Biography: arts and entertainment Books

Book SynopsisThis first comprehensive English collection of the interviews of Jacques Rivette (19282016) documents his career through chronology, filmography, bibliography, and image stills. A comprehensive introduction places this work in the wider context of twentieth-century social change. Rivettes films, like many of the works of the French New Wave, seem to have avoided the aging process entirely, remaining as playful, fresh, and quietly spectacular as the day they were made. Indeed, his body of work may be the most impressive of the French New Wave. Celine and Julie Go Boating (1974) has been recognized as possibly the best film to emerge from the post-New Wave era, even as Paris Belongs to Us (1961) is one of the best pictures to emerge from the New Wave itself. Rivette was hardly the most prolific director, however, and the length of his films has often counted against him. Nonetheless, his clinical, self-reflexive essays in film form reveal him as a cinematic purist whose commitment to the celluloid muse hardly diminished from the heady days of the early 1950s to the end of his career in 2009. Beyond inspiring the New Wave movement and continuing to reflect, and reflect on, its central tenets, Rivettes enduring contribution to the history of film is unquestionably evident in his sensitive treatment of the histories and destinies of women, especially through strong roles for actresses. During the six decades of his career, nonetheless, he struck a subtle balance not only between female and male characters, but also between political and personal obsession, between myth and fiction, between theater and cinema, in films that, in addition to having influenced such contemporary filmmakers as Claire Denis, Jim Jarmusch, Olivier Assayas, and David Lynch, continue to redefine the art of cinema around the world.Trade Review‘Rivette’s refusal to compromise with popular or commercial dictates, his determination to explore untrodden directorial paths, will perhaps always consign the bulk of his work to marginality; but as these interviews suggest, anyone with the patience to explore his output will discover creative angles and perceptions few other filmmakers can offer.’ Philip Kemp, Sight & Sound

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Book SynopsisA snapshot of the style and music icon's career, family life and achievements.

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Book SynopsisA style icon, a trendsetter, a princess: Lady Diana epitomised 80s and 90s style.With a well-earned place in the fashion hall of fame, Diana's style choices have influenced decades of style. From her ultimate 80s wedding dress to her off-duty sporty looks, and from classic Sloane Ranger preppiness to killer glamour, as celebrity fan Rihanna has said, "Every look was right".Featuring over 100 stunning photographs of Diana's key looks, Icons of Style – Diana explores how and why she chose the designers and styles she returned to time and time again, and what we can learn from her iconic wardrobe to cultivate our own style.A fun and complete guide to a modern-day icon's signature style.

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Book Synopsis‘A wonderful account of a life filled with far more ups and downs than its subject’s languid demeanour ever suggested.’ Miles Jupp.Even if the name doesn’t ring a bell, you’d recognise David Tomlinson’s face – genial and continually perplexed, he was Mr Banks in Mary Poppins, Professor Browne in Bedknobs and Broomsticks and Peter Thorndyke in The Love Bug. To many, he’s the epitome of post-war British comedy.But at times his life was more tragedy than comedy. A distinguished RAF pilot in the Second World War, his first marriage was to end in horrific tragedy and his next romance ended with his lover marrying the founder of the American Nazi Party. He did find love and security in his second marriage, but drama still played its part in his life – from the uncovering of an earthshattering family secret to the fight for an autism diagnosis for his son, up against the titans of the British medical establishment.Tomlinson may have died over twenty years ago, but his star continues to shine. In Disney’s British Gentleman, Nathan Morley reveals the remarkable story of one of Disney’s most beloved icons for the very first time.

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Book Synopsis‘Hershman has managed to gather a huge amount of information and distill it into a book that is not only respectful but full of insights into what makes this unstarriest of stars able to produce brilliant work without appearing to break a sweat.’ - Kathryn Hughes, Mail on SundayHe was a Salford-born, homework-hating bookie’s son who broke the social barriers of British film. He did his share of roistering, and yet outlived his contemporaries and dodged typecasting to become a five-time Oscar nominee and one of our most durable international stars. Bon vivant, perennial rebel, self-effacing character actor, charismatic charmer, mentor to a generation of working-class artists, a byword for professionalism, lover of horseflesh and female flesh – Albert Finney is all these things and more.Gabriel Hershman’s colourful and riveting account of Finney’s life and work, which draws on interviews with many of his directors and co-stars, examines how one of Britain’s greatest actors built a glittering career without sacrificing his integrity.Trade ReviewHershman has managed to gather a huge amount of information and distill it into a book that is not only respectful but full of insights into what makes this unstarriest of stars able to produce brilliant work without appearing to break a sweat. -- Kathryn HughesA great read . . . It’s about time Finney’s career was placed in the biographical spotlight. -- Greg JamesonThe book is strong . . . in its evaluation of Finney’s extraordinary career, and for an introduction to the work, it’s invaluable. -- Paul T. Davies

