Classics Books

Book SynopsisTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisThe Penguin Complete Novels of Nancy Mitford.Here in one volume are all eight of Nancy Mitford''s sparklingly astute, hilarious and completely unputdownable novels: Highland Fling, Christmas Pudding, Wigs on the Green, Pigeon Pie, The Pursuit of Love, Love in a Cold Climate, The Blessing and Don''t Tell Alfred.Published over a period of 30 years, they provide a wonderful glimpse of the bright young things of the thirties, forties, fifties and sixties in the city and in the shires; firmly ensconced at home or making a go of it abroad; and what the upper classes really got up to in peace and in war.''Entirely original, inimitable and irresistible'' Spectator''Deliciously funny'' Evelyn Waugh''Utter, utter bliss'' Daily Mail

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Book SynopsisTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''The pleasure is twice as sweetWhen you cheat a cheat.''An illustrated collection of fables from one of France''s most vital writers.One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics'' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

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Book Synopsis''His artistry is supreme'' John Banville''You''re a good soul, inspector, and when you''re up against the second-rate criminals you get here in Paris, you''re a crack policeman. But this business isn''t for you. These guys play rough and they may hurt you. Just drop it! What concern is it of yours, anyway?''When Maigret learns that his hapless colleague Inspector Lognon is being menaced by some notorious American mobsters, he makes it his mission to bring them to justice - despite threatening warnings that he is out of his depth. This novel has been published in a previous translation as Inspector Maigret and the Killers.''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''And when I shall die,Take him and cut him out in little stars.''This collection of Shakespeare''s soliloquies, including both old favourites and lesser-known pieces, shows him at his dazzling best.One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics'' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.

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Book Synopsis''Feels incredibly modern... it is brutal, frank about sex and violence, and will make your flesh creep'' Ian RankinA brilliant new translation of Simenon''s critically acclaimed masterpiece.''And always the dirty snow, the heaps of snow that look rotten, with black patches and embedded garbage ... unable to cover the filth.''Nineteen-year-old Frank - thug, thief, son of a brothel owner - gets by surprisingly well despite living in a city under military occupation, but a warm house and a full stomach are not enough to make him feel truly alive in such a climate of deceit and betrayal. During a bleak, unending winter, he embarks on a string of violent and sordid crimes that set him on a path from which he can never return. Georges Simenon''s matchless novel is a brutal, compelling portrayal of a world without pity; a devastating journey through a psychological no-man''s land.''Among the best novels of the twentieth century'' New Yorker''An astonishing work'' John Banville''So noir it makes Raymond Chandler look beige'' IndependentTrade ReviewA brutal analysis of a wartime collaborator's moral vacuity. There's a cold, ruthless beauty to Simenon's writing. * Spectator *Feels incredibly modern... it is brutal, frank about sex and violence, and will make your flesh creep. -- Ian RankinA masterpiece, completely brilliant . . . so nihilistic and so completely barren . . . but it is saved from being comically French by the vigour with which the story is told and the great knowingness of the author's voice. -- India KnightOne of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *Fierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity. -- Boyd Tonkin * The Independent *A supreme writer . . . unforgettable vividness * Independent *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories. -- GuardianA supreme writer . . . unforgettable vividness. * Independent *

