Books by Georges Simenon

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Book SynopsisThe profession he had always yearned for did not actually exist... he imagined a cross between a doctor and a priest, a man capable of understanding another's destiny at first glance. The very first investigation by eager young police secretary Jules Maigret leads him to a wealthy Paris family's dark secrets.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisThe city of Simenon''s youth comes to life in this new translation of this disturbing novel set in Liège, book ten in the new Penguin Maigret series.In the darkness, the main room is as vast as a cathedral. A great empty space. Some warmth is still seeps from the radiators. Delfosse strikes a match. They stop a moment to catch their breath, and work out how far they have still to go. And suddenly the match falls to the ground, as Delfosse gives a sharp cry and rushes back towards the washroom door. In the dark, he loses his way, returns and bumps into Chabot.Maigret observes from a distance as two boys are accused of killing a rich foreigner in Liège. Their loyalty, which binds them together through their adventures, is put to the test, and seemingly irrelevant social differences threaten their friendship and their freedom.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as Maigret at the Gai-Moulin.''Compelling, remorseless, brilliant'' John Gray''One of the greatest writers of the twentieth century'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''The father of contemporary European detective fiction'' Ann Cleeves It was indeed a photograph, a picture of a woman. But the face was completely hidden, scribbled all over in red ink. Someone had tried to obliterate the head, someone very angry. The pen had bitten into the paper. There were so many criss-crossed lines that not a single square millimetre had been left visible.On the other hand, below the head, the torso had not been touched. A pair of large breasts. A light-coloured silk dress, very tight and very low cut.Sailors don''t talk much to other men, especially not to policemen. But after Captain Fallut''s body is found floating near his trawler, they all mention the Evil Eye when they speak of the Ocean''s voyage.Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Sailors'' Rendezvous.''Compelling, remorseless, brilliant'' John Gray''One of the greatest writers of the twentieth century'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade Review‘One of the greatest writers of the twentieth century…Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.’ — The Guardian'I love reading Simenon. He makes me think of Chekhov.' — William Faulkner'The greatest of all, the most genuine novelist we have had in literature' — André Gide‘A supreme writer…unforgettable vividness’ — The Independent 'Superb... The most addictive of writers... A unique teller of tales' — The Observer‘Compelling, remorseless, brilliant.’ — John Gray'A truly wonderful writer... marvellously readable - lucid, simple, absolutely in tune with the workd he creates' — Muriel Spark'A novelist who entered his fictional world as it he were a part of it' — Peter Ackroyd'Extraordinary masterpieces of the twentieth century' — John Banville

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Book Synopsis''Compelling, remorseless, brilliant'' John Gray When a tramp is recovered from the Seine, after being badly beaten, Maigret must delve into the man''s personal circumstances to figure out just who wanted to kill him.This novel has been published in previous translations as Maigret and the Dosser and Maigret and the Bum. ''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianInspector Maigret must untangle the web of lies left behind by a murdered man whose family didn’t know him as well as they thought When a man is found stabbed to death in an alley off Boulevard Saint-Martin, his identity card shows a workplace that had gone out of business three years earlier. As far as his wife knew, he still worked there, and she insists that the shoes and a tie he was wearing when he was killed “couldn’t be his.” It soon becomes evident that although he had a source of income, he spent most of his time sitting on a bench in the neighborhood, often with the same unknown man. But can Maigret find this mysterious companion?In Maigret and the Man on the BencTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''His artistry is supreme'' John Banville''This was natural. It is the same everywhere. Rarely, however, had Maigret had such a strong sense of a clique. In a small town like this, of course there are the worthies, who are few and who inevitably meet each other several times a day, even if it is only in the street.Then there are the others, like those who stood huddled on the sidelines looking disgruntled.''Maigret''s impromptu visit to an old college friend draws him into a murky investigation in a small provincial town ruled by snobbery, fear and intimidation. ''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' GuardianTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisAcute psychological insight and a distinctive, spare, atmospheric style Simenon ought to be spoken of in the same breath as Camus, Beckett and Kafka' Independent on SundayFaced with a house of tight-lipped witnesses to a murder, Simenon's legendary Inspector Maigret must change his methods to uncover the truth The family and the house had turned in on themselves, acquiring a hostile face in the process' The once-wealthy Lachaume family closes ranks when one of their own is shot dead, claiming to have heard and seen nothing of the murder. This leaves Maigret along with a troublesome new magistrate who has waded into the case to pick his way through their shameful secrets. 'One of the greatest writers of the twentieth century' GuardianGem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend' Boyd Tonkin, The TimesTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book Synopsis''Quite simply a masterpiece'' John Banville''I''ve just found a stranger in my house. In a bed on the second floor. He was dying when I got there. You''re going to have to deal with it''Hector Loursat has been a drunken recluse since his wife left him eighteen years ago. Shut away in his dilapidated mansion in the small town of Moulins, he barely speaks to his daughter. But when the sound of a gunshot penetrates the padded walls of his study one night, and he discovers a body, Loursat is forced to act. No longer able to ignore the world, he determines to get to the truth of what happened, and save an innocent life.Trade ReviewQuite simply a masterpiece -- John BanvilleMore philosophically profound than any of the fiction of Camus or Sartre, and far less self-conscious. This is existentialism with a backbone of tempered steel * New Republic *