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Book SynopsisThe unique story of Eric Morecambe and Ernie Wise – British television's most iconic double act. 'A warm and sympathetic portrait of two pals who conquered the world simply by radiating hilarious friendship' Sunday Times 'Barfe lifts the lid on the lives of TV's most iconic double act... and gets to the heart of what made them so loved by a nation' Sunday Post 'Set to be the definitive account of the television age's funniest pair' New European 'Colour about the characters of [Morecambe and Wise] is mixed with Barfe's usual forensic research' Chortle The Morecambe and Wise Show was the crème de la crème of TV light entertainment from the late 1960s until the early 1980s. The hardy perennial comedy duo at its heart had even greater longevity, spanning five decades and becoming a national institution whose shows drew audiences in excess of twenty million. They also loved each other like brothers, and the audience repaid that love; they were the nation's best friends. In Sunshine and Laughter, Louis Barfe tells the touching story of Morecambe and Wise, and explores how it is that thirty-seven years after their last television show, the tall handsome one with glasses and the one with the short, fat, hairy legs continue to work their unique brand of comedy magic.Trade ReviewA warm and sympathetic portrait of two pals who conquered the world simply by radiating hilarious friendship * Sunday Times *Barfe lifts the lid on the lives of TV's most iconic double act [...] and gets to the heart of what made them so loved by a nation * Sunday Post *Britain's best-loved double act have a superb chronicler in Louis Barfe... This looks set to be the definitive account of the television age's funniest pair * New European *Written with affection... Such colour about the characters of [Morecambe and Wise] is mixed with Barfe's usual forensic research * Chortle *Louis Barfe is becoming a polymathic guide to British show business * Sunday Times *Countless TV programmes have paid tribute to 'the boys' [...] and there's a veritable library of books. So do we need a new one? The answer – if you're a fan – is a resounding yes. And comedy historian Louis Barfe [...] is just the man to do it. A safe pair of hands, his Sunshine and Laughter is the perfect companion piece to Graham McCann's excellent 1998 biography. His research is exemplary * Camden New Journal *The comedy continues * Devon Life *

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Book Synopsis"Never was a painter more nobly joyous, never did an artist take a greater delight in life, seeing it all as a kind of breezy festival and feeling it through the medium of perpetual success... He was the happiest of painters." - Henry James on Veronese, 1909 Collected here for the first time, these fascinating early biographies (one of which has never been translated before) describe and celebrate the astonishingly fertile art of Paolo Veronese. Most of what we know about Veronese comes from these three essays. 'I have known this Paolino and I have seen his beautiful works. He deserves to have a great volume written in praise of him, for his pictures prove that he is second to no other painter', wrote Veronese's contemporary Annibale Carracci in the margins to his copy of Vasari's writings, continuing 'and this fool passes over him in four lines. And just because he was not Florentine.' It was indeed a measure of his fame that Vasari, whose Life of Veronese is reprinted here, should have overcome his pro-Tuscan prejudices to write about his great Venetian contemporary; and he was followed in this by another Florentine, the theorist Raffaele Borghini. But the most striking record of the impact of Veronese's art on his countrymen is the extensive biography by his fellow Venetian, Carlo Ridolfi. Entirely original in the seriousness and passion with which he approached his subject, Ridolfi permanently changed the course of writing about art. This is the first translation of his work into English. Translated and introduced by Xavier F. Salomon, curator of Veronese: Renaissance Magnificence at the National Gallery, London. Fifty pages of colour illustrations cover the span of Veronese's breath-taking career.Trade Review"The London publishing house Pallas Athene has come up with the very welcome and worthwhile project of assembling English translations of early biographies of artists in an easily accessible publication." - Historians of Netherlands Art Reviews

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Book SynopsisRenowned for his contribution to the development of the motion picture, Eadweard Muybridge was a pioneering photographer. Alongside his remarkable photographic achievements, his personal life was riddled with melodrama, including a near-fatal stagecoach accident, a betrayal and a murder trial. Marta Braun's new biography traces the sensational events of Muybridge's life against his personal reinventions as artist, photographer, high-minded researcher and showman. Muybridge's opportunity in photography came in the 1870s, when his skills were enlisted by a racehorse breeder to prove the 'unsupported motion controversy' - the theory that during a horse's stride, there was a moment when all four of its legs left the ground. The resulting collection 'Motion Studies' gave Muybridge a taste for the scope of his trade; photography could be more than landscapes, and he went on to apply it to the realm of scientific research. He invented the 'zoopraxiscope' as a means of capturing movement too quick for the human eye to record.Simulating motion through a series of stills, his pioneering use of sequence photography served as a forerunner to the introduction of cinematography in the 1890s, and his work has gone on to influence the worlds of art, science and photography. Featuring newly discovered information about the photographer and his masterpiece Animal Locomotion this illuminating study examines the character of the man whose influence has resounded through generations. In Eadweard Muybridge, Braun considers why he was and is so central to the history of art, science, photography and motion pictures.Trade Review'Braun's meticulous study is rich in detail' - Guardian 'tells [Maybridge's] story with clarity and economy and is particularly good on the battle between science and art in his photographs' - The Art Newspaper 'Braun's detailed study of the life and work show a complicated man, a combination of "technical wizard, show-business pioneer, popular scientist and artist", whose work transformed or understanding of the human form.' - New Statesman 'Marta Braun has a grasp of enormous amounts of detail concerning the history of photography, as well as a lively understanding of the social and cultural history in which her subject existed. Her slim book punches above its weight.' - Literary Review of Canada 'Marta Braun's engrossing account of Eadweard Muybridge offers a new perspective on his life and work. Her detailed analyses provides rich insight and correct previous misinterpretations of Muybridge's locomotion photography. Braun offers us an intriguing account of the first person to record photographic evidence of movement in split-seconds. A valuable first-rate work that's a pleasure to read.' - Edward Burtynsky "As one might have expected from her definitive "Picturing Time", Marta Braun"s book on Eadweard Muybridge will be a fundamental contribution to the history of the photographic representation of locomotion." - Jonathan Miller

