Colours and colour theory Books

Book SynopsisAcrylic Painting kit features all the materials, step-by-step instructions, and how-to projects any beginning artist needs to learn fun and innovative painting techniques.

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Book SynopsisSven Dupré is Professor of History of Art, Science and Technology at Utrecht University and the University of Amsterdam, The Netherlands.Amy Buono is Assistant Professor at the Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University, USA.Table of ContentsVOLUME 3: A CULTURAL HISTORY OF COLOR IN THE RENAISSANCE Edited by Sven Dupré, Utrecht University, The Netherlands, & Amy Buono, Rio De Janeiro State University, Brazil 1. Philosophy and Science, Tawrin Baker 2. Technology and Trade, Jo Kirby 3. Power and Identity, Peter C. Mancall 4. Religion and Ritual, Lisa Pon 5. Body and Clothing, Carole Frick 6. Language and Psychology, Doris Oltrogge 7. Literature and the Performing Arts, Bruce R. Smith 8. Art, Marcia Hall 9. Architecture and Interiors, Cammy Brothers 10. Artefacts, Leah R. Clark

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Book SynopsisAs joint winner of the Gapper Book Prize, 2021, this new edition of Susan Harrow's award-winning study of modern French poetry and art writing offers a bold approach to studying the relationship between text and image. Exploring key questions such as how modern writers write colour, and to what extent critical thought on colour in visual media can illuminate the textual life of colour, Susan Harrow argues that colour is integral to the exploration of ethics, ekphrasis, objects, bodies, landscape and interiority in painting and poetry. The question of colour, in a variety of disciplines and media, has provoked debate from Aristotle to Goethe, and from Baudelaire to Derek Jarman. If the past twenty years have witnessed a ‘colour turn’ in contemporary cultural studies and screen research, colour values in literary and textual media are often elided or, simply, overlooked. Colourworks tackles this lacuna in the study of modern poetry and art writing in French, revealing the integral role of colour in the work of three iconic French writers in the modern tradition: Stéphane Mallarmé, Paul Valéry and Yves Bonnefoy. This book spans the broad modern period from the 1860s to the early twenty-first century in taking an exploratory approach to the visuality of the verbal medium through an adventurous reading of text and image. Harrow uncovers how colour moves and morphs in texts as it challenges the traditionalist containments of chromatic symbolism. Beyond its primary area of investigation in modern poetry and art writing in French, this richly colour-illustrated study has significant interdisciplinary implications—conceptual, methodological, and practical—for the study of visuality in humanities research, from literature studies to material and visual culture studies.Trade ReviewHarrow brings her field up to date with a colour turn already well underway in anthropology and film and cultural studies, thus carving a new space for literary studies within the interdisciplinary humanities. * French Studies *This is a bold and intellectually ambitious project both in its scale but also in its agenda of bringing colour studies to the fore. Stimulating, convincing and supremely crafted…This is the culmination of many years of research, and the expertise, erudition and style on display are quite breath-taking. * The Society for French Studies, 2021 Gapper Book prize awards panel *A scholarly, detailed, in-depth investigation into how color is utilized in both poetry and art writing…As Harrow shows, color [sic], a seemingly simple word with obvious connotations, is far more complex than we realize. * Leonardo *Colourworks: Chromatic Innovation In Modern French Poetry and Art Writing by Susan Harrow is an immersive book analyzing color in modern French poetry and art writing ... The writing is dense at times but always maintains its own poetic air. * STC Technical Communication *Starting with Mallarmé’s ‘monochromes’, Susan Harrow takes us on an extended exploration of the colour worlds of modern French poetry, via Valéry’s greys down to the complex chromatics of Bonnefoy. Her study is a tour de force. * Christopher Prendergast FBA, Professor Emeritus of Modern French Literature and Fellow of King’s College, University of Cambridge, UK *Through a series of penetrating readings, Susan Harrow sheds fascinating light on the workings of colour when it is mediated through the poet’s words. The subtlety of this alchemical process finds eloquent expression in lucid analyses of Mallarmé, Valéry and Bonnefoy. Harrow’s interdisciplinary study offers a wealth of insights that prompt us to think anew about the affective, cultural, sensory and theoretical ramifications of colour and the myriad ways in which its textual articulation shapes our world. * Eric Robertson, Professor of Modern French Literary and Visual Culture, Royal Holloway, University of London, UK *Table of ContentsList of plates Introduction Thinking Colour-Writing Part One Objects and Affects: Mallarmé’s Monochromes Colour Culture Red Bricks and Yellow Thoughts Making Modern, Moving Colour Displacements of Black Migrations of Blue White (Im)material Conclusion Part Two Matter, Metaphor, Metamorphosis: Valéry’s Intermittent Colour Valéry, Vanguard and Rear-guard ‘Carroty-Red Bits of Fibre’ and a Pink-Bristled Toothbrush Thinking Art and Writing Colour Resisting and Revealing Colour Sense and Sensuousness: Seascape and Landscape Ekphrasis: Figure and Fruit Chiaroscuro Modulations Conclusion Part Three Emblematic Chromatics and the Colour of Ethics: Yves Bonnefoy’s Lessons in Things The Dereliction of Colour The Equipoise of Grey Colour Incarnate Unbiddable Colour: The Ethical Turn Acts of Attention Ethics and Ekphrastics Interrupted White The Curve of Colour Conclusion Conclusion: Colour Moving Forward Bibliography Index

