ELT & Literary Studies Books

Book SynopsisFitzsimonsâs eye-opening biography brings new light to the life and works of famed literary icon E. Nesbit, in whom pragmatism and idealism, tradition and modernity worked side-by-side to create a remarkable writer and woman.Trade Review'A terrific book' Neil Gaiman'A very well-researched biography' Kate Atkinson'Excellent' Irish Times'Readable and thorough' Guardian'Eleanor Fitzsimons' painstaking research gives us a new insight into the bizarre Bohemian life of the groundbreaking children's author E. Nesbit. It's a fantastic read' Jacqueline Wilson'Absolutely superb!' Hilary McKay, author of Costa Book award-winning The Skylarks War'In this long-overdue new biography, Eleanor Fitzsimons gives us a nuanced yet compelling portrait of E. Nesbit's many-facetted personality, life and works, as well as of the politically and culturally vibrant milieu in which she lived' Fiona Sampson, author of In Search of Mary Shelley'What a stirring and unexpected story Eleanor Fitzsimons tells and what a subject she has found. I can't think of a single writer who doesn't owe something to Edith Nesbit's glorious books for children. The extraordinary woman who wrote them proves to be every bit as brave, funny and imaginative as her own intrepid characters' Miranda Seymour, author of In Byron's Wake'One of the greatest children's writers, and an acknowledged much loved influence on Joan Aiken E. Nesbit is celebrated in this wonderful new biography by Eleanor Fitzsimons' Lizza Aiken'An exceptional biography about an absolutely fascinating individual' Adam Roberts, Vice-President of the H.G. Wells Society'A fascinating, thoughtfully organized, thoroughly researched, often surprising biography' Kirkus Review'Fitzsimons delivers a sprightly and highly readable life of a writer who deserves even wider recognition' Publishers Weekly

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Book SynopsisMari Ruti combines theoretical reflection, cultural critique, feminist politics, and personal anecdotes to analyze the prevalence of bad feelings in everyday life. Proceeding from a playful engagement with Freud’s idea of penis envy, Ruti fans out to a broader consideration of neoliberal pragmatism and a trenchant critique of gender relations.Trade ReviewI returned to university as an adult to audit a course by Mari Ruti, as I have long been a fan of her writing. This book returns me to the joys of being her student, of hearing her lecture, of her lucid and lively intelligence which is grounded in lived experience and is open and probing in its analysis. I always left her classes with a renewed and expansive feeling about life and the human situation, and this book gives me the same feelings of liberty, outrage, excitement, and possibility. -- Sheila Heti, author of How Should a Person Be?Mari Ruti is a treasure—equal parts learned, generous, and wise. Whether diagnosing and naming American culture’s ‘gender obsession disorder’ or unpacking its absurd fixation on marriage, she puts the unspoken ailments of our everyday into words, and brings us that much closer to finding a cure. -- Kate Bolick, New York Times bestselling author of Spinster: Making a Life of One's OwnMari Ruti's Penis Envy and Other Bad Feelings is truly a unique book. Seamlessly weaving important concerns from recent queer and feminist theory into a quasi-autobiographical, quasi‐polemical fabric, it addresses crucial issues that permeate our daily lives in the twenty-first century. Ruti's book moves from the large‐scale to the intimate and back again, engaging both Western societies in general and specific instances of discomfort within their confines. -- Gail M. Newman, Williams CollegeMari Ruti’s Penis Envy and Other Bad Feelings brings the reader into an intimate conversation with its author, eliciting outright laughter, deep compassion, even heartbreak, and many wincing nods of oh yeah, #MeToo recognition. Fueled by a spirited appreciation of bad feelings and an affirming love of Lacan and language, Ruti deftly turns penis envy on its head into a feisty, feminist source of political agency. -- Jill Gentile, author of Feminine Law: Freud, Free Speech, and the Voice of DesireThrough an intimate portrait of Mari Ruti’s emotional landscape we encounter the phallic predicaments of everyday life. Why the penis, we may ask? This book moves through psychoanalytic theory like fire in grass. Her ethical hope is that in taking on the full range of bad feelings, we may finally know what can be enough! -- Jamieson Webster, author of The Life and Death of Psychoanalysis[Ruti] rescues penis envy from Freud's ludicrous literalism and feminism's merry spoofing. Readers versed in critical theory, a field renowned for its obscurantist prose, will find her book remarkably lucid. -- Carol Tavris * Times Literary Supplement *This is a gutsy, original foray into feminist theory, at once memoirish, polemical and even self-helpful, just the book for anyone up for an intellectual bone to gnaw on. -- Sarah Murdoch * The Toronto Star *A delightful book that spills over with insights into the everyday suffering that these neoliberal times produce in so many of us. * Hypatia *Ruti’s Penis Envy might resonate particularly with young women who are caught up in the groundswell of the #metoo movement, and also set somewhat adrift by it. -- Ronjaunee Chatterjee * ASAP/J *Ruti offers lived experiences as well as cogent readings of Sigmund Freud, Michel Foucault, and Jacques Lacan, to make her case for how feelings of inadequacy are culturally reproduced, rather than biologically determined. . . .[Penis Envy and Other Bad Feelings] invites discussion among men and women, the repressed and the celebrated, as a way of correcting fetishistic acceptance of phallic primacy. * Library Journal *Ruti interweaves theoretical insight, cultural critique, feminist politics, and personal experience to lift the lid on the prevalence of bad feelings in contemporary everyday life. Emanating from a playful engagement with Freud’s idea of penis envy, Ruti’s autotheoretical commentary fans out to a broader consideration of neoliberal pragmatism. * Public Seminar *Table of ContentsIntroduction1. The Creed of Pragmatism2. The Rationalization of Intimacy3. The Obsessions of Gender4. The Reinvention of Heteropatriarchy5. The Specificity of Desire6. The Age of AnxietyConclusionAcknowledgmentsNotesIndex

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Book SynopsisThe only way to feel fully prepared for your English Literature exam is to practise, practise, practise. This York Notes Practice Tests with Answers book makes it easy and will give you the vital experience you need to properly test your skills, build your confidence and feel exam-ready.

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Book SynopsisPoems of Christopher of Mytilene and John Mauropous collects the varied Byzantine Greek verses of these witty and vibrant poets their epigrams, satires, encomia, polemics, and more in English for the first time.

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Book SynopsisOne of our foremost commentators examines the work of a broad range of English, Irish, and American poets. Helen Vendler's essays, book reviews, and occasional prose from the past two decades, taken together, are an eloquent plea for the centrality in humanistic study and modern culture of poetry's subversive, sustaining, and demanding legacy.

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Book Synopsis Chiltern Publishing creates the most beautiful editions of the World?s finest literature. Your favourite classic titles in a way you have never seen them before; the tactile layers, fine details and beautiful colours of these remarkable covers make these titles feel extra special and will look striking on any shelf. This book has matching lined and blank journals (sold separately) . They make a great gift when paired together but are also just as beautiful on their own. Persuasion is a novel by Jane Austen in which the 27-year-old Anne Russell, who broke off a youthful engagement with Captain Frederick Wentworth, reconciles with him before the two again become engaged. Years after their engagement, Anne and Wentworth meet again. Anne still cares for him, but he is aloof to her. Anne is courted by her cousin, Mr. William Elliot, a widower, though Anne is not interested in Elliott, Wentworth is jealous of Elliot?s interest in Anne. Wentworth writes Anne a long, emotional letter, and soon they are engaged again..

