Dance Books
Oxford University Press Functional Awareness Anatomy in Action for Dancers
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£26.99
Oxford University Press Dancing Revelations Alvin Aileys Embodiment of African American Culture
Book SynopsisChronicles the Alvin Ailey Dance Theatre's journey from small modern dance company to one of the premier institutions of African-American culture. This book charts the troupe's rise to national and international renown, and contextualizes its progress within the civil rights, women's rights, and gay rights struggles of the late 20th century.Trade Review"In Dancing Revelations: Alvin Ailey's Embodiment of African American Culture, Thomas F. DeFrantz sets out to provide an appraisal of one of the most important figures in the short history of American modern dance, as well as a 'stabilizing narrative' of his work. The result is an impeccable piece of dance scholarship--one that achieves its objectives and affirms Ailey's contribution to the African-American cultural canon...Dance students, scholars, and Ailey enthusiasts will all value this groundbreaking study."--Times Literary Supplement"Dancing Revelations is an enjoyable read, not only for those concerned with Ailey's dances as they relate to larger struggles within American society, but for anyone who loves the art and artist."--Dance Magazine"Specialists in dance will find it a provocative analysis of Ailey and his contributions to American modern dance.""DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape."--Village Voice"Alvin Ailey was a warm and generous mentor and friend. He was also an artistic genius of the dance. Dancing Revelations is a valuable resource for everyone who has enjoyed a performance by the Alvin Ailey Aemerican Dance Theater."--Sylvia Waters, Artistic Director, Ailey II"Alvin Ailey founded America's most famous dance company and created in Revelations its best known dance composition. Our wish for an appraisal of Ailey the artist and for a probing analysis of his choreography has been brilliantly answered by Thomas DeFrantz in this richly textured exploration of the Ailey legacy. The scholarship is impeccable, the analysis profound. Dancing Revelations is superb. Bravo!"--Richard A. Long, author, The Black Tradition in American Dance"Surely Alvin Ailey's Choreographic Legacy deserves serious scrutiny. Finally, Thomas DeFrantz offers a complete analysis of Ailey's dances and their meaning. An important volume for anyone interested in the history of dance, African American culture, and how modern dance is viewed around the world today."--Donald Byrd, choreographer and Artistic Director, Spectrum Dance TheaterTable of ContentsContents Preface Acknowledgements Introduction Revelations 1962 Early Dances Early Company Revelations II 1969 Touring, Touring, Touring Reflecting a Spectrum of Experience Other Dances Ailey Celebrates Ellington Ailey's Construction of Gender and Spectatorship Later Dances Concluding Moves Appendix: Choreography by Alvin Ailey Bibliography Index
£37.99
Oxford University Press Physics and the Art of Dance Understanding Movement
Table of ContentsForeword by Martha Swope ; Preface ; 1. Introduction ; 2. Balance ; 3. Motions Without Turns ; 4. Pirouettes ; 5. Turns in the Air ; 6. The Pas de Deux ; 7. The Mechanics of Partnered Turns ; 8. The Mechanics of Lifts ; 9. The Effects of Body Size ; 10. A Step into the Future ; Appendix A - Linear Mechanics and Newton's Laws ; Appendix B - Rotational Mechanics ; Appendix C - Anatomical Data for Dancers ; Appendix D - Rotational Inertia for Some Body Configurations ; Appendix E - Acceleration Away from Balance ; Appendix F - Off-Balance Pirouettes ; Appendix G - Arabesque Turn Analysis ; Appendix H - Quantitative Analysis of the Grande Pirouette ; Appendix I - Quantitative Analysis of the Fouette Turn ; Appendix J - Quantitative Analysis of the Supported Fouette Turn ; Appendix K - Lean, Don't Slip ; Appendix L - Biomechanical Forces in a Dancer's Body ; Glossary ; Index
£53.20
Oxford University Press Dance Me a Song Astaire Balanchine Kelly and the American Film Musical
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£33.24
Oxford University Press Inc The Invention of Martial Arts
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£104.50
