Ballet Books

Book Synopsis___ An innocent woman sent to the Gulag. A passion that gave her the will to survive. ‘Shattering, cinematic and brave’ Simon Morrison, author of Bolshoi Confidential ___ Nina Anisimova was one of Russia’s most intriguing ballerinas and one of the first Soviet female choreographers. Yet few knew that her exemplary career concealed a dark secret. In 1938, at the height of Stalin’s Great Terror, Nina was arrested by the secret police, accused of being a Nazi spy and sentenced to forced labour in a camp in Kazakhstan. Trapped without hope – and without winter clothes in temperatures of minus 40 degrees – her art was her salvation, giving her a reason to fight for her life. As Nina struggled to survive in the Gulag, her husband fought for her release in Leningrad. Against all odds, she was ultimately freed and astonishingly managed to return to her former life, just as war broke out. Despite wartime deprivation and the suffocating grip of Stalin’s totalitarian state, Nina’s irrepressible determination set her on the path to become an icon of the Kirov Ballet. A remarkable true story of suffering and injustice, of courage, resilience and triumph. ___ ‘Nina Anisimova’s story is extraordinary – heroic and harrowing in equal measure, a snapshot of the best and worst of Stalin’s Russia – and Christina Ezrahi does it vivid, gripping justice.’ Judith Mackrell, author of The Unfinished Palazzo ‘Christina Ezrahi vividly charts this brutal and uplifting story, bringing alive an extraordinary resourcefulness and determination to survive.’ Helen Rappaport, author of The Race to Save the Romanovs ‘Christina Ezrahi has uncovered a remarkable, untold episode in Soviet ballet history, which she brings to life through her customary rigorous research, clarity of expression and elegance of prose.’ Baroness Deborah Bull ‘An inspiring tale of survival against the odds. Ezrahi's diligent scholarship casts much-needed light on ballet history's darkest chapter.’ Luke Jennings, dance critic and author of Killing EveTrade Review‘Shattering, cinematic and brave’ Simon Morrison, author of Bolshoi Confidential ‘Nina Anisimova’s story is extraordinary – heroic and harrowing in equal measure, a snapshot of the best and worst of Stalin’s Russia – and Christina Ezrahi does it vivid, gripping justice.’ Judith Mackrell, author of The Unfinished Palazzo ‘Christina Ezrahi vividly charts this brutal and uplifting story, bringing alive an extraordinary resourcefulness and determination to survive.’ Helen Rappaport, author of The Race to Save the Romanovs ‘Christina Ezrahi has uncovered a remarkable, untold episode in Soviet ballet history, which she brings to life through her customary rigorous research, clarity of expression and elegance of prose.’ Baroness Deborah Bull ‘An inspiring tale of survival against the odds. Ezrahi's diligent scholarship casts much-needed light on ballet history's darkest chapter.’ Luke Jennings, dance critic and author of Killing Eve

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Book SynopsisBallet is a detailed guide to creative practice and performance. Compiled by ten leading practitioners, each chapter focuses on an aspect of ballet as a performing art. Together they outline a journey from the underpinning principles of ballet, through an appreciation of different styles and schooling, into the dance studio for practice in class and beyond. With additional insights from highly acclaimed dancers, choreographers and teachers, this practical guide offers advice on fundamental and advanced training and creative development. As well as providing information from dance science research into training well-being, this book supports the individual dancer in their artistic growth, offering strategies for exploration and discovery. Topics include: principles, styles and schooling of classical ballet; fundamental technique and advanced expression; developing versatility and creative thinking; advice on injury management, nutrition and lifestyle; choreography and music and, finally, best practice in the rehearsal studio is covered. 'A wonderfully accessible and comprehensive resource about the individual disciplines involved in ballet.’ Leanne Benjamin OBE, former Principal of The Royal Ballet and international coachTrade ReviewIf I had to recommend just one book to a vocational dance student, it would be Ballet: The Essential Guide to Technique and Creative Practice. In ten chapters, each written by an expert, the book covers the full range of material of which anyone embarking on a career in ballet needs understanding and awareness. Authoritative and clearly laid out, the book is extremely attractive, with lovely pictures, many in colour. This book will empower dance students, enabling them to make informed decisions as they take responsibility for their own development as artists and in doing so, they will ensure that ballet continues to ‘happen’. -- Maggie Watson * Oxford Dance Writers *It's an inclusive and comprehensive guide to the profession and very much of the moment... I would describe it as a 'ballet bible'. What comes across is the need to find the right path for each individual student, dancer or choreographer, and the absolute requirement for versatility, but, above all, an ability to listen and absorb. A very worthwhile read. -- Deborah Weiss * Dancing Times *There are a lot of books that cover the technical aspects of ballet, however Jackson’s book directs the reader through ways that they can develop and deepen their practice even further by highlighting the importance of individuality, versatility, performance and a contextual knowledge. This book would be the most helpful for pre-professional/professional ballet dancers and ballet teachers but could also be helpful as a reference for any dancer due to the large variety of topics covered. -- Rebecca Runchman * One Dance *

