Design and llustration Books

Book SynopsisLooks at the retail shop window displays that have pushed boundaries across the globe, with visually stunning results.

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Book SynopsisTrade Review"Kathleen James-Chakraborty’s Architecture since 1400 deserves the widest possible readership. This is a brilliantly conceived and beautifully written book that presents an original analysis of notable buildings around the world."—Dolores Hayden, Yale University"Architecture since 1400 is a mature, impressive work—truly a global history of architecture. It is hard to imagine a more teachable book."—Nancy S. Steinhardt, University of Pennsylvania "This book is a joy to read. As a scholar, James-Chakraborty has researched in depth, is able to condense her source material superbly, and offers intriguing insights into the buildings/projects under discussion."—ABE JournalTable of ContentsContentsList of IllustrationsAcknowledgmentsIntroductionKathleen James-Chakraborty1. Wilhelmine Precedents for the Bauhaus: Hermann Muthesius, the Prussian State, and the German WerkbundJohn V. Maciuika2. Henry van de Velde and Walter Gropius: Between Avoidance and ImitationKathleen James-Chakraborty3. From Metaphysics to Material Culture: Painting and Photography at the BauhausRose-Carol Washton Long 4. Architecture, Building, and the BauhausWallis Miller5. Bauhaus Theater of Human DollsJuliet Koss 6. Utopia for Sale: The Bauhaus and Weimar Germany’s Consumer CultureFrederic J. Schwartz7. Bauhaus Architecture in the Third ReichWinfried Nerdinger8. From Isolationism to Internationalism: American Acceptance of the Bauhaus Kathleen James-Chakraborty9. The Bauhaus in Cold War GermanyGreg CastilloNotesSelect BibliographyContributorsIndex

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Book SynopsisDror Benshetrit's massively successful design for brands like Tumi, Rosenthal, and Cappellini and his next phase of visionary large-scale projects are now assembled in this debut monograph. Since 2002, Dror Benshetrit has developed an interdisciplinary practice specializing in truly innovative design projects. His multifaceted approach to design at wildly varying scales and concepts encompass product design, interior design, graphic design, and architecture. In this survey of Dror Benshetrit's first fifteen years of practice, readers are introduced to an ingenious design practice that started with household objects and furniture, to a collaborator with top brands such as Tumi, Rosenthal, Cappellini, and Bentley, and has since evolved into a visionary architecture office. Dror Dreams showcases the evolution of the designer's work, reflecting the diversification of his practice over time and the profound results that stem from its holistic approach. Told in his own approachable voice, charting his path from impassioned novice to ambitious ideator, Dror shares the conceptual origins and process behind his projects, as well as marking successes, failures, and conclusions. Dror seeks to communicate the value of creativity without limitation, promote the importance of collaboration, and through example inspire tomorrow's designers to dream big.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisFor lovers of vintage clothing, British supermodel and vintage fashion muse Kate Moss unveils a personally curated selection of her favorite couture and costume pieces from the Museo de la Moda, the world-class fashion museum in Santiago, Chile.International fashion icon Kate Moss and the premier South American fashion museum Museo de la Moda meet in this undeniably stylish volume that celebrates iconic vintage fashion moments throughout history. The Museo de la Moda, founded in 1999, opened in 2007, and directed by Chile's first textile industry scion Jorge Yarur Bascuñán, is one of the world's most important but least-known museums of its kind, housing exquisite garments from nineteenth-century Dolman shawls to twenty-first-century sequin dresses by Balmain.Edited by Kate Moss with text contributions from fashion curator Lydia Kamitsis, this volume features a stylish selection of one hundred archival pieces from the museum, each charting different

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Book SynopsisThis book explores the growing field of bio-design through interdisciplinary creative practice. The volume illustrates a range of experimental working techniques while offering a foundational understanding of lab practice principles. The book highlights the myriad of opportunities presented by microorganisms that have reshaped the planet and made it habitable.The book provides an account of the creation of living materials from the point of view of an architectural design practitioner. The transition from traditional design practice to laboratory investigation is captured, highlighting strategies of creating partnerships across a range of fields. The book demonstrates laboratory methods and ways of investigating the development of living materials and celebrates the growing body of practitioners, scientists, activists and anthropologists who are reimagining new strategies for addressing contemporary environmental challenges.Designer''s Guide to Lab Practice loTable of Contents1. This is not the Beginning 2. Design in the Lab 3. Working Methods 4. Experiments in Design 5. Where to Next?

