Biography: arts and entertainment Books

Book SynopsisA Life with Colour is the first complete survey of Gerard Wagner's biography and his artistic intentions, featuring dozens of illustrations and more than 120 colour plates. The life and work of Gerard Wagner (1906-1999) were closely aligned to the artistic-spiritual stream connected with the Goetheanum in Dornach, Switzerland. He first heard of the Goetheanum - and of its destruction by fire at New Year 1922/23 - whilst still a youth. In 1926, he made his first visit to Dornach, but his intended stay of a week turned into a lifelong sojourn of over 73 years. He found there an active, striving community with which he felt intimately connected. From the start, Gerard Wagner immersed himself in the various artistic impulses that Rudolf Steiner had instigated. This, together with an intensive study of anthroposophy, formed the basis upon which he forged his own approach to painting. The many years he spent in colour experimentation led him to discover objective principles within the language of colour and form that are an inspiration to many today. His paintings, first shown at the Goetheanum in the early 1940s, were exhibited internationally, most notably at the Menshikov Palace, Hermitage Museum, St Petersburg, Russia, in 1997. '[Wagner's] whole being bowed before the mystery of colour in a loving, joyful yet serious way, full of devotion and dignity. His life and work itself became a living metaphor of the creative power of colour.' - Christian Hitsch 'Caroline Chanter has not only accomplished a great and seminal study that illuminates the life and work of Gerard Wagner, but has done a great service also to the Goetheanum and its School of Spiritual Science.' - Peter Selg '[Gerard Wagner was] a soul which on earth was devoted so selflessly and in such purity to the beings that are revealed... in forms and colours. He helped them to utterance and manifestation in this world of ours.' - Sergei O. Prokofieff

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Book SynopsisAlvar Aalto remains Finland's greatest architect, retains his place among the Modern Masters of twentieth-century architecture and is now recognized internationally as one of the world's greatest architects of all time. For Finland, Aalto, through his architecture, furniture, glassware and sculpture, contributed perhaps more than any other Finn to the creation of the cultural identity of the new independent Finland and its promotion around the world. His Finnish Pavilions in Paris and New York from the Thirties placed Finland centre-stage, establishing its identity as a modern, innovative country and generated huge interest in this northern land of lakes and forests. He went on to work in 18 countries around the world, as well as designing many of Finland's most important buildings of the 50s, 60s and 70s. This new biography of Aalto is the first to comprehensively cover his life, from the backwoods of Ostrabothnia to international fame and all of his buildings, from the early alterations and extensions to shops and houses in Jyvaskyla to Finlandia Hall.It draws on Aalto's archive, recollections of former employees and contemporaneous publications to fully explore Alvar Aalto the architect, rather than simply Alvar Aalto's architecture. For the first time, his life is set in the context of the events that surrounded and shaped it - the Finnish Civil War, the Great Depression, The Winter and Continuation Wars, the post-war boom in education, Finland's industrialisation and eventually the social revolution of the 60s which led to his characterization as a member of a Finnish elite and temporary unpopularity. It covers his life from his childhood, growing up in regional Jyvaskyla and Alajarvi, his architectural studies in Helsinki, combat in the Civil War through to the founding of his first office, his early neo-classical work and his international breakthrough with the completion of Paimio Sanatorium and Viipuri Library. It deals with his personal life, his marriage to Aino, what working life in his first office was like, the architectural competitions, his key friendships and continuous financial difficulties.As his career progressed, it explores the patrons who were so important to him - the Gullichsens and the founding of Artek, his new American friends, professorship at MIT. After the war, the death of Aino, marriage to Elissa and the period of his greatest architectural achievements - Saynatsalo Town Hall, Otaniemi University and Imatra Church. It considers the organisation of his new office in Helsinki, his expanding team, fame and eventually vanity. The book seeks to understand what drove him, the combination of skills, talents and character traits, which led to his extraordinary global success. As you will be aware, there is no shortage of books on Alvar Aalto, or to be more precise, there is no shortage of books on Alvar Aalto's Architecture. (Only one previous biography exists, published first in 1984 and now out of print). This book is about an architect and his architecture, written by another architect, not an architectural historian. It is the first, frank and fully-comprehensive biography of Alvar Aalto.

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Book SynopsisA musical composer who dabbled in the Dada movement, a Bohemian gymnopediste of fin-de-siecle Montmartre, and a legendary dresser known as The Velvet Gentleman for his sartorial choices, Erik Satie was nearly unprecedented in technique, style and philosophy among European composers in the early twentieth century. Yet his legacy has largely languished in the shadows of Stravinsky, Debussy and Ravel. Mary E. Davis now brings Satie to life in this fascinating new biography that demonstrates that his musical innovations reached as far as his influence. Satie redefined the boundaries of the composer's art, devising new methods of artistic expression that melded ordinary elements and rarefied genres of words, visual art and music. Davis argues that Satie's modernist aesthetic was grounded in the contradictions apparent in his life such as enrolling in the conservative Schola Cantorum after working as a cabaret performer and is reflected in his irreverent essays, drawings and music." Erik Satie" explores how the composer was embraced by both the avant-garde and Parisian elite, an experience that immersed him in the worlds of high fashion and cutting-edge modernist art, and subsequently gave him the aesthetic impetus to create the new musical style of Neoclassicism. Satie also crucially employed the power of the image through his infamous fashion statements, Davis contends, to establish his place in the art world, and in this connection between couture and culture, Satie was at the heart of a nascent celebrity culture. A fascinating and informative portrait, with numerous illustrations that include art by Satie himself, "Erik Satie" reassesses the accepted history of modernist music and restores the composer to his rightful pioneering status.Trade Review'A welcome reassessment of Satie that places him at the hub of radical events' - Classic FM Magazine '[this] slim, yet powerful biography ... Mary E. Davis's fascinating biography adds much to our understanding about this enigmatic yet crucial modernist figure.' -Modernism/Modernity 'a lucid, elegantly written biography and a distinguished addition to the general literature on the composer ... the book's greatest asset is Davis's consistent focus on the complex social milieu of Satie's career and ways that this fertile environment shaped and defined his work. Her exploration of the symbiotic relationship between music, art, and fashion provides a solid foundation for the examination of similar issues with composers from France and beyond. Erik Satie is a welcome step in that direction.' - Notes

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Book SynopsisThe first book ever on the classic British rock band UFO. Based around the author's many interviews with all the key players such as Phil Mogg, Pete Way & Michael Schenker. Noted author Martin Popoff takes you through the Schenker era in great detail; album-by-album, song by song along with touring anecdotes and of course, tales revolving around the wild and excessive behaviour that was very much a part of the band. Rounding if off is a full discography.

