Creative writing Books

Book Synopsis“So often people ask me if there’s a book on story I can recommend. This is the one. I can’t recommend it highly enough.”––Alexa Junge, writer/producer, Friends, Sex and the City, The West Wing A master class of 27 lessons, drawn from 27 diverse narratives, for novelists, storytellers, filmmakers, graphic designers, and more. Author Daniel Joshua Rubin unlocks the secrets of what makes a story work, and then shows how to understand and use these principles in your own writing. The result is “an invaluable resource” (Publishers Weekly, starred review), offering priceless advice like escalate risk, with an example from Pulp Fiction. Write characters to the top of their intelligence, from the Eminem song “Stan.” Earn transformations, from Alison Bechdel’s Fun Home. Attack your theme, from The Brothers Karamazov. Insightful, encouraging, filled with attitude, and, as Booklist puts it, “perfect for any writer looking to ensure their stories operate and resonate at the top of their potential,” this book gives contemporary storytellers of all kinds a lifeline of inspiration and relatable instruction. “[The] new bible of lessons and practices for creators.”––Library Journal “Not a ‘how-to,’ thank God, but a ‘here’s why.’ Writers of all levels of experience will benefit from reading––and then rereading––this elegant exploration of the principles of storytelling.”––Traci Letts, Pulitzer and Tony Award-winning playwright “A godsend for storytellers in all media. It will help you decide what to write and then show you, step by step, how to tackle virtually any problem you face.”––Anna D. Shapiro, Tony Award-winning director, August: Osage CountyTrade Review"Rubin, a playwright and TV scriptwriter, aims with this manual to give writers "enough direction to avoid getting lost, but not so much that it strangles your creativity," and succeeds in creating an invaluable resource... This is a no-brainer for both pro and would-be novelists." --Publishers Weekly, Starred Review "Seasoned multimedia writer Rubin (NBC, the WB) injects the traditional writing manual with an overdue fix of dash and utility... This new bible of lessons and practices for creators across media will likely appeal to readers curious about behind-the-scenes realities of those who bring to life today's most popular and intelligent entertainment." --Library Journal "Perfect for any writer looking to ensure their stories operate and resonate at the top of their potential." --Booklist

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Book SynopsisThis unique book is the first to show how professional non-fiction writing can benefit from the use of creative writing formats and techniques. It features a wealth of real-life examples, plus exercises to help readers develop their skills. -- .

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Book SynopsisYou've written a book, triumphantly typed 'The End', but now, it seems, no-one wants to publish it. What do you do next? Author of over thirty novels, stories and screenplays, and tutor on the prestigious creative writing course at Bath Spa, Fay Weldon has a lifetime of wisdom to impart on the art of writing. Why Will No-One Publish My Novel? will delight and amuse, but it isn't just another how-to-write handbook: it shows you how not to write if you want to get published. 'Weaves literary lore with Weldon's considerable experience as a successful writer' Evening Standard. 'Contains lots of interesting advice' Daily Mail. 'Tips and emotional support for the would-be novelist' Sunday Times. What readers are saying about the book: 'More fun than the other writing manuals. And much less bossy... I loved it' 'Reading this book is like having a private tutorial with Fay Weldon' 'Weldon's writing style is so easy to read and her advice is very doable' 'Hilariously funny, helpful and written by a veteran. Get it'Trade ReviewWeaves literary lore with Weldon's considerable experience as a successful writer * Evening Standard *Contains a lot of interesting advice * Daily Mail *Tips and emotional support for the would-be novelist * Sunday Times *As the author of over 30 novels, Weldon should certainly know a thing or two about what makes them work * Daily Mail *Fay Weldon, who has written more than thirty novels, is in a good position to tell other writers what constitutes publishable fiction... Full of practical, down-to-earth advice for writers who want to turn their manuscript into a saleable success' * Writing Magazine *[Weldon] will delight, amuse and give you vital tips on how to get your novel published * The Oldie *A wise, witty guide for first-time writers * Daily Mail *

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Book SynopsisYes! No! But Wait! is the most straightforward book on writing a novel ever published.It is also the most practical, honest and useful.Tim Lott admits he can't teach someone how to write a novel (that's one of the myths propagated by the novel-writing industry).But he can help anyone construct a solid platform on which they can stand to discover whether they have the talent, will and imagination required of any novelist.A distillation of a lifetime's reading, writing and thinking about stories and how to tell them, Yes! No! But Wait! is the one book any aspiring author needs.

