Books by Jeremy Black

Book SynopsisAs centers for defense and bases for attack since ancient times, fortifications are a crucial aspect of military history. Indeed, as Jeremy Black shows, the history of fortifications is a global history of humanity itself. Moreover, their remains offer a still potent, often dramatic testimony to the past, notably through the strength of the sites, the power of the works, and the vast resources they required. This compelling book explores not only the history of fortifications themselves, but also the real and potential threat to them posed by siegecraft. Tracing the interaction of attack and defense over time, Black situates the evolution of fortifications within the wider development of governments, societies, and cultures. Moreover, his examination of the future of these installations, as well as of potential methods of destroying them, only reaffirms their omnipresence in human history—and their continued importance. Fortifications are not simply relics of the past, but rather elements fundamental to military and social interaction across the world today.Trade ReviewDrawing on compelling comparisons informed by social and economic factors, Jeremy Black brings a global perspective and a clear understanding of how fortifications and siegecraft served specific military tasks. An invaluable contribution to a topic often overlooked in military history, his book highlights the ongoing interplay between defensive works and modes of attack in sophisticated and insightful ways. -- Stephen Morillo, Wabash CollegeWith striking clarity, Black reveals how war across the ages has turned on fortifications. From ancient Mesopotamia to Mosul in the twenty-first century, armies have paid in blood for attacking them. Black charts the history of this long struggle between flesh and masonry, revealing how different cultures across the ages have used, located, developed, and elaborated such structures. Equally, he analyzes the interaction between fortifications and attack, revealing how human ingenuity has been applied to capturing forts; every method, from bloody assaults to bribery, has been applied. But, as Black shows, short of total destruction of the target, siege warfare is a terrible and costly business, even for the most modern of armies. -- John France, Swansea UniversityTable of ContentsAbbreviations Preface Chapter 1: Origins Chapter 2: The Medieval Castle Chapter 3: The Sixteenth Century Chapter 4: The Seventeenth Century Chapter 5: The Eighteenth Century Chapter 6: The Nineteenth Century Chapter 7: The World Wars Chapter 8: Since World War Two Chapter 9: Conclusions Notes Selected Further Reading Credits About the Author

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Book SynopsisFans of Sherlock Holmes will delight to investigate Victorian England, a world where crimes large and small abound and where dark corners and well-lit drawing rooms alike hide villainy.Through the enduring eye of Sherlock Holmes, noted historian Jeremy Black traces how Holmes and his milieu evolved in Sir Arthur Conan Doyle’s books and how Holmes continues to resonate today. Black explores the context of Doyle’s ideas and stories and why they struck such a chord with readers in London, and ultimately the world. He portrays a complex man with eclectic interests, from soccer to spiritualism, from cricket to divorce-law reform. Standing twice for Parliament, Doyle was a committed meritocrat whose political experiences and values were expressed through his writings. Reading the Holmes stories through the lens of Doyle’s multifaceted career, Black throws fresh light on the values expressed in them and how Holmes would have been perceived at the time. He traces the imperial strand in the Holmes stories and his treatment of America and Europe. Drawing on a masterly knowledge both of Doyle’s era and his writings, this entertaining and wide-ranging book uses the Holmes stories to bring Victorian England to vibrant life, a world where crimes large and small abound and where dark corners and well-lit drawing rooms alike hide villainy. Holmes was a hero and an inspiration for many a character who redefined the idea of detection and the detective, a private man of great public importance. Here is his story.

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Book SynopsisHistorian Jeremy Black is comprehensive, as ever, but in his treatment of the British Gothic novel his greatest service is the preservation of the detail––namely, the human impetus behind art that is often undervalued. Gothic novelists were purposeful, thoughtful, and engaged questions and feelings that ultimately shaped a century of culture. Black notes that the Gothic novel is also very much about "morality and deploying history accordingly." The true interest of the Gothic novel is more remarkable than it is grisly: the featured darkness and macabre are not meant to usurp heroism and purity, but will fall hard under the over-ruling hand of Providence and certainty of retribution. Black's understanding of the Gothic writer is a remarkable contribution to the legacy of British literature and the novel at large. Once again, in Black thoroughness meets fidelity and the reader is overcome with his own insights into the period on the merit of Black's efforts. In The Weight of Words Series, Black is devoted to the preservation of the memory of British literary genius, and in so doing he is carving out a niche for himself. As in the Gothic novel where landscapes give quarter to influences that seem to interact with the human fates that freely wander in, reading Black is an experience of suddenly finding oneself in possession of an education, and his allure takes a cue from the horrific Gothic tempt.

