Art & Photography Books

Book SynopsisBilly Showell is a well-respected contemporary artist whose watercolour flower portraits have earned her the respect of watercolour artists all over the world. Worked to the same degree of accuracy as traditional botanical paintings, Billy's compositions are given a more contemporary twist, combining her unique eye for design with her love of flowers. In this book, 40 flower portraits are presented, arranged in alphabetical order, each one accompanied by small studies, details, step-by-step instructions and the colour mixes used to accomplish the finished work. At the start of the book there are useful sections on the materials and equipment needed and the main techniques used, including wet-into-wet, colour blending, lifting out, layering glazes, dry brushing and colour mixing, and at the end of the book Billy gives her own unique slant on composition and discusses the importance of creating a sketchbook. Whether you love to paint, or simply love flowers, this book will delight and inspire you.Trade ReviewBilly shows you how to complete beautiful flower portraits with the same degree of accuracy as traditional botanical paintings but with a unique contemporary feel. Guiding you through 40 flower portraits, each one is accompanied by small studies, details, colour mixes and step-by-step instructions. -- The SAA * The SAA Catalogue 19/20 *Dec 10 If you want to paint professional and attractive botanical pictures of flowers, here is a good place to start. Ms Showell’s earlier book on Watercolor Fruit and Vegetable Portraits (also reviewed on this site) showed how lovely even the humble spud could look when transformed into the sort of painting you could encounter in a priceless 18th century book. Now this talented artist turns her hand to flower painting, and it is time to get those watercolors out once again. Actually you can also find my review of Watercolour Flower Portraits in our archives as well, so prepare for more beautiful floral studies. Search Press is not known for their hardcover books but this is one, which will perhaps give you a clue that this is going to be something special. I love the way the flowers look so three-dimensional against the starkness of the white paper, and if your watercolors manage to look insipid then this is one lesson you can learn from this book to start with. There is good advice about composition, keeping a sketchbook and of course what to buy as well as mastering techniques such as wet-in-wet, color mixing, masking etc. Of course much of this is common to watercolor painting of any type, but I liked how it was all applied to florals with plenty of examples. Here too is advice on veining your leaves; painting fine hairs on stems, creating realistic water droplets and what colors you need to buy for flower painting. The flowers chosen are all garden favourites, ranging from traditional roses and lilies to daffodils and fritillaries, as well as yuccas, pitcher plants and quesnelia. Each project features a large, whole page study of the bloom along with a pencil sketch of part of it with some color added. There are instructions (not the type with staged photographs but just in writing) as well as a color swatch of all the paints you need to buy and what they look like mixed into the relevant shades. A short piece about the flowers together with the artist’s own reason for choosing them completes the entry, making it eminently suitable for all those watercolorists who have progressed beyond beginner primers and are wanting something more intermediate and relevant to their chosen subject. This is also just a lovely book to gaze at, a celebration of flowers and a handsome addition to bookshelves (and coffee tables) everywhere. Highly recommended. * Myshelf.com *Oct 10 Billy Showell approaches her subjects with the same level of accuracy as botanical artists. Her flowers are meticulous and realistic, but infused with her distinctive sense of design to give them a modern twist. This book gives information on materials and equipment needed, as well as clear instructions on the main techniques used, including wet-in-wet, laying glazes, dry brushing, lifting out, using body colour, masking and creating texture and pattern. There are details on colour mixing and on how to get the best out of brushes as well as insights into composition ideas and on keeping a sketchbook. There are also detailed step-by-step instructions showing how to paint 40 specific flower portraits, each accompanied by small studies, including a colour swatch illustrating the palette and paint mixes used for the work. Billy Showell's fans will need no further recommendation. If you are new to her work, you will be delighted at the clarity of instruction, the delicacy and vibrancy of the paintings, and the invaluable advice and inspiration this book offers. * Artist, The *Oct 10 Following her successful volumes on flowers, fruit and veg, Billy Showell returns with a collection of step-by-step instructions for painting a variety of plant species, alongside information on specific techniques like masking out and glazing. Showell doesn't aim for strict botanical accuracy, instead opting for a fresher artistic flourish in her work. While the practical aspect of the book is undebiably useful, this is also a great chance to see the artist's intricate flower portraits reproduced across many of the spreads. From anemone seeds to spots on the petals of a Stargazer, the level of detail she has achieved is astonishing, particulary considering these are watercolours. It all confirms Showell not just as an impressive floral painter, but also as one of the UK's leading watercolour artists in any genre. * Artists & Illustrators, The *Oct 10 Billy Showell is a fantastic watercolour artist. When I first saw her work I was amazed at how she takes the subject and renders is with an almost botanical attention to detail and yet has that magic touch that transforms work from what could be a somewhat stilted reproduction of flower, fruit or vegetable into a stunning and attractive work of art. Needless to say – I simply love her work and as very excited to read about her new book. In this book she takes 40 different flowers and shows us simple touches from simply observing closely tiny details specific to each flower, to the colour mixes she uses to create works, and different techniques such as wet in wet and lifting out. Its the clever extra touches such as the tulips on page 9 where she has used their natural tendency to curve and bend to form a heart shape from two stems that make her works so special. Of course its Billy's love for flowers and constant observation that allows her to know these differing characteristics to each plant. By observing plants around us and using a sketchbook as she advises we can learn this too. The paintings themselves are not quite the usual step by step paintings so common to art books but present a bit more of a challenge. I'm sure that will appeal to many artist who want to develop their own style rather than just follow other peoples instructions. Its certainly one of the things that make her books so exciting for me. Billy tells us the colour mixes needed for each flower and from observing the full page illustration we follow her instructions to complete that flower. With some of the more complex flowers she gives additional “mini demos” to show the best way to render the petals. The beauty of working this way is that it allows the artist to become a participant in the painting rather than simply a follower of instruction, and once confident that your rose or tulip you've painted following her advice is competent you will feel encouraged to do it again with one from the garden or supermarket with new colours and shapes. A superb book, full of exciting ideas for the artist who wants to do more than just follow instructions. * JeannieZelos.com *Dec 10 Following her first two books on painting flowers – Watercolour Flower Portraits and Watercolour Fruit & Vegetable Portraits, Billy Showell brings us her A-Z of Flower Portraits. The book opens with a section on composition, followed by useful advice on keeping a sketchbook, placing the flowers on the paper, and the importance of lighting. A chapter on materials and equipment precedes several pages on techniques, including such subjects as colour blending, lifting out, negative veining (a way of creating pale veins by lifting out fine, bright lines), layering glazes, masking out and texture and pattern. Billy realises that most of us don’t have endless time to experiment with colour mixes and helps us on our way by giving us details of her own mixes resulting from hours of trial and error. The colour mixes (which are beautifully reproduced by the publisher) start each section, describing the colours you need to combine to get the desired subtlety of colour for your subject. Less experienced artists can work through these preliminary sections, while more experienced artists may prefer to go straight to the projects. Forty painting projects are included, with subjects ranging from flower names of every letter of the alphabet, starting with anemones and aquilegia and ending with the zantedeschia (white arum lily to you and me). Billy is an inspirational flower painter, taking the best of the traditions of botanical painting yet imbuing her work with her own contemporary signature - a skill that has earned her five certificates of botanical merit from the Society of Botanical Artists. * Leisure Painter, The *Summer Catalogue 2014 This enchanting book and DVD set is bursting with top tips & detailed demonstrations to help you paint 40 breathtaking blooms. * SAA *Table of ContentsIntroduction 6 Composition 10 Materials & equipment 22 Techniques 24 Index 128 The Flowers Anemone 48, Aquilegia 46, Bergenia 50, Camellia 52, Clematis 54, Dicentra 56, Erythronium 58, Freesia 60, Fritillaria 62, 64, Galanthus 66, Gerbera 68, Helleborus 70, Hydrangea 72 & 74, Iris 76, Jasminum 78, Knautia 80, Lathyrus 82, Lilium 84, Lonicera 86, Magnolia 88, Narcissus 90, Nerine 92, Ornithogalum 94, Philadelphus 96, Podranea 98, Quesnelia 100, Rosa 102, Sarracenia 104, Spathiphyllum 106, Trachelospermum 108, Tulipa 110 & 112, Uvularia 114, Verbena 116, Weigela 118, Wisteria 120, Xeranthemum 122, Yucca 124, Zantedeschia 126

