Creative writing Books
Oldcastle Books Ltd Writing Diverse Characters for Fiction TV or Film
Book SynopsisWe're living in a time of unprecedented diversity in produced media content, with more characters appearing who are Black, Asian and Minority Ethnic (BAME), Lesbian, Gay, Bisexual and Transgender (LGBT), disabled, or from other religions or classes. What's more, these characters are appearing more and more in genre pieces, accessible to...Trade ReviewA timely guide to creating original characters and reinvigorating tired storylines. -- Debbie Moon, creator and showrunner, Wolfblood (BBC)Lucy V. Hay nails it -- Stephen Volk, BAFTA-winning screenwriter: Ghostwatch, Afterlife, The AwakeningPacked with practical and inspirational insights -- Karol Griffiths, development consultant and script editor, clients include ITV, BBC, Warner BrothersIt's definitely a book to have if you want to improve your characters -- Sophie Gardiner * Waterstones *
£16.99
Taylor & Francis Creatively Expanding the Premodern
a huge range and FREE tracked UK delivery on ALL orders.
£37.99
Taylor & Francis A Guide to Academic Writing
a huge range and FREE tracked UK delivery on ALL orders.
£40.84
Taylor & Francis Storying the Menopause
a huge range and FREE tracked UK delivery on ALL orders.
£37.99
Taylor & Francis An Autoethnography of Queer Invisibility
Book SynopsisThis book recounts a personal journey of self-acceptance, focusing on the author's creation and reliance of a persona (Paul D. Drevlin) as a defense mechanism against societal and familial pressures. Beginning with a childhood marked by traumatic events, the author begins his desire of invisibility, later adopting the persona of Drevlin to navigate societal expectations and challenges, including his struggles with identity, sexuality, and religious conservatism. This book explores how the persona initially provided protection, safety and acceptance to eventual self-realization that the persona was more a prisoner than a protector. The aim of this book is to open discussion regarding the shifts in acceptance experienced by the LGBTQ+ community over the years. It underscores the importance of family (whether that be birth family or family of choice) and peer support, community acceptance, and the changing dynamics of LGBTQ+ landscapes. The book also aims to stress the si
£40.84
Hodder Education Sentence models for nonfiction writing
Book SynopsisAre your students struggling to write clear, concise, and engaging non-fiction prose? Offering a wealth of sentence models and advice, this practical book provides everything you need to help students of all ages to craft compelling sentences and learn the essential elements of effective non-fiction writing.The comprehensive coverage includes: selecting engaging topics for non-fiction writing; planning a structure; and tailoring the style to the audience. Improve your students'' clarity and coherence and enable them to master the art of writing in different non-fiction genres, including informative writing and persuasive writing.
£14.65
John Wiley & Sons Inc Playwriting For Dummies
Book SynopsisGetting a play written and produced is a daunting process. From creating story ideas, formatting the script, to marketing and financing your project, and incorporating professional insights on writing, there are plenty of ins and outs that every aspiring playwright needs to know.Table of ContentsIntroduction. Part I: Catching the Playwriting Bug. Chapter 1: Introducing the Art and Craft of Playwriting. Chapter 2: Living the Life of a Playwright. Chapter 3: What Makes a Play. Chapter 4: Starting with an Idea. Chapter 5: Finding Your Play's Theme. Part II: Creating a Blueprint for Your Play. Chapter 6: Putting Your Story in Focus. Chapter 7: Creating Full and Rich Characters. Chapter 8: Dialogue: The Most Important Tool in Your Toolbox. Chapter 9: Practical Considerations: Staging, Cast, and Audience. Part III: The Nuts and Bolts of Putting Your Story Together. Chapter 10: The Beginning: Finding a Starting Point for Your Play. Chapter 11: The Middle: Developing Your Story Line. Chapter 12: The Climax: Bringing the Confl ict to a Head. Chapter 13: The Resolution: Wrapping It All Up. Chapter 14: Giving the Musical Special Consideration. Part IV: The Show Must Go On. Chapter 15: Getting Your Play Read and Making Revisions. Chapter 16: Rehearsals and Premieres: Nail Biting 101. Chapter 17: Promoting Your Play and Getting a Production. Part V: The Part of Tens. Chapter 18: Ten Things Every Playwright Should Know. Chapter 19: Ten Hallmarks of a Great Play. Chapter 20: Ten Playwrights You Should Know and Emulate. Appendix: Formatting a Script. Index.
£17.09
John Wiley & Sons Inc Writing a Novel and Getting Published For Dummies
Book SynopsisGives you the inside track on the art and science of breaking into the fiction-publishing industry. Taking you step by step from concept to contract, this book provides the tools you need to tell your story with skill and approach agents and publishers with confidence.Table of ContentsIntroduction 1 Part I: Getting Started with Writing a Novel and Getting Published 5 Chapter 1: Entering the Writer’s World 7 Chapter 2: Meshing Your Talent and Technique 13 Chapter 3: Getting to the Writing 19 Part II: Building from the Basics 35 Chapter 4: Following the Hero’s Journey 37 Chapter 5: Scheming and Plot ting: Using Stories 47 Chapter 6: Considering the Grand Concept 59 Chapter 7: Structuring the Story 67 Part III: Examining the Elements 81 Chapter 8: Creating Characters 83 Chapter 9: Exploring Relationships 105 Chapter 10: Talking about Dialogue 113 Chapter 11: Including Conflict 129 Part IV: Fine-tuning and Finishing Up 141 Chapter 12: Adding Depth and Detail 143 Chapter 13: Getting Creative 153 Chapter 14: Ending and Editing 163 Part V: Publishing 181 Chapter 15: Publishing Your Novel 183 Chapter 16: Finding an Agent 199 Chapter 17: Preparing for Publication 223 Chapter 18: Coping with the Business Side of Being an Author 237 Chapter 19: Taking Control: Self-Publishing 249 Part VI: The Part of Tens 279 Chapter 20: Ten Top Tips for Writers 281 Chapter 21: Ten Common Mistakes and How to Avoid Them 289 Chapter 22: (Answers to) Ten Questions Put to Agents 293 Chapter 23: Ten Tips from Published Authors 299 Index 303
£16.99
John Wiley & Sons Inc Writing Childrens Books For Dummies
Book SynopsisTable of ContentsIntroduction 1 About This Book 1 Foolish Assumptions 2 Icons Used in This Book 3 Beyond the Book 3 Where to Go from Here 4 Part 1: the Abcs of Writing for Children 5 Chapter 1: Exploring the Basics of Writing Children’s Books 7 Knowing Your Format, Genre, and Audience 8 Getting into a Good Writing Zone 8 Transforming Yourself into a Storyteller 9 Polishing Your Gem and Getting It Ready to Send 10 Selling Your Story 11 Promoting Your Book 11 Improving Your Chances of Getting Published 12 Chapter 2: Delving into Children’s Book Formats 15 Dissecting the Anatomy of a Book 16 Grouping Types of Children’s Books 17 Illustrated Books for All Ages 18 Baby-friendly board books 19 Picture books for toddlers 20 Other books that have pictures 24 Working through Wordy Books 30 Early readers 30 First chapter books 32 Middle-grade books 34 Young adult books 36 Chapter 3: Exploring the Genres 39 Going Out of This World 40 Science fiction 40 Fantasy 40 Graphic novels and manga 42 Horror and ghost stories 42 Getting in on the Action (and History) 43 Action/adventure 43 True stories 44 Historical fiction 45 Mysteries 46 Writing About Real People 48 Biography/memoir 48 Lgbtqia 49 Gender-oriented series books 51 Friendship 53 School issues 54 Developmental milestones and first experiences 55 Prose poetry 56 Romance 57 Giving Stories a Message 57 Learning/educational 57 Religion 60 Aspirational and inspirational 60 Diversity 61 Family issues 62 Pets and animals 63 Cultural issues 64 Addiction, abuse, and mental illness 65 Keeping Them Laughing with Humor 67 Quirky characters 67 Parody, satire, and jokes 67 Slapstick and gross 68 Dark humor 68 Wordplay 68 Chapter 4: Understanding the Children’s Book Market 71 Getting Insight into Book Buyers’ Needs 74 For chain and big-box bookstores 74 For independent bookstores 76 Recognizing What Reviewers Offer 78 Discovering What Librarians Add to the Mix 79 Taking a Look at How Teachers Use Books in Their Classrooms 84 Considering Parents’ Perspectives 86 Thinking Like a Kid 86 Going after what kids like — regardless of Mom and Dad 87 Knowing what kids don’t like 88 Part 2: Immersing Yourself in The Writing Process 89 Chapter 5: Setting Up for Success: Finding the Time and Space to Write 91 Finding Time to Write 92 Figuring out when you’re most productive 92 Sticking to a writing schedule 93 Evaluating your commitment 93 Optimizing Your Writing Environment 94 Locating your special writing spot 94 Keeping helpful references handy 95 Cutting down on clutter and getting organized 96 Preventing and dealing with interruptions 98 Chapter 6: Starting with a Great Idea 101 Once Upon a Time: Coming Up with an Idea 101 Relying on specific ideas rather than big ones 102 Tapping into your own experiences 103 Digging through childhood mementos 105 Drawing from other children’s experiences 106 Pulling ideas from the world around you 106 Stumped? Break through with Brainstorming 107 Doing it all by yourself 108 Giving free association a whirl 109 Taking up journaling 109 Buddying up to the buddy system 111 Asking the advice of classmates and writing professionals 112 Seeking help from your audience 113 Going to the source 115 Checking the “best of” book lists 116 Fighting Writer’s Block 117 Chapter 7: Researching Your Audience and Subject 119 Hanging Out with Kids 120 Going back to school 120 Becoming a storyteller 122 Borrowing a friend’s child for a day 125 Dipping into Popular Culture 127 Watching kids’ TV shows and movies 127 Playing kid-focused digital games 128 Reading parenting and family magazines and blogs 129 Perusing pop culture magazines and blogs 130 Surfing the web 130 Browsing bookstores 131 Visiting children’s stores online or in person 132 Studying kids’ fashion trends 133 Eavesdropping where kids hang out 133 Researching Your Nonfiction Topic 134 Outlining the research process 134 Getting around locally 136 Going far afield 136 Visiting the web — a lot 137 Part 3: Creating a Spellbinding Story 139 Chapter 8: Creating Compelling Characters 141 The Secret Formula for an Exceptional Main Character 142 Defining your main character’s driving desire 142 Show, don’t tell: Fleshing out your main character 143 Getting to Know Your Characters through Dialogue 144 Compiling a Character Bible 147 Surveying a sample character bible 148 Creating consistency 150 Writing Stories with Two or More Main Characters 151 Choosing Supporting Characters 152 Calling All Character Arcs 154 Character Don’ts — and How to Avoid Them 157 Steer clear of stereotypes 157 Don’t tell us everything 158 Toss out passivity and indefinites 160 Don’t rely on backstory or flashbacks 161 Developing Characters through Writing Exercises 162 Describe your first best friend 162 Borrow your favorite children’s book characters 163 Revisit a painful or joyful experience from your childhood 163 Chapter 9: The Plot Thickens: Conflict, Climax, and Resolution 165 Plot: It’s