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Book SynopsisFor fans of Hidden Figures and The Immortal Life of Henrietta Lacks'The kind of history I wish I learned as a child dreaming of the stage!' MISTY COPELAND'Vibrant, propulsive and inspiring' TIA WILLIAMSHarlem 1969; it's the height of the Civil Rights era and the community is still reeling from the assassination of Martin Luther King. Arthur Mitchell, the first Black principal dancer at the New York City Ballet, takes his protest to the stage and establishes the Dance Theatre of Harlem. Here begins the story of the five extraordinary women at the heart of this book. Both a group biography and a story of a particular time, this is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be. It is about the heart-breaking impact of the AIDS epidemic which claimed the

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Book SynopsisBoth a group biography and a story of a particular time, this is a book about ballet, the enduring allure of ballet for young girls, and about how these pioneers broke into a world that was closed to them and changed ideas of what a classical dancer could be.

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Book SynopsisPrince Siegfried chances upon a flock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night. The evil spirit Von Rothbart, arbiter of Odette’s curse, disguises his daughter Odile as Odette to trick Siegfried into breaking his vow of love. Fooled, Siegfried declares his love for Odile, and so dooms Odette to suffer under the curse forever. Swan Lake was Tchaikovsky’s first score for the ballet. Given its status today as arguably the best-loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov. Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. Since then there has been a succession of productions, the most recent of which was overseen by Anthony Dowell. This 2019 Season sees a new production with additional choreography by ROH Artist-in-Residence Liam Scarlett. Scarlett, while remaining faithful to the Petipa-Ivanov text, will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane. This beautifully produced new Royal Ballet branded book with photographs by Bill Cooper is a collection of exclusive photographs which shines the spotlight on Swan Lake. These exquisite photos feature some of the finest dancers on stage today and give an exclusive insight into the Royal Ballet’s work.Table of ContentsForeword by Kevin O'Hare Introduction by Liam Scarlett Prologue Act I Act II Act III Act IV Production Afterword by John Macfarlane 2017/18 Season Image Captions

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Book SynopsisA beautiful gift book packed with pictures from over twenty productions from the year 2018-19 at The Royal Ballet - a richly illustrated companion to The Royal Ballet company.Table of ContentsWelcome to the Royal Ballet: A Season in Pictures 2018/19 The 2018/19 Season at a Glance Photographs Artists and Staff at the Royal Ballet 2018/19