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Book SynopsisIn this lavishly illustrated work, Zeina Maasri tells the tumultuous story of the struggle for Lebanon through the poster wars which raged on its streets. From 1975 to 1990, different factions in Lebanon's civil conflict flooded the streets with posters to mobilize their constituencies, undermine their enemies, and create public sympathy for their cause. Showcased here for the first time, the posters display a dramatic clash of cultures, ideologies and meanings.Maasri shows how the iconography of the posters changed throughout the war, and links this to changing political identities and imagined communities. She explores the factions' different aesthetic influences; from modern Arab visual culture to Latin America and revolutionary Iran. Combining in-depth knowledge of the local context with fascinating insights into the semiotics of visual media, "Off the Wall" is a highly original contribution to our understanding of visual culture, civil conflict, and the politics of the Middle East.

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Book SynopsisOne of the most hotly anticipated games from E3 2012, Watch Dogs received over 80 official nominations and awards including IGN’s Best New Franchise Award, Gamespot’s Editor’s Choice Award and Eurogamer’s Game of the Show Award.   The Art of Watch Dogs is an in-depth review of Ubisoft’s amazing new game with extensive concept and development art and detailed creator commentary. The first of its kind for a franchise that is certain to be a future classic, the book will explore the technology-controlled world of Watch Dogs, taking readers on a visual guide through Aiden Pearce’s quest to turn Chicago’s Central Operating System (CtOS) against its corrupt owners.

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Book SynopsisPhotographers Sarah Plater and Hannah MacGregor present an authoritative self-contained course book on successfully shooting arresting portraits. Clear, concise and jargon-free text guides the novice photographer through the various styles of portraiture to capture subjects of all ages. The book begins with information on how to set up a small portrait studio in the home, including the use of backgrounds, flash equipment and other accessories. As a guide to the technical aspects of photography, the authors cover the essentials of correct exposure, white balance settings, and shooting in natural light. Post-production techniques such as skin retouching and colour correction are explained, as are printing options for portraits.

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Book SynopsisThis innovative book is the first to provide a fun, interactive way to learn about architecture. Filled with an array of beautiful and elegant drawings, it poses all manner of architectural challenges for the user: from designing your own skyscraper, to drawing an island house or creating a Constructivist monument, plus many others more.Aimed at anyone who loves drawing buildings, it encourages the user to imagine their own creative solutions by sketching, drawing and painting in the pages of the book. In so doing, they will learn about a whole range of significant architectural issues, such as the importance of site and materials, how to furnish a space, how to read plans, how to create sustainable cities and so on.The book also includes numerous examples of works and ideas by major architects to draw inspiration from and will appeal to everyone from children to students to architects.

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Book SynopsisOne of the most important works of cultural theory ever written, Walter Benjamin''s groundbreaking essay explores how the age of mass media means audiences can listen to or see a work of art repeatedly and what the troubling social and political implications of this are.Throughout history, some books have changed the world. They have transformed the way we see ourselves and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

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Book SynopsisPeanuts goes noir when Charlie Brown gets caught up in a fake celebrity autograph ring and Linus starts his own church of the Great Pumpkin - until believers declare him a false prophet. In comedic counterpoint, Snoopy gets his driving license and Rerun pursues a comics career. Meanwhile, Olaf and Andy go on a quest for the only pop culture anthropomorph more famous than their brother - and 'Crybaby' Boobie makes a comeback.Trade ReviewCharles Schulz was an American treasure - an artist, philosopher, and keen observer of human life -- BILL CLINTONThe world of Peanuts is a microcosm, a little human comedy for the innocent reader and for the sophisticated -- UMBERTO ECOCharles Schulz was, plain and simple, a great artist and philosopher . . . But most importantly, he teaches all ages that if you can learn to laugh at the things that cause you the most pain you will be the strongest of all. Peanuts: a real way of life -- JOHN WATERSIt's impossible to think of another popular art form that reaches across generations the way the daily comic strip does . . . at the pinnacle of that long tradition, there was Charles Schulz * * Seattle Times * *

