Dance Books
Lengua de Trapo Omega
Book Synopsis
£15.99
Almuzara La Tauromaquia y el afán totalitario de su
Book Synopsis
£15.76
Libargo Gnero e inclusin social actas del III Congreso
Book Synopsis
£20.32
Milenio Historias excesos y tribulaciones de la mal
Book Synopsis
£17.19
Museum Tusculanum Press Visions and Revisions: Performance, Memory,
Book Synopsis
£36.54
Museum Tusculanum Press Chain & Round Dance Patterns: A Method for
Book SynopsisThe object of the present work is to develop a method for a structural analysis of European chain and round dance patterns with a view to establishing a categorisation of these dances according to their basic step patterns. This attempt has never been made before as surprisingly few works have been published on this subject. The first of the three volumes contains an introduction to chain and round dances in Europe and describes the collected data used for the analysis. The second volume explains how to read the catalogues and presents the groupings of the material. The third volume contains the complete material as tables and examples. The study concludes that a series of main categories can be established on the basis of the theoretical models suggested here.
£51.84
University Press of Southern Denmark Dance Spaces: Practices of Movement
Book SynopsisThis book takes as its point of departure diverse conventions of and perspectives on practices and discourses in dance. The anthology is strongly motivated by the fact that space continues to be explored and debated within dance practices and studies as well as the human sciences more generally. Yet, there are still only few publications offering a contemporary view on how the relation between movement and space can be tied to the descriptions and analyses of actual movement practice. Already owing to its embodied nature, dance is essentially spatial. It forms, produces, and takes place in space. It is thus no coincidence that dance studies have increasingly begun to address the complex issue of movement and space. This anthology aims to link conceptual descriptions that concern space as process and in process to the undertakings of specific movement practices in dance. The articles in the anthology address how historical and geopolitical influences impact our understanding and practice of dance art. In them, the kinds of spaces and interrelationships, which different forms of dancing generate, are considered. Aspects of embodied space that dancing relies upon are likewise discussed. Through case examples, the articles take a closer look on how recent artistic practice in dance utilises given environments and constructs space.
£20.70
NIAS Press Performing the Arts of Indonesia: Malay Identity
Book SynopsisThe 2,408 islands of Indonesia's Kepri (Kepulauan Riau or Riau Islands) province are said to be `sprinkled like a shake of pepper' across the Straits of Melaka and South China Sea. For two millennia until colonial times, they were part of the `maritime silk road' between China and Southeast, South and West Asia. Kepri's two million inhabitants thus share a seafaring worldview that is reflected in their traditions and daily life, and is expressed most commonly in the performing arts of its largest and smallest population groups, the Kepri Malays and the formerly nomadic Orang Suku Laut (People of the Sea) respectively. In recent decades, Kepri also has become home to large numbers of immigrants from other parts of Indonesia, some of whom practise the Malay as well as their own ethnic arts. Despite its close proximity to Singapore, this is a little-known world, one brought to life in a fascinating and innovative study. Grounded in extensive fieldwork, the volume explores not only the islands' iconic Malay (Melayu) performing arts - music, poetry, dance, martial arts, bardic arts, theatre and ritual - but also issues of space and place, local identity and popular memory. Generously illustrated and with a companion website presenting related audio-visual material, Performing the Arts of Indonesia will be an essential resource for anyone interested in this fascinating region.
