Classic fiction: literary and general

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Book Synopsis

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Book Synopsis"An elegant, precise, and accessible modern-English rendering of the two best examples of the early modern picaresque genre: the paradigmatic Lazarillo de Tormes and Quevedo's mordant El Buscón . Frye's translations are triumphant, capturing the cadence of popular early modern speech while remaining faithful to the original texts; his notes illuminate the diverse contexts in which the texts were written. Frye gives careful attention throughout to the historical background that propelled these two parallel but different monuments of Golden Age Spanish literature." --Teofilo Ruiz, UCLATrade Review"A delightful new version of two of the best picaresque novels ever written. Rising admirably to the challenges posed by these texts, Frye uses modern American idioms to bridge the gap between Golden Age Spain and our times; the resulting translations are lively and readable. He manages to capture, in modern English, all of the humor of The Grifter's many puns and wordplays while retaining a feel for the original flavor of the work... He should also be congratulated for his fine rendering of verses into English. [Frye's] comprehensive Introduction takes up the culture of Castile in the sixteenth century; his illuminating analysis of Lazarillo de Tormes and The Grifter (El Buscón) will be of great use to those approaching these funny, poignant, and fascinating tales for the first time." --Frederick A. de Armas, University of Chicago

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Book SynopsisThis brisk retelling of Le Morte D'Arthur highlights the narrative drive, humor, and poignancy of Sir Thomas Malory’s original while updating his fifteenth-century English and selectively pruning over-elaborate passages that can try the patience of modern readers. The result is an adaptation that readers can enjoy as a fresh approach to Malory's sprawling masterpiece. The book's most famous episodes--the sword in the stone, the cataclysmic final battle--are all here, while lesser-known key episodes stand forth with new brightness and clarity. The text is accompanied by an up-to-date bibliography, including websites and video resources, and a descriptive index keyed--like the retelling itself--to the book and chapter divisions of William Caxton's first printed edition of 1485.Trade Review"I've just finished reading Joseph Glaser's Le Morte D'Arthur. I'm very pleased with it: the introduction is helpful without becoming an extended essay, the suggested reading seems solid and diverse, and the index is VERY useful, even for someone who has read Malory before. At last, a reader can keep all the knights and ladies straight! A fine entry point to a grand text, and when I next have an occasion to teach a course involving chivalry, I'll plan to use this very affordable edition." —Craig Caldwell, Department of History, Appalachian State University"A highly readable, reduced, and modernized Malory. . . . The effective condensation of a seemingly uncontainable network of narratives is an impressive feat. . . . Glaser's storylines are distinct, not dense, his dialogue is concise, not digressive, and his language is unassuming, not luxuriant. While these features do not match most readers' impressions of Malory's style, his Arthurian tales of adventure, love, death, and betrayal are all here for a new readership to relish. "[T]his new narrative brings the intersections of plot lines to the fore, helping readers to see the larger structural connections between seemingly disparate episodes and themes. With some of the density removed, readers can more readily see storylines that often get submerged, such as the ongoing feud between the families of King Pellinor and King Lot that starts, stops, and reignites across multiple books. Glaser even appends a detailed index of characters and important objects that includes short descriptions of their appearances in sequence throughout the text. This index is exceedingly helpful because it highlights unifying themes and character development as well as clearly demonstrates that the main character of the Morte is Lancelot, not Arthur. Whereas Arthur's index entry is approximately a page and a half long, Tristram's is two pages, and Lancelot's is close to three. The index also reveals amusing repetitions and contradictions, including two dead Colgrevaunces and five Elaines." —Alex Mueller, University of Massachusetts, Boston, in The Medieval Review"Glaser's project of modernizing and condensing Malory's Le Morte D'Arthur is refreshingly successful. Both an extremely accessible introduction to the text for beginners and a handy reference tool for experts, the compact volume can easily be enjoyed by all modern readers." —Rachel Levinson-Emley, University of California, Santa Barbara, in Comitatus"Preserves most of the original and provides a simplified reduction for the bewildering array of plot lines and characters who wind in, and out, and often back in again to the narrative thread. Hackett Publishing Company and Joseph Glaser have provided an aesthetically appealing, serviceable, and inexpensive addition to the Malory shelf.” —Katherine Haynes, Aquinas College Nashville, in Sixteenth Century Journal