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianInspector Maigret must untangle the web of lies left behind by a murdered man whose family didn’t know him as well as they thought When a man is found stabbed to death in an alley off Boulevard Saint-Martin, his identity card shows a workplace that had gone out of business three years earlier. As far as his wife knew, he still worked there, and she insists that the shoes and a tie he was wearing when he was killed “couldn’t be his.” It soon becomes evident that although he had a source of income, he spent most of his time sitting on a bench in the neighborhood, often with the same unknown man. But can Maigret find this mysterious companion?In Maigret and the Man on the BencTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''His artistry is supreme'' John Banville''This was natural. It is the same everywhere. Rarely, however, had Maigret had such a strong sense of a clique. In a small town like this, of course there are the worthies, who are few and who inevitably meet each other several times a day, even if it is only in the street.Then there are the others, like those who stood huddled on the sidelines looking disgruntled.''Maigret''s impromptu visit to an old college friend draws him into a murky investigation in a small provincial town ruled by snobbery, fear and intimidation. ''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' GuardianTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewAn especially irresistible psychological thriller . . . so tightly wound that there's no natural place to put it down -- Amanda Whiting * Independent *One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisA landmark collection of stories--nearly half appearing in English for the first time--selected and introduced by Pulitzer Prize winner Jhumpa LahiriA Penguin ClassicWhen Jhumpa Lahiri decided to read exclusively in Italian, a language she had studied for many years, her life as a reader--and writer--took a surprising turn. Complete immersion in this rich literary heritage brought fresh insight andunexpected freedom.This collection brings together forty writers who have shaped her love of the Italian language and profound appreciation for its literature. More than half of the stories featured in this volume have been translated into English for the first time, and the wide-ranging selection includes well-known authors such as Italo Calvino, Elsa Morante, and Luigi Pirandello alongside many captivating rediscoveries.Poets, journalists, visual artists, musicians, editors, critics, teachers, scientists, politicians, translators: the writers that Trade ReviewA fantastically rich - and beautiful - anthology that's teaching me a lot -- Chris PowerThe best anthology of its kind I've read -- John Self * Observer *A feast . . . her choice of 40 authors embraces familiar greats and sows them with fascinating additions . . . they remind us of the short story's playfulness, it's ability to move us with unexpected sharpness while it experiments with voices, styles and boundaries * Telegraph *Jhumpa Lahiri has pulled off something quite striking here: a literary anthology that sparkles with invention and variety, makes a remarkably convincing case for the vitality of the modern Italian short story and also beguiles, thanks to her sharp-eyed work as editor, compiler and part-translator. * Literary Review *Taken one by one, each story in this volume is a jewel. Taken all together, the book is a remarkable introduction to Italian literature and a great gift to the English-speaking reader. Remarkable stories from a wide range of writers describe the mundane and the fantastic, the everyday and the sublime. * Kirkus *An enticing collection . . . a remarkable sample of the literary form . . . the tales are by turns startling, moving, intriguing and provocative; they bring melancholy, humour and a dose of the uncanny. -- Vilma de Gasperin * TLS *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisAcute psychological insight and a distinctive, spare, atmospheric style Simenon ought to be spoken of in the same breath as Camus, Beckett and Kafka' Independent on SundayFaced with a house of tight-lipped witnesses to a murder, Simenon's legendary Inspector Maigret must change his methods to uncover the truth The family and the house had turned in on themselves, acquiring a hostile face in the process' The once-wealthy Lachaume family closes ranks when one of their own is shot dead, claiming to have heard and seen nothing of the murder. This leaves Maigret along with a troublesome new magistrate who has waded into the case to pick his way through their shameful secrets. 'One of the greatest writers of the twentieth century' GuardianGem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend' Boyd Tonkin, The TimesTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''His artistry is supreme'' John Banville''Sullenly, he got dressed. Why, whenever he was woken on a winter night like this, did the coffee have a particular taste? The smell of the apartment was different...his pipe, too, had a different taste.''Set against a high-profile hunt for the latest criminal gang to hit Paris, Maigret is determined to track down the murderer of a quiet crook for whom he cannot help feeling affection and respect.This novel has been published in a previous translation as Maigret and the Idle Burglar. ''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' GuardianTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''His artistry is supreme'' John Banville ''Why all of a sudden did this shock him? He was annoyed with himself for being shocked. He felt as if he had been sucked into the bourgeois, almost edifying, atmosphere that surrounded those epeople, ''good people'' so everyone kept telling him.''A retired manufacturer has been shot dead by his own pistol, last seen alive by his son-in-law. In this seemingly motiveless murder, Inspector Maigret must rely on his famous intuition to discover the truth. This novel has been published in a previous translation as Maigret and the Black Sheep.''One of the greatest writers of the twentieth century '' GuardianTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book Synopsis''The father of contemporary European detective fiction'' Ann Cleeves''Maigret had never been comfortable in certain circles, among the wealthy bourgeoisie where he felt clumsy and awkward ... Built like a labourer, Oscar Chabut had hauled himself up into this little world through sheer hard work and, to convince himself that he was accepted, he felt the need to sleep with most of the women.''When a wealthy wine merchant is shot in a Paris street, Maigret must investigate a long list of the ruthless businessman''s enemies before he can get to the sad truth of the affair.''One of the greatest writers of the twentieth century'' GuardianTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewShirley Jackson's stories are among the most terrifying ever written ... No-one can touch her -- Donna TarttIn each story in the collection, the everyday world becomes tinted with an odd sheen of terror ... In Jackson's world, the safe house is a trap. Enter it, and you might get lost in the dark -- Ottessa MoshfeghThe world of Shirley Jackson is eerie and unforgettable -- A. M. HomesDark Tales reveals a superior gothic writer ... Shirley Jackson's menacing gothic tales are a joy to rediscover * The Times *One of the great practitioners of the literature of the darker impulses -- Paul TherouxAn amazing writer -- Neil GaimanAn excellent primer for her short fiction * The Pool *