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Book SynopsisThe use of creative writing as a route to personal development is a powerful therapeutic tool - a fact that is recognized in the growing numbers of workshops and writing groups within professional contexts, including clinical, health and criminal justice settings.Writing Works is a guide for writers or therapists working with groups or individuals and is full of practical advice on everything from the equipment needed to run a session to ideas for themes, all backed up by the theory that underpins the methods explained. Experienced practitioners in the field contribute detailed illuminating accounts of organizing writing workshops for a wide range of different clients, together with examples of their outcomes.This book will be an invaluable start-up reference for arts therapists and professionals working across the health, social care and caring professions, and one that will be referred to again and again.Trade ReviewThis is an important resource for anyone who runs writing workshops and a delightful, unputdownable adventure - yes, really! - for anyone who thinks it matters that writing works... I loved the chapters on place and objects, although, as before, I am not looking for overtly 'therapeutic' outcomes. I delight in the recognition of the importance of doing worthwhile, satisfying work. The authors clearly believe that a rigorous attitude to quality is in no way in conflict with catharsis and discovery. I loved the succinctness of the accounts “This is what I wanted to do. This is what happened”. I read this book as I read many creative writing handbooks: as a total immersion experience in a familiar but stimulating pool; a pool that refreshes, relaxes, buoys me up, gives me opportunities for vigorous exercise. -- Lapidus QuarterlyThe subheading explains what Writing Works is all about: A resource handbook for therapeutic writing workshops and activities.The use of creative writing as a route to personal development is a powerful and therapeutic tool, and therapeutic writing groups are run not only by writers but also by health professionals, occupational therapists and nurses as well as social workers of various kinds. And these groups will often take place in community centres, hospitals, schools, homes for the elderly and rehabilitation centres. This is a highly specialised field in which group leaders will encourage participants to use writing (as the book puts it) 'to explore themselves and their situations, and to express what they think or feel'. The practical aspects of running such a group are explained in the early chapters, and there are also plenty of suggestions for writing exercises that can be set and explored in group sessions. Typical exercises would involve allowing an inanimate object to 'speak' and to write down what it says, using published poems as a springboard for therapeutic writing, and using writing to explore the ways in which group members believe they are perceived by others. -- Writers MagazineThree editors; but – including these three – forty nine contributors. Is it this number and variety of voices which makes Writing Works not merely interesting, but satisfying. It is a collection of simple, sound and enthusiastic advice about using writing as therapy, and it is all the better for spelling out what might be taken for granted.- the importance of the organization, context, location amenities needed before even beginning to work with those who are writing to learn about themselves….Writing works contains many exercises and activity which any creative writing teacher could use with success. In fact, although this is a handbook for therapists, is has a great deal to teach us about how we think through what we are doing, and why, in any writing course/class/workshop. It is also extremely readable, and edited in such a skilful way that it feels as if there is one editor, rather than three. The tone is reassuring, consistent, warm – and a real testament to the work of Lapidus as an organization, as well as the sensitivity of the teachers who contributed... Every NAWE member should buy this book. -- NAWE NEWS- Supplement to Writing in EducationThe book is full of vignettes from practitioners' experiences of using creative writing in many different ways to bring about therapeutic expression or catharsis. It is presented as a resource handbook for therapeutic writing workshops and activities, and as such contains many interesting approaches and ideas for running successful therapeutic groups…It would be an excellent resource for ideas and developing skills for experienced occupational therapists in mental health and educational settings. -- British Journal of Occupational TherapyTable of ContentsForeword by Blake Morrison. Someone Says by David Hart. Acknowledgements. 1. Introduction. What this book offers and why. Gillie Bolton. Running groups. Victoria Field. Writing in therapy. Kate Thompson. Part One: Writing from without. 2. Warming Up and Working Together. Edited by Kate Thompson. 3. Writing About Place. Edited by Victoria Field. 4. Writing from Objects. Edited by Gillie Bolton. 5. Writing from Published Poems. Edited by Victoria Field. 6. Writing in Form. Edited by Victoria Field. Part Two: Writing from Within. 7. What People Need to Write. Edited by Kate Thompson. 8. Different Masks. Edited by Victoria Field. 9. Who Am I? Edited by Gillie Bolton. 10. Life's Journey. Edited by Gillie Bolton. 11. Loss and Change. Edited by Kate Thompson. 12. Conclusion. Index.

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Book SynopsisWhat makes for a good short story? Being short, you might think the storys structure would yield an answer to this question more readily than, say, the novel. But for as long as the short story has been around, arguments have raged as to what it should and shouldnt be made up of, what it should and shouldnt do. Here,15 leading contemporary practitioners offer structural appreciations of past masters of the form as well as their own perspectives on what the short story does so well. The best short stories dont have closure, argues one contributor, because life doesnt have closure; plot must be written with the denouement constantly in view, quotes another. Covering a century of writing that arguably saw all the major short forms emerge, from Hawthornes Twice Told Tales to Kafkas modernist nightmares, these essays offer new and unique inroads into classic texts, both for the literature student and aspiring writer.

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Book SynopsisThe Essential Pocket Guide.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisNew title in the Flame Tree Blank Notebook collection, combining beautiful art with high-quality production, and featuring blank pages, a pocket at the back and two ribbon bookmarks. Perfect as a gift, or an essential personal choice for writers, note takers, travellers, students, and poets.A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are embossed and foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.P

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Book SynopsisThe Craft is an indispensable guide to both the ‘how’ and ‘why’ of poetic craft in the 21st century, and essential writing-desk companion for poets at all stages. The book covers practical techniques – the nuts of bolts of putting poems together, mastering poetic forms such as sonnets, sestinas, prose poems and golden shovels, how to choose titles for your poems and the art of long sequences. It also explores the idea of ‘craft’ itself - knowing how pentameters dance is important, but by no way is it the only dimension of ‘craft’ that the poet starting out today has to consider. What about sound and the skills involved in performing your work? What about truth and fabrication, and the ethics of using real life in your work? What about the politics of the word ‘craft’ itself? With essays on poetry from Moniza Alvi, Dean Atta, Liz Berry, Caroline Bird, Malika Booker, Debjani Chatterjee, Jane Commane, Rishi Dastidar, Carrie Etter, Will Harris, Tania Hershman, Peter Kahn, Gregory Leadbetter, Karen McCarthy Woolf, Roy McFarlane, Harry Man, Claire Pollard, Peter Raynard, Roger Robinson, Jacqueline Saphra, Joelle Taylor, Marvin Thompson, Julia Webb, and Antosh Wojcik.

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Book SynopsisHoward Mittelmark is the author of Age of Consent. His writing has appeared in the New York Times, Washington Post and other publications. Sandra Newman is the author of the novels Cake and The Only Good Thing Anyone Has Ever Done. Her writing has appeared in Harper's and Granta, amongst others.Trade ReviewThis writing how-to should carry a warning: it's the kind of book one reads at the expense of all other responsibilities. * Library Journal *A great resource and a fun read with a lot of solid advice for would-be novelists. * Publishers Weekly *

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Book SynopsisThis new, fully updated edition is the essential detective in your pocket - something to reach for when your writing needs that short, sharp shock of modern-day investigating. Written with answers to these questions in mind, this is the essential guide to police procedures and practice written specifically for writers.Trade ReviewThis is an easy, informative read that ...succeeds in its aim of helping writers negotiate the sometimes murky world of criminal investigations.' Crime Review 'If you are a budding Ian Rankin or Val McDermid but have never been in 'The Job', I advise you to read this book now and save your blushes when someone points out the glaring errors in your masterpiece. -- Police History Society reviewer * Police History Society Newsletter *

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Book SynopsisDiscover insightful guidance, tools and techniques to become a skilled writer and learn how to share your work with the world.How do you sustain your ideas and overcome self-doubt in your talents? How do you transmit your ideas so that the world will take notice? What techniques can you use to create discipline and make your writing sessions a joy?We live in exciting times: anyone with an idea can reach a worldwide audience, but how do you separate yourself from the thousands competing to be heard? This is a warm, comforting guide to stepping into your new life as an empowered author. You'll learn how to generate more ideas, build confidence in your writing and take your manuscript to completion.Studies have shown it takes just 21 days to establish a new habit. If there's a skill you've always wanted to take advantage of, the answer is only a few weeks away with Hay House’s 21 Days series.