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Book SynopsisHistorian Jeremy Black is comprehensive, as ever, but in his treatment of the British Gothic novel his greatest service is the preservation of the detail––namely, the human impetus behind art that is often undervalued. Gothic novelists were purposeful, thoughtful, and engaged questions and feelings that ultimately shaped a century of culture. Black notes that the Gothic novel is also very much about "morality and deploying history accordingly." The true interest of the Gothic novel is more remarkable than it is grisly: the featured darkness and macabre are not meant to usurp heroism and purity, but will fall hard under the over-ruling hand of Providence and certainty of retribution. Black's understanding of the Gothic writer is a remarkable contribution to the legacy of British literature and the novel at large. Once again, in Black thoroughness meets fidelity and the reader is overcome with his own insights into the period on the merit of Black's efforts. In The Weight of Words Series, Black is devoted to the preservation of the memory of British literary genius, and in so doing he is carving out a niche for himself. As in the Gothic novel where landscapes give quarter to influences that seem to interact with the human fates that freely wander in, reading Black is an experience of suddenly finding oneself in possession of an education, and his allure takes a cue from the horrific Gothic tempt.

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Book Synopsis"This book fits into a sequence of books I have written in which writers are used to throw light on their times, and vice versa, a sequence beginning with Fleming, Shakespeare and Austen, and continuing with Dickens, Christie, Doyle, Fielding, Smollett and the Gothic novelists. I have found the approach a fascinating one, not least in leading me to re-read much from earlier years. […] This study is not a biography, in whole or part, of Defoe. […] Instead of biography, we have here a study of Britain in the Age of Defoe, a work intended to throw light on his life and to benefit from a close reading of his works, but also to stand on its own separate to an engagement with the author himself. The range of Defoe’s interest and the extent of his writings would make the latter a different task, as indeed any attempt to offer an easy coherence to personality, career and works. Yet, Defoe can be approached as a traveller, both literally so, and in his interests and imagination. […] In his range of interests, vigorous engagement with life and issues, often polemical content and style, and willingness to engage with low life, Defoe prefigures Tobias Smollett, another writer covered in this series and, to a lesser extent, Henry Fielding, who can be more ‘polite.’ Defoe was an outsider, as Smollett was to be, but as Fielding certainly was not. ‘One whose business is observation,’ Defoe’s description of himself in his Tour thro’ the Whole Island of Great Britain (1724–6), captured, however, a pose as well as a reality, for he had values aplenty to offer. As a writer, Defoe brought together a reality usually presented as, and endorsed by, history, with the imaginative focus of storytelling, and the direction of, variously, propaganda, analysis, and exemplary tale." — Taken from the Preface

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Book SynopsisWritten by the renowned British historian who has been described as both utterly thorough and humanely delicate, Jeremy Black offers a guided tour through the mind of Agatha Christie and life during the Great World Wars. His incomparable treatment of literary craft developing alongside global military engagement nearly overshadows the natural draw of the crime drama that is the subject of his book. Indeed, the “prurience and sensationalism” of crime is not as exciting as Black’s aptitude for drawing the reality from the fiction (and periphery sources), giving Christie a much louder voice than she might ever have dreamed. If Christie is also moralist and mirror to her times, Black here plays his part as the detective and reveals layers of previously unmined truths in her stories. Hercule Poirot as a character is masterfully imagined, but Black shows us how he is inseparable from Christie’s turbulent and changing world. He also illuminates significant social commentary in Christie’s fiction, and in so doing Black often uses his authority to vindicate Christie’s work from hastily, at times stupidly, applied labels and interpretations. He is especially magnificent in his chapters, “Xenophobia” and “The Sixties.” Black nevertheless gives due recognition to Christie’s critics when they have something relevant and reasonable to say, and hence the reader finds yet another service in Black’s comprehensive review of the reviewers over the expanse of Christie’s writing career. For all this, Black proves himself to be a worthy history-teller because he can aptly ‘detect’ the meaning of stories that seeks to answer the past and guide the present. His erudition runs much deeper than his ability to navigate the stores of resources available on the subject, and the reader gets a glimpse of this early on when in the introduction he proffers his own defense for writing about the importance of a Hercule Poirot. Black writes, “the notion of crime had a moral component from the outset, and notably so in terms of the struggle between Good and Evil, and in the detection of the latter. Indeed, it is this detection that is the basis of the most powerful strand of detection story, because Evil disguises its purposes. It has to do so in a world and humanity made fundamentally benign and moral by God.” The Golden Age of detective novels represents much more than a triumph of a literary genre. It is in its own right a story of how the challenge to address the problem of evil was accepted. Its convergence with the plot-rich narrative of the twentieth century in the modern age renders Black’s account a thrilling masterpiece, seducing historians to read fiction and crime junkies to read more history.

