ELT & Literary Studies Books

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Book SynopsisUnjustly overlooked in its own time, Frank J. Webb’s novel of pre-Civil War Philadelphia weaves together action, humor, and social commentary. The Garies and Their Friends tells the story of two families struggling for di¦ erent sorts of respectability: the Garies, a well-to-do interracial couple who relocate to Philadelphia from the plantation South in order to legalize their marriage, and their friends the Ellises, free black Philadelphians hoping to make the move from the working class into the bourgeoisie. Along the way the families confront racialized violence, melodramatic villainy, and sentimental reversals. Entertaining and fastmoving, the novel has a Dickensian mix of uncanny coincidence and interwoven personal experiences.The historical documents accompanying this Broadview Edition provide reviews of the novel along with extensive materials on slavery, the color line, and contemporary Philadelphia.Trade Review“This is an outstanding edition of Webb’s powerful (and still relatively neglected) novel about the struggles of the free black community in pre-Civil War Philadelphia. The editors make the bold decision to use as their source text the ‘Cheap Series’ paperback edition widely circulating in London, where The Garies and Their Friends was published in 1857. They provide reviews, new information about Webb, and compelling contextual materials that help us to better understand the novel in relation to key legal and social contexts. Webb has been wonderfully served by Howell and Walsh. I couldn’t imagine teaching any other edition, and the excellence of this edition should help to bring new readers to Garies.” — Robert S. Levine, Distinguished University Professor, University of Maryland, and author of The Lives of Frederick Douglass“The Garies and Their Friends is one of the most interesting American novels of the mid-nineteenth century; the new Broadview edition finally gives it the editorial treatment it deserves. William Huntting Howell and Megan Walsh share supplemental documents essential to reading or teaching the novel, and they frame this work in a rich set of transatlantic contexts.” — Eric Gardner, author of Black Print Unbound: The Christian Recorder, African American Literature, and Periodical Culture“Frank Webb’s stunning novel comes alive in this accessible and informative edition edited by Howell and Walsh. The annotations are well crafted and will introduce readers to the broad racial, social, and literary contexts of Garies. The appendices are likewise well formulated to illuminate both the novel’s reception and its key geographic and legal coordinates. This wonderful edition is a boon for new readers and also for those who are already familiar with Webb’s novel.” — Jeffory Clymer, University of Kentucky, author of Family Money: Property, Race, and Literature in the Nineteenth CenturyTable of ContentsList of IllustrationsAcknowledgementsIntroductionFrank J. Webb: A Brief ChronologyA Note on the TextThe Garies and Their FriendsAppendix A: Contemporary Responses From The Observer (London) (20 September 1857) From the Literary Gazette (London) (26 September 1857) From The Morning Post (London) (6 October 1857) The Standard (London) (7 October 1857) From The Daily News (London) (9 October 1857) From the Athenaeum (London) (24 October 1857) Appendix B: Law, Culture, and the Color Line From William Goodell, The American Slave Code in Theory and Practice (1853) From George M. Stroud, A Sketch of the Laws Relating to Slavery (1827) From John F. Denny, An Enquiry into the Political Grade of the Free Colored Population (1834) From Benjamin C. Howard, Dred Scott v. John F.A. Sandford (1857) From Frederick Douglass, “The Dred Scott Decision,” delivered before the American Anti-Slavery Society, NY (14 May 1857) Edward Williams Clay, Life in Philadelphia, Plate IV (1829) Appendix C: Black Philadelphia in the Antebellum Era Map of Philadelphia (1848) From A Statistical Inquiry into the Condition of the People of Colour, of the City and Districts of Philadelphia (1842) From Robert Purvis, Appeal of Forty Thousand Citizens, Threatened with Disenfranchisement, to the People of Pennsylvania (1838) From Joseph Willson, Sketches of the Higher Classes of Colored Society in Philadelphia (1841) Letter from Harriet Beecher Stowe to Lady Hatherton (24 May 1856) Appendix D: Racism in Philadelphia From “The Philadelphia Riots,” the Philadelphia U. S. Gazette (2 August 1842) From History of Pennsylvania Hall (1838) John Sartain, The Burning of Pennsylvania Hall (1838) Works Cited and Select Bibliography

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Book SynopsisWritten circa 1894-95 but published posthumously in 1914, Frank Norris’s Vandover and the Brute presents an unflinching portrait of unconventional sexuality, moral dissolution, and physical degeneration. In the setting of turn-of-the-century San Francisco depicted in Vandover, disaster encompasses far more than the vivid accounts of shipwreck or earthquake that appear in the novel. The slow wasting away of characters who contract syphilis, the suicide of a young girl, and the murder of a man clinging to a lifeboat fascinate readers today as much as they did a century ago, when this scandalous novel was first published. The most complete wreck is Vandover himself, whose artistic talents and constitution collapse after orgies of drink and sexual abandon.Russ Castronovo’s new edition gathers historical materials on literary naturalism, gender and criminality, and the visual culture of the late nineteenth century.Trade Review“I’ve been howling like a wolf for years about the absence of a teachable edition of this amazing, just-on-the-verge-of-modern novel. College boys’ drunken revels over a welsh rarebit? Earnest discussions of the moral complexities posed by ‘modern girls’? Gamblers who start acting like living slot machines? Gobbling chocolates in the tub before scratching yourself for an hour? This one has it all. Thank you, Russ Castronovo, for bringing back a text that has never failed to fascinate undergraduates and PhD students alike.” — Jennifer Fleissner, Indiana University“An accessible edition of Frank Norris’s outlandish and historically significant novel has been long overdue, and Russ Castronovo has made it happen. An embarrassment of riches, this edition will be of tremendous value to scholars and students. Vandover is an exceptional text, one that demonstrates the intersections of modernity, aesthetics, sexuality, and race in such a way as to make it indispensable in any course on American literature and culture. The critical analysis and historical contextualization Castronovo brings to bear on it serve to enrich our understanding.” — Dana Seitler, University of TorontoTable of ContentsAcknowledgementsIntroductionFrank Norris: A Brief ChronologyA Note on the TextVandover and the BruteAppendix A: Norris, Naturalism, and the Novel Frank Norris, “Zola as a Romantic Writer” The Wave (27 June 1896) From Émile Zola, “The Experimental Novel,” The Experimental Novel and Other Essays (1893) From Frank Norris, “The Responsibilities of the Novelist,” The Responsibilities of the Novelist (1903) From Frank Norris, “The Novel with a ‘Purpose,’” The Responsibilities of the Novelist (1903) Appendix B: Gender, Evolution, and Degeneration Frank Norris, “Western City Types: The ‘Fast’ Girl” The Wave (9 May 1896) From Joseph Le Conte, Evolution: Its Nature, Its Evidences, and Its Relation to Religious Thought (1899) From Max Nordau, from Degeneration (1895) Appendix C: Visual Contexts Luis Ricardo Falero, Witches Going to the Their Sabbath (1878) Philippe-Jacques Van Bree, The Harem Bath Jean-Léon Gérôme, The Great Bath at Bursa, Turkey (1885) Jean-Léon Gérôme, Thirst (1888) Images of Gibson Girls Select Bibliography and Suggested Further Reading