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Book SynopsisTrade Review“The Hard Facts of the Grimms’ Fairy Tales—related in language that is sharp, lively, and free of jargon—is delightful evidence that Grimm scholarship can give pleasure to the general reader.”—Janet Adam Smith, New York Review of Books“Tatar takes detours into literary history here and into comparative anthropology there. What results is at once intelligently eclectic and refreshingly commonsensical, a thoughtful ramble through the dark childhood woods that haunt our adult dreams.”—Carl Maves, San Francisco Chronicle“A clear, imaginative and fascinating illumination of the stories we thought we knew.”—Los Angeles Times Book Review“For scholars, students, and general readers, Tatar’s book is a balanced, sensitive, and informative guide to the content and context of Grimms’ fairy tales.”—Merle Rubin, Christian Science Monitor

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Book SynopsisOver more than four decades J.R.R. Tolkien’s son and literary executor, Christopher Tolkien, published some twenty-four volumes of his father’s work, much more than his father had succeeded in publishing during his own lifetime. Standing on the mountain of his son’s colossal publishing effort and extraordinary scholarship, readers today are therefore able to survey and understand the vastness of the landscape of Tolkien’s legendarium. This collection of essays by world-renowned scholars, together with family reminiscences, sheds new light on J.R.R. Tolkien’s work, his son Christopher’s unique gifts in communicating and interpreting that work and the debt owed to Christopher by the many Tolkien scholars who were privileged to work with him. What was Tolkien’s intended ending for 'The Lord of the Rings'? Did it leave echoes in the stripped-down version that was actually published? What was the audience’s response to the first ever adaptation of 'The Lord of the Rings' – a radio dramatization that has now been deleted forever from the BBC’s archives? What was the significance of the extraordinary array of doorways which confronted the hobbits as they journeyed through Middle-earth? The book is illustrated with colour reproductions of J.R.R. Tolkien’s manuscripts, maps, drawings and letters and, with the kind permission of his estate, photographs of Christopher Tolkien and extracts from his works, some of which have never been seen before, making this volume essential reading for Tolkien scholars, readers and fans.Table of ContentsCONTENTS 1 Catherine McIlwaine Introduction Timeline 2 Maxime H. Pascal Eulogy delivered at Christopher Tolkien’s funeral 3 Priscilla Tolkien A Personal Memory 4 Vincent Ferré The Son Behind the Father: Christopher Tolkien as a Writer 5 Verlyn Flieger Listening to the Music 6 John Garth The Chronology of Creation: How J.R.R. Tolkien Misremembered the Beginnings of his Mythology 7 Wayne G. Hammond and Christina Scull ‘I Wisely Started with a Map’: J.R.R. Tolkien as Cartographer 8 Carl F. Hostetter Editing the Tolkienian Manuscript 9 Stuart D. Lee A Milestone in BBC History? The 1955-56 Radio Dramatization of The Lord of the Rings 10 Tom Shippey King Sheave and The Lost Road 11 Brian Sibley Down from the door where it began… Portal images in The Hobbit and The Lord of the Rings Bibliography for Christopher Tolkien Notes About the Contributors Further Reading Picture Credits Index

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Book Synopsis''- What is your nation if I may ask, says the citizen.- Ireland, says Bloom. I was born here. Ireland.''Ulysses, one of the greatest novels of the twentieth century, has had a profound influence on modern fiction. In a series of episodes covering the course of a single day, 16 June 1904, the novel traces the movements of Leopold Bloom and Stephen Dedalus through the streets of Dublin. Each episode has its own literary style, and the epic journey of Odysseus is only one of many correspondencies that add layers of meaning to the text.Today critical interest centres on the authority of the text, and this edition, complete with an invaluable introduction, notes, and appendices, republishes without interference, the original 1922 text. Jeri Johnson''s commentary guides the reader through this highly allusive novel in an edition acclaimed by scholars and general readers alike. This updated edition includes new explanatory notes, a revised introduction, and expanded bibliography.ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.Table of ContentsMap: Dublin c. 1904 Abbreviations Introduction Composition and Publication History Select Bibliography A Chronology of James Joyce ULYSSES Appendix A: The Gilbert and Linati Schemata Appendix B: Ulysses: Serialization and Editions Appendix C: Errata Explanatory Notes

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Book SynopsisTable of ContentsIntroduction : Caliban's women -- Race signs of the interwar times : Pan-Noirisme and La D epaeche Africaine -- Jane Nardal : a new race spirit and the new francophone negro -- Les soeurs Nardal and the Clamart salon : content and context of La Revue du Monde Noir, 1931-32 -- Paulette Nardal : antillean literature and race consciousness -- Suzanne C esaire : tropiques, negritude, surrealism, 1941-45 -- Appendix : edited and annotated translations / T. Denean Sharpley-Whiting and Georges Van Den Abbeele.

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Book SynopsisThe newest deluxe edition in the bestselling Capstone Classics Series This ancient classic has had a make-over. In recent years these Capstone Classic deluxe editions have caught the book buying public's imagination.Table of ContentsAn Introduction by Tom Butler-Bowdon vii About Tom Butler-Bowdon xxiii The Republic 1

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Book SynopsisVilmundar saga viðutan is an entertaining romance composed in the late Middle Ages in Iceland, where it remained popular for another five centuries. It tells of the adventures of Vilmundur, the rustic son of a farmer, whose rise through society is characterised by a combination of unrefined social etiquette and raw athletic prowess. Influenced by narratives of both indigenous and foreign origin, the saga is a good example of the eclecticism that characterises medieval Icelands indigenous romances. It also holds a place of folkloric significance, as it is currently the earliest known variant of the Cinderella folktale (ATU 510A) which contains a cinder-name. Discussion of all this and other points of literary, textual and folkloric interest can be found in the introduction of this volume, which precedes a facing-page text and English translation of the saga.

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Book SynopsisSince the appearance of her first novel, The Country Girls, in 1960—a book that undermined the nation’s ideal of innocent and pious Irish girlhood­—Edna O’Brien has provoked controversy in her native Ireland and abroad. Indeed, several of her early novels were condemned by church authorities and banned by the Irish government for their frank portrayals of sexual matters and the inner lives of women. Now an internationally acclaimed writer, O’Brien must be critically reassessed for a twenty-first century audience. Edna O’Brien and the Art of Fiction provides an urgent retrospective consideration of one of the English-speaking world’s best-selling and most prolific contemporary authors. Drawing on O’Brien’s fiction as well as archival material, and applying new theoretical approaches—including ecocritical and feminist new materialist readings—this study considers the pioneering and enduring ways O’Brien represents women’s experience, family relationships, the natural world, sex, creativity, and death, and her work’s long anticipation of contemporary movements such as #metoo.Trade Review"In this meticulous, forensic, and illuminating work of scholarship, Dr. O'Connor sets the benchmark for all future studies of one of Ireland's greatest writers. In what amounts to a powerful work of restorative justice, she establishes once and for all the high and deliberate guiding intelligence that animates O'Brien's work." -- Theo Dorgan * author of Orpheus *"This is a scholarly, sensitive, balanced exploration of the work of a great writer. It is beautifully written and very accessible. Maureen O’Connor has left no stone unturned in her painstaking research and the result is a wonderful book, indispensable for anyone with an interest in Edna O’Brien or contemporary Irish literature. Thank you, Maureen O’Connor!" -- Éilís Ní Dhuibhne * author of Little Red and Other Stories *"Readable yet theoretically sophisticated, this welcome new study offers an authoritative look at one of Ireland’s greatest—and historically most underappreciated—writers. O’Connor ranges comprehensively through O’Brien’s canon to trace her career-long feminist critique of Irish society's patriarchal mores. Both a history of O’Brien criticism and an examination of her work, O’Connor’s exciting study offers a forceful defense of O’Brien’s craft and an unapologetic critique of the social forces hampering the reception and interpretation of her canon. This study is destined to become required reading in O’Brien studies." -- Kathleen Costello-Sullivan * author of Trauma and Recovery in the Twenty-First-Century Irish Novel *“Maureen O’Connor nails once and (one hopes) for all the myth of Edna O’Brien as wailing Irish banshee. Instead O’Connor makes a scholarly and at the same time impassioned case for O’Brien as a serious, creative artist thoroughly cognizant of what she is about and decades ahead of her fellow Irish in her analysis of political, social, and environmental ills.” -- Heather Ingman * author of Irish Women's Fiction: From Edgeworth to Enright *“O’Connor’s close readings, coupled with a deft use of theory, nimbly move between texts in O’Brien’s oeuvre, highlighting recurring images and preoccupations, resulting in a valuable critical account that firmly illustrates O’Brien’s mastery as a writer; and asserts her as a figure in Irish literary culture deserving of continued attention.” * Irish University Review *"This is a scholarly, sensitive, balanced exploration of the work of a great writer. It is beautifully written and very accessible. Maureen O’Connor has left no stone unturned in her painstaking research and the result is a wonderful book, indispensable for anyone with an interest in Edna O’Brien or contemporary Irish literature. Thank you, Maureen O’Connor!" -- Éilís Ní Dhuibhne * author of Little Red and Other Stories *"Readable yet theoretically sophisticated, this welcome new study offers an authoritative look at one of Ireland’s greatest—and historically most underappreciated—writers. O’Connor ranges comprehensively through O’Brien’s canon to trace her career-long feminist critique of Irish society's patriarchal mores. Both a history of O’Brien criticism and an examination of her work, O’Connor’s exciting study offers a forceful defense of O’Brien’s craft and an unapologetic critique of the social forces hampering the reception and interpretation of her canon. This study is destined to become required reading in O’Brien studies." -- Kathleen Costello-Sullivan * author of Trauma and Recovery in the Twenty-First-Century Irish Novel *“Maureen O’Connor nails once and (one hopes) for all the myth of Edna O’Brien as wailing Irish banshee. Instead O’Connor makes a scholarly and at the same time impassioned case for O’Brien as a serious, creative artist thoroughly cognizant of what she is about and decades ahead of her fellow Irish in her analysis of political, social, and environmental ills.” -- Heather Ingman * author of Irish Women's Fiction: From Edgeworth to Enright *"In this meticulous, forensic, and illuminating work of scholarship, Dr. O'Connor sets the benchmark for all future studies of one of Ireland's greatest writers. In what amounts to a powerful work of restorative justice, she establishes once and for all the high and deliberate guiding intelligence that animates O'Brien's work." -- Theo Dorgan * author of Orpheus *Table of ContentsPreface and Acknowledgments Introduction: Edna O’Brien, Leader of the Banned 1 Anti-Oedipal Desires 2 The Liberating Sadomasochism of Things 3 The Ungrammatical Sublime 4 Otherworldly Possessions 5 Myth and Mutation 6 Disorder, Dirt, and Death Notes Bibliography Index

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Book SynopsisWhen an essay is due and dreaded exams loom, this book offers students what they need to succeed. It provides chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. It is suitable for late-night studying and paper writing.

