Composers and songwriters Books

Book SynopsisIn this scintillating sequel to Sabotage! Black Sabbath in the Seventies, Martin Popoff blows up the kaleidoscopic narrative of the Sabs over the ensuing twenty years, dissecting each and every of the band's ten studio albums and two (and-a-half) live albums produced over that time period. So this is the book where we hear the gripes, snipes, swipes and thumbs-up likes from Ronnie James Dio, Ian Gillan, Glenn Hughes, Tony Martin and finally once more Ozzy Osbourne, as they remark upon this institution coddled by the anchor of the band Tony Iommi, who valiantly held Black Sabbath together through many years of blood, sweat and Tyrs. Heaven and Hell, Mob Rules, Live Evil, Born Again, Seventh Star, The Eternal Idol, Headless Cross, Tyr, Dehumanizer, Cross Purposes, Forbidden and finally, extensively broken down, Reunion... they're all here, song by song, the hirings and the firings highlighted and explained. Incorporating talk from over 60 interviews conductive with band members and other relevant parties over 25 years, make no mistake-this is the most in-depth examination of the band during this timeframe ever executed. So come one and all, re-love modern-era Black Sabbath all over again-you'll be pleasantly surprised at how much dastardly doom there is from Tony Iommi that you need to know and embrace once again.

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Book SynopsisAdam and the Ants were formed in London by Hornsey Art College student Stuart Goddard in 1976 following an early Sex Pistols' gig. The band's devastating combination of Punk sensibility, heroic imagery and tribal rhythms saw them become one of the most iconic acts of the 1980s. Pioneers of the music video, the band achieved three top 20 albums which spawned 9 top 40 singles including 'Cartrouble', 'Kings of the Wild Frontier', 'Antmusic', 'Dog Eat Dog', 'Antrap' and the number 1 smash hits 'Stand and Deliver!' and 'Prince Charming'. Coinciding with the 40th anniversary of Adam Ant's first solo number 1 single 'Goody two Shoes', Mark N. Redmayne's unofficial biography draws upon painstaking research and interviews with ex Ants and key personnel to document how Adam rose from the ashes of Punk to become the first pop star of the 1980s. In 2022, Adam Ant continues to play to devoted Antpeople of all ages around the world - this is both his and our story.

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Book SynopsisThey were the envy of all the more "earthly" rock acts scrambling to make it in the world of '70s hard rock, each and all aspiring to the success levels of Aerosmith, Ted Nugent, Blue Oyster Cult, Styx and Angel label mates Kiss. But the story of Angel is of a band out of time, playing regal progressive heavy metal and then changing to try reach radio, in either guise, not quite clicking with enough Kiss fans-Kiss were the devils in black and Angel were the good guys in white-nor the fans of progressive rock or, later, those more inclined to Foreigner, Journey and Cheap Trick. Along the way, the band went first class, with the best gear, a killer stage show and tons of promotion from Neil Bogart and Casablanca until they had racked up a million dollars of debt by the end of their blessed run, the guys often oblivious to what lesser bands had to go through. Indeed, this is a story of a band hailed as rock stars and indeed often headlining like rock stars, without the record sales to justify the crazy spending that a believing Bogart threw at the band. Then it was all over and we heard virtually nothing from any of them (save for keyboardist Gregg) after 1981 until... well, both Punky Meadows and Frank DiMino stormed back with solo albums. And then, appearing outta nowhere like they did in their famous stage show, Angel returned in 2019 with a blindingly white and quite sprightly new album called Risen. Come celebrate what it was like to live as the alter-ego to Kiss as we examine the band's five studio albums of the original run, the crushing concert album, Live Without a Net, as well as where it all went wrong and the inspiring return of Frank and Punky through the spirited hard rocker that is Risen.

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Book SynopsisDublin's Thin Lizzy have become one of the most revered cult acts of all time, studious and discerning fans of hard rock the world over revelling in the storytelling acumen of the legendary Phil Lynott and the craft and class of his band. Through numerous interviews with most of the principals involved and a mountain of painstaking research Emerald; Thin Lizzy's Golden Era examines the band's career up to 1976 culminating in the superlative and sparkling Jailbreak, home of such hits as 'Cowboy Song', 'Emerald', 'Jailbreak' and 'The Boys Are Back In Town' and followed by Johnny The Fox that included the hit single 'Don't Believe A Word'. Along the way, alcohol and drugs wreaked havoc between band members, producers and managers, but despite line-up changes and a mostly grinding, rock scrabble existence, Ireland's favourite sons persevered, finally achieving the smash hit record they'd deserved for so long. Immerse yourself in Popoff's celebrated record-by-record methodology and emerge a rejuvenated Lizzy fan, newly appreciative of the deep album tracks hiding within this singular band's often forgotten early years. A revised and expanded version of Popoff's previous Dublin To Jailbreak Emerald; Thin Lizzy's Golden Era is based on interviews the author conducted specifically for the book with band members Eric Bell, Scott Gorham, Brian Downey, Gary Moore and Brian Robertson; managers Terry O'Neill and Ted Carroll; producers Nick Tauber and Ron Nevison; Nigel Grange from Vertigo; road manager Frank Murray and cover artist Jim Fitzpatrick. Revealing Phil Lynott in all his dastardly guises Emerald; Thin Lizzy's Golden Era, is an essential read for the devoted Lizzy fans.

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Book SynopsisBaron Wormser’s eighteenth book is a genre-bending novel that explores creativity through poetry, prose, American music history, and the unique voice of protagonist Abe Runyan. Wormser’s novel is a master class on writing that explicates and engages the vast circumstances of an imagination. No one can speak for Bob Dylan except Bob Dylan. Fiction, however, has other thoughts and in Songs from a Voice, Being the Recollections, Stanzas and Observations of Abe Runyan, Song Writer and Performer Baron Wormser has created a narrator who offers a first-person take on the years that begin in the spaces of the upper Midwest and wind up in the streets of Greenwich Village. As a parallel figure, Abe puts forward a chain of circumstances, influences and predilections that lead the reader into the mystery of where one era-changing artist came from. The story that is told by Abe is not a shadow dance with facts but an evocation of what went into the making of a musical soul, right down to the quatrains that he writes as part of his tale and as lyrical notes to himself. As a novel, Songs from a Voice is a homage, investigation, sly nod and, ultimately, an affirmation of the strength of one man’s imagination.

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