Electronic music Books

Book SynopsisBoost your music production efficiency using Studio One's seamless workflows and deliver professional-grade tracks Purchase of the print or Kindle book includes a free PDF eBook Key Features Learn how to arrange and record your own music with Studio One’s unique, intuitive workflow Use Song, Project, and Show windows to create, master, and perform professional quality music Utilize Studio One’s virtual instruments and effects plug-ins to create music without any extra software Book DescriptionThe Ultimate Studio One Pro Book is a detailed, step-by-step guide to creating music with Studio One’s extensive set of production tools. This practical, goal-oriented resource will help musicians start producing their own music with Studio One and teach audio professionals how to include Studio One in their production workflow. The book begins by showing you how to set up Studio One to work smoothly on your system. The following chapters will walk you through the process of creating a project, along with recording audio and using virtual instruments to construct a MIDI arrangement. As you advance, you’ll find out how to edit your songs to perfection using Melodyne, Audio Bend, and an extensive collection of MIDI modifiers. You’ll also discover how to mix in Studio One with the effects plugins included in it, along with applying audio mastering in the Project window. Throughout this book, you’ll gain the skills needed to leverage Studio One confidently and effectively, as well as build your own unique music production workflow. By the end of this book, you’ll be able to effortlessly translate your musical ideas into complete songs using Studio One’s powerful tools.What you will learn Configure Studio One and run it smoothly in your production environment Record and edit MIDI using Studio One’s excellent manipulation tools Record audio and edit confidently using Melodyne and Audio Bend Work with Studio One’s stock virtual instruments to create an arrangement Mix a song with Studio One’s stock effects plugins Master a song using the Project window Take your music on stage with the Show window Who this book is forThis book is for musicians, bands, and composers who want to learn Studio One from scratch to create their own music on a professional level. Producers and audio professionals who already have experience in another Digital Audio Workstation but now wish to switch to Studio One or include it in their workflow will also find this book useful. Basic knowledge and experience of musical processes, such as arranging, recording, mixing, and mastering are needed to make the most of this book. However, this book will teach you how to perform these processes more effectively in Studio One.Table of ContentsTable of Contents Choosing Your Flavor of Studio One Installing and Configuring Your Studio One Environment Exploring the Studio One Environment Creating a New Song Recording Your First Audio Track Adding Virtual Instruments and Recording MIDI Editing and Rearranging Your Song Editing Audio Editing MIDI Using Global Tracks Preparing for the Mix Working with Effects Plugins to Craft a Mix Optimizing Signal Flow and Elevating Your Mix Navigating the Project Page and Producing Final Masters Using Additional Studio One Features Appendix: Customizing Studio One and Following Best Practices