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Book SynopsisStanley Baxter delighted over 20 million viewers at a time with his television specials. His pantos became legendary. His divas and dames were so good they were beyond description. Baxter was a most brilliant cowboy Coward, a smouldering Dietrich. He found immense laughs as Formby and Liberace. And his sex-starved Tarzan swung in a way Hollywood could never have imagined. But who is the real Stanley Baxter? The comedy actor’s talents are matched only by his past reluctance to colour in the detail of his own character. Now, the man behind the mischievous grin, the twinkling eyes and the once- Brylcreemed coiffure is revealed. In a tale of triumphs and tragedies, of giant laughs and great falls from grace, we discover that while the enigmatic entertainer could play host to hundreds of different voices, the role he found most difficult to play was that of Stanley Baxter.Trade Review'I f**king love Stanley Baxter.' - Billy Connolly Praise for Stanley Baxter ‘Stanley Baxter is my comedy hero. He had big ideas and he fought for the money to do them. Then when he’d had enough he just walked away.’ – ALAN CUMMING ‘I don’t know anybody that doesn’t think Stanley Baxter is a genius.’ – JONATHAN ROSS ‘I really don’t think the phrase ‘out of this world’ fits anyone better than it does Stanley Baxter.’ – FORD KIERNAN

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Book Synopsis‘Kevin does what I pretend to do. Kevin’s a proper musician.’ David Bowie‘Kevin Armstrong has been around, and around.’ Iggy PopGrowing up in a world of punk squats and the London pub-rock scene, suburban rookie guitarist Kevin Armstrong found himself signed to EMI as a solo artist in the early 80s, but fate had other plans for him, his life and career changing in an instant when he was called for a studio date with an unnamed star at Abbey Road.That unnamed star was soon revealed to be David Bowie, and that afternoon’s recording catapulted this unlikely lad onto the world’s grandest stages alongside some of the biggest names in the business. Kevin has gone on to carve out a singular career as a producer, songwriter, and guitarist, performing live and recording with everyone from Grace Jones to Paul McCartney, Iggy Pop to Roy Orbison, Sandie Shaw to Alien Sex Fiend.Absolute Beginner is the story of what it takes to survive as a self-taught musician. It provides an honest and funny glimpse into the backstage world of the artists Kevin has worked with, and is packed with acerbic, laugh-out-loud observations on popular music and musicians from someone who has had a prime seat at the high table of rock’n’roll for more than forty years.

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Book Synopsisn 1958, a talented young musician by the name of Harry Webb adopted a new stage name - and as the saying goes, the rest is history. Cliff Richard, first with The Drifters and then backed by The Shadows, dominated the British music scene in the late 1950s and early 60s with memorable hits such as Move It, Living Doll and Summer Holiday.He was the UK's answer to Elvis, and led a group of artists that included the likes of Tommy Steele and Marty Wilde as they took the nation by storm with their new and exciting rock 'n' roll sensation.But, while the popularity of others would be replaced by Beatlemania, Cliff was only just getting started. As time's moved on he''s adapted his style to softer rock and middle-of-the-road pop, and an increased focus on his faith has even seen him venture into contemporary Christian music.In an unrivalled career that has now spanned six decades, Cliff has enjoyed unprecedented chart success, came agonisingly close to a Eurovision Song Contest win and has cemented himself as one of the best-selling British performers of all time.This special picture-packed edition explores his 60 years at the top, and celebrates the life and times of a true music legend.

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Book SynopsisA grinding celebration of the metal gods Judas Priest in all their sumptuous glory. A photo-stuffed coffee table book with the entire fifty plus year history in meticulous timeline order - a rock-hard reference book, with the facts presented mostly soberly and efficiently. This book contains all manner of facts that also takes a detailed look at offshoot bands and side-projects throughout the visually stunning pages.

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Book SynopsisRobbie Williamsis the perfect choice for the very first Path to Fame book. Robert Peter Williamsdid not become Robbie until, aged sixteen, he joined a bunch of boy bandhopefuls who eventually made it to the very top as Take That.

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Book SynopsisBorn in 1852 in a small coastal town in Scotland, Helen D’Oyly Carte, through academic brilliance and an incredible talent for ‘managing chaos’, developed and ran the world’s foremost top entertainment and hospitality organisation with her husband, Richard D’Oyly Carte (known as D’Oyly). By the age of 30, she was running five Gilbert & Sullivan companies for the Savoy Group in the United States, crossing the Atlantic thirty times, and for the next three decades she ran the Savoy Theatre, the Savoy Hotel, Claridges and Simpson's-in-the-Strand. She was the only one trusted by the prickly, brilliant William Gilbert and Arthur Sullivan, to keep them from breaking apart, as they so regularly wanted to do. From a conventional upbringing, she chose to remain in London after the emigration of her family to Australia, first as an actress, then working alongside D’Oyly – she took over the reins as he became ill in the late 1880s. Until her death in 1913, she flourished and was famous, interviewed and admired, in a competitive, vibrant London that was the centre of world power and commerce. Queen of The Savoy charts Helen’s course from Wigtown to the West End, where running a company with hundreds of employees, led to her fame and fortune. The artists Whistler and Sickert were friends and immortalised her in portraits. She was known in her time as the true founder of the Gilbert and Sullivan franchise and this biography will bring to light, some 110 years after her death, the extraordinary role that she played in one of Britain’s greatest success stories.Trade Review‘This lively account of the life of Helen D’Oyly Carte is an extraordinary journey through the arts and business in Victorian and Edwardian Britain, as seen through the eyes of the ‘Queen of the Savoy’. Surfacing the stories of women who have often been rendered invisible is dependent on painstaking research. Elisabeth Kehoe has left no stone unturned in her excavation of the life story of this exceptional woman - an act of tenacity by the author that matches the essence of the subject of this fascinating book.’ - Professor Jo Fox, Pro Vice Chancellor (Research and Engagement) and Dean of the School of Advanced Study, University of London

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Book SynopsisDuring his 1920s heyday, Arnold Bennett was one of Britain’s most celebrated writers. As the author of The Old Wives’ Tale and Clayhanger he was a household name, writing just as much for the common man as London’s literati. His face was plastered over theatre hoardings and the sides of West End omnibuses. His life represents the ultimate rags-to-riches story of a man who ‘banged on the door of Fortune like a weekly debt collector’ as one of his obituaries so vividly put it. Yet for all his success, few were aware how cursed Bennett felt by his life-long stutter and other debilitating character traits. In the years running up to his death in 1931, his affairs were close to collapse as he fought a losing battle on three fronts: with his estranged wife; with his disenchanted mistress; and from a literary perspective with Virginia Woolf. As the first full length biography of Bennett since 1974, the work draws on a wealth of unpublished diaries and letters to shed new light on a personality who can be considered a ‘Lost Icon’ of early Twentieth Century Britain.Trade Review“Hated by Woolf, but this life of Arnold Bennett proves the literary snobs wrong” The Sunday Times “Excellent book” A.N Wilson, The Spectator "First-rate biography" Roger Lewis, Daily Mail "sheds new light" Margaret Drabble, The Times Literary Supplement "This excellent book puts Bennett back on the map" Simon Heffer, The Telegraph "absorbing biography" D J Taylor, Literary Review "a work that must now displace [Margaret Drabble's] as the standard account of the novelist's life" Revd Dr John Pridmore, Church Times

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Book SynopsisGet your backstage pass to the world-famous Rockfield Recording Studios in Monmouth, Wales. Featuring frank and funny interviews with the artists who recorded there and studio staff, Rock Legends at Rockfield reveals the fascinating stories behind some of the world’s best-known and loved rock albums and records, including Oasis’s What’s the Story (Morning Glory), a number of Queen songs including Killer Queen and Bohemian Rhapsody, and Motörhead’s first recordings. This new edition will be fully revised and updated with new chapters on the artists who have recorded at Rockfield since 2007, including new interviews with bands such as Thunder, The Dirty Youth, Gun and YES; the Studios’ recent appearances in film and television such as the Oscar-winning Bohemian Rhapsody film and the Rockfield: the Studio on the Farm documentary; and a section on Rockfield’s neighbouring rehearsal studio, Monnow Valley, which later became a recording studio in its own right and has hosted bands such as Black Sabbath. A must-read for anyone interested in rock music and music history.