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Book SynopsisHenry Dicks explores the philosophical significance of biomimicry, the application and adaptation of strategies found in nature to the development of artificial products and systems. He argues that biomimicry can serve as the basis for a new environmental philosophy that radically alters how we understand and relate to the natural world.Trade Review[The Biomimicry Revolution] provides not only an understanding of the theory and practice of biomimicry, but also a detailed and in-depth analysis of philosophy, classification, and problematization. These features enable the reader to understand that biomimicry is a coherent new entity and philosophy. This book can be used as a quality addition to the literature on a comprehensive philosophical analysis of biomimicry. * Regional Science Policy & Practice *This is an exciting and intellectually invigorating study into the underlying philosophy of biomimicry. Building upon the three principles central to biomimicry—nature as model, nature as measure, nature as mentor—Dicks creates a new philosophical framework structured by technics, ethics, and epistemology. What follows is a lively and groundbreaking ontological inquiry into ‘the nature of nature’ and what we can learn from nature about sustainably inhabiting the earth. -- Adrian Parr, author of Earthlings: Imaginative Encounters with the Natural WorldThe book, rooted in the continental tradition of philosophy, takes a fairly liberal approach to semantics and association, but is written in a very clear manner, and is well structured and relatively easy to follow. * Quarterly Review of Biology *In many instances, Dicks demonstrates a remarkable ability to navigate unexplored conceptual terrains, which have not been thoroughly examined, guided primarily by his biomimetic principles. * Journal of Ecohumanism *Table of ContentsPrefaceIntroduction: Biomimicry as a New Philosophy1. Nature as Physis: An Ontology for Biomimicry2. Nature as Model: Biomimetic Technics3. Nature as Measure: Biomimetic Ethics4. Nature as Mentor: Biomimetic EpistemologyConclusion: Toward a New EnlightenmentNotesBibliographyIndex

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Book SynopsisDesign a long life full of love, purpose, well-being, and friendship, at any age, using the creative tools of award-winning product designer, author, and world''s #1 life coach Ayse Birsel.What does it mean to craft the life you want, as you grow older? For industrial designer and author Ayse Birsel, the answer draws on key principles of design-like optimism, empathy, collaboration, open-mindedness, and holistic thinking-as well as the experiences of older people on the pioneering frontiers of long life. Longer life is a thrilling, modern opportunity, and like so many parts of life it needs to be thoughtfully designed.Thinking about a long life is very exciting indeed. It''s also a new phenomenon. Fifty years ago, living into one''s seventies was considered the mark of a long life. Today, seventy feels young, eighty feels normal, and ninety is within reach. Birsel believes this new horizon of life is as important and exciting as the invention of moving pictures. Or th