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Book Synopsis Antonio Porchia (1886–1968) wrote one book, a slender collection of poetic aphorisms that became a classic in the Spanish-speaking world. With affinities to Taoist and Buddhist epigrams, Voices bears witness to the awe of human existence. Revised and updated with a new introduction by translator W.S. Merwin, this bilingual volume brings back into print one of Latin America’s great literary treasures. He who tells the truth says almost nothing.*I know what I have given you. I do not know what you have received.*Only a few arrive at nothing, because the way is long.*Out of a hundred years a few minutes were made that stayed with me, not a hundred years.*When I come upon some idea that is not of this world, I feel as though this world had grown wider.*This world understands nothing but words, and you have come into it with almost none.*We become aware of the void as we fill it. Antonio Porchia (1886–1968) was born in Italy. After his father died, he emigrated to Argentina with his mother and seven siblings, and as the eldest child, started working at the age of 14. He was self-taught, and his only book, Voices, caught the attention of a noted French critic who assumed him to be a scholar of Kafka and Buddhism, rather than the humble man who loved to tend his garden. Today, Porchia’s aphorisms are published in more than a dozen Spanish-language editions as well as in German, French and Italian. W.S. Merwin’s awards include the Pulitzer Prize, the Tanning Prize, the Bollingen Award, and fellowships from the Guggenheim Foundation and the NEA. He is the author of dozens of books of poetry and translations. He lives in Hawaii.

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Book SynopsisBandits in Print examines the world of print in early modern China, focusing on the classic novel The Water Margin (Shuihu zhuan). Depending on which edition a reader happened upon, The Water Margin could offer vastly different experiences, a characteristic of the early modern Chinese novel genre and the shifting print culture of the era.Scott W. Gregory argues that the traditional novel is best understood as a phenomenon of print. He traces the ways in which this particularly influential novel was adapted and altered in the early modern era as it crossed the boundaries of elite and popular, private and commercial, and civil and martial. Moving away from ultimately unanswerable questions about authorship and urtext, Gregory turns instead to the editor-publishers who shaped the novel by crafting their own print editions. By examining the novel in its various incarnations, Bandits in Print shows that print is not only a stabilizi

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Book SynopsisThis is a comprehensive guide to the life and work of the author of ""The Remains of the Day"".One of the most closely followed British writers of his generation, the Japanese-born, English-raised and -educated Ishiguro is the author of six critically acclaimed novels, including ""A Pale View of Hills"" (1982, Winifred Holtby Prize of the Royal Society of Literature), ""An Artist of the Floating World"" (1986, Whitbread Book of the Year Award), ""The Remains of the Day"" (1988, Booker Prize), and ""The Unconsoled"" (1995, Cheltenham Prize). Ishiguro's reputation also extends beyond the world of English-language readers. His work has been translated into twenty-seven foreign languages, and the feature film version of ""The Remains of the Day"" was nominated for eight Academy Awards.Brian W. Shaffer's study reveals Ishiguro's novels to be intricately crafted, psychologically absorbing, hauntingly evocative works that betray the author's grounding not only in the literature of Japan but also in the great twentieth-century British and Irish masters - Joseph Conrad, Ford Madox Ford, E. M. Forster, and James Joyce - as well as in Freudian psychoanalysis. All of Ishiguro's novels are shown to capture first-person narrators in the intriguing act of revealing - yet also of attempting to conceal beneath the surface of their mundane present activities - the alarming significance and troubling consequences of their past lives.

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Book SynopsisHomeopathy was founded in 1796 by the German physician Samuel Hahnemann who ardently proposed that like cures like, counter to the conventional treatment of prescribing drugs that have the opposite effect to symptoms. Alice A. Kuzniar critically examines the alternative medical practice of homeopathy within the Romantic culture in which it arose. In The Birth of Homeopathy out of the Spirit of Romanticism, Kuzniar argues that Hahnemann was a product of his time rather than an iconoclast and visionary. It is the first book in English to examine Hahnemann’s unpublished writings, including case journals and self-testings, and links to his contemporaries such as Goethe and Alexander von Humboldt. Kuzniar’s engaging writing style seamlessly weaves together medical, philosophical, semiotic, and literary concerns and reveals homeopathy as a phenomenon of its time. The Birth of Homeopathy out of the Spirit of Romanticism sheds light on issues that continueTrade Review‘Excellent history… This text provides interesting insight into the history of homeopathy and how this history affects the way homeopathy is viewed today.’ -- J. Saxton * Choice Magazine vol 55:02:2017 *"The Birth of Homeopathy out of the Spirit of Romanticism is an important study that increases our understanding of both Romantic Naturphilosophie and homeopathy in a very significant way. " -- Asko Nivala * European Romantic Review 29:5 *Table of ContentsAcknowledgements List of Illustrations Introduction Chapter One: The Law of Similars Chapter Two: The Law of the Single Dose Chapter Three: The Law of Minimum Conclusion Notes Bibliography Index