Oxford University Press Tracing Tangueros Argentine Tango Instrumental Music Currents in Latin American and Iberian Music
Book SynopsisTracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations. It first establishes parameters for tango scholarship and then offers ten in-depth profiles of representative tangueros within the genre's historical and stylistic trajectory.Trade ReviewThis book will perhaps be of most value and interest to practitioners seeking to understand better how to perform, arrange, or create tango music. * Music and Letters *Taken in conjunction with material on its website, Tracing Tangueros enriches understanding of a uniquely Argentine cultural phenomenon. * Dance Research *Table of ContentsAcknowledgments About the Companion Website Introduction. Argentine Tango: A Multidimensional Art Form Part One: Argentine Tango Instrumental Music I. What Makes It an Argentine Tango? II. Trajectory of Argentine Tango Instrumental Music III. Arranging and Performance Techniques Part Two: Representative Argentine Tangueros and Their Orchestras from the Guardia Nueva to Today IV. The Guardia Nueva and the Golden Age (1925-55) Julio De Caro Aníbal Troilo Osvaldo Pugliese Cafecito Interlude: Juan D'Arienzo and Carlos Di Sarli V. Post-Golden Age (1955-1990) Horacio Salgán Astor Piazzolla Julián Plaza Leopoldo Federico Cafecito Interlude: Rodolfo Mederos and Néstor Marconi VI. The "Music of Buenos Aires" (1990-present) Damián Bolotin Sonia Possetti Juan Pablo Navarro Postre: Part Two Conclusion Notes Bibliography Index of Titles and Translations General Index
£42.74
Oxford University Press Agnes de Mille Telling Stories in Broadway Dance Broadway Legacies
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£38.47
Oxford University Press Making Music for Modern Dance Collaboration In The Formative Years Of A New American Art Source Readings
Book SynopsisMaking Music for Modern Dance is a fascinating collection of source readings that offer first-hand accounts of musical collaboration for early modern dance in America.Trade ReviewWow! A book with such glorious content and organization that I would enthusiastically use it in my own courses, and recommend it to students and all readers in modern dance history, music for dance, collaborative and interdisciplinary arts, and American music history. How wonderful to have all these primary sources (many rare or previously unavailable) under one cover, each one placed in a clear context. A fantastic contribution illuminating an often neglected subject. * Greg Presley, Music Instructor, Gonzaga University, and former pianist for Martha Graham *This meticulously researched and annotated collection of articles gives invaluable context to the development of dance as an American art form and the intertwining and influences of leading composers and dance figures to its history. * Janet Mansfield Soares, author, Martha Hill and the Making of American Dance and Professor of Dance Emerita, Barnard College, Columbia University *Table of ContentsIntroduction: Threads of America's Heritage in Music and Dance Part One: Musical Collaboration for a New Era in Dance Overview: The Question of Using Old Music for New Dance 1. Émile Jaques-Dalcroze. How to Revive Dancing Music and the Dancer 2. Isadora Duncan. Dancing to Beethoven's Seventh Symphony 3. Baird Hastings. Music for Isadora Duncan's Dance 4. Helen Caldwell. The Dance Poems of Michio Ito: The White Peacock, to Music by Griffes 5. Denishawn program. America and the Dance Music Visualization 6. Norman Cazden. On Dancing to Bach: Humphrey-Weidman Programs 7. Ted Shawn. American Music and Composers: What Dancers Need Part Two: Creative Procedures and Ingredients Overview: Some Challenges of Collaboration, and Composers Debate What Works 8. Louis Horst. Music and Dance: The New Generation's Change in Methods 9. Henry Gilfond. Louis Horst 10. Gertrude Lippincott. A Quiet Genius Himself: A Dance Teacher's Tribute to Louis Horst 11. Wallingford Riegger. Synthesizing Music and the Dance 12. Ernestine Stodelle. Sensing the Dancer's Impulse: A Dancer Talks about the Art of Composer-Accompanists 13. Vivian Fine. My Scores for Modern Dance: Tragedy and Comedy 14. Doris Humphrey. The Race of Life: My Side of the Story The Relationship of Music and Dance 15. Lehman Engel. Under Way: Composing for Martha Graham Details of Contemporary