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In Blue, Valentina Zucchi and Viola Niccolai invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate blue, perhaps the best-loved colour of all.Discover the most important blues, ones that the all-time greatest painters have used in order to paint velvet, mountains, Madonnas, angels, skies and storms. Throughout the book, Valentina and Viola provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including the ancient Egyptians, John Constable, Pablo Picasso, Vincent van Gogh, Yves Klein and more, you will discover the many meanings of blue and just some of the innumerable stories that bring it to life.Blue is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different artistic techniques and materials, and begin their artistic journey.Table of ContentsIllustrated text - Exploring the world of colour through the eyes of great artists and their masterpieces.Exercises - Questions and practical challenges for the reader to discover the effect and impact in the way we observe and play with colour.

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In Red, Valentina Zucchi and Paolo d'Altan invite you to nurture your creativity and build your confidence by taking inspiration from modern works of art that celebrate the prince of colours, red.Discover the reds best-loved by artists – from Tyrian purple to crimson red – which have been used since prehistoric times to conjure up many things, from fire and danger to blood, love and passion. Throughout the book, Valentina and Paolo provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Leonardo da Vinci, Rothko, Titian, Matisse and more, you will discover the many meanings of red and just some of the ways it can be used to express your creative passion.Red is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different artistic techniques and materials and begin their artistic journey.Table of Contents32 PAGES OF TEXT - Exploring the world of colour through the eyes of great artists and their masterpieces. EXERCISES - Questions and practical challenges for the reader to discover the effect and impact in the way we play with colour. ART PAPER - Blank pages of quality art paper to use for painting and drawing.

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In White, Valentina Zucchi and Francesca Zoboli invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate the silent and tidy colour of white.White could be considered a non-colour, since it often suggests an absence of something. In fact, the reverse is true: white contains everything, even all the other colours. It has many shades, from chalk to snow white, and is found everywhere, from clouds to wedding dresses. Throughout the book, Valentina and Francesca provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Paul Klee, Michelangelo, Claude Monet and more, you will discover the many shades of white and just some of the ways it can be used to convey meaning.White is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.Table of ContentsIllustrated text - Exploring the world of colour through the eyes of great artists and their masterpieces.Exercises - Questions and practical challenges for the reader to discover the effect and impact in the way we observe and play with colour.

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Book SynopsisMany people crave a creative outlet, but more often than not, don't know where to start. In Black, Valentina Zucchi and Francesca Zoboli invite you to nurture your creativity and build your confidence by taking inspiration from works of art that celebrate the most enigmatic colour of all, black.Black is a special colour: rich, glossy and elegant on the one hand; strict, sensible and solemn on the other. Throughout the book, Valentina and Francesca provide creative and fun prompts – many based on famous works of art – which will encourage you to draw or paint on the pages using various techniques. Packed with inspiration from the world's most celebrated artists, including Francisco Goya, Jackson Pollock, Rembrandt and more, you will discover the many meanings of black and just some of the ways it can be used to express your creative passion.Black is a short course in unlocking your creative self – perfect for budding artists of all ages who are keen to try out different techniques and materials and begin their artistic journey.Table of ContentsIllustrated text - Exploring the world of colour through the eyes of great artists and their masterpieces.Exercises - Questions and practical challenges for the reader to discover the effect and impact in the way we observe and play with colour.