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Book SynopsisRecorded in England, Denmark and Italy between May and September 1989, Depeche Mode’s seventh studio album ‘Violator’ was a landmark record beloved by fans and universally regarded as the band’s creative highpoint. Eventually selling 7.5 million copies following its release in March 1990, ‘Violator’ gave the cult British band – Dave Gahan, Martin Gore, Andy ‘Fletch’ Fletcher and Alan Wilder – the critical acclaim they finally deserved. The adventurous, highly experimental approach that the band took for ‘Violator’ recording sessions also yielded two of the band’s most recognisable and successful singles in ‘Personal Jesus’ and ‘Enjoy The Silence’. Produced by the band with the influential studio guru Flood and mixed by the legendary François Kevorkian, ‘Violator’ is viewed as a hugely groundbreaking body of work by countless musicians and DJs, such was its progressive synthesis of electronic, rock, dance and pop music. The album revealed a new maturity and sensitivity to Martin Gore’s songwriting and allowed the band’s inquisitive Alan Wilder to come to the fore as a principal architect of the band’s approach to studio production. This period in the band’s history also found them forging a deeply trusted and influential partnership with photographer and designer Anton Corbijn, often viewed as the fifth member of Depeche Mode at this time. Corbijn’s work with the Area creative agency for the ‘Violator’ project delivered iconic, integrated artwork, photography, videos and short films across the album, its singles, and tour design. Written by uber-fans Kevin May and David McElroy, with ‘Halo’ we find ourselves shadowing the band in the studio, on an intense, pivotal worldwide tour and on the sets of arty Super 8 vignettes. We watch as samples and sounds are painstakingly wrought into rhythms, as flights are missed to secure additional seconds of mix time, as label executives in boardrooms deliberate over the order of the album’s singles. We find ourselves in downtown LA at the scene of an apocryphal riot as fans clamour to get their copies of the album signed. We observe the often misunderstood but hugely important role that the late Andy Fletcher played in the band and witness the tumultuous emotional pressures on the band’s frontman, Dave Gahan. During an intense and pivotal two-and-a-half years in the life of the group, we follow Depeche Mode as they complete their metamorphosis into one of the most significant bands of a generation, and place the success and innovations of ‘Violator’ at the dead centre of the rapidly-changing late-80s, early-90s musical zeitgeist. More than an album biography, ‘Halo’ goes deep behind the scenes of the band’s ‘Violator’ period. The book takes the form of a detailed oral history from those who were there in the studio with the band, working behind the cameras, designing sleeves and appearing in the videos; support acts, tour managers, publicists and fans. The book features detailed interviews with central figures involved with the band as they transitioned their sound and image to a stadium-friendly aesthetic, as well as those whose trusted contributions were essential for the creation of ‘Violator’. With ‘Halo’, authors Kevin May and David McElroy have produced an essential guide for Depeche Mode fans and anyone inquisitive about the making of a classic, genre-defining album.

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Book SynopsisA cultural history of global electronic dance music countercultures, "Technomad" explores the pleasurable and activist trajectories of post-rave. The book documents an emerging network of techno-tribes, exploring their pleasure principles and cultural politics. Attending to sound system culture, electro-humanitarianism, secret sonic societies, teknivals and other gatherings, intentional parties, revitalisation movements and counter-colonial interventions, "Technomad" investigates how the dance party has been harnessed for transgressive and progressive ends, for manifold freedoms. Seeking freedom from moral prohibitions and standards, pleasure in rebellion, refuge from sexual and gender prejudice, exile from oppression, rupturing aesthetic boundaries, re-enchanting the world, reclaiming space, fighting for 'the right to party', and responding to a host of critical concerns, electronic dance music cultures are multivalent sites of resistance. Drawing on extensive ethnographic, netographic and documentary research, "Technomad" details the post-rave trajectory through various local sites and global scenes, with each chapter attending to unique developments in the techno counterculture: example Spiral Tribe, teknivals, psytrance, Burning Man, Reclaim the Streets, Earthdream. The book offers an original nuanced theory of resistance to assist understanding of these developments. This cultural history of hitherto uncharted territory will be of interest to students of cultural, performance, music, media, and new social movement studies, along with enthusiasts of dance culture and popular politics.Table of ContentsIntroduction; The Rave-olution? 1. Sound System Exodus: Tekno-Anarchy in the UK and Beyond 2. Secret Sonic Societies and Other Renegades of Sound 3. New Tribal Gathering: Vibe-Tribes and Mega-Raves 4. The Technooccult, Psytrance and the Millennium 5. Rebel Sounds and Dance Activism: Rave and the Carnival of Protest 6. Outback Vibes: Dancing Up Country Conclusion: Hardcore, You Know the Score

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Book SynopsisONE OF THE GUARDIAN'S BEST BOOKS OF 2017Who better to tell the story of the gentrification of a musical genre than the man who started out as Jungle's most streetwise ambassador and went on to collect an MBE from Buckingham Palace? But Goldie's uncensored, hard-hitting memoir is far more than just the story of the house-training of drum 'n' bass. As one of Britain's most influential DJs, producers, promoters, and record-label owners - whose contributions to the UK rave scene in the 1990s defined the genres jungle and urban rave, Goldie is an iconic figure. Hugely addictive, this gonzo memoir is a vertiginous thrill-ride from the darkest depths of the West Midlands care-home system to the snowiest uplands of coke-crazed international celebrity. It is an explosive story of abuse, revenge, graffiti, gold teeth, sawn-off shotguns, car crashes, hot yoga, absent fatherhood, and redemption through reality TV.

