Conservation and resto Books

Book SynopsisMuseums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studies Includes original essays by noted artists, curators, and art historians Engages with vital issues in the practice of art-making and art-exhibiting Edited by the world-renowned art historian and author, Griselda Pollock Trade Review"A broad-ranging collection of intriguing essays that challenge current pedagogic practice, give examples of critical engagement, and raise important questions about the future of museums." Eilean Hooper-Greenhill, University of LeicesterTable of ContentsList of Figures. Notes on Contributors. Series Editor’s Preface. Preface. 1. Un-Framing the Modern: Critical Space/Public Possibility (Griselda Pollock, University of Leeds). 2. Women’s Rembrandt (Mieke Bal, University of Amsterdam). 3. Museums and the Native Voice (Gerald McMaster, Art Gallery of Ontario). 4. Exhibiting Africa after Modernism: Globalization, Pluralism, and Persistent Paradigms of Art and Artifact (Ruth B. Phillips, Carleton University). 5. Mirroring Evil, Evil Mirrored: Timing, Trauma, and Temporary Exhibitions (Reesa Greenberg, independent scholar and museum consultant). 6. A Place for Uncertainty: Towards a New Kind of Museum (Vera Frenkel, artist). 7. The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, and Mediation (Mary Kelly, University of California, Los Angeles). 8. Riksutställningar: Swedish Traveling Exhibitions (Ulla Arnell, Curator and Project Manager at Riksutställningar). 9. Reframing Participation in the Museum: A Syncopated Discussion (Janna Graham, PhD, University of London and Shadya Yasin, student, York University, Toronto). 10. “There Is No Such Thing as a Visitor” (Judith Mastai, d. 2001). 11. “Anxious Dust”: History and Repression in the Archives of Mary Kelly (Judith Mastai, d. 2001). 12. On Discourse as Monument: Institutional Spaces and Feminist Problematics (Juli Carson, University of California, Irvine). Bibliography. Index.

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Book SynopsisThis is a detailed and informative overview of the latest research and development in stone conservation. Petra, Angkor, Copan, Venice, Lascaux, Easter Island - all are examples of irreplaceable cultural heritage built in stone and now slowly disappearing. "Stone Conservation" is a tool for conservators and conservation scientists to guide policy, practice, and research in the preservation of stone in monuments, sculpture, and archaeological sites. This second edition reflects the explosion of new research, enlarging the discussion of preventive conservation and adding new sections on rock art and other subjects. It provides a strategic overview of stone conservation research and an updated critique of the field's strengths and weaknesses. The accompanying bibliography summarizes material published between 1995 and 2009 and provides a framework for building a coherent base of useful knowledge for practicing conservators and scientists.Trade Review"Dr. Doehne and Dr. Price have devoted their scientific careers to the study of stone deterioration and its conservation at the applied end of the business: between laboratories and museums, buildings and archaeological sites. Their international literature search and summary review is of paramount importance to practitioners and includes hard messages for the scientists of tomorrow. The Getty Conservation Institute is to be praised for enlightening this important field." --John A. Fidler, Staff Consultant - Preservation Technology, Simpson Gumpertz & Heger "Dr. Doehne and Dr. Price have devoted their scientific careers to the study of stone deterioration and its conservation at the applied end of the business: between laboratories and museums, buildings and archaeological sites. Their international literature search and summary review is of paramount importance to practitioners and includes hard messages for the scientists of tomorrow. The Getty Conservation Institute is to be praised for enlightening this important field." John A. Fidler, Staff Consultant - Preservation Technology, Simpson Gumpertz & Heger"

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Book SynopsisThis title offers an insightful collection of critically important readings on the concepts and practices of textile conservation. This fourth volume in "The Readings in Conservation series" aims to promote critical thinking about the concepts and practices of textile conservation and to encourage engagement with new issues. Recognizing conservation as a dynamic social force, the volume draws attention to the cultural significance of textiles and dress and to the importance of textile conservation. The 81 readings illustrate not only the intellectual foundations but also the important changes in conservation practice.

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Book SynopsisThis is the first English language technical study of one of the most important Italian artists of the post-WWII period. Lucio Fontana (1899-1968) is widely regarded as one of the most influential and innovative post-World War II Italian artists. Best known for his tagli - slashed, mostly monochromatic canvases - Fontana fashioned a remarkably multifaceted oeuvre that encompasses architecture, sculpture, and ceramics, as well as painting. In his quest to expand the vocabulary of his art, Fontana subjected the pictorial surface of his paintings to a remarkable assortment of punctures, gashes, and slashes, as well as adornments of glass fragments, glittering aluminium flakes, and sand. This richly illustrated book presents the first technical study in English of this important painter. Initial chapters present an informative overview of Fontana's life and work.