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Book SynopsisWritten by the renowned British historian who has been described as both utterly thorough and humanely delicate, Jeremy Black offers a guided tour through the mind of Agatha Christie and life during the Great World Wars. His incomparable treatment of literary craft developing alongside global military engagement nearly overshadows the natural draw of the crime drama that is the subject of his book. Indeed, the “prurience and sensationalism” of crime is not as exciting as Black’s aptitude for drawing the reality from the fiction (and periphery sources), giving Christie a much louder voice than she might ever have dreamed. If Christie is also moralist and mirror to her times, Black here plays his part as the detective and reveals layers of previously unmined truths in her stories. Hercule Poirot as a character is masterfully imagined, but Black shows us how he is inseparable from Christie’s turbulent and changing world. He also illuminates significant social commentary in Christie’s fiction, and in so doing Black often uses his authority to vindicate Christie’s work from hastily, at times stupidly, applied labels and interpretations. He is especially magnificent in his chapters, “Xenophobia” and “The Sixties.” Black nevertheless gives due recognition to Christie’s critics when they have something relevant and reasonable to say, and hence the reader finds yet another service in Black’s comprehensive review of the reviewers over the expanse of Christie’s writing career. For all this, Black proves himself to be a worthy history-teller because he can aptly ‘detect’ the meaning of stories that seeks to answer the past and guide the present. His erudition runs much deeper than his ability to navigate the stores of resources available on the subject, and the reader gets a glimpse of this early on when in the introduction he proffers his own defense for writing about the importance of a Hercule Poirot. Black writes, “the notion of crime had a moral component from the outset, and notably so in terms of the struggle between Good and Evil, and in the detection of the latter. Indeed, it is this detection that is the basis of the most powerful strand of detection story, because Evil disguises its purposes. It has to do so in a world and humanity made fundamentally benign and moral by God.” The Golden Age of detective novels represents much more than a triumph of a literary genre. It is in its own right a story of how the challenge to address the problem of evil was accepted. Its convergence with the plot-rich narrative of the twentieth century in the modern age renders Black’s account a thrilling masterpiece, seducing historians to read fiction and crime junkies to read more history.

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Book SynopsisIn the second volume of The Weight of Words Series, Jeremy Black continues his efforts to present and preserve Britain's literary genius. Its intelligence and enduring influence is in large part reliant on the underlining conservatism that has motivated authors such as Agatha Christie (Black's earlier subject) and Henry Fielding alike. Fielding's epic comic novel, Tom Jones, is unforgettable for many reasons, but the author must be credited with an aptitude for documenting contemporary cultural history and his contribution to a new species of writing. Black's treatment of Fielding draws to the fore a man who was of his time but not confined to it. "Philosophy in practice encompassed his stance as a man of action as well as a reflective writer of genius." Fielding is shown to provide across the breadth of his work extensive and invaluable commentary on issues as diverse as law and order, marriage, women, and the interplay of urban and rural life. Black, an historian, is here a student of storytelling and recovers Fielding's rich descriptions of the human heart and call to defy the vices with which circumstances might taunt it. Black has done a service along many fronts at once: the science of the novel and genre, the history of a people and the figure of a memorable writer.

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Book SynopsisAcclaimed British historian examines the layers of craft and insight in Tobias Smollett, and discusses the particular nature of his genius and influence on British culture. Once again, Black acquaints the reader with the full range of a prolific writer's works and offers a backstage tour of the meaning and context of Britain's most beloved stories and story-tellers.

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Book SynopsisAcclaimed British historian examines the layers of craft and insight in Tobias Smollett, and discusses the particular nature of his genius and influence on British culture. Once again, Black acquaints the reader with the full range of a prolific writer's works and offers a backstage tour of the meaning and context of Britain's most beloved stories and story-tellers.