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Book SynopsisAlkan: lonely 19th century genius, virtuoso pianist and also composer of some of the most difficult and disturbingly powerful piano music. After a long period of neglect his piano music is being discovered by an ever-widening public and played and recorded by some of the world's leading pianists. This edition, in two parts, was originally published in two separate volumes - the first dealth with the man, and the second was devoted solely to his music. With this reprint in one volume the books have been extensively revised, with two extra appendices added, and new bibliographies and discographies included.Trade Review'This book, which contains a number of fascinating illustrations, should interest all lovers of 19th century piano music and introduces us to an uniquely historic figure.' - Humphrey Searle, HiFi News; 'This is a book to linger over and savour, and from which to gain much more knowledge of some of the greatest piano music ever written.' - Harold Truscott, Music & Musicians; 'I found this book completely absorbing.' - Max Harrison, Musical Opinion; 'I'll tell you how good this book is: it kept me from piano practice before an important engagement. I'm sure its wisdom will inform my future piano practice and compensate for what it stole today.' - Ronald Stevenson, Piano; "This is an excellent overview of the life and works of the greatest pianist who ever lived by one of his foremost interpreters. Even Liszt was intimidated by the thought of playing in front of Alkan! It is strongly recommended for all lovers of classical music, but for pianists, it is indispensible."Table of ContentsBook 1: Alkan - The Man, Acknowledgements, Introduction, 1. Prodigy, 2. Virtuoso, 3. Delaborde, 4. A Lost Symphony, 5. The "Grande Sonate", 6. Marmontel, 7. Recluse, 8. Prometheus Bound, 9. Les Petit Concerts, 10. The Final Years, 11. The Death of Alkan, 12. Rescue of a Lost Cause, 13. Personality and Appearance, 14. The Reluctant Virtuoso, 15. The MusicIndex, Index of Alkan's Works, List of Illustrations, Family Tree of Alkan Morhange, Book 2: Alkan - The Music, Introduction and Acknowledgements, 1. Early Works, 2. The Concerti da Camera, 3. The Crystallisation of Style, 4. The Miniatures, 5. The Thirty Chants, 6. The Grande Sonate and Sonatine, 7. Trois Grandes Etudes Op.76, 8. Douze etudes Op.35, 9. Douze etudes Op.39, 10. Miscellaneous piano music, 11. Transcriptions and Cadenzas, 12. Chamber Music, 13. Orchestral and Vocal Music, 14. Organ or Pedal-piano? 15. Alkan's Creative Personality

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Book SynopsisHenri Gaudier-Brzeska (1891-1915) was one of the leading figures of European avant-garde sculpture. Gaudier played an important role in the development of modern sculpture in Britain, working alongside Ezra Pound, Jacob Epstein, Roger Fry, Wyndham Lewis and others. Like many artists of his generation, his career was tragically cut short by the war. Having volunteered for the French army in the summer of 1914, he was killed in action the following year, at the age of just twenty-three. In 1930 Jim Ede, who three years earlier had acquired almost all of Gaudier’s work, published a biography of the sculptor. Entitled A life of Gaudier-Brzeska, the book was re-issued a year later with the title Savage Messiah. Ede’s book played an important role in re-establishing Gaudier’s reputation at a time when he was at risk of fading into obscurity. This new edition, published in 2011 to mark the centenary of Gaudier's arrival in Britain from France, includes previously unpublished material and new essays that re-contextualise the book art historically. It draws from the 1929 manuscript version of Ede's book, now in the archive at the Henry Moore Institute in Leeds, reproducing many of the drawings and photographs first used by Ede.

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Book SynopsisIsabella Stewart Gardner was a force to be reckoned with. She routinely went toe-to-toe with major museums and titans of industry to purchase masterpieces, created a museum unlike any other, and was famous for consistently flouting the social conventions that governed women of her time. However, this book shows another side of Isabella that readers may not expect: her love of dogs. Richly illustrated with images from the collection and museum archives, this volume allows readers to meet Isabella’s favorite dogs (Kitty Wink and Patty Boy), see the litters of puppies she bred, and discover how her dogs were a comfort toward the end of her life. Usually stern in photographs, Isabella - like many people - could not help grinning when posing for photos with puppies. This enthusiasm for dogs is also evident in her correspondence. As she wrote excitedly to her art advisor Bernard Berenson: “Part of my morning’s work has been to try to induce two 9 days old fox terrier pups to open their eyes again. They did once; and then clapped them to, with a vim that seemed to say that the box they found themselves in was not the ideal they had come to this world to see!” Even the dogs of celebrities - both celebrities she knew personally, and others she admired from afar - drew her attention. This book also features some of the many photographs she collected of notable people and their dogs, like the painter Anders Zorn and his adorable pup Mouche and Caesar, the regal and loyal terrier who belonged to King Edward VII and even marched in the monarch’s funeral parade. From gathering Renaissance masterpieces to raising Fox Terriers, this book shows that Isabella approached all her tasks with enthusiasm and dedication. By learning about her love of her canine companions, this book presents a more human side of Isabella than typically on display.