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Book SynopsisDesigned to take you from the moment you first put your pen to paper to pitching and selling your completed screenplay, this is one of the most inspiring books on screenwriting you''ll ever read.Practical exercises will teach you the craft of writing for film and television, both mainstream and independent, the art of building your own plots, characters, dialogue and scenes. It gives you the skills you need to succeed and helps you critique your own work, meaning that at every step of the writing process you''ll be producing the best scripts you can.This book is filled with essential writing tools, including techniques for overcoming writer''s block and how to find your unique voice. You will learn how to pitch and get your work optioned, how to work as part of a team and how to make the best use of social media - in all a comprehensive companion that you will keep coming back to as your career develops.ABOUT THE SERIESThe Teach Yourself Creative Writing

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Book SynopsisTrade Review"Ted Kooser could be mistaken for an average guy except for one thing: He writes poetry. That activity sets him apart from most of his neighbors, since they, like most Americans, have very little time for the stuff. A resident of Nebraska and the first U.S. poet laureate from the Great Plains, Mr. Kooser takes a broadly inclusive approach to promoting poetry; even so, he harbors no illusions about its becoming the national pastime anytime soon. Mr. Kooser captures this outsider-status neatly in The Poetry Home Repair Manual, his guide to aspiring poets and aspiring readers of verse. . . . [P]oetry is a tough sell these days. . . . But that only makes a smart and readable poetry guide all the more welcome, and needed."—David Yezzi, The Wall Street Journal"With The Poetry Home Repair Manual, he turns to teaching us what poetry is about, Kooser-style. Much of it appeals. His attitude that 'poetry is communication' is refreshing in an era when so many poets seem to be babbling to themselves, giving us pages ripped out of their narcissistic diaries. . . . As might be expected, Kooser's advice is practical, down-home. . . . Kooser is a fine free-verser, and the biases of his book show it."—Cynthia Haven, San Francisco Chronicle"When Nebraska's Ted Kooser was named poet laureate for the Library of Congress last fall, certain quarters of the literary establishment responded with a resounding, Huh? Poets on both coasts scratched their heads, admitting they had never heard of Kooser. It is to be hoped they now have. With Kooser, the middle of the country and Nebraska have triumphed over the self-concerned coasts. Many of his poems involve closely observed Midwestern scenes, their artistry a way of surviving and even enjoying the world. Though Kooser eschews the egotism of many contemporary poets, he is as distinctive a voice as any now at work, a master of metaphor and the short poem. . . . Kooser's book is quietly witty and iconoclastic, with valuable advice. . . . He presents a whole stance toward writing in the context of living one's life. The Poetry Home Repair Manual is brief, lucid, and often remarkably wise."—David Mason, The Weekly Standard"Comings and goings, what is there and what isn't, and the possibilities drawn from personal exploration shape the landscapes in Kooser's poetry. This is not an extended, complex, or experimental kind of writing, but a poetry that rings true, allowing the human sound of being to exist on the page. Its brevity is a launching pad for a simplicity that contains mortal lessons whose language changes the reader. This sense of transformation could be the theme of The Poetry Home Repair Manual. It is not a how-to book or a grand manifesto about poetic tradition. This lively and trim book is Kooser's gift to readers and writers of poetry. . . . The value of this book lies in the way Kooser encourages writers to be real about their expectations, their work, and the fact that the world is not waiting for their poems. . . . Kooser is a poet whose triumphs and tragedies become our own, not to shed their weight upon us but to allow us to revel in the process by which the imagination and the mysteries of poetry make our humanity everyone's horizon."—Bloomsbury Review"The work of Kooser, America's new poet laureate, will be receiving more attention now, attention that is amply deserved"—Booklist"Get your hands on this book. Ask your librarian for it—or better yet buy it, along with a highlighter. You're going to need the latter because this book is brimming with good counsel."—John Eberhart, Kansas City Star"A beginning poet would be well advised to read and take to heart the plain-spoken wisdom offered in . . . Ted Kooser's poetry writing 'manual.' . . . By poking fun at himself, he encourages the fledgling poet to see past the pose of being a poet to the devotion to craft and love of poetry that this book celebrates."—Judith Sornberger, Great Plains Quarterly"No other poet seems better suited to represent the United States as its Laureate in this era than Ted Kooser, and The Poetry Home Repair Manual should enhance his grip on our slumbering Republic."—Larry Woiwode, Poet Laureate of North Dakota, in North Dakota Quarterly"[Kooser] is a major poetic voice for rural and small-town America and the first Poet Laureate chosen from the Great Plains. His verse reaches beyond his native region to touch on universal themes in accessible ways."—James H. Billington, Librarian of Congress"Ted Kooser demonstrates that you can be both accessible and truly excellent. . . . He's the sort of poet people love to read.”—Dana Gioia, poet and author of Can Poetry Matter?

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Book SynopsisThe first fantasy-writing textbook to combine a historical genre overview with an anthology and comprehensive craft guide, this book explores the blue prints of one of the most popular forms of genre fiction. The first section will acquaint readers with the vast canon of existing fantasy fiction and outline the many sub-genres encompassed within it before examining the important relationship between fantasy and creative writing, the academy and publishing. A craft guide follows which equips students with the key concepts of storytelling as they are impacted by writing through a fantastical lens. These include: - Character and dialogue - Point of view - Plot and structure - Worldbuilding settings, ideologies and cultures - Style and revision The third section guides students through the spectrum of styles as they are classified in fantasy fiction from Epic and high fantasy, through Lovecraftian and Weird fiction, to magical realism and hybrid faTrade ReviewA thorough take on the Fantasy genre by someone who clearly loves the genre, and a welcome addition to an academic field that deserves more scholarship. * Nicole Peeler, Director of the Writing Popular Fiction Program, Seton Hill University, USA *Jennifer Pullen’s Fantasy Fiction: A Writer’s Guide and Anthology is the book students and teachers of not only Fantasy fiction but also fiction writ large have been waiting for. Capacious, generous, and wise, it deftly embraces history, inhabits our current cultural moment, and enables the future. An instant classic. * Stephanie Vanderslice, Professor of Creative Writing and Co-Director Arkansas Writers MFA Workshop, University of Central Arkansas, USA *Table of ContentsTable of Contents Section 1: An Introduction to Fantasy Writing Introduction Chapter 1: Fantasy and Its Evolution Chapter 2: Fantasy Genres (a mostly comprehensive review) Chapter 3: Fantasy Fiction, Publishing, and Creative Writing in the Academy Section 2: The Craft of Fantasy Writing Chapter 4: Character and Dialogue Chapter 5: Point of View Chapter 6: Structure and Plot Chapter 7: Worldbuilding Part 1 Chapter 8: Worldbuilding Part 2 Chapter 9: Worldbuilding Part 3 Chapter 10: Style and Revision Discussion Questions and Writing Activities Section 3: Genres and Styles of Fantasy Writing Chapter 11: Epic Fantasy, High Fantasy, and Sword and Sorcery Fantasy Chapter 12: Historical Fantasy Chapter 13: Weird Fiction, Lovecraftian Fantasy, Gothic Fantasy, and Cosmic Horror Chapter 14: Contemporary and Urban Fantasy Chapter 15: Fabulism and Magical Realism Chapter 16: Mythic, Fairy Tale, Folkloric, and Fairy Fantasy Chapter 17: Hybrid Fantasy Conclusion Anthology Cooney—Martyr’s Gem Donaldson—The Albatrosses Goss—England Under the White Witch Jones—The Night Bazaar for Women Becoming Reptiles Le Guin—The Ones Who Walk Away from Omelas Liu—Good Hunting Miéville—The Condition of New Death Murray—La Llorona Roanhorse—Harvest Samatar—Meet Me in Iram Singh—A Handful of Rice Ulmer—Red Valentine— From the Catalogue of the Pavilion of the Marvelous, Scheduled for Premiere at the Great Exhibition (Before the Fire) Notes and References

