Copyright law Books
Taylor & Francis Ltd Copyright Law and Translation
a huge range and FREE tracked UK delivery on ALL orders.
£37.99
Taylor & Francis Ltd Copyright Law and Translation Access to Knowledge in Developing Economies Routledge Research in Intellectual Property
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£128.25
Taylor & Francis Copyright Data and Creativity in the Digital Age A Journey through Feist Routledge Research in Intellectual Property
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£128.25
Taylor & Francis Ltd Media Law
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£128.25
Taylor & Francis Access and Control in Digital Humanities
Book SynopsisAccess and Control in Digital Humanities explores a range of important questions about who controls data, who is permitted to reproduce or manipulate data, and what sorts of challenges digital humanists face in making their work accessible and useful. Contributors to this volume present case studies and theoretical approaches from their experience with applications for digital technology in classrooms, museums, archives, in the field and with the general public. Offering potential answers to the issues of access and control from a variety of perspectives, the volume acknowledges that access is subject to competing interests of a variety of stakeholders. Museums, universities, archives, and some communities all place claims on how data can or cannot be shared through digital initiatives and, given the collaborative nature of most digital humanities projects, those in the field need to be cognizant of the various and often competing interests and rights that shape the Table of Contents1. Introduction: access and control in digital humanitiesShane HawkinsPart I. Access, Control, and DH in Academia2. From Stone to Screen: the built-in obsolescence of digitizationKaitlyn Solberg, Lisa Tweten, and Chelsea A. M. Gardner3. Digital humanities and a new research culture: between promoting and practicing open research dataUrszula Pawlicka-DegerPart II. Networks of Access and Control4. Computational ontologies for accessing, controlling, and disseminating knowledge in the cultural heritage sector: a case studyJohn Roberto Rodríguez5. Digital approaches to the ‘Big Ancient Mediterranean’Ryan Horne6. Questioning authority: creation, use, and distribution of linked data in digital humanitiesLindsay Kistler Mattock & Anu ThapaPart III. Access, Control and Immersive Media7. Visuality as historical experience: immersive multi-directional narrative in the MIT Visualizing Cultures ProjectEllen Sebring8. Architectonic connections: virtual reconstruction to disseminate understanding of South and Southeast Asian templesDavid Beynon and Sambit Datta9. Postscript on the Ctrl+Alt society: protocols for locative mediaBrian GreenspanPart IV. Access, Control, and Indigenous Knowledge10. Cross-cultural collaborations in the digital world: a case study from the Great Lakes Research Alliance’s Knowledge Sharing DatabaseHeidi Bohaker, Lisa Truong, and Kate Higginson11. Issues and intersections of Indigenous knowledge protection and copyright for DHKim Paula NayyerPart V. Access, Control, and the Law12. The open access spectrum: redefining the access discourse for the electronic editions of literary worksSetsuko Yokoyama13. Ownership, copyright, and the ethics of the unpublishedEmily C. Friedman14. Digital humanities research under United States and European copyright laws: evolving frameworksErik Ketzan and Paweł Kamocki15. Trust is good, control is better? The GDPR and control over personal data in digital humanities researchPaweł Kamocki
£36.99
Taylor & Francis Ltd Artificial Intelligence Design Law and Fashion
Book SynopsisArtificial intelligence (AI) now infiltrates our culture. After a couple of difficult winters, AI today is a word on everybody's lips, and it attracts everyone's attention regardless of whether they are experts or not. From Apple's Siri to Amazon's Alexa, Tesla's auto-driving cars to facial recognition systems in CCTV cameras, Netflix's film offering services to Google's search engine, we live in a world of AI goods. The advent of AI-powered technologies increasingly affects people's lives across the globe. As a tool for productivity and cost-efficiency, AI also shapes our economy and welfare. AI-generated designs and works are becoming more popular. Today, AI technologies can generate several intellectual creations. Fashion is one of the industries that AI can profoundly impact. AI tools and devices are currently being used in the fashion industry to create fashion models, fabric and jewellery designs, and clothing. When we talk about AI-generated desiTable of ContentsIntroduction: AI effectChapter 1: Artificial intelligence and fashionChapter 2: Artificial intelligence and EU design protectionChapter 3: Artificial intelligence and EU copyright protectionChapter 4: Authorship of artificial intelligence: global solutions and disjunctionsChapter 5: A post-modern approach to AI-generated fashion design