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Book SynopsisWhen an essay is due and dreaded exams loom, this title offers students what they need to succeed. It provides chapter-by-chapter analysis, explanations of key themes, motifs and symbols, a review quiz, and essay topics. It is suitable for late-night studying and paper writing.

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Book SynopsisBestselling novelist Tatiana de Rosnay pays homage to Daphne du Maurier, the writer who influenced her deeply, in this startling and immersive new biography. A portrait of one writer by another, Manderley Forever meticulously recounts a life as mysterious and dramatic as the work it produced, and highlights du Maurier's consuming passion for Cornwall.De Rosnay seamlessly recreates Daphne's childhood, rebellious teens and early years as a writer before exploring the complexities of her marriage and, finally, her cantankerous old age. With a rhythm and intimacy to its prose characteristic of all de Rosnay's works, Manderley Forever is a vividly compelling portrait and celebration of an intriguing, hugely popular and (in her time) critically underrated writer.Trade ReviewVivid, dreamlike...the strength of de Rosnay's biography is that it makes me want to visit (or revisit) her subject's books. * Daily Mail *Ms. de Rosnay has written a biography that does justice to its heroine. * Wall Street Journal *immersive, as thrilling as any of du Maurier's plots...brilliant * Irish Independent *Clever and highly original...insightful and endearing * The Lady *It's impressive how Tatiana was able to recreate the personality of my mother, including her sense of humour. It is very well written and very moving. I'm sure my mother would have loved this book. * Tessa Montgomery d’Alamein, daughter of Daphne du Maurier *A fascinating, in-depth portrait...Through de Rosnay's novel-like narrative, exhaustive research and unbridled imagination, du Maurier's spirit comes alive on the page. * Publishers Weekly *

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Book SynopsisFull of analysis and interpretation, historical background, discussions and commentaries, York Notes will help you get right to the heart of the text you’re studying, whether it’s poetry, a play or a novel.Table of Contents Part 1: Introduction Part 2: The Text Part 3: Critical Approaches Part 4: Critical Perspectives Part 5: Background Further Reading Literacy Terms

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Book SynopsisNot exercising as much as you should? Counting your calories in your sleep? Feeling ashamed for not being happier? You may be a victim of the wellness syndrome.Trade Review"In their witty, caustic new book.... Carl Cederström and André Spicer dissect our contemporary infatuation with a cluster of seemingly innocuous concepts – health, happiness, mindfulness, authenticity and positivity – seeking to lay bare the pernicious, individualistic values that underlie them."—William Rees, The TLS "Carl Cederström and André Spicer's brilliantly sardonic anatomy of this 'wellness syndrome' concentrates on the ways in which the pressure to be well operates as a moralising command and obliterates political engagement.... These authors would no doubt agree that there is nothing wrong with being well or wanting to be well. But, as their deeply humane and persuasive book shows, being told to be well is a different matter entirely. A society where wellness is obligatory is a sick one."—Steven Poole, The Guardian "When I read their angry, hilarious book, The Wellness Syndrome, I felt like I was being shaken awake from a dream."—Helen Rumbelow, The Times "The Wellness Syndrome slinks like a submarine beneath the disingenuously placid surface-narratives of contemporary ideology, before torpedoing, with devastating effect, that most pernicious of all neo-liberal doctrines: positiveness."—Tom McCarthy, author of Remainder, C and Satin Island "A fascinating and timely investigation of the modern ideology of 'wellness', with its moralizing insistence that being a good member of society means meditating more, exercising more and using your smartphone to track sleep patterns, your diet and even your sex life. Carl Cederström and André Spicer vividly show how the consumer economy has co-opted health and even happiness itself- and warn that our fixation on wellness is ultimately an anxiety-inducing, isolating and joyless way to live."—Oliver Burkeman, Guardian columnist and author of The Antidote: Happiness for People Who Can't Stand Positive Thinking "A wonderful piece of work which exposes the wellness ideology for what it is: a stupid and dreadful fantasy of authentic self-mastery. As this timely and entertaining book shows, such fantasies must be nailed.'—Simon Critchley, The New School for Social Research "We all obscurely sense that politics has dramatically shifted. Less involved in the 'body politic' than ever, we are all far more deeply engaged with our own bodies, through medicine, meditation workshops or fitness classes. As this insightful and elegant book shows, this shift marks a dramatic change in our societies as it makes health and happiness the new markers of 'morality' or 'immorality'. Fat people and smokers are now united in their common immorality. Marshalling an impressive array of evidence, this book sheds a much-needed light on the new tyranny exerted by the cultural imperatives of health and happiness."—Eva Illouz, Hebrew University of Jerusalem "Using a comprehensive set of case studies, Carl Cederström and André Spicer diagnose contemporary capitalism's obsession with 'wellness'. The Wellness Syndrome is a mordantly witty analysis of how ideology works today. It demonstrates that the fixation on health is itself pathological – and that sickness can be liberating."—Mark Fisher, Goldsmiths University "Overall, as an anatomy of modern optimisation culture the book is sharp and laconic, as readers of the authors' excellent previous work, The Wellness Syndrome, will have expected."—The GuardianTable of ContentsPrefaceAcknowledgementsIntroduction1. The Perfect Human2. The Health Bazaar3. The Happiness Doctrine4. The Chosen Life5. Wellness, FarewellConclusionNotes

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Book SynopsisOne of the masterpieces of world literature, completed in 1320, Dante's La Divina Commedia describes his journey through Hell, Purgatory and his eventual arrival in Heaven. In this new version of Dante's masterpiece, Alasdair Gray offers an original translation in prosaic English rhyme.Accessible, modern and sublimely decorated, this remarkable edition told in three parts yokes two great literary minds, seven hundred years apart, and brings the classic text alive for the twenty-first century.Trade ReviewAlasdair Gray has cast a spell over Dante's Hell, creating (and decorating) a verse translation that is modern, lyrical, yet faithful to the original -- GAVIN FRANCIS * * New Statesman, Best Books of 2018 * *Both a lively rendition of Dante and a window onto Mr Gray's own remarkable career . . . Fans of Gray's writing will find in this translation many treasures. Admirers of Dante will find a sharp playful interpretation that is not showy in its oddities, but honours the imaginative power of the original * * Wall Street Journal * *Powerfully conveys the appalling nature of a vision which has terrified and enthralled Western men and women down the centuries * * Times Literary Supplement * *No other translator has made the narratives so clear or strong, and the distinctive power of the work lies in the clarity of the storytelling . . . This Hell is a magnificent feat of reimagining of one of the greatest of all human creations -- Joseph Farrell * * Herald * *Slick, easy to read . . . Gray is rather good at catching the colloquial nature of the poem . . . An excellent primer to Dante . . . In terms of verve, vim and vigour Gray has succeeded here. It is, if such a thing can be, an "easy" Dante, and one that does capture the comedy as well as the pathos and anguish of the poem -- Stuart Kelly * * Scotsman * *PRAISE FOR ALASDAIR GRAY: A necessary genius -- ALI SMITHThe best Scottish novelist since Sir Walter Scott -- ANTHONY BURGESSGray is a true original, a twentieth century William Blake * * Observer * *A great writer, perhaps the greatest writer living in Britain today -- WILL SELFOne of the most gifted writers to have put pen to paper in the English language -- IRVINE WELSH

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Book SynopsisThis updated edition is designed to support students in study and revision for the new GCSE (9-1) English Literature exams.