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Book Synopsis"Michael Harney's translation of Cervantes's Novelas ejemplares is the most authoritative and accurate rendering of Cervantes's classic tales to date and promises to be the translation against which future translations will be measured. Harney skillfully portrays the nuanced and complex world of the Exemplary Novellas in a translation that is faithful to the letter and spirit of the original. An erudite and informative Introduction presents a general overview of sixteenth- and seventeenth-century Spain, the life of Cervantes, and a detailed analysis of the Exemplary Novellas. Before each story, Harney provides a brief synopsis, an analysis of the novella’s themes, motifs, and generic affinities, and a bibliography for further reading. In addition, numerous footnotes complement the background information Harney provides in the Introduction and prior to each novella." —Michael J. McGrath, Georgia Southern UniversityTrade Review"Harney maintains the richness of language and the narrative flavor of the assortment of tales, admirable in their range and power of allusion. Cervantes captures much of the spirit of his age, and Harney's eminently readable translation conveys the essence of the original material. The general Introduction and brief commentaries on each text are clear and useful, as are the generous notes that students and instructors should appreciate." —Edward H. Friedman, Vanderbilt University

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Book Synopsis"In this new edition of Mary Shelley's Frankenstein, David Wootton's Introduction gives the reader both a clear and gripping account of the biographical circumstances that led to the novel’s writing and the most striking and original interpretations of its central themes and of the intellectual and cultural influences on them. Offering a new account of the complex history of its composition, and drawing upon his deep knowledge of eighteenth- and nineteenth-century scientific debates, Wootton reveals the ways in which the origins of Shelley’s novel are inextricably linked to conceptions of the origins of life itself. We have here a transformative reading of one of the world’s best-known stories."—Laura Marcus, Goldsmiths’ Professor of English Literature and Fellow of New College, University of OxfordTrade Review"A superb edition of Shelley's troubling masterpiece, with lucid explanatory notes and rich contextual material on the biographical, cultural, and scientific background to the text. Wootton’s Introduction is a tour de force of revisionist scholarship, and his bold new arguments about Frankenstein's reworking of Promethean myth, its engagement with Romantic-era science, and the sources and significance of its arctic frame-tale will set the agenda for future debate." —Thomas Keymer, Chancellor Henry N. R. Jackman University Professor of English, University of Toronto"David Wootton, the editor of a splendid new edition of Frankenstein that includes a rich variety of relevant texts, prefers to focus on the contribution made to the novel by Mary's reading of contemporary articles on travel (the book’s first narrator, Robert Walton, is bound for the North Pole, which he describes as 'the favourite dream of my early years'). Wootton’s magisterial introduction grants equal significance to the earnest discussions about generating life that took place in 1816 at Lord Byron’s lakeside villa in Switzerland, where Frankenstein was conceived." —Miranda Seymour, in The New York Review of Books"Wootton’s new edition presents Shelley's Frankenstein in a vivid new light. Informed by his immense erudition in the histories of both science and political thought, his brilliantly lucid Introduction pieces together the book’s complex and sometimes conflicting elements, and proposes several new interpretations. Generously annotated throughout, and with a judicious selection of related writings and contemporary reviews, this will be the go-to text for all students of the novel." —Seamus Perry, Professor of English Literature and Fellow of Balliol College, University of Oxford

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Book Synopsis"In this new edition of Mary Shelley's Frankenstein, David Wootton's Introduction gives the reader both a clear and gripping account of the biographical circumstances that led to the novel’s writing and the most striking and original interpretations of its central themes and of the intellectual and cultural influences on them. Offering a new account of the complex history of its composition, and drawing upon his deep knowledge of eighteenth- and nineteenth-century scientific debates, Wootton reveals the ways in which the origins of Shelley’s novel are inextricably linked to conceptions of the origins of life itself. We have here a transformative reading of one of the world’s best-known stories."—Laura Marcus, Goldsmiths’ Professor of English Literature and Fellow of New College, University of OxfordTrade Review"A superb edition of Shelley's troubling masterpiece, with lucid explanatory notes and rich contextual material on the biographical, cultural, and scientific background to the text. Wootton’s Introduction is a tour de force of revisionist scholarship, and his bold new arguments about Frankenstein's reworking of Promethean myth, its engagement with Romantic-era science, and the sources and significance of its arctic frame-tale will set the agenda for future debate." —Thomas Keymer, Chancellor Henry N. R. Jackman University Professor of English, University of Toronto"Wootton’s new edition presents Shelley's Frankenstein in a vivid new light. Informed by his immense erudition in the histories of both science and political thought, his brilliantly lucid Introduction pieces together the book’s complex and sometimes conflicting elements, and proposes several new interpretations. Generously annotated throughout, and with a judicious selection of related writings and contemporary reviews, this will be the go-to text for all students of the novel." —Seamus Perry, Professor of English Literature and Fellow of Balliol College, University of Oxford