£37.99
Taylor & Francis EU Trade Mark Law and Product Protection
Book SynopsisThis book employs scholarly analysis to ground practical tools for applying the EU Trade Mark law (EUTM) functionality refusal grounds to address business needs when registering trade marks consisting of product characteristics. The study comprehensively examines the absolute grounds for a refusal of registration of functional signs under EUTM. It interprets the functionality refusal grounds through objective tests, focusing on the pro-competition rationale of denying trade mark exclusivity on product features that are technically or aesthetically important for competitorsâ ability to trade in alternative products. The work takes a comparative approach looking at the US trade dress functionality doctrine, and a law and economics perspective on the role of trade marks and brands in the marketplace. It explores how competition rules related to market definition and the substitutability of products, as well as marketing and design findings related to branding and aesthetics, could be integrated into the legal assessment of EUTM functionality. The volume will be of interest to academics and researchers working in the areas of Intellectual Property Law, Trade Mark and Design Law, EU Law, Comparative Law, and Branding.
£39.89
WW Norton & Co Kafkas Last Trial The Case of a Literary Legacy
Book SynopsisWinner of the 2020 Sami Rohr Prize for Jewish Literature "Dramatic and illuminating…[R]aises momentous questions about nationality, religion, literature, and even the Holocaust." —Adam Kirsch, The AtlanticTrade Review"Fascinating and forensically scrupulous." -- John Banville - The Guardian"A tale pitting two Goliaths against one octogenarian David, untangled in exacting, riveting detail.… [A] must-read." -- Rebecca Schuman - Slate"Thoughtful and provocative." -- Ruth Franklin - The Wall Street Journal"A gifted cultural historian with a scholarly sensibility." -- Lev Mendes - The New York Times Book Review"Absorbing.… Balint elegantly intercuts courtroom scenes with episodes from Kafka’s biography and cultural afterlife. He brings out every paradox of a judicial process that tried to tie down this most ambivalent of authors, the ultimate ‘disaffiliated pariah,’ to a fixed identity.… Balint’s scrupulous and sardonic prose makes you love Kafka, and dread the law." -- The Economist"Though Benjamin Balint’s masterful hunt for Kafka’s rightful ownership begins as a local dispute in an Israeli family court, it soon thickens into modernity’s most bitterly contentious cultural conundrum. Who should inherit Franz Kafka? The woman into whose hands his manuscripts fortuitously fell? Germany, the nation that murdered his sisters but claims his spirit? Israel, asserting a sovereign yet intimate ancestral right? Searing questions of language, of personal bequest, of friendship, of biographical evidence, of national pride, of justice, of deceit and betrayal, even of metaphysical allegiance, burn through Balint’s scrupulous trackings of Kafka’s final standing before the law." -- Cynthia Ozick, author of Foreign Bodies"Thrilling and profound, Kafka’s Last Trial shines new light not only on the greatest writer of the twentieth century and the fate of his work, but also on the larger question of who owns art or has a right to claim guardianship of it. Benjamin Balint combines the sharp eye of the courtroom journalist with the keen meditations of a literary and cultural thinker, and his research and lively intelligence deliver insights on every page." -- Nicole Krauss, author of Forest Dark"Kafka’s Last Trial is a fascinating inquiry into—and meditation on—the nature of artistic genius and the proprietary claims any one individual or country has on the legacy of that genius. Benjamin Balint is both a superb investigative journalist and a gifted cultural critic. This is that rarest of books: a scholarly work that is also compulsively readable." -- Daphne Merkin, author of This Close to Happy: A Reckoning with Depression"Superb.