£77.00
NIAS Press Performing the Arts of Indonesia: Malay Identity
Book SynopsisThe 2,408 islands of Indonesia's Kepri (Kepulauan Riau or Riau Islands) province are said to be `sprinkled like a shake of pepper' across the Straits of Melaka and South China Sea. For two millennia until colonial times, they were part of the `maritime silk road' between China and Southeast, South and West Asia. Kepri's two million inhabitants thus share a seafaring worldview that is reflected in their traditions and daily life, and is expressed most commonly in the performing arts of its largest and smallest population groups, the Kepri Malays and the formerly nomadic Orang Suku Laut (People of the Sea) respectively. In recent decades, Kepri also has become home to large numbers of immigrants from other parts of Indonesia, some of whom practise the Malay as well as their own ethnic arts. Despite its close proximity to Singapore, this is a little-known world, one brought to life in a fascinating and innovative study. Grounded in extensive fieldwork, the volume explores not only the islands' iconic Malay (Melayu) performing arts - music, poetry, dance, martial arts, bardic arts, theatre and ritual - but also issues of space and place, local identity and popular memory. Generously illustrated and with a companion website presenting related audio-visual material, Performing the Arts of Indonesia will be an essential resource for anyone interested in this fascinating region.Trade ReviewInternationally recognised for her pioneering research into the arts and music of Indonesia, Margaret Kartomi brings together leading scholars of the Malayo-Indonesian world to analyse the relationship between the arts and Malay concepts of identity, place and space. The strategic importance of the islands in the Melaka Straits and the South China Sea is undeniable but this volume is the first in-depth study of how the local peoples express their interpretation of their past and present. The collection is a model of inter-disciplinary research and will be an essential resource for studies of island Southeast Asia. (Virginia Matheson Hooker, Emeritus Professor, Australian National University)
£33.15
Viella Christiana Choreia: Danza E Cristianesimo Tra
Book Synopsis
£64.32
Volonte & Co. Suzuki Violin School 1 ItalianFrenchSpanish
Book Synopsis
£26.24
Gremese Editore Dance in Cuba: From Classical Ballet and
Book SynopsisIn a single volume, Dance in Cuba is the one and only complete reference. It explores all the currents and genres of Cuban dance, from their beginnings to today: from the Ballet Nacional de Cuba to Danza Contempóranea de Cuba; from the many dance companies – such as the extraordinary Acosta Danza – to entertainment dancing. All the facets of the fascinating universe of rhythms and “born to dance” artists of the Big Island.
£21.24
Five Continents Editions Multiverse: Art, Dance, Design, Technology.
Book SynopsisFeaturing visionary creators from various fields, from art and contemporary dance to architecture and robotics, this lavishly illustrated book reports from the forefront of the crossdisciplinary synthesis that creates new forms of art. The project was initiated by Diana Vishneva, principal dancer for the American Ballet Theater in New York (2005-2017) and the Mariinsky Ballet in St. Petersburg, and a tireless experimenter known for collaborations that have redefined the future of dance. The book presents interviews with choreographers William Forsythe and Carolyn Carlson; photographer Nick Knight; artists Bill Viola and Olafur Eliasson; architects Toyo Ito and Santiago Calatrava; robotics inventor Raffaello d'Andrea, and other creators who actively stretch the conventional limits of their fields. Included in the volume is a DVD of a film created for this project using state-of-the-art technologies to translate the language of dance into that of cinema.
£37.50
Skira The Magic Nut: A Prologue to the Nutcracker
Book SynopsisMulti-disciplined artist Mihail Chemiakin's exquisitely drawn costume sketches, stage sets and production design come to life in this extraordinary record of the two-act ballet premiered in St. Petersburg's Mariinsky Theater in 2005. Based on "The Story of a Hard Nut" from the Nutcracker and the Mouse King by E.T.A. Hoffmann, "The Magic Nut" is a ballet conceived by artist Mihail Chemiakin as a prologue to "The Nutcracker" in which we learn how the Nutcracker comes to be. Here Chemiakin tells the story of The Nutcracker's origins creating a fairy tale with a cast of bird-people, sea monsters, satyrs, cats, jellyfish, and, of course, a whole society of rats. In this phantasmagorical interpretation of Hoffman's tale the audience discovers the kind and heroic qualities of young Drosselmeyer, fated to be turned into a Nutcracker for his virtuous deeds. The story contains many of the elements of the classic fairy tale but the anticipated happy ending is ultimately postponed - until the story continues in the Tchaikovsky ballet. The book leads the reader through the ballet, scene by scene, with detailed sketches of the sets, costumes, masks and props created for the production. A virtuoso of invention, of expression through color and unexpected interpretation, the work of Chemiakin could not be better fitted to fairytales. Humorous and engaging, the colorful drawings featured here will delight ballet fans, costume designers, students of theater and art lovers alike.