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Book SynopsisBritain yesterday; America today. The reality of being top dog is that everybody hates you. In this provocative book, noted historian and commentator Jeremy Black shows how criticisms of the legacy of the British Empire are, in part, criticisms of the reality of American power today. He emphasizes the prominence of imperial rule in history and in the world today, and the selective way in which certain countries are castigated. Imperial Legacies is a wide-ranging and vigorous assault on political correctness, its language, misuse of the past, and grasping of both present and future.

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Book SynopsisThis toolkit will help COFAs and anyone working in the accounts department of a law firm to implement and oversee systems to ensure compliance with the SRA Accounts Rules.

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Book SynopsisWilliam Shakespeare’s lifetime (1564–1616) spanned the reigns of the last of the Tudors, Elizabeth I and the first of the Stuart kings, James I and the changing times and political mores of the time were reflected through his plays. This beautiful new book looks at the England in which Shakespeare worked through maps and illustrations that reveal the way that he and his contemporaries saw their land and their place in the world. It also explores the locations of his plays and looks at the possible inspirations for these and why Shakespeare would have chosen to set his stories there.

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Book SynopsisEnglishness is an idea, a consciousness and a proto-nationalism. There is no English state within the United Kingdom, no English passport, Parliament or currency, nor any immediate prospect of any. That does not mean that England lacks an identity, although English nationalism, or at least a distinctive nationalism, has been partly forced upon the English by the development in the British Isles of strident nationalisms that have contested Britishness, and with much success. So what is happening to the United Kingdom, and, within that, to England? Jeremy Black looks to the past in order to understand the historical identity of England, and what it means for English nationalism today, in a post-Brexit world. The extent to which English nationalism has a 'deep history' is a matter of controversy, although he seeks to demonstrate that it exists, from 'the Old English State' onwards, predating the Norman invasion He also questions whether the standard modern critique of politically partisan, or un-British, Englishness as 'extreme' is merited? Indeed, is hostility to 'England,' whatever that is supposed to mean, the principal driver of resurgent English nationalism? The Brexit referendum of 2016 appeared to have cancelled out Scottish and other nationalisms as an issue, but, in practice, it made Englishness a topic of particular interest and urgency, as set out in this short history of its origins and evolution.Trade Review'This pithy history argues that England’s tolerant brand of nationalism has been a force for good.''A balanced account of a subject mired in confusion and emotion . . . absorbing . . . Black succeeds in showing the deep roots of a sense of "Englishness"'. 'A concise historical survey.''Jeremy Black is an outstanding historian of ideas and one of the leading historians of these islands. This survey of English national feeling is penetrating, original, and incredibly well-informed. Its publication could not be more timely, or its subject matter more relevant, and there is no better guide to this issue than Professor Black.' -- Rt Hon Michael Gove MP'Jeremy Black’s book on English nationalism could not be more timely. He puts complex issues regarding British and English identity, patriotism, ethnicity and nationhood into their proper historical context, and makes them perfectly comprehensible. As we move towards a largely English-led Brexit, this well-written, well-informed and lively book will provide invaluable guidance.' -- Andrew Roberts, author of 'Churchill: Walking with Destiny''The distinction between Englishness and Britishness is one of the most crucial issues of our time. Jeremy Black’s lucid and intelligent analysis strides through Tudor exceptionalism and the rise and fall of British imperialism right through to the present day. It is an excellent guide to the sources of Britain's current distress.' -- Professor Norman Davies, author of 'Beneath Another Sky: A Global Journey into History'