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Book SynopsisFeaturing legendary and inspirational guitarists and the equipment they used. This fully illustrated, beautifully produced hardback explores the history of the pioneering British guitarists – their background, career and equipment. Includes many exclusive interviews. From the mid-20th century, no other musical instrument developed faster or had a greater impact than the electric guitar. In Britain, many young lads became enthralled by the look and the sound, leading them to take up the guitar to entertain their peers. Several dozen were able to master the instrument sufficiently to gain national and international recognition, enjoying careers spanning decades which has resulted in a number being awarded Queen's honours. British Guitarists 1952-1972: Electric Pioneers examines a number of musicians that were part of a first wave of new popular music in the second half of the 20th century. A focus is placed on the guitars, amplifiers and effects used by the artists. Starting from their early days, the book looks at the evolution of the guitarist's equipment and how this has impacted on their music. The guitarists featured are: Martin Barre, Syd Barrett, Jeff Beck, Ritchie Blackmore, Marc Bolan, Joe Brown, Eric Clapton, Dave 'Clem' Clempson, Dave Davies, Lonnie Donegan, Andy Fairweather Low, Peter Frampton, Robert Fripp, David Gilmour, Peter Green, George Harrison, Tony Hicks, Steve Howe, Tony Iommi, Brian Jones, Paul Kossoff, Albert Lee, Alvin Lee, John Lennon, Phil Manzanera, Hank Marvin, John McLaughlin, Tony McPhee, Micky Moody, Jimmy Page, Alan Parker, Mike Pender, Andy Powell, Keith Richards, Mick Ronson, Mick Taylor, Pete Townshend, Bert Weedon, Ronnie Wood.

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Book SynopsisBrenda Chamberlain lived a life of artistic engagement with the world. She published a compelling body of literary work and held solo exhibitions in London and Wales, while her work was shown in over thirty group shows. Her brilliance was mirrored by the journey of her personal life, including marriage to fellow artist and Royal Academy student John Petts, the long relationship with the Frenchman Jean Van der Bijl, the life-long friendship with the German aristocrat Karl von Laer and her eventual journey to Hydra where she lived for many years before returning to Bangor, Wales. Jill Piercy draws upon extensive research gathered from public and private collections and from interviews with Chamberlain’s friends in Britain, Germany and Greece.

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Book SynopsisGary Barlow'sPath to Fame came to an abrupt halt when his career slumped in the mostspectacular way. Until his solo career crumbled, his pathway had been linedwith gold. Quite simply, he was a musical prodigy as a teenager growing up inthe small Cheshire town of Frodsham.

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Book Synopsis‘You haunt me everywhere.’ So wrote Edward Burne-Jones to Frances Graham, his muse for the last 25 triumphant years of his life: ‘I haven’t a corner of my life or my thoughts where you are not’. He drew her obsessively, included her in some of his most famous paintings, and showered her with gifts. Even when she betrayed him to marry, he would return to her. To him ’all the romance and beauty of my life means you.’ This is the first biography of his muse. In a discreet, subtle, human way, her life is a study in power – artistic, social, political, familial, local – and all the more fascinating for being played out from a perennial position of weakness. What makes a muse? The word conjures up for the artist a human cocoon of sexual allure and worship: part inspiration, part lover and protector. Yet however beguiling, demanding and volatile a muse could be, it remained a life surrendered to the art of another. In Victorian England, this was especially so with the hierarchies between the sexes so firmly entrenched. The life of a muse to a Pre-Raphaelite artist was no different: Ruskin and Effie Gray, Rossetti and Lizzie Siddal, both powerfully destructive relationships that ended respectively in divorce and death. The one who survived was Frances Graham. She had a restless, irrepressible intelligence, able to mix at her small dinners politicians and aristocrats with writers, artists and the up and coming, be they Oscar Wilde or Albert Einstein. In time, she became the confidante of three government ministers, including Asquith, the Liberal leader. 'The Portrait of a Muse' is the tale of a remarkable woman living in an age on the cusp of modernity.

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Book SynopsisPRE:FAB! is the captivating memoir of Colin Hanton, telling of his early years as a musician and his career with John Lennon's Quarry Men. Colin drummed with the band for three years between 1956-1959, during which time both Paul McCartney and George Harrison joined the group. In 1958, Colin played on the very first single that John, Paul and George ever recorded-their versions of Buddy Holly's "That'll Be the Day" and a Paul and George composition: "In Spite Of All The Danger". Co-written over a two-year period by Colin Hanton and Colin Hall, custodian for Mendips (John Lennon's childhood home), PRE:FAB! tells the story of these history-in-the-making days . Colin Hanton's memories serve as an insight not only into his early musical adventures with John, but also into the social history of war-time and post-war Liverpool. PRE:FAB! has also been made into a feature-length, documentary film that is COMING SOON!Trade Review"PRE:FAB! is a brilliant social commentary as well as being a thoughtful and insightful look behind the scenes of the formation of the biggest band ever - The Beatles!" Bob Harris