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Book Synopsis"Captures the resilience of the company." – The i newspaper In March 2020, Liam Scarlett's production of Swan Lake opened at the Royal Opera House, beginning its anticipated 3-month run. That same month, the UK government ordered theatres and arts centres across the country to close immediately as the COVID-19 pandemic starting its fast and destructive spread around the world. At the Royal Opera House, The Royal Ballet Company were furloughed and training programmes quickly set up virtually. Audiences who previously crowded into the venue were confined to their homes, with many switching their engagement to streamed digital performances live from the venue. This changed the audience experience significantly - not only because of the nature of the performance dramatically, but because it brought in new international audiences almost overnight. This book of photographs captures a period unlike any other, a journey that starts with the Company in "normal" times and develops into plans being made for a gradual in-person return to the Royal Opera House under strict COVID safety measures, such as mask-wearing, extensive COVID testing and artists working in "bubbles". Through a selection of striking photographs, the book showcases the remarkable resilience of The Royal Ballet throughout this year, a resilience that's shared by so many arts organisations affected equally dramatically by the pandemic. This Season in Pictures volume contains photographs of classic Royal Ballet productions, including Swan Lake, Coppélia and The Nutcracker, dancers engaged in community projects, socially distanced performances on The Royal Ballet stage, performances with totally empty auditoria and dancers in rehearsal wearing face masks.Trade ReviewCaptures the resilience of the company during this extraordinary period [when theatres were forced to close], with gorgeous photographs of classic productions – ‘Swan Lake’, ‘Coppélia’ and ‘The Nutcracker’ – along with shots of socially distanced performances and dancers rehearsing in masks. * The i newspaper *

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Book SynopsisIn Enlightenment Europe, a new form of pantomime ballet emerged, through the dual channels of theorization in print and experimentation onstage. Emphasizing eighteenth-century ballet’s construction through print culture, Theories of Ballet in the Age of the Encyclopédie follows two parallel paths—standalone treatises on ballet and dance and encyclopedias—to examine the shifting definition of ballet over the second half of the eighteenth century. Bringing together the Encyclopédie and its Supplément, the Encyclopédie méthodique, and the Encyclopédie d’Yverdon with the works of Jean-Georges Noverre, Louis de Cahusac, and Charles Compan, it traces how the recycling and recombining of discourses about dance, theatre, and movement arts directly affected the process of defining ballet. At the same time, it emphasizes the role of textual borrowing and compilation in disseminating knowledge during the Enlightenment, examining the differences between placing borrowed texts into encyclopedias of various types as well as into journal format, arguing that context has the potential to play a role equally important to content in shaping a reader’s understanding, and that the Encyclopédie méthodique presented ballet in a way that diverged radically from both the Encyclopédie and Noverre’s Lettres sur la danse.Trade Review\‘Olivia Sabee provides an important contribution to the study of the circulation of ideas and definitions concerning the art of ballet in Europe in the second half of the eighteenth century. Her publication will be welcomed by specialists of the history of the performing arts, as well as scholars or students interested in the bigger picture of how the encyclopaedic spirit shaped the perception of the arts and served to disseminate new ideas during the Enlightenment period.\’ Béatrice Pfister, Journal for Eighteenth-Century Studies‘[A] valuable resource for scholars focused on dance, documentation, and communication… Sabee’s book reminds us that encyclopedias are works of art, and as such, they deserve our attention as scholars seek to discover how knowledge travels, or rather dances. Theories of Ballet in the Age of Encyclopédie is compelling because it directs us to consider ballet’s theoretical past as unsettled, and the ongoing circulation of texts as an important part of ballet’s history.’ Michelle LaVigne, Dance Chronicle