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Book SynopsisWhat stands out about racism is its ability to withstand efforts to legislate or educate it away. In The Racist Fantasy, Todd McGowan argues that its persistence is due to a massive unconscious investment in a fundamental racist fantasy. As long as this fantasy continues to underlie contemporary society, McGowan claims, racism will remain with us, no matter how strenuously we struggle to eliminate it. The racist fantasy, a fantasy in which the racial other is a figure who blocks the enjoyment of the racist, is a shared social structure. No one individual invented it, and no one individual is responsible for its perpetuation. While no one is guilty for the emergence of the racist fantasy, people are nonetheless responsible for keeping it alive and thus responsible for fighting against it. The Racist Fantasy examines how this fantasy provides the psychic basis for the racism that appears so conspicuously throughout modern history. The racist fantasy informs everything fTrade ReviewWe confront the world these days with increasing perplexity as old problems resurface from a distant and, we presumed, superseded past. How is this so? Facing squarely one such problem Todd McGowan lucidly explains why racism is so recalcitrant and how it exposes the naivete of prevailing theories of the phenomenon, while offering an extended account of its complex phantasmatic structure. A timely and thorough book. * Joan Copjec, Professor of Modern Culture and Media, Brown University, USA *Rarely is theory elucidated with such clarity or applied with such historical range. By foregrounding fantasy as the frame that structures our enjoyment, McGowan’s The Racist Fantasy baldly positions psychic enjoyment as the unconscious source for varieties of racism, from anti-blackness to antisemitism and anti-Muslim racism. This is a capacious study, able to unveil the function of the racist fantasy not only at the heart of our contemporary capitalist society but also at the root of the Enlightenment thinking that gave birth to our modern world. The Racist Fantasy is a needed corrective to contemporary anti-racist thinking that only nominally invoke the unconscious or that completely ignore its role in structuring the enjoyment that binds us to racism. * Sheldon George, Professor and Chair of Literature and Writing, Simmons University, USA and coeditor of Lacan and Race: Racism, Identity and Psychoanalysis (2021) *Table of ContentsAcknowledgments Introduction: Hiding the Unconscious 1. The Racist Fantasy 2. The Fantasy’s Breadth 3. Racism and Modernity 4. The Variegations of the Fantasy 5. The Violent Issue 6. On the Other Side of Fantasy Notes Index

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Book SynopsisUlrika Maude s Professor of Modern Literature at the University of Bristol, where she also directs the Centre for Health, Humanities and Science. Her publications include Beckett, Technology and the Body (2009), Beckett and Phenomenology (2009) and The Cambridge Companion to the Body in Literature (2015).Mark Nixon is Associate Professor in Modern Literature at the University of Reading, UK. He is Co-Director of the Beckett International Foundation, Editor in Chief of the Journal of Beckett Studies and Co-Director of the Beckett Digital Manuscript Project.Trade ReviewIn the short but excellent ‘Resources’ section, Alex Pestell and Sean Pryor cover key terms from ‘avant-garde’ to ‘vers libre’ - and include valuable summaries of how concepts such as ‘fascism’, ‘primitivism’, ‘race’ and ‘high modernism’ shape how we think about modernist literature - while an extensive annotated bibliography of major works of criticism provides a good grounding for students wishing to explore the subject further. * Times Literary Supplement *The Bloomsbury Companion to Modernist Literature, edited by Ulrika Maude and Mark Nixon, provides fresh insights. By viewing Modernist Literature through the prism of seemingly unrelated disciplines, such as economics, the Theory of Relativity, and neurology, the Bloomsbury Companion … reveals research synergies and provides opportunities for discovery … While geared towards the more advanced researcher, this book would certainly assist those less familiar with Modernist Literature when taking those first steps from casual readership into research. The Bloomsbury Companion to Modernist Literature makes it new and keeps it real. * American Reference Books Annual *[These] assembled essays and resources comprise an impressive array of frequently challenging, illuminating scholarship … [This] Companion does not settle for simply being a guide to existing knowledge, but instead blazes exciting new trails for the rest of us to follow. * Modern Language Review *The book as a whole illustrates superbly what Emily Hayman and Pericles Lewis refer to as “the persistence of modernism". * Recherche Littéraire *Table of ContentsAcknowledgements Contributors 1. Introduction, Ulrika Maude Part I: Defining the Field and Research Issues The Modernist Everyday 2. Anything but a Clean Relationship: Modernism and the Everyday, Scott McCracken 3. Geographies of Modernism, Andrew Thacker 4. Modernism and Language Scepticism, Shane Weller 5. Modernism and Emotion, Kirsty Martin 6. Myth and Religion in Modernist Literature, Michael Bell The Arts and Cultures of Modernism 7. Modernism and Music, Tim Armstrong 8. Modernism and the Visual Arts: Kant, Bergson, Beckett, Conor Carville 9. Modernist Literature and Film, Laura Marcus 10. Modernism and Popular Culture, Lawrence Rainey 11. Modernist Magazines, Faith Binckes 12. Minding Manuscripts: Modernism, Genetic Criticism and Intertextual Cognition, Dirk Van Hulle The Sciences and Technologies of Modernism 13. Einstein, Relativity and Literary Modernism, Paul Sheehan 14. Modernism, Sexuality and Gender, Jana Funke 15. Modernism, Neurology and the Invention of Psychoanalysis Ulrika Maude 16. Modernism, Psychoanalysis and other Psychologies, Laura Salisbury 17. Modernism and Technology, Julian Murphet The Geopolitics and Economics of Modernism 18. Can there be a Global Modernism? Emily Hayman and Pericles Lewis 19. A Departure from Modernism: Stylistic Strategies in Modern Peripheral Literatures as Symptom, Mediation and Critique of Modernity, Benita Parry 20. Modernist Literature and Politics, Tyrus Miller 21. A New Sense of Value: Modernism and Economics, Ronald Schleifer Part II: Resources 22. A to Z of Key Words, Alex Pestell and Sean Pryor 23. Annotated Bibliography, Alexander Howard Chronology Index

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Book SynopsisAn innovative cultural history of the most influential, most frequently translated and most imitated novel in the world.Trade Review"This enjoyable book, a fast and fun read, informs us deeply about [Don Quixote]. As such, it is a model work of criticism. It sends us back to the original work, eager and informed and moved to reread it or read it for the first time." -- Tim Redman - Dallas Morning News "A combination of celebration, meditation, and quest, Stavans's book is bound to please el Quijote's devoted readers and win new fans." -- Publishers Weekly "Bold, imaginative, and deeply learned... Stavans, one of our most gifted scholars of Hispanic literature, has arrived to narrate the tale of how modernity was birthed amid the whirl of windmills and all those chasing them." -- Henry Louis Gates Jr., Alphonse Fletcher University Professor, Harvard University "Stavans brings infections enthusiasm and penetrating scholarship to this lively investigation of a grand novel and its readers." -- Kirkus Reviews "If, like me, you live with the guilt of not having read Don Quixote of La Mancha, this delightful romp will inspire you to act. It is a splendid work of historiography that looks at the knight's influence on just about everything-including the Muppets. Ilan Stavans delivers another keen-eyed, delightful tour de force." -- Barry Moser, illustrator of The Pennyroyal Caxton Bible "Ilan Stavans, like Cervantes, tells stories of errantry: of his own travels with and through the book, of El Quijote's journey across and around the world, of the characters' voyages through the imaginations of creators and re-creators. The result is as engaging, funny, readable, and illuminating as the book it's about: an idiosyncratic yet amazingly comprehensive companion, which all readers of El Quijote will want." -- Felipe Fernandez-Armesto, author of Millennium: A History of Our Last Thousand Years and 1492: The Year the World Began "A masterly history of Don Quixote that approaches the book from multiple angles: literary, historical, cultural, linguistic, and personal. Ilan Stavans has given us a compelling, readable, and often humorous portrait of the book and its author." -- Laila Lalami, author of The Moor's Account "In this sparkling narrative, Ilan Stavans takes us on an exploration of a novel he reveres... A fascinating, deeply enjoyable read." -- Jon Lee Anderson, author of Che Guevara: A Revolutionary Life "The impression is of abundant intelligence poured into a vessel whose aim is not tidy scholarship but joyous insight. Book lovers will relish this expansive and generous tome." -- Library Journal "Expertly connects Cervantes' satire of then-popular novels of chivalry to the political climate of the time... The combination of cultural analysis, textual examination, and enthusiastic commentary makes for an excellent primer to celebrate this momentous anniversary [of Quixote's publication.]" -- Booklist