All about Action 166 Centering on the Story 167 Giving Your Story a Beginning, Middle, and End 168 Propelling Your Story with Drama and Pacing 168 Drama: A reason to turn the page 169 Pacing: How you keep the pages turning 169 Outlining to Structure Your Plot 170 Creating a step sheet 171 Fleshing out your outline 172 Knowing when to circumvent an outline 175 Preventing Plot Problems 176 Writing Your First Draft 176 Chapter 10: Can We Talk? Writing Effective Dialogue 179 The Fundamentals of Good Dialogue 180 Dialogue has a function 180 Dialogue has drama 182 Listening to Real-World Dialogue 184 How kids talk 184 How grown-ups talk 185 Adding a Speech Section to Your Character Bible 186 Testing! Testing! Reading Dialogue Out Loud 187 Avoiding Common Dialogue Mistakes 188 Failing to have conflict or tension 188 Repeating information: Showing versus telling 189 Describing dialogue 189 Using too many speaker references and attributions 190 Creating heavy-handed and unrealistic dialogue 191 Filling space with unnecessary dialogue 191 Improving Dialogue by Using Writing Exercises 192 Talking on paper 193 Introducing your first best friend to the love of your life 193 Chapter 11: Setting the Scene 195 Giving Context to Your Story and Its Characters with Scenery 195 Creating a Context Bible 196 Knowing When to Include Scenery and Context 197 When place figures prominently 198 When place plays an important role 199 When description of place doesn’t interrupt flow of action 200 When you must mention an exotic locale 200 When you mention a specific place at the beginning 201 When you use place to transition to a new scene 201 Providing the Right Amount of Setting 202 Engaging Your Readers’ Senses 203 Knowing When Not to Make a Scene 204 Exercising Your Nose through Smellography 204 Chapter 12: Finding Your Voice: Point of View and Tone 207 Building a Solid Point of View 208 Reviewing POV options 208 Picking your POV 209 Matching tense with POV 211 Having Fun with Words through Wordplay, Rhyming, and Rhythm 212 Engaging in wordplay 212 Taking different approaches to rhyming 214 Keeping your story moving with rhythm 215 Using Humor to Your Advantage 216 Figuring out what kids consider funny 217 Turning to the outrageous and the gross 220 The Mojo of Good Writing: Exploring Voice, Style, and Tone 221 Finding your story’s voice 222 Writing with style 223 Taking the right tone 223 Knowing When You Need a Voice Makeover 224 Helping Your Voice Emerge by Playing Pretend 225 Pretend to be someone (or something) else 225 Chapter 13: Writing Creative Nonfiction Books 227 The Nonfiction Children’s Book World at a Glance 228 Writing Toward a Nonfiction Masterpiece 229 Choosing a Great Nonfiction Topic 231 Looking at topics that get kids’ attention 232 Finding topics that interest you 233 Branching out into the real world 233 Testing Your Topic 235 Outlining Your Creative Nonfiction 236 Starting simple 236 Fleshing out your ideas 237 Enhancing your outline by using visual aids 238 Common Creative Nonfiction Mistakes (And How to Avoid Them) 239 Writing Exercises for Creative Nonfiction 240 Pretend you’re a newspaper reporter 240 Create a funny five-step procedure to wash a dog 241 More short exercises to get you writing 241 Part 4: Making Your Story Sparkle 245 Chapter 14: Editing, Revising, and Formatting Your Way to a Happy Ending 247 Your Revising Checklist: Getting Major Story Elements in Order 248 Theme 249 Characters 249 Plot 250 Pacing and drama 251 Setting and context 252 Point of view 252 Fine-Tuning Your Text: Editing Important Areas 253 Strengthening your opening 254 Keeping your dialogue tight and on target 254 Transitioning effectively 255 Trimming wordiness 256 Keeping your chronologies in order 257 Formatting Basics: First Impressions Matter 257 Including the proper information on the first page 258 Following other children’s book formatting conventions 258 Not to Put Too Fine a Point on It: Checking Basic Grammar and Style 261 Punctuation 261 Style 262 Miscellaneous 263 Hiring Help: Working with an Editor or Editorial Service 265 Finding a good editor or editorial service 266 Asking the right questions 268 Digital versus hard-copy editing 269 Chapter 15: Creating Pictures from Your Words: The World of Illustrations 271 To Illustrate or Not to Illustrate 272 Recognizing Why You Shouldn’t Hire an Illustrator 272 Following the Hand-Drawn Illustration Process with Artist Tim Bowers 274 Starting with black-and-white pencil sketches 275 Moving on to finished pencils 276 Creating color art 276 Capturing the right cover image 277 Exploring the Digital Art Process with Author/Illustrator Barney Saltzberg 279 Interior art 280 Cover art 281 Getting Your Art Seen by the Right Folks 283 Considering some solid options 283 Preparing a book dummy 285 Handling Art When You’re Self-Publishing (and Not an Artist) 286 Chapter 16: Finding and Incorporating Feedback 291 Deciding When to Seek Feedback 292 Getting Help from Friends and Relatives (or Not) 294 Delving into the pros and cons of friendly advice 295 Having a friend in the business 295 Calling on Topic Experts: Beta and Sensitivity Readers 296 Attending Conferences or Retreats 297 Exploring the conference scene 297 Getting away with retreats 300 Participating in a Workshop 301 Working with a Writing (or Illustrating) Group 302 Finding the right group 302 Starting your own group 304 Sifting through the feedback you receive 305 What Feedback Should You Expect During the Publishing Process? 309 Part 5: Getting Published and Promoting Your Book 311 Chapter 17: The Traditional Route: Signing with an Agent or Publisher 313 Identifying the Right Publisher 314 Gathering information from the marketplace 314 Perusing writer’s guides and directories 316 Drafting Query Letters and Proposals 316 Perfecting the query letter 317 Drafting a great book proposal 320 Joining Forces: Working with an Agent 322 Finding and approaching your ideal agent 322 Managing multiple agent submissions 323 Understanding typical agency agreements 324 Terminating your agency relationship 327 Copyright: Protecting Your Work 329 Success! Reviewing Your Publishing Contract 330 Surveying the two types of publishing agreements 330 Getting what you want in the contract 331 Dealing with Rejection 334 Chapter 18: Considering Hybrid Publishing 339 The Good and the Bad about Hybrid Publishing 340 The good about hybrid publishing 340 The bad about hybrid publishers 341 Vanity presses: Don’t say we didn’t warn you 342 Identifying the Right Hybrid Publisher for Your Book 344 Doing your research and asking around 344 Confirming some important criteria 345 Approaching a hybrid publisher 346 Getting the Biggest Bang for Your Hybrid Buck 346 Fees and payments 347 What about distribution and marketing? 347 Chapter 19: So You Want to Self-Publish? 351 Weighing the Pros and Cons of Self-Publishing 352 Exploring Your Self-Publishing Options 354 The print route 355 The digital route 358 Setting a Price for Your Publication 359 Distributing Your Self-Published Book 360 Getting in the door at traditional bookstores 360 Persuading online booksellers 361 Considering other places to sell your book 362 Chapter 20: Donning Your Publicity Cap 363 Understanding How Your Publisher Promotes Your Book 364 Publicizing Your Own Book 364 Focusing on the digital components 365 Touching on the traditional components 369 Promoting Your Work in Person 373 Planning a publicity tour 373 Joining the signing and reading circuit 373 Hiring a Publicist 374 Discovering what a publicist can do 374 Finding the right publicist 377 Getting the most for your money 378 Chapter 21: Getting Savvy with Social Media 379 Influencing the Influencers 380 The basics of influencing others 380 Understanding the different kinds of online influencers 381 Figuring out where online your influencers live 382 Knowing Where to Create a Social Media Presence 382 Blogs 383 Podcasts 383 Goodreads website 384 Facebook 384 Twitter 385 Instagram 385 YouTube 385 TikTok 385 #BookTok 386 Pinterest 386 Making a Splash: Launching a Social Media Campaign 389 Reviewing the ABCs of a social media campaign 389 Getting noticed on social media 390 Surveying the unwritten rules of social media marketing 391 Applying search engine optimization 392 Measuring the Effectiveness of Your Campaign 393 Part 6: the Part of Tens 395 Chapter 22: More Than Ten Great Sources for Timeless Storylines 397 Tales of Yore: Fairy and Folk Tales, Fables, and the Like 398 Mythology and Mythological Heroes 399 Nursery Rhymes 399 Bible and Religious Stories 399 Family Issues and Changes 400 Sibling Issues 400 First Experiences 400 Common Childhood Fantasies 400 Friendship and Social Issues 401 Growing Pains (Emotional and Behavioral) 401 Bodies and the Brain: Their Functions and Changes 401 History Makers and History in the Making 402 Nature, Science, Technology 402 Chapter 23: Ten Children’s-Author Recognitions to Dream About 403 Newbery Medal 403 Caldecott Medal 403 Coretta Scott King Book Award 404 Printz Award 404 Pura Belpré Award 404 Theodor Seuss Geisel Award 404 ALA Quick Pick & ALA Notable Books for Children 404 Stonewall Book Award 405 Robert F Sibert Informational Book Medal 405 State and Local Book Awards 405 Index 407
£16.19
Taylor & Francis Mastering Screenplay Form and Style
Book SynopsisMastering Screenplay Form and Style shows you how professional screenwriters actually write scripts. This reference manual explores all aspects of the form, from essential format requirements to the expressive, literary qualities of screenplay language. Organized in three parts, this book systematically reveals the full essence of the screenwriterâs craft. The Ground Rules: Take a deep dive into the fundamental rhetorical concepts for dramatizing a story for the screen; the craft and style concepts that underpins everything working screenwriters use. The Industry Standards: Master the professional norms for script formatting and language, including the function and correct use of the six screenplay elements for common, advanced, and challenging narrative situations. And learn methods for indelible character introductions and managing story and screen time on the page. Expressive Screenwriting: Understand how precise visual writing can infuse your scrip
£37.99
Macmillan Learning EasyWriter
Book Synopsis
£45.72
Macmillan Learning Writing That Works Communicating Effectively on
Book Synopsis
£51.99
Bloomsbury Publishing PLC McDowall Plays 1