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Book SynopsisShortlisted for the NSW Translation Prize Discover a realm of travel writing undreamed of in the West - a richly literary tradition extending through a thousand years and more, whose individual works together weave a dense and beautiful brocade of repeated patterns and motifs, tones and textures. Here are asobi, the wandering performers who prefigured geisha; travelling monks who sleep on pillows of grass and listen to the autumnal insects; and a young girl who passionately longs to travel to the capital and read more stories. Taking in songs, dramas, tales, diaries and above all, poetry, this wonderful anthology roams over mountains and along perilous shores to show how profoundly travel inspired the Japanese imagination.Trade ReviewA delightful anthology that traces the evolution of travel writing in Japan through diaries, stories, drama and poetry ... In this remarkable work of translation and scholarship, filled with wonderful vignettes of Japanese life and sensibility, McKinney introduces readers to the nation's rich and unique literary tradition -- P.D James * The Guardian *A marvel of absorbing, elegant scholarship . . . Travels With A Writing Brush is a beehive of a book, buzzing with superb commentary and annotations, and bound to last generations. -- Barry Hill * Australian Book Review *A fascinating adventure ... Resonates as much with today as with yesteryear, and even for readers unfamiliar with Japan... A beautiful work * Japan Times *A fascinating compendium * RTE *

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Book Synopsis'' Of course, no one would want to say anything about a girl like this that''s missing... ''Malice, paranoia and creeping dread lie beneath the surface of ordinary American life in these chilling miniature masterworks of unease.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York''s underground scene to the farthest reaches of outer space.

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Book SynopsisNorman Mailer (1923-2007) was one of the great post-War American writers, both as a novelist and as one of the key inventors of the New Journalism. His books include the novels The Naked and the Dead, The Deer Park, Why Are We in Vietnam?, The Executioner's Song and Harlot's Ghost and the non-fiction works The Armies of the Night, A Fire on the Moon (published in the USA as Of a Fire on the Moon) and The Fight. He won the National Book Award and twice won the Pulitzer Prize.

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Book Synopsis''My guest was lying sprawled on his back. There was a long knife through his heart which skewered him to the floor''Richard Hannay has just returned to England after years in South Africa and is thoroughly bored with his life in London. But then a murder is committed in his flat, just days after a chance encounter with an American who had told him about an assassination plot which could have dire international consequences. An obvious suspect for the police and an easy target for the killers, Hannay goes on the run in his native Scotland where he will need all his courage and ingenuity to stay one step ahead of his pursuers.The Penguin English Library - collectable general readers'' editions of the best fiction in English, from the eighteenth century to the end of the Second World War.