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Book SynopsisMeditative, peaceful and calming, watercolour painting offers a sense of control and self-worth to everyone, with no judgement or goal beyond the joy of painting itself. This book shows you how to calm and enhance your outlook through the movement of brush on paper. Master artist Jean Haines leads you on a journey through paint, showing you how to wipe away your worries with the soothing, gentle strokes of watercolour paint.Trade ReviewI am a crafter, but not a painterm so I wondered if I would like this book, From its opening of "colourful, creative mindfulness through watercolour" to "finding energy and strength... red is a powerful colour", it grabbed my attention. I like how Jean describes the different colours and, as the rainbow is seen all around at the moment, it was nice to start "...thinking about colours as blankets to wrap around you." I decided to follow Jean's guidance and paint a poppy. I read it through and immediately wanted to paint one. With clear instructions, nice anecdotes, and no pressure for it to be a certain way, I enjoyed going with the flow. While we are being peaceful and mindful (using calming blues and greens), it is important to remember we also need to re-energise (energising red, orange, yellow). This is an uplifting and calming book for stressful times. * Third Age Matters *This book is absolutely beautiful, full of gorgeous images, colour and inspiring quotes, 'Anyone can paint. Not only anyone, but everyone.' In Paint Yourself Calm, Jean has created an inspiring and uplifting book that will encourage anyone to pick up a paintbrush, dip it in your favourite colour and experiment. Magical! * Hot Brands Cool Places *Longtime watercolor art instructor and painting how-to author Haines (Jean Haines’ World of Watercolour) tries something a bit different in her latest title. Starting from the premise that everyone can paint, Haines frees readers of the goals and expectations of end results, and encourages simply enjoyment of painting. Open-ended, detailed exercises guide readers through experimenting with paint to gain a sense of control; to relieve stress; to escape; or to be in a better mood. The emotional and psychological properties of color are discussed as are obstacles to creativity and happiness. VERDICT Open-minded readers of all ages and skill levels can benefit from the unique blend of self-care and expression offered here. * Library Journal *September 2016 This is a really beautiful book about learning to paint, but with a real difference. Jean takes you on her own personal journey, revealing how her career has brought her to a magical realisation: that painting is therapeutic and calming for the soul. This book shows you how you can calm and enhance your outlook thorugh the movement of a brush. Jean leads you page-by-page on a journey through paint, showing you how to wip away your worries with the soothing gentle strokes of watercolour paint. She says 'Painting is something that you can do at any stage in your life... and no painting experience is necessary * Love to Make *Anyone can escape a stressful life and find inner peace, simply by playing with colors. These words of introduction by the artist Jean Haines describe aptly the content of her latest book. This time it is not the teachings of her fascinating watercolour technique in the foreground, but the process of painting itself. Many people believe they cannot meet the high demands of painting because they consider themselves untalented. But Jean Haines believes we do not paint to please others, but we should paint to relieve stress and find peace. In addition to her expressive watercolors we find meditative texts that reflect the personal attitude of the artist to the creative process in aptly. It is therefore worth the thorough reading before the first drawing exercises. The lessons build progressively on each other. We learn the ink flow to control and observe the interaction of two colors. Each chapter impressed by one hand, color-rich, on the other hand also by delicate screens. The accompanying texts are easy to understand and fun and with the heart and soul of the painter incorporated. Now the most impressive chapters of the book follow: The calming effect of nature. Each section covers a different color. From experience we know that red, orange, yellow, green, blue, indigo and violet evoke certain moods in us. Jean Haines explains the effect of each color on the viewer. It shows step by step - instructions the watercolors of large-sized flowers, delicate grasses, feathery painted plants and the creation of sky blue. With this acquired knowledge we can apply this to a delicate landscape. In the final pages, the artist note summarizes the positive effect of painting on the inner peace of mind. Conclusion: The therapeutic effect of relaxing learning is generally known and is practiced in many rehabilitation facilities. Jean Haines shows us that every person can find by simple drawing exercises an oasis of calm, allay fears and worries can forget. Without having the coercive attend a painting class, succeed with simple exercises in a very short time stunning images. For advanced watercolor artist, this book is recommended as we can free ourselves from the pressure of expectations of a perfect view through the learning of a loose brushwork. Originally publishing in german: http://kreativreview.blogspot.co.uk/2016/08/paint-yourself-calm-von-jean-haines.html * Kreative Review *Summer 2016, Issue 2 There are many of us who just don't do art, for whatever reason. The beauty of this book is that it coaxes us into painting for therapeutic purposes and takes away the pressure and takes away the pressue of any self judgement for what we create. I can't recommend this book highly enough. It is large format and rich in stunning illustration (of course). The author was a painter first, then she became a painting teacher and now she is teaching calm through painting. When you become fully absorbed in an activity - and painting is a supreme example of this - your mind becomes much quieter. * Cygnus Review *This book should appeal to both the beginner who would like to paint but doesn't know where to begin and the 'improver' like myself. I found painting relaxing and exciting when I started some years ago but now tend to get bogged down in the complexities of techniques and different media. This book takes you back to colour and 'playing'. Not trying to create anything for exhibition or sale but just enjoying painting. Jean has suggested just the basic materials required and that is ample to get started. The book is very readable and would make an excellent gift. beautifully illustrated. The text contains descriptions and simple exercises with the emphasis on easy methods and keeping yourself relaxed and calm. I particularly liked the sections on herbs at the end as I felt it introduced a sense of reality with looking at and painting an object. The fragrance of herbs around is well known for providing a calming atmosphere. This would make an excellent gift for any painter. * Dorothy Barton *This is a visually stunning book. My first thought when I opened my parcel was of the impact of it's gorgeous colour. Inside the beautiful watercolour painting continues. Jean Haines strives to make her reader comfortable with the concept of simply 'playing with colour' and the wonderful examples of abstract painting which fill the beginning of the book help with that - they look so playful and not at all intimidating. While I understand Haines' need to make her reader comfortable, I do find the intro pages a little repetitive - really trying to drive the point home that anyone can pick up a brush, it could be a fantastic experience, etc. I do love her concept of 'playing with colour', though, it takes a step back from 'Art' with a capital 'A' and introduces an idea that one can simply play and experiment - what better way to learn? Even better, it sounds far more relaxing that launching in with the idea that you'll be creating beautiful masterpieces. I do love the materials section as well - it's very concise and to the point: you don't need masses of expensive materials and equipment, just two brushes, an old white plate, a clear jar, and three tubes of paint will do. That makes things less intimidating for a beginner. I've read several 'beginners' art books that contain pages and pages of different materials and tools that leave even someone with experience wondering where to begin. The practical section starts with 'Colour Experiments', getting you used to different techniques, the way the colours flow - the 'playful' part. It's about building up confidence. It flows almost seamlessly into the more complex and less abstract exercises. Again, the art is beautiful yet not intimidating - encouraging the reader to 'give it a go'. The step-by-step instructions are clear and easy to follow. At the end of the book, there's a quick summary about 'painting yourself calm' and positive thinking, and a useful index, and yet more wonderful watercolour paintings. Even just flicking through the pages is a lovely experience. Looking forward to working my way through the book! * Leanne Cane *With no painting experience necessary, Jean proves that anyone can put paint to paper with the object of relieving stress and exploring emotion to achieve a sense of calm. I can most heartily verify that painting is calming, because I feel that myself when I paint. It is all about the experience of painting and not the end result. The exercises are rather simple and basic shown as step-by-step. All in all, if you want some very basic ideas to get you into the routine of painting without taxing the mind, and to use painting as a way to find solace, you will find this book useful. It covers techniques such as salt, clingfilm, pouring and some ideas on colour. Jean's excellent use of colour and her finished paintings hold this book together * Karen Platt -yarnsandfabrics.co.uk *As I have been reading about the preparation and build up for this book the overall impression I have had is that it would be different and that is just what it is.... different! Not the usual format of materials, techniques, step by steps.... there is a small section on materials where Jean talks about what you will need to get started and how good paper is the most important thing, but this book doesn't dwell too much on things mundane!! It does however dwell on the joy and happiness we can find by pursuing this lovely pastime, how painting somehow helps us find a special place unknown to us before we painted. Since reading it I have been trying to think where it might fit into the painting population at large and I have come to the conclusion that although it isn't an instructional painting book per se it actually transcends all abilities and levels and I found myself once again inspired by Jean Haines, this time in a totally different way. As I am a painter who teaches, sells my work and occasionally exhibits I have worked hard on the techniques I have been taught by Jean and a number of other artists to the point where I have more recently been finding my own way but decided that as I have all Jean's other books I "needed" this one to add to my collection. While it isn't a teaching book in the way her others are, it has some wonderful inspiration, some beautiful illustrations ( I do like pictures in a book!!) and it gives a "can do " message to its' readers which a lot of painters need. I had read some of Jeans' blogs where she has talked about the book and how it was a departure from her previous publications and I honestly think this book is one which would be a fit for artists at any level including complete beginners. I have always felt that painting is available to anyone and everyone and it is very encouraging to read Jean's conviction that anyone can paint, how painting can enrich lives beyond comprehension and that no-one needs any special talent or skill to start. Joy to my ears! Art Therapy is known to have very beneficial effects and while we're not actually talking about that here Jean talks about aspects of colour and it's mood enhancing qualities, about the joy of creating, not for a finished masterpiece, but for the sole purpose of enjoyment and how painting for it's own sake can bring about a wonderful calmness and contentment. She very eloquently puts into words what a lot of us who are passionate about our art feel as we are creating and have the brush in our hand. As for my own inspiration, I don't tend to spend as much time playing with my paint as I once did and have had some art work I want to do for my own home which has been on the back burner for some time. Having read this book and looked at some of the simple exercises Jean has put together to get people started I have had lots of ideas as to how I might go about creating this illusive work!! The exercises look quite simple but the end results in turn look so effective leading me to feel that the book is worth buying for these little studies alone. I don't want to say anything frivolous about this book as it carries a more serious message beyond that of regular painting books. It talks about the mental benefits of painting, how we can escape to our little painting havens and become completely consumed and absorbed during the time we spend watching the paint and water do their magic on the paper. It also provides very persuasive arguments for allowing us to spend time painting... Finally, I loved the quote "It was only when I made a conscious decision to treat painting like eating, as part of my daily routine that my life and art career changed" That really struck a chord and separates the artists from the wannabes and something I need to incorporate into my daily routine too, another snippet of inspiration. * Judith Farnworth Art *July 2016 Jean Haines' Paint Yourself Calm shows you how to use the medium of watercolour to overcome anxiety and escape the stresses of everyday life. Aimed at the complete beginner, Jean describes how the action applying paint to paper can help you control your life, enhance your mood and improve watercolour painting at the same time. Illustrated with watercolour paintings this is a truly 'feel good' book. * The Leisure Painter *It’s hard to convey just how much I hate all that new-agey stuff. Most of it’s just an excuse for a load of self-obsessed navel gazing. And it’s never cheap, either. Do please feel free to disagree with me, but please read the rest of this before you write in! It would be a shame to dismiss this on the basis I’ve outlined, or even to regard it as having nothing to do with practical art. It has everything to do with the practice of painting and, above all, of getting yourself into the state of mind where you can put down on paper what you feel in your head and see with your mind’s eye. If you want a book that explains the creative process in a way that’s completely relevant and comprehensible, this is it. It may or may not be Jean’s prime purpose, but, for the artist at least, it’s the result she’s produced. The thing about painting is that it’s so much more than a mechanical process. Sure, there are things you have to do, such as prepare grounds, mix colours and lay washes, but these can take on Zen-like properties if you let them. A lot of people say that routine helps set them in the right frame of mind for what comes next, which is pretty much the same thing. A lot of the content of this genuinely intriguing book is what might be called pure watercolour. This isn’t a step-by-step how-to manual at all, not one that tells you how to paint specific subjects. Rather, it’s about the use and application of colour to create a state of mind. Jean’s intention, I think, is that this should be within yourself, but the thing is that paintings have an audience: other people will see them and that state can be induced in them as well. Art, as Edgar Degas said, is not what you see but what you make others see. It’s not exactly abstraction – most of the illustrations are entirely recognisable – but the form is definitely more important than the function. If you know how to paint, but want to understand why, and why that why is important, read this book. It’s beautiful, rewarding and full of insights. * Artbookreview.net *Table of ContentsTAKING A LEAP 10 Anyone can paint 12 Why you should paint 16 Mood changing 22 What we need 28 COLOUR FLOW 32 Simple landscapes 34 Simple colour flow exercises 38 Facing obstacles 44 Nature’s calming influence 54 Calming thoughts 60 THE PEACEFUL ZONE 64 What is the peaceful zone? 66 Lifting the mood 70 Finding energy and strength 74 Sands of time 82 Colour from the sun 88 Healing herbs 94 Nothing but blue skies 100 Healing lavender 104 Well-being 110 INNER PEACE 116 That peaceful feeling 118 Life experiences 120 A positive attitude 124 Index 128