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Book SynopsisThe story behind the scandalous first performance of one of the most influential works in the history of music, as part of the stunning Landmark Library series. On 29 May 1913, at the Théâtre des Champs-Elysées in Paris, a new ballet by Diaghilev's Ballets Russes, choreographed by Vaslav Nijinsky, received its premiere. Many of the cultural big names of Paris were there, or were rumoured to have been there: Debussy, Ravel, Proust, Gertrude Stein, Picasso. When the curtain rose on a cast of frenziedly stamping dancers, a near-riot ensued, ensuring the evening would enter the folklore of modernism. While it was the dancing that triggered the mayhem, Stravinsky's score contained shocks enough, with its innovations in form, rhythm, dissonance and its sheer sonic power. The Rite of Spring would achieve recognition in its own right as a concert piece, and is now seen as one of the most influential works of the 20th century. Gillian Moore explores the cultural climate that created The Rite, tells the story of the creation of the music and the ballet and provides a guide to the music itself, showing how a scandalous novelty of 1913 became a 21st-century concert staple. As well as considering its influence on 20th-century classical composers, she probes The Rite's impact on film music (including scores for Star Wars and Jaws); its extensive influence on jazz musicians (including Charlie Parker) and by artists as diverse as Weather Report, Joni Mitchell, Frank Zappa and The Pet Shop Boys.Trade ReviewGillian Moore's succinct, lucid and beautifully illustrated book explains the history of this unique musical phenomenon with a keen sense of its broader significance * Literary Review *[Gillian Moore] offers a stylish and concise account of the event... It's one of the strengths of Moore's finely illustrated monograph that it supplies chapter and verse, not only on the score's background and artistic context but also on the amazing subsequent reach of music whose ancestry was so esoteric that Stravinsky could claim it had virtually no tradition behind it and had come to him out of the blue' * Guardian *With its fascinating illustrations and welcoming tone, this is a non-specialist guide by a writer who tells a rattling good tale... Moore's musical and choreographic commentaries are jargon-free and accessible, and her judgments adroit, 5*' * BBC Music Magazine *In her excellent, lavishly illustrated The Rite of Spring, Gillian Moore explains what all the fuss was about, how music and ballet were created, and why Stravinsky's music has had such an enduring influence * Choice magazine *If Moore doesn't convince you of the epochal significance of Stravinsky's brilliant, outrageous fire-starter, you must be damn hard to please. With an intoxicating tone which combines academic authority, rich, detailed description and pure thrill, she explains the history of the piece, the wild myths and characters which come with it, and the explosive impact of its first riotous performance in Paris, 1913 * Big Issue *From a Cocteau line drawing to a Roerich imagined portrait of prehistory to Walt Disney, illustrations consistently stimulate and illuminate; Moore's enthusiasm and trademark clarity are everywhere * Classical Music *[A] compact, beautifully designed and expertly written vade-mecum to The Rite * The Oldie *What Gillian Moore offers is something rather different from these earlier books. Hers is a thoroughly approachable study of The Rite which can readily be enjoyed by readers without technical knowledge [...] but who are seeking a deeper understanding of this pivotal work in the history of music * Gramophone *Though only 208 pages long, it's a more complete picture than usual, written in a clear style, with useful references and footnotes. The handsome, artfully done book includes many photos and colorful images to add to the pleasure of reading... Moore recalls a time when audiences for ballet, opera and classical music felt free to become more visibly involved in a performance. It's a time worth remembering, and Gillian Moore, award winner and Director of Music at the Southbank Centre, describes it well' * Classical Music Daily. *