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Book SynopsisThis volume presents the first translation in English of the complete poetry of Giacomo da Lentini, the first major lyric poet of the Italian vernacular. He was the leading exponent of the Sicilian School (c.1220-1270) as well as the inventor of the sonnet. Featuring illustrations and new English translations of some forty lyrics, Richard Lansing revives the work of a pioneer of Italian literature, a poet who helped pave the way for later writers such as Dante and Petrarch. Giacomo da Lentini is hailed as the earliest poet to import the Occitan tradition of love poetry into the Italian vernacular. This edition of Giacomo fills a gap in the canon of translations of Italian literature in English and serves as a vital reference source for students as well as scholars and teachers interested in the literature of the romance languages.Trade Review"This volume deserves to be commended as an elegant, comprehensive, and well- contextualized edition of Giacomo’s poetry. Thanks to Lansing and Kumar’s efforts here, a much broader readership will now be able to evaluate the innovative poetry of Giacomo on its own terms and in light of its own specific cultural and intellectual context." -- Tristan Kay * Speculum *Table of ContentsAcknowledgments Introduction Bibliography Lyrics Canzoni and Discordo 1. Madonna, dir vo voglio (My lady, I wish to tell you) 2. Meravigliosa-mente (Extraordinarily) 3. Guiderdone aspetto avere (I hope for recompense) 4. Amor non vole ch’io clami (Love will not let me seek) 5. Dal core mi vene (From my heart comes) 6. La ’namoranza disïosa (The love full of desire) 7. Ben m’è venuto prima cordoglienza (Indeed I felt deep grief at once, my fair) 8. Donna, eo languisco (My Love, I suffer and don’t know what hope) 9. Troppo son dimorato (Too long have I resided) 10. Non so se ’n gioia mi sia (I do not know if thoughts of love) 11. Uno disïo d’amore sovente (So frequently an amorous desire) 12. Amando lungiamente (In loving for so long) 13. Madonna mia, a voi mando (My lady fair, I send to you) 14. S’io doglio no è meraviglia (It’s no surprise I grieve) 15. Amore, paura m’incalcia (O Love, fear presses me) 16. Poi no mi val merzé né ben servire (Since neither mercy nor performing deeds) 17. Dolce coninzamento (I sing a sweet preamble) Tenzone with the Abbot of Tivoli 18a. Ai deo d’amore (O god of Love, I pray you see) 18b. Feruto sono isvarïatamente (I have been wounded differently) 18c. Qual om riprende altrui (One who rebukes another frequently) 18d. Cotale gioco rnai non fue veduto (A game like this has not been seen) 18e. Con vostro onore facciovi uno ’nvito (I honor you and send you this appeal) Tenzone with Jacopo Mostacci and Pier della Vigna 19a. Solicitando un poco meo savere (To stimulate my intellect) 19b. Però ch’Amore non si pò vedere (Because Love is not visible) 19c. Amore è uno disio che ven da core (Love’s a desire that issues from the heart) Sonnets 20. Lo giglio quand’è colto tost’è passo (The lily fades as soon as it is picked) 21. Sì come il sol che manda la sua spera (Just like the sun that sends its rays) 22. Or come pote sì gran donna entrare (How can so great a lady pass) 23. Molti amadori la lor malatia (Many lovers bear their malady) 24. Donna, vostri sembianti mi mostraro (My lady, your expressions raised in me) 25. Ogn’omo ch’ama de’ amar so ’nore (A lover must protect his name) 26. A l’aire claro ò vista ploggia dare (On clear days I have seen it rain) 27. Io m’aggio posto in core a Dio (I’ve set my heart on serving God) 28. Lo viso mi fa andare alegramente (Her face creates my happiness) 29. Eo viso e son diviso da lo viso (I see, but only from afar, her face) 30. Sì alta amanza à pres’a lo me’ core (A love so noble seized my heart) 31. Per sofrenza si vince gran vetoria (Through patience victories are won) 32. Certo me par che far dea bon signore (It seems quite clear a noble lord should base) 33. Sì como ’l parpaglion ch’a tal natura (Just as the butterfly in nature’s grasp) 34. Chi non avesse mai veduto foco (If one had never seen a flame of fire) 35. Diamante, né smiraldo, né zafino (No diamond, sapphire, emerald) 36. Madonna à ’n se vertute con valore (The virtue of my lady is) 37. Angelica figura e comprobata (Angelic figure manifest) 38. Quand’om à un bon amico leiale (When someone has a good and loyal friend) Lyrics of dubious attribution D.1. Membrando l’amoroso dipartire (Remembering my loving fond farewell) D.2. Lo badalisco a lo specchio lucente (Before a shiny mirror the basilisk) D.3. Guardando basalisco velenoso (Looking at the deadly basilisk) Notes Illustrations Index of First Lines

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Book SynopsisA son’s poignant letter to his father—from the author of The Metamorphosis and The Trial, and one of the most important writers of the twentieth century. • “One of the great confessions of literature.” —The New York Times Book Review Franz Kafka wrote this letter to his father, Hermann Kafka, in November 1919. Max Brod, Kafka’s literary executor, relates that Kafka actually gave the letter to his mother to hand to his father, hoping it might renew a relationship that had lost itself in tension and frustration on both sides. But Kafka’s probing of the deep flaw in their relationship spared neither his father nor himself. He could not help seeing the failure of communication between father and son as another moment in the larger existential predicament depicted in so much of his work. Probably realizing the futility of her son’s gesture, Julie Kafka did not deliver the letter but instead returned it to its author.

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Book SynopsisNaked Lunch was banned, ridiculed, and castigated on publication in 1959. Tracing its origins from Texas to Tangier, from Mexico City to New York and Paris, crossing time zones and cultures, this book helps understands this most influential but elusive of texts.Trade ReviewI can think of no other work of literary criticism that brings together such a multiplicity of artists, practitioners, and critics in such a dynamic assembly of writing forms. The resulting symbiosis strikes me as a whole new critical form, utterly pertinent to Burroughs' milieu. - Michael Hrebeniak, author of Action Writing: Jack Kerouac's Wild Form

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Book SynopsisA collection of critical and polemical essays. It features such essays as: "Refusal to Inter", "Legitimate Defense", "Surrealism and the Treatment of Mental Illness", "Introduction to the Strange Tales of Achim von Arnim", and "Picasso in His Element".Table of ContentsForeword by Mary Ann Caws; Preface: In the harsh light of dawn by Mark Polizzotti Introduction to the Discourse on the Paucity of Reality; Burial Denied; In Self-Defense; Paul Eluard's "Capital of Pain"; The X..., Y... Exhibit; Notice to the Reader of "The Hundred Headless Woman"; The First Dali Exhibit; Lyubovnaya lodka razbilas o byt; On the Relations Between Intellectual Labor and Capital; Psychiatry Standing Before Surrealism; Letter to Andre Rolland de Reneville; On the Proletarian Literature Contest Organized by L'Humanitie; Introduction to Achim von Arnim's "Strange Tales"; Picasso in His Element; The Faces of Women; The Automatic Message Sources and acknowledgements

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Book SynopsisFrom clay tablets to the printing press. From the pencil to the internet. From the Epic of Gilgamesh to Harry Potter. This is the true story of literature -- of how great texts and technologies have shaped cultures and civilizations and altered human history. The inventions of paper, the printing press and the world wide web are usually considered the major influences on the way we share stories. Less well known is the influence of Greek generals, Japanese court ladies, Spanish adventurers, Malian singers and American astronauts, and yet all of them played a crucial role in shaping and spreading literature as we know it today. The Written World tells the captivating story of the development of literature, where stories intersect with writing technologies like clay, stone, parchment, paper, printing presses and computers. Central to the development of religions, political movements and even nations, texts spread useful truths and frightening disinformation, and have the power to change lives. Through vivid storytelling and across a huge sweep of time, The Written World offers a new and enticing perspective on human history.