Book SynopsisThis is the first collection from groundbreaking playwright Alistair McDowall, an exceptionally talented and fast-rising writer. Still only in his twenties, this writer is surely going places. Whatever he dreams up next, his name will almost certainly be in lights at the Royal Court soon, if not at the National Theatre. (The Times) Having won a Judges Award at the Bruntwood Prize in 2011 and been shortlisted for the Writers'' Guild Best Play Award in 2013, Alistair McDowall is one of the most exciting playwrights of this generation.The anthology features the play that brought McDowall to people''s attention, Brilliant Adventures, up to his latest major play, Pomona, that received ecstatic reviews, transferred to the National Theatre, and hailed him as one of the most important playwrights of this generation. It also includes two previously unpublished plays. Brilliant Adventures (Royal Exchange/Live Theatre, 2013) is a fast paced talTrade ReviewThis gripping and deeply unsettling tale of inner-city lowlife is a sensory and dramatic triumph * Whatsonstage on 'Pomona' *Alistair McDowall's slippery, gripping dystopian thriller . . . enthralling, unexpectedly funny and expertly maintained. . . . Clever, creepy and compelling. * Financial Times on 'Pomona' *This is an intelligent, involving examination of the transformative potential of fatherhood – of its ability to take a man who can barely look at himself in the mirror, and make him feel all-powerful, worthy of love. For my money, it may well be the best one-man show you’re likely to see at the Fringe this year. * Daily Telegraph on 'Captain Amazing' *A monologue that crackles with invention . . . This is a terrific piece of writing – full of crackle, invention and heart * Guardian on 'Captain Amazing' *Sizzling exuberance and imagination * Observer on 'Brilliant Adventures' *Remarkable young writing talent ... there is a convincing tang of lived experience in the evocation of a practically lawless pocket of the north-east * Guardian on 'Brilliant Adventures' *A bold drama fusing gritty realism with time travel fantasy * BBC on "Brilliant Adventures" *Alistair McDowall’s fine, flinty play . . . bitterly funny * New York Times on "Talk Show" *
£20.89
Bloomsbury Publishing PLC The Kite Runner
Book SynopsisI became what I am today at the age of twelve. I remember the precise moment, crouching behind a mud wall on a frigid winter day in 1975 . . . looking into a deserted alley. It's wrong what they say about the past, about how you can bury it, because the past claws its way out. I realize I've been looking into that alley for the last 26 years.Afghanistan is a divided country on the verge of war and two childhood friends are about to be torn apart. It''s a beautiful afternoon in Kabul and the skies are full of the excitement and joy of a kite flying tournament. But neither Hassan or Amir can foresee the terrible incident which will shatter their lives forever.Khaled Hosseini''s first and international best-selling novel has now been adapted into a stunning stage adaptation by Matthew Spangler.This edition was published for the production at Wyndham''s Theatre, London, from 21 December 2016.Trade ReviewHosseini's ability to reach the core of experiences of love and loss places him in the company of such fine chroniclers of the new America as Chang-rae Lee. The Kite Runner is a first novel of unusual generosity, honesty and compassion. * Guardian *A devastating, masterful and painfully honest story ... It is a novel of great hidden intricacy and wisdom, like a timeless Eastern tale. It speaks the most harrowing truth about the power of evil * Daily Telegraph *The shattering first novel by Khaled Hosseini ... a rich and soul-searching narrative ... a sharp, unforgettable taste of the trauma and tumult experienced by Afghanis as their country buckled * Observer *But the play is a phenomenally powerful piece of theatre which for many people will portray Afghanistan in a totally new light * British Theatre Guide on Matthew Spangler's adaptation of 'The Kite Runner' *An accomplished adaptation by Matthew Spangler ... This show, a European premiere, stands shoulder to shoulder with the best work in the regions and judging by the thronging auditorium ... [they have] a hit on [their] hands that deserves to travel the country beyond its scheduled stops of Brighton and Liverpool * Daily Telegraph on Matthew Spangler's adaptation of "The Kite Runner" *Matthew Spangler’s dramatisation, worked on with Hosseini’s help and blessing, rightly seizes on the potent personal story at the heart of the novel: the tale of two boys, Amir and his father’s servant Hassan, brought up as near brothers in the same house. The staging traces their story simply and vivaciously * Financial Times on Matthew Spangler's adaptation of "The Kite Runner" *An enthralling tale beautifully told, at once topical and emotionally resonant * Daily Telegraph on Matthew Spangler's adaptation of "The Kite Runner" *Matthew Spangler's script . . . preserves Hosseini's sensitive portrait of a friendship marred by tribalism and betrayal. * Evening Standard on Matthew Spangler's adaptation of "The Kite Runner" *Khaled Hosseini's 2003 novel [has] been transformed into a seriously good piece of storytelling theatre that takes flight just as the onstage kites do . . . This stage adaptation . . . is that rare and magnificent thing: a real sleeper hit . . . it feels in the tradition of War horse and could well be the best page-to-stage show since then . . . it has a similar integrity that speaks of a real commitment by its creative team to telling this story with an unforced economy that is also full of emotional weight. Matthew Spangler's adaptation offers a gripping portrait of two young lives that become inextricably linked. * Stage on Matthew Spangler's adaptation of "The Kite Runner" *The touching story of the novel is carried on stage by the turbulent ups and downs, echoing the ducking and diving of a fighting kite that will come up winning. * Independent on Matthew Spangler's adaptation of "The Kite Runner" *Adaptor Matthew Spangler has admirably condensed Hosseini's epic novel . . . there is no sense of constriction . . . Spangler skilfully balances the scenes in Asia with those of the Afghan refugees seeking to maintain their dignity and culture in the West. * Sunday Express on Matthew Spangler's adaptation of "The Kite Runner" *
£14.21
Bloomsbury Publishing PLC The Art of Writing for the Theatre
Book SynopsisFilled with practical advice from an award-winning playwright, with a range of resources to guide you in the craft and business of theatre writing, The Art of Writing for the Theatre provides everything you need to write like a seasoned theatre professional, including: * how to analyze and break down a script * how to write a wide range of plays * how to critique a theatre production * how to construct and craft critical essays, cover letters, and theatrical resumes This thorough introduction is supplemented with exercises and new interviews with a host of internationally acclaimed playwrights, lyricists, and critics, including Marsha Norman, Beth Henley, Lyn Gardner, Octavio Solis, Ismail Khalidi, and David Zippel, among many others. Accompanying online resources include playwriting and script analysis worksheets and exercises, an example of a playwriting resume, and critical points to consider on playwriting, design, acting, directing and choreography.Trade ReviewEven after fifty years of creating musicals, I found The Art of Writing for the Theatre immensely helpful, especially as I undertake new projects. Luke Yankee's clear and concise analysis and advice, coupled with the insights of the writers he interviewed, seems to me invaluable and inspiring for anyone aspiring to write for the theatre, from beginner to long-time professional. * Stephen Schwartz, Tony-winning composer and lyricist of Wicked, Pippin, & Godspell. *One can’t have a life in the theatre by taking shortcuts. One can’t enter this world with no regard for what has come before you. The elements needed toward becoming a true person of the theater are beautifully illuminated and enumerated in Luke Yankee’s book. He is a playwright and a director and his heart has been in the theater ever since he was a kid. Rightly so. Love and intelligence mix in this essential work. * Joanna Gleason, Tony winner for Into the Woods; three-time Drama Desk Award winner *I only wish when I was starting out that I had a book like this. It is filled with valuable and important information. Luke Yankee's insight and guidance is spot on! Anybody who is thinking about going into this profession should start by reading this book. * Scott Ellis, nine-time Tony nominee as Best Director; Olivier Award winner as Best Director for She Loves Me *This is a must-read for anyone in the arts, but particularly for young people with a hunger to immerse themselves in the nuts and bolts of the theatre, and the crucial importance of language. The accomplished director and playwright, Luke Yankee, leaves no stone unturned in this comprehensive work; he clearly has a great love and respect, not only for playwriting, but for all the essential elements that fill in the spaces. * Victor Garber, four-time Tony nominee for Lend Me A Tenor, Deathrap, Little Me, & Damn Yankees; six-time Emmy nominee *Luke Yankee offers insightful discussions on the development of character, dramatic structure, and script analysis—all amply supported by interviews with distinguished contemporary theatre artists. Calling on his extensive career as actor, director, and writer, Yankee’s practical approach is an invaluable resource for anyone wishing to hone their skills in writing for the theatre. * Lucien Douglas, The University of Texas at Austin, USA *Having worked almost exclusively with new plays and emerging playwrights for over 30 years, it was fascinating to read the insights and wisdom Luke Yankee has managed to unlock from the best playwrights, lyricists and critics in our field today. This is essential reading for the next generation of playwrights. I finally have an answer when younger writers ask me what book to read about playwriting: this one! * Jon Lawrence Rivera, Artistic Director, Playwrights Arena, Los Angeles, USA *This book has it all! It contains a concrete approach to understanding what’s inside a scene, a terrific tutorial on putting thoughts onto paper, a look inside the nuances of criticism, and straightforward advice from professionals at the top of their game. If you are a theatre artist who plans to put words on a page, you need to read and study this book. * Professor Brian Kite, UCLA School of Theater, Film, and Television, USA *You'll have to go far and wide to find a better introduction to script analysis, playwriting, and criticism than this. Every theatre teacher should use this in their classroom. Practical and informative! * Millicent Martin, BAFTA award winner and two-time Tony nominee *From the reader’s first encounter with the text and the writer’s confrontation with the empty page, Luke Yankee’s The Art of Writing for the Theatre offers clarifying definitions and helpful guidance for aspiring playwrights and theatre critics. Using excerpts from his own plays as subjects for analysis and enlightening interviews with working playwrights and critics, the book offers a wealth of information and inspiration for all who seek to better understand the inner workings of the writer’s art. * Evan Yionoulis, Richard Rodgers Dean and Director of the Drama Division, The Juilliard School, USA *First, let me thank Luke Yankee for this extraordinary book. It’s been a long while since I’ve read anything that so comprehensively addresses the subject as The Art of Writing for The Theatre. Not only is the book completely informative, it’s also a good read. The exploration of examples of playwriting, criticism, and analysis are invaluable. The interviews with some of the theatre's most distinct voices is like going to the ultimate master class. The inclusion of people of diverse backgrounds makes it all the more