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Book SynopsisTrade ReviewNot just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor. -- Boyd Tonkin * The Times *One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories. * Guardian *One of Simenon's masterpieces ... Simenon's subject is how people who are pushed to the edge push themselves over it; the force of the sleuthing is that of psychoanalysis, not police interrogation. -- Adam Gopnik * The New Yorker *

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Book SynopsisDiscover the new Penguin Crime and Espionage seriesA stolen weapon. A troubled young man. A race against time...Inspector Maigret receives a call from his wife to say he has a visitor at their apartment. But when he gets home, the young man has already gone, along with Maigret''s prized Smith and Wesson .45. The trail to find the culprit - and the woman who may become his victim - takes Maigret across Paris and all the way to the Savoy Hotel in London. But getting to the truth may be even more complicated than he had first imagined.Trade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories. -- GuardianA supreme writer . . . unforgettable vividness. * Independent *

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianWhile on holiday, Inspector Maigret is drawn into the murder of a teenage girl and subsequent disappearance of her brother and must confront an evil that is hidden in plain sight   During their holidays in Sables-d’Olonne, Maigret’s wife is hospitalized with appendicitis and Maigret receives a strange note instructing him to visit a patient in another ward. To solve the mysterious case that has left a young woman dead and her brother missing, Maigret must give one of his best performances yet in a story laced with mood, class tension, and in the end, of course, justice.Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewAn especially irresistible psychological thriller . . . so tightly wound that there's no natural place to put it down -- Amanda Whiting * Independent *One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''His artistry is supreme'' John Banville''He had seldom been so perplexed by human beings. Would a psychiatrist, a teacher or a novelist...have been better placed to understand characters who had suddenly materialized from another century?''Maigret is called to the home of Armand de Saint-Hilaire, a highly respected official who has been found shot dead in his study by his housekeeper. After interviewing everyone concerned Maigret is at a loss to the identity of the perpetrator until he comes across a series of letters from the past fifty years between the victim and a recently widowed woman. As Maigret uncovers the details behind the two''s relationship he gets closer to discovering the tragic truth behind the official''s demise.This novel has been published in a previous translation as Maigret in Society.''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' GuardianTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''Compelling, remorseless, brilliant'' John Gray Inspector Maigret is followed home one evening by a man who reveals his intention to kill his wife and her lover. Maigret intervenes and speaks to the man daily but when the calls suddenly stop Maigret finds a murder on his hands.''One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories'' Guardian ''A supreme writer . . . unforgettable vividness'' IndependentTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book Synopsis

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Book Synopsis

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Book Synopsis

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century...Simenon was unequalled at making us look inside, though the ability was masked by the brilliance at absorbing us obsessively in his stories. * Guardian *Fierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity. -- Boyd Tonkin * The Independent *The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining. -- John BanvilleA supreme writer . . . unforgettable vividness. * Independent *One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *Fierce, bleak and compellingly written . . . with pitiless landscapes of hopeless longing, random cruelty and galloping fate warmed only by the twilit lyricism of doomed desire. These are novels of eye-opening, spine-tingling control and intensity. -- Boyd Tonkin * The Independent *The romans durs are extraordinary: tough, bleak, offhandedly violent, suffused with guilt and bitterness, redolent of place . . . utterly unsentimental, frightening in the pitilessness of their gaze, yet wonderfully entertaining * John Banville *A supreme writer . . . unforgettable vividness * Independent *