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Book SynopsisA radically subversive critique brings to the fore the masculine ideology implicit in psychoanalytic theory and in Western discourse in general: woman is defined as a disadvantaged man, a male construct with no status of her own.Trade ReviewThe publication of these two translations is an event to be celebrated by feminists of all persuasions. * Women's Review of Books *Table of ContentsTHE BLIND SPOT OF AN OLD DREAM OF SYMMETRYWoman, Science's Unknown How Can They Immediately Be So Sure?; The Anatomical Model; A Science That Still Cannot Make Up Its Mind; A Question of Method; What Is Involved in (Re) production, and How It Aids and Abets the Phallic Order; A Difference Not Taken into Account; The Labor "to Become a Woman"The Little Girl Is (Only) a Little Boy An Inferior Little Man; The Cards Turned Over; The Dream Interpreters Themselves; Penis Masturbation: A Necessarily Phallic Auto-eroticism; The Change of "Object" or the Crisis of a Devaluation; The Law of the Self-sameIs Her End in Her Beginning? An Unsuspected Love; The Desire to Have a Child by the Mother; The Father's Seduction: Law but Not Sex; The "Reasons" Why a Girl Hates Her Mother and a Boy Goes on Loving His; An Economy of Primal Desire That Cannot Be Represented; One More ChildAnother "Cause"—Castration As Might Be Expected; The Gaze, Always at Stake; Anatomy Is "Destiny"; What the Father's Discourse Covers Up; The Negative in Phallocentric Dialectic; Is Working Out the Death Drives Limited to Men Only?"Penis-Envy" Waiting in Vain; An Indirect Sublimation; "Envy" or "Desire" for the Penis?; Repression, or Inexorable Censorship?; Mimesis ImposedA Painful Way to Become a Woman And the Father, Neutral and Benevolent, Washes His Hands of the Matter; A (Female) A-Sex?; Is the Oedipus Complex Universal or Not?; Free Association on OnanismA Very Black Sexuality? Symptoms Almost Like Those of Melancholia; A Setback She Cannot Mourn; That Open Wound That Draws Everything to Itself; That Necessary Remainder: HysteriaThe Penis = the Father's Child The Primacy of Anal Erotism; Those Party to a Certain Lease; Woman Island Also Mother; Forbidden Games; The Hymen of Oedipus, Father and SonThe Deferred Action of Castration Capitalism without Complexes; The Metaphorical Veil of the Eternal Feminine; The Other Side of History; The Submission of a Slave?; A Super-ego That Rather Despises the Female SexAn Indispensable Wave of Passivity A Redistribution of Partial Instincts, Especially Sadistic-anal Instincts; "There Is Only One Libido"; Idealization, What Is One's Own; The (Re)productive Organ; Confirmation of FrigidityFemale Hom(m)osexuality The "Constitutional Factor" Is Decisive; Homosexual Choice Clearly Expounded; A Cure Fails for Lack of Transference(s); Female SamenessAn Impracticable Sexual Relationship An Ideal Love; Were It Not for Her Mother?; Or Her Mother-in-law?; Squaring the Family Circle; Generation Gap, or Being Historically out of Phase?; Woman's Enigmatic Bisexuality"Woman Is a Woman as a Result of a Certain Lack of Characteristics" An Ex-orbitant Narcissism; The Vanity of a Commodity; The Shame That Demands Vicious Conformity; Women Have Never Invented Anything but Weaving; A Very Envious Nature; Society Holds No Interest for Women; A Fault in Sublimation; "La Femme de Trente Ans"SPECULUM Any Theory of the "Subject" Has Always Been Appropriated by the "Masculine" Kore: Young Virgin, Pupil of the Eye On the Index of Plato's Works: Woman How to Conceive (of) a Girl Une Mère de Glace "... and if, taking the eye of a man recently dead... " La Mystérique Paradox A Priori The Eternal Irony of the Community Volume-FluidityPLATO'S HysteriaThe Stage Setup Turned Upside-down and Back-to-front; Special Status for the Side Opposite; A Fire in the Image of a Sun; The Forgotten Path; Paraphragm/Diaphragm; The Magic Show; A Waste of Time?; A Specular CaveThe Dialogues One Speaks, the Others Are Silent; Like Ourselves, They Submit to a Like Principle of Identity; Provided They Have a Head, Turned in the Right Direction; What Is = What They See, and Vice Versa; The A-letheia, a Necessary Denegation among Men; Even Her Voice Is Taken Away from Echo; A Double Topographic Error, Its ConsequencesThe Avoidance of (Masculine) Hysteria A Hypnotic Method; That Buries and Forbids "Madness"; A Remainder of Aphasia; The Misprison of Difference; The Unreflected Dazzle of SeductionThe "Way Out" of the Cave The "Passage"; A Difficult Delivery; Then Whence and How Does He Get Out?; A World Peopled by GhostsThe Time Needed to Focus and Adjust the Vision Impossible to Turn Back (or Over); Were It Not, Right Now, for a Sophistry Played with Doubles; A Frozen Nature; The Auto... Taken in by the A-letheia; Bastard or Legitimate Offspring?The Father's Vision: Engendering with No History of Problems A Hymen of Glass/Ice; The Unbegotten Begetter; Exorcism of the Dark Night; Astrology as Thaumaturgy: A Semblance (of a) Sun; A Question of PropertyA Form That Is Always the Same The Passage Confusing Big and Little, and Vice Versa; The Standard Itself/Himself; Better to Revolve upon Oneself-But This Is Possible Only for God-the-Father; The Mother, Happily, Does Not Remember; A Source-mirror of All That Is; The Analysis of That Projection Will Never Take (or Have Taken) PlaceCompletion of the Paideia The Failings of an Organ That Is Still Too Sensible; A Seminar in Good Working Order; An Immaculate Conception; The Deferred Action of an Ideal Jouissance; The End of ChildhoodLife in Philosophy Always the Same (He); An Autistic Completeness; Love Turned Away from Inferior Species and Genera/Gender; The Privilege of the Immortals; The Science of Desire; A Kore Dilated to the Whole Field of the Gaze and Mirroring HerselfDivine Knowledge The Back Reserved for God; The Divine Mystery; This Power Cannot Be Imitated by Mortals; How, Then, Can They Evaluate Their Potency?; Except over Someone Like Themselves?; The Father Knows the Front Side and Back Side of Everything, at Least in Theory; The Meaning of Death for a PhilosopherAn Unarticulated/Inarticulate Go-Between: The Split between Sensible and Intelligible A Failure of Relations between the Father and Mother; A One-way Passage; Compulsory Participation in the Attributes of the Type; A Misprized Incest and an Unrealizable IncestReturn to the Name of the Father The Impossible Regression toward the Mother; A Competition the Philosopher Will Decline to Enter; Two Modes of Repetition: Property and Proximity; Better to Work the Earth on the Father's Account Than to Return to It: Metaphor/Metonymy; The Threat of Castration"Woman's" Jouissance A Dead Cave Which Puts Representation Back into Play; That Marvelously Solitary Pleasure of God; A Diagonal Helps to Temper the Excessiveness of the One; The Infinite of an Ideal Which Covers the Slit (of a) Void; Losing Sight of "the Other"; The Vengeance of Children Freed from Their Chains

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Book SynopsisThere was a power of endurance about her, and a courage that was almost awful.Did Lady Mason forge a codicil to her husband''s will, allowing Orley Farm to pass to her son or not? Orley Farm centres on this case of forgery, and the anguish and guilt of Lady Mason. Surrounding this enigmatic woman and her apparent crime are her elderly lover, Sir Peregrine Orme; her principled but thoughtless son, Lucius; and, not least, a group of determined lawyers. Orley Farm contains the plot with which Trollope was most pleased. Drawing on family experience of the loss of an inheritance, the novel tackles the tremendous question of property fraud. The result, as George Orwell observed, is one of the most brilliant novels about a law suit in English fiction. Orley Farm dates from a confident period of its authorâs life. It breathes an air of writerly assurance, with Trollope at the height of his competitiveness with Dickens. In this work Trollope claims the Victorian legal novel as his own.Table of ContentsBiographical Preface Introduction Note on the Text Select Bibliography A Chronology of Anthony Trollope ORLEY FARM Appendix 1: Dates in the Novel Appendix 2: Anthony Trollope Cross-Examined in the Kerry Summer Assizes Explanatory Notes

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Book SynopsisAlongside a selection of photographs and Plath's own line-drawings, the editors masterfully contextualise what the pages disclose.This selection of early correspondence marks the key moments of Plath's adolescence, including childhood hobbies and high school boyfriends;

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Book SynopsisHas Tanya finally done it...!? The cushy office desk job assignment she's been waiting for at the Military University is finally hers to enjoy. That is...until there's a hiccup in her assignment!