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Book SynopsisPoetry Projects to Make and Do, edited by Deborah Alma, The Emergency Poet, is a ‘how to’ handbook of essays, prompts, advice, and ideas designed to help both aspiring and established poets find new ways not only to create new poetry, but to share and take it out into the world through collaboration, projects, performances – and more. With an array of real-life examples from experienced poets, Poetry Projects to Make and Do provides imaginative case-studies and inspiration for readers to roll up their sleeves and get stuck in. Each essay encourages experimentation alongside plenty of practical tips and guidance. From projects which poets can try out at home, to ones which take poetry out into the streets; from having a go at making poetry films or podcasts, to hand-crafting a poetry residency; from how to apply for funding, to working in collaboration and involving music, art or photography in your poetry. This indispensable book covers a broad range of topics to empower and encourage poetry as part of everyday creativity. Poetry Projects to Make and Do follows previous popular creative writing handbook titles for Nine Arches Press – including The Craft, Why I Write Poetry and How to be a Poet – and is edited by Deborah Alma, aka The Emergency Poet and founder of the world’s first walk-in Poetry Pharmacy, based in Bishops Castle, Shropshire. Includes 20+ essays by: Deborah Alma; Jean Atkin; Casey Bailey; Roshni Beeharry; Julia Bird; Jo Bell; Jane Burn; Lewis Buxton; Jane Commane; Jonathan Davidson; Helen Dewbery; Pat Edwards; Jasmine Gardosi; Roz Goddard; Daisy Henwood; Sophie Herxheimer; Helen Ivory; Gregory Leadbetter; Arji Manuelpillai; Caleb Parkin; Nina Mingya Powles; Jacqueline Saphra; Clare Shaw; Degna Stone and Tamar Yoseloff.

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Book SynopsisThis demystifying guide to creative writing shows that successful work arises not from talent or inspiration alone but from several stages of development within a systematic strategy. Recommending an exploratory approach to writing, this book offers practical exercises that bring exceptional creative writing within reach. Each chapter is illustrated with extensive examples of student work and published writing including fiction, poetry, plays, performance, and new media.

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Book SynopsisAdventure, memoir, storytelling and celebration of all things maritime meet in Waypoints, a beautifully written account of sea journeys from Scotland's west coast. In the book Ian Stephen reveals a lifetime's love affair with sailing; each voyage honours a seagoing vessel, and each adventure is accompanied by a spell-binding retelling of a traditional tale about the sea. His writing is enchanting and lyrical, gentle but searching, and is accompanied by beautiful illustrations of each vessel, drawn by his wife, artist Christine Morrison.Ian Stephen is a Scottish writer, artist and storyteller from the remote and bewitching Isle of Lewis in the Outer Hebrides. He fell in love with boats and sailing as a boy, pairing this love affair with a passion for the beautiful but merciless Scottish coastline, an inspiration and motivating force behind his poems, stories, plays, radio broadcasts and visual arts projects for many years.This book will be a delightful and absorbing read for anyoTrade ReviewA really beautiful book ... movingly and saltily real * Adam Nicolson *Charming and engaging. Beautifully written, this is a book you'll find it hard to put down. * Lifeboat magazine (RNLI) *Former Isle of Lewis coastguard Ian Stephen has created a lyrical and gentle commentary on the nautical past and present. * Sailing Today *It is a dazzling book in that somehow, magically, you bring your experience as a sailor, wed to this the exquisite craftsmanship of those who make the boats, and then produce these exquisite thoughts on the art of storytelling as if all three are inextricable. That is a major feat. * Marius Kociejowski *

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Book SynopsisWriting matters. We all do it, and we all admire it when it’s done well. It doesn’t just express us; it represents us. We write to connect with other people – to make them laugh, or cry, or think. We also write to work out what we think ourselves: there’s nothing like it for concentrating the mind.  So what’s the secret of a stylish essay, or story, or email? How do you make your sentences sparkle? Dorothy Parker had a point when she said that writing “is the art of applying the ass to the seat”, but in this slim volume, a leading editor who is also a pop critic and sportswriter shows you much fun you can have while sharpening your pen. Tim de Lisle’s book is packed with good, simple advice: be clear, be concise, be vivid, be organised. In a few breezy chapters, he explains the secrets of good writing, and along the way he quotes dozens of great lines, from the plays of Shakespeare to the journalism of Caitlin Moran. “Writ

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Book SynopsisWinner of the H.R.F. Keating Award for best biographical/critical book related to crime fiction, and nominated for the Edgar Allen Poe and Macavity Awards for Best Critical/Biographical book.Ninety crime writers from the world's oldest and most famous crime writing network give tips and insights into successful crime and thriller fiction.Howdunit offers a fresh perspective on the craft of crime writing from leading exponents of the genre, past and present. The book offers invaluable advice to people interested in writing crime fiction, but it also provides a fascinating picture of the way that the best crime writers have honed their skills over the years. Its unique construction and content mean that it will appeal not only to would-be writers but also to a very wide readership of crime fans.The principal contributors are current members of the legendary Detection Club, including Ian Rankin, Val McDermid, Peter James, Peter Robinson, Ann Cleeves, Andrew Taylor, Elly Griffiths, Sophie HTrade Review'Aspirant crime writers will relish the tips in Howdunit'—Barry Forshaw, Financial Times ‘A must-read for fans of crime writing and would-be authors alike.’—Ellery Queen Mystery Magazine ‘There can be few people in the country who know more about crime fiction than Martin Edwards.’—On Magazine