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Book SynopsisThe love triangle of Aristotle Onassis, Maria Callas and Jackie Kennedy was as volcanic as the eruption of Stromboli that staggered Aristotle and Maria at the beginning of their romance. Had they lived in the sixteenth century, Shakespeare would have written a play about them — it was too good a story to miss. Two myths have persisted in the decades since their marriage. The first is that Onassis was a rich but likeable rogue who avoided taxes but was otherwise, at heart, a decent and generous man. The second is that Jackie Onassis was a shameless gold-digger and spendthrift, motivated by little other than greed and personal ambition. The truth was very different. Onassis was a vicious, drunken bully who beat his wives and mistresses until they were bloody and forced them to have abortions. When he tired of them, he smeared them in the media, tapped their phones and publicly humiliated them. His business empire was built largely on bribery, corruption and contempt for the law. He signed contracts in disappearing ink, reviled any politician who could not be bought, did business with dictators, and habitually lied. His children were so frightened in his presence that they peed themselves. His brutal treatment of his mistress, Maria Callas, led her to a suicide attempt and the abortion of her only child. Her early death at the age of only fifty-three was — in part — caused by the unhappiness that he inflicted on her.Table of ContentsCHAPTER 1 Jackie, How Could You? CHAPTER 2 The Burning of Smyrna CHAPTER 3 A Bad Omen CHAPTER 4 A Country of Opportunity CHAPTER 5 Pater Familias CHAPTER 6 A Look of Destiny CHAPTER 7 A Shipboard Romance CHAPTER 8 A Marriage of Convenience CHAPTER 9 Richer than Croesus CHAPTER 10 A Turn of Providence CHAPTER 11 A Man with a Compulsion CHAPTER 12 Dukes, Princes and Kings CHAPTER 13 Omertà CHAPTER 14 A Formidable Clan CHAPTER 15 The Baroness Who Would Not Be Bought CHAPTER 16 A Son Is Lost CHAPTER 17 The Aftermath Postscript References Bibliography Index

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Book SynopsisFrom The Inside is a thorough revised and expanded re-working of Hayward's previous books, Tin Pan Alley: The Rise of Elton John and From Tin Pan Alley to the Yellow Brick Road. From The Inside is not just an ordinary biography. It is effectively an oral history using interviews conducted over a fifteen-year period with just about every musician, producer, sound engineer, manager and key figure that worked with Reg Dwight, before and when he was Elton John, both in Britain and America, up to 1979. It is their story, From the Inside; how they contributed to the success of Sir Elton during that time, and how they played an unwitting part in his rise to fame. It is a collection of stories from the music makers, managers, executives and musicians that makes this book possible. They are the people who were there, observing what was going on and, in some cases, in close proximity to Sir Elton. It really is the story of those who still see him as an acquaintance or as a friend. It is the first time some of them have spoken out about their years working and sharing Sir Elton's life. Sadly, some of those contributors have passed now but their words and contributions live on in this book.

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Book SynopsisFor half a century, the Murdoch media empire and its polarising patriarch have swept across the globe, shaking up markets and democracies in their wake. But how did it all start? In September 1953, 22-year-old Rupert Murdoch landed in Adelaide, South Australia. Fresh from Oxford with a radical reputation, the young and brash son of Sir Keith Murdoch had arrived to fulfill his father’s dying wish: for Rupert to live a ‘useful, altruistic, and full life’ in the media. For decades, Sir Keith had been a giant of the Australian press, but his final years were spent bitterly fending off rivals and would-be successors. When the dust settled on his father’s estate, Rupert was left with the Adelaide-based News Ltd and its afternoon paper The News — a minor player in a small, parochial city. But even this inheritance was soon under siege, as the left-wing ‘Boy Publisher’ stared down his father’s old colleagues at the city’s paper of record, The Advertiser, and a conservative establishment kept in power by a decades-old gerrymander. Led by Rupert’s friend, ally, and editor-in-chief Rohan Rivett, the fledgling Murdoch press began a seven-year campaign of circulation wars, expansion, and courtroom battles that divided the city and would lay the foundations for a global empire — if Rupert and Rohan didn’t end up in custody first. Drawing on unpublished archival material and new reportage, Young Rupert pieces together a paper trail of succession, sedition, and power — and a fascinating time capsule of Australian media on the cusp of an extraordinary ascension. Trade Review‘Ruthless, ambitious, a purveyor of intrigue and scandal for whom loyalty is just a pit stop on the way to a business deal, this is the young Rupert as you’ve never seen him before. A riveting, rollicking tale.’ -- Jenny Hocking, author of The Palace Letters‘The breadth and depth of Marsh’s research, his eye for detail and his truly exceptional storytelling brings what may have been a dry history into vivid relief.’ -- Kurt Johnson * The Sydney Morning Herald *‘From schoolboy socialist to boy publisher to mogul on the make: Young Rupert offers a revelatory glimpse of Murdoch becoming Murdoch.’ -- Jeff Sparrow, author of Crimes Against Nature‘Young Rupert is a vivid, revelatory portrait of a young man in a hurry. Deeply researched and sharply written, Marsh summons a vanished era to life and chronicles the intricate manoeuvres and shifting character of a man whose whims and grudges have dominated, for better and worse, the media landscape for seventy years. This is an engrossing and insightful study of raw power, shameless politics, and the powers of the press.’ -- Patrick Mullins, author of Tiberius with a Telephone‘A fascinating account of the early days of one of the most notoriously influential men Australia has produced. Marsh skilfully brings forgotten episodes of this country’s history to life, and reminds us just how important, cutthroat, and thrilling the news business can be.’ -- Sean Kelly, author of The Game‘There’s an art to writing the journalistic yarn, and Walter Marsh has it … Marsh sketches fine portraits … Consistent throughout Young Rupert is Marsh’s talent for research, which involves not only seeking the right sources but also using them correctly. He is careful with his conclusions, never peddling glib fantasies as facts.’ -- Damon Young * The Saturday Paper *‘Young Rupert is a scrupulously well-researched history that examines the power of the press in the 20th century and its influence on politics. Rupert Murdoch remains largely elusive, yet new research shows glimpses of a man under pressure and unable to enjoy his success. Readers interested in Australian politics and publishing will find much to satisfy here.’ -- Chris Saliba * Books+Publishing *‘Adelaide journalist Walter Marsh’s gripping new account of Rupert Murdoch’s origin story is more than a biography of the mogul — it uncovers media and political dynamics that remain powerful … Meticulously researched … both densely detailed and a rollicking read … it combines detailed history, including fascinating side journeys — into Murdoch’s personal reportage on outback Aboriginal communities (eye-opening in many ways), a firebrand activist’s tragic-heroic trajectory, a literal fist-fight between Packer and Murdoch interests to gain control of a Sydney press — with the narrative drive of a thriller … This is a distinguished work — essential for anyone who wants a greater understanding of Murdoch, his empire, and the contemporary history of South Australia.’ -- David Washington * In Review *‘[A] perceptive account of the first 30 years of media mogul Rupert Murdoch’s life … Thoroughly reported and novelistic in detail … this provides keen insight into the business magnate’s formative years.’ * Publishers Weekly *‘Journalist Marsh presents meticulous reporting on the tangled fortunes of the Murdoch news business … An authoritative … history of the early Murdoch media empire.’ * Library Journal *