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Book SynopsisThis is the first book-length study of the uncanny, an important topic for contemporary thinking on literature, film, philosophy, psychoanalysis, feminism and queer history. -- .Table of ContentsAcknowledgementsAbbreviationsList of illustrations1. The uncanny: an introduction2. Supplement: 'The sandman'3. Literature, teaching, psychoanalysis4. Film5. The death drive6. Silence, solitude and...7. Darkness8. Night writing9. Inexplicable10. Buried alive11. Déjà vu12. The double13. Chance encounter14. Cannibalism15. Manifestations of insanity16. A crowded after-life17. To be announced18. Mole19. The 'telepathy effect'20. Phantom text21. The private parts of Jesus Christ22. Book endThe uncanny: a bibliography

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Book SynopsisCarefully preserving the original work's acclaimed narrative style and combination of biography, intellectual history, and literary criticism, this title illuminates the author's works from his first novel "Poor Folk" to "Crime and Punishment" and "The Brothers Karamazov" by setting them in their personal, historical, and ideological context.Trade ReviewCo-Winner of the Etkind Prize, European University at St. Petersburg "A monumental achievement... This is not a literary biography in the usual sense of the term... It is, rather, an exhaustive history of Dostoyevsky's mind, an encyclopedic account of the author as major novelist and thinker, essayist and editor, journalist and polemicist... Wrought with tireless love and boundless ingenuity, it ... [is] a multifaceted tribute from an erudite and penetrating cultural critic to one of the great masters of 19th-century fiction."--Michael Scammell, New York Times Book Review "It is unquestionably the fullest, most nuanced and evenhanded--not to mention the most informative--account of its subject in any language, and it has significantly changed our understanding of both the man and his work."--Donald Fanger, Los Angeles Times Book Review "In his aim of elucidating the setting within which Dostoevsky wrote--personal on the one hand, social, historical, cultural, literary, and philosophical on the other--Frank has succeeded triumphantly."--J. M. Coetzee, New York Review of Books "Dostoevsky: A Writer in His Time thus immediately becomes the essential one-volume commentary on the intellectual dynamics and artistry of this great novelist's impassioned, idea-driven fiction... To understand Dostoevsky's often savage satire or nightmarish visions or just the conversations among the Karamazov brothers, one needs to grasp not only the text but also the ideological context. To both of these there is no better guide than Joseph Frank."--Michael Dirda, Wall Street Journal "Magnificent... A deeply absorbing account."--James Wood, New Republic "The ideal one-volume biography of Dostoevsky could only come through a distillation of the much-acclaimed five-volume biography (1976-2002) by Joseph Frank. In compressing his longer work, editor Mary Petrusewicz tightens the rigor of a narrative that already departed from traditional biography by focusing chiefly on the ideas with which the Russian author wrestled so powerfully, providing the details of his personal life only as incidental background. Thus, for example, while readers do learn of formative incidents during Dostoevsky's four years in tsarist prison camp, what they see most clearly is how the prison experience deepened the author's faith in God while dampening his zeal for political reform. In a similar way, Frank limns only briefly the life experiences surrounding the writing of the major novels--Crime and Punishment, Demons, and Brothers Karamazov--devoting his scrutiny largely to how Dostoevsky develops the ideological tensions within each work. Readers consequently see, for instance, how Napoleonic illusions justify Raskolnikov's bloody crimes, how the Worship of Man dooms Kirillov to suicide, and how deep Christian faith enables Alyosha to resist Ivan's corrosive rationalism. Yet while probing Dostoevsky's themes, Frank also examines the artistry that gives them imaginative life, highlighting--for example--perspectival techniques that anticipate those of Woolf and Joyce. A masterful abridgement."--Bryce Christensen, Booklist (Starred Review) "Frank displays a brilliant command of Dostoyevsky's heroic endeavors, and his biography reads readily, especially for such a scholarly work. It compares nicely with Leon Edel's multivolume biography of Henry James. Highly recommended."--Robert Kelly, Library Journal "It is wonderfully lucidly written and a marvellous portrait of the man behind the books."--Nadine Gordimer, Independent "This extraordinary biography succeeds in making both irony and great ideas wholly alive, immediately accessible to us. It is a great work, both of scholarship and of art."--A. S. Byatt, Sunday Times (London) "A narrative of such compelling precision, thoroughness and insight as to give the reader a sense not just of acquaintanceship, but of complete identification with Dostoevsky, of looking through his eyes and understanding with his mind."--Helen Muchnic, Boston Globe "One of the finest achievements of American literary scholarship."--Rene Wellek, Washington Post Book World "Dostoevsky: A Writer in His Time at last offers non-specialist readers access to the definitive biography of an important figure in the history of the novel... Patient, cautious, critical but not judgmental, using clear language and a chronologically ordered narrative structure, Frank neutralises the unreliable and hysterical self-constructions of which his subject was capable. The result is like watching an artist building an intricate, large-scale painting around a single figure... Frank's great insight is that, just as no one aspect of Dostoevsky's complex personality can be separated from the others, no part of his writing--whether aesthetic, moral, religious or political--can be quarantined from the others. Frank's biography honours the polyphony of Dostoevsky's novelistic imagination: even in truncated form, it is a rare triumph."--Geordie Williamson, Australian "Frank's monumental five-volume study of Dostoevsky deserves to be read, if only as an inspiring lesson about how much more thrilling a focus on ideas can be than the standard biography's obsession with the connections between creativity and the subject's personal life. The series has been condensed with incisive care and respect, giving those with limited time (and budget) a chance to engage with a revelatory vision of the Russian writer's enduring greatness."--Bill Marx, PRI's "The World" "This is the Dostoevsky we encounter in Joseph Frank's superb Dostoevsky: A Writer in His Time, a one-volume, 984-page condensation of Frank's five-volume biography of the author, written over the course of a long and distinguished career... Few biographers could muster the intelligence and imagination needed to capture all this in a single tome. We should be grateful for Joseph Frank."--Peter Savodnik, Commentary "With the publication of Dostoevsky: A Writer in His Time earlier this year, a massive abridgement of five volumes written over three decades, Frank breaks once and for all with his early critic's stilted categories in portraying the human subject. His innovative method of biography, influenced heavily by literary criticism, starts with artistic expression and moves backward, seeking to carefully situate his subject within ideological context... Without a doubt, the genius of Frank's form is in combining three modalities in crafting his narrative: literary criticism, social and intellectual history, and biography."--Aaron Stuvland, Politics and Culture "Joseph Frank's magisterial five-volume biography of Dostoevsky--one of the exemplary achievements of our era--has invaluably been published in an abridged one-volume edition."--Jeff Simon, Buffalo News "The depth of Frank's achievement is to put the writer and his work in social, political, ideological and historical context."--Jeff Baker, Oregonian "Most of us spend much of our life trying to understand only a handful of people we know and love, in a span of time usually extending just three generations (from our parents to our children). Imagine, then, devoting your life to trying to make sense of one other person long dead, whom you had necessarily never met, with whom you may have nothing in common, and whose times and works must always seem elusive, encoded and frustratingly out of your reach. In a pursuit of that kind, Leon Edel trudged through five volumes on Henry James, Robert Caro is working away on his fourth installment of Lyndon Johnson's biography, and Edmund Morris is finalizing his third book on Teddy Roosevelt. Joseph Frank, though, trumps them all. After writing Feodor Dostoevsky's biography in five volumes, Frank and a gifted editor (Mary Petrusewicz) have now turned that massive, interminable endeavour into an abridged, accessible one-volume edition."--Mark Thomas, Canberra Times "Joseph Frank, emeritus professor of Slavic and comparative literature at Stanford and Princeton universities, fully grasped the pressure of the political and religious issues seething in and around the visionary author to whom he dedicated his career. It took him five highly praised volumes and 26 years (1976-2002) to give a full account of Dostoevsky's life, works and times; this new, hefty condensation was done in collaboration with editor and Russian scholar Mary Petrusewicz, on condition that the original five volumes remain in print, available to anyone 'wishing for a wider horizon.' ... Frank's magisterial homage deserves no less recognition."--Judith Armstrong, The Age "Frank's five-volume biography has been called 'magisterial' and monumental,' as well as 'nuanced,' 'lucid' and 'penetrating.' The same might be said of this shorter version."--Marilyn McEntyre, Christian Century "Frank's contribution to understanding Dostoevsky is no less than Dostoevsky's own gift to the world of literature."--Sarthak Shankar, Organiser "Interspersed with others, it took me a while to read this altogether majestic book--but I'm so glad I did. [T]his tomb more than illuminates Dostoevsky's life vast array of brilliant writing."--David Marx, David Marx "One of the greatest literary biographies ever written, Frank's five-volume account details the nearly unfathomable life and literary career of a writer who endured epilepsy and exile."--Jonathon Sturgeon, FlavorwireTable of ContentsList of I llustrations xi Preface: Dostoevsky: A Writer in His Time xiii Acknowledgments xix Transliteration xxi Abbreviations xxiii PART I: The Seeds of Revolt, 1821-1849 Chapter 1: Prelude 3 Chapter 2: The Family 5 Chapter 3: The Religious and Cultural Background 23 Chapter 4: The Academy of Military Engineers 38 Chapter 5: The Two Romanticisms 51 Chapter 6: The Gogol Period 61 Chapter 7: Poor Folk 76 Chapter 8: Dostoevsky and the Pleiade 86 Chapter 9: Belinsky and Dostoevsky: I?94 Chapter 10: Feuilletons and Experiments 104 Chapter 11: Belinsky and Dostoevsky: II?119 Chapter 12: The Beketov and Petrashevsky Circles 129 Chapter 13: Dostoevsky and Speshnev 145 PART II: The Y ears of Ordeal, 1850-1859 Chapter 14: The Peter-and-Paul Fortress 163 Chapter 15: Katorga 185 Chapter 16: "Monsters in Their Misery" 196 Chapter 17: Private Dostoevsky 223 Chapter 18: A Russian Heart 243 Chapter 19: The Siberian Novellas 255 Chapter 20: Homecoming 273 PART III: The Stir of Liberation, 1860-1865 Chapter 21: Into the Fray 281 Chapter 22: An Aesthetics of T ranscendence 298 Chapter 23: The Insulted and Injured 317 Chapter 24: The Era of Proclamations 330 Chapter 25: Portrait of a Nihilist 341 Chapter 26: Time: The Final Months 358 Chapter 27: Winter Notes on Summer Impressions 372 Chapter 28: An Emancipated Woman, A Tormented Lover 384 Chapter 29: The Prison of Utopia 399 Chapter 30: Notes from Underground 413 Chapter 31: The End of Epoch 441 PART IV: The Miraculous Y ears, 1865-1871 Chapter 32: Khlestakov in Wiesbaden 455 Chapter 33: From Novella to Novel 472 Chapter 34: Crime and Punishment 483 Chapter 35: "A Little Diamond" 509 Chapter 36: The Gambler 521 Chapter 37: Escape and Exile 531 Chapter 38: In Search of a Novel 549 Chapter 39: An Inconsolable Father 564 Chapter 40: The Idiot 577 Chapter 41: The Pamphlet and the Poem 590 Chapter 42: Fathers, Sons, and Stavrogin 601 Chapter 43: Exile's Return 616 Chapter 44: History and Myth in Demons 626 Chapter 45: The Book of the Impostors 650 PART V: The Mantle of the Prophet, 1871-1881 Chapter 46: The Citizen 669 Chapter 47: Narodnichestvo: Russian Populism 682 Chapter 48: Bad Ems 694 Chapter 49: A Raw Youth 706 Chapter 50: A Public Figure 723 Chapter 51: The Diary of a Writer, 1876-1877 738 Chapter 52: A New Novel 760 Chapter 53: The Great Debate 779 Chapter 54: Rebellion and the Grand Inquisitor 788 Chapter 55: Terror and Martial Law 804 Chapter 56: The Pushkin Festival 813 Chapter 57: Controversies and Conclusions 835 Chapter 58: The Brothers Karamazov: Books 1-4 848 Chapter 59: The Brothers Karamazov: Books 5-6 867 Chapter 60: The Brothers Karamazov: Books 7-12 886 Chapter 61: Death and Transfiguration 912 Editor's Note 933 Index 935 Contents