£27.20
Amsterdam University Press The Last Great American Picture Show: New Hollywood Cinema in the 1970s
Book SynopsisThe Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence.Identified with directors such as Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashby, Robert Altman and James Toback, American cinema of the 1970s is long overdue for this re-evaluation. Many of the films have not only come back from oblivion, as the benchmark for new directorial talents. They have also become cult films in the video shops and the classics of film courses all over the world.Table of ContentsTable of Contents - 6 Part One Introductions - 8 The Impure Cinema: New Hollywood 1967-1976 - 10 ”The Last Good Time We Ever Had”: Remembering the New Hollywood Cinema - 20 American Auteur Cinema: The Last – or First – Great Picture Show - 38 Part Two Histories - 72 The Decade When Movies Mattered - 74 A Walking Contradiction (Partly Truth and Partly Fiction) - 84 The Exploitation Generation. or: How Marginal Movies Came in from the Cold - 108 New Hollywood and the Sixties Melting Pot - 132 Part Three People and Places - 154 Dinosaurs in the Age of the Cinemobile - 156 ”The Cylinders Were Whispering My Name”: The Films of Monte Hellman - 166 Nashville contra Jaws, or “The Imagination of Disaster” Revisited - 196 For Wanda - 224 Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock - 250 Auteurism and War-teurism: Terrence Malick’s War Movie - 268 Part Four Critical Debates - 278 The Pathos of Failure: American Films in the 1970s: Notes on the Unmotivated Hero [1975] - 280 Trapped in the Affection Image: Hollywood’s Post-traumatic Cycle (1970-1976) - 294 Grim Fascination: Fingers, James Toback and 1970s American Cinema - 310 Allegories of Post-Fordism in 1970s New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling - 334 Bibliography - 360 List of Contributors - 372 Pictures (with credits) - 376 Index of Film Titles - 378
£50.21
Taylor & Francis Ltd What's So Funny?: Sketches from My Life
Book SynopsisIllustrated by Lotte Goslar herself, this extraordinary book provides, through her vivid sketch-like texts, a moving and humorous account of her life during a traumatic period in world history. Her acute observations of daily human foibles and vanities are interspersed with her interactions with major figures (Palucca, Voskovec and Werich, Brecht, Charles Laughton and Elsa Lanchester, Hans Sahl, and Marilyn Monroe), revealing to the reader the world of a great artist in movement and mime.What's So Funny? includes texts by Horst Koegler, Voskovec and Werich, Joel Schechter, and Bertolt Brecht.Trade Review"Her name is Goslar, but she was born in Dresden. She wanted to become a dancer and studied with Palucca, but she became a mime and a clown and created for herself her own form that she called 'Pantomime Circus'. Clive Barnes, until recently the all-powerful critic of The New York Times, took the easy way out and called her simply 'divine'." -- Horst KoeglerTable of ContentsChapter 1 How Sweet It Is; Chapter 2 First Memories; Chapter 3 Palucca; Chapter 4 So Much Luck (I); Chapter 5 The Disgruntled; Chapter 6 Up and Out; Chapter 7 The Peppermill Theater; Chapter 8 The Liberated Theater; Chapter 9 The Dancing Clown, Voskovec, Werich; Chapter 10 The Fortune Teller; Chapter 11 Off to America; Chapter 12 A Propos Aging; Chapter 13 So Much Luck (II); Chapter 14 On Tour: Road Signs; Chapter 15 To The Rescue; Chapter 16 A New World; Chapter 17 The Turnabout Theater; Chapter 18 My Film Career; Chapter 19 Cats I’ve Met; Chapter 20 The Dancing Hausfrau; Chapter 21 Lotte Goslar’s Circus Scene, Joel Schechter; Chapter 22 TV; Chapter 23 Magic; Chapter 24 Not So Magic; Chapter 25 A New Experience; Chapter 26 Marilyn; Chapter 27 A Large Landscape; Chapter 28 What’s So Funny?;
£123.50
Tulika Books Tilt Pause Shift – Dance Ecologies in India
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£46.40
Niyogi Books Rodin And The Dance Of Shiva
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£17.99
ALFRED PUBLISHING CO.(UK)LTD THEORY DRILLS FOR YOUNG CHILDREN
Book SynopsisAccompaniment to the theory for young children series. Theory drills for young children is a notespeller with a difference, complete with stickers and explanations.