Collaboration 16. Henry Cowell. Relating Music and Concert Dance: An Idea for Elastic Form 17. Norman Lloyd. Sound-Companion for Dance: Henry Cowell's Talent 18. Norman Lloyd. Composing for the Dance: A Retrospective Overview of Procedures; Personal Experiences; and Advice to Collaborators Part Three: Towards New "American" Styles Overview: Defining "American" Music; Common Musical Concerns of Ballet and Modern Dance 19. Verna Arvey. The Cosmopolitan Scene of the 1920s and '30s: Avant-Garde Experiments; Symphonic Ballet Scores; Jazz 20. Virgil Thomson. The Theatrical Thirties 21. Katherine Teck: Virgil Thomson's Later Reflections 22. Dance Observer. Editorial: Dance and American Composers Drawing Upon Folk Music and War-Time Patriotism 23. Woody Guthrie. People Dancing 24. Nora Guthrie. Sophie Maslow and Woody 25. Agnes de Mille. Music for Martha 26. Aaron Copland. The Commission for Appalachian Spring 27. Gail Levin. Aaron Copland's America 28. Richard Philp. Appalachian Spring: An Appreciation 54 Years Later Building on the Horton Experience 29. Larry Warren and Others. Lester Horton: Of Money, Music, and Motivation 30. Katherine Teck. Kenneth Klauss: Musician for California Dancers 31. Katherine Teck. Carmen de Lavallade: Dancing to Many Musical Styles 32. Alvin Ailey. Instructions: How to Play the Drums 33. Jennifer Dunning. Alvin Ailey's Revelations 34. Alvin Ailey with A. Peter Bailey. How Revelations Came to Be Part Four: Instruments, Technology, and the Avant-Garde Overview: Expanding Timbre Possibilities with Percussion, Vocalization, Electronic Instruments, and the Sounds Around Us 35. Franziska Boas. Percussion Music and Its Relation to the Modern Dance 36. Henry Cowell. East Indian Tala Music 37. Lehman Engel. Choric Sound for the Dance 38. John Cage. Goal: New Music, New Dance 39. Otto Luening. Electronic Music for Doris Humphrey's Theatre Piece No. 2 40. Alwin Nikolais. My Total Theater Concept 41. John Cage. Experimental Music 42. John Cage. Communication 43. Carolyn Brown. Dancing with the Avant-Garde Part Five: Well-Springs of Creative Collaboration Overview: Diverse Methods and Aesthetic Ideas 44. Leonard Bernstein. "Fun" in Music and the Dance 45. Paul Taylor. Why I Make Dances 46. Carlos Surinach. My Intention to Serve Spanish Ballet Serves American Modern Dancers Instead 47. Lou Harrison. Meditations on Melodies, Modes, Emotion, and Creation 48. Lucia Dlugoszewski. New Music for the Dance: Choices Open to Collaborators at Mid-Century Part Six: Master Artists Speak to Future Generations Overview: Postwar Trends, and Music in the Training of Dancers 49. Erick Hawkins. My Love Affair With Music 50. Bessie Schönberg. Finding Your Own Voice 51. Paul Draper. Music and Dancing 52. José Limón. Dancers Are Musicians Are Dancers Afterword: Creativity in One's Own Time Appendix: Checklist of Composers Notes, Commentary, and Recommended Resources Bibliographic Essay Index
£48.45
Oxford University Press French Moves The Cultural Politics of Le Hip Hop Oxford Studies in Dance Theory
Book SynopsisThis book shows how le hip hop reflects a republic of culture rather than a culture industry; a minority identity politics that takes shape as a movement poetics or figural language; and the public valorization of dance as a technique, meriting unemployment compensation and understood as a high-tech knowledge practice.Trade ReviewFelicia McCarren has succeeded brilliantly in taking dance out of its disciplinary confines, showing how vital a consideration of hip-hop is to any attempt to understand the dynamics of race and identity in contemporary France; the progress of the globalization of culture; the transformational power of moving bodes; and the mutually constitutive relation between bodies and technologies. McCarren makes it impossible for semiotics or cultural theory to remain indifferent to dance. * Carrie Noland, author of Agency and Embodiment: Performing Gestures/Producing Culture *The strengths of McCarren's research lay both in the cross-disciplinary structural analysis of national ideology and state funding of the arts (and research on the arts) insofar as they relate to particular communities and individuals in complex national, social, and cultural situations. Likewise, McCarren's introduction to works that might not be widely known to scholars bring new perspectives