Books by Johann Sebastian Bach

Book SynopsisSeveral transcripts have been made of Johann Sebastian Bach's lute works over the past 150 years. Due to the simultaneous harmonic and melodic character of the lute and the lute harpsichord, favored by Bach, these usually evoke the original sound with a combination of several instruments (for example, Zoltan Kodaly's transcription of the lute prelude in C minor for cello and piano). The joint work of cellist Tamas Zetenyi (*1985) and composer Marcell Dargay (*1980) is exceptional in that respect that it transfers all movements of the lute suite in C minor, including the fugue, to a single cello. The publication also includes an ornamented version of the sarabande.

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Book SynopsisThe Well-Tempered Clavier is published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes. Winner of the Music Retailers Association's Standard Publication Award for 1994.Trade ReviewAs a scholarly reference, this edition is probably unsurpassable...a rightly-lauded triumph of scholarship, it should be on the shelf of every musician. * Music Teacher *Whatever other publishers produce, it is likely that, in the UK, the best-selling edition of the 48 will be the one published by the Associated Board. * Early Music News *This will be the standard text in the UK and worldwide, alongside all the other marvellous Bach, Schubert and Brahms editions already in Signature volumes. * Classical Piano *Whatever your chosen instrument, this is not only a fine editorial achievement, but also a compendium of both wisdom and pleasure virtually without equal. * Harpsichord and Fortepiano *The best English-language edition so far. Contains very useful material on manuscript sources, variants, and performance questions. A bonus is the inclusion of Donald Francis Tovey's classic analyses of each prelude and fugue, along with the editor's helpful caveats. * Early Music America *Table of Contents24 Preludes and Fugues, BWV 846-869 ; Praeludium 1 in C, BWV 846/1 ; Fuga 1. a 4. in C, BWV 846/2 ; Praeludium 2 in c minor, BWV 847/1 ; Fuga 2. a 3. in c minor, BWV 847/2 ; Praeludium 3 in C sharp, BWV 848/1 ; Fuga 3. a 3. in C sharp, BWV 848/2 ; Praeludium 4 in c sharp minor, BWV 849/1 ; Fuga 4. a 5. in c sharp minor, BWV 849/2 ; Praeludium 5 in D, BWV 850/1 ; Fuga 5. a 4. in D, BWV 850/2 ; Praeludium 6 in d minor, BWV 851/1 ; Fuga 6. a 3. in d minor, BWV 851/2 ; Praeludium 7 in E fllat, BWV 852/1 ; Fuga 7. a 3. in E flat, BWV 852/2 ; Praeludium 8 in e flat/d sharp minor, BWV 853/1 ; Fuga 8. a 3. in e flat/d sharp minor, BWV 853/2 ; Praeludium 9 in E, BWV 854/1 ; Fuga 9. a 3. in E, BWV 854/2 ; Praeludium 10 in e minor, BWV 855/1 ; Fuga 10. a 2. in e minor, BWV 855/2 ; Praeludium 11 in F, BWV 856/1 ; Fuga 11. a 3. in F, BWV 856/2 ; Praeludium 12 in f minor, BWV 857/1 ; Fuga 12. a 4. in f minor, BWV 857/2 ; Praeludium 13 in F sharp, BWV 858/1 ; Fuga 13. a 3. in F sharp, BWV 858/2 ; Praeludium 14 in f sharp minor, BWV 859/1 ; Fuga 14. a 4. in f sharp min