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Book SynopsisWhen singer, musician, and broadcast journalist Malka Marom was asked to interview Joni Mitchell in 1973, she eagerly accepted the opportunity to converse with the performer she'd first met late one night in 1966 at an open mic in Yorkville. More conversations followed over the next four decades of friendship, and it was only after Joni and Malka completed their last recorded interview, in 2012, that Malka discovered the heart of their discussions: the creative process. In Joni Mitchell: Both Sides Now, Joni and Malka follow this thread through seven decades of life and art, discussing the influence of Joni's childhood, love and loss, playing dives and huge festivals, acclaim and criticism, poverty and affluence, glamorous triumphs and tragic mistakes... This riveting narrative, told in interviews, lyrics, paintings, and photographs, is shared in the hope of inspiring others.Trade Review'There's more than two sides to every story and this charming dialogue will show you that providing a special insight into not just Joni Mitchell but the nature of art itself'.' - Louder Than War; 'Malka Marom's conversations with Joni Mitchell provide an illuminating, candid and sometimes startling insight into the life and work of one of the most remarkable artists of the 20th Century'.' - Record Collector; '......enlightening and candid. A mutual respect floods the pages as Malka gets Joni to open up on a manner of all topics.'' - Gigslutz; 'The pleasures and the pleasures of being a fly on the wall.' - Arts Fuse; 'In the rare interviews she gives, Joni Mitchell doesn't hold back. Mitchell comes across as more candid and outspoken than usual, likely due to the fact that Marom is part of Mitchell's inner circle of friends.' - Quill & Quire

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Book SynopsisA deserted Paris house holds the mystery of a brilliant Viennese modernist who worked alongside Le Corbusier and Adolf Loos before vanishing.Wyeth takes readers on a deeply personal and revelatory journey. This research process, which readers experience vicariously, makes Wyeth’s prose exhilarating as tiny details become breakthroughs of grand proportions. […] For late architect and painter Jean Welz, designs should reflect one’s aesthetic and political commitments. This narrative will resonate with anyone interested in the politics of architecture, or the pursuit of knowledge at large.—Hyperallergic "BEST ART BOOKS OF 2022"Welz’s having been “lost” is indeed a travesty of architectural history to which the book serves as a welcome antidote.—Artforum A leading painter still highly regarded in South Africa, Jean Welz's prior architectural career has been virtually unknown until a string of discoveries unfolded for author and filmmaker Peter Wyeth, allowing him to narrate this amazing true tale of genius. Trained in ultra-sophisticated, but conservative Vienna, Welz was sent to Paris for the 1925 Art Deco exhibition by his influential employer, renowned architect Josef Hoffmann. There he met preeminent modern architects Le Corbusier and Adolf Loos. The latter employed him to assist in building a house for the founder of Dada, Tristan Tzara. They all mixed in avant-garde circles at the Dôme Café in Montparnasse along with Welz’s classmate from Vienna, later Chicago-based architect Gabriel Guevrekian; Welz’s future employer Raymond Fischer, whose archive was mostly destroyed by Nazis; and photographer André Kertész. Through Welz’s South African family archive, author Wyeth retrieves stories, letters, portfolios, and photographs generations after Welz’s death that unravel his heroic designs, his stunning built critique of Corbusier’s “Five Points of Architecture,” a gravestone for Marx’s daughter, and the many ways that Welz disappeared amongst his collaborators, intentionally and not. This account of why Jean Welz did not become a famous name in architecture takes us through his brother’s Nazi-art-dealings, illness, betrayal, emigration, and an uncompromising artist’s vision at the same time sifting through significant, literally-concrete evidence of Welz’s built projects and visionary designs.Trade ReviewPeter Wyeth has masterfully charted architect Jean Welz’s work and trajectory from Vienna to Paris and South Africa, as well as his contacts with remarkable clients, colleagues, artists and photographers. He has at last paid homage to his striking designs, such as the Zilveli villa built in Paris in 1933, which deserves to be inscribed in the narrative of European Modernism. —Jean-Louis Cohen, Sheldon H. Solow Professor in the History of Architecture, Institute of Fine Arts, New York UniversityKnown, if at all, as a much-admired painter in South Africa in the mid-twentieth century, Jean Welz's complex architecture career is now marvelously pieced together for the first time. —Robin Middleton, professor Emeritus, Department of Art History and Archaeology, Columbia UniversityPeter Wyeth's really marvelous book uncovers a highly gifted modernist unknown to the public, whose architecture absorbed the most important ideas of Loos and Le Corbusier. As a filmmaker, Wyeth combines a sharp analysis of Europe's artistic movements between the two wars with refreshing personal insights to create a fascinating portrait that is both fluid and easy to read. —Burkhardt Rukschcio, author of Adolf Loos: Leben und WerkOne of the last testimonies of modernism in intramural Paris is the the Maison Zilveli by the Viennese architect Jean Welz, near Adolf Loos and the Roche du Corbusier house. […] British filmmaker Peter Wyeth, very involved in the preservation of the house, explains that “it is very rare to have a modernist house that has remained unchanged: it is a real case study.” —Le Journal des Arts Jean Welz and his architecture do exist! Let's hope his architecture survives and defies ignorance. — Richard Klein, architect, professor, chair of docomomo FrancePeter Wyeth is to be commended not only for rediscovering Jean Welz and his work but also for reconstructing the network of interactions, innovations and transmission of ideas that constitute the real history of architecture. —Tim Benton, professor and author of The Villas of Le Corbusier and Pierre Jeanneret 1920–1930This vivid and remarkable excavation of the life and work of the Viennese-born architect Jean Welz is a splendid contribution to the history of modernism. Welz was closely connected with two of the titans of the age, Le Corbusier and Adolf Loos, but, even more, he was an excellent architect, whose work was sensitive, beautiful, and inventive. Wyeth tells his story well, bringing known aspects of the tale of modern architecture into sharper focus, while adding much that is new. —Christopher Long, professor, University of Texas at Austin and author of The New Space: Movement and Experience in Viennese Modern ArchitectureTable of ContentsThe Mystery of Jean Welz Part I: Invisible Jean Welz Does Not Exist Le Château Moche — Paris, Christmas Day 2012 The Tradouw Pass — 1940 Part II: Vienna Finis Austriae — Vienna, October 1918 Josef Hoffmann and The First Wave Adolf Loos and the Second Wave Hans Welz Architect Part III: Paris Art Deco — Paris, 1925 The Guevrekian Letter The Third Man Mallet-Stevens / Le Corbusier / Jean Welz Raymond Fischer Le Chemin Aérien / The Aerial Way “Un Nègre Viennois” Part IV: Oeuvre The Portfolio House for an Artist Inondation — Montauban, 1931 Maison Landau A Minimum House Villa Darmstadter —1932 Oswald Haerdtl — 1932 Maison Zilveli — 1933 Mont D’Or and Pavillon D’Autriche The Unbuilt Part V: Tales A Tale of Two Balconies A Tale of Two Brothers The Dealer and the Artist Corbusier’s Note The Martienssen Affair A Tale of Three Monuments Part VI: Jean House on the Lake The Dialogues of Jean Welz Pains and Pleasures of Anonymity A Solitary Adventure The Character of Jean Welz Christensen Gallery Inger Welz Zilveli Destroyed Appendices After Architecture South Africa Addendum Bibliography Index Acknowledgments Plates