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Book Synopsis''The facts of life took on a fiercer aspect and, while he faced that aspect uncowed, he faced it with all the latent cunning of his nature aroused.''The biting cold and the aching silence of the far North become an unforgettable backdrop for Jack London''s vivid, rousing, superbly realistic wilderness adventure stories featuring the author''s unique knowledge of the Yukon and the behavior of humans and animals facing nature at its cruelest.The Penguin English Library - collectable general readers'' editions of the best fiction in English, from the eighteenth century to the end of the Second World War.

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Book SynopsisIn this tender, impassioned fourth novel, James Baldwin created one of his most striking characters: a man struggling to become himself.''Everyone wishes to be loved, but in the event, nearly no one can bear it''At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, we see the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo''s childhood on the streets of Harlem and his arrival into the world of the theatre lies a wilderness of desire and loss, shame and rage. And everywhere there is the anguish of being black in a society that seems poised on the brink of racial war. In this tender, angry 1968 novel, James Baldwin created one of his most striking characters: a man struggling to become himself.''The emotion surrounding family attachment... is deeply felt and is one reasons he continues to be read with such intensity'' Colm TóibínTrade ReviewTruth-telling, witness bearing, soul stirring writing -- Cornel WestThe emotion surrounding family attachment... is deeply felt and is one of the reasons he continues to be read with such intensity -- Colm TóibínTimeless . . . a visionary writer * Guardian *A jazzlike reconfiguration of Baldwin's own life, with existing parts examined and rearranged and new parts added -- Clifford Thompson * LA Review of Books *One of the few essential novelists of our time * New Statesman *

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Book Synopsis''You will be a great hero, a general, Gabriele d''Annunzio, Ambassador of France!''For his whole life, Romain Gary''s fierce, eccentric motherhad only one aim: to make her son a great man. And she did. This, his thrilling, wildly romantic autobiography, is the story of his journey from poverty in Eastern Europe to the sensual world of the Côte d''Azur and on to wartime pilot, resistance hero, diplomat, filmmaker, star and one of the most famed French writers of his age.Trade ReviewPerhaps the only memorial by a son that raises the rare literary pleasure of laughter in the reader as a measure of appreciation. * The New Yorker *A celebrated and infinitely seductive portrait of his early life, which is still often described as an unprecedented innovation in the writing of autobiography in France -- David BellosWhat a gold mine! -- Jean Paul SartreWhat talent, most certainly, how many ideas and passions too. You seize us and shake us. Ah! -- Charles de Gaulle

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Book SynopsisTrade Review'Tim Allen's new translation of THE SONG OF KIEU is lively and absorbing. It reinvigorates a classic and wonderfully conveys the romance, adventure, tragedy, and wisdom of the poem that all Vietnamese know.' * Viet Thanh Nguyen *'Tim Allen has done what most literary translators can only aspire to do. He has secured a place for a major foreign work in the stock of his mother tongue.' -- David Constantine'Timothy Allen's supple and imaginative translation has re-energised Nguyên Du's lyricism in meticulous free verse that evokes the five senses' * The Poetry Review *'For elegance and sheer readability I doubt if it could be equalled. English readers already familiar with Kieu will be delighted by its musicality. And those who have not previously encountered Kieu will wonder how such a masterpiece could so long have eluded them.''Timothy Allen's translation of the Vietnamese epic The Song of Kieu is magnificent. [In language] capable of exquisitely beautiful love scenes, throat-catchingly eloquent nature passages and moments of humour, he renders an obscure masterpiece into a strikingly contemporary one.'