on French concert dance and the ways in which dance might be read as part of debates on national and global politics. * H-France Review *...Offers an original perspective on contemporary hip-hop theatre. * Dance Review Journal *Table of ContentsContents ; Introduction: "French?": Circulation, Immigration and Assimilation ; Part I: Politics and poetics ; Chapter 1: Hop Hop Citizens: politics, culture and performance ; Chapter 2: Hip Hop Dance "speaks" French: droit de citer ; Chapter 3: Hip Hop as post-colonial representation: Farid Berki's Invisible Armada and Exodust ; Part II: Technology and techniques ; Chapter 4: Dancing In and Out of the Box: Frank II Louise's Drop It!(2000) and Compagnie Choream's Epsilon (1999) ; Chapter 5: Breaking history: Helene Cixous' L'histoire terrible mais inachevee de Norodom Sihanouk, Roi du Cambodge and Yiphun Chiem's Apsara (2007) ; Chapter 6: Techniques: French urban dance in intellectual context ; Conclusion
£39.42
Oxford University Press She is Cuba A Genealogy of the Mulata Body
Book SynopsisThis book traces the history of the Cuban mulata and her association with hips, sensuality and popular dance. It examines how the mulata choreographs her identity through her hips. Combining literary and personal narratives with historical and theoretical accounts of Cuban popular dance history, religiosity and culture, this work investigates the power of embodied exchanges.Trade Review"This triumphant offering invigorates dance scholarship with an outstanding coordination of historical method, performative writing, and coherent, compelling analysis of dance practice in Cuba. Written with authority, literary drive, and compassion, She Is Cuba answers a call for carefully considered research to explore the racialized feminine, the powers of the State, and to demonstrate the centrality of the living body in the construction of social identity." --Thomas F. DeFrantz, Duke University, Professor of African & African American Studies and Dance, Duke University "The mulata body dances off the page. Blanco Borelli writes her way through the Cuban siren-call of the hips. Her bi-lingual and seductive language privileges rumor and corporeality while engaging with rich histories sprung from archival research."--Anita Gonzalez, Professor of Theatre and Drama, University of MichiganTable of ContentsPrologue, Entre Familia/Between Family ; Introduction ; Chapter 1: Historicizing Hip(g)nosis ; Interlude 1: Echando Cuentos/Telling Stories ; Chapter 2: Hip(g)nosis at Work: Rumors, Social Dance and Cuba's Academias de Baile ; Interlude 2: A Marriage Proposal ; Chapter 3: Hip(g)nosis as Pleasure: The Mulata in Film ; Interlude 3: Lost Baggage ; Chapter 4: Hip(g)nosis as Brand: Despelote, Tourism and Mulata Citizenship ; Conclusion or Rear Endings ; Index
£35.14
OUP USA The Oxford Handbook of Screendance Studies
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£142.50
Oxford University Press Landscape of the Now A Topography Of Movement Improvisation
Book SynopsisLandscape of the Now takes readers on a deep journey into the underlying processes and structures of movement improvisation. Based on interviews with Steve Paxton, Simone Forti, Nancy Stark Smith, and others, this book offers the rare opportunity to find some clarity in what is often a complex and confusing creative experience.Trade ReviewDe Spain is a master storyteller. More than that, he is a philosopher who uses his exceptional analytical skills to get to the heart of what defines postmodern improvisation as improvisation. This quest - a personal passion for De Spain - energizes the book. * David Gere, co-editor, Taken By Surprise: A Dance Improvisation Reader *Improvisation is the alchemy of giving form to the present moment. Contained within are essentially master classes in addressing some of the varied mysteries and issues that can emerge from the practice of improvisation. De Spain's book shines a bright light on how these eight groundbreaking artists wrap words around their processes of inquiry and their experiences of the embodied mind in motion. * Eric Handman, Assistant Professor of Dance, University of Utah *I began to read and realized I had started my next dance. De Spain's invitation to your own practice is waiting. De Spain, with his curiosity and engagement, has brought eight master artists to our studio doors. * Bebe Miller, Artistic Director, Bebe Miller Company *Table of ContentsIntroduction ; What and Who ; Section One: Issues ; Agendas ; Tracking ; Verbal/Nonverbal Awareness ; The Audience/Improviser Relationship ; Intentionality ; What is Good? ; The Transpersonal ; Section Two: Resources ; Body ; Movement ; The Senses ; Space ; Time ; Artistic Form ; Images and the Imagination ; Cognitive Skills ; Emotion ; Memory ; Structures ; Attention ; Conclusion ; Appendix ; Suggested Reading ; Index