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Book SynopsisThe Well-Tempered Clavier is published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.Trade ReviewAs a scholarly reference, this edition is probably unsurpassable...a rightly-lauded triumph of scholarship, it should be on the shelf of every musician. * Music Teacher *Whatever other publishers produce, it is likely that, in the UK, the best-selling edition of the 48 will be the one published by the Associated Board. * Early Music News *this will be the standard text in the UK and worldwide, alongside all the other marvellous Bach, Schubert and Brahms editions already in Signature volumes. * Classical Piano *Whatever your chosen instrument, this is not only a fine editorial achievement, but also a compendium of both wisdom and pleasure virtually without equal. * Harpsichord and Fortepiano *The best English-language edition so far. Contains very useful material on manuscript sources, variants, and performance questions. A bonus is the inclusion of Donald Francis Tovey's classic analyses of each prelude and fugue, along with the editor's helpful caveats. * Early Music America *Table of Contents24 Preludes and Fugues, BWV 870-893 ; Praeludium 1 in C, BWV 870/1 ; Fuga 1 a 3 in C, BWV 870/2 ; Praeludium 2 in c minor, BWV 871/1 ; Fuga 2 a 4 in c minor, BWV 871/2 ; Praeludium 3 in C sharp, BWV 872/1 ; Fuga 3 a 3 in C sharp, BWV 872/2 ; Praeludium 4 in c sharp minor, BWV 873/1 ; Fuga 4 a 3 in c sharp minor, BWV 873/2 ; Praeludium 5 in D, BWV 874/1 ; Fuga 5 a 4 in D, BWV 874/2 ; Praeludium 6 in d minor, BWV 875/1 ; Fuga 6 a 3 in d minor, BWV 875/2 ; Praeludium 7 in Eb, BWV 876/1 ; Fuga 7 a 4 in Eb, BWV 876/2 ; Praeludium 8 in d sharp minor, BWV 877/1 ; Fuga 8 a 4 in d sharp minor, BWV 877/2 ; Praeludium 9 in E, BWV 878/1 ; Fuga 9 a 4 in E, BWV 878/2 ; Praeludium 10 in e minor, BWV 879/1 ; Fuga 10 a 3 in e minor, BWV 879/2 ; Praeludium 11 in F, BWV 880/1 ; Fuga 11 in F, BWV 880/2 ; Praeludium 12 in f minor, BWV 881/1 ; Fuga 12 a 3 in f minor, BWV 881/2 ; Praeludium 13 in F sharp, BWV 882/1 ; Fuga 13 a 3 in F sharp, BWV 882/2 ; Praeludium 14 in f sharp minor, BWV 883/1 ; Fuga 14 a 3 in f sharp minor, BWV 883/2 ; Praeludium 15 in G, BWV 884/1 ; Fuga 15 a 3

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Book SynopsisDemonstrating the range and popularity of Bach piano transcriptions during the early twentieth century, this collection contains exuberant fantasias and fugues, gentle transcriptions from instrumental works, and popular chorales. Includes introductory notes by the celebrated pianist and broadcaster David Owen Norris.Trade ReviewThis companion volume to A Bach Book for Harriet Cohen is an absolute gem . . . OUP are to be congratulated for re-issuing this amazing collection which pianists will enjoy adding to their repertoire of transcriptions. * Melvyn Cooper, Piano Professional, Autumn 2013 *Table of ContentsWachet auf, ruft uns die Stimme (Sleepers, Wake) ; Siciliano (Sonata in E flat for Flute and Harpsichord) ; Pastorella in F major, mov. 3 ; In dulci jubilo (In sweet rejoicing) ; Bist du bei mir (If thou art near) ; Christ lag in Todes Banden (Christ lay in death's bonds) ; Jesu, bleibet meine Freude (Jesu, joy of man's desiring) ; Seht, was die Liebe tut (See what his love can do) ; Sarabande (Cello Suite in D major) ; Ertodt' uns durch dein' Gute (Sanctify us by thy goodness) ; Pastorella in F major, mov. 4 ; Liebster Jesu, wir sind hier (Beloved Jesu, we are here) ; Fugue in G minor ; Was Gott thut, das ist wohlgethan (What God hath done is rightly done) ; Adagio (Toccata, Adagio, and Fugue in C major) ; Wenn wir in hochsten Noten sein (When we are in greatest need) ; Es ist das Heil uns kommen her (Salvation now has come for all)

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Book Synopsisfor piano solo This is an intermediate-level arrangement of the well-known and loved chorale from Cantata No. 147. This piece is suitable for weddings, church services, and recitals.