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Book SynopsisThis incomparable collection of essays, manifestos, and illustrations offers the authentic answer to the question What is Dada? Prepared by Motherwell in collaboration with such major Dada figures as Marcel Duchamp, Jean Arp, and Max Ernst, the book creates a composite picture of Dadaits convictions, antics, and spirit.Trade ReviewThe single most instructive book on Dada… [T]he items collected are readable, pungent, and representative. It is one of those ‘essential works’ on twentieth-century art. -- T. J. ClarkTable of ContentsAcknowledgments Foreword by Jack Flam Preface Introduction, by Robert Motherwell List of Illustrations PART I: PRE-DADA 1. Exhibition at the independents, by Arthur Cravan: 1914 2. Arthur Cravan and American Dada, by Gabrielle Buffet-Picabia: 1938 3. Memories of an Amnesic (Fragments), by Erik Satie: 1912-13 i. What I Am ii. The Day of a Musician PART II: EN AVANT DADA: A HISTORY OF DADISM, by Richard Huelsenbeck: 1920 PART III: DADA FRAGMENTS, by Hugo Ball: 1916-17 PART IV: MERZ, by Kurt Schwitters: 1920 PART V: A DADA PERSONAGE Two Letters, by Jacques Vache (to Andre Breton): 1917-18 PART VI: SEVEN DADA MANIFESTOES, by Tristan Tzara: 1916-20 1. Manifesto of Mr. Antipyrine 2. Dada Manifesto 1918 3. Proclamation without Pretension 4. Manifesto of mr. aa the anti-philosopher 5. Manifesto on feeble love and bitter love Supplement: how I became charming delightful and delicious Colonial Syllogism PART VII: HISTORY OF DADA, by Georges Ribemont-Dessaignes: 1931 PART VIII: THE DADA SPIRIT IN PAINTING, by Georges Hugnet: 1932 and 1934 1. Zurich and New York 2. Berlin (1918-22) 3. Cologne and Hanover 4. Dada in Paris PART IX: THREE DADA MANIFESTOES, by Andre Breton: Before 1924 1. For Dada 2. Two Dada Manifestoes 3. After Dada PART X: MARCEL DUCHAMP, by Andre Breton: 1922 New York Dada, edited by Marcel Duchamp and Man Ray New York, April 1921. Facsimile PART XI: DADA FRAGMENTS FROM ZURICH Notes from a Dada Diary, by Jean (Hans) Arp. 1932 monsieur duval vases with umbilical cords sketch for a landscape End of the World, by Richard Huelsenbeck: 1916 PART XII: DADA FRAGMENTS FROM PARIS (Two Poems), by Paul Eluard: 1921 Project for a History of Contemporary Literature, by Louis Aragon: 1922 Facsimile The Magnetic Fields, by Andre Breton and Philippe Soupault: 1920 PART XIII: FROM THE ANNALS OF DADA 1. Zurich Chronicle, by Tristan Tzara: 1915-19 2. Collective Dada Manifesto, by Richard Huelsenbeck: 1920 3. Lecture on Dada, by Tristan Tzara: 1922 PART XIV: SOME MEMORIES OF PRE-DADA: PICABIA AND DUCHAMP, by Gabrielle Buffet-Picabia: 1949 La Pomme de Pins, edited by Francis Picabia St. Raphael February 25, 1922. Facsimile PART XV: THEO VAN DOESBURG AND DADA, by Kurt Schwitters: 1931 PART XVI: DADA LIVES! by Richard Huelsenbeck: 1936 PART XVII: DADA X Y Z..., by Hans Richter: 1948 PART XVIII: DADA WAS NOT A FARCE, by Jean (Hans) Arp: 1949 Sophie, by Jean (Hans) Arp: 1946 Appendices A. The Dada Case, by Albert Gleizes: 1920 B. A Letter on Hugnet's "Dada Spirit in Painting," by Tristan Tiara: 1937 C. Marcel Duchamp: Anti-Artist, by Harriet and Sidney Janis: 1945 D. Sound-Rel 1919, and Birdlike 1946, by Raoul Hausmann Bibliography Did Dada Die? a Critical Bibliography by Bernard Karpel (Librarian, Museum of Modern Art, New York) Index to Bibliography Addenda: Dada Alive and Well, by Benard Karpel: 1981 Additional Bibliography Dada Manifesto 1949, by Richard Huelsenbeck An Introduction to Dada, by Tristan Tzara General Index

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Book SynopsisExploring how adults mistreat children, this book focuses on adults not only as hostile characters in fairy tales themselves but also as real people who use frightening stories to discipline young listeners.Trade ReviewWinner of the 1992 Book Prize in Literature, German Studies Association "As provocative and stimulating as her The Hard Facts of the Grimms' Fairy Tales, this book should give a salutary shock to everyone who brings children and tales together, convincing them that "every interpretation is a rewriting' and encouraging them "to identify what is transmitted in the stories we tell children.'"--Library JournalTable of ContentsList of IllustrationsPrefaceIRewritten by Adults: The Inscription of Children's Literature3II"Teaching Them a Lesson": The Pedagogy of Fear in Fairy Tales22IIIJust Desserts: Reward-and-Punishment Tales51IVWilhelm Grimm/Maurice Sendak: Dear Mili and the Art of Dying Happily Ever After70VDaughters of Eve: Fairy-Tale Heroines and Their Seven Sins94VITyranny at Home: "Catskin" and "Cinderella"120VIIBeauties and Beasts: From Blind Obedience to Love at First Sight140VIII"As Sweet as Love": Violence and the Fulfillment of Wishes163IXTable Matters: Cannibalism and Oral Greed190XTelling Differences: Parents vs. Children in "The Juniper Tree"212Epilogue: Reinvention through Intervention229Notes239Select Bibliography273Index289

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Book SynopsisAlan Bennett''s beloved, best-known play, with a beautiful typographic cover. The best moments in reading are when you come across something a thought, a feeling, a way of looking at things that you'd thought special, particular to you. And here it is, set down by someone else, a person you've never met, maybe even someone long dead.As an unruly bunch of bright, funny sixth-form boys pursue sex, sport and a place at university, adolescent anarchy and staffroom rivalry provoke insistent questions about history and education.The History Boys premiered at the National Theatre, London, 2004, winning Evening Standard, Critics' Circle, Olivier and South Bank Awards. On Broadway, it received numerous awards, including six Tonys.