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a huge range and FREE tracked UK delivery on ALL orders.

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Book SynopsisThe Great Indian School Bazaar deals with a wide range of topics, including what drives parents to admit their children to certain schools, issues faced by principals, bullying, disciplining, and how school can be made fun''. There is also a section on the relevance of our education system in the current global context, in addition to an area that is very rarely discussed: the transition from school to college.Devahiri brings in his decades of experience as an educator in India as well as in the United States to reassess the education we are providing our children.

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Book SynopsisSafdar Hashmi (19541989) became a national icon of resistance after his death on 2 January 1989, following a brutal attack while performing a street play. The firebrand artist, actor, playwright, poet, and activist was at the forefront of the development and subsequent popularity of street theatre, and his group, Jana Natya Manch (Janam), is still considered a leader in the genre of political theatre. There is little reliable scholarship on the history of theatre in India and on Safdar Hashmi's contribution to Indian theatre. This book fills both gaps through a close look at Safdar's career, from his early life and the influences that formed him; to his first forays into theatre in Delhi in the 1970s; to the mature work he produced in the 1980s until his life was cruelly cut short; and finally, the legacy he left behind. Examining the cultural and political environment of the time, Anjum Katyal places Safdar and Janam in the context of the larger history of Indian political theatre. She argues that with the development of a powerful, thought-provoking, and effective street theatre, Safdar was moving towards a vision and practice of democratic theatre.

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Book SynopsisTabla virtuoso, composer and percussionist Zakir Hussain is an international music phenomenon. The eldest son of the legendary Ustad Allarakha, Zakir gave his first public concert at the age of seven and was immediately hailed a child prodigy. In later years, his masterful dexterity and creative genius led to his becoming one of the most sought-after accompanists to the very best of Hindustani classical musicians and dancers. Zakir Hussain is equally recognized as one of the foremost contemporary jazz and world music percussionists; he has performed at innumerable concerts both as a solo artist and with renowned jazz musicians on the grand stages of the world, from the Royal Albert Hall to Madison Square Garden. He has acted in James Ivory''s Heat and Dust and Sai Paranjpye''s Saaz, and scored music for directors such as Bernardo Bertolucci (Little Buddha), Aparna Sen (Mr. & Mrs. Iyer) and Ismail Merchant (In Custody, The Mystic Masseur); he has also played the tabla for countless 1960s Hindi film soundtracks. In an in-depth conversation with Zakir Hussain, Nasreen Munni Kabir takes the readers through the story of his life: how he was deemed an ''unlucky'' child; the early years of growing up in Mahim; his training from age four with his extraordinary father; and his experiences and memories working with a host of legendary musicians, including Pandit Ravi Shankar, Ustad Ali Akbar Khan and Ustad Vilayat Khan.

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Book SynopsisUnflinching and even ruthless, alcoholic and irresponsible, an irrepressible genius, a master of the craft of film-making and a relentless innovator: these fifty essays-by his collaborators and family, academics who study him and writers who admire him-celebrate Ghatak on his centenary through reflections and expressions of love.