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Book SynopsisBach's French Suites are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works, prepared from original sources by leading scholars. Includes informative introductions and performance notes.Table of ContentsSuite No. 1 in D minor, BWV 812, 1. Allemande ; Suite No. 1 in D minor, BWV 812, 2. Courante ; Suite No. 1 in D minor, BWV 812, 3. Sarabande ; Suite No. 1 in D minor, BWV 812, 4. Minuet 1 ; Suite No. 1 in D minor, BWV 812, 5. Minuet 2 ; Suite No. 1 in D minor, BWV 812, 6. Gigue ; Suite No. 2 in C minor, BWV 813, 1. Allemande ; Suite No. 2 in C minor, BWV 813, 2. Courante ; Suite No. 2 in C minor, BWV 813, 3. Sarabande ; Suite No. 2 in C minor, BWV 813, 4. Air ; Suite No. 2 in C minor, BWV 813, 5. Minuet 1 ; Suite No. 2 in C minor, BWV 813, 6. Minuet 2 ; Suite No. 2 in C minor, BWV 813, 7. Gigue ; Suite No. 3 in B minor, BWV 814, 1. Allemande ; Suite No. 3 in B minor, BWV 814, 2. Courante ; Suite No. 3 in B minor, BWV 814, 3. Sarabande ; Suite No. 3 in B minor, BWV 814, 4. Anglaise ; Suite No. 3 in B minor, BWV 814, 5. Minuet 1 ; Suite No. 3 in B minor, BWV 814, 6. Minuet 2 (Trio) ; Suite No. 3 in B minor, BWV 814, 7. Gigue ; Suite No. 4 in E flat, BWV 815, 2. Courante ; Suite No. 4 in E flat, BWV 815, 3. Sarabande ; Suite No. 4 in E flat, BW

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Book SynopsisJohann Sebastian Bach’s Inventions and Sinfonias, better known as two- and three-part inventions, were an integral part of the teaching repertoire used in the composer’s piano lessons. And they still are! For piano pupils, there is no getting away from them, for their basic demands, that is ‘to learn to play in tune’ and ‘to achieve to play in a cantabile style’, are still valid. The new edition of the Wiener Urtext Edition follows consistently Bach’s autograph fair copy. Ornamented versions from copies by Bach’s pupils providing an insight into Bach’s ornamentation have been printed separately; any mixing of the different versions has been deliberately avoided. A suggestion has been made, by means of an example, for the realization of the ornament signs of Sinfonia No. 5. The notes on interpretation and the critical remarks provide information on further aspects of the performance practice. They are to be considered as suggestions

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Book SynopsisThis is the vocal score of Johann Sebastian Bach''s Mass in B minorBWV 232, edited by Christoph Wolff. It was Bach''s last major vocal work and is considered the pinnacle of Bach''s masses, containing an unprecedented variety of musical expression.Messe in h-Moll BWV 232 (Klavierauszug)Johann Sebastian Bachs Messe in h-Moll ist seine letztes großes Vokalwerk gilt damit als Gipfel von Bachs Messen. Aus gutem Grund, denn die h-Moll-Messe ist bis ins kleinste Detail durchkomponiert und verfügt über eine bisher nicht gekannte Vielfalt an musikalischen Ausdrucksmöglichkeiten. Sie wird deshalb regelmäßig von den besten Chören mit viel Respekt und Ambition angegangen, und trotz der anspruchsvollen solistischen und chorischen Sätze lohnt sich die Mühe meist und das Ergebnis ist ein meisterhaftes Konzert.

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Book SynopsisBach''s Sei Solo a Violino senza Basso accompagnato, the set of three Sonatas and three Partitas for unaccompanied violin, were completed by 1720. Perhaps seeded as early as 1703, they were ultimately fruits of his years employed as Kapellmeister at the court in Köthen where his employer Prince Leopold of Anhalt-Köthen, a Calvinist with little requirement for liturgical music and also a keen musician, encouraged Bach to write much instrumental music for public and private entertainment. Nothing written before approached the complexity, expressive range and scale of this music, from the volleys of chords and rhythmic intricacy of the B minor Partita''s opening Allemanda and the endlessly inventive elaboration of the same work''s variant ''doubles'' to the vastness of the D minor Partita''s concluding Ciaccona, possibly the longest stand-alone movement written to that point, which contains worlds of contrast in its 64 variants of the opening bars. Reportedly a fine violinist himself,

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Book SynopsisThe complete Flute Sonatas of J.S. Bach in two volumes. This first volume contains the Sonatas BWV 1030, 1031 and 1032 in an Urtext edition by Konrad Hampe. Cembalo (piano score) and separate flute part included. With a preface in English and German and critical report, the edition contains a convincing completion of the missing section from the A major Sonata BWV 1032.Flötensonaten, Band 1: BWV 10301032 für Flöte und Cembalo (Klavier)Bd.1 Sonaten h-Moll BWV 1030, Es-Dur BWV1031, A-Dur BWV 1032, Flöte und Klavier.