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Book SynopsisSTUDIO ONE FOR ENGINEERS AND PRODUCERS

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Book SynopsisTHE NEW ELECTRONIC GUITARIST: NEW TECHNOLOGIES AND TECHNIQUES FOR THE MODERN GUITAR PLA

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Book SynopsisAN AGE WITHOUT SAMPLES: ORIGINALITY AND CREATIVITY IN THE DIGITAL WORLD

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Book SynopsisTami Gadir is Lecturer in Music Industry at RMIT University in Melbourne, Australia. Gadir's research addresses the social and political mechanisms of musical life.Trade ReviewAmidst a recent wave of books on dance music and club culture, Tami Gadir’s Dance Music stands out. Gadir celebrates the ways in which dance floors may be spaces of self-realization and community, but goes further than most in capturing the ways such spaces are fraught with risk, anxiety, and the violence of oppression. Commonplace ideas about club culture—like those claiming the ‘transcendence’ of dance floor experience—are scrutinized with care and a sharp sense of their political stakes. Well-written and impeccably researched, this is an important contribution to an expanding field. * Will Straw, Professor of Urban Media Studies, McGill University, Canada *Table of ContentsPreface Introduction 1. Dance Music Histories 2. Dance Music Studies 3. Location, Regulation, and Night-Time Danger 4. Transcendence 5. “This One’s for the Ladies”: Gender Trouble in Sound and Dance 6. “It’s Not About Gender”: Merit, Talent, and Other Myths Conclusion: Dance Music is Ordinary Acknowledgements Bibliography Index

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Book SynopsisA cultural history of global electronic dance music countercultures, "Technomad" explores the pleasurable and activist trajectories of post-rave. The book documents an emerging network of techno-tribes, exploring their pleasure principles and cultural politics. Attending to sound system culture, electro-humanitarianism, secret sonic societies, teknivals and other gatherings, intentional parties, revitalisation movements and counter-colonial interventions, "Technomad" investigates how the dance party has been harnessed for transgressive and progressive ends, for manifold freedoms. Seeking freedom from moral prohibitions and standards, pleasure in rebellion, refuge from sexual and gender prejudice, exile from oppression, rupturing aesthetic boundaries, re-enchanting the world, reclaiming space, fighting for 'the right to party', and responding to a host of critical concerns, electronic dance music cultures are multivalent sites of resistance. Drawing on extensive ethnographic, netographic and documentary research, "Technomad" details the post-rave trajectory through various local sites and global scenes, with each chapter attending to unique developments in the techno counterculture: example Spiral Tribe, teknivals, psytrance, Burning Man, Reclaim the Streets, Earthdream. The book offers an original nuanced theory of resistance to assist understanding of these developments. This cultural history of hitherto uncharted territory will be of interest to students of cultural, performance, music, media, and new social movement studies, along with enthusiasts of dance culture and popular politics.Table of ContentsIntroduction; The Rave-olution? 1. Sound System Exodus: Tekno-Anarchy in the UK and Beyond 2. Secret Sonic Societies and Other Renegades of Sound 3. New Tribal Gathering: Vibe-Tribes and Mega-Raves 4. The Technooccult, Psytrance and the Millennium 5. Rebel Sounds and Dance Activism: Rave and the Carnival of Protest 6. Outback Vibes: Dancing Up Country Conclusion: Hardcore, You Know the Score