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Book SynopsisThe book that influenced writers from Carl Sagan to Stephen Hawking, Flatland is set in a two-dimensional world where life exists only in lines and shapes - until one of its inhabitants, ''A. Square'', has his perspective transformed forever. This brilliantly eccentric classic is an invitation to see beyond our own reality.''At once a playful brainteaser about geometry, a pointed satire of Victorian manners - and a strangely compelling argument about the greatest mysteries of the Universe'' Wall Street Journal''Flatland could lead to very profound thought about our Universe and ourselves'' Isaac AsimovTrade ReviewAt once a classic of science fiction, a playful brainteaser about geometry, a pointed satire of Victorian manners - and, finally, a strangely compelling argument about reason, faith, and the greatest mysteries of the universe * The Wall Street Journal *

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Book SynopsisTrade ReviewVintage Simenon, a dark masterpiece . . . A calmly, almost diffidently narrated yet terrifying study of race hatred and mass hysteria, it was eerily prophetic * Guardian *Simenon lays out with ruthless exactitude the way selfish, conscience-free greed exploits modest, hospitable decency . . . The world of Chez Krull is a common, shared one . . . the world of the immigrant, of navigating cautiously in a foreign country * London Review of Books *Fierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity. * The Independent *Seriously good * Evening Standard *

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Book SynopsisThis Penguin Classic is narrated by Mark Gatiss who also wrote the screen play for the critically acclaimed BBC adaptation. Gatiss has also had an extensive acting career including roles in Sherlock, which he wrote alongside Steven Moffat, The League of Gentlemen and Wolf Hall. When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned shipis wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the ''Master'' and his imminent arrival. In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire.

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Book Synopsis''Hilarious SF satire. Douglas Adams said it was the only thing like The Hitchhiker''s Guide to the Galaxy, although written ten years earlier. It''s wonderful'' Neil GaimanThis madcap cosmic farce relates the adventures of the hapless human Carmody, as he attempts to make his way home to Earth after winning the grand prize in the Intergalactic Sweepstake, encountering parallel worlds, incompetent bureaucrats and talking dinosaurs on the way.''The greatest entertainer ever produced by science fiction ... a feast of wit and intelligence'' J. G. BallardTrade ReviewRobert Sheckley's hilarious SF satire. Douglas Adams said it was the only thing like Hitchhiker's Guide to the Galaxy, written ten years earlier. It's a wonderful thing -- Neil GaimanRobert Sheckley is one of the great funny writers -- Douglas AdamsRobert Sheckley is the greatest entertainer ever produced by modern science fiction . . . what a feast of wit and intelligence he lays out -- J.G BallardA sort of intergalactic Alice in Wonderland . . . quite remarkably funny * Daily Telegraph *

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Book Synopsis''Dazzlingly intelligent and subtle'' Sunday Times''Worth of Raymond Chandler ... intelligent, inventive, constantly entertaining'' Sunday TelegraphTexan billionaire General Midwinter will stop at nothing to bring down the USSR - even if it puts the whole world at risk. The fourth and final novel featuring the cynical, insolent narrator of The IPCRESS File sees him sent from his shabby Soho office to bone-freezing Helsinki in order to penetrate Midwinter''s vast anti-Communist network - and stop a deadly virus from wiping out the planet.Trade ReviewDazzlingly intelligent and subtle. * Sunday Times *Worthy of Raymond Chandler... intelligent, inventive, constantly entertaining. * Sunday Telegraph *Deighton is a fearless observer of the deceptive human world. -- John Gray * New Statesman *They don't, as they say, write them like this anymore. You will be entertained, informed, thrilled and dazzled. Long may he, and his creations, live on. -- Jeremy Duns * The Guardian *A wonderful mixture of the exciting and the amusingly humdrum ... James Bond may be thinner, but so is his dialogue. -- Jake Kerridge * Daily Telegraph *Len Deighton is the Flaubert of the contemporary thriller writers. -- Michael Howard * Times Literary Supplement *

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Book SynopsisIntroducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world''s greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil.In this inspirational, allegorical guide, Al Mustafa the prophet delivers spiritual yet practical homilies on the work of living: beauty, truth, possessions, sorrow, joy, death and more. Translated into more than fifty languages and among the best-selling books of all time, The Prophet remains a wise and revitalising handbook for the soul.

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