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Book SynopsisLONGLISTED FOR THE BAILLIE GIFFORD PRIZE 2023 From the author of Apollo's Angels, the first major biography of the figure who modernised dance: an intimate portrait of the man behind the mythology, set against the vibrant backdrop of the century that shaped him Balanchine's radical approach to choreography reinvented the art of dance and his richly evocative ballets made him a lasting legend. Today, nearly thirty years after his death, the man is still so revered that the mysteries of his biography are often overlooked. Who was George Balanchine? Born in Russia under the last Czar, Balanchine experienced the upheavals of World War One, the Russian Revolution, exile, World War Two and the cultural Cold War; he was part of the Russian modernist moment, a key player in Paris in the 1920s, and in New York he revolutionized ballet, pressing it to the forefront of modernism and making it serious and popular art. His influences were myriad. He considered himself Georgian, yet he did not step foot in his ancestral homeland until he was in his fifties. He was deeply influenced by the cold grandeur and sensuous beauty of the Orthodox Church, but equally absorbed by the new rhythms and dance steps coming out of Harlem in the 1930s. He collaborated broadly, with figures like Diaghilev and Stravinsky. A man of muses, Balanchine was married five times, always to young dancers, and consumed by many other loves in between. The difficulties of his life - personal losses, bouts of ill health, debilitating loneliness and dark moods of despair - resonate in his dances, which speak so poignantly of love and loss, and yet the full implications for his art remain unexplored. Now for the first time we look beyond the myth of 'Mr B' - the mask which Balanchine himself helped to create - to see 'Mr B' the man.Trade ReviewWith unique expertise in dance and what it means to dance, Jennifer Homans shows rare insider understanding of Balanchine's inexhaustible creativity... A magnificent and enthralling biography with an epic historical sweep, inflected by the poignancy and sensitivity of an intimate literary portrait * Marina Warner *One of the best stories of a Petersburger coming to America I've ever read. This isn't dutiful biography, this is literature as vibrant and alive as Balanchine's art * Gary Shteyngart, author Our Country Friends and Super Sad True Love Story *Jennifer Homans has not only resurrected George Balanchine down to the perfumed silk foulard, offering up a life of fairy-tale turns and tenacious demons, of prodigious imagination and impossible standards, of five wives and the slew of almost-wives. She has restored the Russia that disappeared out from behind Balanchine and the lush mirage that endured. More remarkably, she pins dance to the page with the precision, intensity, and range her subject prized. The result is lyrical and commanding, among the most electrifying pas de deux you're likely to find on the biography shelf. -- Stacy Schiff * winner of the Pulitzer Prize, New York Times bestselling author of The Witches and Cleopatra *Jennifer Homans's meticulously researched Mr. B gives us an artist who is as complicated, and even flawed, as he was groundbreaking and brilliant. It is a fascinating read about a true genius and his unrelenting thirst for beauty in art and in life -- Mikhail BaryshnikovNo previous biography of George Balanchine has caught so many of the disparate layers of this superlative choreographer to such revelatory effect -- Alastair Macaulay, Chief Dance Critic * The New York Times *Perfectly calibrated, sympathetic where necessary, fearlessly critical elsewhere, and a much-needed demolition of the Mr. B myths - the flawed genius tropes - that manages, in energetic, evocative prose, to enhance the intellectual and spiritual powers of Balanchine's ballets and the art overall -- Simon Morrison, author of Bolshoi Confidential: Secrets of the Russian Ballet from the Rule of the Tsars to TodayI'm entranced by Homans's chief gifts: her ability to pin a character instantly on the page, bringing to bear the back story and even more distinctively, her own ballet training infusing the story with a rare physicality. Then too there is the deftness of conveying Mr B.'s flaws of cruelty, caprice and autocracy without undermining his art.... Extraordinary -- Lyndall GordonA sensitive, stately and often thrilling new biography of the Russian-born choreographer George Balanchine... Mr B. is a serious act of cultural retrieval, by a writer who knows when to expand and when to collapse, who makes unexpected connections, and who knows when her subject pinches, borrows or steals. The critic, historian and dancer in Homans are nearly always in sync * The New York Times *

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Book SynopsisFrom the author of Apollo's Angels, the first major biography of the figure who modernised dance: an intimate portrait of the man behind the mythology, set against the vibrant backdrop of the century that shaped him

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Book SynopsisVerity Sweeny Purdy at the age of eleven was sent to England to live with an aunt and train as a classical dancer. This memoir tells of her experience crossing Canada by train, the Atlantic Ocean by ship, and her arrival in England. Her story continues as she tells about her Aunt Doffrie and her bohemian way of life. We learn about her schooling and dance training. She writes about her mothers'' Scottish cousins, their mansions and castles, and their life style that was so different from Verity''s. For five years of her young life, Verity was the Luckiest Girl in the World.

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Book SynopsisMelville's major biography of the Russian impresario brings to life an age of daring sophistication and hedonistic pleasure set against the backdrop of a swiftly changing world. In Paris and London, Diaghilev drew together an amazingly talented group of artists such as Picasso, Bakst and Fokine, as well as dancers like Nijinsky, Lifar and Karsavina, and the composers Igor Stravinsky and Sergei Prokofiev. Diaghilev's destructive and tempestuous affair with his protege Nijinsky and his friendship with Jean Cocteau are closely examined.