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Book Synopsis''The father of contemporary European detective fiction'' Ann Cleeves ''Just take a look,'' Duclos said in an undertone, pointing to the scene all round them, the picture-book town, with everything in its place, like ornaments on the mantlepiece of a careful housewife . . . ''Everyone here earns his living. Everyone''s more or less content. And above all, everyone keeps his instincts under control, because that''s the rule here, and a necessity if people want to live in society.''When a French professor visiting the quiet, Dutch coastal town of Delfzjil is accused of murder, Maigret is sent to investigate. The community seem happy to blame an unknown outsider, but there are people much closer to home who seem to know much more than they''re letting on: Beetje, the dissatisfied daughter of a local farmer, Amy van Elst, sister-in-law of the deceased and a notorious local crook.This novel has been published in a previous translation as Maigret in Holland.''Compelling, remorseless, brilliant'' John Gray''One of the greatest writers of the twentieth century'' GuardianTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianThe classic Inspector Maigret mystery set in a claustraphobic provincial town“Cars drove past along with the trucks and trams, but by now Maigret had realized that they were not important. Whatever roared by like this along the road was not part of the landscape. . . . What really counted was the lock, the hooting of the tugs, the stone crusher, the barges and the cranes, the two pilots’ bars and especially the tall house where he could make out Ducrau’s red chair framed by a window.”Trade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book SynopsisTrade ReviewPraise for Georges Simenon:“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian “These Maigret books are as timeless as Paris itself.” —The Washington Post “Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals.” —People “I love reading Simenon. He makes me think of Chekhov.” —William Faulkner “The greatest of all, the most genuine novelist we have had in literature.” —André Gide “A supreme writer . . . Unforgettable vividness.” —The Independent (London) “Superb . . . The most addictive of writers . . . A unique teller of tales.” —The Observer (London) “Compelling, remorseless, brilliant.” —John Gray “A truly wonderful writer . . . Marvelously readable—lucid, simple, absolutely in tune with the world he creates.” —Muriel Spark “A novelist who entered his fictional world as if he were a part of it.”lle —Peter Ackroyd “Extraordinary masterpieces of the twentieth century.” —John Banville"Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" ― Times (London)"Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." ― Margaret Atwood"One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." ― Financial Times"Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell ― The Sunday Times (London)

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Book Synopsis''For personal reasons, or for reasons I don''t know myself, I began feeling old, and I began keeping notebooks. I was nearing the age of sixty''Georges Simenon''s autobiographical notebooks, in which he recorded his observations, experiences, anxieties and ''all the silly ideas that pass through my head'', are one of the most candid self-portraits of a writer ever put to paper. Here, as the celebrated author ruthlessly examines his tortuous writing methods, his past, his fame, his intimate relationships and his fears of ageing, the result is an unsparing, often painfully revealing insight into a man trying both to find and to escape himself. ''As revealed in these notebooks, Simenon''s is a shrewd, lucid mind ... the balance tips toward the real, the immediate, the mysteries of human complexity above all ... Utterly unpretentious'' The New York TimesTrade ReviewOne of the most poignant autobiographies. -- New York Time Magazine * Leslie Garis *Fascinating * Sunday Telegraph *Makes you feel he's chatting to you as he would to a good friend. The Simenon of the statistics (books written, women bedded) recedes into the background and Simenon the man comes to the fore. -- Anthony Thuillier * Irish Independent *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book Synopsis''The father of contemporary European detective fiction'' Ann Cleeves''He hadn''t seen her arrive. She had stopped on the pavement a few steps away from him and was peering into the courtyard of the Police Judiciaire, where the small staff cars were parked. She ventured as far as the entrance, looked the officer up and down, then turned round and walked away towards the Pont-Neuf''When an old lady tells Maigret someone has been moving things in her apartment, she is dismissed as a fantasist - until a schocking event proves otherwise. ''One of the greatest writers of the twentieth century'' GuardianTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book Synopsis''You''ll get used to things, you''ll see. But you have to watch very carefully what you say and what you do.''Adil Bey is an outsider. Newly arrived as Turkish consul at a run-down Soviet port on the Black Sea, he receives only suspicion and hostility from the locals. His one intimacy is a growing, wary relationship with his Russian secretary Sonia, who he watches silently in her room opposite his apartment. But this is Stalin''s world before the war, and nothing is as it seems. Georges Simenon''s most starkly political work, The People Opposite is a tour de force of slow-burn tension.''Irresistible... read him at your peril, avoid him at your loss'' Sunday TimesTrade ReviewA unique teller of tales ... What interested Simenon was the average man losing control of his own fate * Observer *

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Book SynopsisIs Carl Andersen innocent of murder, or a very good liar?Detective Chief Inspector Maigret has been interrogating the enigmatic Danish aristocrat for seventeen hours. A diamond merchant was found dead, shot at point-blank range, in the garage of Andersen's mansion, yet he will not confess to the crime. To get to the truth, Maigret must delve into the secrets of Three Widows Crossroads, the isolated neighbourhood where he lives with his mysterious, reclusive sister Else and where, it seems, everyone has something to hide.