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Book SynopsisFabulously dressed with a flair all his own, unapologetic yet vulnerable, talented yet supremely humble: Harry Styles is a cultural phenomenon and icon for our times. This photo-packed, gold-foiled luxe gift book celebrates the global superstar’s impact on music and fashion and how his choice of positive and authentic self-expression and tolerance has helped redefine modern masculinity and celebrity worldwide. Divided into three sections - each with a short introduction about the music, the fashion, and the joyful magic of his appeal - this amazing collection of Harry’s signature moments includes: The Met Gala and his Gucci sheer pussy-bow black blouse and heeled boots, The sparkling Coachella performance with Shania Twain, The incredible launch of the #1 hit and video, As It Was, His stunning appearances at red carpets, the Grammys, BRIT Awards, and more! If a person could be a smile, then that would be Harry - and that essence of Harry is what this exciting book captures. Stylers and Harries will adore and treasure this keepsake. Contributors include: Alex Bilmes, British journalist and editor-in-chief of Esquire UK, Aya Kanai, the noted fashion editor and Head of Creative and Editorial at Google Shopping, Jem Aswad, senior music editor at VarietyTrade Review"While you can’t actually bring the 'Cherry' singer home, this book is the next best thing...."–Billboard.com"...An exciting project about your fave whimsical suit-wearing musician that’s filled to the brim with amazing pics of Harry throughout his already long career (he’s only 29, but he’s lived, like, seven lives, mmkay?)."–Cosmopolitan.com"A stunning new photo-packed book" –E! News"This book would be a fantastic gift for your Styles-loving friend or family member...."–Eugene Weekly"If you were one of the millions to see Harry Styles shimmy in glitter and fur during his 'Love on Tour' jaunt earlier this year and are looking to recreate the magical moment, you’ll want to get your hands on [this book]."–Variety.com

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Book SynopsisIn 1926 22 year - old Dutchman Willem de Kooning (1904 – 1997) travelled to the USA on a British freighter – without papers and hidden in the machine room. The young art student eked out a living by painting houses, signs and façades, before he was able aft er eight years to dedicate himself entirely to painting. In the United States he established contacts with the art scene and forged friendships with artists such as Arshile Gorky, Franz Kline, Clifford Still, Jackson Pollock, and Mark Rothko. Today De Ko oning belongs to the outstanding painters of Abstract Expressionism and together with Jackson Pollock is regarded as a pioneer of Action Painting. This publication vividly examines De Kooning’s life, marked by self - doubts, successes, new beginnings, excess es, and scandalous paintings, as well as the evolution of his artistic work. In addition, author Corinna Thierolf opens up exciting perspectives on De Kooning’s work by revealing entirely new, surprising relationships with the works of fellow artists such as Franz Marc, Piet Mondrian, or Wassily Kandinsky.

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Book SynopsisExplores the life and career of one of Hollywood's great dames.

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Book SynopsisWhat makes a work of art a masterpiece? Discover the answers in the fascinating stories of how these artworks came to be and the circumstances of their long-lasting impact on the world. Beginning with Botticelli’s The Birth of Venus, we travel through time and a range of styles and stories – including theft, scandal, artistic reputation, politics and power – to Warhol’s Campbell’s Soup Cans, challenging the idea of what a masterpiece can be, and arriving in the twenty-first century with Amy Sherald’s portrait of Michelle Obama, a modern-day masterpiece still to be tested by time.   Each artwork has a tale that reveals making a masterpiece often involves much more than just a demonstration of artistic skill: their path to fame is only fully disclosed by looking beyond what the eye can see. Rather than trying to describe the elements of greatness, Making a Masterpiece takes aTable of ContentsIntroduction Birth of Venus Sandro Botticelli Mona Lisa Leonardo da Vinci Judith Beheading Holofernes Artemisia Gentileschi Girl with a Pearl Earring Johannes Vermeer The Great Wave Katsushika Hokusai Fifteen Sunflowers Vincent van Gogh Woman in Gold Gustav Klimt American Gothic Grant Wood Guernica Pablo Picasso Self-Portrait with Thorn Necklace and Hummingbird Frida Kahlo Campbell’s Soup Cans Andy Warhol Michelle Obama Amy Sherald Endnotes Select Bibliography Index Picture Credits Acknowledgements About the Author

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Book SynopsisLaunching a new series, What Coco Chanel Can Teach You About Fashion breaks down Coco Channel's life, work and legacy into 36 highly visual lessons. Covering the iconic looks, Chanel's inspiration and the details that define her sartorial tastes.

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Book SynopsisA fully illustrated account of Van Gogh's time at the asylum in Saint-Remy.Table of ContentsA Note to the Reader Preface Prologue: Two Brothers, Two Lives 1. Arrival 2. Enclosed Garden 3. Life Inside 4. Alienists 5. Wheatfield 6. The Stars 7. Beyond the Walls 8. Olive Groves 9. Cypresses 10. Fellow Travellers 11. Crises 12. Mirror Images 13. Transforming into Colour 14. Memories of the North 15. Almond Blossom 16. Isolated Postscript I: The Asylum after Van Gogh Postscript II: Imprisoned in Russia On the Trail of Van Gogh Chronology Endnotes Select Bibliography Index Picture Credits Acknowledgements

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Book SynopsisPeek inside the life and career of John Wayne, or "The Duke," in this amazingly detailed book, featuring a review of the top 10 Wayne movies for each decade. Learn how he became a star, how he got along with his co-stars, his political influence and ambitions, his foray onto the small screen, and ultimately his diagnosis of incurable cancer.