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Book SynopsisDo you have a compelling vision for a story set in the past? Are you inspired by novelists such as Alan Furst and Philippa Gregory? Get Started in Writing Historical Fiction is designed for anyone who wants to write in this exciting and wide-ranging genre of fiction, whatever your favorite style and era. Designed to build your confidence and help fire up creativity, this book is an essential guide to mastering the practicalities of writing historical fiction, showing you where to start with research, developing your plots, and convincingly and imaginatively capturing the voices of the past. Using Snapshots designed to get you writing quickly, Key Ideas to help crystallize thought, and a wealth of supplementary materials, this indispensable guide will have you telling amazing and rich historical stories in no time. You''ll learn to research and plan your story, practice developing characters and settings, perfect your characters'' voices, and transport the re

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Book SynopsisTable of ContentsUnit 1: All in Our Family Unit 2: Fresh Food Unit 3: A Long Time Ago and Today Units 1-3: Review Extended Reading: Giant���s Causeway Let���s Talk! Unit 4: Get Well Soon! Unit 5: My Favourites Unit 6: Wonders of the Sea Units 4-6 Review Extended Reading: Oceans of Plastic Let���s Talk! Unit 7: Good Idea! Unit 8: That���s Really Interesting! Unit 9: The Science of Fun Units 7-9 Review Extended Reading: Leonardo da Vinci Let���s Talk! Irregular Verbs Cutouts Stickers

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Book SynopsisIf you dream of being a writer, why not learn from the best? In Your Creative Writing Masterclass you'll find ideas, techniques and encouragement from the most admired and respected contemporary and classic authors, including Charles Dickens, Jane Austen and Anton Chekhov. Jurgen Wolff, bestselling author of Your Writing Coach, helps you translate these insights into action to master your craft and write what only you can write. From Robert Louis Stevenson to Mary Shelley, Alice Munro to Stephen King, Your Creative Writing Masterclass guide you through: finding your style, constructing powerful plots, generating story ideas, overcoming writer's block, creating vivid characters and crafting your ideal writer's life. Brimming with support and suggested activities to develop your writing skills, the book also features unique bonus advice, exercises, resources and sharing capabilities via the website www.YourCreativeWritingMasterclass.com.Trade ReviewI think it's a great book. The tone strikes a good balance between chatty and knowledgeable. It's definitely a book I could use with my students. The layout of each chapter works as a lesson plan - a presentation, with examples, followed by practical exercises. -- Robin Gott, creative writing teacher, SwedenYour Creative Writing Masterclass distills some of the most incisive wisdom of the literary greats, helping to guide modern-day authors who wish to write fiction well, and to better understand the career and lifestyle of a professional author -- Michael J. Ross, writer - www.ross.wsA wonderful resource for both individual writers, and for writing groups. It helps writers feel that even when sitting alone at their desks, they are not alone. Opening this book, they access the wisdom of great writers, and the practical help and advice from Jurgen Wolff, a generous and constructive writing companion. -- Julie Everton, award winning playwright and Creative Writing and Screenwriting teacher, University of BrightonWith Mr Wolff's help, your reading can become truly productive. * Writing Magazine *

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Book SynopsisFully revamped and expanded, this second edition offers a complete introduction to the art and craft of writing poetry. Mapping out 38 foundational elements of poetry including image, line, point of view, metaphor, movement, and music, authors Amorak Huey and W. Todd Kaneko use these elements as starting points for discussion questions and writing prompts. The book guides readers through a range of poetic modes and styles such as:o Elegies and Odeso Found poemso Aubades and Nocturneso Documentary and Protest poemso Ars Poeticao Lyric and Narrative poemso Personas and PortraitsWith a focus on contemporary poems, the anthology features a truly diverse and global line-up of poets and poems to illustrate the elements and craft discussed in the book. Featuring all-new chapters on traditional poetic forms, prosody, writing poems that engage the current moment, and the value and ethics of imitation, this is the ultimate companion to studying an

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Book SynopsisReliably insightful. Publishers WeeklyThe first step to becoming a successful writer is to become a successful reader. Helping you develop your critical skills How to Read Like a Writer is an accessible and effective step-by-step guide to how careful reading can help you improve your craft as a creative writer, whatever genre you are writing in.Across 10 lessons each pairing published readings with practical critical and creative exercises this book helps writers master such key elements of their craft as: Genre from fiction, creative nonfiction and poetry to hybrid genres such as graphic narratives and online forms Plot, conflict, theme and image Developing characters physical descriptions, psychological depths and actions Narrators and points of view 1st, 2nd and 3rd person narratives Scenes and settings time, space and place Structure and form length, organization and media Language, subtext and styTrade ReviewReliably insightful. Those looking to get the most out of their reading experience and get the pen moving should give this a look. * Publishers Weekly *This is a very interesting, and useful, book. It covers a range of types of writing. ... a worthwhile investment. It's both analytical and readable: two words you don't often find in the same sentence! * Writers Know-How blog *Table of ContentsIntroduction: Writers Read Lesson 1: Genre i. Fiction ii. Creative Nonfiction iii. Poetry Lesson 2: Hybrids and Multigenre Work i. Graphic Narrative ii. Photo Essay iii. Prose Poems and Other Hybrids iv. Emerging Hybrids and Other Multigenre Work Lesson 3: Form i. One Size Does Not Fit All ii. Long, Short and Shorter iii. In Print, Online and Social Medias Lesson 4: Plot, Conflict and Theme/Image i. What Drives a Story, Poem or Essay? ii. Central Theme/Image iii. Plot and Narrative Arc iv. Conflict Lesson 5: Structure i. Overall Structure ii. Nontraditional Structures iii. Whitespace and Other Structural Markers Lesson 6: Character Development i. Discovering Depth and Nuance ii. When the Narrator is Also a Character Lesson 7: Point of View i. Narrator, Speaker ii. First, Second, and Third iii. Omniscience and Limits iv. Distance and Closeness v. When the Narrator is also the Writer (Nonfiction) Lesson 8: Setting i. Place, Space, and Time ii. Introducing Setting iii. Physical Details Lesson 9: Reading to Discover Scene i. When Writers Use Scene ii. Short, Long, and In-Between iii. Recognizing Well-Rendered Scenes Lesson 10: Language i. Developing a Literary Ear ii. Resonance iii. Sensory Language iv. Style v. Voice and Tone The End i. Making Connections ii. Each Aspect of Writing Influences the Others iii. Continuing Down Your Path as a Reading Writer Index