… Beautifully crafted, with just the right ratios of empirical-legal information, intellectual history, critical awareness of Kafka and his work, and wise reflection. It is obviously the product of admirably patient research and rare dedication to quality control." -- Stanley A. Corngold, professor emeritus of German and Comparative Literature, Princeton University"A highly entertaining story of literary friendship, epic legal battles and cultural politics centered on one of the most enigmatic writers of the 20th century.… [A]n exquisitely human drama peopled with an eccentric cast of characters that beautifully evokes the early days of Israel, the sadness of the exiles, and the long shadow cast by the Holocaust." -- Guy Chazan - Financial Times
£13.48
Aspen Publishing Copyright in a Global Information Economy:
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£323.10
Harrassowitz Zwischen Wissensverbreitung Und Wirtschaftlichem
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£999.99
V&R unipress GmbH Die offentliche Wiedergabe nach § 15 Abs.: 2 UrhG
Book SynopsisCopyrighted works in the form of images, texts, videos and musical works, among others, are being uploaded by social media users and shared amongst one another. Victoria-Sophie Stracke deals with the question as to which options certain social media make available to their users and whether, due to said options, the right of communication to the public goes in compliance with Section 15 (2) of the German Act on Copyright and Related Rights (UrhG). In studying users'' actions, she carefully considers case law of the European Court of Justice on the author''s right of communication to the public under Article 3 (1) of the Information Society Directive. In addition, the author also examines the limits governing users whilst investigating what responsibility social media operators hold for infringements by their users.
£50.45
V&R Unipress Geschichte Und Zukunft Des Urheberrechts
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£999.99
V&R Unipress Verstossene Werke: Rechtliche Moglichkeiten Der
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£49.72
V&R unipress GmbH Die schlichte Einwilligung in urheberrechtliche
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£999.99
V&R unipress GmbH Das Innenverhaltnis urheberrechtlicher
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£999.99
V&R unipress GmbH Geschichte und Zukunft des Urheberrechts III
£999.99
Nomos Verlagsgesellschaft Collective Management of Copyrights Between
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£999.99
Nomos Verlagsgesellschaft Pay-To-Play: How the United States' Collective
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£59.25
Nomos Verlagsgesellschaft Unlawful Content Online: Towards a New Regulatory
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£120.00
Nomos Verlagsgesellschaft Digital Ethics: The Issue of Images
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£88.50
V&R unipress GmbH Die verfassungs- und dreistufentestkonforme
Book SynopsisGrundrechtlich geschützte Urheberinteressen werden begrenzt durch die Schranken der 44a ff. UrhG. Der Gesetzgeber fördert durch sie berechtigte Nutzerinteressen und gesellschaftspolitische Ziele. Technische Entwicklungen und neue Werknutzungsarten wirken sich allerdings auf die Eingriffsintensität der Schranken aus. Sie stellen die Gerichte mit der fortschreitenden Digitalisierung vor die Herausforderung, einen angemessenen Interessenausgleich zu gewährleisten. Dabei sind verfassungsrechtlich garantierte Grundrechtspositionen und der Dreistufentest der Harmonisierungsrichtlinie zu beachten. Johannes Reschke vergleicht diese Anforderungen an urheberrechtliche Schranken und bietet dem Rechtsanwender einen Leitfaden für eine verfassungs- und dreistufentestkonforme Auslegung. Beispielhaft wird 52b UrhG untersucht, der die Wiedergabe von Werken an elektronischen Leseplätzen in öffentlichen Bibliotheken, Museen und Archiven gestattet. Die Voraussetzungen von 52b UrhG werden ausführlich dargestellt und eine Ausgestaltung von elektronischen Leseplätzen skizziert, die verfassungsrechtlichen Anforderungen und dem Dreistufentest entspricht.
£999.99