applicable to everyone in a personal manner. I am an actor, director, writer, teacher, and devout audience member. This book will be by my side as a guideline in the future in each of those endeavors. Any student or teacher, or for that matter, anyone interested in the theatre in its most elemental form will benefit from this book. Get it and keep it on your shelf. I would be willing to bet that you will refer to it many times in the future. * Ken Page, star of the original Broadway companies of Cats and Aint Misbehavin’ *This essential book sits squarely in the ‘required reading’ section for any university theatre course or for anyone who wants to understand the theatrical medium better. It begins with clear, inspiring lessons and tips that guide the writer from conception to fruition while including priceless wisdom from masters in our field. The text provides the reader with invaluable, user-friendly prompts that both allow the writer to be more understanding and critical of their own work, but also to view other’s works with a clearer eye. I simply found this book a pleasure to read and was enlightened and inspired about my own creative process as well as viewing all dramatic works with new insights. A must read! * John B. Benitz, Chair, Department of Theatre, Chapman University, USA *Table of ContentsNote on the Text Introduction 1. Script Analysis Why Do We Need Script Analysis? Definitions and Terms for Script Analysis Freytag’s Pyramid and the Dramatic Arc A Crash Course in Aristotle’s Poetics Script Analysis Exercises Exercises 2. Playwriting The Elements of Playwriting What Does “Show, Don’t Tell” Mean? The Significance of Exposition The Good Title Test The Mechanics of Writing a Play How Do You Start? How To Write a Ten-Minute Play Other Play Formats Conclusion Exercises 3. Criticism The “Why” of Theatre Criticism “I Liked it” Doesn’t Matter Writing a Critique for a Play “Why Am I Bored? A Sample Critique Criticism as Entertainment Remember: Artists Have Feelings, Too When to Keep it to Yourself What to Look for When Writing a Critique Critiquing Other Forms Exercises 4. The Interviews: Conversations with Acclaimed Playwrights, Critics, Librettists, and Lyricists A Series of Master Classes On Starting Out “What Should I Write About?” On Structure A Writer’s Process Readings and Play Development On Taking Advice on your Script On Collaboration On Writing Musicals On the Writer as “The Outsider Looking In” On Critics and Theatre Criticism Advice for New Writers What Do You Love About the Theatre? 5. The Brass Tacks: Practical Tools of Writing for the Theatre The “How To” Of A Writer’s Life Read, See, and Hear Theatre Blogs Submission Opportunities for Playwrights Cover Letters for Writers…and Beyond Living Room Readings: The Value of Free Pizza Virtual Presentations A Map of Relationships Opening Night Cards and Gratitude Letters: A Lost Art Exercises Conclusion Further Reading Notes Biographies of Interviewees Special Thanks About the Author Index
£20.89
Bloomsbury Publishing PLC Advanced Poetry
Book SynopsisA text for practiced poets, this book offers a springboard beyond the basics into more daring poetic traditions, experimentation and methods. It lays out the myriad conversations influencing contemporary poetics, paying attention to its roots in historical and theoretical thinking. With a focus on innovation and breaking established boundaries, Advanced Poetry introduces you to the poetics shaping the contemporary literary moment, first guiding you through the contexts and principles of these forms using a range of practical examples, before prompting you to pick up the pen yourself. Spanning decades and continents, and covering the rich field of poets writing today, this book shows how to read, explicate, and write poetry and includes discussion of: - received traditions and innovative forms- confessional and epistolary poetry - aesthetic experimentation with voice - methods and theories developed by early Surrealists-deep image and the poeticTrade ReviewIn the charged intimacy of whispered dish or conspiracy, Nuernberger and Zeller geek with robust gusto and gleeful rigor over poetry: its making and what it makes of us. Here’s a fleet textbook that inspires possibility, offers generous guidance with a light-touch, and in the process, sneaks in a sly, keen, and often subversive anthology of poems gathered from a wide view of time and place. This is more than a textbook; it’s a compelling invitation. * Douglas Kearney *Advanced Poetry “offers readers a radical methodology to studying poetics, one that simultaneously breaks boundaries for what textbooks might achieve (similar, perhaps, to Mary Ruefle's Madness, Rack, and Honey), while also harkening back to formal and historical poetics.” It is “conversational, and it somehow simultaneously introduces you to new poets and traditions without ever making you feel inadequate for not knowing something.” I “love that it starts each chapter with poems” and that these poems are “diverse and contemporary.” And “while some craft books feel technical and dry, this one never loses its focus on poetry’s magic.” * From Laura Read’s M.F.A. Poetry Workshop students (Laura Read, Professor of Poetry, MFA program at Eastern Washington University, USA) *Advanced Poetry: A Writer's Guide and Anthology authored by Kathryn Nuernberger and Maya Jewell Zeller offers readers a way to think about our own work in the context of our collective lineage as poets. I love the way each chapter opens with a diverse selection of poems, which allows the reader the chance to experience the poems before reading the editors’ discussion of them. And I also loved the writing in this book: it is both scholarly and accessible, poetic and sometimes personal. I will read and teach this book for the rest of my career. * Laura Read, Professor of Poetry, MFA program at Eastern Washington University, USA *Table of ContentsCONTENTS PATHWAYS INTO POETIC LINEAGES Foreword: The End and the Beginning An Invitation to Compose an Ars Poetica Before Reading Introduction and Notes to Readers, Writers, and Teachers Who is this book for? How is this book organized? Why begin each chapter with poems . . . ? Do I need to read the book in order? What pedagogical principles guide this textbook? Some Notes on Teaching This Book Chapter 1: Sound, Shape, & Space: Received and Invented Forms Chapter 2: Telling Secrets: Confessions, Epistolaries, & the Lyric I Chapter 3: The Poem in Telephone Lines & Other Thoughts on Tone, Talk, and Voice in Poetry Chapter 4: Writing Out of Surrealism Chapter 5: Duende, Deep Image, & The Poetics of Spells Chapter 6: The Poetics of Liberation Chapter 7: Writing the Body Chapter 8: The Racial Imaginary Chapter 9: Writing in the Field Chapter 10: Docupoetics & Other Forms of Lyric Research APPENDICES: MAPPING YOUR WRITING LIFE Practical Matters Creating an Inspiring and Supportive Workshop Community Strategies for Revision Some Notes on Assembling a Collection Potential Assignments & Professional Materials Submitting Poems for Publication Writing an Artist Statement Acknowledgements Index
£21.84
Bloomsbury Publishing PLC Story Mode
Book SynopsisAgainst the backdrop of a hyper-competitive AAA industry and the perception that it is a world reserved for top programmers and hard-core gamers', Story Mode offers an accessible entry-point for all into writing and designing complex and emotionally affecting narrative video games. The first textbook to combine game design with creative writing techniques, this much-needed resource makes the skills necessary to consume and create digital and multi-modal stories attainable and fun. Appealing to the growing calls for greater inclusivity and access to this important contemporary apparatus of expression, this book offers low-cost, accessible tools and instruction that bridge the knowledge gap for creative writers, showing them how they can merge their skill-set with the fundamentals of game creation and empowering them to produce their own games which push stories beyond the page and the written word. Broken down into 4 sections to best orientate writers from any technol
£18.04
Bloomsbury Publishing PLC Story Thinking and the Realworld Applications of
Book SynopsisIn the 21st century, the rapid advance of technology and the existential threat of climate breakdown mean the real world increasingly resembles something out of fiction, filled with ambiguity and uncertainty. Such challenges need imaginative, creative solutions. To find them, teams of experts must pool their knowledge, make new connections, and forge paths forward. In Story Thinking, award-winning authors Helen Marshall, Kim Wilkins, and Lisa Bennett show how the principles of science fiction and fantasy writing which speculate about and imagine different futures, people, and worlds - can enrich research in such areas as government policy, technology innovation, and healthcare within universities and various industries. When transferred to research, story thinking as a method can help to build teams with a shared sense of purpose, offer new patterns of thought for improvisation, rapid perspective shifts, worldbuilding, pleasure and playfulness. Split into two parts - co
£17.09
Bloomsbury Publishing PLC Best of Enemies
Book SynopsisWinner of the 2022 Critics'' Circle Award for Best New PlayNominated for the 2022 Olivier Award for Best New PlayA man should never turn down two things. Sex, and appearing on television.1968 a year of protest that divided America. As two men fight to become the next President, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the iconoclastic liberal Gore Vidal. Beliefs are challenged and slurs slung as these political idols feud nightly in a new television format, debating the moral landscape of a shattered nation. Little do they know they're about to open up a new frontier in American politics, and transform television news foreverBest of Enemies is the electric new play by James Graham (Quiz, Labour of Love), directed by Jeremy Herrin, inspired by the documentary by Morgan Neville and Robert Gordon.This revised and updated edition was published to coincide with the West End transfer to the Noel Coward Trade ReviewRushes at the audience like a newshound after a story. * Observer *James Graham's captivating drama is raw and timely. * The Times *Astoundingly Good. * Time Out London *These monumental moments in American history, along with other key moments of the time that explored in the play, could be a captivating starting point for students' work and allows a range of themes to be explored. * Drama and Theatre *
£10.99
Bloomsbury Publishing (UK) Writing and Health Care
Book SynopsisJanelle Adsit is Associate Professor of Creative Writing at California State Polytechnic University, Humboldt, USA. She is editor of the anthology Critical Creative Writing; co-author of Writing Intersectional Identities; and author of Toward an Inclusive Creative Writing (Bloomsbury, 2019). She also has written a book of poems titled Unremitting Entrance (2015). In the community and with her local Hospice, Adsit co-facilitates writing workshops that address stress, pain, and grief. As an extension of these workshops, Adsit's research is located within the fields of Arts in Health and Narrative Medicine.