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Book Synopsis“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianThe first-ever English publication of Georges Simenon’s compelling novel about summer escape and elusive obsessions“The island itself. Its throbbing heat as if in a belljar under the sun, the scorpion in his son’s bed, the deafening sound of cicadas.”During his first holiday on the island of Porquerolles, Dr. Mahé caught a glimpse of something irresistible. As the memory continues to haunt him, he falls prey to a delusion that may offer an escape from his conventional existence—or may destroy him. Taut, insightful, and impossible to put down, this is the first English translation of The Mahé Circle, Simenon’s dark, malevolent depiction oTrade ReviewOne of Georges Simenon's most powerful roman durs - the non-Maigret novels in which ordinary lives are suddenly, and at times seemingly inexplicably, unsettled and irrevocably changed. Written in Simenon's spare signature style, it's unputdownably gripping -- John Gray * Guardian *Sublime . . . as good, in its unforced and unemphatic way, as anything in Proust or even Flaubert . . . a sort of masterpiece -- John Banville * New York Review of Books *Extraordinary . . . Simenon is one of the most important writers of the 20th century . . . In 150 high-pressure pages, it gives insights into the world, the mind and the horrible frustration of a French country doctor that most writers would struggle to convey with 10 times the word-count -- Sam Jordison * Independent *

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Book Synopsis“The matchless French crime novelist” -- Adam Gopnik, The New Yorker“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The GuardianA battle of wills between Inspector Maigret and an adversary from the past When a friend’s brother-in-law is accused of murdering his daughter’s lover, Maigret sets out for a small French town to help and upon arrival is plunged into an atmosphere of animosity. He soon finds himself tangled up in a case that may ruin the very people whom he has come to aid and must face an old enemy—an ex-police officer nicknamed “Inspector Cadaver”—who seems to be doing everything in his power to obstruct Maigret’s investigations.Trade Review"One of the greatest writers of the twentieth century…Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." - The Guardian "I love reading Simenon. He makes me think of Chekhov." - William Faulkner "The greatest of all, the most genuine novelist we have had in literature." - André Gide "A supreme writer…unforgettable vividness." - The Independent "Superb... The most addictive of writers... A unique teller of tales." - The Observer "Compelling, remorseless, brilliant." - John Gray "A truly wonderful writer... marvelously readable - lucid, simple, absolutely in tune with the works he creates." - Muriel Spark "A novelist who entered his fictional world as if he were a part of it." - Peter Ackroyd "Extraordinary masterpieces of the twentieth century." - John Banville

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book SynopsisTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *The most addictive of writers . . . a unique teller of tales * Observer *

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Book Synopsis''One of his most erotic and emotionally charged stories'' The Times Two people who didn''t know each other and who had come together by a miracle in the great city, and who now clung desperately to each other, as if already they felt a chilly solitude settling in.A divorced actor and a lonely woman, both adrift in New York, meet by chance in an all-night diner. It is the start of something, though neither is sure what. As they move through neon-lit streets, bars, rented rooms and cheap motels, these two lost souls struggle to understand what it is that has brought them, in spite of themselves, inexorably together.''Simenon casts his characteristic spell from the opening lines. There is an evanescent, hallucinatory, almost dreamlike quality throughout'' Daily Telegraph''Three Bedrooms in Manhattan is about how we resist love, how we get dragged into it, spat out, dragged back in against our will'' Los Angeles TimTrade ReviewOne of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories * Guardian *A supreme writer . . . unforgettable vividness * Independent *Intense and atmospheric . . . Simenon brilliantly and sparely recreates the New York of the time - the all-night diners, the sleazy bars, cheap hotels and threadbare apartments. -- Richard Hopton

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Book SynopsisThis new selection of stories featuring Inspector Maigret - three of which are published in English for the first time - takes the detective from a mysterious death in a Cannes hotel to a love triangle in the Loire countryside and a bitter rivalry within a Parisian family.Written during the Second World War, just a few years after Simenon had published what was intended to be his last novel featuring Inspector Maigret, these tales of human frailty and deceit distil the atmosphere, themes and psychological intensity that make Simenon''s famous detective series so compelling. Translated by Ros Schwartz''Not just the world''s bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor'' Boyd Tonkin, TimesTrade ReviewOne of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere. -- John Banville * Financial Times *Simenon's supreme virtue as a novelist, to burrow beneath the surface of his characters' behaviour; to empathise . . . it is this unfailing humanity that makes the Maigret books truly worth reading -- Graema Macrae Burnet * Guardian *Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor -- Boyd Tonkin * Times *Compelling...tense...readers will surely race through each story with relish -- Martin Bentham * Evening Standard *

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Book Synopsis

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Book Synopsis

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Book Synopsis

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