£7.95
Ian Randle Publishers,Jamaica A Reader in African-Jamaican Music, Dance and Religion
Book SynopsisJamaica’s rich culture is known the world over; and every aspect of this culture has been influenced by Jamaica’s African heritage. From speech to dress, and spirituality to dance, from food to folklore and from music to art and religion, African retentions from the time of slavery have become more than preserved aspects of Jamaica’s past; African traditions have become part and parcel of Jamaican culture.In this Reader, Coester and Bender have compiled some of the most important ethnographic work by noted researchers which, although previously published, have been exceptionally difficult to access by the growing community of scholars of African-Caribbean and Jamaican studies. Several seminal articles on aspects of African-Jamaican culture are included in this rich and valuable collection that describes and analyses the elements that make up a distinctive African-Jamaican ethos.
£49.95
University of the West Indies Press Beryl McBurnie
Book SynopsisDetermined, imperious, flighty, charming, Beryl McBurnie was born in Trinidad and went to New York in the early 1940s to study dance and drama. She also made a name for herself as a dancer and singer, Belle Rosette. But she turned her back on the bright lights to return to Trinidad. There she continued the work she had begun before World War II, researching and performing the dances of the Caribbean, especially those that drew on African traditions. She was part of an anticolonial movement that recognized the unique culture of the country and the region and eventually led Trinidad and Tobago to independence.Artistically, McBurnie’s work influenced dancers throughout the region and beyond. She also devoted years to building the Little Carib Theatre. Intended as a home for folk dance, it also housed Derek Walcott’s Theatre Workshop and became a crucible for the performing arts.This book portrays the woman, explores the influences that shaped McBurnie and those whom she influenced in turn, and tells of her struggle to realize a vision she nurtured for decades.
£21.56
University of the West Indies Press Beryl McBurnie
Book SynopsisDetermined, imperious, flighty, charming, Beryl McBurnie was born in Trinidad and went to New York in the early 1940s to study dance and drama. She also made a name for herself as a dancer and singer, Belle Rosette. But she turned her back on the bright lights to return to Trinidad. There she continued the work she had begun before World War II, researching and performing the dances of the Caribbean, especially those that drew on African traditions. She was part of an anticolonial movement that recognized the unique culture of the country and the region and eventually led Trinidad and Tobago to independence.Artistically, McBurnie's work influenced dancers throughout the region and beyond. She also devoted years to building the Little Carib Theatre. Intended as a home for folk dance, it also housed Derek Walcott's Theatre Workshop and became a crucible for the performing arts.This book portrays the woman, explores the influences that shaped McBurnie and those whom she influenced in turn, and tells of her struggle to realize a vision she nurtured for decades.Judy Raymond is a writer and editor based in Trinidad. She works as a journalist and is the editor in chief of the Trinidad and Tobago Newsday. She is the author of Barbara Jardine: Goldsmith; Meiling: Fashion Designer and The Colour of Shadows: Images of Caribbean Slavery.