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Book SynopsisTrade ReviewA masterpiece and rare achievement; a completely new and convincing reading of a body of politicized knowledge that has dominated much of the field in the last thirty years. The entire concept of Orientalism will have to be totally rethought following Boone's book. -- Moshe Sluhovsky, Vigevani Chair in European Studies, Hebrew University of Jerusalem This book offers an erudite and timely interpretation of the phenomenon of homoeroticism in orientalism in the Near and Middle East. Treating a broad range of Western representations of the "Orient", Boone provides an important corrective to Edward Said's Orientalism by addressing the powerful ways in which Europeans writers' and artists' representations of homoeroticism in the "Orient" have covertly enabled the appeal of orientalism as a predominantly male mode of discourse. -- Ali Behdad, John Charles Hillis Professor of Literature at UCLA; author of Belated Travelers and A Forgetful Nation. Joseph Boone has opened a triple dialogue between Western perceptions (and fantasies) of Middle-Eastern homoeroticism, queer theory as it has evolved over the past decade, and the growing field of sexual studies in the Islamic world. Read The Homoerotics of Orientalism and discover that Boone has taken the necessary steps in offering oneself up to unsuspected, multiple ways of being. As he says, "how might the terms 'homoeroticism' and 'Orientalism', the two operative words of my title, each find itself refigured, wrenched apart and re-conjoined to create new meanings? -- Richard Howard, Poet, Columbia University A veritable tour de force. Boone's groundbreaking, timely book challenges us to revisit a wide range of orientalist visual and textual artifacts produced over the last four hundred and fifty years in which the recurrence of homoerotic desire contests heterosexual norms, colonial control, and race and gender hierarchies. The wealth of textual and visual materials and the broad selection of figures are, in and of themselves, extraordinary contributions to scholarship. A must read for scholars both of Anglo-European-American and Middle-Eastern and Islamicate gender and sexuality studies. -- Sahar Amer, Professor of Arabic and Islamic studies, University of Sydney Orientalism will never be the same after Boone's extraordinary book, which disrupts the heterosexual template implicit in Edward Said's and refashions the cultural traffic between East and West as inescapably reciprocal, dialectical, and multiple-in a word, global. As much an intervention in visual culture as it is a revelatory history of the literatures of both West and East, The Homoerotics of Orientalism with its staggering erudition and critical finesse courageously recasts the stark divide of Occident and Orient that produced Orientalism as mutually constitutive, creative, and informing as it has been destructive, and it does so in the form of a critical gift-a book of utmost generosity, judiciousness, and political imagination- that carries its own charge of love. -- Jennifer Wicke, Professor of English, University of Virginia Boone shatters the old binaries of Western Orientalist discourses AND the field of postcolonial studies and offers much needed insight for the field of sexuality studies in the Muslim world. A remarkable achievement! -- Janet Afary, Mellichamp Chair in Global Religion and Modernity and Professor of Religious Studies and Feminism, University of California, Santa Barbara Once every decade or so, a book appears that revolutionizes the field of GLBT studies... [The Homoerotics of Orientalism] is a book that post-colonialists will seize immediately and argue over endlessly--but one that will also permeate the wider GLBT intellectual landscape. Every reader will benefit. Gay and Lesbian Review Worldwide This remarkable study models an ethics of cross-cultural reading that exposes, with nuance and economy, the crucial role played by the homoerotics of Orientalism in shaping the world as we know it today. -- Christopher Harrity The Advocate [A] substantial and fascinating book. -- Robert Aldrich H-Histsex The Homoerotics of Orientalism is an outstanding and bold intellectual discussion of transgressive sexualities in both the Islamic and the Western worlds... A well-researched book that puts forth a new thinking on Orientalism... Highly recommended. Choice Important and engaging volume. Journal of Modern History Meticulously researched. Modern PhilologyTable of ContentsAcknowledgments Preface: Re-Orienting Sexuality Part I: Theory and History 1. Histories of Cross-Cultural Encounter, Orientalism, and the Politics of Sexuality 2. Beautiful Boys, Sodomy, and Hamams: A Textual and Visual History of Tropes Part II: Geographies of Desire 3. Empire of 'Excesse,' City of Dreams: Homoerotic Imaginings in Istanbul and the Ottoman World 4. Epic Ambitions and Epicurean Appetites: Egyptian Stories I 5. Colonialism and Its Aftermaths, Gide to Chahine: Egyptian Stories II Part III: Modes and Genres 6. Queer Modernism and Middle Eastern Poetic Genres: Appropriations, Forgeries, and Hoaxes 7. Looking Backward: Homoeroticism in Miniaturist Painting and Orientalist Art 8. Looking Again: Twentieth- and Twenty-First-Century Visual Cultures Notes Index