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Book SynopsisThis is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.

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Book SynopsisThis title gathers together the most important texts on this critical topic, from antiquity to today. The sixth volume in the Getty's Readings in Conservation series, which gathers more than 65 texts that have been influential in the development of thinking about the conservation of cultural heritage, from antiquity to the present day. The volume is divided into nine parts: Philosophies of Preventive Conservation, Keeping Things, Early Years of Conservation in Museums, Relative Humidity and Temperature, Light, Pests, Pollution, The Museum Environment and Risk Management, and Future Trends. Writings by such well-known figures as John Ruskin, and Rachel Carson are complemented by selections from diverse sources including early housekeeping books, 18th-century archivist manuals, and Victorian novels. Other seminal texts include John Evelyn's 17th-century tract on air pollution in London and the founding manifesto of the Society for the Protection of Ancient Buildings by William Morris.

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Book SynopsisThis is the definitive account of the ground-breaking conservation project to conserve the cave paintings of the Mogao Grottoes in China. The Mogao Grottoes, a World Heritage Site in northwestern China, are located along the ancient caravan routes, collectively known as the Silk Road, that once linked China with the West. Founded by a Buddhist monk in the late fourth century, Mogao flourished over the following millennium, as monks, local rulers, and travellers commissioned hundreds of cave temples cut into a mile-long rock cliff and adorned them with vibrant murals. More than 490 decorated grottoes remain, containing thousands of sculptures and some 45,000 square metres of wall paintings, making Mogao one of the world's most significant sites of Buddhist art. In 1997 the Getty Conservation Institute, which had been working with the Dunhuang Academy since 1989, began a case study using the Late-Tang dynasty Cave 85 to develop a methodology that would stabilize the deteriorating wall paintings. This abundantly illustrated volume is the definitive report on the project, which was completed in 2010.

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Book SynopsisThis book is essential reading for archaeologists working in the field, as well as conservation scientists, museum curators and students of archaeology. The relationship between archaeology and conservation has long been complex and, at times, challenging. Archaeologists are often seen as interested principally in excavation and research, while conservators are concerned mainly with stabilization and the prevention of deterioration. Yet it is often initial conservation in the field that determines the long-term survival and intelligibility of both moveable artefacts and fixed architectural features. This user-friendly guide to conservation practices on archaeological excavations covers both structures and artefacts, starting from the moment when they are uncovered. Individual chapters discuss excavation and conservation, environmental and soil issues, deterioration, identification and condition assessment, detachment and removal, initial cleaning, coverings and shelters, packing, and documentation. There are also eight appendixes. Geared primarily for professionals engaged in the physical practice of excavation, this book will also interest archaeologists, archaeological conservators, site managers, conservation scientists, museum curators, and students of archaeology and conservation.

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Book SynopsisThis book is the seventh in the Readings in Conservation series, which gathers and publishes texts that have been influential in the development of thinking about the conservation of cultural heritage. The present volume provides a selection of more than ninety-five texts tracing the development of the conservation of works of art on paper. Comprehensive and thorough, the book relates how paper conservation has responded to the changing place of prints and drawings in society. The readings include a remarkable range of historical selections from texts such as Renaissance printmaker Ugo da Carpi's sixteenth-century petition to the Venetian senate on his invention of chiaroscuro, Thomas Churchyard's 1588 essay in verse "A Sparke of Frendship and Warme Goodwill," and Robert Bell's 1773 piece "Observations Relative to the Manufacture of Paper and Printed Books in the Province of Pennsylvania." These are complemented by influential writings by such figures as A. H. Munsell, Walter Benjamin, and Jacques Derrida, along with a generous representation of recent scholarship. Each reading is introduced by short remarks explaining the rationale for its selection and the principal matters covered, and the book is supplemented with a helpful bibliography. This volume is an indispensable tool for museum curators, conservators, and students and teachers of the conservation of works of art on paper.Trade Review"The entire volume is meticulously and beautifully compiled. The readings--some humorous, many serious, all of high academic caliber--reveal Holben Eilis's comfort with the enormous depth of available material, a remarkable dedication to the care of works of art on paper, and a deep admiration for her colleagues, both historic and contemporary. This book caters specifically to conservators of works of art on paper, though students, conservators of historic documents, book conservators, art historians and collectors are all sure to find material that is enlightening and thought-provoking."--Art in Print "The book ably sets out and succeeds in establishing the antecedents of modern conservation practice and sets the milestones for on-going study."--Icon News "This anthology will influence generations of conservation and art history students to come. Proposing well-known literary pieces next to obscure ones will amuse and inform those of us engaged in the conser-vation of works of art on paper and will assist us in our decision-making, conservation approaches and dilemmas. Finally, the book will appeal to anyone with an interest in works of art on paper and their preservation, making it a highly fulfilling read."--Journal of the Institute of Conservation