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Book SynopsisRoanville, Kentucky 1977. Marie Higginbotham's life is transformed when the 'Paris' ballet, comes to town. Guided by 'Chopin' the 19th century pianist, full of artistic and dietary advice & Misty, the world's first female Elvis impersonator, she rises above the religious mania of her father, to dance her way out of her small town existence.

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Book SynopsisMemoir about ballet and illness from a creative writing teacher whose career as a ballerina was stopped by rheumatoid arthritis.RenÉe Nicholson’s professional training in ballet had both moments of magnificence and moments of torment, from fittings of elaborate platter tutus to strange language barriers and unrealistic expectations of the body. In Fierce and Delicate, she looks back on the often confused and driven self she had been shaped into—always away from home, with friends who were also rivals, influenced by teachers in ways sometimes productive and at other times bordering on sadistic—and finds beauty in the small roles she performed. When, inevitably, Nicholson moved on from dancing, severed from her first love by illness, she discovered that she retained the lyricism and narrative of ballet itself as she negotiated life with rheumatoid arthritis.An intentionally fractured memoir-in-essays, Fierce and Delicate navigates the traditional geographies of South Florida, northern Michigan, New York City, Milwaukee, West Virginia, and also geographies of the body—long, supple limbs; knee replacements; remembered bodies and actual. It is a book about the world of professional dance and also about living with chronic disease, about being shattered yet realizing the power to assemble oneself again, in a new way.Trade Review“Many dancers wrestle with one of the central questions of RenÉe Nicholson’s fabulous book: How does one live as an ex-dancer? The answers Nicholson explores will strongly resonate with those who long to lift the veil that shrouds creative pursuits in unnecessary mystique. I love Nicholson’s powerful prose: how the essays circle in and out of dance, the way movement comes alive on the page, and the articulate grace with which Nicholson writes about sudden disability. In Fierce and Delicate, Nicholson teaches us how to envelop our impossible dreams with gratitude for the life we have now.” RenÉe E. D’Aoust, author of Body of a Dancer “Lyrical and fascinating.”Buzzfeed NewsTable of ContentsPart I A Girl Who Wanted to Fly When I Was a Mouse Five Positions Never Famous Raked Stages: A Twelve-Step Program Coda: Partnering Out of the BluePart II A Woman Tethered to the Earth Hair: A Short History In Sickness A Royal in Appalachia Certified: Dancer Becomes a Teacher Claque Fierce and Delicate Six Impossible Things Before Breakfast Acknowledgments

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Book SynopsisThis is a story of a young girl from a small town with a big dream that took her to Juilliard, Broadway, summer stock, the stage of the Metropolitan Opera and the Santa Fe Opera, and introduced her to her husband William Zeckendorf Jr. Her memoir overflows with the glamour of a life lived among the famous figures of mid-century New York society and the grit necessary to succeed in the professional world of dance. Fascinated by art and architecture, the vivacious ballerina Nancy Zeckendorf became a formidable development partner with her husband and a philanthropic leader in the performing arts – her fundraising ability is an art form unto itself. “I love hardware stores and tools,” she said of her common-sense approach to construction projects. Indeed, Nancy was a guiding force in the expansion of the Santa Fe Opera, the Lensic Performing Arts Center, and the premier community of Los Miradores where she lives now in Santa Fe, New Mexico.

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Book SynopsisText in Danish with an introduction in German. The Lumbye-catalogue is a catalogue of printed ballet and dance compositions by the Danish composer H C Lumbye. It provides us with a chronological survey of his printed works including a detailed index. The works were performed by Tivoli's orchestra which he conducted from its establishment in 1843. Co-published by The Royal Library in Copenhagen and Museum Tusculanum Press.

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Book SynopsisEleonora Abbagnato is the prima ballerina at the Opéra de Paris. This original volume reveals her artistic versatility through the photographs of four celebrated ballets. The book opens with an original interview by Valeria Crippa, journalist and ballet critic. Comprehensible to all, the ballerina’s answers outline the technical aspects of choreography, the difficulty of interpreting the score and the way in which she studies her role in each case and prepares to offer a unique and unrepeatable performance. This is the ideal gift for aspiring dancers and those who always dreamed of taking up this career.

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