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Book SynopsisShows how to create chic characters by combining stylish clothes with great hairstyles, pretty facial features and appealing poses.

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Book SynopsisCalle’s first artist’s book documents her pursuit of one man through the streets of Venice After following strangers on the streets in Paris for months, photographing them and notating their movements, Sophie Calle ran into a man at an opening whom she had followed earlier that day. "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self. Over the course of almost two weeks in Venice, Calle notates, in time-stamped entries, her surveillance of Henri B., as well as her own emotions as she seeks, finds and follows him through the labyrinthine streets of Venice. Her investigation is both methodical (calling every hotel, visiting the police station) and arbitrary (sometimes following a stranger—a flower delivery boy, for instance—hoping someone might lead her to him). This Siglio reissue is a completely new iteration of Suite Vénitienne (first published in 1988 and long out of print), designed in collaboration with Calle to be the definitive English-language edition. Printed on Japanese paper with a die-cut cover and gilded edges, this beautiful new Siglio edition allows readers to devour this crucial and compelling work. Sophie Calle (born 1953) is an internationally renowned artist whose controversial works explore the tensions between the observed, the reported, the secret and the unsaid. She has mounted solo shows at major museums around the world and represented France at the Venice Biennale in 2007. Her most recent US exhibition was the acclaimed Rachel, Monique at the Episcopal Church of the Heavenly Rest in Manhattan in 2014.Trade ReviewHer photographs show the back of a raincoated man as he travels through the winding Venetian streets, a surreal and striking backdrop to her internalised mission. The very beauty of her surroundings has a filmic quality, intensifying the thriller-esque narrative of her project. -- Harriet Baker * Another Magazine *The result is this thrilling book, first published in 1983 and long out of print, now newly reissued in an understated English edition, blending matter-of-fact daily text entries with Calle’s elusive black and white photography.For Calle, the idea is to push the bounds of propriety, to go where one wouldn’t ordinarily go. This is — have no doubt — an assault on privacy, autonomy, undertaken without permission and enacted for the public, a public with which the subject may or may not wish to engage.That’s one of the challenges of her work, the discomfort we feel as she crosses the line. -- David L Ulin * Los Angeles Times *In 1978, when Calle was 25 years old, she returned to Paris after seven years of roaming across North and South America. She struggled to re-adapt to fashionable Parisian society, and after months of reclusiveness, decided to follow people in the streets—not because they particularly interested her, but for the pleasure of following them. "I just had to choose a person and follow him and that way my day would simply drift by," she said to Another Magazine. This makes Calle sound like a flaneur, but when she followed a man from Paris to Venice, armed with a blonde wig and a camera, she produced Suite Venitienne (1980), which was quickly noticed and celebrated by both French and international critics. -- Sophie Butcher * Vice Magazine *

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Book SynopsisAllen W. Seaby's life has been described as "a classic tale of Victorian self-improvement." But there is more to the tale than just upward mobility. A. W. Seaby was a pioneering, innovative and inspirational man who rose to become a prominent print-maker, teacher, author and illustrator. Best-known for his colour woodcut printing using traditional Japanese methods, and as a prominent wildlife artist, the story of Seaby's many accomplishments is recounted by his grandson, who inherited Seaby's love of birds and became internationally renowned in his own right, Robert Gillmor. Alongside this personal recount, Martin Andrews (Seaby's successor as President of the Reading Guild of Artists) selects aspects of his career and expands upon his techniques, his illustrative methods, his circle of fellow artists and the books he published to give a full and rounded account of a man whose work is currently enjoying a well-deserved renaissance.