£23.74
Bloomsbury Academic The Black Writers Toolbox
a huge range and FREE tracked UK delivery on ALL orders.
£25.50
Bloomsbury Publishing (UK) ShortForm Creative Writing
a huge range and FREE tracked UK delivery on ALL orders.
£22.79
Bloomsbury Publishing (UK) Writing the Hard Stuff
Book SynopsisNicole Walker is the author of Processed Meats: Essays on Food, Flesh and Navigating Disaster (2021) Sustainability: A Love Story (2018) and the collaborative collection The After-Normal: Brief, Alphabetical Essays on a Changing Planet. (2019). She has previously published the nonfiction collections Where the Tiny Things Are (2017), Egg (2017), Micrograms (2016), Quench Your Thirst with Salt (2013), and a book of poems, This Noisy Egg (2010). She edited for Bloomsbury the essay collections Science of Story (2019) with Sean Prentiss and Bending Genre: Essays on Creative Nonfiction (2013) with Margot Singer. She is the co-president of NonfictioNOW and is the recipient of a National Endowment for the Arts award and a noted author in Best American Essays. Her work has been most recently published in the New York Times, Longreads, and Ploughshares, among other places. She teaches at Northern Arizona University in Flagstaff, AZ and serves as the Crux Series Editor.
£18.99
Hachette Children's Group Dear Ally How Do I Write a Book
Book SynopsisProblem plot lines? Character chaos? Ask Ally! The definitive guide to writing from one of teen fiction''s best-loved authors.Writing finally has its own agony aunt in bestselling author, Ally Carter. Always wanted to write? Not sure how to begin, or what to do with tricky characters or pesky plotlines? Ask Ally! Ally Carter is the internationally bestselling author of Gallagher Girls, Embassy Row and Heist Society. Known for her gripping plots and adventures that combine danger and glamour in equal measure, Ally knows how to write brilliant books for teen and YA readers.Now Ally and her author friends want to help YOU write the book you''ve always dreamed of. Part agony aunt, part writing guru, this writing guide is thoughtful, witty and best of all, useful.With advice from some of children''s fiction''s brightest stars including Holly Black, Cassandra Clare and Kody Keplinger.
£8.54
Shell Educational Publishing 180 Days Writing for First Grade
Book Synopsis
£17.25
Shell Educational Publishing 180 Days Writing for Third Grade
Book Synopsis
£17.25
John Murray Press Get Started in Creative Writing
Book SynopsisLEARN HOW TO GET STARTED IN CREATIVE WRITING AND WRITE WITH CONFIDENCE AND FLAIR.Get Started in Creative Writing will help writers at the very beginning of their creative journey to gain confidence and find inspiration, and then support you in the completion of your first pieces of creative writing - a short story, a poem, a draft of a novel or screenplay. Each chapter includes a central writing exercise and four shorter ones, while key quotes, key ideas and focus points will be clearly signposted and will summarise important concepts and advice. At the heart of each chapter is a ''Workshop''. The Workshop is a key exercise, in which you will gain a deeper insight into the craft of writing. In addition to coverage of all the key genres and their conventions, this new edition includes an expanded section on self- and digital publishing, to reflect recent advances in technology and the wide variety of digital platforms now available for the distribution oTable of Contents : aaa : bbb : ccc
£11.69
Bloomsbury Publishing PLC Writers Artists Guide to How to Hook an Agent
Book SynopsisThe W&A Guide to How to Hook an Agent is the definitive guide to putting together a manuscript submission and attracting the attention of a literary agent. Structured around a series of real-life questions raised at Writers' & Artists' successful How to Hook an Agent' events, this lively and accessible Q&A guide provides everything an unpublished writer needs to know about seeking the representation of a literary agent. Full of practical detail and examples of good and bad practice, it covers: Responses to over 180 questions asked by writers about getting an agent How to research and approach an agent The key ingredients of a submission How to draft a successful covering letter What to expect when working with an agent The agent-publisher relationship Contracts, rights and royalties This unique guide is suitable for writers of fiction and non-fiction and writing across different genres and age ranges.Trade ReviewReplaced the intimidation and fear with hope and understanding. -- Susan C.Offered advice in a friendly, un-intimidating manner. -- Luna C.For the first time I understand exactly what needs to go in the submission letter and the synopsis. -- Geoffrey A. * Testimonials from W&A How to Hook an Agent events *Table of ContentsIntroduction Part I: The role of the literary agent What Are Literary Agents and What Do They Do? Literary Agents and the Publishing Industry The Author–Agent Relationship: Finding A Literary Agent Part II: The submission process Is My Manuscript Ready? Submitting a Manuscript The Covering Letter The Synopsis The Opening Chapters Part III: Following submission In Between Submissions Dealing with Rejection and Starting Over Offers of Representation Working with a Literary Agent Contracts, Rights and Royalties Keep Going Glossary Question Index General Index
£16.19
Bloomsbury Publishing PLC The Organised Writer
Book SynopsisThe Organised Writer is a practical, no-nonsense system that allows you to write without worrying about administration, business affairs, or scheduling. This straight-talking guide will help you become more productive, cope with multiple projects, and make time within your life to write while also dealing with non-writing tasks more efficiently. It includes advice on how to: Manage your schedule Prioritise your writing time Take notes effectively Work with a clean mind' Get more written every day Deal effectively with non-writing tasks Set up a foolproof filing system Organise your working spaceRead the book, then spend a weekend setting-up the system described, and you'll make the time back with interest. You'll get more written every day and complete more of your other tasks without being overwhelmed by all the things you have to do, forgot to do, or don't want to do.Trade ReviewI’m a messy-brained writer. The Organised Writer helped me tidy up, and improved my working life on a daily basis. * Kieron Gillen *Johnston has uncovered a secret I wish I’d learned twenty years ago; writing benefits way less from inspiration than from sound process. * Merlin Mann *I’ve been a working writer for thirty years. Johnston convinced me I’ve been doing it wrong. * John Birmingham *Johnston packs his book with practical insights and clever methods — the chapters on calendar management and time-blocking alone were like a bolt of lightning to my daily routine. The Organised Writer is the manual you've been looking for. * Helene Wecker *Table of ContentsIntroduction: Becoming an Organised Writer Part One: Get Organised Chapter One: FASTEN Your Seatbelt Chapter Two: Clocking In (and Out) Chapter Three: Taking Notes and Making Lists Part Two: Write! Chapter Four: Five Pages After Breakfast Chapter Five: From Scribbles to Script Part Three: Non-Writing Stuff Chapter Six: Money Matters Chapter Seven: It’s a Set-Up Chapter Eight: The Future Acknowledgements Appendices I: Summary Checklists II: Job Sheets III: Further Reading Index
£15.29
Bloomsbury Publishing PLC Writers Artists Yearbook 2022
Book SynopsisA definitive guide, in here you'll find everything you need' S. J. WatsonThe latest edition of the bestselling guide to all you need to know about how to get published, is packed full of advice, inspiration and practical information. The Writers'' & Artists'' Yearbook has been guiding writers and illustrators on the best way to present their work, how to navigate the world of publishing and ways to improve their chances of success, for over 110 years. It is equally relevant for writers of novels and non-fiction, poems and scripts and for those writing for children, YA and adults and covers works in print, digital and audio formats. If you want to find a literary or illustration agent or publisher, would like to self-publish or crowdfund your creative idea then this Yearbook will help you. As well as sections on publishers and agents, newspapers and magazines, illustration and photography, theatre and screen, there is a wealth of detail on the legal and financial Trade ReviewFull of useful stuff. * J. K. Rowling *So much the budding writer needs. * Martina Cole *Read this book very carefully. Treasure it. Keep it beside you. * Rachel Joyce *Table of ContentsMajor sections on: Newspapers & magazines Books Poetry Screen and audio Theatre Literary agents Art and illustration Societies, prizes and festivals Self-publishing Resources for writers Law and copyright Money, tax and benefits
£20.62
John Murray Press Complete Write a Novel Course
Book SynopsisLEARN HOW TO WRITE A NOVEL WITH THIS COMPLETE, PRACTICAL COURSE.Designed to take you from the moment you first put pen to paper right through to the process of contacting publishers (or uploading an ebook file) and promoting your book, this is the most important book on writing that you''ll ever read. It introduces you to the craft of fiction writing, the art of words and the way in which to use them. It gives you inspiration, ideas and practical advice.It gives you the background and the skills you''ll need to succeed.Unlike other books on the market, however, it also helps you begin to critique your own work, meaning that at every step of the writing process you''ll be producing the best art you can. There are plenty of other essential writing tools in this book, as well, including techniques for overcoming writer''s block; with nearly a quarter of the book focussing on how to get published, how to publish yourself, which courses you do - and don''t
£16.99
John Murray Press Masterclass Writing Crime Fiction
Book Synopsis LEARN HOW TO WRITE GRIPPING CRIME FICTION.Do you have an idea for a gripping crime novel?Would you like to know how to plot your book flawlessly?Do you want to create beautifully crafted characters and nail biting twists?This book is designed for anyone who wants to write an unputdownable crime novel. Whatever your subgenre, whether Scandi-crime or detective ''cosies'', this book is full of inspirational advice, acute insights and practical exercises. The first part of the book establishes the rules of writing crime fiction - from convincing characters to the role of research. The book then covers the practical craft of writing and editing, before explaining in detail how to secure a contract and/or self-publish your work. A comprehensive guide for anyone who wants to be the next Val McDermid or Ian Rankin.ABOUT THE SERIESThe Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of
£11.69
John Murray Press Get Started in Writing Young Adult Fiction
Book SynopsisLearn how to write young adult fiction with imagination and verve.This is an authoritative and engaging introduction to writing young adult fiction for the complete beginner. It will help you understand how the genre works, the big do''s and don''t''s - as well as giving you the inspiration and motivation you actually need to write. Written by a leading literary agent who knows what it takes to make it in this market, this book will give you the advice and tips you need to stand out. An essential book for anyone hoping to emulate the success and addictive qualities that characterize books like The Hunger Games, Twilight, Divergent and The Fault in Our Stars.ABOUT THE SERIESThe Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children''s books and comedy, this series is packed with advice, exercises and tips for unlocking creativity
£11.69
John Murray Press Get Started in Writing a Novel