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Book SynopsisIconic Designs is a beautifully designed and illustrated guide to fifty classic things' designs that we find in the city, in our homes and offices, on page and screen, and in our everyday lives. In her introduction, Grace Lees-Maffei explores what makes a design iconic', and fifty essays by leading design and cultural critics tell the story of each iconic thing', its innovative and unique qualities, and its journey to classic status. Subjects range from the late 19th century to the present day, and include the Sydney Opera House, the Post-It Note, Coco Chanel's classic suit, the Sony Walkman, Hello Kitty, the typeface Helvetica, the Ford Model T, Harry Beck's diagrammatic map of the London Underground and the Apple iMac G3. This handsome volume provides a treasure trove of stories' that will shed new light on the iconic designs that we use without thinking, aspire to possess, love or hate (or love to hate) and which form part of the fabric of our everyday liTrade ReviewA lavishly illustrated, treasurable guide. * Choice Magazine *This book demonstrates the vast and all-encompassing remit of design from Post-It-Notes to the classic Chanel suit. Within its pages acknowledged design classics jostle with other designs that have such a ubiquity we often forget just how iconic they really are. -- Charlotte Fiell, Design Historian and Author, UKDo you enjoy riding tuk-tuks in South Asia (Italian design, in fact), secretly enjoy visiting MacDonald's, or spend most of your time on Facebook? What got you hooked? In this book fifty icons of modern design are unpacked for you in a thoroughly imaginative manner, cutting across class, age, regional and temporal boundaries. A must for all students and lovers of design alike. -- Peter McNeil, University of Technology Sydney, AustraliaTable of ContentsList of Illustrations Acknowledgements Introduction: Interrogating Iconic Design, Grace Lees-Maffei PART ONE: HOT IN THE CITY Part Introduction 1. Eiffel Tower, France (Gustave Eiffel, 1889), Claire Jones, post doctoral research fellow on the AHRC-funded project Displaying Victorian Sculpture, UK 2. Ford Model T, USA (Henry Ford, 1908), Paul Hazell, University of Worcester, UK 3. London Underground Diagram, UK (1931), Christoph Lueder, ETH Zürich, Canterbury School of Architecture and Kingston University, UK 4. Tuk-Tuk, Italy/Thailand (Corradino D’Ascanio, 1948-), Thomas Brandt, Norwegian University of Science and Technology, Norway 5. Sydney Opera House, Australia (Jørn Utzon, Denmark, 1957-73), D.J. Huppatz, Swinburne University of Technology, Australia 6. McDonald’s Golden Arches Logo, USA (Jim Schindler, 1962), D.J. Huppatz, Swinburne University of Technology, Australia 7. Mobility Scooter, USA (Allen R. Thieme, 1968), Nicolas P. Maffei, Norwich University College of the Arts, UK 8. Concorde, France/UK (Pierre Satre/Sir Archibald Russell, Aerospatiale/BAe, 1969), Amy Foster, University of Central Florida, USA 9. The London Eye, UK (Marks Barfield Architects, 1999), Jilly Traganou, Parsons The New School for Design, USA and Grace Vetrocq Tuttle, communication design specialist, USA 10. The Palm Islands, Dubai, UAE (Nakheel Properties, 2001-), Dolly Jørgensen, Umeå University, Sweden PART TWO: PAGE TURNERS AND SCREEN SIRENS Part Introduction 11. Isotype, Austria (Marie Reidemeister, Otto Neurath, Gerd Arntz, 1925-1934), Ellen Lupton, Maryland Institute College of Art, USA 12. Metropolis, Germany (Fritz Lang, 1927), Nathaniel Robert Walker, Ph.D. student at Brown University, USA 13. Penguin Books, UK (Allen Lane, 1935 and Jan Tschichold, 1947-9), Paul Shaw, Parsons School of Design, USA 14. Helvetica, Switzerland (Max Miedinger and Eduard Hoffman, 1957), Kerry William Purcel, lThe University of Hertfordshire, UK 15. Sgt. Pepper’s Lonely Hearts Club Band cover, UK (Peter Blake and Jann Haworth, 1967), Alice Twemlow, School of Visual Arts, USA 16. Graphical User Interface (GUI), USA (Apple, 1984), Paul Atkinson, Sheffield Hallam University, UK 17. Benetton Advertising Campaigns, Italy (Oliviero Toscani, 1986-), Celia Lury, University of Warwick, UK 18. Ray Gun, USA (David Carson, 1992-1995), Julia Moszkowicz, Southampton Solent University, UK 19. Ebay.com, USA (Pierre Omidyar, 1995), Ida Engholm, The Royal Danish Academy of Fine Arts, Denmark 20. Facebook, USA (Mark Zuckerberg, Eduardo Saverin, Dustin Moskovitz, Chris Hughes, 2003), Alison Gazzard, University of Hertfordshire, UK PART THREE: GENIUS AT WORK Part Introduction 21. Paper Clip, USA (Samuel B. Fay, 1867), Joe Moran, Liverpool John Moores University, UK 22. Wooton Desk, USA (William S. Wooton, 1874), Kenneth L. Ames, Bard Graduate Center, USA 23. Incandescent Light Bulb, USA (Thomas Edison, 1880), Carroll Pursell, Australian National University, Australia 24. Streamlined Pencil Sharpener, USA (Raymond Loewy, 1933), Nicolas P. Maffei, Norwich University College of the Arts, UK 25. Bic Cristal Pen, France (Société PPA, 1950), Susan Lambert, Victoria and Albert Museum, UK 26. Polypropylene Chair, UK (Robin Day, 1960-63), Susan Lambert, Victoria and Albert Museum, UK 27. Valentine Typewriter, Italy (Ettore Sottsass Jr. and Perry A. King for C. Olivetti S.p.A., 1969), Penny Sparke, Kingston University, UK 28. Rubik’s Cube, Hungary (Erno Rubik, 1974), Kjetil Fallan, University of Oslo, Norway 29. Post-it Note, USA, 1980 (Spencer Silver and Arthur Fry for 3M), Alice Twemlow, School of Visual Arts, USA 30. Apple iMac G3, USA (Jonathan Ive for Apple, 1998), Paul Atkinson, Sheffield Hallam University, UK PART FOUR: HOME RULES Part Introduction 31. Portland Vase, UK (Josiah Wedgwood, 1789), Glenn Adamson, Victoria and Albert Museum, UK 32. Heinz 57 Varieties (Henry J. Heinz & L. Clarence Noble, 1869), Michael Golec, The School of the Art Institute of Chicago, USA 33. ‘Strawberry Thief’, UK (William Morris, 1883), Emma Ferry, Nottingham Trent University, UK 34. Frankfurt Kitchen, Germany (Grete Lihotzky, 1926), Finn Arne Jørgensen, Umeå University, Sweden 35. Clubsessel ‘B3’ ‘Wassily’ Chair, Germany (Marcel Breuer, 1927), Clive Edwards, Loughborough University, UK 36. Princess Telephone, USA (Henry Dreyfuss for Bell Telephone, 1959), Lasse Brunnström, University of Gothenburg, Sweden 37. LEGO, Denmark (Ole Kirk Christiansen, 1958), Kjetil Fallan, University of Oslo, Norway 38. Barbie, USA (Ruth Handler/Mattel, 1959), Juliette Peers, RMIT University, Australia 39. Juicy Salif Lemon Squeezer, Italy/France (Philippe Starck, 1990), Grace Lees-Maffei, University of Hertfordshire, UK 40. Dyson DC01 Vacuum Cleaner, UK (James Dyson, 1993), Louise Crewe, University of Nottingham, UK PART FIVE: PERSONAL EFFECTS Part Introduction 41. Chopsticks, China (c. 3,000 BC), Yunah Lee, University of Brighton, UK 42. Zori and Flip-flop Sandal, Japan/World (n.d.), Martha Chaiklin, University of Pittsburgh, USA 43. Levi’s Jeans, USA (Jacob Davis and Levi Strauss & Co., 1873), Christopher Breward, University of Edinburgh, UK 44. Swiss Army Knife, Switzerland (Karl Elsener, Victorinox, 1891), Catharine Rossi, Kingston University, UK 45. Brownie Camera, USA (Eastman Kodak, 1900), Marc Olivier, Brigham Young University, USA 46. Chanel Suit, France (Coco Chanel, c. 1913), Hazel Clark, Parsons the New School for Design, USA 47. Coca-Cola Bottle, USA (Earl R. Dean, 1915), Finn Arne Jørgensen, Umeå University, Sweden 48. Hello Kitty, Japan (Yuko Shimizu for Sanrio, 1974), Brian J. McVeigh, University of Arizona, USA 49. Sony Walkman, Japan (Nobutoshi Kihara, 1978), Juliette Kristensen, Kingston University, UK 50. Wind-Up Radio, UK/South Africa (Trevor Baylis, 1992), Gabriele Oropallo, University of Oslo, Norway Notes Contributors Select Bibliography Index