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Book SynopsisZombies have become an increasingly popular object of research in academic studies and, of course, in popular media. Over the past decade, they have been employed to explain mathematical equations, vortex phenomena in astrophysics, the need for improved laws, issues within higher education, and even the structure of human societies. Despite the surge of interest in the zombie as a critical metaphor, no coherent theoretical framework for studying the zombie actually exists. Addressing this current gap in the literature, Theorising the Contemporary Zombie defines zombiism as a means of theorising and examining various issues of society in any given era by immersing those social issues within the destabilising context of apocalyptic crisis; and applying this definition, the volume considers issues including gender, sexuality, family, literature, health, popular culture and extinction.Table of ContentsContents: Abstract Author Biographies List of Figures Introduction - Scott Hamilton and Conor Heffernan I. Zombified Bodies 1. Zombies, Deviance, and the Right to Posthuman Life - Poppy Wilde (Birmingham City University) 2. The Apocalypse Workout: Health, Identity and Zombies - Conor Heffernan (University of Texas at Austin) 3. Zombie Orgies and the Fear of the Outer Limits: Examining the Relationship between Fear, Pornography and Zombies - Caroline West (Dublin City University) 4. Aloha-oe: Hello, Goodbye to Love and Family in Sang-ho Yeon's Train to Busan - Harvey O'Brien (University College Dublin) II. Critical Environments 5. The Stalking Dead: Ireland's Ambiguous Revenants and the Case for a Folk-Zombie Revival - Jack Fennell (University of Limerick) 6. M.R. Carey's The Boy on the Bridge: Ethics and the Apocalypse - Scott Eric Hamilton (University College Dublin) 7. Zombie Colony: The Heteronomy of the Greek State & The Datura of Cultural Capital - Konstantinos Kerasovitis (University of Wolverhampton) 8. Last Ones Left Alive: Zombies and Post-Politics - Deirdre Flynn (University College Dublin) III. Undead Cultures 9. Beware the Zuvembies: Comics, Censorship, and the Ubiquity of Not-Quite-Zombies - Chera Kee (Wayne State University) 10. Distortions of the Video Dead: The Degradation of Reality in the Era of Zombie VHS - Peter Wright (The University of Sydney) 11. 'Violence is Italian art': Art and Adaptation in Lucio Fulci's 'Gates of Hell' Trilogy - Miranda Corcoran (University College Cork) 12. Surviving the Shambling Signifieds: Zombies, Language, and Chaos - Andrew Ferguson (University of Maryland) Bibliography Index

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Book SynopsisThis updated edition is designed to support students in study and revision for the new GCSE (9-1) English Literature exams. Table of Contents Part 1: Induction Part 2: Plot and Action Part 3: Characters Part 4: Key Contexts and Themes Part 5: Language and Structure Part 6: Grade Booster Literacy Terms

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Book SynopsisTable of Contents Part 1: Introducing Twelfth Night Part 2: Studying Twelfth Night Part 3: Characters and Themes Part 4: Structure, Form and Language Part 5: Contexts and Critical Debates Part 6: Grade Booster Essential Study Tools

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Book SynopsisThe Life of William Shakespeare is a fascinating and wide-ranging exploration of Shakespeare's life and works focusing on oftern neglected literary and historical contexts: what Shakespeare read, who he worked with as an author and an actor, and how these various collaborations may have affected his writing.Trade Review“Two of the Mighty dead have been brought back to life in exemplary fashion: Shakespeare in Lois Potter’s The Life of William Shakespeare: A Critical Biography, which very cleverly uses expert theatre-knowledge as a way of making her enigmatic subject seem plausibly substantial; and Keats in Nicholas Roe’s John Keats: A New Life, which puts the poet properly in his place.” (The Guardian, 24 November 2012) “This study will have wide appeal to readers who wish to expand their appreciation of the works of William Shakespeare. Summing Up: Highly recommended. Upper-division undergraduates through faculty; general readers.” (Choice, 1 November 2012) “A richly suggestive, undogmatic book in which Lois Potter ranges across the entire canon and the period that helped produce it.” (Around the Globe, 1 October 2012) “Lois Potter’s Life of William Shakespeare, ranks with the most distinguished examples of its kind … Her achievement lies in her catholicity, her simultaneous commitment to matters personal, historical, theatrical, literary, cultural. She exhibits an absolute command of the available facts, a lifetime’s acquaintance with the works gained in teaching and playgoing, an unparalleled familiarity with theatrical history from 1567 to the present, and a talent for connecting the fictional and the actual.” (Times Literary Supplement, 10 August 2012)Table of ContentsList of Illustrations vi Preface and Acknowledgments vii List of Abbreviations x The Shakespeare Family Tree xii 1 “Born into the World”: 1564–1571 1 2 “Nemo SibiNascitur”: 1571–1578 21 3 “Hic et Ubique”: 1578–1588 40 4 “This Man’s Art and That Man’s Scope”: 1588–1592 64 5 “Tigers’ Hearts”: 1592–1593 86 6 “The Dangerous Year”: 1593–1594 106 7 “Our Usual Manager of Mirth”: 1594–1595 134 8 “The Strong’st and Surest Way to Get”: Histories, 1595–1596 162 9 “When Love Speaks”: Tragedy and Comedy, 1595–1596 181 10 “You Had a Father; Let Your Son Say So”: 1596–1598 201 11 “Unworthy Scaffold”: 1598–1599 231 12 “These Words Are Not Mine”: 1599–1601 258 13 “Looking Before and After”: 1600–1603 277 14 “This Most Balmy Time”: 1603–1605 300 15 “Past the Size of Dreaming”: 1606–1609 330 16 “Like an Old Tale”: 1609–1611 360 17 “The Second Burden”: 1612–1616 384 18 “In the Mouths of Men”: 1616 and After 414 Bibliography 443 Index 475