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Book SynopsisIs contemporary art’s recurring turn to a material with a rich tradition an attempt to free the precious metal from its historical heritage, from grandeur and pathos? Is the saying “all that glitters is not gold” thus put to a test by transferring or shifting the always sought-after, glittery material to other contexts? The exhibition Doré Vergoldet Gilded and accompanying catalogue bring together works of contemporary art that deal with gold as a material and colouring agent and thus reflect the notions of value and symbolic power connected with it. Artists: Antje Blumenstein, Olivia Breckemeyer, Ruth Campau, Marianne Engel, Luka Fineisen, Niklas Goldbach, Eckart Hahn, David Krippendorff, Claudia Kugler, Alicja Kwade, Andréas Lang, Via Lewandowsky, Michael Müller, Sebastian Neeb, Andrea Pichl, Johanna Reich, Julian Röder, Stéphanie Saadé, Michael Sailstorfer, Karin Sander, Karina Spechter, Henrik Strömberg, Philip Topolovac, Panos Tsagaris, Frauke Wilken, Andrea Winkler, Clemens Wolf, He Xiangyu. Text in English, German and French.

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Book SynopsisHow fluorescent orange symbolizes the uneven distribution of safety and risk in the neoliberal United States Safety Orange first emerged in the 1950s as a bureaucratic color standard in technical manuals and federal regulations in the United States. Today it is most visible in the contexts of terror, pandemic, and environmental alarm systems; traffic control; work safety; and mass incarceration. In recent decades, the color has become ubiquitous in American public life—a marker of the extreme poles of state oversight and abandonment, of capitalist excess and dereliction. Its unprecedented saturation encodes the tracking of those bodies, neighborhoods, and infrastructures judged as worthy of care—and those deemed dangerous and expendable. Here, Anna Watkins Fisher uses Safety Orange as an interpretive key for theorizing the uneven distribution of safety and care in twenty-first-century U.S. public life and for pondering what the color tells us about neoliberalism’s intensifying impact often hiding in plain sight in ordinary and commonplace phenomena. Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.Trade Review"In an age when so many books of aesthetic and critical theory feel not only dense but several degrees removed from things that matter in daily life, Safety Orange stands apart. It’s a convincing kind of argument that makes you see things differently, be they artworks, the United States, or urban detritus on your daily walk."—Art in AmericaTable of ContentsIntroduction: Ordinary Life on High Alert1. Orange You Glad You Live in America: The United States of Perpetual Risk2. Orange beyond Orange: Normalizing Catastrophe in Public Risk Communication3. An Infrastructural Band-Aid: Outsourcing State Accountability4. Orange Is the New Profiling Technology5. Orange Applied: Artistic AppropriationsConclusion: Seeing RedAcknowledgmentsBibliography

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Book SynopsisInformative and entertaining...Rogers is a seasoned raconteur, unreeling an eons-spanning tale with skill. —Wall Street JournalA lively account of our age-old quest for brighter colors, which changed the way we see the world, with a new afterword by the author From kelly green to millennial pink, our world is graced with a richness of colors. But our human-made colors haven’t always matched nature’s kaleidoscopic array. To reach those brightest heights required millennia of remarkable innovation and a fascinating exchange of ideas between science and craft that’s allowed for the most luminous manifestations of our built and adorned world.In Full Spectrum, Rogers takes us on that globe-trotting journey, tracing an arc from the earliest humans to our digitized, synthesized present and future. We meet our ancestors mashing charcoal in caves, Silk Road merchants competing for the best ceramics, and textile artists cracking the centuries-old mystery of how colors mix, before shooting to the modern era for high-stakes corporate espionage and the digital revolution that’s rewriting the rules of color forever.  In prose as vibrant as its subject, Rogers opens the door to Oz, sharing the liveliest events of an expansive human quest—to make a brighter, more beautiful world—and along the way, proving why he’s “one of the best science writers around.”* *National Geographic

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Book SynopsisA kaleidoscopic exploration that traverses history, literature, art, and science to reveal humans'' unique and vibrant relationship with color.We have an extraordinary connection to colorwe give it meanings, associations, and properties that last millennia and span cultures, continents, and languages. In The World According to Color, James Fox takes seven elemental colorsblack, red, yellow, blue, white, purple, and greenand uncovers behind each a root idea, based on visual resemblances and common symbolism throughout history.Through a series of stories and vignettes, the book then traces these meanings to show how they morphed and multiplied and, ultimately, how they reveal a great deal about the societies that produced them: reflecting and shaping their hopes, fears, prejudices, and preoccupations.Fox also examines the science of how our eyes and brains interpret light and color, and shows how this is inherently linked with the meanings we give

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