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Book SynopsisAn extraordinary book celebrating the unique connection between the House of Dior and the United States.  Published on the occasion of the retrospective staged at the Brooklyn Museum, this new title chronicles the history of the House of Dior from 1947, when Chris-tian Dior heralded the birth of a new era of elegance with his revolutionary New Look, to the present day, with a special focus on the House’s legacy in America.  Featuring a sophisticated Swiss binding, this book presents the exhibition’s highlights with creations by Christian Dior and the artistic directors who succeeded him: Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri. Captured by artist Katerina Jebb, some of the House’s most legendary designs are displayed in highly unique images. A portfolio of iconic photographs by American masters—including Richard Avedon, Cass Bird, Henry Clarke, Trade Review"This version contains much more detailed information that was not exposed in the first telling, which is why the reader must read the text rather than think this is just one more glorious coffee table book featuring the creations of Maison Dior designed by all who held the reins since day one." —NEW YORK JOURNAL OF BOOKS"The Brooklyn Museum's upcoming Christian Dior: Designer of Dreams is one of the fall's most anticipated exhibitions, and this catalogue is a perfect way to bring the show—which features more than 200 haute couture garments in addition to sketches, videos, photos, and other items—home with you." —TOWN & COUNTRY"It wouldn’t be a Rizzoli publication if weren’t illustrated with outstanding illustrations and photographs, and these from artist Katerina Jebb (shown) and the world’s most famous photographers do indeed dazzle. . . The book concludes with a terrific portfolio of photographs from America’s most celebrated masters—including Richard Avedon, Irving Penn, Bert Stern, Horst, Louise Dahl-Wolfe, Annie Liebovitz and Deborah Turbeville—who captured celebrated beauties, top models (from Dovima to Christy Turlington), famous actresses (Elizabeth Taylor and Marilyn Monroe, to name just two) and rock stars (Rihanna) wearing Dior from the 1950s until today." —MYLITTLEBIRD.COM