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Book Synopsis

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Book Synopsis

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Book Synopsis

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Book SynopsisIn what renowned translator Arthur Goldhammer called “a piano reduction of an orchestral score,” the first volume of Stéphane Heuet’s adaptation of In Search of Lost Time electrified the graphic community like no other—re-presenting the novel for anyone who has always dreamed of reading Proust but was put off by the sheer magnitude of the undertaking. Whereas the first volume described the narrator’s childhood in the pastoral town of Combray, the second volume portrays the narrator’s foray into adolescence, set in the opulent seaside resort of Balbec. Preserving Proust’s original dissection of the spontaneity of youth, translator Laura Marris captures the narrator’s infatuation with his playmates—his memories of their intoxicating afternoons together unfolding as if in a dream. Featuring some of Proust’s most memorable characters—from mysterious Charlus to beguiling young Albertine—this second volume becomes a necessary companion piece for any lover of modern literature.

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Book SynopsisLong defined by film adaptations that have portrayed Aladdin as a simplistic rags-to-riches story for children, this work of dazzling imagination—and occasionally dark themes—now comes to vibrant new life. “In the capital of one of China’s vast and wealthy kingdoms”, begins Shahrazad, there lived Aladdin, a rebellious fifteen-year-old who falls prey to a double-crossing sorcerer and is ultimately saved by a princess. One of the best-loved folktales of all time, Aladdin has been capturing the imagination of readers, illustrators and filmmakers since an eighteenth-century French publication first added the tale to The Arabian Nights. Here is an elegant, eminently readable rendition of Aladdin in what is destined to be a classic for decades to come.Trade Review"It’s not every day you come across a new translation of The Arabian Nights, but the French Syrian writer, Yasmine Seale, has rendered afresh the 18th-century version of Aladdin by Antoine Galland, and has done a cracking job..." -- Family favourites: children’s books for Christmas reviewed - The Spectator"... an elegant new version of Aladdin..." -- Times Literary Supplement"... a charming rendition of Aladdin..." -- The National

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Book Synopsis"I passed away at two o’clock in the afternoon on a Friday in August in 1869, in my beautiful mansion in the Catumbi district of the city." So begins Posthumous Memoirs of Brás Cubas—at the end of the narrator’s life. Published in 1881, this highly experimental novel was not at first considered Machado de Assis’ definitive work—a fact his narrator anticipated, bidding "good riddance" to the critic looking for a "run-of-the-mill-novel". Yet in this coruscating new translation, Margaret Jull Costa and Robin Patterson reveal a pivotal moment in Machado’s career, as his flights of the surreal became his literary hallmark. An enigmatic, amusing and frequently insufferable anti hero, Brás Cubas describes his Rio de Janeiro childhood spent tormenting household slaves, his bachelor years of torrid affairs and his final days obsessing over nonsensical poultices. A novel that helped launch modernist fiction, Brás Cubas shines a direct light to Ulysses and Love in the Time of Cholera.Trade Review"One of the wittiest, most playful, and therefore most alive and ageless books ever written." -- Dave Eggers"An offbeat, invigorating classic is perfect reading for a morbid summer." -- The Economist

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Book SynopsisFaulkner’s debut novel, Soldiers’ Pay (1926), is among the most memorable works to emerge from the First World War. Through the story of a wounded veteran’s homecoming, it examines the impact of soldiers’ return from war on the people—particularly the women—who were left behind.