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Book SynopsisThe classic of literary criticism from one of the world''s greatest novelists.In seven independent, but closely related chapters, Milan Kundera presents his personal conception of the European novel, which he describes as ''an art born of the laughter of God''.''Invigoratingly suggestive . . . Kundera''s map of the development of the European novel is outlined with the reckless brevity of the man who knows exactly what and where the salient points are.'' London Review of Books''Kundera is the saddest, funniest and most loveable of authors.'' The Times

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Book SynopsisJean Epstein, the great unknown amongst the pioneers of independent filmmaking, was also an essential figure in the invention of modern cinema-both as a theorist and as an artist. For the first time, a selection of Epstein's writings on film are published in German in this volume. Nicole Brenez' essay on Epstein contextualizes his achievements.

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Book SynopsisThis labyrinthine and extraordinary book, first published more than fifty years ago, was the outcome of Graves''s vast reading and curious research into strange territories of folklore, mythology, religion and magic. Erudite and impassioned, it is a scholar-poet''s quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explored the sources of his own inspiration and, as he believed, all true poetry.This new edition has been prepared by Grevel Lindop, who has written an illuminating introduction. The text of the book incorporates all Graves''s final revisions, as well as his replies to two of the original reviewers, and a long essay in which he describes the months of inspiration in which The White Goddess was written.

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Book SynopsisTom Stoppard''s masterpiece, with a beautiful new cover. Comparing what we're looking for misses the point. It's wanting to know that makes us matter. Otherwise we're going out the way we came in.Arcadia premiered at the National Theatre, London, 1993, winning the Olivier Award for Best New Play and the Evening Standard Award for Best Play.It is a laugh-filled tragedy about what happens if you take the intoxicants of poetry and science seriously. It is a play where Stoppard turns himself into a clown whose juggling balls are Romanticism, Classicism, and the meaning of life . . . The stale cliché about Stoppard is that he is a brilliant manipulator of ideas, but with no heart. Yet here at the core of his best play is the greatest love story on the British stage for decades. Yes, the characters bond over ideas but some of the most interesting people in life do just that. That would be enough to make Arcadia a masterpiece but it is even more than that. The play stirs the most basic and profound questions humans can ask. How should we live with the knowledge that extinction is certain not just of ourselves, but of our species?' INDEPENDENTI have never left a new play more convinced that I'd witnessed a masterpiece.' DAILY TELEGRAPHA brilliant, brilliant play. A play of ideas, of consummate theatricality, of sophisticated entertainment and of heartache for time never to be regained.' SUNDAY TIMES

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Book SynopsisAs a poet, editor and essayist, T. S. Eliot was one of the defining figures of twentieth century poetry. This selection, which was made by Eliot himself, includes many of his most celebrated works, including The Love Song of J. Alfred Prufrock and The Waste Land.Other volumes in this series: Auden, Betjemen, Plath, Hughes and Yeats.

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Book SynopsisThis entirely new edition brings together all of Philip Larkin''s poems. In addition to those in Collected Poems (1988), and in the Early Poems and Juvenilia (2005), some unpublished pieces from Larkin''s typescripts and workbooks are included, as well as verse (by turns scurrilous, satirical, affectionate, and sentimental) tucked away in his letters. The manuscript and printed sources have been scrutinized afresh; more detailed accounts than hitherto available of the sources of the text and of dates of composition are provided; and previous accounts of composition dates have been corrected. Variant wordings from Larkin''s typescripts and the early printings are recorded.For the first time, the poems are given a comprehensive commentary. This draws critically upon, and substantially extends, the accumulated scholarship on Larkin, and covers closely relevant historical contexts, persons and places, allusions and echoes, and linguistic usage. Due pro

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Book SynopsisSince his debut, Nil Nil, won the Forward Prize for Best First Collection in 1993, Don Paterson has lit up the poetry scene in the U.K. His dazzling, intensely lyric and luminous verse has delighted readers ever since, and won many awards along the way. God''s Gift Women took the T. S. Eliot Prize in 1997, Landing Light won it again in 2003 and the Whitbread Award besides, and Rain (2009), his most recent collection, won the Queen''s Gold Medal for Poetry. This selection, drawn from twenty years of work, is made by the author himself and includes not only those poems from his four single volumes, but his thrilling and original adaptations of the poems of Antonio Machado and Rainer Maria Rilke. For any readers unfamiliar with Don Paterson''s work, this Selected Poems offers the perfect introduction to this most captivating of writers; and for fans, an essential gathering from a master craftsman.

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Book SynopsisIn his history, Polybius (ca. 200–118 BC) is centrally concerned with how and why Roman power spread. The main part of the work, a vital achievement despite the incomplete state in which all but the first five books of an original forty survive, describes the rise of Rome, its destruction of Carthage, and its eventual domination of the Greek world.Trade ReviewPolybius found a brilliant subject for his history in the Roman drive to supremacy in the Mediterranean. As an experienced Greek politician who lived as a hostage among the elite in Rome from 167 to 159 BC, he was ideally positioned to write it. He had formidable organizational powers, and he really did know what he was talking about. Without him, our understanding of the whole period and of the dynamics of Roman imperialism would be inconceivably impoverished. -- Denis Feeney * Times Literary Supplement *

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Book SynopsisIn his history, Polybius (ca. 200–118 BC) is centrally concerned with how and why Roman power spread. The main part of the work, a vital achievement despite the incomplete state in which all but the first five books of an original forty survive, describes the rise of Rome, its destruction of Carthage, and its eventual domination of the Greek world.Trade ReviewPolybius found a brilliant subject for his history in the Roman drive to supremacy in the Mediterranean. As an experienced Greek politician who lived as a hostage among the elite in Rome from 167 to 159 BC, he was ideally positioned to write it. He had formidable organizational powers, and he really did know what he was talking about. Without him, our understanding of the whole period and of the dynamics of Roman imperialism would be inconceivably impoverished. -- Denis Feeney * Times Literary Supplement *

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Book SynopsisVolume VIII of the nine-volume Loeb edition of Early Greek Philosophy includes the so-called sophists Protagoras, Gorgias, Prodicus, Thrasymachus, and Hippias, along with testimonia relating to the life, views, and argumentative style of Socrates.Trade ReviewIn brief, André Laks and Glenn Most give us a brilliant and beautiful reference work that can, at the same time, be easily enough read straight through. And spending a few months doing so gives the reader almost all that she needs (perhaps along with Loeb #258, Greek Elegiac Poetry) to reconstruct for herself the origins of the discipline of philosophy. I should want any graduate student or colleague in ancient philosophy or intellectual history to acquire and make their way through it. -- Christopher Moore * Classical Journal *The publication of the Loeb Classical Library’s nine-volume set, Early Greek Philosophy, gives us a new edition of the original texts, with fresh translations. It is a monumental achievement—the result of many years of dedicated work on the part of the two editors/translators André Laks and Glenn W. Most… We owe a profound debt of gratitude to the editors/translators for their thorough and impeccable scholarship, and to the publishers for their usual high standards of production. If you can afford them, don’t hesitate: you will be all the richer for having these volumes on your shelves. -- Jeremy Naydler * Minerva *André Laks and Glenn W. Most have made available to the world of scholarship in early Greek philosophy a resource of immense value. Every study of a thinker or of an issue within the thematic ambit of Early Greek Philosophy must henceforth start by canvassing and taking into account the appropriate selections in the Loeb set. -- Alexander P. D. Mourelatos * Bryn Mawr Classical Review *The publication of a Loeb Classical Library edition of the evidence for early Greek philosophy is a major event in classical scholarship…The editors and their assistants are to be commended for their exemplary execution of such a vast and difficult task. They have succeeded in producing what is far and away the best available edition of the texts of the early Greek philosophers with accompanying English translation…More than that, their edition effectively supersedes Hermann Diels and Walter Kranz’s Die Fragmente der Vorsokratiker, which has long held sway as the standard edition of the Presocratics, but it only does so because Laks and Most have respectfully taken Diels-Kranz as their model…Laks and Most have set such a high standard with this work that it is hard to imagine that we will see a better general collection on early Greek philosophy in our lifetimes…Laks and Most’s philological acumen, judiciousness as editors, and excellence as translators is evident on every page. -- John Palmer * Arion *

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Book SynopsisSaturnalia has been prized since the Renaissance as a treasure trove of otherwise unattested lore.

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