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Book SynopsisOvid Unseens provides a bank of 80 practice passages of Latin verse, half elegiac and half hexameter.Taken from across Ovid's works, including the Metamorphoses, Fasti, Heroides, Amores and Tristia, the passages help build students'' knowledge and confidence in a notoriously difficult element of Latin language learning. Every passage begins with an introduction, outlining the basic story and theme of the passage, followed by a lead-in' sentence, paraphrasing the few lines before the passage begins. The first set of passages are translation exercises of 12-16 lines, each accompanied by a Discendum box which highlights a key feature of poetic Latin, equipping students further with the skills to tackle ever more difficult verse passages at first sight. These are followed by longer passages with scansion exercises and questions on comprehension and stylistic analysis, replicating unseen verse exam questiTrade ReviewOvid Unseens offers a wide-ranging and carefully graded collection of passages, giving students an excellent introduction to the poet and to the technique of unprepared verse translation. It is packed with sound advice and will be hugely useful. -- John Taylor, Head of Classics at Tonbridge School, UK and author of "Latin Beyond GCSE"Table of ContentsPreface Introduction to Ovid Translating Latin verse Ovid’s style Ovid’s Elegiac Poetry: - Shorter translation passages 1-20 - Full translation and comprehension passages 21-40 Ovid’s Hexameter Poetry: - Shorter translation passages 1-20 - Full translation and comprehension passages 21-40 An introduction to scansion and Ovid’s metres Verse vocabulary checklists Index locorum

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Book SynopsisThis collection of essays, first published in 1889, was Pater's only literary-critical work until the posthumous publication of his reviews from The Guardian (the ninth volume in this edition). His well-known essay 'Style' opens the volume, which also includes readings of Thomas Browne, Wordsworth, Coleridge, Shakespeare and Rossetti.Table of ContentsStyle; Wordsworth; Coleridge; Charles Lamb; Sir Thomas Browne; Love's Labours Lost; Measure for Measure; Shakespeare's English kings; Dante Gabriel Rossetti; Feuillet's La Morte; Postscript.

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Book SynopsisThe best and most successful guide to reading comprehension for the general reader, completely rewritten and updated with new material. A CNN Book of the Week: “Explains not just why we should read books, but how we should read them. It''s masterfully done.” —Farheed ZakariaOriginally published in 1940, this book is a rare phenomenon, a living classic that introduces and elucidates the various levels of reading and how to achieve them—from elementary reading, through systematic skimming and inspectional reading, to speed reading. Readers will learn when and how to “judge a book by its cover,” and also how to X-ray it, read critically, and extract the author’s message from the text. Also included is instruction in the different techniques that work best for reading particular genres, such as practical books, imaginative literature, plays, poetry, history, science and mathematics, philosophy and socia

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This is the second edition of English Literature in Context, a popular textbook which provides an essential resource and reference tool for all English literature students. Designed to accompany students throughout their degree course, it offers a detailed narrative survey of the diverse historical and cultural contexts that have shaped the development of English literature, from the Anglo-Saxon period to the present day. Carefully structured for undergraduate use, the eight chronological chapters are written by a team of expert contributors who are also highly experienced teachers. Each chapter includes a detailed chronology, contextual readings of selected literary texts, annotated suggestions for further reading, a rich range of illustrations and textboxes, and thorough historical and literary overviews. This second edition has been comprehensively revised, with a new chapter on postcolonial literature, a substantially expanded chapter on contemporary literature, and the addition of over two hundred new critical references. Online resources include textboxes, chapter samples, study questions, and chronologies.

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Book SynopsisA collection of the very best recent journalism of A. A. Gill, 'by miles, the most brilliant journalist of our age' (Lynn Barber).Trade ReviewGill's broadsides, his impatience, his scathing penportraits were, it becomes particularly clear when you read his work en bloc, the byproduct of his desire that we should wriggle free of conformity, embrace pleasure, eat our fill -- Alex Clark * GUARDIAN *Lines in the Sand, a treat for his many fans, gathers the best of Gill's journalism from 2011 to 2016. Ranging from travel reportage to serio-comic appreciations of Savile Row tweed and the delights of condensed milk, the pieces are lit up by the author's trademark literary flourishes and waspish put-downs -- Ian Thomson * EVENING STANDARD *Serene, painfully wise ... glimpses of a loftier truth are the glory of Gill's essays, and they open metaphysical vistas in journalistic junkets or stunts contrived for the sake of a feature article ... His essays - so delicate in their connoisseurship of nature and culture, so tender in their sketches of family, friends and anonymous strangers in refugee camps, so brightly witty and yet so unexpectedly profound - affirm the manifold pleasures of being alive, which is why they enrich the life of anyone who reads them, and in Gill's absence will go on doing so -- Peter Conrad * OBSERVER *As Lines in the Sand, his final collection of journalism - published just a few weeks after his death from cancer, aged 62 - makes clear, Mr Gill's opinions actually held prejudice, piety and pretension to account ... Mr Gill's overriding message throughout these pieces is that experience should be gulped down, pleasure embraced, and conformity shunned ... "There's a basic human need to tell someone what we saw, where we've been," Mr Gill writes, and his dispatches - opinionated, experienced - are told with eloquence and elan, from war zones and home counties camp sites, to, finally, the cancer ward ... Elsewhere, he writes of Lord Snowdon: "His immensely sympathetic eye was often a surprise to people who knew only his waspish tongue." There could be no better epitaph for Mr Gill himself. -- Stuart Husband * MR PORTER *AA Gill was that rare writer, famously able to serve up waspishness and compassion in the same sentence. Both are on full display in Lines in the Sand ... Written with style and ubiquitous wit, this collection of essays is only further proof that Gill's voice will be sorely missed -- Laura Garmeson * FINANCIAL TIMES *I can't think of a writer whose style so exactly replicated their conversation as A. A. Gill. Reading his weekly dispatches was just like being with him in person, which is why so many readers took his death late last year very personally. People - even people who had never met him - felt they'd lost their funniest, most outrageous chum. Opening a paper without an article by him is like going to your store cupboard and finding that there's no chilli or salt: everything is blander without him. Two collections which came out this year, Lines in the Sand and The Best of A A. Gill, showcase him at his finest. Adrian showed incredible courage, wit and generosity of heart during his final weeks. Once my husband, always my friend, he is irreplaceable, on and off the page -- Cressida Connolly * THE SPECTATOR Books of the Year *Thankfully, the late A A Gill was neither diplomatic or sensitive. Collecting together the last five years of Adrian Anthony's many highlights, Lines in the Sand sees him wasp around the world with passion, honesty and glorious, wickedly funny words. He's already much missed * WANDERLUST *The late AA Gill was a journalist who you either loved or hated, but was impossible to ignore, and this is an excellent selection of his writing, spanning the wide range of his interests, from food and television to travel and family. Even when facing his own mortality, Gill was uninhibited and brutally honest This collection does him proud * CHOICE *