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Book SynopsisJane Davenport's stunning journal will send women on a satisfying journey of self-discovery. Bombarded by constant demands from work, home, family, friends, and social media, women crave the opportunity to slow down and reflect on what is truly important. Journaling is a proven therapeutic process that promotes well-being and sparks creativity, but newcomers can feel intimidated the first time they face a blank page. Where should they begin? Imagine Out Loud combines famed artist Jane Davenport's inspirational artwork, trademark "Jane-isms," and quotations with compelling journaling prompts. Readers will be moved to write, make lists, doodle, and draw. Designed to encourage introspection and self-discovery, Imagine Out Loud will be a constant companion in the search for creative and personal fulfillment.

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Book SynopsisSynthesizing the breadth of current research on the teaching and learning of writing, the third edition of this definitive handbook has more than 90% new content, reflecting the growth and dynamism of the field. Leading scholars--including many international voices--review major theories, developmental issues, and instructional approaches for students at all grade levels. Cognitive and sociocultural aspects of writing are explored in depth, as are assessment principles and methods. Issues in teaching students with disabilities, multilingual students, and culturally diverse students are addressed. The volume discusses innovative research methods and educational technologies and identifies key directions for future investigation. New to This Edition *Chapters on executive functions in writing; disciplinary writing in math, science, and social studies; the role of vocabulary in writing; and formative assessment. *Chapters on source-based writing, source evaluation, and writing development and instruction for African American students. *Chapters on sociocultural aspects of writing--from critical literacies to agency and identity, social justice issues, and more--plus an emphasis on integrating cognitive and sociocultural perspectives throughout.

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Book Synopsis''Lately, I am trying to provoke myself into art - into writing... I wasn''t exactly in despair - I was in cynicism, which is despair''s more torpid sister... Let me tell you how writing snuck back on me.''Whether you are starting from scratch or need a gentle nudge back in the right direction, The Sound of Paper is a wonderful creative companion. Through inspiring essays and practical tasks, it stimulates creativity so that the reader becomes more and more familiar with their own strengths. Including her own fascinating journey from writer''s block back to productive work, which takes the reader across America from New York to New Mexico, this is a story of inspiration infused with brilliantly practical suggestions, the perfect combination for anyone on the path to creativity.

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Book Synopsis''If you''re someone who dreams of penning a bestseller, read this book'' The Week''What if the success of E.L.James and Dan Brown was not so random? What if there were an algorithm that could pick out the bestseller DNA concealed within these books before they''re published? This is the audacious claim made by Jodie Archer and Matthew Jockers ... Smart, savvy and full of ideas'' Fiona Wilson, The TimesGirl on the Train. Fifty Shades. The Goldfinch. Why do some books capture the whole world''s attention? In The Bestseller Code, Archer and Jockers boldly claim that not only can mega-hits be explained and identified - but they''ve built the algorithm to prove it. Using cutting-edge text mining techniques, they have developed a model that analyses theme, plot, style and character to explain why some books resonate more than others with readers. Provocative, entertaining, and ground-breaking, The Bestseller Code explo

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Book SynopsisFor more than a decade, writers have turned to William Germano for his insider's take on navigating the world of scholarly publishing. A professor, author, and thirty-year veteran of the book industry, Germano knows what editors want and what writers need to know to get their work published. Today there are more ways to publish than ever, and more challenges to traditional publishing. This ever-evolving landscape brings more confusion for authors trying to understand their options. The third edition of Getting It Published offers the clear, practicable guidance on choosing the best path to publication that has made it a trusted resource, now updated to include discussions of current best practices for submitting a proposal, of the advantages and drawbacks of digital publishing, and tips for authors publishing textbooks and in open-access environments. Germano argues that it's not enough for authors to write wellthey also need to write with an audience in mind. He provides valuabl

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Book Synopsis Successful Academic Writing guides students through the whole process of academic writing, developing their ability to communicate ideas and research fluently and successfully. From understanding the task and planning essays or assignments, right through to utilising feedback, it will ensure students are able to get much more out of the writing process. Table of Contents Chapter 1: Understanding the task Chapter 2: Overcoming the ‘blank sheet of paper’ Chapter 3: Planning your work Chapter 4: Carrying out the research Chapter 5: Readingand note-taking Chapters 6 – 8: The process of writing Chapter 9: Working with other people’s ideas and voices Chapter 10: Finding your own voice Chapter 11: Genre and discipline-specific writing Chapter 12: Presenting your work Chapter 13: Working with feedback Chapter 14: Editing your work Chapter 15: Summary and the way forward

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Book SynopsisA wonderfully accessible handbook to the art of writing and reading poetry—itself written entirely in verseTrade Review“Lucy Newlyn’s The Craft of Poetry has pulled off a near-impossible feat with a series of accomplished poems that illustrate every single poetry technique.”—Bel Mooney, Daily Mail“An excellent pedagogical resource to use with students. . . . [Newlyn] hopes that The Craft of Poetry ‘will stand on the same shelf’ as The Making of a Poem by Eavan Boland and Mark Strand or John Hollander’s books on craft, and it does earn that place as a novel reference work of poetic curios.”—Naush Sabah, Times Literary Supplement“You’ll learn about allegory and enjambment, haikus and epistles, while being enchanted by the beauty of the language.”—Patricia Carswell, WI Life, “10 Top Reads”“Newlyn’s specially written poems feel effortless to read. They can, of course, be read out of order, and dipped in and out of, but read together they show how evocative poetry can be and how much can be communicated within one line.”—Kay Hadden, Myslexia“To write about the technical aspects of poetry writing in verse is quite a party trick, and to do it in a sequence of over 180 original poems is remarkable . . . this is an ingenious and rich supplementary resource for any student of literature.”—John Batchelor, Modern Language Review“Reading this book, you get to know poetry from the inside, without the alienating or distracting effect of abstract definition. Knowledge of how poetry works is here imbibed not as a course of instruction but as a sustained pleasure.”—Bernard O’Donoghue, University of Oxford, winner of the Whitbread Prize for Poetry“Lucy Newlyn has written a masterpiece about poetic process. It is also a book of place and people, of language and sound, of form and intelligence, of story and history, and of tragedy and delight. . . . A future classic.” —David Morley, University of Warwick, winner of the Ted Hughes Award and author of The Cambridge Companion to Creative Writing“Tremendously useful and enjoyable. . . . Conveys a hefty bundle of knowledge and delight, a little bit at a time.”—Carmen Bugan, University of Michigan and Gotham Writers Workshop“A wonderfully refreshing approach. . . . Every one of these pieces shines with vigour.”—Rowan Williams“An ingenious, gentle, lucid and brilliant book that both describes and performs. . . . By turns poignant, funny and haunting.”—Nicholas Royle, University of Sussex, author of An Introduction to Literature, Criticism and Theory