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Book SynopsisBeloved and contemplated by philosophers, architects, writers, and literary theorists alike, this book examines the places in which we place our conscious and unconscious thoughts and guides us through a stream of cerebral meditations on poetry, art, and the blooming of consciousness itself.Trade ReviewPraise for Gaston Bachelard:"[Bachelard] is neither a self-confessed and tortured atheist like Satre, nor, like Chardin, a heretic combining a belief in God with a proficiency in modern science. But, within the French context, he is almost as important as they are because he has a pseudo-religious force, without taking a stand on religion. To define him as briefly as possible – he is a philosopher, with a professional training in the sciences, who devoted most of the second phase of his career to promoting that aspect of human nature which often seems most inimical to science: the poetic imagination ..."– J.G. Weightman, The New York Times Review of Books"[Bachelard] reminds me of skilled chess players who take the biggest pieces with pawns."-Michel Foucault (trans.)Praise for Mark Z. Danielewski's House of Leaves:"Any hope or fear that the experimental novel was an aberration of the twentieth century is dashed by the appearance of Mark Z. Danielewski's House of Leaves, the first major experimental novel of the new millennium. And it's a monster. Dazzling."-Washington Post Book World"An intricate, erudite, and deeply frightening book." - The Wall Street Journal

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Book SynopsisGraphic designers constantly complain that there is no career manual to guide them through the profession. Adrian Shaughnessy draws on a wealth of experience to provide just such a handbook. Aimed at the independent-minded, it addresses the concerns of young designers who want to earn a living by doing expressive and meaningful work and avoid becoming a hired drone working on soulless projects. It offers straight-talking advice on how to establish your design career and suggestions - that you won't have been taught at college - for running a successful business. This revised edition contains all-new chapters covering professional skills; design thinking; and global trends, including social responsibility, ethics and the rise of digital culture. Also included are interviews with leading designers: Jonathan Barnbrook, Sara De Bondt, Stephen Doyle, Ben Drury, Paul Sahre, Dmitri Siegel, Sophie Thomas and Magnus Voll Mathiassen.

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Book SynopsisToby Faber was formerly Managing Director of the publishing house Faber & Faber. He was born in Cambridge in 1965, and now lives in London with his wife and daughter. His last book was Stradivarius, also published by Macmillan.Table of ContentsSection - i: Romanov family tree Section - ii: Fabergé family tree Introduction - iii: Introduction Chapter - 1: ‘Christ is risen!’ Chapter - 2: ‘A precious as an egg on Christ’s own day’ Chapter - 3: ‘A continuation of the long funeral ceremonies’ Chapter - 4: ‘Utterly different in character, habits and outlook’ Chapter - 5: ‘The warm and brilliant shop of Carl Fabergé’ Chapter - 6: ‘The ancestor who appeals to me least of all’ Chapter - 7: ‘We shall have to show dirty nappies’ Chapter - 8: ‘A good, religious, simple-minded Russian’ Chapter - 9: ‘The little one will not die’ Chapter - 10: ‘An unparalleled genius’ Chapter - 11: ‘Fabergé has just brought your delightful egg’ Chapter - 12: ‘Everything seems sad’ Chapter - 13: ‘Guard it well. It is the last’ Chapter - 14: ‘This is life no more’ Chapter - 15: ‘You will have all of it when I am gone’ Chapter - 16: ‘Determining their fate irrevocably in a few moments’ Chapter - 17: ‘Pick out gold, silver and platinum from the articles of minimal museum value’ Chapter - 18: ‘I know that May was passionately fond of fine jewellery’ Chapter - 19: ‘Department stores – try the department stores’ Chapter - 20: ‘Old civilisations put to the sword’ Chapter - 21: ‘Turn of the century trinkets’ Chapter - 22: ‘When you viewed his Fabergé collection, you were doing him a favour’ Chapter - 23: ‘He who dies with the most toys wins’ Chapter - 24: ‘Handle it and then question it; that thing is as right as rain’ Chapter - 25: ‘You can put all your eggs in one basket’ Section - iv: Afterword Section - v: Appendix – Full listing of the Imperial eggs Chapter - vi: Glossary Section - vii: Notes Section - viii: Bibliography Index - ix: Index Acknowledgements - x: Acknowledgements

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Book SynopsisWar has always been close to the centre of British culture, but never more so than in the period since 1850. "Warrior Nation" explores the way in which images of battle, both literary and visual, have been constructed in British fiction and popular culture since this time. The rise of war reporting has helped to shape a society fascinated by conflict, and the development of mass communications has aided in the creation of mass-produced martial heroes and the relation of epic adventures for political ends. To achieve national goals, the notion of war has been promoted as an activity of high adventure and chivalrous enterprise and as a rite of passage to manhood. Using a wide range of media, Michael Paris focuses on how war has been "sold" to boys and young men and examines the "warrior" as a masculine ideal.Trade Review'Ever wondered why Britain has fought and won so many wars? Paris's fascinating book goes a long way to answer this question ... Paris has created a compelling insight into why Britain responded to the call of arms.' -The Good Book Guide 'an absorbing and thought-provoking survey of the presentation of war in popular culture ... It is impossible in a short review to do justice to the historical sweep, the literary insight and the importance of the issues raised by this stimulating and enjoyable book. I warmly recommend it to you.' -Biggles Flies Again 'This is a splendid book, well written and well researched, which throws light on our understanding of the subject.' - Michael Dockrell, Department of War Studies, King's College, London

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Book SynopsisHampton Court Palace, to the south-west of London, is one of the most famous and magnificent buildings in Britain. The original palace was begun by Cardinal Wolsey, but it soon attracted the attention of his Tudor king and became the centre of royal and political life for the next 200 years. In this new, lavishly illustrated history, the stories of the people who have inhabited the palace over the last five centuries take centre stage. Here Henry VIII and most of his six wives held court, Shakespeare and his players performed, and Charles I escaped arrest after his defeat in the Civil War. William III and Mary II introduced French court etiquette, and Georgian kings and princes argued violently amid the splendid interiors. Alongside the royal residents, there have been equally fascinating characters among courtiers and servants. Queen Victoria opened the palace to the public in the nineteenth century, and since then millions of visitors have been drawn to Hampton Court by its grandeur, its beauty and the many intriguing stories of those great and small who once lived here.

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Book SynopsisKazakh nomads have been grazing their livestock near the Altai Mountains in western Mongolia for many hundreds of years. Here, in this desolate landscape, where temperatures plummet to minus 40 degrees Celsius in winter, live the last of the men who use eagles to hunt on horseback. Rugged, formidable, proud, the golden eagles share the same qualities as the men with whom they ride. Only the toughest survive here. Fascinated by the special bond that develops between hunter and eagle, award-winning photographer Palani Mohan has spent the last few years documenting the burkitshi, as the hunters are known in Kazakh. As Mohan explains in his introduction to a collection of breathtaking duotone images, this is a culture under threat. There are no more than 50 to 60 'true' hunters left, and each winter claims a few more. Having taken a pup from the nest, given it pride of place in their home and trained it, all hunters describe the eagle as part of their family. With its massive wingspan, sharp eyesight and powerful, flesh-tearing beak and talons, the golden eagle is the perfect predator. Its usual prey, fox, provides a welcome meal for the hunter's family, while the pelt can be made into warm clothing. Mohan's photographs of the stark landscape, the isolation of the hunt, and most of all the trusting relationship between man and bird, convey the huge importance that the eagle plays in the lives of the last remaining Kazakh hunters. This is an enthralling, timely record of these noble men and their majestic eagles in an unforgiving part of the planet. AUTHOR: Indian born, Australian raised Palani Mohan is an award-winning photographer whose work has been featured in many international publications, including National Geographic, Stern, Geo, the New York Times, Timeand Newsweek. He has previously published four books, including 'Hidden Faces of India' (2002) and 'Vanishing Giants: Elephants of Asia' (2008). He currently lives in Hong Kong. SELLING POINTS: . Stunning duotone images document the unique relationship between the hunters and their eagles . A captivating, sensitive appreciation of a little-known and now threatened way of life . Will appeal to anyone interested in disappearing cultures and to lovers of travel and nature photography 85 duotone photos, 1 mapTable of ContentsIntroduction; Hunting with Eagles; Acknowledgements