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Book SynopsisShuvaprasanna: A Man for all Seasons attempts to bring together the complete oeuvre of the versatile modern Indian artist Shuvaprasanna Bhattacharya, in a single volume. The book also traces his life and career and the significant events that shaped his artistic sensibilities. This volume features Shuvaprasanna's multifaceted work, be it painting, drawing, portraiture, printmaking, illustrations, installations, sculpture and murals, through his artistic timeline, and his contributions as a socio-political activist in building cultural institutions. Shuva-da, as he is popularly known, was actively involved with the Calcutta Painters Group in the 1970s; he founded the College of Visual Arts in 1975 and thereafter the vibrant and internationally known Arts Acre Foundation in 2008. The in-depth textual description of the artist's creative evolution is accompanied by images of over 80 of Shuvaprasanna's impactful artworks from different phases of his career, including paintings of the city of Kolkata, to his signature charcoal drawings of birds, to his latest collection, The Mystique of the Epic', which comprises striking depictions of characters and episodes from the Mahabharata.

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Book SynopsisDetermined, imperious, flighty, charming, Beryl McBurnie was born in Trinidad and went to New York in the early 1940s to study dance and drama. She also made a name for herself as a dancer and singer, Belle Rosette. But she turned her back on the bright lights to return to Trinidad. There she continued the work she had begun before World War II, researching and performing the dances of the Caribbean, especially those that drew on African traditions. She was part of an anticolonial movement that recognized the unique culture of the country and the region and eventually led Trinidad and Tobago to independence.Artistically, McBurnie's work influenced dancers throughout the region and beyond. She also devoted years to building the Little Carib Theatre. Intended as a home for folk dance, it also housed Derek Walcott's Theatre Workshop and became a crucible for the performing arts.This book portrays the woman, explores the influences that shaped McBurnie and those whom she influenced in turn, and tells of her struggle to realize a vision she nurtured for decades.Judy Raymond is a writer and editor based in Trinidad. She works as a journalist and is the editor in chief of the Trinidad and Tobago Newsday. She is the author of Barbara Jardine: Goldsmith; Meiling: Fashion Designer and The Colour of Shadows: Images of Caribbean Slavery.

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a huge range and FREE tracked UK delivery on ALL orders.

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Book Synopsis

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Book Synopsis

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Book SynopsisOf the many Cold War radio DJs who broadcast to the USSR, Seva Novgorodsev must be near the top of the list. A masterful BBC presenter, Seva was considered a sage of rock ‘n’ roll. His programs introduced forbidden western popular music and culture into the USSR, rendering him an “enemy voice” and ideological saboteur to the Central Committee of the Communist Party. Despite KGB threats and constant media pillorying, Seva remained on the air for 38 years, acquiring millions of listeners all across the breadth of the USSR and beyond. He became a cult phenomenon, dismantling the Soviet way of life in the hearts and minds of youth. This is the story of Russia’s first and best-known DJ.Trade Review"Michelle Daniel's book is more than a biography of the legendary DJ who brought western musical culture to the Soviet Union via BBC radio. It is, by turns, insightful political, cultural, and social history. Compelling features include testimony from Seva's listeners and Daniel’s speculation on just why he became so central a feature of Soviet life. A fascinating read for all interested in understanding the final years of the Cold War, the power of radio, or the role of what has been termed Soft Power in international relations."— Nicholas J. Cull, Professor of Public Diplomacy, University of Southern California“With the creation of any new medium—newsprint, radio, television—propagandists learn first how to exploit it for their own purposes. In our own era of ‘fake news,’ disinformation, and the ongoing political assault on truth, we’ve seen this play out over the Internet. But be careful: because the ‘soft power’ of popular familiarity with any new technology often undermines the clunky, cloying voice of the ideologue, in favor of the cool, revolutionary voice of popular culture. In this engaging tale of the life of Seva Novgorodsev—and how his popular BBC broadcasts helped lead to the downfall of the Soviet empire—Michelle Daniel weaves a narrative tale that is compelling and instructive, full of lessons about how the human need for truth and authenticity triumphs. While this book will surely appeal to Russia scholars and historians alike, it deserves a wide audience, for it reads like a novel and tells a story that is especially important in our own cultural moment. What can we learn from the early ‘weaponization’ of radio to amplify propagandistic falsehoods—then seeing this turned back on itself as young people discovered the pleasure of listening to rock ‘n’ roll music—that can be applied to today's disinformation war? Plenty, for we now face an age-old beast in new clothing: the human desire to lie for political profit, up against the indomitable spirit of today's young people, whose heroes are still emerging in this digital era.”— Lee McIntyre, author of Post-Truth“Rock 'n' roll was a revolutionary movement in the West. Behind the Iron Curtain, however, it also played an inordinate role in helping to change culture, politics, and society. Michelle Daniel's book is a welcome volume that adds to our understanding of how music and radio waves—amplified by Seva Novgorodsev—were able to work their way through the semi-permeable membranes of otherwise seemingly impenetrable Cold War borders and mindsets.”— Markos Kounalakis, Ph.D., former Radio Sweden International shortwave radio producerTable of ContentsPrefaceIntroduction: Radio, Rock ‘n’ “Role” Part One: 1917-761. The Great Wireless Experiment2. The Sounds of War3. Big Waves4. Birth of the Cool5. Rocket Around the Clock6. Between Jazz and a Hard Rock Place7. After ‘While, KrokodilPart Two: 1976-918. Smoke on the Water9. Round Midnight10. It’s a Hard Rock Life11. The Barbarossa of Rock ‘n’ Roll12. Red Waves on the “Cinderella Hour” 13. (I Can’t Get No) Satisfaction14. Highway to Hell15. Welcome to the Jungle16. It’s the End of the World as We Know ItConclusionAcknowledgementsBibliography