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Book SynopsisINSTANT NEW YORK TIMES BESTSELLERA new book from #1 New York Times bestselling author Jenny Lawson, destined to be a classicpart therapy, part best friend, part humor, part coloring book.When Jenny Lawson is anxious, one of the things she does is to draw. Elaborate doodles, beautiful illustrations, often with captions that she posts online. At her signings, fans show up with printouts of these drawings for Jenny to autograph. And inevitably they ask her when will she publish a whole book of them. That moment has arrived.You Are Here is something only Jenny could create. A combination of inspiration, therapy, coloring, humor, and advice, this book is filled with Jenny's amazingly intricate illustrations, all on perforated pages that can be easily torn out, hung up, and shared. Drawing on the tenets of art therapywhich you can do while hiding in the pillow fort under your bedYou Are Here is ready to be made entirely your

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Book SynopsisAcademic Writing Skills 3 looks at the specific components of academic writing, such as avoiding logical fallacies, and synthesizing and improving the clarity of sentences. It is appropriate for advanced writing students needing to develop specific writing and analytical skills to complete academic writing tasks.

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Book SynopsisAcademic Writing Skills 1 takes students through a step-by-step process from writing a paragraph to essays. It is appropriate for students new to academic writing who need general training in essay writing skills.Table of ContentsUnit I. Writing a Paragraph: 1. Getting ready to write; 2. Writing a paragraph; 3. Writing a coherent paragraph; 4. Editing a paragraph; Unit II. Writing an Essay: 1. From a paragraph to an essay; 2. Writing an essay; 3. Editing an essay; Unit III. Paraphrasing, Summarizing, and Citing Information: 1. Paraphrasing and summarizing; 2. Citing the sources of information; Unit IV. Writing a Research Essay: 1. Developing and organizing a research essay; 2. Supporting arguments; 3. Editing a research essay.

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Book SynopsisThis selection of Cicero's letters not merely documents in detail Cicero's career but simultaneously provides a month-by-month record of the collapse of the republic and its replacement by a tyranny. It provides a vivid picture of daily life and politics in Rome, the assassination of Caesar, and Cicero's vain resistance to the rise of Mark Antony.

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Book SynopsisPretty Hetty Sorrel is loved by the village carpenter Adam Bede, but her head is turned by the attentions of the fickle young squire. His dalliance with the dairymaid affects the lives of many in their small rural community. This new edition of Eliot's pioneering classic of social realism uses the definitive Clarendon text.Trade Reviewthis was a wonderful novel, layered and beautiful and complex. The fact that I wanted there to be even more of it is a testimony to how good it was. * Jenny Brown, Shelf Love *

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Book SynopsisAn extraordinary collection of lyrics from rap's first thirty years, a showcase of poetic depth and diversityTrade Review“This landmark work chronicles an earth-shattering movement with deep roots.”—New York Times Book Review“The Anthology of Rap is among the best books of its kind ever published.”—Dan Chiasson, New York Review of Books“For the reader who’s really interested in modern poetics a profitable week or three could be spent sitting with The Anthology of Rap.”—Will Self, Times (UK)“The authors have built a poignant collection of rhythm and rhyme. . . . For hard-core hip-hop heads, this book confirms what we have always known: that some of the most innovative writing hails from the imagination of the rapper.”—Idris Goodwin, Boston Globe“As ambitious and intelligent as anyone might want, and more enjoyable than anyone might think. . . . If you want to hear how the latter part of the twentieth century sounded, you can’t do better than this book.”—Kevin Young, Bookforum“Intelligent and authentic. . . . Written for both the hip-hop head and the uninitiated.”—James Johnson, Philadelphia Inquirer“An important contribution to this highly contested lyrical culture.”—David Barnes, Times Literary Supplement“A chronology of rap that highlights significant figures in its short history and offers a window into how rappers harmonize the world through a distinct form of self-expression.”—Library Journal“Reading The Anthology of Rap, which covers everything from Afrika Bambaataa to Young Jeezy, it’s hard not to appreciate rap’s astounding love of words, of the way they fit together and play off each other, and of how meaning can be layered upon meaning to get at a deeper truth. Which sounds an awful lot like poetry.”—Joshua Ostroff, Globe and Mail“The eye-opening essay by [Henry Louis] Gates . . . provides deep historical context for rap; it alone makes the book worth owning.”—Slate“Bradley and DuBois succeed in lucidly explaining how societal shifts have been reflected in rap lyrics. . . . This book is a fitting tribute to a genre not far short of its fortieth anniversary and which was once dismissed as a passing fad.”—Geoff St Louis, Time Out“Groundbreaking. . . . It makes the history, development and variety of the genre plain to see in vivid detail.”—Bernadine Evaristo, The Independent“An extraordinary collection of lyrics showcasing rap’s poetic depth and diversity.”—Bookseller’s Buyer’s Guide“A perfect primer for newcomers.”—The IndependentHonorable mention in the Compilations/Anthologies category of the 2010 New England Book Festival, given by the JM Northern Media family of festivals“An essential contribution to our living literary tradition. . . . This groundbreaking anthology masterfully assembles part of a new vanguard of American poetry.”—from the Foreword by Henry Louis Gates, Jr. “What you hold in your hands is more than a book. This is a culture. This is hip-hop. . . . This book offers a view of rap in full, from the root to the fruit.”—from the Afterword by Common “Every great literature deserves a great anthology. Rap finally has its own.”—from the Afterword by Chuck D “From the Sing Song cadence of the slave preachers to the emotional bravery of Tupac Shakur to the clarity of Queen Latifah . . . for all the hearts and heads and voices who have still to be heard: We Now Have an Encyclopedia. Good for us. Much needed. Much needed.”—Nikki Giovanni“The Anthology of Rap is an instant classic. It brings together the lyric poetry of some of the greatest artists of our time. Hip Hop is here to stay and rap lives forever—on the stage and now on the page!”—Cornel West“These Rappers’ lyrics love. Cut. Curse. Fight. Teach. Play. Pray. Testify. They bring us the pace of sound. The swiftness of sound. The discordant way of looking at the world of sound. The Blackness of sound. The new bebopic beat of sound. These are word sorcerers who love language and hablar sin bastón (speak without a crutch).”—Sonia Sanchez“This monumental encyclopedia of rhymes is great for hip-hop newbies or longtime fans, lyric lovers and poetry devotees. It’s an invaluable reference on hip-hop history spanning from Afrika Bambaataa to Kanye West.”—Touré“Some readers of poetry still wonder where the rhymes went. One answer is they left the ends of the lines and went inside the poem. But rhyme also strongly re-emerges in rap. Whatever the stakes or the messages contained in this monumental volume, the like-sounds that used to be the engine of English poetry drive and power these energetic lyrics.”—Billy Collins