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Book SynopsisA Visual History of Graphic Design - A comprehensive look at hundreds of landmark projects, industry leaders profiles, and illustrated timelines for each decade. History is a complex business. Fortunes boom and bust, empires wax and wane, and change—whether social, political, or technological—has its winners, its losers, its advocates, and its enemies. Through all the turbulent passage of time, graphic design—with its vivid, neat synthesis of image and idea—has distilled the spirit of each age. This book offers a comprehensive history of graphic design from the end of the 19th century to the remains of World War II. It traces the evolution of this creative field from its beginning as poster design to its further development into advertising, corporate identity, packaging, and editorial design. Organized chronologically, the volume features over 2,500 seminal designs from all over the world, 71 of which are profiled in detail besides 61 leaders in the field, including Alphonse Mucha (chocolate advertisements), Edward Johnston (London Underground logo and typeface), El Lissitzky (constructivist graphics), Herbert Matter (photomontage travel posters from Switzerland), Saul Bass (animated opening titles), and A. M. Cassandre (art deco posters). With his sweeping knowledge of the field, author Jens Müller curates the standout designs for each year alongside a running sequence of design milestones. Meanwhile, in his introductory essay, David Jury situates graphic design from its point of origin in early printing, engraving, and lithography to striking creative developments in the 19th century. Each consecutive decade is then prefaced by a succinct overview as well as a stunning visual timeline, offering a vivid display of the variety of graphic production in each decade as well as the global landscape which it at once described and defined. As we move on from and reflect upon the 20th century, this staggering collection represents the foundations of what would influence some of the fastest changing creative fields, and a long-overdue recognition of the enormous contribution graphic design has made to economics, politics, social causes, arts, media, and the way we see the world. A second volume in preparation will cover the period from 1960 to today.Trade Review“Jens Müller ambitiously traces not only the evolution of an industry, but also the arc of our aesthetics.” * TIME *“Chronicle, treasure of pictures, source of ideas—and above all, great fun.” * spiegel.de *“Graphic design history is a cultural, political, social, and technological history. Since it is impossible to understand one without the other, this book, which looks at the legacy and heritage of graphic design, is an essential portal to our appreciation of the world’s history.” * Steven Heller *

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Book SynopsisJoin Sister Wendy on a journey through Lent, and discover the timeless wisdom to be found in some of the world’s greatest paintingsTable of ContentsWeek 1 Silence Week 2 Contemplation Week 3 Peace Week 4 Confidence Week 5 Joy Week 6 Love

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Book Synopsis104 stained glass projects using all the well-known themes of Art Nouveau: swirling forms, florals, peacocks, and sensuous women. Sourcebook for use or for inspiration. 104 projects on 60 plates.

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Book SynopsisFOREWORD INDIES Book of the Year Awards — 2017 GOLD Winner for ArchitectureOne of the most important and authoritative books to celebrate mosque architecture and Islamic design, featuring many exquisite newly commissioned photographs.   This visually striking volume illustrates over sixty of the most venerated mosques from historic monuments such as the Great Mosque of Córdoba and Istanbul’s Süleymaniye Mosque to today’s most dynamic new designs exemplified by the Sancaklar Mosque. Essays by prominent architecture and design authorities include Professor Sussan Babaie, Andrew W. Mellon Reader in the Arts of Iran and Islam, The Courtauld Institute of Art, London; Distinguished Professor Walter B. Denny, Department of the History of Art and Architecture, University of Massachusetts at Amherst; Heather Ecker, Visiting Professor, Art and Archaeology, Columbia University; Professor Mohammed Hamdouni Alami, Archaeological R

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Book SynopsisFrancesca Woodman (1958-1981) - sensitive and troubled American photographer, considered one of the most intense artists in the 20th century - produced, during her short life, six artist''s books. They are refined and evocative objects, created from old school notebooks found in Rome, in which she transcribed in elegant and small handwriting various texts and poems, in French and in Italian, and on which she affixed a sequence of some of her photographs. A precious facsimile edition presents for the first time one of these notebooks, chosen by Francesca''s family for its beauty. Black and white images are covered, like in the original notebook, by a translucent film that makes the contrast with the notebook paper even more evocative.

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Book SynopsisReveals the ways in which the work of bio artists offers new meanings for our lives in the wake of scientific discovery, as well as new frameworks for describing them. This book covers key areas in which biotechnology has had an impact on world, including ecology, biomedicine, designer genomes and evolutionary theory.Trade Review'A compelling contribution to the biotechnology conversation' - Science'Myers shows how the work of bio artists offers a new framework for our lives in the wake of scientific discovery' - Vanity FairTable of ContentsForeword by Suzanne Anker • Introduction: Bio Art and the Gnawing Invisible • I Altering Nature, Naturally • II Redefining Life • III Visualizing Scale and Scope • IV Experimental Identities and Media

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Book SynopsisPresents a celebration of the great photographers who have captured those most fugitive of moments in cycling: the personalities, emotions and human endurance. This title explores themes such as the Tour de France, track racing in the velodrome, winter training and the revelry of the fans and crowds, and more.Trade Review'Glorious' - Daily Telegraph'This isn’t simply a book for cycling enthusiasts, but also for anyone with an interest in sports photography, reportage or just the Magnum agency' - Amateur Photographer'A reminder that, among the strained sinews, yellow jerseys and mud-splattered victory laps, cycling remains ‘the sport of the people' ' - Mr Porter'Encapsulates cycling's multifaceted appeal' - The Cyclist'A heavyweight addition to shelves' - Guardian'The world's best photographers capture the world's most thrilling sport … The book brings together an impressive spectrum of colour and black-and-white images … It is a moving and addictive collection' - Cycling WorldTable of Contents1. Tour de France, 1939 – Robert Capa • 2. Winter Training and Racing: Guy Le Querrec, Winter training 1985; Guy Le Querrec, Laurent Fignon; Guy Le Querrec, French Cyclo-cross; John Vink, Belgian Cyclo-cross; John Vink, Bernard Hinault’s last race • 3. Tour de France, 1982: Harry Gruyaert • 4. Track Racing and the Velodrome: David Seymour; Rene Burri; Martine Franck; John Vink; Stuart Franklin; Chris Steele Perkins, Atlanta 1996 Paralympics; Henri Cartier-Bresson, 1957 Paris Six-Day Race • 5. Tour de France, 1985: John Vink; Christopher Anderson, The Lost Tours • 6. The Crowds and Spectators: Mark Power; John Vink; Robert Capa; Martine Franck; Henri Cartier-Bresson; Richard Kalvar; Harry Gruyaert; Leonard Freed; Guy Le Querrec; Chris Steele Perkins; Thomas Hoepker