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Book SynopsisIn the early sixties at the Royal College of Art in London, three extraordinary personalities collided to reshape contemporary art and literature. Barrie Bates (who would become Billy Apple in November 1962) was an ambitious young graphic designer from New Zealand, who transformed himself into one of pop art's pioneers. At the same time, his friend and fellow student David Hockney - young, Northern and openly gay - was making his own waves in the London art world. Bates and Hockney travelled together, bleached their hair together, and, despite being two of London's rising art stars, almost failed art school together. And in the middle of it all was the secretary of the Royal College's Painting School - an aspiring young novelist called Ann Quin. Quin ghost-wrote her lover Bates's dissertation and collaborated with him on a manifesto, all the while writing Berg: the experimental novel that would establish her as one of the British literary scene's most exciting new voices. Taking us back to London's art scene in the late fifties and early sixties, award-winning writer Anthony Byrt illuminates a key moment in cultural history and tackles big questions: Where did Pop and conceptual art come from? How did these three remarkable young outsiders change British culture? And what was the relationship between revolutions in personal and sexual identities and these major shifts in contemporary art? From the Royal College to Coney Island and Madison Avenue, encountering R. D. Laing and Norman Mailer, Shirley Clarke and Larry Rivers, The Mirror Steamed Over is a remarkable journey through a pivotal moment in contemporary culture.Table of ContentsPrologue Part I: The Connection Part II: Flying Tiger Interlude: A Self-Portrait Part III: Mirror/Mirror Epilogue: America, 1964 Sources and Further Reading Illustrations Image Credits Index Acknowledgements

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Book SynopsisOf the many Cold War radio DJs who broadcast to the USSR, Seva Novgorodsev must be near the top of the list. A masterful BBC presenter, Seva was considered a sage of rock ‘n’ roll. His programs introduced forbidden western popular music and culture into the USSR, rendering him an “enemy voice” and ideological saboteur to the Central Committee of the Communist Party. Despite KGB threats and constant media pillorying, Seva remained on the air for 38 years, acquiring millions of listeners all across the breadth of the USSR and beyond. He became a cult phenomenon, dismantling the Soviet way of life in the hearts and minds of youth. This is the story of Russia’s first and best-known DJ.Trade Review"Michelle Daniel's book is more than a biography of the legendary DJ who brought western musical culture to the Soviet Union via BBC radio. It is, by turns, insightful political, cultural, and social history. Compelling features include testimony from Seva's listeners and Daniel’s speculation on just why he became so central a feature of Soviet life. A fascinating read for all interested in understanding the final years of the Cold War, the power of radio, or the role of what has been termed Soft Power in international relations."— Nicholas J. Cull, Professor of Public Diplomacy, University of Southern California“With the creation of any new medium—newsprint, radio, television—propagandists learn first how to exploit it for their own purposes. In our own era of ‘fake news,’ disinformation, and the ongoing political assault on truth, we’ve seen this play out over the Internet. But be careful: because the ‘soft power’ of popular familiarity with any new technology often undermines the clunky, cloying voice of the ideologue, in favor of the cool, revolutionary voice of popular culture. In this engaging tale of the life of Seva Novgorodsev—and how his popular BBC broadcasts helped lead to the downfall of the Soviet empire—Michelle Daniel weaves a narrative tale that is compelling and instructive, full of lessons about how the human need for truth and authenticity triumphs. While this book will surely appeal to Russia scholars and historians alike, it deserves a wide audience, for it reads like a novel and tells a story that is especially important in our own cultural moment. What can we learn from the early ‘weaponization’ of radio to amplify propagandistic falsehoods—then seeing this turned back on itself as young people discovered the pleasure of listening to rock ‘n’ roll music—that can be applied to today's disinformation war? Plenty, for we now face an age-old beast in new clothing: the human desire to lie for political profit, up against the indomitable spirit of today's young people, whose heroes are still emerging in this digital era.”— Lee McIntyre, author of Post-Truth“Rock 'n' roll was a revolutionary movement in the West. Behind the Iron Curtain, however, it also played an inordinate role in helping to change culture, politics, and society. Michelle Daniel's book is a welcome volume that adds to our understanding of how music and radio waves—amplified by Seva Novgorodsev—were able to work their way through the semi-permeable membranes of otherwise seemingly impenetrable Cold War borders and mindsets.”— Markos Kounalakis, Ph.D., former Radio Sweden International shortwave radio producerTable of ContentsPrefaceIntroduction: Radio, Rock ‘n’ “Role” Part One: 1917-761. The Great Wireless Experiment2. The Sounds of War3. Big Waves4. Birth of the Cool5. Rocket Around the Clock6. Between Jazz and a Hard Rock Place7. After ‘While, KrokodilPart Two: 1976-918. Smoke on the Water9. Round Midnight10. It’s a Hard Rock Life11. The Barbarossa of Rock ‘n’ Roll12. Red Waves on the “Cinderella Hour” 13. (I Can’t Get No) Satisfaction14. Highway to Hell15. Welcome to the Jungle16. It’s the End of the World as We Know ItConclusionAcknowledgementsBibliography

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