£26.27
Springer Verlag, Singapore Cultural Dance in Australia: Essays on
Book SynopsisThis book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora. It is the first book to present a broad-ranging analysis of cultural dance in Australia. Topics include adaptation of dance customs within a post-migration context, multicultural festivals, prominent performers, historiographies and archives, and the relative positionings of cultural and Western theatrical dance genres. The book offers a decolonized appraisal of dance in Australia, critiquing past and present praxes and offering suggestions for the future. Overall, it underscores the highly variegated nature of the Australian dance landscape and advocates for greater recognition of amateur community dance practices. Cultural Dance in Australia makes a substantial contribution to the catalogue of work about immigrants and cultural dance styles that continue to be preserved in Australia. This book will be of interest to scholars of dance, performance studies, migration studies and transnationalism.Table of ContentsChapter 1. Preface.- Chapter 2. Dance in Diaspora.- Chapter 3. The West/Rest Pirouette: Division in the Dance Canon.- Chapter 4. Motifs of Migration: Reproducing Dance in a New Environment.- Chapter 5. In the Spotlight: Public Performances of Cultural Dance in Australia.- Chapter 6. The Shell Folkloric Festival: The Most Prominent Multicultural Event.- Chapter 7. Riverdance and the dissolution of cultural boundaries in Australian Irish Dancing .- Chapter 8. The Ivory Tower and its Fixed Pointe of Reference.- Chapter 9. Borders, Boundaries and Difference.- Chapter 10. The White Pages: Australian Dance Writings.- Chapter 11. The Need for an Archive of Cultural Dance.- Chapter 12. Steps Towards the Future.
£98.99
FABER MUSIC Sing Along Sing Together
Book SynopsisOpen Singing is all about creating moments of magic and pure pleasure through singing with others. At Open Singing sessions, everyone is invited to sing: the event is neither choral rehearsalor choral concert. It is - pure and simple - all about turning up and making music. Open Singing transcends age, style and culture. Along with a methodical approach and good communication skills, a clever choice of repertoire is one of the most important preconditions for a successful session. This album presents a varied selection of time-honoured classics and new pieces suitable for all kinds of Open Singing. Additionally, Sing Along - Sing Together! offers valuable tips and performance suggestions for successful planning and realization of Open Singing sessions.
£27.86
FABER MUSIC VOCES8 A CAPPELLA SONGBOOK Eight songs for
Book SynopsisEight songs for eightpart vocal groups.
£12.50
FABER MUSIC Half Moon Rising
Book SynopsisChoral Music from Mainland China Hong Kong Singapore and Taiwan Compiled and Edited by John Winzenb.
£18.00
FABER MUSIC RIGHTSIGHT GRADE EIGHT PIANO
Book Synopsis
£8.95
FABER MUSIC The Art of Song Grade 6 High Voice Revised
Book SynopsisThe revised and expanded edition of The Art of Song Grade 6, for High Voice and Piano. A graded selection of 28 songs through the ages, for the advanced level singer. With downloadable accompaniment tracks and practice tracks available online.The Art of Song series provides an extensive selection of songs and arias from the ABRSM singing syllabus. These editions of wide-ranging repertoire cover composers from Purcell and Byrd through Brahms and Schubert to Verdi and Sullivan, arranged in different keys to suit diverse voice-types.Die revidierte und erweiterte Ausgabe von The Art of Song Grade 6, für hohe Stimme und Klavier. Sie enthält eine Auswahl von 41 Liedern aller Epochen für Sänger der Mittelstufe. Mit Begleittracks im Download und online verfügbaren Übungsstücken.Die Reihe Art of Song bietet eine umfangreiche Auswahl an Liedern und Arien aus dem Lehrplan des ABRSM (Associated Board of the Royal Sc
£11.35
FABER MUSIC EDITION PETERS ART OF SONG REVISED EXPANDED
Book SynopsisA selection of songs from the ABRSM Syllabus Revised and Expanded Edition Low Voice.
£11.35
FABER MUSIC THE ART OF SONG GRADE 8 MEDIUM VOICE
Book SynopsisA selection of songs from the ABRSM Syllabus Revised and Expanded Edition Medium Voice.
£15.15
FABER MUSIC EDITION PETERS ART OF SONG REVISED EXPANDED
Book SynopsisA selection of songs from the ABRSM Syllabus Revised and Expanded Edition Low Voice.
£15.15
Nova Science Publishers Inc Contemporary Topics in Movement Arts - Theories
Book Synopsis
£113.59