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Book SynopsisAn Orchestra at My Fingertips is the first study of the history, activities, and legacy of the Canadian Electronic Ensemble. Covering the ensemble’s first fifty years, Alexa Woloshyn features musician biographies as well as analyses of the CEE’s compositions, improvisations, commissions, and performance practice.Trade Review“An Orchestra at My Fingertips is the definitive biography of this important ensemble. Well-researched and written with great care, the book offers readers a wealth of information that has never before been available to anyone outside of the CEE’s circle of collaborators and close associates. And Woloshyn’s insights and techniques of listening can easily (and usefully) be applied to the CEE’s repertoire and electronic music – indeed any music – in general.” Paul Sanden, University of Lethbridge and author of Liveness in Modern Music: Musicians, Technology, and the Perception of Performance

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Book SynopsisTransfigured New York presents conversations with iconic, genre-bending artists who shaped the sounds of experimental movements like no wave, avant-jazz, and electronic music.Trade ReviewSince her WKCR radio show in the eighties, Brooke Wentz has been an inspiring explorer of global music and has also remained a devoted and curious fan, always looking for new sounds in diverse countries and cultures. Her excitement vibrates on every page of this engrossing read. Enjoy Brooke’s journey! -- Chris Watson, founding member of Cabaret VoltaireThe avant-garde artists Brooke Wentz so adeptly interviewed in the 1980s reveal how music of that decade defied genre limitations and categorization, introduced fresh perspectives and explored sounds as no one had before, truly transfiguring not only New York, but creative culture worldwide. There are rich stories here, informing how we listen today. -- Howard Mandel, author of Miles Ornette Cecil: Jazz Beyond Jazz and Future JazzThis book is a one-of-a-kind account of one of the most exhilarating and inventive periods for art and culture in New York City's history. * NYS Music *My mind was blown on almost every page of this engaging, near-exhaustive collection. -- Mat Smith * Further *We should be glad that several decades later this material is available so we can reconsider how music was changing and had changed, who was playing where and when, and the part New York City played in nurturing new and challenging music. * International Times *Together, the collection represents a comprehensive look at an incredible era in New York’s artistic history, featuring an eclectic mix of acts that would go on to influence generations of artists to come. * Bad Feelings Magazine *As a picture of what was being done in the decade (perhaps for curious listeners who didn't live through it), its a broad cross section of what was new then. * The Wire *Table of ContentsLee Ranaldo on the SceneAcknowledgmentsIntroductionPart I. The Founding Theorists: Influential Figures of Contemporary Thought and Music Composition1. John Cage2. La Monte YoungPart II. The Materials Scientists: Pioneers of Tape and Electronic Music3. David Behrman4. Alvin Curran5. Mario Davidovsky6. Otto Luening7. Roger Reynolds8. Pril Smiley9. Morton Subotnick10. Joan Tower11. Vladimir UssachevskyPart III. The Composers: Notable Contributors of Contemporary Musical Repertoire12. Anthony Davis13. David Diamond14. Jacob Druckman15. Lukas Foss16. Philip Glass17. Steve ReichPart IV. The Iconoclasts: Eccentric Thought-Provoking Performers18. Kelvyn Bell19. Jean-Paul Bourelly20. Glenn Branca21. Fred Frith22. Wayne HorvitzPart V. The Vocalists: Experimenters with Voice and Words23. Laurie Anderson24. Joan La BarbaraPart VI. The Dissenters: Modern Jazz Innovators25. Andrew Cyrille26. Bill Frisell27. Ronald Shannon Jackson28. Evan ParkerPart VII. The Popular Avant-Garde: Pop Idiom Crossovers29. Living Colour30. Peter Gordon and Arthur Russell31. John Lurie32. Andy PartridgePart VIII. The Global Nomads: International Superstars of Western Thought33. Baaba Maal34. Astor Piazzolla35. Ravi ShankarPart IX. The Performance Artists: Art Meets Movement36. Eric Bogosian37. David Harrington38. Bill T. Jones39. Margaret Leng Tan40. Michel WaisviszNotesIndex

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