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Book SynopsisThis delightful collection of Preludes provides an excellent introduction to the music of the Baroque period. The album is grouped in three sets of six each: the first comes from the Wilhelm Friedemann Bach Notebook, compiled by Johann Sebastian for his eldest son; the second, which has been preserved in copies made by his pupils, was probably composed by Johann Sebastian; and the third comes from the collection of Johann Peter Kellner, of which only Nos. 5 and 6 are known to be written by Johann Sebastian.Table of ContentsPrelude in C minor, BWV 999 ; Prelude in A minor, BWV 942, from 6 Little Preludes from J. P. Kellner's Collection ; Prelude in C minor, BWV 934: No. 2 from '6 Little Preludes for Beginners on the Clavier' ; Prelude in C, BWV 924, from 'Clavierbuchlein' for W. F. Bach ; Prelude in C, BWV 933: No. 1 from '6 Little Preludes for Beginners on the Clavier' ; Prelude in C, BWV 939, from 6 Little Preludes from J. P. Kellner's Collection ; Prelude in C, BWV 943, from 6 Little Preludes from J. P. Kellner's Collection ; Prelude in D minor, BWV 926, from 'Clavierbuchlein' for W. F. Bach ; Prelude in D minor, BWV 935: No. 3 from '6 Little Preludes for Beginners on the Clavier' ; Prelude in D minor, BWV 940, from 6 Little Preludes from J. P. Kellner's Collection ; Prelude in D, BWV 925, from 'Clavierbuchlein' for W. F. Bach ; Prelude in E minor, BWV 938: No. 6 from '6 Little Preludes for Beginners on the Clavier' ; Prelude in E minor, BWV 941, from 6 Little Preludes from J. P. Kellner's Collection ; Prelude in E, BWV 937: No. 5 from '6 L

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Book SynopsisIn 1725 Johann Sebastian Bach wrote two keyboard suites for his wife Anna Magdalena, whom he married in 1721. These became the first entries in a book in which, over the next twenty years, were gathered together both keyboard pieces and vocal works by Johann Sebastian and his two sons Carl Philipp Emanuel and Johann Christian as well as such composers as Couperin, Böhm, Petzold and Hasse. An illuminating portrait of domestic music-making in the Bach family during the Leipzig period, this authoritative new edition of the book contains the keyboard pieces only, including the well-known Minuet in G and Prelude in C, from The Well-Tempered Clavier, Part I, and more substantial items such as C. P. E. Bach's Solo per il Cembalo in E flat (early versions of Partitas Nos. 3 and 6 and French Suites Nos. 1 and 2 are excluded). This first-class edition, providing an important and attractive introduction to the Baroque style, also contains invaluable advice on appropriate tempo, phrasing, articulation and ornamentation in accordance with contemporary performance practice.Trade ReviewA highly commendable edition, enabling players to set Bach's music in the context of pieces which he thought useful for students. * Early Music Review *Table of ContentsMenuet in F, BWV Anh. II 113 [Anon.] ; Menuet [I] in G, BWV Anh. II 114 [Petzold] ; Menuet [II] in G minor, BWV Anh. II 115 [Petzold] ; 'Les Bergeries', Rondeau in B flat [F Couperin] ; Menuet in G, BWV Anh. II 116 [Anon.] ; Polonaise in F [First Version], BWV Anh. II 117a [Anon.] ; Polonaise in F [Second Version], BWV Anh. II 117b [Anon.] ; Menuet in B flat, BWV Anh. II 118 [Anon.] ; Polonaise in G minor, BWV Anh. II 119 [Anon.] ; Chorale 'Wer nur den lieben Gott lasst walten', BWV 691 ; Menuet in A minor, BWV Anh. II 120 [Anon.] ; Menuet in C minor, BWV Anh. II 121 [Anon.] ; March in D, H. 1.1 [C. P. E. Bach] ; Polonaise in G minor, H. 1.2 [C. P. E. Bach] ; March in G, H. 1.3 [C. P. E. Bach] ; Polonaise in G minor, H. 1.4 [C. P. E. Bach] ; Menuet in G [Georg Bohm] ; Musette in D, BWV Anh. II 126 [Anon.] ; Marche in E flat, BWV Anh. II 127 [Anon.] ; Polonaise in D minor, BWV Anh. II 128 [Anon.] ; Menuet in D minor, BWV Anh. II 132 [Anon.] ; Aria in F, BWV Anh. II 131 [J. C. F. Bach] ; Solo per il Cembalo in E flat, H. 16 [C. P. E. Bach] ; Pra