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Book SynopsisTreacherous, power-hungry, untempered by moral restraint, and embittered by physical deformity, Richard, the younger brother of King Edward IV, is ablaze with ambition to take England's throne. This title is a chronicle of Richard's machinations to be king - a tale of murder upon murder.Trade Review“Besides the scholarly texts, these include lists of suggested further reading, essays, and more. Fab for the price.”—Library JournalSelected by the Association of American University Presses as an Outstanding Book for Public and Secondary School Libraries, 2007“Each volume of the Annotated Shakespeare proves to be a splendid addition to the series.”—Tita French Baumlin, Southwest Missouri State University“The volumes in this series will enrich any library that stocks editions of individual Shakespearean plays. . . . Especially helpful are definitions of common words that have changed meanings over the past four hundred years.”—Judith McGowan, American Association of School Librarians

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Book SynopsisTrade Review“In 1974 Dream in Shakespeare marked the debut of a young scholar with a rare gift for recognizing not only what is most Shakespearean about Shakespeare but what is at stake for us when we set out to interpret his vision. As fresh and perceptive as it was forty years ago, Dream in Shakespeare is one of those few critical monographs so beguiling that when one finishes reading it, one cries to dream again.”—Michael Dobson, Director of the Shakespeare Institute, Stratford-upon-Avon, and Professor of Shakespeare Studies, University of Birmingham -- Michael Dobson“This reissue of Marjorie Garber’s Dream in Shakespeare will allow those who don’t yet know the book to discover the pleasure of reading a great critic on our greatest author. It will remind you of what Garber has always been so very good at doing: taking something that we thought we knew and showing us how much more interesting and surprising in fact it is.” —David Scott Kastan, George M. Bodman Professor of English, Yale University -- David Scott Kastan

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Book SynopsisFor many centuries, Aristotle''s Physics was the essential starting point for anyone who wished to study the natural sciencesThis book begins with an analysis of change, which introduces us to Aristotle''s central concepts of matter and form, before moving on to an account of explanation in the sciences and a defence of teleological explanation. Aristotle then turns to detailed, important, and often ingenious discussions of notions such as infinity, place, void, time, and conintuity. He ends with an argument designed to show that the changes we experience in the world demand as their cause a single unchanging cause of all change, namely God.This is the first complete translation of Physics into English since 1930. It presents Aristotle''s thought accurately, while at the same time simplifying and expanding the often crabbed and elliptical style of the original, so that it is very much easier to read. A lucid introduction and extensive notes explain the general structure of each sectionTrade Reviewthe editions deserve great credit for the enthusiasm of their approach ... The introductions by eminent scholars put the thoughts of the author and the history of the time into clear perspective. Oxford should be given credit for making the classics accessible for all rather than just crib notes for students. * Jonathan Copeland, Lincolnshire Echo *

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Book SynopsisTable of ContentsPensées; The Art of Persuasion; Writings on Grace

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Book SynopsisIn this almost documentary account of his own experiences of penal servitude in Siberia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, thebrief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his greatmasterpieces.

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Book SynopsisTable of ContentsIphigenia among the Taurians ; Bacchae ; Iphigenia at Aulis ; Rhesus

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Book SynopsisIn his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with uniqueinsight the relationship between an elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement,and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence.

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Book SynopsisOf all Jack London's fictions none have been so popular as his dog stories. In addition to The Call of the Wild, the epic tale of a Californian dog's adventures during the Klondike gold rush, this edition includes White Fang, and five famous short stories - 'Bâtard', 'Moon-Face', 'Brown Wolf', 'That Spot', and 'To Build a Fire'.Trade Review`guaranteed to warm the heart of any child' Press and Journal, Aberdeen'utterly convincing ... wonderful forays into danger and excitement' Beat SceneTable of ContentsThe Call of the Wild; White Fang; Bâtard; Moon-Face; Brown Wolf; That Spot; To Build a Fire

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Book Synopsis''I have lately written...a tale, to illustrate an opinion of mine, that a genius will educate itself.''Mary Wollstonecraft is best known for her pioneering views on the rights of women to share equal rights and opportunities with men. Expressed most forcefully in her Vindication of the Rights of Woman (1792), her forthright opinions also inform her two innovative novels, Mary and The Wrongs of Woman, a fictional sequel to the Vindication. In both novels the heroines have to rely on their own resources to establish their independence and intellectual development. Mary learns to take control of her destiny and become a social philanthropist, while Maria, in The Wrongs of Woman, fights imprisonment and a loveless marriage to claim her rights.Strongly autobiographical, both novels powerfully complement Wollstonecraft''s non-fictional writing, inspired by the French Revolution and the social upheavals that followed. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made ava

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Book SynopsisHow well do you really know your favourite author? Ace literary detective turned quizmaster John Sutherland and Austen buff Deirdre Le Faye challenge the reader to find out. Starting with easy, factual questions that test how well you remember a novel and its characters, the quiz progresses to a level of greater difficulty, demanding close reading and interpretative deduction. What really motivates the characters, and what is going on beneath the surface of the story? Designed to amuse and divert, the questions and answers take the reader on an imaginative journey into the world of Jane Austen, where hypothesis and speculation produce fascinating and unexpected insights. Whether you are an expert or enthusiast, So You Think You Know Jane Austen? guarantees you will know her much better after reading it. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitmeTrade Reviewyou should get a kick out of answering any of the questions in this book correctly. * Irish Times *For those reading Austen for academic puposes the clear answers and insights could prove a valuable learning tool. * Irish Times *