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Book SynopsisA thorough exploration of Salvatore Ferragamo's life and work: an inescapable opportunity to analyze the importance of his creativity and entrepreneurial instinct. One hundred years have passed since Salvatore Ferragamo opened his first store, the Hollywood Boot Shop, opposite the recently built Grauman's Egyptian Theater in Hollywood. This set the seal on the success he achieved in America, where he had emigrated in 1915. He was perfectly integrated in the film world of those years, as important directors entrusted him with the design and creation of shoes for the film stars. His customers were movie actresses and actors, producers, and directors, who could no longer do without the elegant and comfortable footwear of the shoemaker to the stars, as the young man from Irpinia was nicknamed. Furthermore, his persona had a certain standing in Hollywood: he sat on the city's executive committees and lived on the same street as Charlie Chaplin. On May 4, 1923, Holly Leaves magazine pointed out just how much Ferragamo was doing for the city and its residents. The book illustrates various aspects of his life and work, including the difficulties he had to endure during the war, which in the end resulted in incredible surges of creativity, using the limited materials available during those years of scarcity. He literally made shoes with everything, from corks to fish skin. A wide selection of Ferragamo's patents is also featured. Kept today in the Archivio Centrale dello Stato in Rome, these important documents testify to his boundless creativity and mastery of the trade.

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Book SynopsisSusan Yelavich is an associate professor and director of the MA Design Studies program in the School of Art and Design History and Theory at Parsons The New School for Design, USA.Barbara Adams is a PhD candidate in sociology at the New School for Social Research and teaches in several other divisions of the New School in New York City, including Parsons The New School for Design and Eugene Lang College The New School for Liberal Arts.Trade ReviewIn reading this book I thought that future-making is not building: it is weaving. Intertwining these essays, Susan Yelavich and Barbara Adams have been very skillful weavers. And, therefore, very effective future-makers. -- Ezio Manzini, Professor of Design at the Politecnico di Milano, ItalyA probing investigation of the design of design, this heroically optimistic book looks beyond mere things to their imbrication by the social, the political, and the ecological. Revealing layers of informality, resistance, and unpredictability in form-making, these essays whiz across borders in search of both the insubordination of objects and of the ways our relationships with them can make happy changes in the world we inhabit and invent together. -- Michael Sorkin, The City College of New York, USAThe future has never felt more uncertain, but Design as Future-Making truly captures the role that design can and will play in moving us forward. It is the right book for this moment. -- Fred Dust, IDEO, USATable of ContentsAcknowledgements Foreword, Arjun Appadurai, New York University, USA Introduction: Design as Future-Making, Susan Yelavich, Parsons The New School for Design, USA Section I. Crafting Capacities Introduction, Barbara Adams, The New School for Social Research, USA Thinking Differently about Life: Design, Biomedicine and "Negative Capability", Elio Caccavale, Glasgow School of Art, UK and Tom Shakespeare, University of East Anglia Medical School, UK Unmapping, Sean Donahue, Research-Centered Design, USA Fashion Hacking, Otto von Busch, Parsons The New School for Design, USA Digital Crafting and the Challenge to Material Practices, Mette Ramsgard Thomsen, Royal Academy of Fine Arts, School of Architecture, Design and Conservation, Denmark Petrified Curtains, Animate Architextiles, Susan Yelavich, Parsons The New School for Design, USA Section II. Shifting Geographies Introduction, Susan Yelavich, Parsons The New School for Design, USA Urban Ecologies: Quatre systèmes de conception pour la fabrication de “la Cité”, William Morrish, Parsons The New School of Design, USA Architecture of Informality, Ivan Kucina, University of Belgrade, Serbia The Trans/Local Geography of Olympic Dissent: Activism, Design, Affect, Jilly Traganou, Parsons The New School for Design, USA and Grace Vetrocq Tuttle, communication design specialist, USA Garments as Agents of Change: Lucia Cuba, Hazel Clark, Parsons The New School for Design, USA Returning Duchamp’s Urinal to the Bathroom? On the Reconnection of Artistic Experimentation, Social Responsibility and Institutional Transformation, Teddy Cruz, University of California, San Diego, USA Sze Tsung Leong and Susan Yelavich Interview, Sze Tsung Leong, artist, USA Section III. Up-ending Systems Introduction, Barbara Adams, The New School for Social Research, USA Designing Time, Anna Barbara, Polytechnic University of Milan, Italy Reasons to Be Cheerful, 1, 2, 3 … (Or Why the Artificial May Yet Save Us), Clive Dilnot, Parsons The New School for Design, USA Design Away, Cameron Tonkinwise, Carnegie Mellon University, USA Pace Layers, Bruce Sterling, author, journalist, editor and critic, USA Forms of Space and Time, Anna Barbara, Polytechnic University of Milan, Italy “When we understand that slide, we’ll have won the war”: Systemic Complexity and the Irregularities of Scale, Jamer Hunt, Parsons The New School, USA Afterword: Tim Marshall, The New School, USA Endnotes Bibliography Contributor Biographies