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Book SynopsisA towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—“the starched collar,” as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann’s genius. The headliner of this volume, “Chaotic World and Childhood Sorrow” (in its first new translation since 1936)—a subtle masterpiece that reveals the profound emotional significance of everyday life—is Mann’s tender but sharp-eyed portrait of the “Bigs” and “Littles” of the bourgeois Cornelius family as they adjust to straitened circumstances in hyperinflationary Weimar Germany. Here, too, is a free-standing excerpt from Mann’s first novel, Buddenbrooks—a sensation when it was first published. “Death in Venice” (also included in this volume) is Mann’s most famous story, but less well known is that he intended it to be a diptych with another, comic story—included here as “Confessions of a Con Artist, by Felix Krull.” “Louisey”—a tale of sexual humiliation that gives a first glimpse of Mann’s lifelong ambivalence about the power of art—rounds out this revelatory, transformative collection.Trade Review"Searls infuses the prose of Nobel laureate Mann (1875–1955) with momentum and energy in this excellent collection. English-language readers will find the humor and digressive appeal of Mann’s prose enhanced... A well-chosen excerpt from the novel Confessions of a Con Artist, by Felix Krull exhibits a connection between the title character, a peripatetic young man, and Mann’s other protagonists: “What a royal gift the imagination is, and what pleasure it affords us!” Felix narrates. Throughout, the characters are linked by their unspeakable desires, and their inner worlds are just as significant as, and often more so than, their actions. Scholars as well as those new to Mann will find much to appreciate in Searls’s stimulating approach." -- Publishers Weekly"Searls' superb translations of Mann’s most essential short works emphasize moments of despair and levity, breathing fresh humanity into the stories of the famously solemn German literary giant . . . Searls is meticulous in his attention to German-language nuance but intuitive in channeling the tensions and rhythms of his source material. His introduction reveals a deep fascination with Mann’s complexities, and an anxiety that Mann might soon be dismissed as a twentieth-century relic with little relevance to today’s readers. His work here goes a long way toward preventing that from happening." -- Brendan Driscoll - Booklist"In his witty, insightful, and charming introduction, Searls makes some useful observations about why Mann’s personal life is worth addressing . . . It’s a useful reminder of the subversive power of cultural hybridity — a writer whose Germanness was central to his public identity in fact contained multitudes." -- Matt Hanson - Arts Fuse"[A] trip into timeless themes of youthful innocence; the perpetual struggle between discipline and desire; and more. Readers turn to Mann not for lickety-split action but to take a literary amble through poetic sentences; those in the market for old-school leisure won't be disappointed." -- Michael Magras - Shelf Awareness"I have long loved Thomas Mann's subtlety, erudition, and elegant mind, but it wasn't until reading these newly translated stories that I picked up the range of the author's irony and humor. The art of translation seems to me the most delicate and precise of literary arts, and Damion Searls stands at the very apex of translators into English." -- Lauren Groff, author of Matrix"Damion Searls has produced the perfect Mann translation; the author’s erudition and aesthetic sensibility are mutually enhanced instead of one being sacrificed for the other. Mann has never been more readable in English, and the English reader never more aware of the shining beauty of the source." -- Anton Hur, translator"Although Mann’s stories are more than a century old, Damion Searls’s new translations capture the writer’s sly humor and warmth, making these short masterpieces feel wholly modern. Readers who know Mann will see him anew; for those who haven’t read him yet, this collection is a superb introduction to one of the greats." -- Rumaan Alam, author of Leave the World Behind"Searls’s selections of this funny, ironic, exceptionally readable 20th-century writer’s work are as inspired as his engaging and lucid translations: here we have the slow-burning torment and humiliation of 'Louisey,' the charming irony of 'Confessions of a Con Artist, By Felix Krull,' the startling emotional acuity of 'A Day in the Life of Hanno Buddenbrook,' and the great rediscovery, 'Chaotic World and Childhood Sorrow,' which condenses a novel’s worth of empathy, family conflict, and fine-grained observation into a riveting story less than forty pages long. Towering above all is 'Death in Venice'—the extraordinary pandemic tale, refreshed and haunting in its best-ever translation. I’ve spent years waiting for the Mannaissance—the publication of New Selected Stories will, at last, bring it into being." -- Mark Krotov, coeditor, n+1"In this vigorous new version . . . Searls takes pains to bring Mann’s decades-old prose to life without anachronism or false breeziness . . . A well-chosen, confidently translated gathering of stories that casts new light on its author." -- Kirkus Reviews, starred review

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Book SynopsisThe last novel from the acclaimed author of The Artificial Silk Girl, this 1950 classic paints a delightfully shrewd portrait of postwar German society.   Upon his release from a prisoner-of-war camp, Ferdinand Timpe returns somewhat uneasily to civilian life in Cologne. Having survived against the odds, he is now faced with a very different sort of dilemma: How to get rid of his fiancée? Although he certainly doesn’t love the mild-mannered Luise, Ferdinand is too considerate to break off the engagement himself, so he sets about finding her a suitable replacement husband—no easy task given Luise’s high standards and those of her father, formerly a proud middle-ranking Nazi official.Featuring a lively cast of characters—from Ferdinand’s unscrupulous landlady with her black-market schemes to his beguiling cousin Johanna and the many loves of her life—Ferdinand captures a distinct moment in Germany’s history, when its people were coming to terms with World War II and searching for a way forward. In Irmgard Keun’s effervescent prose, the story feels remarkably modern.

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Book Synopsis

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Book Synopsis

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