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Book SynopsisBetween 1760 and 1815, British troops campaigned from Manila to Montreal, Cape Town to Copenhagen, Washington to Waterloo. The naval dimension of Britain’s expansion has been superbly covered by a number of excellent studies, but there has not been a single volume that does the same for the army and, in particular, looks at how and why it became a world-operating force, one capable of beating the Marathas as well as the French. This book will both offer a new perspective, one that concentrates on the global role of the army and its central part in imperial expansion and preservation, and as such will be a major book for military history and world history. There will be a focus on what the army brought to power equations and how this made it a world-level force. The multi-purpose character of the army emerges as the key point, one seen in particular in the career of Wellington: while referred to disparagingly by Napoleon as a ‘sepoy general,’ Wellington’s ability to operate successfully in India and Europe was not only impressive but also reflected synergies in experience and acquired skill that characterised the British army. No other army matched this. The closest capability was that of Russia able, in 1806-14, to defeat both the Turks and Napoleon, but without having the trans-oceanic capability and experience enjoyed by the British army. The experience was a matter in part of debate, including over doctrine, as in the tension between the ‘Americans’ and ‘Germans,’ a reference to fields of British campaigning concentration during the Seven Years War. This synergy proved best developed in the operations in Iberia in 1809-14, with logistical and combat skills utilised in India employed in a European context in which they were of particular value. The books aims to further to address the question of how this army was achieved despite the strong anti-army ideology/practice derived from the hostile response to Oliver Cromwell and to James II. Thus, perception and politics are both part of the story, as well as the exigencies and practicalities of conflict, including force structure, command issues, and institutional developments. At the same time, there was no inevitability about British success over this period, and it is necessary to consider developments in the context of other states and, in particular, the reasons why British forces did well and that Britain was not dependent alone on naval effectiveness.Trade Review…detailed and illuminating […] in the light of Iraq and Afghanistan, including the recent debacle in Kabul, and the Integrated Review, which has favoured the Navy and RAF at the expense of the Army, this section of the book becomes immediately pertinent for defence planners and senior officers today. * Chair of War Studies, Warwick University 31/08/2021 *...a majestic study of the British Army’s evolution from essentially a royal bodyguard in the 17th century to a formal, highly disciplined, well-trained, and militarily effective standing force by the early 19th century. […] Historians and military history enthusiasts will find this book fundamentally important for understanding the rise of the modern British Army. * Stanley D.M. Carpenter, Emeritus Professor of Strategy, U.S. Naval War College 17/05/2021 *...challenges hoary impressions of the British military while encouraging readers to dig more deeply into the origins, meanings, and consequences of Britain’s increasingly hybrid army. * NYMAS Review 02/11/2022 *One strength is a focus on the experiences of individual officers, demonstrating just how varied the experiences of individual army officers could be. This often comes across in histories of the Royal Navy, but not so often in accounts of the army. […] a useful account of the role of the British army, with a deliberate effort to focus on how the army, and the individuals within in, found themselves operating all around the world, and fighting in very different wars. * History of War 13/09/2021 *First-class, stimulating and provocative, I really do think this book is a significant addition to the literature. * Professor Emeritus Charles J. Esdaile, FRHistS 17/05/2021 *Table of ContentsAbbreviations Preface 1. Introduction 2. Winning the Home Base, 1688–1746 3. Fighting the French on the Continent, 1689–1748 4. Fighting for Empire, 1689–1753 5. Winning Empire, 1749–63 6. Fighting for America, 1763–83 7. Winning another Empire: India, 1746–1815 8. Fighting in Europe, 1793–1815 9. The Army around the World, 1793–1815 10. A Political Force 11. Culmination, 1815 12. Conclusions Selected Further Reading

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Book SynopsisSi de verdad queremos conocer la historia de la humanidad y hacernos una idea de cómo encajamos en el universo, debemos remontarnos hasta el mismísimo Big Bang. A partir de ahí, es necesario comprender cómo se formaron las estrellas y los planetas, y cómo nuestro planeta en particular es capaz de albergar vida. Después será solamente cuestión de entender cómo funciona la evolución y de asimilar que los humanos modernos descienden de antepasados simiescos.Este enfoque es el de la Gran Historia, que como el Big History Project (Proyecto de Gran Historia) liderado por Bill Gates, pretende mirar a nuestro pasado desde otro punto de vista, sin ceñirse exclusivamente a los registros históricos y teniendo en cuenta información procedente de otras disciplinas como la cosmología, la biología, la arqueología o la antropología.A través de un conjunto de ensayos, El pequeño libro de la Gran Historia destaca los hitos más relevantes de nuestra fascinante historia, desde el uso d

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Book SynopsisHay poca cartografía de las guerras anteriores al Renacimiento, pero desde el siglo XVII, los jefes militares y estrategas cartografiaron las guerras en las que se veían envueltos. Un magnífico estudio de cómo se han registrado y planificado los conflictos desde el siglo XVI hasta la actualidad. Utilizando mapas confeccionados en su época, el libro revela cómo ha cambiado el arte de la guerra y su representación a través de los siglos.

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