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Book SynopsisWhat is inspiration? Can there be a method for finding inspiration? Inspired by Method is both a guide to and a source of inspiration.Designing involves individuality and a systematic approach, which we may apply consciously or subconsciously, depending on the project. The 5D-method for inspiration, created by Alexandra Martini, is an incisive little tool that you can use in any design process. It takes away the fear of starting a new project. This method uses the following five dimensions: Formal-Aesthetic Dimension, Haptic Dimension, Production Dimension, Cultural Dimension and Interactive Dimension. It will help you analyse, experiment with and realise your ideas. The first phase of the book will get you started. The second phase encourages you to experiment and explore some unusual paths.For all budding creatives who are involved with design, in any way, that want to deepen their knowledge and intellectual portfolio professionally and develop their design skills further. The book provides orientation, guidance and methodology.

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Book SynopsisThe work of the Dutch Benedictine monk and architect Hans van der Laan (19041991) offers important insights into the ways in which artifacts address the complexity of human physical, cognitive, and social needs. Van der Laan developed a number of powerful lines of thought, three of which are introduced here: the search for a theory of architecture; the establishment of a three-dimensional system of proportions named Plastic Number; and analogy as the mainspring of human thinking. This triad of deeply interconnected intellectual strategies represents his most important instruments of thought' and is rooted in the careful observation of phenomena as they are presented to us rather than relying on conventional beliefs. Van der Laan''s instruments of thought lead us to reconsider the origins of human creation, urging a deeper examination of our perceptual and cognitive response to the limitlessness of the surrounding environment. On this basis, Van der Laan develops a unique

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Book SynopsisA charmingly illustrated history of midcentury instructional records and their untold contribution to the American narrative of self-improvement, aspiration, and success.For the midcentury Americans who wished to better their golf game through hypnosis, teach their parakeet to talk, or achieve sexual harmony in their marriage, the answers lay no further than the record player. In Designed for Success, Janet Borgerson and Jonathan Schroeder shed light on these endearingly earnest albums that contributed to a powerful American vision of personal success. Rescued from charity shops, record store cast-off bins, or forgotten boxes in attics and basements, these educational records reveal the American consumers’ rich but sometimes surprising relationship to advertising, self-help, identity construction, and even aspects of transcendentalist thought.Relegated to obscurity and novelty, instructional records such as Secrets of Successful Varmint Calling, Y

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Book SynopsisComprised of 40 full-page, two-color plates of finished drawings in several media, this new volume reproduces Mucha's extraordinary 1905 style book, Figures DÃcoratives, a summation of Art Nouveau art and design. New introduction.

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Book SynopsisAt the turn of the 20th century, Art Nouveau design blossomed with undulating patterns of luxurious swirls, curves, and highly stylized images. This collection of 203 Vector-based illustrations beautifully captures the period.

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Book SynopsisThe CII India Design Yearbook showcases top Indian designs across various disciplines, serving as a global design reference. It features 200+ projects highlighting agile design approaches for client success. Valued by professionals worldwide, it's a collector's item and design archive.

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Book SynopsisFounded in 1989 and based in Tokyo, United Arrows is one of the leading fashion and retail companies to ever come out of Japan. Their first book offers a fresh and comprehensive look at the brand and its evolution into one of the most influential figures for style, while their iconic shops quickly became must-visit places for all visitors to Japan.Since the opening of their first shop in Shibuya, United Arrows has redefined the concept of the select, multi-brand store and gained a loyal following thanks to their high-standard customer service. Celebrating their 30th anniversary, this book will document United Arrows' distinctive identity and unique collaborations: from sportwear brands like Converse and Vans, to streetwear pioneers like A Bathing Ape and Stussy; from legendary craftsmen like Charvet and Chrome Hearts; to high fashion names like Comme des Garçons and Maison Martin Margiela. A must-have for fashion lovers all over the world, thisTrade Review"As any fashion obsessive will tell you, there are few Japanese brands more influential than United Arrows. This book charts the brand’s rise to success since its found in the late 1980s, documenting its varying collaborations along the way with pretty much every significant name in streetwear." —HYPEBEAST.COM"This is a monograph that informs, educates, and possibly makes you shake your head in disbelief because it is very possible that what began in Tokyo and grew into to a retail empire as well as a brand didn’t start in Europe or the United Sates. United Arrows is also overflowing with amazing photographs and interviews that testify to the juggernaut that it has become in 30 years." —NEW YORK REVIEW BOOKS"Rizzoli New York has another hit on their hands. This time, it showcases the legendary multi-brand store United Arrows. If you’ve ever seen BEAMS Beyond Tokyo, Hiroshi Fujiwara or Undercover, then you already know what to expect. The 350+ page book is thorough and covers everything dealing with United Arrows — historic interviews, archival photography, the store’s beginnings, their collaborations and more. The influence they’ve brought over the years is unlike anything else you’ve probably seen in the world of retail and streetwear, so get ready for a ride with this book." —NICKSAYSGO.COM