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Book SynopsisIn recent years more cultural institutions in hot and humid climates have been installing air-conditioning systems to protect their collections and provide comfort for both employees and visitors. This practice, however, can pose complications, including problems of installation and maintenance as well as structural damage to buildings, while failing to provide collections with a viable conservation environment. This volume offers hands-on guidance to the specific challenges involved in conserving cultural heritage in hot and humid climates. Initial chapters present scientific and geographic overviews of these climates, outline risk-based classifications for environmental control, and discuss related issues of human health and comfort. The authors then describe climate management strategies that offer effective and reliable alternatives to conventional air-conditioning systems and that require minimal intervention to the historic fabric of buildings that house collections. The book concludes with seven case studies of successful climate improvement projects undertaken by the Getty Conservation Institute in collaboration with cultural institutions around the world. Appendixes include a unit conversion table, a glossary, and a full bibliography. This book is an essential tool for cultural heritage conservators and museum curators, as well as other professionals involved in the design, construction, and maintenance of museums and other buildings housing cultural heritage collections in hot and humid climates.Trade Review"It is absolutely right that conservation be in step with the socio-political context surrounding environmen-tally sound approaches. This text does that, and does it well. The authors have, admirably, been awarded the 2016 Prose Award for Environmental Science, and they are to be congratulated for producing a text that is seen as having an impact outside of the conservation sphere. The technical theory that underpins the text is accessible, and the solutions borne out through the case studies do present as being admirably pragmatic." --Journal of the Institute of Conservation

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Book SynopsisThe decades following the 1973 publication of Alessandro Conti's Storia del Restauro have seen considerable scholarly interest in the development of restoration in France in the second half of the eighteenth century. A number of technical treatises and biographies of restorers have offered insight into restoration practice. The Restoration of Paintings in Paris, 1750-1815, however, is the first book to situate this work within the broader historical and philosophical contexts of the time. Initial chapters present the diversity of restoration practice, encompassing not only royal institutions and the Louvre museum but also private art dealers, artists, and craftsmen, and examine questions of trade secrecy and the changing role of the restorer. Following chapters address the influence of restoration and exhibition on the aesthetic understanding of paintings as material objects. The book closes with a discussion of the institutional and political uses of restoration, along with an art historical consideration of such key concepts as authenticity, originality, and stability of artworks, emphasising the multi-layered dimension of paintings by such important artists as Titian and Raphael. There is also a useful dictionary of the main restorers active in France between 1750 and 1815.

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Book SynopsisEarthquakes pose myriad dangers to heritage collections worldwide. This book provides an accessible introduction to these dangers and to the methodologies developed at the Getty and other museums internationally for mitigating seismic vulnerability. Conceived as a primer and reference, this abundantly illustrated volume begins with an engaging overview of explanations for earthquakes from antiquity to the nineteenth century. A series of chapters then addresses our modern understanding of seismic events and approaches for mitigating the damage they cause to heritage collections, covering such subjects as earthquake measurement, hazard analysis, the response of buildings and collections to seismic events, mount making, and risk assessment; short sections by specialists in seismic engineering complement the main text throughout. Readers will find a range of effective seismic mitigation measures, from simple low-cost approaches to complex base-isolation techniques. In bridging the gap between seismologists and seismic engineers, on the one hand, and collections care professionals, on the other, this volume will be of interest to conservators, registrars, designers, mount makers, and others involved in the management and care of collections in museums and other cultural institutions. "Trade Review"With this volume, Podany makes an important contribution to museums of all sizes, whether or not they are located in areas where earthquakes are a daily concern."--Journal of the American Institute for Conservation