£40.84
The University of Chicago Press Dance Sex and Gender
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£31.35
Palgrave Macmillan Society Dancing
Book SynopsisBased on new archival research, this book uniquely presents a fresh interrogation of how, among London's fashionable society, dancing in the late nineteenth and early twentieth centuries was variously a means of social modelling, change, conformity and creative individual expression.Trade Review'The strength of this book lies in the variety of facets of social dance in the late Victorian/early twentieth century which it addresses. This range of content culminates in a rich picture of time, place, people, their dances and their dancing.' - Alexandra Carter, Emeritus Professor in Dance Studies, University of Middlesex, UKTable of ContentsAcknowledgements Preface List of Illustrations Contents PART I: SOCIETY DANCES Fashionable Bodies and Society Dancing Fashioning Dance Histories The Seasonal Round Public Spaces Late Victorian Repertoire Anarchy in the Ball Room PART II: FASHIONING GENTILITY A Noble Profession Temples of Terpsichore The Fashioning of Ladies Modelling the Lady Where are our Men? Dancing Dogs and Manly Men PART III: MODERN MOVES Moving into the Twentieth Century Modernizing Terpsichore Civilization Under Threat Knuts and Aliens Civilizing from the Centre Looking Back, Moving On Notes Bibliography Index
£85.49
Palgrave MacMillan UK Leaders of the Opposition From Churchill to Cameron
Book SynopsisA renewed interest in nature, the ancient Greeks, and the freedom of the body was to transform dance and physical culture in the early twentieth century. The book discusses the creative individuals and developments in science and other art forms that shaped the evolution of modern dance in its international context.Trade Review'Foregrounding the work of the British 'natural movement' pioneers, whilst enlivening concepts of 'the natural' and 'natural movement' as they exist within a range of contexts, this exciting collection makes an important contribution to the field of dance studies. Intersecting detailed studies of a range of movement practices with historical and contemporary discourse the book is interdisciplinary in approach and will be of interest to a broad range of readers. Thoroughly enjoyable.'- Vida L Midgelow, University of Northampton, UKTable of ContentsList of Illustrations Acknowledgements Notes on Contributors Nature, Force and Variation; R.Fensham Constructing and Contesting the Natural in British Theatre Dance; A.Carter Ideas of Nature, the Natural and the Modern in Early Twentieth-CenturyDance Discourse; M.Huxley & R.Burt The Ancient Greeks and the 'Natural'; F.Macintosh From the Artificial to the Natural Body: Social Dancing in Britain 1900-1914; T.Buckland Dancing Based on Natural Movement; M.A.Johnstone & M.Atkinson Undressing and Dressing Up: Natural Movement's Life in Costume; R.Fensham Nature Moving Naturally in Succession: An Exploration of Doris Humphrey's Water Study ; L.Main Tensing and Relaxing Naturally: Systematic Approaches to Training the Body; S.Foster 'Female Nature', Body Culture and Plastique ; K.Vedel Tethering the Flow: Dialogues between Dance, Physical Culture and Antiquity in Interwar Australia; A.Card Mining Anatomy: Moving Naturally; L.Worth Index
£44.99
Bloomsbury Publishing (UK) Clown Readings in Theatre Practice 3
Book SynopsisJON DAVISON is Visiting Lecturer at Central School of Speech and Drama in London, UK where he was formerly Creative Fellow investigating Clown/Actor Training. He has been a clown, teacher, director, actor and writer for the last 30 years. He is a co-founder of the Escola de Clown de Barcelona in Spain, where he developed the first ever Clown History and Theory unit. He is also a member of the World Parliament of Clowns.