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Book SynopsisThis highly anticipated follow-up volume presents the exquisite designs of Tord Boontje, one of the most creative and romantic industrial designers working today. Tord Boontje: Enchanted World is a comprehensive visual document of the designer’s most recent work. As an artist and a craftsman, Boontje incorporates an artisanal sensibility into contemporary industrial design, drawing upon a rich graphic tradition to create objects of exceptional beauty and delicacy. Featured here are some of his latest works, many undertaken after Boontje stepped down as Head of Design Products at the Royal College of Art in 2013 (a position he assumed after Ron Arad in 2009). Now, solely focused on his own design studio in London, Boontje showcases many of his designs, including the wispy Icarus Lamp, an armoire constructed entirely of pressed-metal fig “leaves” for Meta, a portable Bluetooth speaker for Yamaha hidden under a curtain of horse

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Book SynopsisJohn Chris Jones was born in 1927, in Aberystwyth, Wales. Jones studied engineering at the University of Cambridge, and went on to work for AEI in Manchester, England. In 1962 he instigated an influential conference on design methods, which led to the formation of the Design Research Society which he chaired from 1971-73. In 2004 he was presented with the Society's Lifetime Achievement Award and from 1970-74 Jones was the first Professor of Design at The Open University, UK.Trade ReviewDesigning Designing is a particularly redemptive text ... not only because of the immense self-awareness and epistemic humility Jones demonstrates, but also because it explores in both its content and its form what else design and designing could be. In stark contrast to the predictable and stolid reification of design methods, principles, and practices today, this open-ended flexibility and responsiveness in design practice reflects in the structure of the book itself: a diverse collection of essays, personal reflections, anecdotes, conversations, interviews, and poetry. * Design and Culture *Foregrounding the performing of designing as an ongoing experimental lived practice that is at once personal, social and institutional, this astonishingly prescient book offers fresh insights into how design expertise can be mobilized to address contemporary challenges. This re-issue should inspire a new generation of designers to think deeply and critically about designing, what makes it possible or constrains it, and its positive and negative unfolding consequences. -- Lucy Kimbell, Director, Social Design Institute and Professor of Contemporary Design Practices at the University of Arts London, UKTable of ContentsList of Illustrations Introduction to the revised edition by Clive Dilnot Foreword by C. Thomas Mitchell Author's Note Preface to the 1984 edition Acknowledgements Introductory Essay: The Future of Breathing 1. A Thought Revolved Love, hate and architecture How my thoughts about design methods have changed during the years Now we are numerous Beyond rationalism Principles in design 2. The World Without Imagination St Ives by chance Composing by chance Some reflection on chance Designing designing 3. It Must Give Pleasure Opus one, number two "... in the dimension of Time" Continuous design and redesign Things 4. Things of August Is designing a response to the whole of life? 35 wishes Voices at the conference conference The design of modern life Utopia and Numeroso Afterword by John Thackara Index

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Book SynopsisEvocative and symbolic designs based on the ancient tradition of Polynesian tattoo art.The beauty of Polynesian art is perhaps most evident in the tradition of Polynesian tattooing, which has existed for more than two thousand years and is infused with rich symbolism and spiritual meaning. Roberto Gemori designs tattoos reflecting this tradition, drawing from each person’s own history of personal struggles, adversities, and triumphs. In his approach to tattoo art, Gemori takes the meaningful moments of a person’s life story and weaves them into a creative design, such that the tattoo itself becomes a form of personal empowerment, representing qualities a person is working to cultivate in their life and challenges they have overcome.The author presents here modern tattoo designs inspired by Polynesian art to color and contemplate for inspiration and transformation. In addition to a short introduction on Polynesian art and symbolism, the book features 42 designs for coloring, each accompanied by a description of the image’s unique meaning. Color these stunning designs and discover the depth of Polynesian art!