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Book SynopsisA captivating and definitive account of the final days of Van Gogh''s life and the incredible story of what followed. Divided into three parts, the book first examines the eventful days from the artists’ departure from the asylum in Saint-Remy and arrival in Auvers until the shooting which brought his life to an end. During this time Van Gogh completed 74 paintings in 70 days.The second part delves deeper into the story of the artist’s death, which has intrigued both experts and the public for years, revealing little-known stories and uncovering overlooked accounts.We then follow the story of how Van Gogh subsequently rose from relative obscurity to international renown and ultimately fame as one of the most recognisable and popular artists in the world.Leading Van Gogh specialist Martin Bailey writes with insight and intelligence, bringing these fateful days to life with

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Book SynopsisThe Grand Budapest Hotel and Moonrise Kingdom have made Wes Anderson a prestige force. Rushmore and The Royal Tenenbaums have become quotable cult classics. Yet every new Anderson release brings out droves of critics eager to charge him with stylistic excess and self-indulgent eclecticism. Donna Kornhaber approaches Anderson''s style as the necessary product of the narrative and thematic concerns that define his body of work. Using Anderson''s focus on collecting, Kornhaber situates the director as the curator of his filmic worlds, a prime mover who artfully and conscientiously arranges diverse components into cohesive collections and taxonomies. Anderson peoples each mise-en-scéne in his ongoing ''Wesworld'' with characters orphaned, lost, and out of place amidst a riot of handmade clutter and relics. Within, they seek a wholeness and collective identity they manifestly lack, with their pain expressed via an ordered emotional palette that, despiteTrade Review"A readable and insightful analysis of a vital contemporary filmmaker . . . Highly recommended."--Choice "A decisive account of Anderson's movies, alive to their obvious charms, undaunted by their limits, and dedicated to activating their hidden potentials. This slim volume is both a sure introduction to Anderson's cinema and an authoritative reframing of the critical consensus. Anderson is the cinematic collector par excellence, and in this beautifully written study, Kornhaber plunges into the causes and consequences of that obsession in new and trenchant ways."--J. D. Connor, author of The Studios after the Studios: Neoclassical Hollywood, 1970–2010Table of ContentsCoverTitleContentsAcknowledgmentsA Collector's CinemaThe Reorganization of Life: An Interview with Wes AndersonFilmographyBibliographyIndex

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Book SynopsisTrade Review"One of American Institute of Graphic Arts’ Top 50 Books / 50 Covers of 2021"

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Book SynopsisTrade Review"An account of unprecedented depth about a time quickly fading from memory, for aficionados of the avant-garde." * Library Journal *

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Book SynopsisTrade Review"A Times Literary Supplement Book of the Year 2021""Longlisted for the Kraszna-Krausz Book Award, Moving Image Category""Longlisted for the National Translation Award, American Literary Translators Association""A revelation, a trove of snappy pieces that give the reader tantalizing glimpses of the mature film satirist."---Marc Weingarten, Washington Post"The brightest moments here let you watch a little more of the human comedy through Billy Wilder’s eyes. Few saw it as clearly he did or had more fun writing it down."---Jeremy McCarter, Wall Street Journal"Readers who come to Billy Wilder on Assignment to find the seeds of the films for which he is famous—nearly all of them, one assumes—will not be disappointed."---Ryan Ruby, Bookforum"A delicious compilation."---Tobias Grey, Financial Times ​​​​​"The most successful story in this collection, ‘Waiter, a Dancer, Please!,’ about being a hoofer for hire at a big hotel, is waspish and (if you allow for the choppy sentences) jazz-era excitable, New Yorker–ish, with a self-deprecating turn and a fairly urbane sense of the perfectly ridiculous."---Andrew O'Hagan, New York Review of Books"Long before he became the celebrated filmmaker of 'Sunset Boulevard,' 'Some Like It Hot' and 'The Apartment,' a young Billy Wilder worked briefly as a dancer for hire in the ballroom of a fashionable Berlin hotel. As he described the endeavor . . . for a German newspaper in 1927, 'This is no easy way to earn your daily bread, nor is it the kind that sentimental, softhearted types can stomach. But others can live from it.' Wilder’s observations on his experience—from one of his many delightfully acerbic pieces of journalism anthologized in Billy Wilder on Assignment . . . get to the heart of our enduring obsessions with show business and the performing arts."---Dave Itzkoff, New York Times"Sharp and witty. . . . Full of glorious turns of phrase, entertaining narratives, and quirky characters. . . . . Thumbing through Wilder’s essays from the 1920s will make you feel as if you are enjoying yourself at a German coffeehouse, catching up on popular culture, and planning your next weekend adventure in the Weimar Republic. Isenberg and Frisch have done a great service for film historians and fans of classic Hollywood."---Chris Yogerst, Los Angeles Review of Books"An irresistible collection of articles, profiles, and reviews from Wilder’s salad-und-bratwurst days in Berlin, where he worked as a roving journalist, critic, and scene-maker between 1926 and 1930. . . . Isenberg is an expert guide to the Berlin-to-Hollywood axis, and Frisch is a veteran translator."---Thomas Doherty, Tablet Magazine"Billy Wilder on Assignment is, as my colleague, TIME Magazine film critic Stephanie Zacharek kvelled to me in an email, ‘the little book you didn’t know you needed.'"---Jordan Hoffman, Times of Israel"A must-read for film buffs and history aficionados alike."---Tobias Carroll, Inside Hook"This new volume takes in the most significant staging posts of Wilder’s early career."---Gavin Plumley, Literary Review"[Wilder] quickly moved on to Berlin and became a prolific writer of occasional pieces for papers such as Der Querschnitt and the Berliner Börsen Courier. Selections of these articles have been published before but are long out of print, and were never translated into English. Now, thankfully, Professor Isenberg of the University of Texas has put this frustrating situation to rights with a lively anthology, translated by Shelley Frisch into a brisk, punchy English which feels as though it must be an accurate reflection of the young Wilder’s original tone."---Jonathan Coe, Spectator"The opportunity to read Wilder’s journalism in English is welcome. . . . What’s particularly impressive, even slightly eerie, is how many times this young film buff and Americanophile wrote about people he would later work with in Hollywood." * Bookforum *"A delightful and illuminating collection."---Sam Wasson, Air Mail"There is no question that Billy Wilder on Assignment is the most historically important recent book exploring the early days of a major filmmaker. It compiles, for the first time, Wilder’s writings as a young freelance reporter in 1920s Berlin and Vienna. The result is an incredible glimpse of Wilder’s mind at a key age."---Christopher Schobert, The Film Stage"Billy Wilder On Assignment . . . explores the roots of one of Hollywood’s most accomplished and acclaimed directors in the fervid journalistic atmosphere of Central Europe between world wars. . . . Shelley Frisch—one of the nimblest and liveliest translators working today—renders Wilder’s journalism into an English that leaps off the page with deadline urgency. . . . Isenberg's collection offers those interested in the Golden Age of Hollywood valuable new insight into one of its most significant personalities. It is also a vivid account of the vanished world that helped shape Billy Wilder." * Wilson Quarterly *"Let it be said that Billy Wilder on Assignment – Dispatches from Weimar Berlin and Interwar Vienna, is an altogether wonderful read. In fact it reads as if a fine, literary, malt-whiskey."---David Marx, David Marx: Book Reviews"The new anthology Billy Wilder on Assignment proves Wilder's verbal and narrative gifts existed long before he set foot in Hollywood during the 1930s."---Dan Lybarger, Northwest Arkansas Democrat Gazette"Readers will have fun picking out elements, traits and incidents in these lively witty texts and attempting to match them with Wilder’s later cinematic masterpieces."---Alexander Adams, Alexander Adams Art"Billy Wilder on Assignment . . . provides a long-overdue translation of Billy Wilder’s early writings in German. . . . The anthology will be of interest to both the academic and general public."---Nora Gortcheva, EuropeNow"Very nice."---Tom Stoppard, Times Literary Supplement"In this first English-language compilation of Wilder’s early journalism . . . we can see the mischievous humour and love of snappy dialogue characteristic of his later movies."---Monica Porter, The Jewish Chronicle"Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna is a revealing collection of his lively reportage from those two cities. . . . [The book] create[s] a portrait of a man who is so much more complex than a mere cynic."---Kevin Lally, Cineaste Magazine"“Billy Wilder on Assignment is a beautifully assembled collection of the early writings of a master storyteller whose body of work has entertained moviemakers and movie watchers for generations."---Leonora Cravotta, American Spectator