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Book SynopsisThe true story of a self-taught sleuth's quest to prove his eye-opening theory about the source of the world's most famous plays, taking readers inside the vibrant era of Elizabethan England as well as the contemporary scene of Shakespeare scholars and obsessives.What if Shakespeare wrote Shakespeare . . . but someone else wrote him first? Acclaimed author of The Map Thief, Michael Blanding presents the twinning narratives of renegade scholar Dennis McCarthy and Elizabethan courtier Sir Thomas North. Unlike those who believe someone else secretly wrote Shakespeare, McCarthy argues that Shakespeare wrote the plays, but he adapted them from source plays written by North decades before.In Shakespeare's Shadow alternates between the enigmatic life of North, the intrigues of the Tudor court, the rivalries of English Renaissance theater, and academic outsider McCarthy's attempts to air his provocative ideas in the clubby world of Shakespearean scholarship. Through it all, Blanding employs his keen journalistic eye to craft a captivating drama, upending our understanding of the beloved playwright and his 'singular genius.'Winner of the 2021 International Book Award in Narrative Non-Fiction

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Book SynopsisA fully revised and updated edition with writing prompts and challenges in every chapterToday’s writers need more spunk than Strunk: whether it''s the Great American e-mail, Madison Avenue advertising, or Grammy Award-winning rap lyrics, memorable writing must jump off the page. Copy veteran Constance Hale is on a mission to make creative communication, both the lyrical and the unlawful, an option for everyone. With its crisp, witty tone, Sin and Syntax covers grammar’s ground rules while revealing countless unconventional syntax secrets (such as how to use—Gasp!—interjections or when to pepper your prose with slang) that make for sinfully good writing. Discover how to: *Distinguish between words that are “pearls” and words that are “potatoes” * Avoid “couch potato thinking” and “commitment phobia” when choosing verbs * Use literary devices such as onomatopoeia, alliteration, and metaphor (and understand what you''re doing) Everyone needs to know how to write stylish prose—students, professionals, and seasoned writers alike. Whether you’re writing to sell, shock, or just sing, Sin and Syntax—now celebrating 20 years in print—is the guide you need to improve your command of the English language.

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Book SynopsisA thorough, illuminating, and entertaining guide to crafting point of view, a fiction writer’s most essential choice.Trade Review"Lisa Zeidner's Who Says? is as captivating as it is instructive, an enormously useful craft book that is also, miraculously, a page-turner. Witnessing how Zeidner constructs her own erudite and hilarious point of view is a class in itself. An essential resource for teachers and students, writers and readers." -- Karen Russell, author of Orange World and Other Stories"As an experienced teacher and witty, engaging novelist, Lisa Zeidner has a real understanding of what makes fiction tick, and from whose perspective that ticking might arise. Her book will surely be a good resource for anyone setting out to understand the complex and all-important topic of point of view." -- Meg Wolitzer, author of The Female Persuasion"Zeidner's book is a joy. Usually books that claim to be about the craft of fiction leave my mouth, eyes and my room full of dust, but this work is actually fun. It's also full of erudition, wit and insight. And it is wonderfully accessible, a helpful text for any writer at any stage of her/his career." -- Percival Everett, author of Telephone"Lively and insightful, an indispensable guide for writers of all levels." -- Ann Packer, author of The Children's Crusade"As a novice teacher thirty-something years ago, I realized that the biggest obstacle for most beginning writers was complete ignorance of how to manage point of view in fiction. I’ve been teaching to that insight ever since, which means that I agree with Lisa Zeidner! Not only on the importance of the topic but also on the key points she makes about it in Who Says?. To have such a well-organized manual on point of view is a tremendous asset, especially with the thousands of examples found here, deployed from Zeidner’s almost intimidating erudition, but softened by her customarily light and witty touch." -- Madison Smartt Bell, author of The Color of Night"In witty accessible prose, drawing on examples from a vivid universe of fiction, Lisa Zeidner breaks down the science of perspective in fiction writing. This volume articulates with stunning clarity so much of what we feel when we read but struggle to explain, offering gems for the author attempting to gain a reader’s interest and trust. Writers, students, lay readers and scholars of fiction will come away from Who Says? with a greater understanding of how to write all of the selves: them, ours and maybe even yours." -- Asali Solomon, author of Disgruntled"While point of view is the primary subject here, Who Says? is anything but narrow in scope. This capacious volume spins tales about tales themselves, drawing us into the heart of storytelling in ways that feel rich and whole, providing along-the-way insights into language, character, voice, and structure. It’s a great pleasure to read, and at its core inspirational—useful for new writers and writers made new by their latest project, too." -- Aurelie Sheehan, author of Once into the Night

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Book SynopsisI''m an award-winning business woman. I''m happily married with two beautiful daughters and I still fit in the same size-ten dress suit I did fifteen years ago. What could possibly threaten me?Linda Wilde has dedicated her life to changing the world. She''s won awards for her efforts, at the same time as working hard to become an inspiring mother, and an independent, loving wife.Now, at 55, she seems to have it all. She''s a woman in her prime. She''s embarking on her most ambitious plan to date. Beneath the surface, though, the cracks are starting to show.Linda by Penelope Skinner premiered at the Royal Court Theatre, London, in November 2015.

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Book SynopsisIn this specially-commissioned anthology, sixty accomplished authors share secrets and insights into their writing lives: on their inspirations, methods, wild ideas and daily routines; on the pleasure and the pain in achieving their literary goals; on how they started out and how they hope to continue.