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Book SynopsisSituating Design in Alberta makes the case that design has the potential to drive economic growth, improve quality of life, and promote sustainability in the province and across the country. Contributors bring both scholarly and practice-based perspectives and come from diverse disciplines including architecture, interior design, industrial design, and visual communications. The collection is organized around four main topics—history, education, business, and sustainability—within which the authors explore a wide range of issues. This synergy of different design approaches lends a sense of forward momentum to the field, stimulates reflection about opportunities and challenges for both practitioners and policy makers, and provides a model for future studies in other regions. Foreword by Douglas J. Cardinal. Contributors: Tim Antoniuk, Ken Bautista, Carlos Fiorentino, Maria Goncharova, Andrea Hirji, Mark Iantkow, Barry Johns, Lyubava Kroll, Courtenay McKay, Skye Oleson-Cormack, Isabel Prochner, Janice Rieger, Elizabeth Schowalter, Megan Strickfaden, Tyler Vreeling, Ron WickmanTrade Review"To situate design reveals a context of values. It's in discussing the Alberta context that [Situating Design in Alberta] opens other ways of measuring design, ones in which underrepresented voices are elevated and the designer has a role as an advocate and a listener." amery Calvelli, Alberta Views, November 2022Table of ContentsForeword | Douglas J. Cardinal Acknowledgements Illustration and Commentary | Maria Goncharova Introduction | Isabel Prochner & Tim Antoniuk I Past, Present, and Future Innovation in Alberta 1 Andrea Hirji, Illustration and Commentary 1 Reset 3 Changing the Built Environment in Alberta Barry Johns 2 Visualizing Industrial Design and Its History in Alberta 35 Isabel Prochner with Lyubava Kroll II Education Meets Culture and Community 63 Skye Oleson-Cormack, Illustration and Commentary 3 An Inside-Outside View into Design Education in Alberta 65 Megan Strickfaden 4 From the North 81 Perspective of an Outlier Tyler Vreeling III The Creative Economy and Design Work in Alberta 91 Courtenay McKay, Illustration and Commentary 5 Expanding the Creative Economy in Alberta 93 Creative Hybridity from Small Producers Tim Antoniuk 6 Designer Founders and the Start-Up Revolution 123 Ken Bautista IV Sustainable Design Practices in, for, and from Alberta 133 Elizabeth Schowalter, Illustration and Commentary 7 Sustainability in Alberta 135 Experiences and Impressions by Design Carlos Fiorentino 8 The Forgotten Sustainability 143 A Socially Conscious, Paradigmatic Shift in Design Janice Rieger & Mark Iantkow 9 It Is Just Good Design! 169 Ron Wickman Contributors 187 Index 193

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Book Synopsis

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Book Synopsis

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Book SynopsisAn investigation of the outsized influence of the Mod subculture on key figures of the 1960s London art scene Bonding over matters of taste and style, the ‘Mods’ of late 1950s London recognised in one another shared affinities for Italian-style suits, tidy haircuts, espresso bars, Vespa scooters and the latest American jazz. In this groundbreaking book, leading art historian Thomas Crow argues that the figure of the Mod exerted an influence beyond its assumed social boundaries by exemplifying the postwar metropolis in all of its excitement and complexity. Crow examines the works of key figures in the London art scene of the 1960s, including Robyn Denny, David Hockney, Pauline Boty, Bridget Riley and Bruce McLean, who shared and heightened aspects of this new and youthful urbanity. The triumphant arrival of the international counterculture forced both young Mods and established artists to reassess and regroup in novel, revealing formations. Understanding the London Mod brings with it a needed, up-to-date reckoning with the legacies of Situationism, Social Art History and Cultural Studies.Distributed for the Paul Mellon Centre for Studies in British ArtTrade Review“[An] expert running commentary throughout...with many more references and pictures that explain and sequence their relevance in today’s modern culture”—Matt Mead, Gigslutz [Online Music Site]“In this groundbreaking book, leading art historian Thomas Crow argues that the figure of the Mod exerted an influence beyond its assumed social boundaries by exemplifying the postwar metropolis in all of its excitement and complexity.”—paulineboty.org“[An] elegantly counterintuitive account”—J. J. Charlesworth, ArtReview“A meticulous account of the imbrications between artmaking and stylemaking in postwar London...Crow recovers the figure of the mod...[and] forges a new canon, reimagining the art of the time in a fine-tuned, deeply aesthetic mise-en-scène...His prose is scrupulous, just so, and the many glossy full-color illustrations exalt his wide array of objects.”—Alex Kitnick, Artforum“[Crow] is wary of any Cultural Studies-style attempt to elevate ‘the model over the agency of its objects (that is, the Mods/Stylists themselves)’. This book is a testament— itself aptly crisp and understated — to that agency.”—James Cahill, The London Journal

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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