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Book SynopsisAlthough Franz Kline was one of the seminal figures of the American Abstract Expressionist movement, he is less well known than contemporaries such as Jackson Pollock and Willem de Kooning. This is partly because Kline, unlike most artists in his circle, did not like to write or talk about his own art. In fact, when asked in a panel to discuss abstract art, Kline said, "I thought that was the reason for trying to do it, because you couldn't [talk about it]." Still, his impact was such that the critic and art historian April Kingsley wrote, "Abstract Expressionism as a movement died with him." This volume, the newest addition to the Artist's Materials series from the Getty Conservation Institute, looks closely at both Kline's life and work, from his early years in Pennsylvania to his later success in New York City. Kline's iconic paintings are poised on a critical cusp: some have already undergone conservation, but others remain unaltered and retain the artist's color, gloss, and texture, and they are surprisingly vulnerable. The authors' presentation of rigorous examination and scientific analysis of more than thirty of Kline's paintings from the 1930s through the 1960s provides invaluable insight into his life, materials, and techniques. This study provides conservators with essential information that will shape future strategies for the care of Kline's paintings, and offers readers a more thorough comprehension of this underappreciated artist who is so central to American Abstract Expressionism.Trade Review"This book is an essential addition to the Franz Kline literature as well as the scholarship on painting conservation. It provides the first thorough investigation of Kline's materials and techniques through intensive analysis of a substantial number of works. These technical studies are interwoven with an overview of Kline's biography and historical position."-Robert S. Mattison, author of the catalogue raisonne Franz Kline Paintings, 1950-1962; "Franz Kline's abstract paintings in white and black are among the most celebrated and instantly visually impactful works of the Abstract Expressionist movement. Corina Rogge and her collaborators have produced the first scientific study of Kline's materials and methods. Fluently written and full of new technical analyses, this illuminating book helps us to better see and understand the many different whites, and blacks, and colors that Kline used in his paintings. It will be required reading for serious scholars of Kline, and important for anyone who wants to understand the experimental means by which Kline developed the particular punch of his signature style."-AnnMarie Perl, Associate Research Scholar and Lecturer, Department of Art and Archaeology, Princeton University; “This comprehensive account of the art and career of Franz Kline is a model of sophisticated, multifaceted inquiry. It assesses a mass of documentary and anecdotal information—witness accounts, interviews, the artist’s own statements—while integrating these elements of historical analysis with thorough technical investigations of major works. Questions related to Kline’s problematic 'spontaneity' and 'action,' which have so often devolved into wrangling over terminology, now stand on solid ground due to the convincing material studies conducted by Rogge and her team.”—Richard Shiff, Effie Marie Cain Regents Chair in Art, The University of Texas at Austin

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Book SynopsisMost people know that Marilyn Monroe (1926-1962) was a Hollywood icon, and at one time the most famous movie star on the planet. What, perhaps, they don't know is that she lived in 42 different homes; that she loved Abraham Lincoln with a passion; that she was the first choice for the role of Holly Golightly in Breakfast at Tiffany's; and that her absences while filming Let's Make Love added 28 days to the shooting time and $1 million to the budget. Biographic: Marilyn presents an instant impression of her life, work and legacy, with an array of irresistible facts and figures converted into infographics to reveal the actor behind the movies.