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Book SynopsisThis collection of 30 popular original compositions and arrangements for piano presents a selection of pieces by Johann Sebastian Bach that will delight any pianist. Besides the Prelude and Fugue in C major' from the Well-Tempered Clavier and other popular educational pieces, this volume also contains many arrangements, such as the Air' from the Orchestral Suite No. 3 or the Toccata and Fugue in D minor'. All the pieces are of an easy or intermediate level of difficulty, with fingerings and metronome suggestions added. The collection appears in a modern and user-friendly print format; it is recommended not only for teaching purposes, but to anyone who enjoys playing the piano as a hobby.Instrumentation:piano

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Book SynopsisThe third volume of Bach's Complete Organ Works in 9 volumes, edited by Friedrich Conrad Griepenkerl and Ferdinand Roitzsch, newly reviewed by Hermann Keller. Includes English translation of preface.Der dritte Band von Johann Sebastian Bachs Orgelwerken wurde von Friedrich Konrad Griepenkerl und Ferdinand August Roitzsch herausgegeben, Hermann Keller hat sie neu durchgesehen. Unter anderem enthalten sind Präludium und Fuge Es-Dur BWV 552, Toccata und Fuge (Dorische) BWV 538 und Fuge g-Moll BWV 1001/2.

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Book SynopsisJohann Sebastian Bach''s violin concertos in A minor, E major and D minor (BWV 1041-1043) were apparently composed for the small but distinguished group of musicians in Cöthen which, as court conductor, he directed from 1717 to 1723, and for which he wrote the most important of his surviving works for instrumental ensemble. This Urtext edition of the A minor Concerto from Edition Peters has been prepared by Hans-Joachim Schulze and matches the orchestral material available from the same publisher. Includes piano accompaniment (piano reduction made by Wilhelm Weismann) and separate violin part (violin part edited by David Oistrakh).Violinkonzert a-Moll BWV 1041 (Ausgabe für Violine und Klavier)Die Violinkonzerte von Johann Sebastian Bach in a-Moll, E-Dur und d-Moll für Violine und Klavier.

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Book SynopsisLike many of his works, Bach has also edited the St. John Passion several times. A final version of Bach''s hand is not available. The reworking concerns both the instrumentation as well as changes in the sequence of movements. The textual basis is the biblical account of the evangelist John (John 18 and 19) with the insertions from the Gospel of Matthew (Matthew 26:75 and 27, 51-52). The hymns come from the current repertoire of the Bach''s time and deviate only in a few cases from the original form. Due to the source material, the (complete) world premiere can be dated with sufficient certainty on April 7, 1724.Johannes-Passion BWV 245 (Klavierauszug)Johann Sebastian Bachs erste Passion aus dem Jahr 1724 basiert auf dem Bericht des Evangelisten Johannes über das Leiden und den Tod Jesus Christus. Während des etwa 130 Minuten langen Stückes wechseln sich Orchester und Chor mit ausgiebigen Solopassagen ab. Die Geschichte wird in teils begleiteten, teils

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Book SynopsisJohann Sebastian Bach''s Christmas Oratorio has been a firm fixture of the Festive season since its six component cantatas were performed in the two great churches of St Thomas''s and St Nicholas''s in Leipzig on the Holy Days of Christmas in 1734. This Urtext edition, edited by Johannes Muntschick, is the perfect choice for any choral singer, conductor, repetiteur or Bach enthusiast. It is the practical choice for any performer. Contains bar numbers, and matches the Edition Peters orchestral score and orchestral parts.Weihnachts-Oratorium BWV 248 (Klavierauszug)Johann Sebastian Bachs Weihnachts-Oratorium BWV 248, uraufgeführt an den Weihnachtsfeiertagen 1734, besteht aus sechs Kantaten, die für die Nutzung in den Festtagsgottesdiensten ausgelegt sind. Mit der Zeit bürgerte sich jedoch die Aufführung in zwei Teilen ein. Die Verbindung zur Messe wird in der Struktur deutlich, die Rezitative und Arien sind oft deckungsgleich zu oder angelehnt an die Bibel