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Book SynopsisSidney Nolan (1917-1992) is renowned for an oeuvre ranging from views of Melbourne's seaside suburb St. Kilda to an iconic series on outlaw hero Ned Kelly. Working in factories from age fourteen, Nolan began his training spray painting signs on glass, which was followed by a job cutting and painting displays for Fayrefield Hats. Such employment offered him firsthand experience with commercial synthetic paints developed during the 1920s and 1930s. In 1939, having given up his job at Fayrefield in pursuit of an artistic career, Nolan became obsessed with European abstract paintings he saw reproduced in books and magazines. With little regard for the longevity of his work, he began to exploit materials such as boot polish, dyes, secondhand canvas, tissue paper, and old photographs, in addition to commercial and household paints. He continued to embrace new materials after moving to London in 1953. Oil-based Ripolin enamel is known to have been Nolan's preferred paint, but this fascinating study-certain to appeal to conservators, conservation scientists, art historians, and general readers with an interest in modern art-reveals his equally innovative use of nitrocellulose, alkyds, and other diverse materials.Trade Review"Paula Dredge's exhaustive technical analysis of the work of one of Australia's greatest and most complex painters, Sidney Nolan, . . . is essential reading to anyone curious to see how a particular alchemy works to make an artist's imagery unforgettable. Staring into her microscope with huge respect and admirable clarity of writing, the author never abandons the implication of Nolan's mystery beyond mere methodology. Better than that, she enhances it." --Barry Pearce, Emeritus Curator of Australian Art at the Art Gallery of New South Wales "This extensively researched and amply illustrated book reveals important findings about Sidney Nolan's materials and methods, and makes a significant contribution to the understanding of his work. Its rich blend of scientific information, biographical narrative and relevant images makes it accessible to the interested reader as well as conservators and art historians. Much more than a technical guide, it is a key resource for any serious Nolan scholar." --Kendrah Morgan, Senior Curator, Heide Museum of Modern Art

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Book SynopsisThe proliferation of new metals-such as stainless steels, aluminium alloys and metallic coatings-in modern and contemporary art and architecture has made the need for professionals who can address their conservation more critical than ever. This volume seeks to bridge the gap between the vast technical literature on metals and the pressing needs of conservators, curators and other heritage professionals without a metallurgy background. It offers practical information in a simple and direct way, enabling curators, conservators and artists alike to understand and evaluate the objects under their care. This invaluable reference reframes information formerly found only in specialised technical and industrial publications for the context of cultural heritage conservation. As the first book to address the properties, testing and maintenance issues of the hundreds of metals and alloys available since the beginning of the twentieth century, it is destined to become an essential resource for conservators, artists, fabricators, curators, collectors and anyone working with modern metals.

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Book SynopsisMedieval polychrome wood sculptures are highly complex objects, bearers of histories that begin with their original carving and adornment and continue through long centuries of repainting, deterioration, restoration, and conservation. Abundantly illustrated, this book is the first in English to offer a comprehensive overview of the conservation of medieval painted wood sculpture for conservators, curators, and others charged with their care. Beginning with an illuminating discussion of the history, techniques, and meanings of these works, it continues with their examination and documentation, including chapters on the identification of both the wooden support and the polychromy itself-the paint layers, metal leaf, and other materials used for these sculptures. The volume also covers the many aspects of treatment: the process of determining the best approach; consolidation and adhesion of paint, ground, and support; overpaint removal and surface cleaning; and compensation. Four case studies on artworks in the collection of The Cloisters in New York, a comprehensive bibliography, and a checklist to aid in documentation complement the text.

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Book SynopsisVibrant colour was essential to the paintings of the American pop artist Roy Lichtenstein (1923-1997), and when he began exploring outdoor sculpture in the late 1970s, vivid hues-often achieved through the use of recently developed industrial paints and coatings-remained an important part of his artistic vocabulary. Today, preserving these remarkable works after they have endured decades in outdoor environments around the world is an issue of pressing concern. This abundantly illustrated volume is based on extensive archival research of his studio materials, interviews with his assistants, and a thorough technical analysis of the sculpture Three Brushstrokes, now in the collection of the J. Paul Getty Museum. The book concludes with a chapter showing various options for the care, conservation, and restoration of Lichtenstein's sculptural works, making this an essential resource for conservators, curators, and others interested both in the iconic artist and modern sculpture in general.

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Book SynopsisRene Magritte (1898-1967) is the most famous Belgian artist of the twentieth century and a celebrated representative of the Surrealist movement. Much has been written about his practices, artistic community, and significance within the history of modernism, but little has been documented regarding his process. Though he was reluctant to discuss his techniques and materials, practical concerns over media and cost shaped his output and legacy. This volume examines fifty oil paintings made by Magritte between 1921 and 1967, now held at the Royal Museums of Fine Arts of Belgium. This technical study of his works using noninvasive scientific imaging and chemical analysis reveals the artist's painting materials, his habit of overpainting previous compositions, and the origins and mechanisms of surface and pigment degradation. Of interest to conservators, scientists, curators, and enthusiasts of twentieth-century art, this book expands our understanding of Magritte the artist and provides new and useful findings that will inform strategies for the future care of his works.