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Book SynopsisContains Candida Hofer's famously ascetic images of the Escorial in Spain, the Whitney Museum and the Pierpont Morgan Library in New York, Villa Medici in Rome and the Hamburg University Library, among others. Umberto Eco contributes an essay on libraries.Trade Review'Breathtaking … brings out the scale and beauty of these temples of learning' - Sunday TelegraphTable of ContentsAustria: Kloster Mehrerau, Bregenz; Kunsthaus Bregenz, Bregenz; University Library, Universität für angewandte Kunst Wien, Vienna China: Sou Du Bo Wu Guan Library, Beijing Denmark: Royal Library, Copenhagen; University Library,Copenhagen Finland: University Library,Helsinki France: Bibliothèque nationale de France, Paris; Bibliothèque Sainte-Geneviève, Paris; BNF, Paris Germany: Albertinum, Dresden; Alvar Aalto-Kulturhaus, Wolfsburg; Amerika-Gedenkbibliothek, Berlin; Archiv zur Geschichte der Max-Planck-Gesellschaft, Berlin; Deutsche Bubliothek, Frankfurt am Main; Deutsche Bücherei, Leipzig; Deutsches Musikarchiv, Berlin; Deutsches Patent- adn Markenamt, Berlin; Herzogin Anna Amalia Bibliothek, Weimar; Kunsthalle Bremen, Bremen; Kupferstich-Kabinett, Dresden; Max-Planck Institut für Wissenschaftsgeschichte,Berlin;SächsischesStaatsarchiv,Dresden;WarburgBibliothek,Hamburg Great Britain: Bantry House, Bantry; British Library, London; Lay Society Library, London; Marx Memorial Library, London; Playfair Library Hall, Univerity of Edinburgh; RIBA, London Italy: Biblioteca Angelica, Rome; Biblioteca Cappuccini Redentore Giudeca, Venice; Biblioteca Hertziana, Rome; Biblioteca Nazionale Marciana, Venice; Biblioteca Seminario Patriarcale, Venice; Escuela de Arquitectura de Venezia, Venice; San Lazzarro degli Armeni San Lazzaro, Venice Norway: Deichmanske Library, Oslo; University Library, Oslo Spain: Biblioteca Pedro Salinas, Madrid; Biblioteca PHE, Madrid; Biblioteca Salamanca, Salamanca; Biblioteca tel MNCARS, Madrid; El Escorial Switzerland: Allgemeine Lesegesellschaft, Basel; Frey- Frynaeisches Institut, Basel; Naturhistorisches Museum, St Gallen; Öffentliche Kunstsammlung, Basel; Paul Sacher Stiftung, Basel; Staatsarchive Basel-Stadt, Basel; Swiss Re, Rüschlikon USA: Beinecke Rare Book and Manuscript Library, New Haven; Brooklyn Public Library; Frick Art Reference Library, New York; Harvard University Art Museum, Cambridge; Hispanic Society of America, New York; Long Beach Public Library, Long Beach; Los Angeles Public Library; MOCA, Los Angeles; New York Public Library; Otis College of Art and Design, Los Angeles; The Broad Art Foundation, Santa Monica; Whitney Museum of American Art, New York; Widener Library Harvard University, Cambridege

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Book SynopsisA brand new edition of the bestselling book, endorsed by the Royal Botanic Garden at Kew, by renowned watercolour artist Adelene Fletcher. From azalea to zantedeschia, this unique watercolour artist's guide offers easy-to-follow, plant-specific information on how to paint over 50 of the most popular species of flower in a crisp and natural style. Adelene teaches you the essential skills of creating a realistic structure and form of a flower by close observation of the pattern of light and shade on petals and foliage. Included are step-by-step photographs, details, and instructions on capturing the individual essence of the flower, together with comprehensive information on the appropriate techniques and colour mixes to use. Glorious full-colour photographs of the finished watercolour show the depth and variety of the plant portraits, from the exquisitely executed passion flower to the bold luminosity of the oriental poppy. Finally, a handy colour key is included for every flower, helping you prepare your palette before delving into your floral portait. If you have never painted flowers before, or have always wanted to capture that specific species on canvas that you've never managed to grow in your own garden, this is the book for you.Trade ReviewEach demonstration occupies a single spread and covers the palette, working sequence and further examination of the detailed areas, covering 50 popular flowers. The full-page illustrations of the finished results show you exactly what you are trying to achieve and the enlarged detail photographs ensure that you'll get the fine work right every time. -- The SAA * The SAA Catalogue 19/20 *'Re-publication has brought this under the umbrella of Search Press’s relationship with Kew, and this is no bad thing. Kew are a world authority and don’t issue their imprimatur lightly, so there’s considerable added authority here. The crispness of the illustrations also suggests re-origination, so there’s really rather a lot to like here.' Read the full review here. -- Henry Malt * Artbookreview.net *Paint lovely studies of fifty popular flowers with this useful primer. Every book sold donates money to the Royal Botanical Gardens at Kew, funding their vital work. Aimed at anybody who has some basic skills but wants to extend their art repertoire to include flowers, there is a useful lesson in every project. As it says on the cover this is an “illustrated directory of techniques” and if you work your way through all the flowers you will amass a wealth of useful watercolor skills. Start by learning what colors you need to buy plus a brief overview of other materials, and progress though some short techniques which are particularly associated with painting flowers. Most of these are common to all watercolor work but the examples shown are all of plants so you can discover how to use them in context with floral depiction. A true beginner will probably require more in-depth instruction for basics such as wet-in-wet, dry brushing, masking out etc but anybody of at least improver level used to painting other subjects will find it useful. The rest of the book mostly consists of the fifty projects, taking you from agapanthus to zantedeschia. Each project covers two pages, one showing a picture of the finished work plus a few enlarged areas with notes and the other the method. Colors are listed with a blob of each which is helpful. These are all mentioned in the method, which is separated into a staged “Sequence” and at the bottom “Special Detail” which highlights a particular technique which you can learn or perfect with the project. At the back of the book is further help on composing floral groups plus a glossary and index. The glossary contains both watercolor and botanical terms, and each flower has a short piece describing it. Choose from a large range of garden and house favorites such as roses, sunflower, waterlily, poppies, tulip, nasturtium, passion flower, bird of paradise, poinsettia, carnation and many more. The rewards will not only include a wealth of lovely paintings and new skills but also the knowledge that buying this book has helped Kew Gardens’ important work including their Seed Bank. A good book for anybody who wants to learn how to paint flowers in watercolor. -- Rachel Hyde * myshelf.com *Table of ContentsIntroduction Essentials Directory of Flowers Composition Glossary Index

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