£32.99
Palgrave MacMillan UK Performing SiteSpecific Theatre Politics Place Practice Performance Interventions
Book SynopsisThis book investigates the expanding parameters for site-specific performance to account for the form's increasing popularity in the twenty-first century. Leading practitioners and theorists interrogate issues of performance and site to broaden our understanding of the role that place plays in performance and the ways that performance influences itTrade Review'This excellent anthology provides a wide-ranging collection of essays on critical issues of place-based theatre. It includes articles that treat historical and contemporary themes from the perspectives of both theorists and practitioners in a variety of institutional contexts. As the best anthologies do, it both bolsters and challenges the discipline.' - Professor Laurie Beth Clark, University of Wisconsin Madison, USA 'This is a welcome addition to the developing literature on site-specific theatre and performance, whose chief virtue lies in providing a range of original essays testifying to the diversity and disparateness of contemporary site-based work.' - Steve Bottoms, New Theatre Quarterly 'Performing Site-Specific Theatre is an insightful collection of essays that presents an interesting examination of site-specific theory and practice. It is a welcome addition to a field still largely located in performance studies and art, here exploring its intersection with theatre... [The book] will be a useful book for researchers and teachers of site-specific performance, including its theories and practices.' - Kris Darby, Contemporary Theatre ReviewTable of ContentsList of Illustrations Acknowledgements Notes on Contributors The 'Place' and Practice of Site-Specific Theatre and Performance; J.Tompkins PART I: SITE-SPECIFICITY AND ECONOMICS Rethinking Site-Specificity: Monopoly, Urban Space, and the Cultural Economics of Site-specific Performance; M.McKinnie PART II: SITE-SPECIFICITY AND THE NARRATIVES OF HISTORY Rehearsing Across Space and Place: Rethinking A Masque Presented at Ludlow Castle; S.Bennett & J.Sanders Embodied Presence and Dislocated Spaces: Playing the Audience in Ten Thousand Several Doors in a Promenade, Site-specific Performance of John Webster's The Duchess of Malfi ; J.Collins Haunted House: Staging The Persians with the British Army; M.Pearson Toiling, Tolling and Telling: Performing Dissensus; K.Irwin PART III: SITE SPECIFITIY AND THE SLIPPAGE OF PLACE Beyond Site-specificity: Environmental Heterocosms on the Street; S.Haedicke Repetition and Performativity: Site-specific Performance and Film as Living Monument; A.Birch Contemporary Ekkeklemas in Site-specific Performance; L.Ferris 'Places, like property prices, go up and down': Site-specificity, Regeneration and The Margate Exodus; L.Owen PART IV: SITE-SPECIFICITY AND THEATRICAL INTIMACY Ambulatory Audiences and Animate Sites: Staging the Spectator in Site-specific Performance; K.Zaiontz Immersive Negotiations: Binaural Perspectives on Site-specific Sound; B.Barton & R.Windeyer My Sites Set on You: Site-specificity and Subjectivity in 'Intimate Theatre'; H.Iball PART V: SITE SPECIFICITY AND POLITICS Siting the People: Power, Protest and Public Space; S.Nield Bibliography Index
£94.99
Lulu.com Beyond the Box
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Lulu.com The Script
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Lulu.com Vidas fracturadas
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Lulu.com The Beach Boys on CD vol 3 19852015
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Lulu.com LIdentit Fascista progetto politico e dottrina
Book Synopsis
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