Book SynopsisLEARN HOW TO WRITE YOUR FIRST NOVEL WITH THIS COMPREHENSIVE GUIDE.This new edition of an acclaimed guide to writing a novel helps you if you are just at the very beginning of your writing journey, showing you how to gain confidence and find inspiration. A classic book that has supported thousands of authors over the years, it contains a wealth of information on how to structure, craft and develop your writing, how to edit and redraft, and how to take the first steps towards publication. Each chapter contains a long and several shorter writing exercises, while key quotes, ideas and focus points will be clearly signposted and will summarise important concepts and advice. At the heart of each chapter is the ''Workshop''. The Workshop is a key exercise, in which you will gain a deeper insight into the craft of writingThis new edition also includes an expanded section on self- and digital-publishing, to reflect recent advances in technology and practice.ABOUT
£11.69
Orion Publishing Co The Cure for Sleep
Book Synopsis''Moving and inspiring, courageous and true: real art. Just reading her is pleasure'' Amy Liptrot, author of The OutrunWhat happens when you realise that you must change your life?When - after years of hiding in routine, shrinking from opportunity, and sleepwalking through your days - you know you want more.How do you remake your life without breaking it?The Cure for Sleep is the stunning memoir of a smalltown wife and mother who returns from sudden near-death determined to live her second life on a larger, braver scale - whatever it takes, or costs.Trade ReviewA sublimely written account of refusing to be defined by social constructs and embracing life-enhancing change, The Cure for Sleep is a poignant and inspiring slice of literary memoir. * WATERSTONES, Non-Fiction Books of 2022 *This hypnotically written debut memoir, all about claiming a bolder, more risk-taking life, reads like a fable. -- Jessie Thompson * EVENING STANDARD, The best non fiction books to look out for in 2022 *A tender but ferocious memoir... to awaken, to see the world with such freshness, to "become an explorer of the everyday and break new ground in it" - we could all do with a bit more of that. -- Marianne Levy * THE I PAPER *Absorbing . . . robust, declarative even, but there is also something disquieting in this memoir . . . for Shadrick, to be a woman, an artist and a mother still seems something not quite of this world: a fairy tale that puzzles her even though - or perhaps because - it came true -- Sheena Joughin * TLS *Thoughtful, poetically articulate . . . ambitious in its scope, a memoir telling her journey from rural working-class Devon to where she is today -- Boudicca Fox-Leonard * THE TELEGRAPH *Absolutely gorgeous. If you like lyrical, beautiful, searching non-fiction, then you'll love The Cure for Sleep -- Melissa Febos, author of GirlhoodSuch a bold, brave, and beautiful story about birth, death, rebirth and building a larger life * Charlie Gilmour, author of Featherhood *I love this book. Tanya's story is moving and inspiring. Her thoughts and writing are well considered, courageous & true: real art. Just reading her is pleasure * Amy Liptrot, author of The Outrun *This is a book of women and words; homes and honesty; light and longing. A life laid bare, and given to us as reminder of what it means to choose to live. Shadrick weaves the raw beauty of the day to day with the magic of myth and fairy tale to offer us a way through the darkest woods * Kerri ní Dochartaigh, author of Thin Places *I finished this wonderful book with tears in my eyes. A book about daring to be, daring to head out, to encounter truths and to understand what place desire must have and must not have in a life. It is beautifully written, both careful and passionate, both slight and strong in its gestures like the best of art, and astonishingly, heartrendingly open. Intensity, beauty, subtlety, pain and courage - all are here. * Adam Nicolson, author of Sea Room and The Mighty Dead *In beautiful prose, Tanya Shadrick writes her own fairy tale of becoming. She is fearless in her depiction of female desire - I think many women will find themselves in these pages. * Katherine May, author of Wintering *A daring and enchantingly written blend of memoir and self-help, which urges us to consider, at any age, breaking the spell of our inherited longings for love, approval, safety and rescue, and doing what we are actually called to do with our one wild and precious life. -- Caroline Sanderson * THE BOOKSELLER, Editor's Choice *Such lovely observations on familial love and motherhood - and being alive * Kit de Waal, author of My Name is Leon *A compelling personal memoir that I gulped down greedily. It's a story about struggle, class, opportunity (taken and wasted), art, sex and desire. About how to live, once you've faced down death, and how to love. The writing is direct and meaningful, open and heart-felt; Tanya is fearless in her integrity and honesty. In laying out her life, Tanya has created a book with the capacity to change yours * Jenny Landreth, author of Swell *This book is absolutely magnificent, heartfelt, beautiful. I read it compulsively * Kate Hamer, author of The Girl in the Red Coat *The Cure for Sleep is an extraordinary book, an artistic triumph in its attention to language and rhythm, but also its truth and honesty. It is full of integrity in its exploration of what it is to be a woman, a wife, a mother, but also an artist; and doesn't shy away from those difficult questions of sacrifice, so challenging for the working and desiring woman. But it is also a story of endurance, that with patience, bravery and wisdom, we can all reach new heights in our relationship with ourselves and those we love. * Lily Dunn, author of Sins of My Father *The Cure For Sleep is a book that, from the outset, subverts expectations... The result is a memoir that reads like a fable and invites us, however late in life, to step out of the confines we have made for ourselves... Every woman will see something of herself in the clinical dissection Shadrick performs on her own history, and in the cultivation of the woman she strives to become. -- Anna Galbraith * THE MAIL ON SUNDAY *This brave and beautifully written book describes the painstaking, painful process of transformation... the courageous story of a woman expanding the narrow confines of her old life for a generous, expansive, compassionate future. -- Eithne Farry * DAILY MIRROR *A viscerally honest account of two lives, the second lived more fully, more fearlessly, as wife, mother, friend, feminist, risk-taker, hospice scribe, consummate writer - and completely, impressively her own person. -- Rose Shepherd * SAGA *Honest, raw, powerful - in mesmerising prose Shadrick has produced a profound exposition of how a woman might fully inhabit her own life, even while attending to wider family ties and responsibilities. Personal yet universal, a truly thoughtprovoking read. * SUSSEX LIFE *
£9.49
Rowman & Littlefield The Forms of Things Unknown
Book SynopsisA college student writes: These words I write/ open their mouths wide/ screaming the most intimate secrets. An inmate in a maximum-security men's prison writes: Within my writing, I am able to break down my prison walls and escape, leave the gangster façade behind.The Forms of Things Unknown: Teaching Poetry Writing to Teens and Adults draws from Shelley Savren's forty years of teaching poetry writing to a diverse array of students, from teens with mental health issues to seniors to adults with developmental disabilities, and in a wide variety of settings, which include middle schools, high schools, colleges, juvenile halls, women's centers, and a men's prison. Each chapter includes an original poem from Savren, heartfelt stories, and lesson plans that introduce poetic concepts through model poems by professionals, open-ended writing assignments, methods for sharing and critiquing, and student poems. Designed for use in a classroom or community setting, this book features forty-one lesTrade ReviewAs a teacher of creative writing at the college and university level for over thirty years, I am always looking for new texts to engage my new generations of students. To find a text appropriate for the wide variety of talents one engages on the undergraduate level is not an easy task. Shelley Savren’s The Forms of Things Unknown: Teaching Poetry Writing to Teens and Adults has become the answer to this search. Relying upon her over twenty-five years of reading, studying, writing, publishing and teaching a wide variety of poetry, Ms. Savren has constructed the most practical, user friendly and insightful creative writing text that I’ve seen in a long time. I look forward to my students holding this book in their hands, and I look forward to sharing it with you, reader. -- Bruce Weigl, 2014 finalist for the Pulitzer Prize in PoetryInspired by the pleasures, the thrills and the curative powers of poetry – reading it, hearing it, writing it – Shelley Savren has devoted a lifetime teaching her passion. As a sometimes itinerant poet who leads writing workshops on high school and college campuses as well as in senior centers, prisons and juvenile “facilities,” I understand where she’s coming from – and going back to again and again. I salute the insights and techniques Shelley Savren shares in her mindful, heartfelt guide. The Forms of Things Unknown: Teaching PoetryWriting to Teens and Adults rocks. -- Al Young, California’s Former Poet LaureateAnyone who dedicates their life to reaching behind razor wire and bars and walls to reach the oppressed and work with them on expressing their emotions and thoughts and in doing so organizing their lives into a comprehensible contribution to society should be commended. Read this book and welcome back to humanity those we have exiled into oblivion. -- Jimmy Santiago Baca, Author of Spring Poems Along the Rio Grande (New Directions, 2007), Winner of the American Book AwardAs a school principal, I have witnessed firsthand the effectiveness and success of Shelley Savren's poetry in the classroom program. Her program has been instrumental in increasing the self-esteem of students and contributes to the enhancement of their reading and writing skills. The poetry program has had phenomenal results, particularly for students with emotional disturbances and incarcerated youth. Now, finally, this innovative program is available in print for everyone! -- Alan L. Murray, Former Principal, Ventura County Office of Education, Professor of Education, California State University, Channel IslandsThe Forms of Things Unknown is chock-full of ideas, inspiration, and down-to-earth advice for teaching poetry in a wide variety of settings. Shelley Savren offers such accessible, practical guidance that even if you’re not a poet and have never taught poetry, you could dive right in with confidence. And if you are an experienced teacher, this will add a multitude of strategies and suggestions to your toolbox. -- Ellen Bass, Author of Mules of Love (Copper Canyon Press, 2014), Winner of the Elliston Book Award for PoetryTable of ContentsTable of Contents Foreword Preface Acknowledgments Introduction Chapter 1: Getting Serious about Poems: Middle School and High School Chapter 2: Can Words Save Me? Teens with Mental Health Issues Chapter 3: Does Anybody Love Me? Juvenile Justice Part I: Girls’ Rehabilitation Facility Part II: Colston Youth Center Chapter 4: Poetry in Academia Chapter 5: I Remember: Cedar Community Center for Senior Citizens Chapter 6: Every Bird Can Sing: St. Madeline Sophie’s Training Center Chapter 7: The Feminist Poet: Women Take Back Words Chapter 8: Freedom Journey: R.J. Donovan Maximum Security Men’s Prison Appendix: Additional Exercise Ideas Resources About the Author
£25.50
Duke University Press Every Day I Write the Book