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Book SynopsisA complete new edition of Beethoven's conversation books, now translated into English in their entirety for the first time. Covering a period associated with the revolutionary style of what we call "late Beethoven", these often lively and compelling conversations are now finally accessible in English for the scholar and Beethoven-lover. Ludwig van Beethoven (1770-1827) is recognized the world over as a composer of musical masterpieces exhibiting heroic strength, particularly in the face of his increasing deafness from ca. 1798. By 1818, the Viennese composer hadbegun carrying blank booklets with him, for his acquaintances to jot their sides of conversations, while he answered aloud. Often, he himself used the pocket-sized booklets to make shopping lists and other reminders, including occasional early sketches for his compositions. Today, 139 of these booklets survive, covering the years 1818 up to the composer's death in 1827 and including such topics as music, history, politics, art, literature, theatre, religion, and education as perceived on a day-to-day basis in post-Napoleonic Europe. An East German edition, begun in the 1960s and essentially complete by 2001, represents a diplomatic transcription of these documents. It is a masterpiece of pure scholarship but is difficult to use for anyone who is not a specialist. Moreover, Beethoven scholarship has moved on significantly since the long-ranging genesis of the German edition. These important booklets arehere translated into English in their entirety for the first time. The volumes in this series include an updated editorial apparatus, with revised and expanded notes and many new footnotes exclusive to this edition, and brand newintroductions, which together place many of the quickly changing conversational topics into context. Due to the editor's many years of research in Vienna, his acquaintance with its history and topography, as well as his familiarity with obscure documentary resources, this edition represents an entirely new venture in source studies - vitally informative for scholars not only in music but also in a wide variety of disciplines. At the same time, these oftenlively and compelling conversations are now finally accessible for the English-speaking music lover or history buff who might want to dip into them and hear what Beethoven and his friends were discussing at the next table. THEODORE ALBRECHT is Professor of Musicology at Kent State University, Ohio.Trade Review[T]hese volumes are welcome additions to the literature. They contain much of value for those interested in the last decade of Beethoven's life, particularly concerning his social circle, his daily routine, and his ideas and beliefs. One can only hope that the remaining ten volumes are published soon. -- Marten Noorduin * NOTES, THE QUARTERLY JOURNAL OF THE MUSIC LIBRARY ASSOCIATION *Featured in the10 must-read books for Beethoven 250, * BBC MUSIC MAGAZINE *[A] monumental endeavor. . . . Thanks to Albrecht's Herculean task, the interdisciplinary work of scholars in German studies, linguists, historians, musicologists, anthropologists, and other Beethoven-investigating scholars should and can begin their share of work in trying to make sense of these un-premeditated fragments of premodern life in Metternich-period Vienna. -- Peter Höyng * JOURNAL OF AUSTRIAN STUDIES *A very professional translation...conversations about wine, travel arrangements, the value of bank shares, the best stationery shop for quills, pretty waitresses, a malfunctioning stove, how Karl's Greek examination went...this helps the process of de-mythologizing Beethoven the man - but not devaluing Beethoven the composer. * BRIO *Important and fascinating...the books give a remarkable record of Beethoven's activities during the period, revealing a great deal not only about matters that preoccupied him...but also his daily routine, movements and eating habits. * THE CONSORT *These remarkable documents provide a fascinating glimpse into Beethoven's daily life, activities, interests, concerns, and opinions during his last decade. . . . Theodore Albrecht undertook the formidable task of not only translating all 139 books (Hefte) and presenting them in 'modern conversational American English' but also of providing copious footnotes that clarify identities of writers and details of chronology and context. * THE BEETHOVEN JOURNAL *An extraordinary in-depth portrait of the composer's last years...state-of-the-art scholarship in an enjoyably accessible manner. Five Stars, Michael Church, * BBC MUSIC MAGAZINE *[A] noble effort which for almost 200 years many people have thought important enough to compile. The fact the hefts [books] still exist after two 20th Century wars is amazing. * AMERICAN RECORD GUIDE *A brilliantly accessible piece of scholarship. . . . As they flash from scene to scene, with a huge cast of characters taking turns in the spotlight, these extraordinary little books read like a film script, with a laconic but massive presence at its heart. It's a goldmine for music historians, and a riveting saga for the rest of us. -- Michael Church * BBC Music Magazine *Table of ContentsGeneral Introduction to the English Edition Heft 1 (ca. February 26, 1818 - after March 2, 1818) Heft 2 (March 17, 1819 - after May 15/16, 1819) Heft 3 (November 20, 1819 - ca. December 6, 1819) Heft 4 (December 7, 1819 - December 12, 1819) Heft 5 (December 13, 1819 - December 30, 1819) Heft 6 (ca. January 7, 1820 - January 26, 1820) Heft 7 (ca. January 27, 1820 - February 22, 1820) Heft 8 (ca. February 22, 1820 - ca. March 11, 1820) Appendix A: Descriptions of the Conversation Books in Volume 1 Bibliography

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Book SynopsisThe 25th Anniversary Edition of Keith Green's inspiring biography, revised and updated by his wife, Melody. This expanded biography contains many added stories and insights, never before published photos, extra selections from Keith's private journals, and glimpses into Melody's season of grieving and raising their two surviving children on her own.He was only twenty-eight when he died in a plane crash with two of his small children, but singer/songwriter Keith Green had already created a legacy of music and inspiration that would outlive him. A spiritual revolutionary, he found freedom through Jesus, not religion, and spent his last years convincing others to refuse to accept the status quo and instead to bring compassion and honesty back to the church. He touched people through vibrant lyrics in songs like "Your Love Broke Through," "You Put This Love In My Heart," and "Asleep In The Light." Last Days Ministries, which he and his wife Melody founded, went on to challenge thousands of people to take to the mission fields of the world. Now, on the 25th anniversary of his death, Melody has updated her husband's biography with new photos, essays from current musicians who were influenced by Keith, selections from Keith's private journal, and stories about what it was like raising their two remaining children on her own.

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Book SynopsisIt is so good, after so many years of public indifference, even hostility towards Vincent and his work, to feel towards the end of my life that the battle is won.' JO VAN GOGH-BONGER TO GUSTAVE COQUIOT, 1922It is a sacrifice for the sake of Vincent's glory.' JO VAN GOGH-BONGER ON THE SALE OF THE SUNFLOWERS' TO THE NATIONAL GALLERY, UK, 1924Little known but no less influential, Jo van Gogh-Bonger was sister-in-law of Vincent van Gogh, wife of his brother, Theo. When the brothers died soon after each other, she took charge of Van Gogh's artistic legacy and devoted the rest of her life to disseminating his work.Despite being widowed with a young son, Jo successfully navigated the male-dominated world of the art marketpublishing Van Gogh's letters, organizing exhibitions in the Netherlands and throughout the world, and making strategic sales to private individuals and influential dealersultimately establishing Van Gogh's reputation as one of the finest artists oTrade Review[Luijten] presents a fascinating and detailed account of [Jo van Gogh-Bonger’s] astonishing life … [A] magnificent tribute. -- Martin Bailey * The Art Newspaper *Magisterial. . . . Luijten has produced the most significant addition to the Van Gogh literature in nearly forty years. * New Criterion *Thorough … from which [Jo van Gogh-Bonger] emerges as both formidable and fascinating in her own right. * New Statesman *Art historians say Luijten’s biography is a major step in what will be an ongoing reappraisal — not only of the source of van Gogh’s fame but also of the modern notion of what an artist is. For that, too, is something Jo helped to invent. * Russell Shorto, The New York Times *Compelling … The book brings a remarkable woman to wider notice … The van Gogh brothers were inseparable, in life and death, but thanks to this author’s diligence, Jo now has her place alongside them. -- Michael Prodger * Country Life *[A] superb biography of the … extraordinary Jo van Gogh-Bonger. So much has been written on Vincent van Gogh that you wonder what more can be said. It turns out much more on the woman who was the early driving force behind the Dutch artist’s legacy. -- Jacqueline Riding * The Art Newspaper (Books of the Year) *[An] important biography. -- Elizabeth Lowry * Times Literary Supplement *This revelatory new biography portrays [Jo van Gogh Bonger] as a visionary woman, driven to shake the art world to the core, who took charge of van Gogh’s artistic legacy after the brothers’ deaths. It also sheds new light on the complex history of how public appreciation for the work of van Gogh the artist originated and grew. * The Bookseller *An accessible, immensely researched and vital record of van Gogh-Bonger’s remarkable life … [Jo] ensured that Vincent’s talent and pieces lived on; now her own extraordinary work and legacy are highlighted in this essential book from Luijten. -- Chloe Edwards * Buzz *A fascinating and copiously illustrated biography of van Gogh’s remarkable sister in law. -- John Green * Morning Star *More than a literary biography... Jo’s life and her experiences in the international art world fascinate and enthral. * De Standaard *This incredibly granular account of the life of Jo van Gogh-Bonger finally gives her the credit she deserves. . . . Inspiring. * Artnet *All for Vincent captivates you. It is as if you are a personal witness to the story of a girl from Amsterdam who breaks free from her protective environment and grows into a strong and dedicated woman in a world that is dominated by men. * Trouw *The book provides an ideal compliment to the letters and diaries, fleshing out what is, in the latter case for Jo, a rather fragmentary record, largely preoccupied with what she describes as, 'the mirror of my inner life'. Armed with all the archive material at his disposal, Mr Luijten expertly fills in the gaps using sources that include not only Jo's diaries, but [from] her son, Vincent Willum ... this reader can only recommend [the author's] book. * Journal of Curatorial Studies *It’s massively important. [...] It shows that without Jo there would have been no van Gogh. * Steven Naifeh, author of the bestselling 'Van Gogh: The Life' (2011) and ‘Van Gogh and the Artists He Loved’ (2021) *Table of ContentsIntroduction: ‘An Amsterdam girl’ Part One: A respectable middle-class family—the Bongers, 1862–88 1. A carefree childhood in a harmonious family 2. HBS and training as an English teacher 3. Translator, teacher and love for Eduard Stumpff Part Two: Initiation into art—the Van Goghs, 1888–91 4. Prelude to her marriage to Theo van Gogh 5. Married life and motherhood in Paris 6. Life with the duality of Theo and Vincent Part Three: Boarding house keeper with an attic full of art, 1891–1901 7. Back in the Netherlands—Villa Helma in Bussum 8. Contacts with Jan Veth, Jan Toorop and Richard Roland Holst 9. Playing with fire—Isaac Israëls Part Four: Second marriage and concentrated promotion of Van Gogh’s work, 1901–5 10. Johan Cohen Gosschalk—Villa Eikenhof in Bussum 11. Reviewing books and promoting Van Gogh—back in Amsterdam Part Five: Van Gogh goes from strength to strength, 1905–12 12. A magnificent exhibition in the summer of 1905 13. The art dealers Gaston Bernheim, Paul Cassirer and Johannes de Bois 14. Contracts for publication of Van Gogh’s letters Part Six: Efforts for social democracy and publication of Van Gogh’s letters, 1912–25 15. The Sociaal-Democratische Arbeiderspartij (SDAP) 16. The publication of Brieven aan zijn broeder (Letters to his Brother) (1914) 17. New York-translations of the letters into English 18. A sacrifice for Vincent’s glory Epilogue: ‘An exceptional example for women’ Notes Illustrations Abbreviations Bibliography Acknowledgements Index of Names and Titles

