, BARS Review *
£8.99
Faber & Faber Captain Pantoja and the Special Service
Book SynopsisIn this delightful farce, the prim and proper Captain Pantoja is sent to Peru''s Amazon frontier on a secret Army mission - he must find females for the amorous recruits. Yet complications arise as word of his achievements starts to spread, and he finds himself battling against his wife, religious zealots and the Army that gave him the mission in the first place.Through a wonderfully comic montage of letters, military documents, radio broadcasts, dream sequences and dialogue, Mario Vargas Llosa''s Captain Pantoja and the Special Service combines political satire with humour, morality with uproarious sexuality.
£9.49
Faber & Faber Waiting for Godot
Book SynopsisSubtitled â??A tragicomedy in two actsâ??, and famously described by the Irish critic Vivien Mercier as a play in which â??nothinghappens, twiceâ??, En attendant Godot was first performed at the Th_Ãtre de Babylone in Paris in 1953. It was translated into English by Samuel Beckett, and opened as Waiting for Godot at the Arts Theatre in London in 1955.â??I told [Ralph] Richardson that if by Godot I had meant God I would have said God, and not Godot.This seemed to disappoint him greatly.â??-- Samuel Beckett to Barney Rosset, 18 October 1954All the dead voices.They make a noise like wings.Like leaves.Like sand.Like leaves.[Silence.]They all speak together. Each one to itself.[Silence.]Rather they whisper.They rustle.They murmur. They rustle.[Silence.] What do they say?They talk about their lives.To have lived is not enough for them.They have to talk about it.To be dead is not enough for them.It is not sufficient.[Silence.]They make a noise like feathers.Like leaves.Like ashes.Like leaves.
£9.49