Book SynopsisA writing manual as well as a manifesto, Every Day I Write the Book combines Amitava Kumar's practical writing advice with interviews with prominent writers, offering guidance and inspiration for academic writers at all levels.Trade Review“Every Day I Write the Book is a persuasive instance of the sort of rare nonfiction performance Amitava Kumar invokes within its pages; he at once defines and exemplifies a vital modern nonfiction tradition. Full of pragmatic analyses and recommendations, this enthralling, important book will prove to be compelling and useful across many audiences.” -- Robert Polito“Amitava Kumar's Every Day I Write the Book compels a cluster of adjectives—eclectic, ruminative, associative, probing, and personal—all of which, taken together, only begin to describe this unique writing sensibility. Turning the pages we find ourselves riding shotgun through the reading and writing life of a true cosmopolitan intellectual. Kumar instructs and inspires, running on all cylinders.” -- Sven Birkerts"A guide for academic writers that is also relevant to anyone who cares about fine prose. . . . An engaging, perceptive companion for all writers." * Kirkus Reviews *"An inventive essay collection . . . a celebration of 'the value, the ease, and also the excitement of crafting writing that hasn’t been produced to please a committee.' Grad students and tenure seekers will appreciate the support Kumar’s insightful and intellectually nimble book offers, even as they buckle down to the task at hand—satisfying that committee of readers." * Publishers Weekly *"Too often lively writing is taken as a sign of dilettantism. Things don’t have to be this way, and Kumar, who is himself both a critic and a novelist, insists that scholarship should argue and inform but also surprise and delight. . . . The best way to argue that academic books can be formally inventive is to write a formally inventive academic book. That’s what Kumar does here." -- Anthony Domestico * Commonweal *"Kumar’s writing guide/commonplace book is a salve. Reading his newest is like having office hours—no, better; a drink and bookish conversation, in a bar—with your smartest, kindest teacher, or friend." -- John Francisconi * Grandlife *"Kumar sets out to do for the academic writer what writers like Annie Dillard, Ursula Le Guin, Anne Lamott, and Stephen King do for the creative writer in their accounts of their own writing lives. . . . This book will interest scholars in search of alternative models for presenting their ideas and those seeking insight into an academic’s writing life. Recommended. Graduate students, researchers, faculty." -- A. M. Laflen * Choice *"An entertaining ramble through his years of analyzing his own writing process and that of many, many other authors. . . . The most amazing feature of this book is the sheer number of authors and ideas on writing that are collected in what Kumar calls, 'The 90-Day Book.'" -- Gretchen Webster * Publishing Research Quarterly *"Kumar’s work effuses creative associations. Ostensibly a how-to writing guide for scholars, this book is from a different mould, one aligned with the daring and the bold: that is, with the creative. . . . In Every Day I Write the Book, you see a writer and thinker in communion with other writers and thinkers: that is, in communion with the world of ideas." -- Steven E. Gumb * Journal of Scholarly Publishing *Table of ContentsIntroduction. The 90-Day Book 1 Part I. Self-Help Misery 5 Good Sentences 6 Read No Secondary Literature 7 Read Junk 9 Failure 10 Running 12 Sleep 15 Kitchen Timer 16 Self-Help 17 Part II. Writing a Book: A Brief History Rules of Writing 23 In Memory of 24 Out of Place 26 Eyes on the Ground 28 The End of the Line 30 Creative Criticism 31 How to Throw Your Body 36 I'm Feeling Myself 38 Creative Writing 39 Part III. Credos Declarations of Independence 47 In Praise of Nonfiction 54 There Is No Single Way 56 How Proust Can Ruin Your Life 57 Reality Hunger 58 Depend on Your Dumbness 60 Blackness (Unmitigated) 62 Rage on the Page 63 On Training 68 Part IV. Form Light Years 71 Neither/Nor 72 Criticism by Other Means 75 Paranoid Theory 77 Erotic Style 80 I Blame the Topic Sentence 82 The Sound of the Fury 83 In Defense of the Fragment 86 Kids 88 Part V. Academic Interest Diana Studies 91 Examined Life 95 Occupy Writing 96 Academic Sentence 98 Dissertation Blah 100 Your Job Is to Know a Lot 102 Terminology 103 Anti-Anti Jargon 104 Monograph 107 Part VI. Style But Life 111 Sugared Violets 112 Voice 113 Wikileaks Manual of Style 117 Detecting Style 118 Strunk and White 120 A Clean English Sentence 122 Trade 126 Recommendation Letter 128 Part VII. Exercises Bad Writing 137 Prompt 139 Post-Its 141 Revising 142 Editing 144 Performing It 146 Rituals 149 For Graduate Students 152 Not Writing 161 Part VIII. The Groves of Academe Academe 165 Stoner 167 Common Sense 169 Titles 170 Campus Criticism 172 Farther Away 176 Accountability 177 Tenure Files 179 Journals 182 Part IX. Materials Photographs, etc. 187 "Who's Got the Address?" (a Collaboration with Teju Cole) 190 Acknowledgments 197 Appendix A. Ten Rules of Writing 201 Appendix B. PEN Ten Interview 207 Notes 211 Index 231
£62.25
Bloomsbury Publishing Plc The Science of Writing Characters
Book SynopsisThe Science of Writing Characters is a comprehensive handbook to help writers create compelling and psychologically-credible characters that come to life on the page. Drawing on the latest psychological theory and research, ranging from personality theory to evolutionary science, the book equips screenwriters and novelists with all the techniques they need to build complex, dimensional characters from the bottom up. Writers learn how to create rounded characters using the ''Big Five'' dimensions of personality and then are shown how these personality traits shape action, relationships and dialogue. Throughout The Science of Writing Characters, psychological theories and research are translated into handy practical tips, which are illustrated through examples of characters in action in well-known films, television series and novels, ranging from Three Billboards Outside Ebbing Missouri and Game of Thrones to The Bonfire of the Vanities and The GolTrade ReviewFor every film-goer or TV viewer who has thought, "I could write a better script than this", Dr. Pelican shows them how to make their ideas real, attention-grabbing and above all truthful. The Science of Writing Characters is exactly the book we need now. * Paul Brett, Executive Producer of The King's Speech (2010) *Kira-Anne Pelican’s The Science of Writing Characters is a valuable tool to help screenwriter’s think consciously, objectively, and methodically about aspects of character that for most of us are unconscious, intuitive, and automatic. It provides a structured psychological approach to developing film characters, using engaging examples from both classic and contemporary films and TV shows, such as Gone With the Wind and Game of Thrones. Dr. Pelican explains complex psychological ideas very clearly, and her book would be useful for screenwriting students and screenwriters at every level, as well as for faculty who are specifically interested in applying psychological theory to the process of character development in screenwriting. * William Indick, Associate Professor of Psychology, William Paterson University, USA *Dr. Kira-Anne Pelican expands the scope and arena of the art and craft of screenwriting by delving more deeply into the psychology of characters. She is knowledgeable, insightful, clear, supportive of the writer, and welcomes the writer to embrace this method of deepening the craft. * Dr. Linda Seger, author of 10 books on screenwriting including Making a Good Script Great (3rd ed. 2010) *No one I know has blended science with creativity like Kira-Anne Pelican. Any writer who ignores her research and fails to heed her advice risks being left in the distribution wilderness. * Elliot Grove, Founder of Raindance and British Independent Film Awards *Good writing, as Kira-Anne Pelican notes, is the result of imagination, observation and instinct, an understanding of human behavior. Yet most writers fail. Early drafts are too often underdeveloped, as writing fast trumps writing deep. Pelican’s book is a salutary reminder to those for whom it does not come naturally: that complex characters are more engaging, that if successfully drawn they take the reader or viewer on a compelling and emotional journey. The Science of Writing Characters is not prescriptive but is an excellent guide to what you can do to help your imagination create powerful, memorable and emotionally engaging characters. * Julian Friedmann *The Science of Writing Characters is a godsend for those who wish to write cogent, exciting and distinctive screenplays. Most discussions of the craft focus on “plot points” and other such structural elements; comparatively few discuss character in any depth. Yet drama is at its essence an instrument with which a writer investigates the inner life of human beings, so this new book fills an important gap. Kira-Anne Pelican draws on extensive scientific research available and presents dimensions of personality (extroversion, agreeableness, neuroticism, conscientiousness, openness to experience), providing their historical origins and examples of them in fictional characters — and providing insight that goes way beyond the standard Myers-Briggs diagram. She then breaks these down further into their various subtleties, belief systems, capacity for transformation, emotional arcs, mental illness, and the intriguing “dark” and “light” triads of personality. Ms. Pelican does not present any kind of formula for creating character; instead, her book is a mind-opening tool chest for further investigation into the nature of humanity, a process that for a good writer never ends. * Paul Gulino, author of Screenwriting (2013) and The Science of Screenwriting (2018) *The Science of Writing Characters is an artful bridge between science and craft, thorough in both areas, and imaginative and insightful in connecting the two. The book’s introduction invites you to use it as you need: as a guide, as a toolbox, or as an academic core text. But however you will end up using it, you will feel supported every step of the way. * Raindance *There is much here that is interesting and helpful, and all of it is thoroughly grounded in research. The book is essential for any writer ... It is a remarkably thorough tool kit for a writer aiming to explore the mysteries that lie within all of us, and explore those mysteries through the medium of drama. * The Journal of Screenwriting *Table of Contents1. Introduction 2. The Dimensions of Character 3. How Personality Shapes Dialogue 4. Motivating Character 5. When, Why and How Characters Transform 6. The Emotional Journey 7. Secondary Characters 8. A Character Workshop Footnotes Glossary Filmography Bibliography Index
£22.79
Adams Media Corporation YouPoet
Book SynopsisOffering a variety of advice for tapping into your creative voice, sharing your work online, and honing your writing skills, You/Poet shows you how to express yourself creatively through the art of poetry.You may think that writing poetry requires a specific set of skills. You may have read books on writing poetry that were stuffy and full of strict rules and regulations. But You/Poet proves that all you need to be a poet is the desire to share your inner thoughts and emotions with the world. Let HerHeartPoetry—an online poetry community, Instagram, digital zine, and poetry press—take you on a journey of self-discovery and surprise, and show you how to embrace the world of writing poetry with arms wide open. Writing poetry is an act of bravery. It’s just you, your thoughts and feelings, and the words you choose to express them. You/Poet can help you do just that. With encouragement and advice on poetry writing basics,
£9.89
Adams Media Corporation Write a Dystopian Novel
£10.44
West Margin Press Super Strange Story Starters
Book SynopsisRead the beginning of a story—the rest is up to you!"After many years of teaching writing, these amazing Totally Weird Activity books will captivate even the most reluctant student! Filled with a wide variety of topics and interests to get a story started, the books will ignite a passion for the craft."—Laura Baker, elementary school teacher and winner of the Presidential Award for Excellence in Mathematics and Science Teaching"Super Stranger Story Starters by T.M. Murphy, illus. by Mark Penta, [is] a collection of story prompts kicking off the Totally Weird Activity Books series."—Publishers Weekly, Fall 2022 Children's Sneak PreviewsWith 22 unique prompts plus colorful illustrations, this creative writing book is ready to go in any direction you want. Each story starter prompt includes space inside to write down and explore ideas of what happens next. There is no wrong way to tell a story, so find inspiration in the artwork details, throw in plot twists, reveal secret desires, make happy endings (or not), introduce new characters. . . the possibilities are endless!Part of the Totally Weird Activity Book series created by childhood friends Mark and Ted, Super Strange Story Starters is perfect for aspiring writers, avid readers, and creative kids who have a story to tell.