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Book Synopsis`Tonight When I make my sweeping bow at heaven''s gate, One thing I shall still possess, at any rate, Unscathed, something outlasting mortal flesh, And that is ... My panache.''The first English translation of Cyrano de Bergerac, in 1898, introduced the word panache into the English language. This single word summed up Rostand''s rejection of the social realism which dominated late nineteenth-century theatre. He wrote his `heroic comedy'', unfashionably, in verse, and set it in the reign of Louis XIII and the Three Musketeers. Based on the life of a little known writer, Rostand''s hero has become a figure of theatrical legend: Cyrano, with the nose of a clown and the soul of a poet, is by turns comic and sad, as reckless in love as in war, and never at a loss for words. Audiences immediately took him to their hearts, and since the triumphant opening night in December 1897 - at the height of the Dreyfus Affair - the play has never lost its appeal. The text is accompanied by notes and a full introduction which sets the play in its literary and historical context. Christopher Fry''s acclaimed translation into `chiming couplets'' represents the homage of one verse dramatist to another. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Book SynopsisFirst published in 1572, The Lusiads is one of the greatest epic poems of the Renaissance, immortalizing Portugal''s voyages of discovery with an unrivalled freshness of observation. At the centre of The Lusiads is Vasco da Gama''s pioneer voyage via southern Africa to India in 1497-98. The first European artist to cross the equator, Camoes''s narrative reflects the novelty and fascination of that original encounter with Africa, India and the Far East. The poem''s twin symbols are the Cross and the Astrolabe, and its celebration of a turning point in mankind''s knowledge of the world unites the old map of the heavens with the newly discovered terrain on earth. Yet it speaks powerfully, too, of the precariousness of power, and of the rise and decline of nationhood, threatened not only from without by enemies, but from within by loss of integrity and vision. The first translation of The Lusiads for almost half a century, this new edition is complemented by an illuminating introduction and extensive notes. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Book SynopsisTrade Review'the man had style and wit and was a great influence on the theatre of his time' Hamish Coghill, Evening NewsTable of ContentsLady Windermere's Fan ; Salome ; A Woman of No Importance ; An Ideal Husband ; The Importance of Being Earnest

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Book Synopsis''It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.''The Kill (La Curée) is the second volume in Zola''s great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola''s narrative world. Conceived as a representation of the uncontrollable ''appetites'' unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure. The all-pervading promiscuity of the new Paris is reflected in the dissolute and frenetic lives of an unscrupulous property speculator, Saccard, his neurotic wife Renée, and her dandified lover, Saccard''s son Maxime. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Trade ReviewNelson's translation is preceded by a highly useful and scrupulously researched introduction [with] a depth of analysis rarely found in introduction of this kind... The translation itself is sensitive and elegant...the text reads as an engaging and thoughtful close rereading of the original which is especially effective in bringing Zola's fascination with descriptive detail to the attention of the anglophone reader without syntactically overburdening the prose. * Hannah Thompson, Modern Languages Review vol 102, part1 *Émile Zola's The Kill, in Brian Nelsons thrillingly good Oxford World's Classics translation, is one of the most sensuous, sexy books that I think Ive ever read. * Illuminations *

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Book SynopsisTwelfth Night is one of the most popular of Shakespeare's plays in performance, and this edition emphasizes its theatrical qualities in both the introduction and the full and detailed commentary. Where the original music has not survived, James Walker has composed settings compatible with the surviving originals, freshly edited, so that this edition, uniquely, offers all the music required to perform the play.Trade ReviewThe commentary on Twelfth Night is alive with the editors' feeling for the play in performance. * M.M. Mahoud, University of Kent, YES, 27, 1996 *

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Book SynopsisOver the years, Grene and Lattimore's "Complete Greek Tragedies" have been the preferred choice of millions of readers - for personal libraries, individual study, and classroom use. This title presents Sophocles' searing tale of jealousy, rage, and revenge.Trade Review"This is it. No qualifications. Go out and buy it everybody." - Kenneth Rexroth, Nation "The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary.... They have life and speed and suppleness of phrase." - Times Education Supplement "Grene is one of the great translators." - Conor Cruise O'Brien, Sunday Times "These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead." - Warren D. Anderson, American Oxonian "The critical commentaries and the versions themselves... are fresh, unpretentious, and above all, functional." - Commonweal "These authoritative translations consign all other complete collections to the wastebasket." - Robert Brustein, New Republic, on "David Grene and Richmond Lattimore's Complete Greek Tragedies"

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Book SynopsisOffers a fresh and nuanced account of the rise of Jewish nationalism and the subsequent creation of Israel. Following Marcel Proust's heirs, Beckett and Genet, and a host of Middle Eastern writers, artists, and filmmakers, this title traces the shifting dynamic of memory and identity across the crucial cultural links between Europe and Palestine.

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Book SynopsisV. S. Naipaul was born in Trinidad in 1932. He came to England on a scholarship in 1950. He spent four years at University College, Oxford, and began to write, in London, in 1954. He pursued no other profession.His novels include A House for Mr Biswas, The Mimic Men, Guerrillas, A Bend in the River, and The Enigma of Arrival. In 1971 he was awarded the Booker Prize for In a Free State. His works of nonfiction, equally acclaimed, include Among the Believers, Beyond Belief, The Masque of Africa, and a trio of books about India: An Area of Darkness, India: A Wounded Civilization and India: A Million Mutinies Now.In 1990, V. S. Naipaul received a knighthood for services to literature; in 1993, he was the first recipient of the David Cohen British Literature Prize. He received the Nobel Prize in Literature in 2001. He lived with his wife Nadira and cat Augustus in Wiltshire, and died in 20Trade ReviewEssential reading . . . it offers the insights and observations – on literature, history and cultural sensibility – of an honest and truly global thinker. * Evening Standard *The greatest writer now living in Britain. His courage in seeing and telling the truth represents a level of high seriousness that has all but vanished. * Sunday Times *Naipaul has a sharp visual sense . . . And then there is his chiselled prose, elegant and economical: who, now living, writes as well as he? * Financial Times *

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