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Book SynopsisThe second book of the series continues the comprehensive review of the life and art of one of the most significant comics and animations artists of all time. Covering the years from the 1960s to Toth''s poignant death in 2006, this lavishly illustrated biography features artwork and complete stories from Toth''s latter-day work at Warren, DC Comics, Red Circle, Marvel, and his own creator-owned properties. It also includes samples of his animation work for Hanna-Barbera, Ruby-Spears, and others, as well as sketchbook pages, doodles, advertising art, and other rarities provided through the cooperation of Toth''s family and his legion of fans. Two of Toth''s best stories are reproduced complete from the original artwork: "Burma Skies" and "White Devil…Yellow Devil." A full-length text biography charts the path from Toth''s increasingly-reclusive lifestyle to his touching re-connection to the world in his final years. Winner of the 2014 Eisner Award for Best Comics-Related Book and Best Publication Design.

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Book Synopsis“Drag embodies the queer possibility that exists within each of us—the infinite ways in which gender, good taste, and art can be lived.” –Sasha VelourThis book is a quilt, piecing together memoir, history, and theory into a living portrait of an artist and an art.Trade Review“Spellbinding. Sasha Velour’s intellect and imagination transcend genre and gender: blending critical theory, LGBTQ+ history, and memoir leaving readers engrossed and verklempt. This book a treatise on the gravitas of glamor, a love letter to drag and queer culture, and one manicured middle finger to the world that shows that we’ve always been and are here to stay. The Big Reveal is canonical camp.” — Alok, author of Beyond the Gender Binary and Your Wound/My Garden "In this showstopping debut...Velour seamlessly mixes rigorous scholarship with inspirational aphorisms and heartfelt anecdotes about finding community and navigating the pitfalls of mainstream success, while enriching the narrative with copious photographs and illustrations. This is a rousing tribute to a revolutionary art form and its practitioners." — Publishers Weekly "Colorful Sasha Velour is redefining drag for a new generation with this knowledgeable book. You go, They!” — John "Lypsinka" Epperson “With a mind as sharp as her eyeliner, Sasha Velour vamps her way across the entire cultural landscape. The Big Reveal is sweeping and seriously entertaining.” — Simon Doonan, author of Drag: The Complete Story and Transformer: A Story of Glitter, Glam Rock & Loving Lou Reed. “From the moment I met Sasha, I immediately I sensed her grasp of creative expression and queer history. The Big Reveal gives us a chance to learn something new about our community, about the world, about art, literature, history, and subsequently maybe even ourselves—all while being entertained. A vibrant and insightful read!” — Miss Peppermint "Sasha Velour's memoir is a must-read for fans of drag, advocates of the LGBTQ community, and anyone looking for a path to revealing their truest self." — Booklist “A unique blending of memoir, personal theory, and well-researched history...Break out the champagne and get ready to celebrate as it is a guaranteed showstopper!” — Book Trib.

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Book SynopsisThe definitive and authorised biography of the artist Vanessa Bell. Even through the lens of the twenty-first century, the story of Vanessa Bell’s life is unorthodox. A powerful magnetic figure, Bell lived at the heart of the Bloomsbury Group and was often the core figure around which the disparate individuals of the movement revolved. Her art and designs – so often overshadowed by her sister Virginia Woolf’s writings and fame and by the interest in her own unconventional life – made a significant contribution to the history of the Bloomsbury Group. Yet, until this authorised biography was written, she has remained a largely silent and enigmatic figure. In this captivating account, acclaimed art historian and biographer Frances Spalding restores Bell to the heart of the Bloomsbury Group, illuminating an exceptional life and the free-spirited circle among which she lived.Table of ContentsList of Plates Preface to New Edition Preface Acknowledgements Always the Eldest 1879–1895 Mrs Young’s Evening Dress 1895–1904 Changing Places 1904–1906 Mr and Mrs Clive Bell 1907–1909 Petticoats over Windmills 1910–1912 Asheham 1912–1914 Granite and Rainbow 1914–1916 One Among Three 1916–1918 At Home and Abroad 1919–1926 Charleston in France 1927–1930 High Yellow 1930–1934 Between Bloomsbury and China 1935–1937 Bitter Odds 1937–1945 The Attic Studio 1945–1961 Notes Bibliography Index

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Book SynopsisHe starts the decade a teenage pop idol. But the one-hit wonder who sang 'Space Oddity' is still very far from becoming the star who will one day define the 1970s. Not when he still has a band to find, a manager to sack, a mentally ill brother to save, a wife to marry and a rival called Marc Bolan to beat. Not when David Bowie still has no idea who or what David Bowie is. Starting at the beginning of Bowie's incredible ten-year odyssey changing the course of pop music, Simon Goddard's bold and expressionistic biography weaves time, space, rock'n'roll and social history to relive Bowie's 1970 - moment by vivid moment.

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