£9.49
Manchester University Press Crafting Crime Fiction
Book SynopsisJohn le Carré said the best place to start a crime novel is as near to the end of the story as possible. But how do you know what the story is?As writers, we all have different experiences and skills to draw upon, and this book will help you identify the right beginning, middle and end for your own crime novel.Whether you are writing a police procedural or a psychological thriller, you will need to consider the basic elements of a gripping narrative. Within these pages, you'll learn to master the art of storytelling, from creating a compelling plot that keeps readers on the edge of their seats to choosing the perfect point of view to bring your characters to life. Dive into the depths of suspense, mystery, and surprise, as you unravel the intricacies of crafting a crime novel that captivates and entertains.This guide will help any new or experienced writer to navigate the writing journey, uncovering the core principles that will make your crime fiction truly exceptional.Trade Review'Entertaining and valuable.'Mick Herron, author of Slow Horses'While many books on writing tend to be prescriptive, delivering “formulas,” Crafting crime fiction is the precise opposite. Both illuminating and encouraging, it provides aspiring writers seeking a jumpstart with an expansive tool kit, a rich history and a wealth of creative possibilities. Best of all, it sparks the imagination, lighting a fire in your belly, making you want to get writing, keep writing and then go back and write some more.'Megan Abbott, NYT best-selling author of The Turnout and Beware the Woman‘Sutton proves through examples, vignettes and a wide range of references that indeed, crime fiction is the most decolonized of genres. Written in accessible language that is the hallmark of his teaching style, this is a gift to be unwrapped carefully, reflected upon and most of all, to inspire us…’ Femi Kayode, author of Lightseekers ‘A forensic, deep dive into my favourite genre. An enjoyable, and informative guide that cracks crime fiction wide open. Henry Sutton's decades of reading and writing crime have been put to good use.’ Louise Welsh, author of ten crime novels including The Cutting Room and The Second Cut'Henry has written the definitive book on crime writing, drawing together his vast experience both as a teacher and a crime writer. The book is essential reading for every crime reader, aspiring crime writer and even those of us with somewhat more experience. I’m a busy creative writing teacher and author, but I still found plenty here to inspire me. It’s also a massively entertaining and erudite read.'Julia Crouch is the author of nine internationally published crime novels -- .Table of ContentsIntroduction: beginnings 1 Plot and point of view2 Character and purpose3 Imitation and limitation4 Setting and description5 Structure and development6 Pace and fluency7 Mystery and suspense8 Entertainment and engagement9 Craft and editingConclusion: endingsIndex
£14.24
Pan Macmillan Your Story Matters: Find Your Voice, Sharpen Your
Book Synopsis'Like a best friend giving you essential advice. I can’t wait to give this to every writer I know.' Candice Carty-WilliamsWhy do stories matter? I tell stories to make sense of the world as I see it. The world I have lived and experienced, read about and heard about, and what I want it to be. I tell stories to make sense of myself.Nikesh Shukla, author, writing mentor and bestselling editor of The Good Immigrant, knows better than most the power that every unique voice has to create change. Whether it's a novel, personal essay, non-fiction work or short story – or even just the formless desire to write something – Your Story Matters will hone your skill and help you along the way.This book includes exercises and prompts that will develop your idea, no matter what genre you're writing in. It is practical, to the point and focused on letting you figure out what you want to write, how you want to write and why this is the best use of your voice. Accessible and thought-provoking, Your Story Matters will inspire you to keep thinking about writing, even when you don't have the time to put pen to paper.
£15.29
Cornerstone The Truth About Lisa Jewell
Book Synopsis*For those aspiring authors who are interested in the path to success*'I read this yesterday in one glorious sitting! What an absolute treat of a book!' Lesley Kara'Illuminating, revealing and absolutely fascinating, Will Brooker offers us the keys to the Jewell kingdom.' Vanessa Fox O'Loughlin aka Sam Blake__________Have you ever thought about what it takes to become a bestselling writer?If so, The Truth About Lisa Jewell is the book for you. It is the story of how a novel is written, from before the start to after the finish; it's an in-depth analysis of how that novel fits into a bestselling author like Lisa Jewell's career and her previous work, and what her style shares with authors from James Joyce to Martin Amis.But this is more than just a study of an author at the top of her game. Like Lisa Jewell's much-loved novels, it's also the story of a relationship - between the bestselling author and the professor of cultural studies who has made her his muse - evolving slowly as the world comes gradually out of Covid. It's the story of two very different writers getting to know each other gradually through words; two complete strangers becoming something more like friends.A must-have for fans of Lisa Jewell, for aspiring authors who are interested in the path to success - and a testament to the way books can bring us together. . .__________Readers LOVE The Truth About Lisa Jewell . . .***** 'This book is perfect for fans and aspiring writers alike ... It's faultless to the point that I'd say it's a must read for anyone interested in Lisa Jewell or her work.'***** 'An insightful and well written book.'***** 'Brooker ... succeeds in being a great guide to [Lisa Jewell's] progression.'
£15.29
John Murray Press Novelista: Anyone can write a novel. Yes, even
Book SynopsisNOVELISTA is a friendly, straight-talking writing guide for people who want to write a novel but don't know how to begin. It asks all the important questions and gives a host of reassuring answers that demonstrate that anyone can write a novel - even you!To begin with, what the hell is a novel? It's basically a tiny world, where characters are born, live, and (sometimes) die. To write one all you need is a notebook and a pen - but along the way you'll want to learn about good writing habits, planning, mastering descriptions and dialogue and how to pull it all together. This book will guide you through the process and orient you towards the goal of publication.From absolute beginner to novelista, this book will change the way you write and think about writing.
£11.69
Hodder & Stoughton Mastering the Process: From Idea to Novel
Book Synopsis'After a number of years teaching writing courses and appearing at writers' conferences, I began to see that creating a process book utilising one of my novels as an example of each step of my process might prove useful to people who are interested in novel writing or in how this individual writer approaches the complicated task of putting together a British crime novel.'As the author of twenty-four novels, Elizabeth George is one of the most successful - and prolific - novelists today. In Mastering the Process, George offers a master class in the art and science of crafting a novel, sharing her wealth of experience with would-be novelists, and with crime fiction fans. Using her actual work to illustrate the various steps of novel writing that she explores in this book, she illustrates her points about plotting, characterisation and technique with great clarity and generosity.Drawing from her personal photos, early notes, character analyses, and rough drafts for every stage of her novel Careless in Red, George offers us an intimate look at the procedures she follows, from researching location to imagining plot to creating characters to the actual writing and revision processes themselves. At the same time, she gives invaluable advice for writers about what has worked for her - and what hasn't. Mastering the Process provides writers with practical, prescriptive, and achievable tools for creating a novel, editing a novel, and problem solving when in the midst of a novel, from a master storyteller at the top of her game.Elizabeth George has taught creative writing both nationally and internationally for over thirty years and is the author of Write Away, described as 'one novelist's approach to fiction and the writing life'.Trade ReviewIn this unusual and immersive book Elizabeth George generously shares the wealth of knowledge and experience she has gained from the creation of her hugely loved crime novels. There are nuggets here that will prove invaluable to fiction writers of any genre * Rachel Hore, Sunday Times bestselling author of The Love Child *Brimming with insight and advice, Mastering the Process deserves to become a classic on the craft of writing * SD Sykes, author of The Bone Fire (a Publishers Weekly Book of the Year) *Packed with tips on how to craft a novel * My Weekly *
£10.44
New Hope Publishers (AL) Writing and Selling Children's Books: --From
Book SynopsisThe Ultimate Guide to Becoming a Christian Children?s Author So you want to write a children?s book? Not just any children?s book. You want it to be tailored to the Christian market so it has kingdom significance. Or maybe you have already authored and published a children?s book in the Christian market, but you aren?t seeing the sales you had hoped. If either of these describes you, then dive into the pages of this book. Absorb the shared insights of two industry insiders as well as some of their well-published and talented colleagues. Apply their insights to your writing. Experience the satisfaction that comes from effective selling strategies. In Writing and Selling Children?s Books in the Christian Market?from Board Books to YA, learn industry insights from best-selling author Michelle Medlock Adams, whose books have sold more than four million copies, and agent and award-winning author Cyle Young. Together this dynamic duo?along with some of their well-published colleagues?share everything you need to know to write, illustrate, pitch, publish, and market your children?s or young adult book. If you?ve ever wanted to write and sell well, this book will show you how. Check them out at: michellemedlockadams.com and cyleyoung.com.
£11.99
Penguin Random House Group Opacities
Book Synopsis
£13.49