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Book SynopsisThe Air from Suite No.3 in D (Air On The G String). Sheet music arranged for solo piano by Thomas Arnold Johnson and is part of the highly respected Edition Peters catalogue.Air aus der Orchestersuite Nr. 3 D-Dur BWV 1068 (Bearbeitung für Klavier)Air aus der Orchestersuite Nr. 3 D-Dur BWV 1068 Bearbeitung für Klavier. Die von Thomas Arnold Johnson für Soloklavier arrangierten Noten sind Teil des hoch angesehenen Katalogs der Edition Peters.

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Book SynopsisDuring its long history Edition Peters has produced no less than five editions of Bach's Inventions and Sinfonias (BWV 772-801). Each of these editions has been based on the most up to date musicological and pedagogical research at the time of release, and this is especially true of the 2015 Urtext edition. Edited by musicologist Ulrich Bartels, and based on Bach's autograph and all relevant source materials, this edition will be a joy for pianists to use and encourages the progression of technique and musicality amongst students.Inventionen und Sinfonien BWV 772801 für Klavier: Nach der autographen Handschrift von 1723, UrtextDiese Urtext-Ausgabe von Bachs Inventionen und Sinfonien (BWV 772-801) aus dem Jahr 2015 wurde von dem Musikwissenschaftler Ulrich Bartels herausgegeben und basiert auf Bachs Autograph sowie allen relevanten Quellenmaterialien. Die Ausgabe fördert die Entwicklung von Technik und Musikalität bei den Schüler:innen.

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Book SynopsisAlfred Kreuz''s celebrated edition of Book 1 of Johann Sebastian Bach''s The Well-Tempered Clavier from Edition Peters is a classic that belongs in every pianist''s library. Its elegantly laid-out notation makes this edition a pleasure to use as a companion for a lifetime''s study and enjoyment of this endlessly rewarding music.Das Wohltemperierte Klavier, Teil 1 (24 Präludien und Fugen BWV 846869)Johann Sebastian Bachs wohl berühmtestes Klavierwerk Das Wohltemperierte Klavier umfasst 24 Prelüden mit ebensovielen dazugehörigen Fugen. Das besondere daran ist, dass Bach erstmals alle geläufigen Tonarten in Dur und Moll von allen zwölf Tönen aus ausnutzte. Denn durch die neuartige Weise, Tasteninstrumente zu stimmen, oder: zu temperieren, war es jetzt möglich, die Töne allesamt sauber zu spielen. Die Stücke sind zur Übung für Klavierschüler gedacht, durch ihre Komplexität und die mitunter recht schwierigen Stellen aber auch bestens für fo

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Book SynopsisBach''s Toccata and Fugue in D minor is one of the most famous pieces of Baroque organ music ever written - with a particularly iconic opening which has become synomimus with the world of vintage Horror films.Toccata und Fuge d-Moll BWV 565 für OrgelBachs Toccata und Fuge in d-Moll ist eines der berühmtesten Stücke barocker Orgelmusik, die jemals geschrieben wurden mit einem besonders ikonischen Anfang, der zum Synonym für die Welt der klassischen Horrorfilme geworden ist.

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Book SynopsisThe aim of this edition is to make Bachs landmark works for solo violin accessible to viola players by presenting a musical text that remains close to the original but also has a distinctly practical focus. Additionally, it provides interpretative guidance on Baroque performance practices and how they can be applied to the viola. In this transcription, all pieces have been transposed down by a fifth, but no further changes were made.Sonaten und Partiten für Violine solo BWV 10011006 (Übertragung für Viola)Bachs Sonaten und Partiten für Violine solo gelten seit ihrer Entstehung als ein Höhepunkt der Violinliteratur. Im 19. Jahrhundert wurden sie durch Joseph Joachim einem größeren Konzertpublikum vorgestellt. Heute zeichnen sie sich durch alles aus, was ein Werkkomplex zu sein vermag: großartige Konzertliteratur, vorzügliches Studienmaterial für Schüler und nicht zuletzt Abbilder einer ausgereiften Kompositionstechnik.Das Ziel dieser Ausgabe ist es, Bra

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