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Book SynopsisIn 2019 Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witnessed the reevaluation of traditional practices as well as focused research supporting significant new methodologies, procedures, and synthetic materials for the care and conservation of paintings on fabric supports. Conserving Canvas compiles the proceedings of the conference, presenting a wide array of papers and posters that provide important global perspectives on the history, current state, and future needs of the field. Featuring an expansive glossary of terms that will be an invaluable resource for conservators, this publication promises to become a standard reference for the international conservation community.

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Book SynopsisThis is the first online step-by-step guide to the design, implementation, and maintenance of heritage inventories and surveys.

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Book SynopsisMarshall Fredericks’s Detroit sculptures capture the spirit of the Motor City and its dramatic transformation from the 1950s to the present day. In this book, Janna Jones analyzes eight of these enormous works of public art, situating them and their structures in metro Detroit’s distinctive midcentury milieu and bringing much-needed critical attention to this sculptor’s oeuvre. Sadly, some of these artworks have suffered along with the city as it shrank from its postwar zenith. Both the buildings and the sculptures erected for them deserve to be rescued from neglect, and then maintained and preserved for the future.

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Book SynopsisIn 1966, the most destructive flood in the history of Venice temporarily submerged the city and threatened its extraordinary art and architecture. Among the organizations that mobilized to protect this fragile heritage was Save Venice Inc. Founded in Boston and now headquartered in New York City, this nonprofit has become the largest and most active committee dedicated to preserving the artistic legacy of Venice.Christopher Carlsmith tells the fascinating story of Save Venice Inc., from its origins to its fiftieth anniversary. It continues to provide an influential model for philanthropy in the cultural sector, raising substantial funds to conserve and restore paintings, sculptures, books, mosaics, and entire buildings at risk from human and environmental impacts. Employing extensive archival research, oral interviews, and newspaper accounts, Save Venice Inc. explores a range of topics, including leadership, conservation projects, fundraising, and educational outreach. Using a range of methodologies from cultural history and art history, Carlsmith traces the achievements and challenges faced by this and other historic preservation organizations and by this unique city on the sea.

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Book SynopsisEn el año 2015 se iniciaron los trabajos de restauración y conservación del conjunto de la Custodia procesional de la Catedral de Toledo. En esta publicación se describe la intervención que se llevó a cabo sobre las tres partes diferenciadas que integran en la actualidad dicho conjunto: la custodia portátil realizada por Jaume Aimeric hacia 1495-1499, la custodia de asiento ejecutada por Enrique de Arfe en 1515-1523 y la peana de los Ángeles, obra de Manuel de Bargas Machuca, datada en 1741-17

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThe first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice.Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a ser

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Book SynopsisThis open-access publication presents new research on a.ncient Romano-Egyptian mummy portraits, including examinations of artifacts never previously studied

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Book SynopsisIn an age of protest, culture and museums have come under fire. Protests of museum funding (for example, the Metropolitan Museum accepting Sackler family money) and boards (for example, the Whitney appointing tear gas manufacturer Warren Kanders)--to say nothing of demonstrations over exhibitions and artworks--have roiled cultural institutions across the world, from the Guggenheim Abu Dhabi to the Akron Art Museum. At the same time, never have there been more calls for museums to work for social change, calls for the emergence of a new role for culture.As director of the Queens Museum, Laura Raicovich helped turn that New York municipal institution into a public commons for art and activism, organizing high-powered exhibitions that were also political protests. Then in January, 2018, she resigned, after a dispute with the Queens Museum board and city officials became a public controversy--she had objected to the Israeli government using the museum for an event featuring vice president Mike Pence.In this book, Raicovich explains some of the key museum flashpoints, and she also provides historical context for the current controversies. She shows how art museums arose as colonial institutions bearing an ideology of neutrality that masks their role in upholding capitalist values. And she suggests how museums can be reinvented to serve better, public ends.Trade ReviewUrgent -- Travis Diehl * art-agenda *[Culture Strike] brilliantly problematizes the pervasive old myth of "neutrality." -- Dessane Lopez Cassell * Hyperallergic *A must-read ... Culture Strike contains layers of honest observation from museum professionals, loving critique, historical context, and case studies that illuminate the best and worst in museum culture to offer a clear path forward. -- Cara Ober * BmoreArt *Maps out thoughtful considerations of pressing subjects that apply everywhere. Among them are the private power of philanthropy, the practical and spiritual benefits of staff diversity, unionizing cultural institutions, and the contours of museums' social responsibility. -- Christopher Knight * Los Angeles Times *Offers key contextual and historical lenses through which to consider protests that have occurred at institutions worldwide, addressing topics from museum funding to workers' rights. * Ocula *An engaging and personally invested discussion of the many controversies that have engulfed American museums -- JJ Charlesworth * ArtReview *

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