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Book SynopsisIn this new edition 54 chapters cover the central pillars of writing creatively: the theories behind the creativity, the techniques and writing as a commercial enterprise. With contributions from over 50 poets, novelists, dramatists, publishers, editors, tutors, critics and scholars, this is the essential guide to writing and getting published. A 3-in-1 text with outstanding breadth of coverage on the theories, the craft & the business of creative writing Includes practical advice on getting published & making money from your writingNew for this edition: Chapters on popular topics such as ''self-publishing and the rise of the indie author'', ''social media'', ''flash fiction'', ''song lyrics'', ''creative-critical hybrids'' and ''collaboration in the theatre'' New and updated exercises to help you practice your writing Up-to-date information on teaching, copyright, writing for the web & earning a living as a writer Updated Glossary of TermsTrade Review"'An invaluable guide for anyone thinking of teaching creative writing, at any level... It's really nice to come across a book that's so thoughtfully organized, so thorough, entertaining and just plain useful'. (Catherine Smith, The New Writer)"Table of ContentsAcknowledgements; Preface to Second Edition; Introduction, Steven Earnshaw; Section One - Writing: Theories and Contexts; 1. Theories of Creativity and Creative Writing Pedagogy, Anna Leahy, Mary Cantrell and Mary Swander; 2. The Evaluation of Creative Writing at MA Level (UK), Jenny Newman; 3. The Creative Writing MFA, Stephanie Vanderslice; 4. Creative Writing and Critical Theory, Lauri Ramey; 5. Literary Genres, David Rain; 6. The Writer as Artist, Steven Earnshaw; 7. The Future of Creative Writing, Paul Dawson; Section Two - The Craft of Writing Prose; 8. Reading, Writing and Teaching The Short Story, E. A. Markham; 9. Writing the Memoir, Judith Barrington; 10. Introduction to the Novel, Jane Rogers; 11. Crime Fiction, John Dale; 12. Writing Science Fiction and Fantasy, Crawford Killian; 13. How Language Lives Us: Reading and Writing Historical Fiction, Brian Kiteley; 14. Writing Humorous Fiction, Susan Hubbard; 15. Writing for Children, Alan Brown; 16. Writing for Teenagers, Linda Newbery; 17. The 'Everything You Ever Wanted to Know About Creative Nonfiction, But were too Naive or Uninformed to Ask' Workshop Simulation, Lee Gutkind; Poetry; 18. Introduction to Poetry, Sean O'Brien; 19. What is Form?, W. N. Herbert; 20. New Poetries, Aaron Kunin; 21. The Poet in the Theatre: Verse Drama, Sean O'Brien; 22. The Sequence and the Long Poem, George Szirtes Scriptwriting; 23. Introduction to Scriptwriting, Mike Harris; 24. Writing for the Stage, Brighde Mullins; 25. Writing for Radio, Mike Harris; 26. Writing for Television, Stephen V. Duncan; 27. Writing for Television - UK Differences, John Milne; 28. Writing for Film, Bonnie O'Neill; Other Writing; 29. Song Lyrics and Poetry, Pat Pattison; 30. Flash Fiction, Tony Williams; 31. Writing as Experimental Practice, Thalia Field; 32. Creative-Critical Hybrids, Hazel Smith; 33. Writing as 'Therapy', Fiona Sampson; 34. Writing in the Community, Linda Sargent; 35. Writing for the Web, James Sheard; 36. The Role of the Critical Essay, Scott McCracken; 37. Translation, Susan Bassnett; 38. Collaboration in the Theatre, Timothy Braun; 39. Creative Writing Doctorates, Graeme Harper; 40. How to Start a Literary Magazine, Rebecca Wolff; Section Three - The Writer's Life; 41. How to be a Writer, John Milne; 42. How to Present Yourself as a Writer, Alison Baverstock; 43. Meet Your Public: Creative Writing and Social Media, Lou Treleaven; 44. Publishing Fiction, Mary Mount; 45. American PoBiz, Chase Twichell; 46. Publishing Poetry in Britain, Sean O'Brien; 47. The Literary Agent (Novel), David Smith; 48. The Film Agent, Julian Friedmann; 49. The Literary Agent: Television, Theatre and Radio, Alan Brodie; 50. Copyright, Shay Humphrey, with Lee Penhaligan; 51. Self-Publishing and the Rise of the Indie Author, Jane Rowland; 52. Literary Life: Prizes, Anthologies, Festivals, Reviewing, Grants, Tom Shapcott; 53. The Writer as Teacher, Gareth Creer; 54. Making a Living as a Writer, Livi Michael; Glossary; Useful Websites; Contributors; Index.

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Book SynopsisDivine your way through writer's block while adding a little magic into your writing practice with this illustrated oracle deck and guidebook set! Unique Oracle Format: The 50 cards in this oracle deck are split into 25 beautifully designed prompt cards (Cards of Inquiry) and 25 illustrated cards (Cards of Dreaming) with stunning original artwork to light your creative spark in new ways. Let The Lighthouse card illuminate your character's path forward, push the boundaries of plot with The Library card, or recall something in the story that was almost forgotten with the Unsettled Dreams card.  Deluxe Creative Set: This set includes 50 cards (3 x 5 inches); an 80-page, full-color illustrated paperback book (3 x 5 inches); and a keepsake magnetic closure box; cards and travel case are embedded in an interior tray  Fully Illustrated Oracle Guidebook: This set includes a full-color illustrated companion book with instructions for use and card spreads to try, as well as lined pages to write in Perfect Gift: This one-of-a-kind, beautiful oracle deck and book set is an ideal gift for writers and anyone looking to add a little magic in their creative process

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Book SynopsisWe're living in a time of unprecedented diversity in produced media content, with more characters appearing who are Black, Asian and Minority Ethnic (BAME), Lesbian, Gay, Bisexual and Transgender (LGBT), disabled, or from other religions or classes. What's more, these characters are appearing more and more in genre pieces, accessible to...Trade ReviewA timely guide to creating original characters and reinvigorating tired storylines. -- Debbie Moon, creator and showrunner, Wolfblood (BBC)Lucy V. Hay nails it -- Stephen Volk, BAFTA-winning screenwriter: Ghostwatch, Afterlife, The AwakeningPacked with practical and inspirational insights -- Karol Griffiths, development consultant and script editor, clients include ITV, BBC, Warner BrothersIt's definitely a book to have if you want to improve your characters -- Sophie Gardiner * Waterstones *

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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